{"id":9835,"date":"2022-05-30T17:20:22","date_gmt":"2022-05-30T15:20:22","guid":{"rendered":"http:\/\/countermelodypodcast.com\/?p=9835"},"modified":"2022-06-03T10:28:27","modified_gmt":"2022-06-03T08:28:27","slug":"episode-148-the-young-bacquier","status":"publish","type":"post","link":"https:\/\/countermelodypodcast.com\/index.php\/2022\/05\/30\/episode-148-the-young-bacquier\/","title":{"rendered":"Episode 147. The Young Bacquier"},"content":{"rendered":"<div id=\"mega-menu-wrap-primary\" class=\"mega-menu-wrap\"><div class=\"mega-menu-toggle\"><div class=\"mega-toggle-blocks-left\"><\/div><div class=\"mega-toggle-blocks-center\"><\/div><div class=\"mega-toggle-blocks-right\"><div class='mega-toggle-block mega-menu-toggle-animated-block mega-toggle-block-1' id='mega-toggle-block-1'><button aria-label=\"Menu\" class=\"mega-toggle-animated mega-toggle-animated-slider\" type=\"button\" aria-haspopup=\"true\" aria-expanded=\"false\" aria-controls=\"mega-menu-primary\">\n                  <span class=\"mega-toggle-animated-box\">\n                    <span class=\"mega-toggle-animated-inner\"><\/span>\n                  <\/span>\n                <\/button><\/div><\/div><\/div><ul id=\"mega-menu-primary\" class=\"mega-menu max-mega-menu mega-menu-horizontal mega-no-js\" data-event=\"hover_intent\" data-effect=\"slide\" data-effect-speed=\"200\" data-effect-mobile=\"slide\" data-effect-speed-mobile=\"200\" data-mobile-force-width=\"body\" data-second-click=\"go\" data-document-click=\"collapse\" data-vertical-behaviour=\"standard\" data-breakpoint=\"600\" data-unbind=\"true\" data-mobile-state=\"collapse_all\" data-mobile-direction=\"vertical\" data-hover-intent-timeout=\"300\" data-hover-intent-interval=\"100\"><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-menu-item-home mega-align-bottom-left mega-menu-flyout mega-menu-item-19160\" id=\"mega-menu-item-19160\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/\">Home<\/a><\/li><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-align-bottom-left mega-menu-flyout mega-menu-item-19161\" id=\"mega-menu-item-19161\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/index.php\/about-daniel\/\">About Daniel<\/a><\/li><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-current_page_parent mega-align-bottom-left mega-menu-flyout mega-menu-item-19171\" id=\"mega-menu-item-19171\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/index.php\/all-episodes\/\">All Episodes<\/a><\/li><\/ul><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">Episode 147.  The Young Gabriel Bacquier<\/h2>\n\n\n\n<iframe loading=\"lazy\" width=\"340\" height=\"50\" src=\"https:\/\/countermelody.blubrry.net\/?powerpress_embed=594-podcast&amp;powerpress_player=mediaelement-audio\" title=\"Blubrry Podcast Player\" frameborder=\"0\" scrolling=\"no\"><\/iframe>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p><strong>SOCIAL SHARE<\/strong><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"has-text-align-right\"><strong>SUBSCRIPTION PLATFORM<\/strong><\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<ul class=\"wp-block-social-links has-normal-icon-size 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5.331 5.331 0 0 0 2.372-4.114 2.787 2.787 0 0 0 1.583-2.5 2.775 2.775 0 0 0-2.772-2.772 2.742 2.742 0 0 0-1.688.574 9.482 9.482 0 0 0-4.637-1.348v-.008a2.349 2.349 0 0 1 2.011-2.316 1.97 1.97 0 0 0 1.926 1.521 1.98 1.98 0 0 0 1.978-1.978 1.98 1.98 0 0 0-1.978-1.978 1.985 1.985 0 0 0-1.938 1.578 3.183 3.183 0 0 0-2.849 3.172v.011a9.463 9.463 0 0 0-4.59 1.35 2.741 2.741 0 0 0-1.688-.574Zm6.736 9.1a3.162 3.162 0 0 1-2.921-1.944.215.215 0 0 1 .014-.2.219.219 0 0 1 .168-.106 27.327 27.327 0 0 1 2.74-.133 27.357 27.357 0 0 1 2.74.133.219.219 0 0 1 .168.106.215.215 0 0 1 .014.2 3.158 3.158 0 0 1-2.921 1.944Zm3.743-3.157a1.265 1.265 0 0 1-1.4-1.371 1.954 1.954 0 0 1 .482-1.442 1.15 1.15 0 0 1 .842-.379 1.7 1.7 0 0 1 1.49 1.777 1.323 1.323 0 0 1-.325 1.015 1.476 1.476 0 0 1-1.089.4Zm-7.485 0a1.476 1.476 0 0 1-1.086-.4 1.323 1.323 0 0 1-.325-1.016 1.7 1.7 0 0 1 1.49-1.777 1.151 1.151 0 0 1 .843.379 1.951 1.951 0 0 1 .481 1.441 1.276 1.276 0 0 1-1.403 1.373Z\"><\/path><\/svg><span class=\"wp-block-social-link-label screen-reader-text\">Share on Reddit<\/span><\/a><\/li><\/ul>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<div