{"id":9796,"date":"2022-05-26T17:00:17","date_gmt":"2022-05-26T15:00:17","guid":{"rendered":"http:\/\/countermelodypodcast.com\/?p=9796"},"modified":"2023-11-09T17:53:14","modified_gmt":"2023-11-09T16:53:14","slug":"episode-146-women-of-color-sing-mahler","status":"publish","type":"post","link":"https:\/\/countermelodypodcast.com\/index.php\/2022\/05\/26\/episode-146-women-of-color-sing-mahler\/","title":{"rendered":"Episode 146. Women of Color Sing Mahler"},"content":{"rendered":"<div id=\"mega-menu-wrap-primary\" class=\"mega-menu-wrap\"><div class=\"mega-menu-toggle\"><div class=\"mega-toggle-blocks-left\"><\/div><div class=\"mega-toggle-blocks-center\"><\/div><div class=\"mega-toggle-blocks-right\"><div class='mega-toggle-block mega-menu-toggle-animated-block mega-toggle-block-1' id='mega-toggle-block-1'><button aria-label=\"Menu\" class=\"mega-toggle-animated mega-toggle-animated-slider\" type=\"button\" aria-haspopup=\"true\" aria-expanded=\"false\" aria-controls=\"mega-menu-primary\">\n                  <span class=\"mega-toggle-animated-box\">\n                    <span class=\"mega-toggle-animated-inner\"><\/span>\n                  <\/span>\n                <\/button><\/div><\/div><\/div><ul id=\"mega-menu-primary\" class=\"mega-menu max-mega-menu mega-menu-horizontal mega-no-js\" data-event=\"hover_intent\" data-effect=\"slide\" data-effect-speed=\"200\" data-effect-mobile=\"slide\" data-effect-speed-mobile=\"200\" data-mobile-force-width=\"body\" data-second-click=\"go\" data-document-click=\"collapse\" data-vertical-behaviour=\"standard\" data-breakpoint=\"600\" data-unbind=\"true\" data-mobile-state=\"collapse_all\" data-mobile-direction=\"vertical\" data-hover-intent-timeout=\"300\" data-hover-intent-interval=\"100\"><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-menu-item-home mega-align-bottom-left mega-menu-flyout mega-menu-item-19160\" id=\"mega-menu-item-19160\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/\">Home<\/a><\/li><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-align-bottom-left mega-menu-flyout mega-menu-item-19161\" id=\"mega-menu-item-19161\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/index.php\/about-daniel\/\">About Daniel<\/a><\/li><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-current_page_parent mega-align-bottom-left mega-menu-flyout mega-menu-item-19171\" id=\"mega-menu-item-19171\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/index.php\/all-episodes\/\">All Episodes<\/a><\/li><\/ul><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">Episode 146. Women of Color Sing Mahler<\/h2>\n\n\n\n<iframe loading=\"lazy\" width=\"340\" height=\"50\" src=\"https:\/\/countermelody.blubrry.net\/?powerpress_embed=589-podcast&amp;powerpress_player=mediaelement-audio\" title=\"Blubrry Podcast Player\" frameborder=\"0\" scrolling=\"no\"><\/iframe>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p><strong>SOCIAL SHARE<\/strong><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"has-text-align-right\"><strong>SUBSCRIPTION PLATFORM<\/strong><\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<ul class=\"wp-block-social-links has-normal-icon-size 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1.276 1.276 0 0 1-1.403 1.373Z\"><\/path><\/svg><span class=\"wp-block-social-link-label screen-reader-text\">Share on Reddit<\/span><\/a><\/li><\/ul>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<div class=\"wp-block-buttons is-horizontal is-content-justification-left is-layout-flex wp-container-core-buttons-is-layout-7e5fce0a wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button alignright\"><a class=\"wp-block-button__link no-border-radius\" href=\"https:\/\/countermelody.blubrry.net\/\">SUBSCRIBE VIA YOUR FAVORITE PODCAST PLATFORM<\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"768\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/05\/Mahler-1024x768.jpg\" alt=\"\" class=\"wp-image-10016\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/05\/Mahler-1024x768.jpg 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/05\/Mahler-300x225.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/05\/Mahler-768x576.