{"id":9527,"date":"2022-04-12T09:51:22","date_gmt":"2022-04-12T07:51:22","guid":{"rendered":"http:\/\/countermelodypodcast.com\/?p=9527"},"modified":"2025-07-29T10:56:51","modified_gmt":"2025-07-29T08:56:51","slug":"episode-140-universal-passion","status":"publish","type":"post","link":"https:\/\/countermelodypodcast.com\/index.php\/2022\/04\/12\/episode-140-universal-passion\/","title":{"rendered":"Episode 140. The Universal Passion"},"content":{"rendered":"<div id=\"mega-menu-wrap-primary\" class=\"mega-menu-wrap\"><div class=\"mega-menu-toggle\"><div class=\"mega-toggle-blocks-left\"><\/div><div class=\"mega-toggle-blocks-center\"><\/div><div class=\"mega-toggle-blocks-right\"><div class='mega-toggle-block mega-menu-toggle-animated-block mega-toggle-block-1' id='mega-toggle-block-1'><button aria-label=\"Menu\" class=\"mega-toggle-animated mega-toggle-animated-slider\" type=\"button\" aria-haspopup=\"true\" aria-expanded=\"false\" aria-controls=\"mega-menu-primary\">\n                  <span class=\"mega-toggle-animated-box\">\n                    <span class=\"mega-toggle-animated-inner\"><\/span>\n                  <\/span>\n                <\/button><\/div><\/div><\/div><ul id=\"mega-menu-primary\" class=\"mega-menu max-mega-menu mega-menu-horizontal mega-no-js\" data-event=\"hover_intent\" data-effect=\"slide\" data-effect-speed=\"200\" data-effect-mobile=\"slide\" data-effect-speed-mobile=\"200\" data-mobile-force-width=\"body\" data-second-click=\"go\" data-document-click=\"collapse\" data-vertical-behaviour=\"standard\" data-breakpoint=\"600\" data-unbind=\"true\" data-mobile-state=\"collapse_all\" data-mobile-direction=\"vertical\" data-hover-intent-timeout=\"300\" data-hover-intent-interval=\"100\"><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-menu-item-home mega-align-bottom-left mega-menu-flyout mega-menu-item-19160\" id=\"mega-menu-item-19160\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/\">Home<\/a><\/li><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-align-bottom-left mega-menu-flyout mega-menu-item-19161\" id=\"mega-menu-item-19161\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/index.php\/about-daniel\/\">About Daniel<\/a><\/li><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-current_page_parent mega-align-bottom-left mega-menu-flyout mega-menu-item-19171\" id=\"mega-menu-item-19171\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/index.php\/all-episodes\/\">All Episodes<\/a><\/li><\/ul><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">Episode 140.  The Universal Passion<\/h2>\n\n\n\n<iframe loading=\"lazy\" width=\"340\" height=\"50\" src=\"https:\/\/countermelody.blubrry.net\/?powerpress_embed=558-podcast&amp;powerpress_player=mediaelement-audio\" title=\"Blubrry Podcast Player\" frameborder=\"0\" scrolling=\"no\"><\/iframe>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p><strong>SOCIAL SHARE<\/strong><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"has-text-align-right\"><strong>SUBSCRIPTION PLATFORM<\/strong><\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<ul class=\"wp-block-social-links has-normal-icon-size 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5.331 5.331 0 0 0 2.372-4.114 2.787 2.787 0 0 0 1.583-2.5 2.775 2.775 0 0 0-2.772-2.772 2.742 2.742 0 0 0-1.688.574 9.482 9.482 0 0 0-4.637-1.348v-.008a2.349 2.349 0 0 1 2.011-2.316 1.97 1.97 0 0 0 1.926 1.521 1.98 1.98 0 0 0 1.978-1.978 1.98 1.98 0 0 0-1.978-1.978 1.985 1.985 0 0 0-1.938 1.578 3.183 3.183 0 0 0-2.849 3.172v.011a9.463 9.463 0 0 0-4.59 1.35 2.741 2.741 0 0 0-1.688-.574Zm6.736 9.1a3.162 3.162 0 0 1-2.921-1.944.215.215 0 0 1 .014-.2.219.219 0 0 1 .168-.106 27.327 27.327 0 0 1 2.74-.133 27.357 27.357 0 0 1 2.74.133.219.219 0 0 1 .168.106.215.215 0 0 1 .014.2 3.158 3.158 0 0 1-2.921 1.944Zm3.743-3.157a1.265 1.265 0 0 1-1.4-1.371 1.954 1.954 0 0 1 .482-1.442 1.15 1.15 0 0 1 .842-.379 1.7 1.7 0 0 1 1.49 1.777 1.323 1.323 0 0 1-.325 1.015 1.476 1.476 0 0 1-1.089.4Zm-7.485 0a1.476 1.476 0 0 1-1.086-.4 1.323 1.323 0 0 1-.325-1.016 1.7 1.7 0 0 1 1.49-1.777 1.151 1.151 0 0 1 .843.379 1.951 1.951 0 0 1 .481 1.441 1.276 1.276 0 0 1-1.403 1.373Z\"><\/path><\/svg><span class=\"wp-block-social-link-label screen-reader-text\">Share on Reddit<\/span><\/a><\/li><\/ul>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<div class=\"wp-block-buttons is-horizontal is-content-justification-left is-layout-flex wp-container-core-buttons-is-layout-7e5fce0a wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link no-border-radius wp-element-button\" href=\"https:\/\/countermelody.blubrry.net\/\">SUBSCRIBE VIA YOUR FAVORITE PODCAST PLATFORM<\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"352\" height=\"469\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/04\/Bach.jpg\" alt=\"\" class=\"wp-image-9744\" style=\"width:402px;height:536px\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/04\/Bach.jpg 352w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/04\/Bach-225x300.jpg 225w\" sizes=\"auto, (max-width: 352px) 100vw, 352px\" \/><\/figure>\n<\/div>\n\n\n<div style=\"height:38px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>For Christians, this week is probably the most central to the theology of their faith, focusing as it does on the story of the Passion of the Christ. My dear friend, the choral conductor and singer Kristina Boerger posted a fascinating meditation this week about her \u201ccomplicated\u201d relationship with this theology, and how the performance of music for Holy Week over the years has given her insight into some universal tenets about human nature and behavior. She very kindly agreed to read her essay for me to use as the basis of this week\u2019s podcast, which features music written for, and associated with, the Passion. Composers featured include, from the Baroque era, Couperin, Sch\u00fctz, Handel, and Bach (with Pergolesi right on the cusp); from the 19th century, Beethoven, Schubert, and Wolf; and from the 20th century, Hindemith, Szymanowski, Poulenc, Penderecki, Frank Martin, and Arvo P\u00e4rt. Featured singers include R\u00e9gine Crespin, Irmgard Seefried, Peter Schreier, Gundula Janowitz, Richard Lewis, Florence Quivar, Andrzej Hiolski, Judith Raskin, Jorma Hynninen, Margaret Marshall, Benjamin Luxon, Muriel Smith, Walter Berry, Edda Moser, and Adele Addison, plus further encounters with several of the Swiss singers we explored last week (Hugues Cu\u00e9nod, Maria Stader, Eric Tappy, Pierre Mollet, and Ernst Haefliger). Whether you are Christian, agnostic, atheist, Muslim, Jew, or fall into a different category altogether, there will be something here for you of value in this episode.