class=\"wp-block-buttons is-horizontal is-content-justification-left is-layout-flex wp-container-core-buttons-is-layout-7e5fce0a wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button alignright\"><a class=\"wp-block-button__link no-border-radius\" href=\"https:\/\/countermelody.blubrry.net\/\">SUBSCRIBE VIA YOUR FAVORITE PODCAST PLATFORM<\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/05\/Bacquier-Formal-Headshot.png\" alt=\"\" class=\"wp-image-10026\" width=\"498\" height=\"647\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/05\/Bacquier-Formal-Headshot.png 472w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/05\/Bacquier-Formal-Headshot-231x300.png 231w\" sizes=\"auto, (max-width: 498px) 100vw, 498px\" \/><figcaption>Gabriel Augustin-Raymond-Th\u00e9odore-Louis Bacquier (17 May 1924 \u2013 13 May 2020)<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:38px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Two years ago last month, the great French (bass-)baritone Gabriel Bacquier died just four days short of his 96th birthday. At that time I offered a brief memorial tribute which opened my eyes to aspects of his artistry and voice with which I had been previously unfamiliar. Like his near-contemporary, the Italian baritone Tito Gobbi, Bacquier was one of the supreme actors of the operatic stage, whose voice coarsened somewhat over the course of his long career, even as his mastery as an actor and interpreter increased. By the time he retired, his repertoire consisted almost entirely of buffo parts. But in the earliest years of his career (and also like Gobbi), he possessed a baritone of velvety beauty that might surprise those who know only his later comic roles. This episode, which commemorates the second anniversary of Bacquier\u2019s death as well as his (posthumous) 98th birthday, focuses on the three different musical genres in which, in those early years, from 1953 through 1968, he excelled in equal measure: opera, of course, but also <em>m\u00e9lodie<\/em> and operetta. The operatic portrayals represented include the title roles in <em>Don Giovanni <\/em>and <em>Orph\u00e9e et Eurydice<\/em>; Zurga in <em>Les P\u00eacheurs de perles<\/em>; the Count in <em>Le nozze di Figaro<\/em>; Iago in <em>Otello<\/em>; Golaud; and his incomparable Scarpia, which he sang opposite every great Tosca of the 1960s with the exception of Callas. Complementing these live and studio recordings are recordings of <em>melodies<\/em> by Duparc, Faur\u00e9, Debussy, Ravel, and Poulenc; and operetta arias by Sigmund Romberg, Franz Leh\u00e1r, Johann Strauss II, and Reynaldo Hahn, all deliciously sung in French. Vocal guest stars include Mirella Freni; Alain Vanzo; Bernard Demigny; Janine Ervil; Yvonne Gall, with whom Bacquier studied at the Conservatoire de Paris; and the late Renate Holm, the renowned German soubrette who died in April at the age of 90. In all this repertoire, Bacquier, who insisted on the appellation \u201cacting singer\u201d rather than \u201csinging actor,\u201d displays his commitment to clear yet full projection of text, which serves as a mirror into the music and not the other way around.<\/p>\n\n\n\n<div style=\"height:47px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-custom-size\" style=\"font-size:30px\"><strong> RECORDINGS HEARD IN THIS EPISODE<\/strong><\/p>\n\n\n\n<div style=\"height:55px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"873\" height=\"646\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/05\/Bacquier-Giovanni-Serenade-2.png\" alt=\"\" class=\"wp-image-10036\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/05\/Bacquier-Giovanni-Serenade-2.png 873w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/05\/Bacquier-Giovanni-Serenade-2-300x222.