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/05\/Mahler.jpg 1280w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n<div style=\"height:38px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Say their names: In Uvalde: Nevaeh Bravo, Jackie Cazares, Makenna Lee Elrod, Jose Flores, Eliana Garcia, Irma Garcia, Uziyah Garcia, Amerie Jo Garza, Xavier Lopez, Jayce Luevanos, Tess Marie Mata, Miranda Mathis, Eva Mireles, Alithia Ramirez, Annabell Guadalupe Rodriguez, Maite Rodriguez, Alexandria Aniyah Rubio, Layla Salazar, Jailah Nicole Silguero, Eliahana Cruz Torres, Rojelio Torres. In Buffalo: Celestine Chaney, Roberta A. Drury, Andre Mackniel, Katherine Massey, Margus D. Morrison, Heyward Patterson, Aaron Salter, Geraldine Talley, Ruth Whitfield, Pearl Young. All gunned down by young men who should have had no access to an assault weapon in the first place. I have no meaningful response to such cruel slaughter. When I am in the most profound mourning, I turn to the composers whose music directly confronts that despair. Today that composer is Gustav Mahler. Since the victims were almost exclusively people of color, today for solace I turn to the extraordinary voices of women of color singing the music of Mahler. Roberta Alexander, Marian Anderson, Carol Brice, Oralia Dominguez, Jessye Norman, Florence Quivar, Shirley Verrett, Lucretia West provide balm for the depths of despair that we are all feeling right now. They are joined on the podium by some of the greatest conductors of the twentieth century: Leonard Bernstein, Christoph von Dohn\u00e1nyi, Bernard Haitink, Paul Kletzki, Hans Knappertsbusch, Erich Leinsdorf, Zubin Mehta, Pierre Monteux, Fritz Reiner, and Frieder Weissmann.<\/p>\n\n\n\n<p>This episode is also offered in memory of and in gratitude for the life of the great Lucretia West, who died on 21 February 2022 at the age of 99.<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"427\" height=\"576\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/05\/Elderly-Lucretia-West.png\" alt=\"\" class=\"wp-image-10001\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/05\/Elderly-Lucretia-West.png 427w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/05\/Elderly-Lucretia-West-222x300.png 222w\" sizes=\"auto, (max-width: 427px) 100vw, 427px\" \/><figcaption>Lucretia West<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:47px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-custom-size\" style=\"font-size:30px\"><strong> RECORDINGS HEARD IN THIS EPISODE<\/strong><\/p>\n\n\n\n<div style=\"height:55px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"768\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/05\/Mahler-1-1024x768.jpg\" alt=\"\" class=\"wp-image-10018\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/05\/Mahler-1-1024x768.jpg 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/05\/Mahler-1-300x225.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/05\/Mahler-1-768x576.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/05\/Mahler-1.jpg 1280w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n<p>All music on today\u2019s program composed by Gustav Mahler<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"399\" height=\"607\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/05\/Dominguez-in-Shadow.png\" alt=\"\" class=\"wp-image-10004\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/05\/Dominguez-in-Shadow.png 399w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/05\/Dominguez-in-Shadow-197x300.png 197w\" sizes=\"auto, (max-width: 399px) 100vw, 399px\" \/><\/figure>\n<\/div>\n\n\n<p>Urlicht [O R\u00f6schen rot] (<em>Symphony No. 2<\/em>). Oralia Dom\u00ednguez, Leonard Bernstein, Orchestre National de la RTF [live 20.XI.58]. Text from <em>Des Knaben Wunderhorn<\/em><\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"478\" height=\"607\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/05\/Young-Lucretia-West.png\" alt=\"\" class=\"wp-image-10005\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/05\/Young-Lucretia-West.png 478w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/05\/Young-Lucretia-West-236x300.png 236w\" sizes=\"auto, (max-width: 478px) 100vw, 478px\" \/><\/figure>\n<\/div>\n\n\n<p>Nun will die Sonn so hell aufgehn (<em>Kindertotenlieder<\/em>). Lucretia West, Frieder Weissmann, Orchestra Sinfonica di Torino della RAI [RAI Torino 08.I.1960]. Text by Friedrich R\u00fcckert<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"990\" height=\"732\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/05\/Marian-Anderson-colorful.jpg\" alt=\"\" class=\"wp-image-10006\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/05\/Marian-Anderson-colorful.jpg 990w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/05\/Marian-Anderson-colorful-300x222.