<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p>Kristina Boerger&#8217;s thought-provoking essay which inspired me in the creation of this episode is below:<\/p>\n\n\n\n<p><em>I think you all know that I\u2019m not religious. But each year at around this time, my vocation as a singer affords me special contemplation of the legend of Christ\u2019s betrayal, arrest, and capital murder. I find that the legend \u2013 much like the dramas of Classical Antiquity \u2013 holds up a bracingly clear mirror to human behaviors today (thus providing, alas, a refutation to the na\u00efve belief in the ethical progress of the species).<\/em><\/p>\n\n\n\n<p><em>In times of persecution, wherever a leader steadfastly speaks up for what is true and right, other people in the drama will fall into the following roles, sealing the truth-teller\u2019s fate as the scapegoat for systemic disease:<\/em><\/p>\n\n\n\n<p><em>-As trouble approaches, the scapegoat\u2019s companions \u2013 having formerly relied on the scapegoat \u2013 will skitter away on being entreated to stay and lend support.<\/em><\/p>\n\n\n\n<p><em>-Someone once a close companion of the scapegoat will sell the scapegoat away with a betraying kiss.<\/em><\/p>\n\n\n\n<p><em>-On being questioned, former companions will deny their relationships to the scapegoat.<\/em><\/p>\n\n\n\n<p><em>-An official with power to exonerate the scapegoat, and knowing of the scapegoat&#8217;s innocence, will instead bow to the crowd screaming for the scapegoat\u2019s head.<\/em><\/p>\n\n\n\n<p><em>-Outsiders with no understanding of the details of the conflict will join the screaming, spitting crowd.<\/em><\/p>\n\n\n\n<p><em>-Anyone able to see the scapegoat\u2019s innocence through the fog of dysfunction will already have recognized having nothing worthwhile left to lose in publicly defending the scapegoat (as in: the convicts to either side, already dying on the gallows).<\/em><\/p>\n\n\n\n<p><em>There is another option available in the story: remaining true to the scapegoat, but from a position of such powerlessness that this loyalty does not even register on the plot radar before the scapegoat\u2019s fate has been sealed. (I refer, of course, to the women in the story.)<\/em><\/p>\n\n\n\n<p><em>In our real lives, all of these roles will be played every time. You can count on it.<\/em><\/p>\n\n\n\n<p><em>There are other choices, too \u2013 ethical ones \u2013 that individuals can make; but the making of those choices is not so much to be counted on. If you\u2019re going to place bets, stick with the options in the story, and then be happy if you lose your money to the surprise of an honorable outcome.<\/em><\/p>\n\n\n\n<p><em>To sing the words and the music that this legend has inspired is to deeply integrate its lessons into the body. I can sing its incantations to myself in Latin and in German \u2013 most indelibly in the musical languages of Arvo P\u00e4rt and Johann Sebastian Bach. This morning I cantored in English from the Psalms that Christians take to presage Christ\u2019s arrest and murder; these verses so poetically express the emotional mutilation of betrayal and isolation.<\/em><\/p>\n\n\n\n<p><em>When I sing for these rituals in houses of worship, I am conscious of being surrounded by people who believe in the legend yet to follow, the legend that comes next Sunday. I feel jealous of the comfort this faith must bring them.<\/em><\/p>\n\n\n\n<p><em>Earlier today I was challenged to write a liturgically appropriate haiku for the day. Here it is again, an attempt at self-encouragement:<\/em><\/p>\n\n\n\n<p><em>Try believing it:<\/em><\/p>\n\n\n\n<p><em>Your Judas will hang himself.<\/em><\/p>\n\n\n\n<p><em>Your tomb will empty.<\/em><\/p>\n\n\n\n<div style=\"height:47px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-custom-size\" style=\"font-size:30px\"><strong> RECORDINGS HEARD IN THIS EPISODE<\/strong><\/p>\n\n\n\n<div style=\"height:55px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"662\" height=\"900\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/04\/Cuenod_Hugues__1945.jpg\" alt=\"\" class=\"wp-image-9746\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/04\/Cuenod_Hugues__1945.jpg 662w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/04\/Cuenod_Hugues__1945-221x300.jpg 221w\" sizes=\"auto, (max-width: 662px) 100vw, 662px\" \/><\/figure>\n<\/div>\n\n\n<p>Fran\u00e7ois Couperin: Incipit Lamentatio Jeremiae. Gimel. Migravit Juda (<em>Premi\u00e8re Le\u00e7on de T\u00e9n\u00e8bres<\/em>). Hugues Cu\u00e9nod, Daniel Pinkham, Alfred Zighera [1950]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"557\" height=\"800\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/04\/Luxon.jpg\" alt=\"\" class=\"wp-image-9753\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/04\/Luxon.jpg 557w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/04\/Luxon-209x300.jpg 209w\" sizes=\"auto, (max-width: 557px) 100vw, 557px\" \/><\/figure>\n<\/div>\n\n\n<p>Hugo Wolf, Eduard M\u00f6rike: Karwoche (<em>M\u00f6rike-Lieder<\/em>). Benjamin Luxon, David Willison [1972]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"488\" height=\"612\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/04\/Richard-Lewis3.png\" alt=\"\" class=\"wp-image-9754\" style=\"width:513px;height:643px\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/04\/Richard-Lewis3.png 488w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/04\/Richard-Lewis3-239x300.png 239w\" sizes=\"auto, (max-width: 488px) 100vw, 488px\" \/><\/figure>\n<\/div>\n\n\n<p>Ludwig Van Beethoven, Franz Xaver Huber: Meine Seele ist ersch\u00fcttert (<em>Christus am \u00d6lberge<\/em>, Op. 85). Richard Lewis, Eugene Ormandy, Philadelphia Orchestra [1966]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"756\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/04\/Penderecki-Hiolski-1024x756.jpg\" alt=\"\" class=\"wp-image-9755\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/04\/Penderecki-Hiolski-1024x756.jpg 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/04\/Penderecki-Hiolski-300x221.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/04\/Penderecki-Hiolski-768x567.