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/05\/Bacquier-Giovanni-Serenade-2-768x568.png 768w\" sizes=\"auto, (max-width: 873px) 100vw, 873px\" \/><\/figure>\n<\/div>\n\n\n<p>Wolfgang Amadeus Mozart, Lorenzo da Ponte: Deh, vieni alla finestra (<em>Don Giovanni<\/em>). Gabriel Bacquier, Alberto Erede, Orchestre de la Soci\u00e9t\u00e9 des Concerts du Conservatoire [live Aix-en-Provence 07.1960]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"549\" height=\"767\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/05\/Bacquier-Headshot.png\" alt=\"\" class=\"wp-image-10035\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/05\/Bacquier-Headshot.png 549w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/05\/Bacquier-Headshot-215x300.png 215w\" sizes=\"auto, (max-width: 549px) 100vw, 549px\" \/><\/figure>\n<\/div>\n\n\n<p>Henri Duparc, Jean Lahor: Chanson triste. Gabriel Bacquier, Jean Laforge [1962]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"469\" height=\"512\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/05\/Yvonne-Gall.png\" alt=\"\" class=\"wp-image-10029\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/05\/Yvonne-Gall.png 469w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/05\/Yvonne-Gall-275x300.png 275w\" sizes=\"auto, (max-width: 469px) 100vw, 469px\" \/><figcaption>Yvonne Gall (06 March 1885 \u2013 21 August 1972)<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Benjamin Godard, Armand Silvestre, Victor Capoul (after Alphonse de Lamartine): Berceuse [Oh, ne t&#8217;\u00e9veille pas encore] (<em>Jocelyn<\/em>). Yvonne Gall [1928]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"583\" height=\"705\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/05\/Romberg.jpg\" alt=\"\" class=\"wp-image-10032\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/05\/Romberg.jpg 583w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/05\/Romberg-248x300.jpg 248w\" sizes=\"auto, (max-width: 583px) 100vw, 583px\" \/><figcaption>Sigmund Romberg (29 July 1887 \u2013 9 November 1951)<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Sigmund Romberg, Roger Ferr\u00e9ol, Saint-Granier (after Oscar Hammerstein II, Otto Harbach): Je ne veux que son amour (<em>Le Chant du D\u00e9sert<\/em> [<em>The Desert Song<\/em>]). Gabriel Bacquier, Orchestra conducted by Fernand Terby [1953]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"589\" height=\"584\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/05\/Vanzo-Album-Cover.jpg\" alt=\"\" class=\"wp-image-10037\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/05\/Vanzo-Album-Cover.jpg 589w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/05\/Vanzo-Album-Cover-300x297.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/05\/Vanzo-Album-Cover-150x150.jpg 150w\" sizes=\"auto, (max-width: 589px) 100vw, 589px\" \/><figcaption>Alain Vanzo (02 April 1928 \u2013 27 January 2002)<\/figcaption><\/figure>\n<\/div>\n\n\n<p>Georges Bizet, Mich\u00e8le Carr\u00e9, Eug\u00e8ne Cormon: Au fond du temple saint (<em>Les p\u00eacheurs de perles<\/em>). Gabriel Bacquier, Alain Vanzo, Manuel Rosenthal, Orchestre Radio Lyrique [live Paris 25.VI.1959]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"605\" height=\"874\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/05\/Renate-Holm.jpg\" alt=\"\" class=\"wp-image-10028\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/05\/Renate-Holm.jpg 605w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/05\/Renate-Holm-208x300.jpg 208w\" sizes=\"auto, (max-width: 605px) 100vw, 605px\" \/><figcaption>Renate Holm (10 August 1931 \u2013 21 April 2022)<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Wolfgang Amadeus Mozart, Lorenzo da Ponte: L\u00e0 ci darem la mano (<em>Don Giovanni<\/em>). Gabriel Bacquier, Renate Holm, Fernando Previtali, Orchestra of the Teatro Col\u00f3n [live Buenos Aires 09.1966]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"499\" height=\"619\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/05\/Bacquier-Scarpia.png\" alt=\"\" class=\"wp-image-10038\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/05\/Bacquier-Scarpia.png 499w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/05\/Bacquier-Scarpia-242x300.png 242w\" sizes=\"auto, (max-width: 499px) 100vw, 499px\" \/><\/figure>\n<\/div>\n\n\n<p>Giacomo Puccini, Paul Ferrier (after Giuseppe Giacoso, Luigi Illica): Ha pi\u00f9 forte sapore la conquista violente (<em>Tosca<\/em>). Gabriel Bacquier, Manuel Rosenthal, Orchestre National de l\u2019Op\u00e9ra de Paris [1960]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"736\" height=\"919\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/05\/Mirella-Freni.jpg\" alt=\"\" class=\"wp-image-10039\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/05\/Mirella-Freni.jpg 