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/05\/Marian-Anderson-colorful-768x568.jpg 768w\" sizes=\"auto, (max-width: 990px) 100vw, 990px\" \/><\/figure>\n<\/div>\n\n\n<p>Nun seh&#8217; ich wohl, warum so dunkle Flammen (<em>Kindertotenlieder<\/em>). Marian Anderson, Pierre Monteux, San Francisco Symphony Orchestra [1950]. Text by Friedrich R\u00fcckert<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"829\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/05\/Flo-Quivar-1-829x1024.jpg\" alt=\"\" class=\"wp-image-10008\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/05\/Flo-Quivar-1-829x1024.jpg 829w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/05\/Flo-Quivar-1-243x300.jpg 243w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/05\/Flo-Quivar-1-768x949.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/05\/Flo-Quivar-1-1243x1536.jpg 1243w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/05\/Flo-Quivar-1-1658x2048.jpg 1658w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/05\/Flo-Quivar-1-1600x1977.jpg 1600w\" sizes=\"auto, (max-width: 829px) 100vw, 829px\" \/><\/figure>\n<\/div>\n\n\n<p>Das irdische Leben (<em>Des Knaben Wunderhorn<\/em>). Florence Quivar, Christoph von Dohn\u00e1nyi, Cleveland Orchestra [live 1986]. Text from <em>Des Knaben Wunderhorn<\/em><\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"611\" height=\"614\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/05\/Roberta-Alexander.png\" alt=\"\" class=\"wp-image-10009\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/05\/Roberta-Alexander.png 611w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/05\/Roberta-Alexander-300x300.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/05\/Roberta-Alexander-150x150.png 150w\" sizes=\"auto, (max-width: 611px) 100vw, 611px\" \/><\/figure>\n<\/div>\n\n\n<p>Das himmlische Leben (<em>Symphony No. 4<\/em>). Roberta Alexander, Bernard Haitink, Royal Concertgebouw Orchestra [1983]. Text from <em>Des Knaben Wunderhorn<\/em><\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"460\" height=\"608\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/05\/Lucretia-West.png\" alt=\"\" class=\"wp-image-10010\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/05\/Lucretia-West.png 460w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/05\/Lucretia-West-227x300.png 227w\" sizes=\"auto, (max-width: 460px) 100vw, 460px\" \/><\/figure>\n<\/div>\n\n\n<p>Oft denk&#8217; ich, sie sind nur ausgegangen (<em>Kindertotenlieder<\/em>). Lucretia West, Hans Knappertsbusch, Berliner Philharmoniker [live Berlin 09.IV.56]. Text by Friedrich R\u00fcckert<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"827\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/05\/Verrett-827x1024.jpg\" alt=\"\" class=\"wp-image-10011\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/05\/Verrett-827x1024.jpg 827w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/05\/Verrett-242x300.jpg 242w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/05\/Verrett-768x951.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/05\/Verrett.jpg 1013w\" sizes=\"auto, (max-width: 827px) 100vw, 827px\" \/><\/figure>\n<\/div>\n\n\n<p>O Mensch, gib&#8217; acht! (<em>Symphony No. 3<\/em>). Shirley Verrett, Erich Leinsdorf, Boston Symphony Orchestra [1967]. Text by Friedrich Nietzsche<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"408\" height=\"602\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/05\/Carol-Brice-Van-Vechten.png\" alt=\"\" class=\"wp-image-10012\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/05\/Carol-Brice-Van-Vechten.png 408w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/05\/Carol-Brice-Van-Vechten-203x300.png 203w\" sizes=\"auto, (max-width: 408px) 100vw, 408px\" \/><\/figure>\n<\/div>\n\n\n<p>Die zwei blauen Augen von meinem Schatz (<em>Lieder eines fahrenden Gesellen<\/em>). Carol Brice, Fritz Reiner, Pittsburgh Symphony Orchestra [1946]. Text by Gustav Mahler<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"407\" height=\"608\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/05\/Jessye-Turban.png\" alt=\"\" class=\"wp-image-10013\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/05\/Jessye-Turban.png 407w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/05\/Jessye-Turban-201x300.png 201w\" sizes=\"auto, (max-width: 407px) 100vw, 407px\" \/><\/figure>\n<\/div>\n\n\n<p>Ich bin der Welt abhanden gekommen (<em>R\u00fcckert-Lieder<\/em>). Jessye Norman, Zubin Mehta, New York Philharmonic [live 20.IX.89]. Text by Friedrich R\u00fcckert<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"903\" height=\"604\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/05\/Dominguez-Album-Cover-Photo.png\" alt=\"\" class=\"wp-image-10014\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/05\/Dominguez-Album-Cover-Photo.png 903w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/05\/Dominguez-Album-Cover-Photo-300x201.