{"id":9740,"date":"2022-05-20T19:50:44","date_gmt":"2022-05-20T17:50:44","guid":{"rendered":"http:\/\/countermelodypodcast.com\/?p=9740"},"modified":"2022-06-15T18:24:38","modified_gmt":"2022-06-15T16:24:38","slug":"episode-145-teresa-berganza","status":"publish","type":"post","link":"https:\/\/countermelodypodcast.com\/index.php\/2022\/05\/20\/episode-145-teresa-berganza\/","title":{"rendered":"Episode 145. Teresa Berganza"},"content":{"rendered":"<div id=\"mega-menu-wrap-primary\" class=\"mega-menu-wrap\"><div class=\"mega-menu-toggle\"><div class=\"mega-toggle-blocks-left\"><\/div><div class=\"mega-toggle-blocks-center\"><\/div><div class=\"mega-toggle-blocks-right\"><div class='mega-toggle-block mega-menu-toggle-animated-block mega-toggle-block-1' id='mega-toggle-block-1'><button aria-label=\"Menu\" class=\"mega-toggle-animated mega-toggle-animated-slider\" type=\"button\" aria-haspopup=\"true\" aria-expanded=\"false\" aria-controls=\"mega-menu-primary\">\n                  <span class=\"mega-toggle-animated-box\">\n                    <span class=\"mega-toggle-animated-inner\"><\/span>\n                  <\/span>\n                <\/button><\/div><\/div><\/div><ul id=\"mega-menu-primary\" class=\"mega-menu max-mega-menu mega-menu-horizontal mega-no-js\" data-event=\"hover_intent\" data-effect=\"slide\" data-effect-speed=\"200\" data-effect-mobile=\"slide\" data-effect-speed-mobile=\"200\" data-mobile-force-width=\"body\" data-second-click=\"go\" data-document-click=\"collapse\" data-vertical-behaviour=\"standard\" data-breakpoint=\"600\" data-unbind=\"true\" data-mobile-state=\"collapse_all\" data-mobile-direction=\"vertical\" data-hover-intent-timeout=\"300\" data-hover-intent-interval=\"100\"><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-menu-item-home mega-align-bottom-left mega-menu-flyout mega-menu-item-19160\" id=\"mega-menu-item-19160\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/\">Home<\/a><\/li><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-align-bottom-left mega-menu-flyout mega-menu-item-19161\" id=\"mega-menu-item-19161\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/index.php\/about-daniel\/\">About Daniel<\/a><\/li><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-current_page_parent mega-align-bottom-left mega-menu-flyout mega-menu-item-19171\" id=\"mega-menu-item-19171\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/index.php\/all-episodes\/\">All Episodes<\/a><\/li><\/ul><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">Episode 145.  Teresa Berganza In Memoriam<\/h2>\n\n\n\n<iframe loading=\"lazy\" width=\"340\" height=\"50\" src=\"https:\/\/countermelody.blubrry.net\/?powerpress_embed=582-podcast&amp;powerpress_player=mediaelement-audio\" title=\"Blubrry Podcast Player\" frameborder=\"0\" scrolling=\"no\"><\/iframe>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p><strong>SOCIAL SHARE<\/strong><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"has-text-align-right\"><strong>SUBSCRIPTION PLATFORM<\/strong><\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<ul class=\"wp-block-social-links has-normal-icon-size is-style-logos-only is-layout-flex wp-block-social-links-is-layout-flex\"><li class=\"wp-social-link wp-social-link-facebook  wp-block-social-link\"><a rel=\"noopener nofollow\" target=\"_blank\" href=\"https:\/\/facebook.com\/sharer\/sharer.php?u=http%3A%2F%2Fcountermelodypodcast.com%2F%3Fp%3D9740&#038;title=Episode%20145.%20Teresa%20Berganza\" class=\"wp-block-social-link-anchor\"><svg width=\"24\" height=\"24\" viewBox=\"0 0 24 24\" version=\"1.1\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" aria-hidden=\"true\" focusable=\"false\"><path d=\"M12 2C6.5 2 2 6.5 2 12c0 5 3.7 9.1 8.4 9.9v-7H7.9V12h2.5V9.8c0-2.5 1.5-3.9 3.8-3.9 1.1 0 2.2.2 2.2.2v2.5h-1.3c-1.2 0-1.6.8-1.6 1.6V12h2.8l-.4 2.9h-2.3v7C18.3 21.1 22 17 22 12c0-5.5-4.5-10-10-10z\"><\/path><\/svg><span class=\"wp-block-social-link-label screen-reader-text\">Share on Facebook<\/span><\/a><\/li>\n\n<li class=\"wp-social-link wp-social-link-twitter  wp-block-social-link\"><a rel=\"noopener nofollow\" target=\"_blank\" 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viewBox=\"0 0 24 24\"><path d=\"M9 11.8l6.1-4.5c.1.4.4.7.9.7h2c.6 0 1-.4 1-1V5c0-.6-.4-1-1-1h-2c-.6 0-1 .4-1 1v.4l-6.4 4.8c-.2-.1-.4-.2-.6-.2H6c-.6 0-1 .4-1 1v2c0 .6.4 1 1 1h2c.2 0 .4-.1.6-.2l6.4 4.8v.4c0 .6.4 1 1 1h2c.6 0 1-.4 1-1v-2c0-.6-.4-1-1-1h-2c-.5 0-.8.3-.9.7L9 12.2v-.4z\"\/><\/svg><span class=\"wp-block-social-link-label screen-reader-text\">Share via Email<\/span><\/a><\/li>\n\n<li class=\"wp-social-link wp-social-link-reddit  wp-block-social-link\"><a rel=\"noopener nofollow\" target=\"_blank\" href=\"https:\/\/reddit.com\/submit?url=http%3A%2F%2Fcountermelodypodcast.com%2F%3Fp%3D9740&#038;title=Episode%20145.