736w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/05\/Mirella-Freni-240x300.jpg 240w\" sizes=\"auto, (max-width: 736px) 100vw, 736px\" \/><figcaption>Mirella Freni (27 February 1935&nbsp;\u2013 09 February 2020)<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Wolfgang Amadeus Mozart, Lorenzo da Ponte: Crudel, perch\u00e8 fin\u2019ora (<em>Le nozze di Figaro<\/em>). Gabriel Bacquier, Mirella Freni, Silvio Varviso, London Philharmonic Orchestra [live Glyndebourne 1962]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"644\" height=\"722\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/05\/Bacquier-Generic-Evil-Character.png\" alt=\"\" class=\"wp-image-10040\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/05\/Bacquier-Generic-Evil-Character.png 644w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/05\/Bacquier-Generic-Evil-Character-268x300.png 268w\" sizes=\"auto, (max-width: 644px) 100vw, 644px\" \/><\/figure>\n<\/div>\n\n\n<p>Giuseppe Verdi, Arrigo Boito: Era la notte (<em>Otello<\/em>). Gabriel Bacquier, Orchestra conducted by J\u00e9sus Etch\u00e9verry [1963]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"464\" height=\"611\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/05\/Demigny.png\" alt=\"\" class=\"wp-image-10041\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/05\/Demigny.png 464w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/05\/Demigny-228x300.png 228w\" sizes=\"auto, (max-width: 464px) 100vw, 464px\" \/><figcaption>Bernard Demigny<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Darius Milhaud, Andr\u00e9 Gide: <em>Le retour de l\u2019enfant prodigue<\/em> [two excerpts]: Mon fils! que le jour o\u00f9 tu reviens; Mon p\u00e8re! mon p\u00e8re! Le go\u00fbt sauvage des glands. Gabriel Bacquier, Bernard Demigny, Darius Milhaud, Solistes de l\u2019Orchestre du Th\u00e9\u00e2tre National de l\u2019Op\u00e9ra [1960]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"718\" height=\"714\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/05\/Bacquier-Young-Headshot.png\" alt=\"\" class=\"wp-image-10042\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/05\/Bacquier-Young-Headshot.png 718w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/05\/Bacquier-Young-Headshot-300x298.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/05\/Bacquier-Young-Headshot-150x150.png 150w\" sizes=\"auto, (max-width: 718px) 100vw, 718px\" \/><\/figure>\n<\/div>\n\n\n<p>Reynaldo Hahn, Robert de Flers: Air du mouchoir [C\u2019est tout ce qui me reste d\u2019elle] (<em>Ciboulette<\/em>). Gabriel Bacquier, Orchestra conducted by Jean Laforge [ca. 1958]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"654\" height=\"713\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/05\/Bacquier-Early-Colorized-Headshot.png\" alt=\"\" class=\"wp-image-10043\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/05\/Bacquier-Early-Colorized-Headshot.png 654w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/05\/Bacquier-Early-Colorized-Headshot-275x300.png 275w\" sizes=\"auto, (max-width: 654px) 100vw, 654px\" \/><\/figure>\n<\/div>\n\n\n<p>Franz Leh\u00e1r, Andr\u00e9 Rivoire (after Paul Knepler, Bela Jenbach): J\u2019avais cru qu\u2019un baiser [Gern hab\u2019 ich die Frauen gek\u00fc\u00dft] (<em>Paganini<\/em>). Gabriel Bacquier, Jean Laforge, Orchestre de l\u2019Op\u00e9ra de Paris [1961]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"849\" height=\"484\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/05\/Bacquier-Laforge.png\" alt=\"\" class=\"wp-image-10030\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/05\/Bacquier-Laforge.png 849w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/05\/Bacquier-Laforge-300x171.