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/05\/Dominguez-Album-Cover-Photo-768x514.png 768w\" sizes=\"auto, (max-width: 903px) 100vw, 903px\" \/><\/figure>\n<\/div>\n\n\n<p>Ich wandle nach der Heimat, meiner St\u00e4tte (excerpt from Der Abschied [<em>Das Lied von der Erde<\/em>]). Oralia Dom\u00ednguez, Paul Kletzki, Czech Philharmonic Orchestra [live Montreux 07.IX.62]. German text by Hans Bethge (from <em>Die chinesische Fl\u00f6te<\/em>) and Gustav Mahler after Wang Wei<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Episode 146. Women of Color Sing Mahler SOCIAL SHARE SUBSCRIPTION PLATFORM Say their names: In Uvalde: Nevaeh Bravo, Jackie Cazares,&hellip;<\/p>\n","protected":false},"author":1,"featured_media":10003,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"advgb_blocks_editor_width":"","advgb_blocks_columns_visual_guide":"","footnotes":""},"categories":[420,1626,1075,1072,1263,2260,808,5691,3272,2806],"tags":[2150,1124,3150,1298,1646,4141,1332,1103,4135,1231,367,1297,4136,2669,335,4137,972,4138,2648,342,4139,4140,2288,2166,4142,2249],"class_list":["post-9796","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-african-american-opera-singers","category-african-american-singers","category-art-song","category-in-memoriam","category-mezzo-madness","category-music-for-a-world-in-crisis","category-needle-drop","category-shirley-verrett","category-singers-of-color","category-twentieth-century-music","tag-bernard-haitink","tag-carol-brice","tag-christoph-von-dohnanyi","tag-das-lied-von-der-erde","tag-des-knaben-wunderhorn","tag-die-chinesische-flote","tag-florence-quivar","tag-frieder-weissmann","tag-friedrich-nietzsche","tag-friedrich-ruckert","tag-fritz-reiner","tag-gustav-mahler","tag-hans-bethge","tag-hans-knappertsbusch","tag-jessye-norman","tag-kindertotenlieder","tag-leonard-bernstein","tag-lieder-eines-fahrenden-gesellen","tag-lucretia-west","tag-marian-anderson","tag-oralia-dominguez","tag-paul-kletzki","tag-pierre-monteux","tag-roberta-alexander","tag-wang-wei","tag-zubin-mehta"],"author_meta":{"display_name":"admin","author_link":"https:\/\/countermelodypodcast.com\/index.php\/author\/admin\/"},"featured_img":"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/05\/Oralia-Dominguez-in-color-TRIMMED-300x194.jpg","coauthors":[],"tax_additional":{"categories":{"linked":["<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/african-american-opera-singers\/\" class=\"advgb-post-tax-term\">African American Opera Singers<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/african-american-singers\/\" class=\"advgb-post-tax-term\">African American Singers<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/art-song\/\" class=\"advgb-post-tax-term\">Art Song<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/in-memoriam\/\" class=\"advgb-post-tax-term\">In Memoriam<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/mezzo-madness\/\" class=\"advgb-post-tax-term\">Mezzo Madness<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/music-for-a-world-in-crisis\/\" class=\"advgb-post-tax-term\">Music for a World in Crisis<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Needle Drop<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/shirley-verrett\/\" class=\"advgb-post-tax-term\">Shirley Verrett<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/singers-of-color\/\" class=\"advgb-post-tax-term\">Singers of Color<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Twentieth Century Music<\/a>"],"unlinked":["<span class=\"advgb-post-tax-term\">African American Opera Singers<\/span>","<span class=\"advgb-post-tax-term\">African American Singers<\/span>","<span class=\"advgb-post-tax-term\">Art Song<\/span>","<span class=\"advgb-post-tax-term\">In Memoriam<\/span>","<span class=\"advgb-post-tax-term\">Mezzo Madness<\/span>","<span class=\"advgb-post-tax-term\">Music for a World in Crisis<\/span>","<span class=\"advgb-post-tax-term\">Needle Drop<\/span>","<span class=\"advgb-post-tax-term\">Shirley Verrett<\/span>","<span class=\"advgb-post-tax-term\">Singers of Color<\/span>","<span class=\"advgb-post-tax-term\">Twentieth Century Music<\/span>"]},"tags":{"linked":["<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Bernard