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/04\/Penderecki-Hiolski.jpg 1219w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Krzysztof Penderecki and Andrzej Hiolski<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Krzysztof Penderecki: Et egressus ibat&#8230; Deus meus (<em>Passio et Mors Domini Nostri Jesu Christi secundum Lukam<\/em>). Andrzej Hiolski, Rudolf J\u00fcrgen Bartsch, Henryk Czyz, K\u00f6lner Rundfunk-Sinfonie-Orchester, K\u00f6lner Rundfunkchor [1967]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"480\" height=\"720\" data-id=\"9759\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/04\/Tappy-1.jpg\" alt=\"\" class=\"wp-image-9759\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/04\/Tappy-1.jpg 480w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/04\/Tappy-1-200x300.jpg 200w\" sizes=\"auto, (max-width: 480px) 100vw, 480px\" \/><figcaption class=\"wp-element-caption\">Eric Tappy<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"630\" height=\"914\" data-id=\"9760\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/04\/Pierre-Mollet.jpg\" alt=\"\" class=\"wp-image-9760\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/04\/Pierre-Mollet.jpg 630w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/04\/Pierre-Mollet-207x300.jpg 207w\" sizes=\"auto, (max-width: 630px) 100vw, 630px\" \/><figcaption class=\"wp-element-caption\">Pierre Mollet<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"440\" height=\"573\" data-id=\"9757\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/04\/Huttenlocher.png\" alt=\"\" class=\"wp-image-9757\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/04\/Huttenlocher.png 440w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/04\/Huttenlocher-230x300.png 230w\" sizes=\"auto, (max-width: 440px) 100vw, 440px\" \/><figcaption class=\"wp-element-caption\">Philippe Huttenlocher<\/figcaption><\/figure>\n<\/figure>\n\n\n\n<p>Frank Martin, texts from Bible and St. Augustine: G\u00e9ths\u00e9man\u00e9 [excerpt] (<em>Golgotha<\/em>). Wally St\u00e4mpfli, Marie-Lise de Montmollin, Eric Tappy, Pierre Mollet, Philippe Huttenlocher, Robert Faller, Paulette Zanlonghi, Andr\u00e9 Luy, Orchestre symphonique, Ch\u0153ur Faller, Ch\u0153ur de l\u2019Universit\u00e9 de Lausanne [1968]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"728\" height=\"754\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/04\/Haefliger-profile-1.jpg\" alt=\"\" class=\"wp-image-9793\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/04\/Haefliger-profile-1.jpg 728w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/04\/Haefliger-profile-1-290x300.jpg 290w\" sizes=\"auto, (max-width: 728px) 100vw, 728px\" \/><figcaption class=\"wp-element-caption\">Ernst Haefliger<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Johann Sebastian Bach: Simon Petrus stund und w\u00e4rmete sich (<em>Johannes-Passion<\/em>, BWV 245). Ernst Haefliger, Franz Crass, Alexander Young, Eugen Jochum, Concertgebouw Orchestra, Nederlands Radio Koor [1967]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"416\" height=\"607\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/04\/Pears-Pensive.png\" alt=\"\" class=\"wp-image-9761\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/04\/Pears-Pensive.png 416w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/04\/Pears-Pensive-206x300.png 206w\" sizes=\"auto, (max-width: 416px) 100vw, 416px\" \/><figcaption class=\"wp-element-caption\">Peter Pears<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Heinrich Sch\u00fctz: Jesus aber stund f\u00fcr dem Landpleger (<em>Matth\u00e4us Passion<\/em>, SWV 479). Peter Pears, John Shirley-Quirk, Benjamin Luxon, Meriel Dickinson, Roger Norrington, Heinrich Sch\u00fctz Choir [1972]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-2 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"397\" height=\"565\" data-id=\"9762\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/04\/Moser-Lauterwasser.jpg\" alt=\"\" class=\"wp-image-9762\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/04\/Moser-Lauterwasser.jpg 397w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/04\/Moser-Lauterwasser-211x300.jpg 211w\" sizes=\"auto, (max-width: 397px) 100vw, 397px\" \/><figcaption class=\"wp-element-caption\">Edda Moser<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"483\" height=\"607\" data-id=\"9763\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/04\/Wenzinger.png\" alt=\"\" class=\"wp-image-9763\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/04\/Wenzinger.png 483w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/04\/Wenzinger-239x300.png 239w\" sizes=\"auto, (max-width: 483px) 100vw, 483px\" \/><figcaption class=\"wp-element-caption\">August Wenzinger<\/figcaption><\/figure>\n<\/figure>\n\n\n\n<p>George Frideric Handel, Barthold Heinrich Brockes: Drum, Seele, schau&#8230; Dem Himmel gleicht (<em>Brockes-Passion<\/em>, HWV 48). Edda Moser, August Wenzinger, Schola Cantorum Basiliensis [1967]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"392\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/04\/DeGaetani-Kalish-392x1024.png\" alt=\"\" class=\"wp-image-9764\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/04\/DeGaetani-Kalish-392x1024.png 392w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/04\/DeGaetani-Kalish-115x300.png 115w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/04\/DeGaetani-Kalish.png 497w\" sizes=\"auto, (max-width: 392px) 100vw, 392px\" \/><\/figure>\n<\/div>\n\n\n<p>Hugo Wolf, Jos\u00e9 de Valdivielso, German translation by Emanuel Geibel: Wunden tr\u00e4gst du, mein Geliebter (<em>Spanisches Liederbuch<\/em>). Jan DeGaetani, Gilbert Kalish [1974]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"400\" height=\"577\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/04\/Stader2.jpg\" alt=\"\" class=\"wp-image-9765\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/04\/Stader2.jpg 400w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/04\/Stader2-208x300.jpg 208w\" sizes=\"auto, (max-width: 400px) 100vw, 400px\" \/><\/figure>\n<\/div>\n\n\n<p>George Frideric Handel, Barthold Heinrich Brockes: Die zarten Schl\u00e4fen&#8230; Jesu, dich mit unsern Seelen (<em>Brockes-Passion<\/em>, HWV 48). Maria Stader, August Wenzinger, Schola Cantorum Basiliensis [1967]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"849\" height=\"737\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/04\/Schreier-Adam.jpg\" alt=\"\" class=\"wp-image-9766\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/04\/Schreier-Adam.jpg 849w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/04\/Schreier-Adam-300x260.