%20Teresa%20Berganza\" class=\"wp-block-social-link-anchor\"><svg width=\"24\" height=\"24\" viewBox=\"0 0 24 24\" version=\"1.1\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" aria-hidden=\"true\" focusable=\"false\"><path d=\"M5.27 9.221A2.775 2.775 0 0 0 2.498 11.993a2.785 2.785 0 0 0 1.6 2.511 5.337 5.337 0 0 0 2.374 4.11 9.386 9.386 0 0 0 5.539 1.7 9.386 9.386 0 0 0 5.541-1.7 5.331 5.331 0 0 0 2.372-4.114 2.787 2.787 0 0 0 1.583-2.5 2.775 2.775 0 0 0-2.772-2.772 2.742 2.742 0 0 0-1.688.574 9.482 9.482 0 0 0-4.637-1.348v-.008a2.349 2.349 0 0 1 2.011-2.316 1.97 1.97 0 0 0 1.926 1.521 1.98 1.98 0 0 0 1.978-1.978 1.98 1.98 0 0 0-1.978-1.978 1.985 1.985 0 0 0-1.938 1.578 3.183 3.183 0 0 0-2.849 3.172v.011a9.463 9.463 0 0 0-4.59 1.35 2.741 2.741 0 0 0-1.688-.574Zm6.736 9.1a3.162 3.162 0 0 1-2.921-1.944.215.215 0 0 1 .014-.2.219.219 0 0 1 .168-.106 27.327 27.327 0 0 1 2.74-.133 27.357 27.357 0 0 1 2.74.133.219.219 0 0 1 .168.106.215.215 0 0 1 .014.2 3.158 3.158 0 0 1-2.921 1.944Zm3.743-3.157a1.265 1.265 0 0 1-1.4-1.371 1.954 1.954 0 0 1 .482-1.442 1.15 1.15 0 0 1 .842-.379 1.7 1.7 0 0 1 1.49 1.777 1.323 1.323 0 0 1-.325 1.015 1.476 1.476 0 0 1-1.089.4Zm-7.485 0a1.476 1.476 0 0 1-1.086-.4 1.323 1.323 0 0 1-.325-1.016 1.7 1.7 0 0 1 1.49-1.777 1.151 1.151 0 0 1 .843.379 1.951 1.951 0 0 1 .481 1.441 1.276 1.276 0 0 1-1.403 1.373Z\"><\/path><\/svg><span class=\"wp-block-social-link-label screen-reader-text\">Share on Reddit<\/span><\/a><\/li><\/ul>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<div class=\"wp-block-buttons is-horizontal is-content-justification-left is-layout-flex wp-container-core-buttons-is-layout-7e5fce0a wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button alignright\"><a class=\"wp-block-button__link no-border-radius\" href=\"https:\/\/countermelody.blubrry.net\/\">SUBSCRIBE VIA YOUR FAVORITE PODCAST PLATFORM<\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"501\" height=\"426\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/05\/Berganza-artist-portrait.jpg\" alt=\"\" class=\"wp-image-9959\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/05\/Berganza-artist-portrait.jpg 501w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/05\/Berganza-artist-portrait-300x255.jpg 300w\" sizes=\"auto, (max-width: 501px) 100vw, 501px\" \/><\/figure>\n<\/div>\n\n\n<div style=\"height:38px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>A week ago today the beloved and revered Spanish mezzo-soprano Teresa Berganza, died at the age of 89. This episode pays tribute to her artistry through the exploration of her operatic roles, from Neris in <em>Medea<\/em> opposite Maria Callas, through her matchless Mozart and Rossini portrayals, through her fascinating and highly individualized portrait of the title heroine of Bizet\u2019s <em>Carmen<\/em>. Special emphasis is given to her performance of Spanish music, from the <em>zarzuelas<\/em> of Ruperto Chap\u00ed and Federico Moreno Torroba, to art songs of Manuel de Falla and Fredric Mompou. Vocal guest stars include Mirella Freni, Pilar Lorengar, Lola Rodr\u00edguez Arag\u00f3n, Franco Bonisolli, and the incendiary Callas herself, an early mentor and supporter of Berganza. I began the preparation for this episode with an incomplete appreciation of Berganza\u2019s voice and artistry, but she won me over and I am now, even if belatedly, a huge fan.