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Episode 414. Sass Returns!

23/11/2025 admin Leave a comment

Episode 414. Sass Returns! SOCIAL SHARE SUBSCRIPTION PLATFORM Every hundred or so episodes, I feel compelled to pay a return…

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Posted in: Arie antiche, Art Song, Behind the Iron Curtain, Bel Canto, Crossover, French Opera, Full-Figured Baroque, Giuseppe Verdi, Listeners' Favorites, Music for a World in Crisis, Needle Drop, Opera in Translation, Operetta, Orchestral Songs, Pop Icons, Richard Strauss, Richard Wagner, Sylvia Sass, Twentieth Century Music, Twentieth Century Opera, Verismo, Wolfgang Amadeus Mozart Filed under: A Kékszakállú herceg vára, Aage Haugland, Adalbert von Chamisso, Adriana Lecouvreur, Alessandro Stradella, Alexandre Dumas fils, András Schiff, András Sebestyén, Andrea Maffei, Arturo Colautti, Barry Gibb, Béla Balázs, Béla Bartók, Belfagor, Bluebeard’s Castle, Charles Gounod, Claudio Guastalla, Dusán Sztevanovity, Endre Ady, Ercole Luigi Morselli, Ernest Legouvé, Ervin Lukács, Eugène Scribe, Faust, Francesco Cilea, Francesco Maria Piave, Franz Liszt, Frauenliebe und -leben, Giuseppe Verdi, György G Dénes, György Korondi, Henri Meilhac, I Lombardi alla Prima Crociata, Il Corsaro, Iván Bradányi, Jacques Offenbach, János Bródy, Johann Rumpelmeyer, Johann Wolfgang von Goethe, John Henry Mackay, Josef Kenner, Jules Barbier, Kolos Kováts, La Belle Helene, La Traviata, Lamberto Gardelli, Loránt Szücs, Lord Byron, Ludovic Halévy, Macbeth, Mathilde Wesendonck, Michel Carré, Michel Plasson, Miklós Harazdy, Nello Santi, Ottorino Respighi, Patrick Fournillier, Péter Wolf, Pietro Metastasio, Richard Strauss, Richard Wagner, Robert Schumann, Robin Gibb, Sylvia Sass, Temistocle Solera, Tibor Bornai, Tommaso Grossi, Wesendonck-Lieder, William Shakespeare, Wolfgang Amadeus Mozart, Zoltán Kodály, Zsuzsa Koncz

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