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/04\/Schreier-Adam-768x667.jpg 768w\" sizes=\"auto, (max-width: 849px) 100vw, 849px\" \/><figcaption class=\"wp-element-caption\">Peter Schreier and Theo Adam<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Heinrich Sch\u00fctz: Es verspotteten ihn auch (<em>Lukas-Passion<\/em>, SWV 480). Peter Schreier, Theo Adam, Rolf Apreck, Hans-Joachim Rotzsch, Rudolf Mauersberger, Dresdner Kreuzchor [1965]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"603\" height=\"791\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/04\/Janowitz-Gage.png\" alt=\"\" class=\"wp-image-9767\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/04\/Janowitz-Gage.png 603w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/04\/Janowitz-Gage-229x300.png 229w\" sizes=\"auto, (max-width: 603px) 100vw, 603px\" \/><figcaption class=\"wp-element-caption\">Gundula Janowitz and Irwin Gage<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Franz Schubert, Friedrich Schlegel: Vom Mitleiden Mari\u00e4, D.632. Gundula Janowitz, Irwin Gage [1977]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-3 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"750\" height=\"853\" data-id=\"9769\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/04\/Raskin.jpg\" alt=\"\" class=\"wp-image-9769\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/04\/Raskin.jpg 750w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/04\/Raskin-264x300.jpg 264w\" sizes=\"auto, (max-width: 750px) 100vw, 750px\" \/><figcaption class=\"wp-element-caption\">Judith Raskin<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"428\" height=\"428\" data-id=\"9768\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/04\/Lehane.jpg\" alt=\"\" class=\"wp-image-9768\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/04\/Lehane.jpg 428w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/04\/Lehane-300x300.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/04\/Lehane-150x150.jpg 150w\" sizes=\"auto, (max-width: 428px) 100vw, 428px\" \/><figcaption class=\"wp-element-caption\">Maureen Lehane<\/figcaption><\/figure>\n<\/figure>\n\n\n\n<p>Giovanni Battista Pergolesi: Stabat Mater dolorosa (<em>Stabat Mater<\/em>). Judith Raskin, Maureen Lehane, Franco Caracciolo, Orchestra Rossini di Napoli [1964]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-gallery aligncenter has-nested-images columns-default is-cropped wp-block-gallery-4 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"784\" height=\"1024\" data-id=\"9770\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/04\/Quivar-fur.jpg\" alt=\"\" class=\"wp-image-9770\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/04\/Quivar-fur.jpg 784w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/04\/Quivar-fur-230x300.jpg 230w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/04\/Quivar-fur-768x1003.jpg 768w\" sizes=\"auto, (max-width: 784px) 100vw, 784px\" \/><figcaption class=\"wp-element-caption\">Florence Quivar<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"960\" height=\"643\" data-id=\"9771\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/04\/Smytka.jpg\" alt=\"\" class=\"wp-image-9771\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/04\/Smytka.jpg 960w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/04\/Smytka-300x201.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/04\/Smytka-768x514.jpg 768w\" sizes=\"auto, (max-width: 960px) 100vw, 960px\" \/><figcaption class=\"wp-element-caption\">Elzbieta Smytka<\/figcaption><\/figure>\n<\/figure>\n\n\n\n<p>Karol Szymanowski, Polish translation by Jozef Janowski: O Matko, zr\u00f3dlo wszechmilosci [Eia Mater, fons amoris] (<em>Stabat Mater<\/em>, Op. 53\/3). Florence Quivar, Elzbieta Szmytka, Simon Rattle, City of Birmingham Symphony Orchestra [1994]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"725\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/04\/Crespin.jpg\" alt=\"\" class=\"wp-image-9774\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/04\/Crespin.jpg 725w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/04\/Crespin-212x300.jpg 212w\" sizes=\"auto, (max-width: 725px) 100vw, 725px\" \/><\/figure>\n<\/div>\n\n\n<p>Francis Poulenc: Vidit suum dulcem natum (<em>Stabat Mater<\/em>). R\u00e9gine Crespin, Georges Pr\u00eatre, Orchestre de la Soci\u00e9t\u00e9 des Concerts du Conservatoire, Ch\u0153urs Ren\u00e9 Duclos [1964]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"887\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/04\/Irmgard-and-Wolfie-1024x887.jpg\" alt=\"\" class=\"wp-image-9775\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/04\/Irmgard-and-Wolfie-1024x887.jpg 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/04\/Irmgard-and-Wolfie-300x260.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/04\/Irmgard-and-Wolfie-768x665.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/04\/Irmgard-and-Wolfie-1536x1331.jpg 1536w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/04\/Irmgard-and-Wolfie-1600x1386.jpg 1600w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/04\/Irmgard-and-Wolfie.jpg 1684w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Irmgard Seefried and Wolfgang Schneiderhan<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Frank Martin: Stabat Mater (<em>Maria Triptychon<\/em>). Irmgard Seefried, Wolfgang Schneiderhan, Frank Martin, Orchestre de la Suisse Romande [live Geneva 03.IX.1970]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"838\" height=\"612\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/04\/Irmwolf.png\" alt=\"\" class=\"wp-image-9778\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/04\/Irmwolf.png 838w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/04\/Irmwolf-300x219.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/04\/Irmwolf-768x561.png 768w\" sizes=\"auto, (max-width: 838px) 100vw, 838px\" \/><\/figure>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-gallery aligncenter has-nested-images columns-1 is-cropped wp-block-gallery-5 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"984\" height=\"608\" data-id=\"9780\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/04\/Jorma-Outfit.png\" alt=\"\" class=\"wp-image-9780\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/04\/Jorma-Outfit.png 984w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/04\/Jorma-Outfit-300x185.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/04\/Jorma-Outfit-768x475.png 768w\" sizes=\"auto, (max-width: 984px) 100vw, 984px\" \/><figcaption class=\"wp-element-caption\">Jorma Hynninen<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"576\" data-id=\"9781\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/04\/Part-Young-1024x576.png\" alt=\"\" class=\"wp-image-9781\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/04\/Part-Young-1024x576.png 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/04\/Part-Young-300x169.