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"688\" height=\"512\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/05\/Berganza-white-hair-bright-eyes.png\" alt=\"\" class=\"wp-image-9987\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/05\/Berganza-white-hair-bright-eyes.png 688w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/05\/Berganza-white-hair-bright-eyes-300x223.png 300w\" sizes=\"auto, (max-width: 688px) 100vw, 688px\" \/><\/figure>\n\n\n\n<div style=\"height:47px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-custom-size\" style=\"font-size:30px\"><strong> RECORDINGS HEARD IN THIS EPISODE<\/strong><\/p>\n\n\n\n<div style=\"height:55px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"557\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/05\/I-told-you-1024x557.png\" alt=\"\" class=\"wp-image-9993\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/05\/I-told-you-1024x557.png 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/05\/I-told-you-300x163.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/05\/I-told-you-768x418.png 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/05\/I-told-you.png 1340w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n<p>John Waters: Excerpt from <em>Female Trouble<\/em> (The Dinner Party). Mink Stole as Taffy; Divine as Dawn Davenport [1974]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"649\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/05\/Young-Berganza-649x1024.jpg\" alt=\"\" class=\"wp-image-9960\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/05\/Young-Berganza-649x1024.jpg 649w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/05\/Young-Berganza-190x300.jpg 190w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/05\/Young-Berganza-768x1211.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/05\/Young-Berganza.jpg 956w\" sizes=\"auto, (max-width: 649px) 100vw, 649px\" \/><\/figure>\n<\/div>\n\n\n<p>Alfonso X El Sabio: Santa Mar\u00eda. Teresa Berganza [1974]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"607\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/05\/Berganza-Lavilla.jpg\" alt=\"\" class=\"wp-image-9963\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/05\/Berganza-Lavilla.jpg 600w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/05\/Berganza-Lavilla-297x300.jpg 297w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/figure>\n<\/div>\n\n\n<p>Traditional Spanish, arr. Manuel de Falla: Polo (<em>Siete canciones populares espa\u00f1olas<\/em>, No. 7), Teresa Berganza, Felix Lavilla [1961]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"990\" height=\"764\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/05\/Lola-Rodriguez-Aragon.png\" alt=\"\" class=\"wp-image-9964\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/05\/Lola-Rodriguez-Aragon.png 990w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/05\/Lola-Rodriguez-Aragon-300x232.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/05\/Lola-Rodriguez-Aragon-768x593.png 768w\" sizes=\"auto, (max-width: 990px) 100vw, 990px\" \/><\/figure>\n<\/div>\n\n\n<p>Joaqu\u00edn Turina, Gustavo Adolfo B\u00e9cquer, n\u00e9 Gustavo Adolfo Dom\u00ednguez Bastida: Tu pupila es azul (<em>Tres Poemas<\/em>, Op. 81\/2). Lola Rodr\u00edguez Arag\u00f3n, Joaqu\u00edn Turina [1937]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"608\" height=\"767\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/05\/Berganza-Lacquered-Hair-Headshot.png\" alt=\"\" class=\"wp-image-9966\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/05\/Berganza-Lacquered-Hair-Headshot.png 608w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/05\/Berganza-Lacquered-Hair-Headshot-238x300.png 238w\" sizes=\"auto, (max-width: 608px) 100vw, 608px\" \/><\/figure>\n<\/div>\n\n\n<p>Ruperto Chap\u00ed, Carlos Arniches, Ram\u00f3n Asensio M\u00e1s: Tanguillos (<em>El Pu\u00f1ao de Rosas<\/em>). Teresa Berganza, Ata\u00falfo Argenta, Orquesta de C\u00e1mara de Madrid, Coros Cantores de Madrid [1954]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"451\" height=\"447\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/05\/Berganza-Stich-Randall-Aix-1957.png\" alt=\"\" class=\"wp-image-9967\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/05\/Berganza-Stich-Randall-Aix-1957.png 451w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/05\/Berganza-Stich-Randall-Aix-1957-300x297.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/05\/Berganza-Stich-Randall-Aix-1957-150x150.png 150w\" sizes=\"auto, (max-width: 451px) 100vw, 451px\" \/><figcaption>With Teresa Stich-Randall in the 1957 Aix <em>Cos\u00ec.