Haitink<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Carol Brice<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Christoph von Dohn\u00e1nyi<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Das Lied von der Erde<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Des Knaben Wunderhorn<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Die chinesische Fl\u00f6te<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Florence Quivar<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Frieder Weissmann<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Friedrich Nietzsche<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Friedrich R\u00fcckert<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Fritz Reiner<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Gustav Mahler<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Hans Bethge<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Hans Knappertsbusch<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Jessye Norman<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Kindertotenlieder<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Leonard Bernstein<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Lieder eines fahrenden Gesellen<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Lucretia West<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Marian Anderson<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Oralia Dominguez<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Paul Kletzki<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Pierre Monteux<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Roberta Alexander<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Wang Wei<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Zubin Mehta<\/a>"],"unlinked":["<span class=\"advgb-post-tax-term\">Bernard Haitink<\/span>","<span class=\"advgb-post-tax-term\">Carol Brice<\/span>","<span class=\"advgb-post-tax-term\">Christoph von Dohn\u00e1nyi<\/span>","<span class=\"advgb-post-tax-term\">Das Lied von der Erde<\/span>","<span class=\"advgb-post-tax-term\">Des Knaben Wunderhorn<\/span>","<span class=\"advgb-post-tax-term\">Die chinesische Fl\u00f6te<\/span>","<span class=\"advgb-post-tax-term\">Florence Quivar<\/span>","<span class=\"advgb-post-tax-term\">Frieder Weissmann<\/span>","<span class=\"advgb-post-tax-term\">Friedrich Nietzsche<\/span>","<span class=\"advgb-post-tax-term\">Friedrich R\u00fcckert<\/span>","<span class=\"advgb-post-tax-term\">Fritz Reiner<\/span>","<span class=\"advgb-post-tax-term\">Gustav Mahler<\/span>","<span class=\"advgb-post-tax-term\">Hans Bethge<\/span>","<span class=\"advgb-post-tax-term\">Hans Knappertsbusch<\/span>","<span class=\"advgb-post-tax-term\">Jessye Norman<\/span>","<span class=\"advgb-post-tax-term\">Kindertotenlieder<\/span>","<span class=\"advgb-post-tax-term\">Leonard Bernstein<\/span>","<span class=\"advgb-post-tax-term\">Lieder eines fahrenden Gesellen<\/span>","<span class=\"advgb-post-tax-term\">Lucretia West<\/span>","<span class=\"advgb-post-tax-term\">Marian Anderson<\/span>","<span class=\"advgb-post-tax-term\">Oralia Dominguez<\/span>","<span class=\"advgb-post-tax-term\">Paul Kletzki<\/span>","<span class=\"advgb-post-tax-term\">Pierre Monteux<\/span>","<span class=\"advgb-post-tax-term\">Roberta Alexander<\/span>","<span class=\"advgb-post-tax-term\">Wang Wei<\/span>","<span class=\"advgb-post-tax-term\">Zubin Mehta<\/span>"]}},"comment_count":"0","relative_dates":{"created":"Posted 4 years ago","modified":"Updated 2 years ago"},"absolute_dates":{"created":"Posted on 26\/05\/2022","modified":"Updated on 09\/11\/2023"},"absolute_dates_time":{"created":"Posted on 26\/05\/2022 17:00","modified":"Updated on 09\/11\/2023 17:53"},"featured_img_caption":"","series_order":"","_links":{"self":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/9796","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/comments?post=9796"}],"version-history":[{"count":6,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/9796\/revisions"}],"predecessor-version":[{"id":10021,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/9796\/revisions\/10021"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/media\/10003"}],"wp:attachment":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/media?parent=9796"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/categories?post=9796"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/tags?post=9796"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}