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/04\/Part-Young-768x432.png 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/04\/Part-Young.png 1085w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Arvo P\u00e4rt<\/figcaption><\/figure>\n<\/figure>\n\n\n\n<p>Arvo P\u00e4rt: Cum vidissit ergo Jesus Matrem (<em>Passio Domini nostri Jesu Christi secundum Joannem<\/em>). Jorma Hynninen, Topi Tuuli Lindeberg, Teppo Lampela, Jukka Vaari, Hannu Holma, Tauno Satomaa, Kari Jussila, Jukka Rantam\u00e4ki, Marja Talka, Bridget Allaire-M\u00e4ki, Janne Aalto [2000]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"798\" height=\"767\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/04\/Lehmann-Recording-Winterreise.png\" alt=\"\" class=\"wp-image-9782\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/04\/Lehmann-Recording-Winterreise.png 798w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/04\/Lehmann-Recording-Winterreise-300x288.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/04\/Lehmann-Recording-Winterreise-768x738.png 768w\" sizes=\"auto, (max-width: 798px) 100vw, 798px\" \/><\/figure>\n<\/div>\n\n\n<p>Rainer Maria Rilke: Piet\u00e0 (<em>Das Marienleben<\/em>, No. 11). Lotte Lehmann [1958]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"523\" height=\"600\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/04\/Jennie-Tourel.jpg\" alt=\"\" class=\"wp-image-9783\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/04\/Jennie-Tourel.jpg 523w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/04\/Jennie-Tourel-262x300.jpg 262w\" sizes=\"auto, (max-width: 523px) 100vw, 523px\" \/><\/figure>\n<\/div>\n\n\n<p>Paul Hindemith, Rainer Maria Rilke: Piet\u00e0 (<em>Das Marienleben<\/em>, Op. 48\/11 [revised version]. Jennie Tourel, Erich Itor Kahn [1954]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-gallery aligncenter has-nested-images columns-default is-cropped wp-block-gallery-6 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"488\" height=\"611\" data-id=\"9785\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/04\/Robert-Shaw.png\" alt=\"\" class=\"wp-image-9785\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/04\/Robert-Shaw.png 488w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/04\/Robert-Shaw-240x300.png 240w\" sizes=\"auto, (max-width: 488px) 100vw, 488px\" \/><figcaption class=\"wp-element-caption\">Robert Shaw<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"443\" height=\"605\" data-id=\"9784\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/04\/Addison-Van-Vechten.jpg\" alt=\"\" class=\"wp-image-9784\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/04\/Addison-Van-Vechten.jpg 443w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/04\/Addison-Van-Vechten-220x300.jpg 220w\" sizes=\"auto, (max-width: 443px) 100vw, 443px\" \/><figcaption class=\"wp-element-caption\">Adele Addison<\/figcaption><\/figure>\n<\/figure>\n\n\n\n<p>Johann Sebastian Bach: Dissolve, o my spirit [Zerfliesse, mein Herze] (<em>St. John Passion<\/em>, BWV 245). Adele Addison, Robert Shaw, Julius Baker, Robert Bloom, Bernard Greenhouse, RCA Victor Symphony Orchestra [1950]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-gallery aligncenter has-nested-images columns-default is-cropped wp-block-gallery-7 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"476\" height=\"605\" data-id=\"9787\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/04\/Hodgson.png\" alt=\"\" class=\"wp-image-9787\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/04\/Hodgson.png 476w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/04\/Hodgson-236x300.png 236w\" sizes=\"auto, (max-width: 476px) 100vw, 476px\" \/><figcaption class=\"wp-element-caption\">Alfreda Hodgson<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"404\" height=\"606\" data-id=\"9786\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/04\/MMSongbird.png\" alt=\"\" class=\"wp-image-9786\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/04\/MMSongbird.png 404w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/04\/MMSongbird-200x300.png 200w\" sizes=\"auto, (max-width: 404px) 100vw, 404px\" \/><figcaption class=\"wp-element-caption\">Margaret Marshall<\/figcaption><\/figure>\n<\/figure>\n\n\n\n<p>Giovanni Battista Pergolesi: Fac ut ardeat cor meum (<em>Stabat Mater<\/em>). Margaret Marshall, Alfreda Hodgson, G\u00fcnter Kehr, Mainzer Kammerorchester [1978]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"700\" height=\"700\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/04\/Walter-Berry.jpg\" alt=\"\" class=\"wp-image-9790\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/04\/Walter-Berry.jpg 700w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/04\/Walter-Berry-300x300.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/04\/Walter-Berry-150x150.jpg 150w\" sizes=\"auto, (max-width: 700px) 100vw, 700px\" \/><\/figure>\n\n\n\n<p>Johann Sebastian Bach: Mache dich, mein Herze rein (<em>Matth\u00e4us-Passion<\/em>). Walter Berry, Herbert von Karajan, Berliner Philharmoniker [1973]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"603\" height=\"906\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/04\/Smith-Muriel.png\" alt=\"\" class=\"wp-image-9789\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/04\/Smith-Muriel.png 603w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/04\/Smith-Muriel-200x300.png 200w\" sizes=\"auto, (max-width: 603px) 100vw, 603px\" \/><\/figure>\n<\/div>\n\n\n<p>Traditional Spiritual: Were You There. Muriel Smith [1955]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Episode 140. The Universal Passion SOCIAL SHARE SUBSCRIPTION PLATFORM For Christians, this week is probably the most central to