<\/em><\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Wolfgang Amadeus Mozart, Lorenzo da Ponte: \u00c8 amore un ladroncello (<em>Cos\u00ec fan tutte<\/em>). Teresa Berganza, Hans Rosbaud, Orchestre de la Soci\u00e9t\u00e9 des Concerts du Conservatoire [live Aix-en-Provence 26.VII.1957]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"687\" height=\"677\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/05\/Callas-and-Berganza.png\" alt=\"\" class=\"wp-image-9968\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/05\/Callas-and-Berganza.png 687w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/05\/Callas-and-Berganza-300x296.png 300w\" sizes=\"auto, (max-width: 687px) 100vw, 687px\" \/><\/figure>\n<\/div>\n\n\n<p>Luigi Cherubini, Fran\u00e7ois-Beno\u00eet Hoffmann [Italian version by Carlo Zangarini]: Neris, che hai fatto tu del dono mio? (<em>Medea<\/em>). Maria Callas, Teresa Berganza, Nicola Rescigno, Orchestra of the Dallas Civic Opera Company [live 06.XI.1958]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"502\" height=\"591\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/05\/Berganza-Cenerentola.png\" alt=\"\" class=\"wp-image-9969\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/05\/Berganza-Cenerentola.png 502w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/05\/Berganza-Cenerentola-255x300.png 255w\" sizes=\"auto, (max-width: 502px) 100vw, 502px\" \/><\/figure>\n<\/div>\n\n\n<p>Gioacchino Rossini, Jacopo Ferretti: Non pi\u00f9 mesta (<em>La Cenerentola<\/em>). Teresa Berganza, Alexander Gibson, London Symphony Orchestra<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"727\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/05\/Berganza-Cherubino-727x1024.jpg\" alt=\"\" class=\"wp-image-9970\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/05\/Berganza-Cherubino-727x1024.jpg 727w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/05\/Berganza-Cherubino-213x300.jpg 213w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/05\/Berganza-Cherubino-768x1081.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/05\/Berganza-Cherubino-1091x1536.jpg 1091w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/05\/Berganza-Cherubino.jpg 1126w\" sizes=\"auto, (max-width: 727px) 100vw, 727px\" \/><\/figure>\n<\/div>\n\n\n<p>Wolfgang Amadeus Mozart, Lorenzo da Ponte: Ah, se in tuo loco&#8230; Non so pi\u00f9 cosa son (<em>Le nozze di Figaro<\/em>). Teresa Berganza, Elisabeth S\u00f6derstr\u00f6m, Carlo Maria Giulini, Philharmonia Orchestra [live London 1961]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"606\" height=\"599\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/05\/Berganza-Sesto.png\" alt=\"\" class=\"wp-image-9971\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/05\/Berganza-Sesto.png 606w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/05\/Berganza-Sesto-300x297.png 300w\" sizes=\"auto, (max-width: 606px) 100vw, 606px\" \/><\/figure>\n<\/div>\n\n\n<p>Wolfgang Amadeus Mozart, Pietro Metastasio: Parto, parto, ma tu ben mio (<em>La Clemenza di Tito<\/em>). Teresa Berganza, Istv\u00e1n Kert\u00e9sz, Wiener Staatsopernorchester [1967]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"726\" height=\"573\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/05\/Berganza-Carreras-Carmen2.jpg\" alt=\"\" class=\"wp-image-9984\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/05\/Berganza-Carreras-Carmen2.jpg 726w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/05\/Berganza-Carreras-Carmen2-300x237.jpg 300w\" sizes=\"auto, (max-width: 726px) 100vw, 726px\" \/><figcaption>Jos\u00e9 Carreras and Teresa Berganza in <em>Carmen<\/em>, London 1984<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Georges Bizet, Henri Meilhac, Ludovic Hal\u00e9vy, after Prosper M\u00e9rim\u00e9e: C\u2019est toi&#8230; C\u2019est moi (<em>Carmen<\/em>). Teresa Berganza, Franco Bonisolli, Kurt Herbert Adler, San Francisco Opera Orchestra and Chorus [30.X.1981]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"961\" height=\"549\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/05\/Berganza-Turban.png\" alt=\"\" class=\"wp-image-9972\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/05\/Berganza-Turban.png 961w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/05\/Berganza-Turban-300x171.