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/05\/Bacquier-Laforge-768x438.png 768w\" sizes=\"auto, (max-width: 849px) 100vw, 849px\" \/><figcaption>Gabriel Bacquier and Jean Laforge<\/figcaption><\/figure>\n<\/div>\n\n\n<p>Gabriel Faur\u00e9, Armand Silvestre: Automne, Op. 18\/3. Gabriel Bacquier, Jean Laforge [1962]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"634\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/05\/Fevrier-1024x634.jpeg\" alt=\"\" class=\"wp-image-10044\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/05\/Fevrier-1024x634.jpeg 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/05\/Fevrier-300x186.jpeg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/05\/Fevrier-768x476.jpeg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/05\/Fevrier-1536x952.jpeg 1536w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/05\/Fevrier-2048x1269.jpeg 2048w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/05\/Fevrier-1600x991.jpeg 1600w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption>Jacques F\u00e9vrier (26 July 1900 \u2013 2 September 1979)<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Francis Poulenc, Robert Desnos: Le disparu, FP 134. Gabriel Bacquier, Jacques F\u00e9vrier [1967]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"834\" height=\"515\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/05\/Bacquier-hand.png\" alt=\"\" class=\"wp-image-10045\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/05\/Bacquier-hand.png 834w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/05\/Bacquier-hand-300x185.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/05\/Bacquier-hand-768x474.png 768w\" sizes=\"auto, (max-width: 834px) 100vw, 834px\" \/><\/figure>\n<\/div>\n\n\n<p>Claude Debussy, Paul Verlaine: Chevaux de bois (<em>Ariettes oubli\u00e9es<\/em>. L. 63b\/4). Gabriel Bacquier, Jean Laforge [1962]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"703\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/05\/Bacquier-First-Golaud-1024x703.png\" alt=\"\" class=\"wp-image-10046\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/05\/Bacquier-First-Golaud-1024x703.png 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/05\/Bacquier-First-Golaud-300x206.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/05\/Bacquier-First-Golaud-768x527.png 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/05\/Bacquier-First-Golaud.png 1027w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n<p>Claude Debussy, Maurice Maeterlinck: Une grande innocence (<em>Pell\u00e9as et M\u00e9lisande<\/em>). Gabriel Bacquier, Serge Baudo, Orchestre de Paris [live Aix-en-Provence 1968]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"726\" height=\"745\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/05\/Bacquier-Ravel-Pray.png\" alt=\"\" class=\"wp-image-10049\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/05\/Bacquier-Ravel-Pray.png 726w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/05\/Bacquier-Ravel-Pray-292x300.png 292w\" sizes=\"auto, (max-width: 726px) 100vw, 726px\" \/><\/figure>\n<\/div>\n\n\n<p>Maurice Ravel, Paul Morand: Chanson \u00e9pique (<em>Don Quichotte \u00e0 Dulcin\u00e9e<\/em>, M. 84\/2). Gabriel Bacquier, Jacques Houtmann, Orchestre National de la RTF [live Paris 26.III.66]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"947\" height=\"657\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/05\/Bacquier-Gluck-Still.png\" alt=\"\" class=\"wp-image-10048\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/05\/Bacquier-Gluck-Still.png 947w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/05\/Bacquier-Gluck-Still-300x208.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/05\/Bacquier-Gluck-Still-768x533.png 768w\" sizes=\"auto, (max-width: 947px) 100vw, 947px\" \/><\/figure>\n<\/div>\n\n\n<p>Christoph Willibald Gluck, Pierre-Louis Moline (after Rainer de\u2019 Calzabigi): J\u2019ai perdu mon Eurydice (<em>Orph\u00e9e et Eurydice<\/em>). Gabriel Bacquier, Jacques Houtmann, Orchestre National de la RTF [live Paris 26.III.66]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"401\" height=\"587\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/05\/Janine-Ervil.jpg\" alt=\"\" class=\"wp-image-10047\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/05\/Janine-Ervil.jpg 401w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/05\/Janine-Ervil-205x300.jpg 205w\" sizes=\"auto, (max-width: 401px) 100vw, 401px\" \/><figcaption>Janine Ervil<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Johann Strauss (p\u00e8re et fils), arr. and adapted Eug\u00e8ne Cools, A. Mou\u00e9zy-Eon, Jean Marietti, Max Eddy: Adieu, musique (<em>Valses di Vienne<\/em>). Gabriel Bacquier, Janine Ervil, Orchestra conducted by F\u00e9lix Nuvolone [1958]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"743\" height=\"713\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/05\/Bacquier-Interview-Screenshot.png\" alt=\"\" class=\"wp-image-10050\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/05\/Bacquier-Interview-Screenshot.png 743w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/05\/Bacquier-Interview-Screenshot-300x288.png 300w\" sizes=\"auto, (max-width: 743px) 100vw, 743px\" \/><\/figure>\n<\/div>\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"783\" height=\"594\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/05\/Bacquier-Screenshot.png\" alt=\"\" class=\"wp-image-10051\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/05\/Bacquier-Screenshot.png 783w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/05\/Bacquier-Screenshot-300x228.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/05\/Bacquier-Screenshot-768x583.png 768w\" sizes=\"auto, (max-width: 783px) 100vw, 783px\" \/><\/figure>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>Episode 147. The Young Gabriel Bacquier SOCIAL SHARE SUBSCRIPTION PLATFORM Two years ago last month, the great French (bass-)baritone Gabriel&hellip;<\/p>\n","protected":false},"author":1,"featured_media":10025,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"advgb_blocks_editor_width":"","advgb_blocks_columns_visual_guide":"","footnotes":""},"categories":[1075,1701,3273,2476,2398,2399,1072,808,2329,2806],"tags":[3871,4157,924,4151,4160,3545,77,4163,153,4152,501,3639,1068,1446,4145,4147,2896,544,1448,1424,588,350,207,1788,4148,4146,1447,4159,4154,749,4144,871,432,870,3864,3601,545,1000,1733,2840,4161,4149,550,546,4155,782,4153,4150,1341,239,1886,4158,4156,34,4162],"class_list":["post-9835","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-art-song","category-bel-canto","category-french-opera","category-giacomo-puccini","category-giuseppe-verdi","category-great-baritones","category-in-memoriam","category-needle-drop","category-opera-in-translation","category-twentieth-century-music","tag-alain-vanzo","tag-alberto-erede","tag-andre-gide","tag-andre-rivoire","tag-ariettes-oubliees-debussy","tag-armand-silvestre","tag-arrigo-boito","tag-benjamin-godard","tag-christoph-willibald-gluck","tag-ciboulette-hahn","tag-claude-debussy","tag-darius-milhaud","tag-don-giovanni","tag-don-quichotte-a-dulcinee","tag-eugene-cools","tag-felix-nuvolone","tag-fernando-previtali","tag-francis-poulenc","tag-franz-lehar","tag-gabriel-bacquier","tag-gabriel-faure","tag-georges-bizet","tag-giuseppe-verdi","tag-henri-duparc","tag-jacques-houtmann","tag-janine-ervil","tag-jean-laforge","tag-jean-lahor","tag-jesus-etcheverry","tag-johann-strauss-ii","tag-johann-strauss-sr","tag-le-nozze-di-figaro","tag-les-pecheurs-de-perles","tag-lorenzo-da-ponte","tag-manuel-rosenthal","tag-maurice-maeterlinck","tag-maurice-ravel","tag-mirella-freni","tag-orphee-et-eurydice","tag-otello-verdi","tag-paganini-lehar","tag-paul-morand","tag-paul-verlaine","tag-pelleas-et-melisande","tag-renate-holm","tag-reynaldo-hahn","tag-robert-de-flers","tag-robert-desnos","tag-serge-baudo","tag-sigmund-romberg","tag-silvio-varviso","tag-the-desert-song-romberg","tag-tosca-puccini","tag-wolfgang-amadeus-mozart","tag-yvonne-gall"],"author_meta":{"display_name":"admin","author_link":"https:\/\/countermelodypodcast.com\/index.php\/author\/admin\/"},"featured_img":"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/05\/Bacquier-Making-Up-TRIMMED-300x161.jpeg","coauthors":[],"tax_additional":{"categories":{"linked":["<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/art-song\/\" class=\"advgb-post-tax-term\">Art Song<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/bel-canto\/\" class=\"advgb-post-tax-term\">Bel Canto<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/french-opera\/\" class=\"advgb-post-tax-term\">French Opera<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/giacomo-puccini\/\" class=\"advgb-post-tax-term\">Giacomo Puccini<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/giuseppe-verdi\/\" class=\"advgb-post-tax-term\">Giuseppe Verdi<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/great-baritones\/\" class=\"advgb-post-tax-term\">Great Baritones<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/in-memoriam\/\" class=\"advgb-post-tax-term\">In