the&hellip;<\/p>\n","protected":false},"author":1,"featured_media":9750,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"advgb_blocks_editor_width":"","advgb_blocks_columns_visual_guide":"","footnotes":""},"categories":[420,1626,1075,3207,3614,3132,2399,1073,8033,2396,1263,2260,808,3272,2806,2550],"tags":[1055,2776,1632,2451,3379,4039,2847,4040,4057,4027,2467,3476,2247,653,4050,3684,3493,578,2565,357,1332,544,4049,4025,797,4058,101,4045,280,390,2438,1321,4031,456,4055,4043,4036,4030,1242,648,1380,1160,1173,2437,893,298,1178,103,1169,4054,4022,3209,380,1630,4026,87,328,4028,1051,4024,4033,1281,4048,4037,925,4051,2394,2795,49,4034,1026,2469,444,355,2279,4035,567,4038,4042,4029,4044,3678,4041,430,4023,2699,4046,4047,4056,4053,724,4052,4032,1161,3995],"class_list":["post-9527","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-african-american-opera-singers","category-african-american-singers","category-art-song","category-behind-the-iron-curtain","category-canadian-singers","category-franz-schubert","category-great-baritones","category-holiday-music","category-johann-sebastian-bach","category-jorma-hynninen","category-mezzo-madness","category-music-for-a-world-in-crisis","category-needle-drop","category-singers-of-color","category-twentieth-century-music","category-voiceless-wonders","tag-adele-addison","tag-alexander-young","tag-andrzej-hiolski","tag-arvo-part","tag-august-wenzinger","tag-barthold-heinrich-brockes","tag-benjamin-luxon","tag-brockes-passion-handel","tag-christus-am-olberge-beethoven","tag-daniel-pinkham","tag-das-marienleben","tag-david-willison","tag-edda-moser","tag-eduard-morike","tag-elzbieta-szmytka","tag-eric-tappy","tag-erich-itor-kahn","tag-ernst-haefliger","tag-eugen-jochum","tag-eugene-ormandy","tag-florence-quivar","tag-francis-poulenc","tag-franco-caracciolo","tag-francois-couperin","tag-frank-martin","tag-franz-crass","tag-franz-schubert","tag-friedrich-schlegel","tag-george-frideric-handel","tag-georges-pretre","tag-gilbert-kalish","tag-giovanni-battista-pergolesi","tag-golgotha-martin","tag-gundula-janowitz","tag-hannu-holma","tag-hans-joachim-rotzsch","tag-heinrich-schutz","tag-henryk-czyz","tag-herbert-von-karajan","tag-hugo-wolf","tag-hugues-cuenod","tag-irmgard-seefried","tag-irwin-gage","tag-jan-degaetani","tag-jennie-tourel","tag-johann-sebastian-bach","tag-john-shirley-quirk","tag-jorma-hynninen","tag-judith-raskin","tag-jukka-vaari","tag-julius-baker","tag-karol-szymanowski","tag-kristina-boerger","tag-krzysztof-penderecki","tag-lecons-de-tenebres","tag-lotte-lehmann","tag-ludwig-van-beethoven","tag-lukas-passion-penderecki","tag-maria-stader","tag-maria-triptychon-martin","tag-marie-lise-de-montmollin","tag-matthaus-passion","tag-maureen-lehane","tag-meriel-dickinson","tag-muriel-smith","tag-passio-part","tag-paul-hindemith","tag-peter-pears","tag-peter-schreier","tag-philippe-huttenlocher","tag-pierre-mollet","tag-rainer-maria-rilke","tag-regine-crespin","tag-richard-lewis","tag-robert-bloom","tag-robert-faller","tag-robert-shaw","tag-roger-norrington","tag-rolf-apreck","tag-rudolf-jurgen-bartsch","tag-rudolf-mauersberger","tag-simon-rattle","tag-spanisches-liederbuch-wolf","tag-spirituals","tag-st-john-passion","tag-stabat-mater-pergolesi","tag-stabat-mater-poulenc","tag-stabat-mater-szymanowski","tag-tauno-satomaa","tag-teppo-lampela","tag-theo-adam","tag-topi-tuuli-lindeberg","tag-wally-stampfli","tag-walter-berry","tag-wolfgang-schneiderhan"],"author_meta":{"display_name":"admin","author_link":"https:\/\/countermelodypodcast.com\/index.php\/author\/admin\/"},"featured_img":"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/04\/Divine-Scapegoat-300x207.jpg","coauthors":[],"tax_additional":{"categories":{"linked":["<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/african-american-opera-singers\/\" class=\"advgb-post-tax-term\">African American Opera Singers<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/african-american-singers\/\" class=\"advgb-post-tax-term\">African American Singers<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/art-song\/\" class=\"advgb-post-tax-term\">Art Song<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/behind-the-iron-curtain\/\" class=\"advgb-post-tax-term\">Behind the Iron Curtain<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/canadian-singers\/\" class=\"advgb-post-tax-term\">Canadian Singers<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/franz-schubert\/\" class=\"advgb-post-tax-term\">Franz Schubert<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/great-baritones\/\" class=\"advgb-post-tax-term\">Great Baritones<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/holiday-music\/\" class=\"advgb-post-tax-term\">Holiday Music<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/johann-sebastian-bach\/\" class=\"advgb-post-tax-term\">Johann Sebastian Bach<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/jorma-hynninen\/\" class=\"advgb-post-tax-term\">Jorma Hynninen<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/mezzo-madness\/\" class=\"advgb-post-tax-term\">Mezzo Madness<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/music-for-a-world-in-crisis\/\" class=\"advgb-post-tax-term\">Music for a World in Crisis<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Needle Drop<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/singers-of-color\/\" class=\"advgb-post-tax-term\">Singers of Color<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Twentieth Century Music<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Voiceless Wonders<\/a>"],"unlinked":["<span class=\"advgb-post-tax-term\">African American Opera Singers<\/span>","<span class=\"advgb-post-tax-term\">African American Singers<\/span>","<span class=\"advgb-post-tax-term\">Art Song<\/span>","<span class=\"advgb-post-tax-term\">Behind the Iron Curtain<\/span>","<span class=\"advgb-post-tax-term\">Canadian Singers<\/span>","<span class=\"advgb-post-tax-term\">Franz Schubert<\/span>","<span class=\"advgb-post-tax-term\">Great Baritones<\/span>","<span class=\"advgb-post-tax-term\">Holiday Music<\/span>","<span class=\"advgb-post-tax-term\">Johann Sebastian Bach<\/span>","<span class=\"advgb-post-tax-term\">Jorma Hynninen<\/span>","<span class=\"advgb-post-tax-term\">Mezzo Madness<\/span>","<span class=\"advgb-post-tax-term\">Music for a World in Crisis<\/span>","<span class=\"advgb-post-tax-term\">Needle Drop<\/span>","<span class=\"advgb-post-tax-term\">Singers of Color<\/span>","<span class=\"advgb-post-tax-term\">Twentieth Century Music<\/span>","<span class=\"advgb-post-tax-term\">Voiceless Wonders<\/span>"]},"tags":{"linked":["<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Adele Addison<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Alexander Young<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Andrzej Hiolski<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Arvo P\u00e4rt<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">August Wenzinger<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Barthold Heinrich Brockes<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Benjamin Luxon<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Brockes-Passion (Handel)<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Christus