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/05\/Berganza-Turban-768x439.png 768w\" sizes=\"auto, (max-width: 961px) 100vw, 961px\" \/><\/figure>\n<\/div>\n\n\n<p>Robert Schumann, Adalbert von Chamisso: An meinem Herzen, an meiner Brust (<em>Frauenliebe und -leben<\/em>, Op. 42\/7). Teresa Berganza, Ricardo Requejo [1982]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"564\" height=\"748\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/05\/Berganza-over-shoulder.jpg\" alt=\"\" class=\"wp-image-9973\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/05\/Berganza-over-shoulder.jpg 564w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/05\/Berganza-over-shoulder-226x300.jpg 226w\" sizes=\"auto, (max-width: 564px) 100vw, 564px\" \/><\/figure>\n<\/div>\n\n\n<p>Frederic Mompou, Josep Jan\u00e9s i Oliv\u00e9: Te presentia como el mar (<em>Combat del somni<\/em>, No. 3). Teresa Berganza, Felix Lavilla [1960]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"757\" height=\"508\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/05\/Berganza-Bathtub.png\" alt=\"\" class=\"wp-image-9974\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/05\/Berganza-Bathtub.png 757w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/05\/Berganza-Bathtub-300x201.png 300w\" sizes=\"auto, (max-width: 757px) 100vw, 757px\" \/><\/figure>\n<\/div>\n\n\n<p>Federico Moreno Torroba, Federico Romero, Guillermo Fern\u00e1ndez Shaw: Como soy Chulapona (<em>La Chulapona<\/em>). Teresa Berganza, Gran Orquesta Sinf\u00f3nica, Orfe\u00f3n Donostiarra, conducted by Rafael Fr\u00fchbeck de Burgos [1964]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"564\" height=\"779\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/05\/Berganza-espagnole.jpg\" alt=\"\" class=\"wp-image-9975\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/05\/Berganza-espagnole.jpg 564w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/05\/Berganza-espagnole-217x300.jpg 217w\" sizes=\"auto, (max-width: 564px) 100vw, 564px\" \/><\/figure>\n<\/div>\n\n\n<p>Ruperto Chap\u00ed, Jos\u00e9 Estremera: Carceleras (<em>Las Hijas del Zebedeo<\/em>). Teresa Berganza, Orchestra conducted by Benito Lauret [1959]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"446\" height=\"674\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/05\/Berganza-dramatic.jpg\" alt=\"\" class=\"wp-image-9976\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/05\/Berganza-dramatic.jpg 446w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/05\/Berganza-dramatic-199x300.jpg 199w\" sizes=\"auto, (max-width: 446px) 100vw, 446px\" \/><\/figure>\n<\/div>\n\n\n<p>Jos\u00e9 Serrano, Luis Fern\u00e1ndez de Sevilla, Anselmo C. Carre\u00f1o: Que te importa que no venga (<em>Los Claveles<\/em>). Teresa Berganza, Luis Antonio Garc\u00eda Navarro, Orquestra Simf\u00f3nica de Barcelona [1980]<\/p>\n\n\n\n<p><\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"299\" height=\"472\" data-id=\"9989\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/05\/Berganza-Queeny.jpg\" alt=\"\" class=\"wp-image-9989\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/05\/Berganza-Queeny.jpg 299w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/05\/Berganza-Queeny-190x300.jpg 190w\" sizes=\"auto, (max-width: 299px) 100vw, 299px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"317\" height=\"391\" data-id=\"9978\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/05\/Pilaf-Roardiligi.jpg\" alt=\"\" class=\"wp-image-9978\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/05\/Pilaf-Roardiligi.jpg 317w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/05\/Pilaf-Roardiligi-243x300.jpg 243w\" sizes=\"auto, (max-width: 317px) 100vw, 317px\" \/><\/figure>\n<\/figure>\n\n\n\n<p>Federico Moreno Torroba, Federico Romero, Guillermo Fern\u00e1ndez Shaw: Confieso que le quise por envidia (<em>La Chulapona<\/em>). Pilar Lorengar, Teresa Berganza, Gran Orquesta Sinf\u00f3nica, Orfe\u00f3n Donostiarra, conducted by Rafael Fr\u00fchbeck de Burgos [1964]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"870\" height=\"561\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/05\/Mirella-and-Teresa.png\" alt=\"\" class=\"wp-image-9977\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/05\/Mirella-and-Teresa.png 870w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/05\/Mirella-and-Teresa-300x193.