Memoriam<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Needle Drop<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/opera-in-translation\/\" class=\"advgb-post-tax-term\">Opera in Translation<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Twentieth Century Music<\/a>"],"unlinked":["<span class=\"advgb-post-tax-term\">Art Song<\/span>","<span class=\"advgb-post-tax-term\">Bel Canto<\/span>","<span class=\"advgb-post-tax-term\">French Opera<\/span>","<span class=\"advgb-post-tax-term\">Giacomo Puccini<\/span>","<span class=\"advgb-post-tax-term\">Giuseppe Verdi<\/span>","<span class=\"advgb-post-tax-term\">Great Baritones<\/span>","<span class=\"advgb-post-tax-term\">In Memoriam<\/span>","<span class=\"advgb-post-tax-term\">Needle Drop<\/span>","<span class=\"advgb-post-tax-term\">Opera in Translation<\/span>","<span class=\"advgb-post-tax-term\">Twentieth Century Music<\/span>"]},"tags":{"linked":["<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Alain Vanzo<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Alberto Erede<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Andr\u00e9 Gide<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Andr\u00e9 Rivoire<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Ariettes oubli\u00e9es (Debussy)<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Armand Silvestre<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Arrigo Boito<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Benjamin Godard<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Christoph Willibald Gluck<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Ciboulette (Hahn)<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Claude Debussy<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Darius Milhaud<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Don Giovanni<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Don Quichotte \u00e0 Dulcin\u00e9e<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Eug\u00e8ne Cools<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">F\u00e9lix Nuvolone<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Fernando Previtali<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Francis Poulenc<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Franz Leh\u00e1r<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Gabriel Bacquier<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Gabriel Faure<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Georges Bizet<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Giuseppe Verdi<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Henri Duparc<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Jacques Houtmann<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Janine Ervil<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Jean Laforge<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Jean Lahor<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">J\u00e9sus Etch\u00e9verry<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Johann Strauss II<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Johann Strauss Sr.<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Le nozze di Figaro<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Les pecheurs de perles<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Lorenzo da Ponte<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Manuel Rosenthal<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Maurice Maeterlinck<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Maurice Ravel<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Mirella Freni<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Orph\u00e9e et Eurydice<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Otello (Verdi)<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Paganini (Leh\u00e1r)<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Paul Morand<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Paul Verlaine<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Pelleas et Melisande<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Renate Holm<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Reynaldo Hahn<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Robert de Flers<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Robert