am \u00d6lberge (Beethoven)<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Daniel Pinkham<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Das Marienleben<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">David Willison<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Edda Moser<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Eduard M\u00f6rike<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Elzbieta Szmytka<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Eric Tappy<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Erich Itor Kahn<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Ernst Haefliger<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Eugen Jochum<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Eugene Ormandy<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Florence Quivar<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Francis Poulenc<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Franco Caracciolo<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Fran\u00e7ois Couperin<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Frank Martin<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Franz Crass<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Franz Schubert<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Friedrich Schlegel<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">George Frideric Handel<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Georges Pretre<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Gilbert Kalish<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Giovanni Battista Pergolesi<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Golgotha (Martin)<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Gundula Janowitz<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Hannu Holma<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Hans-Joachim Rotzsch<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Heinrich Sch\u00fctz<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Henryk Czyz<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Herbert von Karajan<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Hugo Wolf<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Hugues Cuenod<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Irmgard Seefried<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Irwin Gage<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Jan DeGaetani<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Jennie Tourel<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Johann Sebastian Bach<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">John Shirley-Quirk<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Jorma Hynninen<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Judith Raskin<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Jukka Vaari<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Julius Baker<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Karol Szymanowski<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Kristina Boerger<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Krzysztof Penderecki<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Le\u00e7ons de T\u00e9n\u00e8bres<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Lotte Lehmann<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Ludwig van Beethoven<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Lukas-Passion (Penderecki)<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Maria Stader<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Maria Triptychon (Martin)<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Marie-Lise de Montmollin<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Matth\u00e4us-Passion<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Maureen Lehane<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Meriel Dickinson<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Muriel Smith<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Passio (P\u00e4rt)<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Paul Hindemith<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Peter Pears<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Peter Schreier<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Philippe Huttenlocher<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Pierre Mollet<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Rainer Maria Rilke<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Regine Crespin<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Richard Lewis<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Robert Bloom<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Robert Faller<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Robert Shaw<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Roger Norrington<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Rolf Apreck<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Rudolf J\u00fcrgen Bartsch<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Rudolf Mauersberger<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Simon Rattle<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Spanisches Liederbuch (Wolf)<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Spirituals<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">St. John Passion<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Stabat Mater (Pergolesi)<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Stabat Mater (Poulenc)<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Stabat Mater (Szymanowski)<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Tauno Satomaa<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Teppo Lampela<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Theo Adam<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Topi Tuuli Lindeberg<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Wally St\u00e4mpfli<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Walter Berry<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Wolfgang Schneiderhan<\/a>"],"unlinked":["<span class=\"advgb-post-tax-term\">Adele Addison<\/span>","<span class=\"advgb-post-tax-term\">Alexander Young<\/span>","<span class=\"advgb-post-tax-term\">Andrzej Hiolski<\/span>","<span class=\"advgb-post-tax-term\">Arvo P\u00e4rt<\/span>","<span class=\"advgb-post-tax-term\">August Wenzinger<\/span>","<span class=\"advgb-post-tax-term\">Barthold Heinrich Brockes<\/span>","<span class=\"advgb-post-tax-term\">Benjamin Luxon<\/span>","<span class=\"advgb-post-tax-term\">Brockes-Passion (Handel)<\/span>","<span class=\"advgb-post-tax-term\">Christus am \u00d6lberge (Beethoven)<\/span>","<span class=\"advgb-post-tax-term\">Daniel Pinkham<\/span>","<span class=\"advgb-post-tax-term\">Das Marienleben<\/span>","<span class=\"advgb-post-tax-term\">David Willison<\/span>","<span class=\"advgb-post-tax-term\">Edda Moser<\/span>","<span class=\"advgb-post-tax-term\">Eduard M\u00f6rike<\/span>","<span class=\"advgb-post-tax-term\">Elzbieta Szmytka<\/span>","<span class=\"advgb-post-tax-term\">Eric Tappy<\/span>","<span class=\"advgb-post-tax-term\">Erich Itor Kahn<\/span>","<span class=\"advgb-post-tax-term\">Ernst Haefliger<\/span>","<span class=\"advgb-post-tax-term\">Eugen Jochum<\/span>","<span class=\"advgb-post-tax-term\">Eugene Ormandy<\/span>","<span class=\"advgb-post-tax-term\">Florence Quivar<\/span>","<span class=\"advgb-post-tax-term\">Francis Poulenc<\/span>","<span class=\"advgb-post-tax-term\">Franco Caracciolo<\/span>","<span class=\"advgb-post-tax-term\">Fran\u00e7ois Couperin<\/span>","<span class=\"advgb-post-tax-term\">Frank Martin<\/span>","<span class=\"advgb-post-tax-term\">Franz Crass<\/span>","<span class=\"advgb-post-tax-term\">Franz Schubert<\/span>","<span class=\"advgb-post-tax-term\">Friedrich Schlegel<\/span>","<span class=\"advgb-post-tax-term\">George Frideric Handel<\/span>","<span class=\"advgb-post-tax-term\">Georges Pretre<\/span>","<span class=\"advgb-post-tax-term\">Gilbert Kalish<\/span>","<span class=\"advgb-post-tax-term\">Giovanni Battista Pergolesi<\/span>","<span class=\"advgb-post-tax-term\">Golgotha (Martin)<\/span>","<span class=\"advgb-post-tax-term\">Gundula Janowitz<\/span>","<span class=\"advgb-post-tax-term\">Hannu Holma<\/span>","<span class=\"advgb-post-tax-term\">Hans-Joachim Rotzsch<\/span>","<span class=\"advgb-post-tax-term\">Heinrich Sch\u00fctz<\/span>","<span class=\"advgb-post-tax-term\">Henryk Czyz<\/span>","<span class=\"advgb-post-tax-term\">Herbert von Karajan<\/span>","<span class=\"advgb-post-tax-term\">Hugo Wolf<\/span>","<span class=\"advgb-post-tax-term\">Hugues Cuenod<\/span>","<span class=\"advgb-post-tax-term\">Irmgard Seefried<\/span>","<span class=\"advgb-post-tax-term\">Irwin Gage<\/span>","<span class=\"advgb-post-tax-term\">Jan DeGaetani<\/span>","<span class=\"advgb-post-tax-term\">Jennie Tourel<\/span>","<span class=\"advgb-post-tax-term\">Johann Sebastian Bach<\/span>","<span class=\"advgb-post-tax-term\">John Shirley-Quirk<\/span>","<span class=\"advgb-post-tax-term\">Jorma Hynninen<\/span>","<span class=\"advgb-post-tax-term\">Judith Raskin<\/span>","<span class=\"advgb-post-tax-term\">Jukka Vaari<\/span>","<span class=\"advgb-post-tax-term\">Julius Baker<\/span>","<span class=\"advgb-post-tax-term\">Karol Szymanowski<\/span>","<span class=\"advgb-post-tax-term\">Kristina Boerger<\/span>","<span class=\"advgb-post-tax-term\">Krzysztof Penderecki<\/span>","<span class=\"advgb-post-tax-term\">Le\u00e7ons de T\u00e9n\u00e8bres<\/span>","<span class=\"advgb-post-tax-term\">Lotte Lehmann<\/span>","<span class=\"advgb-post-tax-term\">Ludwig van Beethoven<\/span>","<span class=\"advgb-post-tax-term\">Lukas-Passion (Penderecki)<\/span>","<span class=\"advgb-post-tax-term\">Maria Stader<\/span>","<span class=\"advgb-post-tax-term\">Maria Triptychon (Martin)<\/span>","<span class=\"advgb-post-tax-term\">Marie-Lise de Montmollin<\/span>","<span class=\"advgb-post-tax-term\">Matth\u00e4us-Passion<\/span>","<span class=\"advgb-post-tax-term\">Maureen Lehane<\/span>","<span class=\"advgb-post-tax-term\">Meriel Dickinson<\/span>","<span class=\"advgb-post-tax-term\">Muriel Smith<\/span>","<span class=\"advgb-post-tax-term\">Passio (P\u00e4rt)<\/span>","<span class=\"advgb-post-tax-term\">Paul Hindemith<\/span>","<span class=\"advgb-post-tax-term\">Peter Pears<\/span>","<span class=\"advgb-post-tax-term\">Peter Schreier<\/span>","<span class=\"advgb-post-tax-term\">Philippe Huttenlocher<\/span>","<span class=\"advgb-post-tax-term\">Pierre Mollet<\/span>","<span class=\"advgb-post-tax-term\">Rainer Maria Rilke<\/span>","<span class=\"advgb-post-tax-term\">Regine Crespin<\/span>","<span class=\"advgb-post-tax-term\">Richard Lewis<\/span>","<span class=\"advgb-post-tax-term\">Robert Bloom<\/span>","<span class=\"advgb-post-tax-term\">Robert Faller<\/span>","<span class=\"advgb-post-tax-term\">Robert Shaw<\/span>","<span class=\"advgb-post-tax-term\">Roger Norrington<\/span>","<span class=\"advgb-post-tax-term\">Rolf Apreck<\/span>","<span class=\"advgb-post-tax-term\">Rudolf J\u00fcrgen Bartsch<\/span>","<span class=\"advgb-post-tax-term\">Rudolf Mauersberger<\/span>","<span class=\"advgb-post-tax-term\">Simon Rattle<\/span>","<span class=\"advgb-post-tax-term\">Spanisches Liederbuch (Wolf)<\/span>","<span class=\"advgb-post-tax-term\">Spirituals<\/span>","<span class=\"advgb-post-tax-term\">St. John Passion<\/span>","<span class=\"advgb-post-tax-term\">Stabat Mater (Pergolesi)<\/span>","<span class=\"advgb-post-tax-term\">Stabat Mater (Poulenc)<\/span>","<span class=\"advgb-post-tax-term\">Stabat Mater (Szymanowski)<\/span>","<span class=\"advgb-post-tax-term\">Tauno Satomaa<\/span>","<span class=\"advgb-post-tax-term\">Teppo Lampela<\/span>","<span class=\"advgb-post-tax-term\">Theo Adam<\/span>","<span class=\"advgb-post-tax-term\">Topi Tuuli Lindeberg<\/span>","<span class=\"advgb-post-tax-term\">Wally St\u00e4mpfli<\/span>","<span class=\"advgb-post-tax-term\">Walter Berry<\/span>","<span class=\"advgb-post-tax-term\">Wolfgang Schneiderhan<\/span>"]}},"comment_count":"0","relative_dates":{"created":"Posted 4 years ago","modified":"Updated 8 months ago"},"absolute_dates":{"created":"Posted on 12\/04\/2022","modified":"Updated on 29\/07\/2025"},"absolute_dates_time":{"created":"Posted on 12\/04\/2022 09:51","modified":"Updated on 29\/07\/2025 10:56"},"featured_img_caption":"","series_order":"","_links":{"self":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/9527","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/comments?post=9527"}],"version-history":[{"count":14,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/9527\/revisions"}],"predecessor-version":[{"id":17305,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/9527\/revisions\/17305"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/media\/9750"}],"wp:attachment":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/media?parent=9527"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/categories?post=9527"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/tags?post=9527"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}