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/05\/Mirella-and-Teresa-768x495.png 768w\" sizes=\"auto, (max-width: 870px) 100vw, 870px\" \/><\/figure>\n<\/div>\n\n\n<p>Giovanni Battista Pergolesi: Fac ut ardeat cor meum; Quando corpus morietus (<em>Stabat Mater<\/em>). Mirella Freni, Teresa Berganza, Ettore Gracis, Solisti dell\u2019Orchestra &#8220;Scarlatti&#8221; [1972]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"914\" height=\"495\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/05\/Lorengar-and-Berganza-relaxing-during-Cosi-recording.png\" alt=\"\" class=\"wp-image-9991\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/05\/Lorengar-and-Berganza-relaxing-during-Cosi-recording.png 914w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/05\/Lorengar-and-Berganza-relaxing-during-Cosi-recording-300x162.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/05\/Lorengar-and-Berganza-relaxing-during-Cosi-recording-768x416.png 768w\" sizes=\"auto, (max-width: 914px) 100vw, 914px\" \/><\/figure>\n<\/div>\n\n\n<p>Wolfgang Amadeus Mozart, Lorenzo da Ponte: Soave sia il vento (<em>Cos\u00ec fan tutte<\/em>). Pilar Lorengar, Teresa Berganza, Gabriel Bacquier, Georg Solti, London Philharmonic Orchestra [1974]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"661\" height=\"613\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/05\/Berganza-Black-Mystery.png\" alt=\"\" class=\"wp-image-9980\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/05\/Berganza-Black-Mystery.png 661w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/05\/Berganza-Black-Mystery-300x278.png 300w\" sizes=\"auto, (max-width: 661px) 100vw, 661px\" \/><\/figure>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"916\" height=\"555\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/05\/Berganza-Versaille-1985-1.png\" alt=\"\" class=\"wp-image-9985\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/05\/Berganza-Versaille-1985-1.png 916w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/05\/Berganza-Versaille-1985-1-300x182.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/05\/Berganza-Versaille-1985-1-768x465.png 768w\" sizes=\"auto, (max-width: 916px) 100vw, 916px\" \/><\/figure>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>Episode 145. Teresa Berganza In Memoriam SOCIAL SHARE SUBSCRIPTION PLATFORM A week ago today the beloved and revered Spanish mezzo-soprano&hellip;<\/p>\n","protected":false},"author":1,"featured_media":9961,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"advgb_blocks_editor_width":"","advgb_blocks_columns_visual_guide":"","footnotes":""},"categories":[1075,1701,3273,2261,1072,1263,808,1470,2806],"tags":[2310,4129,4127,4118,1622,4123,44,4134,294,4115,4120,3474,1061,3564,4122,1424,1905,350,114,1321,4126,4124,3997,4116,1249,4132,1638,4131,871,4128,870,4133,4117,2651,410,3623,1000,1703,3324,4121,4125,548,4119,4130,2699,1384,34,4114],"class_list":["post-9740","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-art-song","category-bel-canto","category-french-opera","category-full-figured-baroque","category-in-memoriam","category-mezzo-madness","category-needle-drop","category-operetta","category-twentieth-century-music","tag-alexander-gibson","tag-alfonso-x-el-sabio","tag-ataulfo-argenta","tag-benito-lauret","tag-carlo-maria-giulini","tag-carmen-bizet","tag-cosi-fan-tutte","tag-el-punao-de-rosas","tag-elisabeth-soderstrom","tag-ettore-gracis","tag-federico-moreno-torroba","tag-felix-lavilla","tag-franco-bonisolli","tag-frauenliebe-und-leben","tag-frederic-mompou","tag-gabriel-bacquier","tag-georg-solti","tag-georges-bizet","tag-gioacchino-rossini","tag-giovanni-battista-pergolesi","tag-hans-rosbaud","tag-istvan-kertesz","tag-joaquin-turina","tag-jose-serrano","tag-la-cenerentola","tag-la-chulapona","tag-la-clemenza-di-tito","tag-las-hijas-del-zebedeo","tag-le-nozze-di-figaro","tag-lola-rodriguez-aragon","tag-lorenzo-da-ponte","tag-los-claveles","tag-luis-antonio-garcia-navarro","tag-manuel-de-falla","tag-maria-callas","tag-medea-cherubini","tag-mirella-freni","tag-nicola-rescigno","tag-pilar-lorengar","tag-rafael-fruhbeck-de-burgos","tag-ricardo-requejo","tag-robert-schumann","tag-ruperto-chapi","tag-siete-canciones-populares-espanolas","tag-stabat-mater-pergolesi","tag-teresa-berganza","tag-wolfgang-amadeus-mozart","tag-zarzuela"],"author_meta":{"display_name":"admin","author_link":"https:\/\/countermelodypodcast.com\/index.php\/author\/admin\/"},"featured_img":"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/05\/TB-in-the-70s-300x149.png","coauthors":[],"tax_additional":{"categories":{"linked":["<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/art-song\/\" class=\"advgb-post-tax-term\">Art