Desnos<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Serge Baudo<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Sigmund Romberg<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Silvio Varviso<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">The Desert Song (Romberg)<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Tosca (Puccini)<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Wolfgang Amadeus Mozart<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Yvonne Gall<\/a>"],"unlinked":["<span class=\"advgb-post-tax-term\">Alain Vanzo<\/span>","<span class=\"advgb-post-tax-term\">Alberto Erede<\/span>","<span class=\"advgb-post-tax-term\">Andr\u00e9 Gide<\/span>","<span class=\"advgb-post-tax-term\">Andr\u00e9 Rivoire<\/span>","<span class=\"advgb-post-tax-term\">Ariettes oubli\u00e9es (Debussy)<\/span>","<span class=\"advgb-post-tax-term\">Armand Silvestre<\/span>","<span class=\"advgb-post-tax-term\">Arrigo Boito<\/span>","<span class=\"advgb-post-tax-term\">Benjamin Godard<\/span>","<span class=\"advgb-post-tax-term\">Christoph Willibald Gluck<\/span>","<span class=\"advgb-post-tax-term\">Ciboulette (Hahn)<\/span>","<span class=\"advgb-post-tax-term\">Claude Debussy<\/span>","<span class=\"advgb-post-tax-term\">Darius Milhaud<\/span>","<span class=\"advgb-post-tax-term\">Don Giovanni<\/span>","<span class=\"advgb-post-tax-term\">Don Quichotte \u00e0 Dulcin\u00e9e<\/span>","<span class=\"advgb-post-tax-term\">Eug\u00e8ne Cools<\/span>","<span class=\"advgb-post-tax-term\">F\u00e9lix Nuvolone<\/span>","<span class=\"advgb-post-tax-term\">Fernando Previtali<\/span>","<span class=\"advgb-post-tax-term\">Francis Poulenc<\/span>","<span class=\"advgb-post-tax-term\">Franz Leh\u00e1r<\/span>","<span class=\"advgb-post-tax-term\">Gabriel Bacquier<\/span>","<span class=\"advgb-post-tax-term\">Gabriel Faure<\/span>","<span class=\"advgb-post-tax-term\">Georges Bizet<\/span>","<span class=\"advgb-post-tax-term\">Giuseppe Verdi<\/span>","<span class=\"advgb-post-tax-term\">Henri Duparc<\/span>","<span class=\"advgb-post-tax-term\">Jacques Houtmann<\/span>","<span class=\"advgb-post-tax-term\">Janine Ervil<\/span>","<span class=\"advgb-post-tax-term\">Jean Laforge<\/span>","<span class=\"advgb-post-tax-term\">Jean Lahor<\/span>","<span class=\"advgb-post-tax-term\">J\u00e9sus Etch\u00e9verry<\/span>","<span class=\"advgb-post-tax-term\">Johann Strauss II<\/span>","<span class=\"advgb-post-tax-term\">Johann Strauss Sr.<\/span>","<span class=\"advgb-post-tax-term\">Le nozze di Figaro<\/span>","<span class=\"advgb-post-tax-term\">Les pecheurs de perles<\/span>","<span class=\"advgb-post-tax-term\">Lorenzo da Ponte<\/span>","<span class=\"advgb-post-tax-term\">Manuel Rosenthal<\/span>","<span class=\"advgb-post-tax-term\">Maurice Maeterlinck<\/span>","<span class=\"advgb-post-tax-term\">Maurice Ravel<\/span>","<span class=\"advgb-post-tax-term\">Mirella Freni<\/span>","<span class=\"advgb-post-tax-term\">Orph\u00e9e et Eurydice<\/span>","<span class=\"advgb-post-tax-term\">Otello (Verdi)<\/span>","<span class=\"advgb-post-tax-term\">Paganini (Leh\u00e1r)<\/span>","<span class=\"advgb-post-tax-term\">Paul Morand<\/span>","<span class=\"advgb-post-tax-term\">Paul Verlaine<\/span>","<span class=\"advgb-post-tax-term\">Pelleas et Melisande<\/span>","<span class=\"advgb-post-tax-term\">Renate Holm<\/span>","<span class=\"advgb-post-tax-term\">Reynaldo Hahn<\/span>","<span class=\"advgb-post-tax-term\">Robert de Flers<\/span>","<span class=\"advgb-post-tax-term\">Robert Desnos<\/span>","<span class=\"advgb-post-tax-term\">Serge Baudo<\/span>","<span class=\"advgb-post-tax-term\">Sigmund Romberg<\/span>","<span class=\"advgb-post-tax-term\">Silvio Varviso<\/span>","<span class=\"advgb-post-tax-term\">The Desert Song (Romberg)<\/span>","<span class=\"advgb-post-tax-term\">Tosca (Puccini)<\/span>","<span class=\"advgb-post-tax-term\">Wolfgang Amadeus Mozart<\/span>","<span class=\"advgb-post-tax-term\">Yvonne Gall<\/span>"]}},"comment_count":"0","relative_dates":{"created":"Posted 4 years ago","modified":"Updated 4 years ago"},"absolute_dates":{"created":"Posted on 30\/05\/2022","modified":"Updated on 03\/06\/2022"},"absolute_dates_time":{"created":"Posted on 30\/05\/2022 17:20","modified":"Updated on 03\/06\/2022 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