Song<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/bel-canto\/\" class=\"advgb-post-tax-term\">Bel Canto<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/french-opera\/\" class=\"advgb-post-tax-term\">French Opera<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/full-figured-baroque\/\" class=\"advgb-post-tax-term\">Full-Figured Baroque<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/in-memoriam\/\" class=\"advgb-post-tax-term\">In Memoriam<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/mezzo-madness\/\" class=\"advgb-post-tax-term\">Mezzo Madness<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Needle Drop<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Operetta<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Twentieth Century Music<\/a>"],"unlinked":["<span class=\"advgb-post-tax-term\">Art Song<\/span>","<span class=\"advgb-post-tax-term\">Bel Canto<\/span>","<span class=\"advgb-post-tax-term\">French Opera<\/span>","<span class=\"advgb-post-tax-term\">Full-Figured Baroque<\/span>","<span class=\"advgb-post-tax-term\">In Memoriam<\/span>","<span class=\"advgb-post-tax-term\">Mezzo Madness<\/span>","<span class=\"advgb-post-tax-term\">Needle Drop<\/span>","<span class=\"advgb-post-tax-term\">Operetta<\/span>","<span class=\"advgb-post-tax-term\">Twentieth Century Music<\/span>"]},"tags":{"linked":["<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Alexander Gibson<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Alfonso X El Sabio<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Ata\u00falfo Argenta<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Benito Lauret<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Carlo Maria Giulini<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Carmen (Bizet)<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Cosi fan tutte<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">El Pu\u00f1ao de Rosas<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Elisabeth Soderstrom<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Ettore Gracis<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Federico Moreno Torroba<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Felix Lavilla<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Franco Bonisolli<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Frauenliebe und -leben<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Frederic Mompou<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Gabriel Bacquier<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Georg Solti<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Georges Bizet<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Gioacchino Rossini<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Giovanni Battista Pergolesi<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Hans Rosbaud<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Istv\u00e1n Kert\u00e9sz<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Joaqu\u00edn Turina<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Jos\u00e9 Serrano<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">La Cenerentola<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">La Chulapona<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">La Clemenza di Tito<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Las Hijas del Zebedeo<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Le nozze di Figaro<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Lola Rodr\u00edguez Arag\u00f3n<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Lorenzo da Ponte<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Los Claveles<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Luis Antonio Garc\u00eda Navarro<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Manuel de Falla<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Maria Callas<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Medea (Cherubini)<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Mirella Freni<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Nicola Rescigno<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Pilar Lorengar<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Rafael Fr\u00fchbeck de Burgos<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Ricardo Requejo<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Robert Schumann<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Ruperto Chap\u00ed<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Siete canciones populares espa\u00f1olas<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Stabat Mater (Pergolesi)<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Teresa Berganza<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Wolfgang Amadeus Mozart<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Zarzuela<\/a>"],"unlinked":["<span class=\"advgb-post-tax-term\">Alexander Gibson<\/span>","<span class=\"advgb-post-tax-term\">Alfonso X El Sabio<\/span>","<span class=\"advgb-post-tax-term\">Ata\u00falfo Argenta<\/span>","<span class=\"advgb-post-tax-term\">Benito Lauret<\/span>","<span class=\"advgb-post-tax-term\">Carlo Maria Giulini<\/span>","<span class=\"advgb-post-tax-term\">Carmen (Bizet)<\/span>","<span class=\"advgb-post-tax-term\">Cosi fan tutte<\/span>","<span class=\"advgb-post-tax-term\">El Pu\u00f1ao de Rosas<\/span>","<span class=\"advgb-post-tax-term\">Elisabeth Soderstrom<\/span>","<span class=\"advgb-post-tax-term\">Ettore Gracis<\/span>","<span class=\"advgb-post-tax-term\">Federico Moreno Torroba<\/span>","<span class=\"advgb-post-tax-term\">Felix Lavilla<\/span>","<span class=\"advgb-post-tax-term\">Franco Bonisolli<\/span>","<span class=\"advgb-post-tax-term\">Frauenliebe und -leben<\/span>","<span class=\"advgb-post-tax-term\">Frederic Mompou<\/span>","<span class=\"advgb-post-tax-term\">Gabriel Bacquier<\/span>","<span class=\"advgb-post-tax-term\">Georg Solti<\/span>","<span class=\"advgb-post-tax-term\">Georges Bizet<\/span>","<span class=\"advgb-post-tax-term\">Gioacchino Rossini<\/span>","<span class=\"advgb-post-tax-term\">Giovanni Battista Pergolesi<\/span>","<span class=\"advgb-post-tax-term\">Hans Rosbaud<\/span>","<span class=\"advgb-post-tax-term\">Istv\u00e1n Kert\u00e9sz<\/span>","<span class=\"advgb-post-tax-term\">Joaqu\u00edn Turina<\/span>","<span class=\"advgb-post-tax-term\">Jos\u00e9 Serrano<\/span>","<span class=\"advgb-post-tax-term\">La Cenerentola<\/span>","<span class=\"advgb-post-tax-term\">La Chulapona<\/span>","<span class=\"advgb-post-tax-term\">La Clemenza di Tito<\/span>","<span class=\"advgb-post-tax-term\">Las Hijas del Zebedeo<\/span>","<span class=\"advgb-post-tax-term\">Le nozze di Figaro<\/span>","<span class=\"advgb-post-tax-term\">Lola Rodr\u00edguez Arag\u00f3n<\/span>","<span class=\"advgb-post-tax-term\">Lorenzo da Ponte<\/span>","<span class=\"advgb-post-tax-term\">Los Claveles<\/span>","<span class=\"advgb-post-tax-term\">Luis Antonio Garc\u00eda Navarro<\/span>","<span class=\"advgb-post-tax-term\">Manuel de Falla<\/span>","<span class=\"advgb-post-tax-term\">Maria Callas<\/span>","<span class=\"advgb-post-tax-term\">Medea (Cherubini)<\/span>","<span class=\"advgb-post-tax-term\">Mirella Freni<\/span>","<span class=\"advgb-post-tax-term\">Nicola Rescigno<\/span>","<span class=\"advgb-post-tax-term\">Pilar Lorengar<\/span>","<span class=\"advgb-post-tax-term\">Rafael Fr\u00fchbeck de Burgos<\/span>","<span class=\"advgb-post-tax-term\">Ricardo Requejo<\/span>","<span class=\"advgb-post-tax-term\">Robert Schumann<\/span>","<span class=\"advgb-post-tax-term\">Ruperto Chap\u00ed<\/span>","<span class=\"advgb-post-tax-term\">Siete canciones populares espa\u00f1olas<\/span>","<span class=\"advgb-post-tax-term\">Stabat Mater (Pergolesi)<\/span>","<span class=\"advgb-post-tax-term\">Teresa Berganza<\/span>","<span class=\"advgb-post-tax-term\">Wolfgang Amadeus Mozart<\/span>","<span class=\"advgb-post-tax-term\">Zarzuela<\/span>"]}},"comment_count":"0","relative_dates":{"created":"Posted 4 years ago","modified":"Updated 4 years ago"},"absolute_dates":{"created":"Posted on 20\/05\/2022","modified":"Updated on 15\/06\/2022"},"absolute_dates_time":{"created":"Posted on 20\/05\/2022 19:50","modified":"Updated on 15\/06\/2022 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