{"id":9477,"date":"2022-04-08T12:03:05","date_gmt":"2022-04-08T10:03:05","guid":{"rendered":"http:\/\/countermelodypodcast.com\/?p=9477"},"modified":"2022-04-09T11:14:33","modified_gmt":"2022-04-09T09:14:33","slug":"episode-139-swiss-misses-and-misters","status":"publish","type":"post","link":"https:\/\/countermelodypodcast.com\/index.php\/2022\/04\/08\/episode-139-swiss-misses-and-misters\/","title":{"rendered":"Episode 139. Swiss Misses and Misters"},"content":{"rendered":"<div id=\"mega-menu-wrap-primary\" class=\"mega-menu-wrap\"><div class=\"mega-menu-toggle\"><div class=\"mega-toggle-blocks-left\"><\/div><div class=\"mega-toggle-blocks-center\"><\/div><div class=\"mega-toggle-blocks-right\"><div class='mega-toggle-block mega-menu-toggle-animated-block mega-toggle-block-1' id='mega-toggle-block-1'><button aria-label=\"Menu\" class=\"mega-toggle-animated mega-toggle-animated-slider\" type=\"button\" aria-haspopup=\"true\" aria-expanded=\"false\" aria-controls=\"mega-menu-primary\">\n                  <span class=\"mega-toggle-animated-box\">\n                    <span class=\"mega-toggle-animated-inner\"><\/span>\n                  <\/span>\n                <\/button><\/div><\/div><\/div><ul id=\"mega-menu-primary\" class=\"mega-menu max-mega-menu mega-menu-horizontal mega-no-js\" data-event=\"hover_intent\" data-effect=\"slide\" data-effect-speed=\"200\" data-effect-mobile=\"slide\" data-effect-speed-mobile=\"200\" data-mobile-force-width=\"body\" data-second-click=\"go\" data-document-click=\"collapse\" data-vertical-behaviour=\"standard\" data-breakpoint=\"600\" data-unbind=\"true\" data-mobile-state=\"collapse_all\" data-mobile-direction=\"vertical\" data-hover-intent-timeout=\"300\" data-hover-intent-interval=\"100\"><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-menu-item-home mega-align-bottom-left mega-menu-flyout mega-menu-item-19160\" id=\"mega-menu-item-19160\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/\">Home<\/a><\/li><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-align-bottom-left mega-menu-flyout mega-menu-item-19161\" id=\"mega-menu-item-19161\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/index.php\/about-daniel\/\">About Daniel<\/a><\/li><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-current_page_parent mega-align-bottom-left mega-menu-flyout mega-menu-item-19171\" id=\"mega-menu-item-19171\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/index.php\/all-episodes\/\">All Episodes<\/a><\/li><\/ul><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">Episode 139.  Swiss Misses and Misters<\/h2>\n\n\n\n<iframe loading=\"lazy\" width=\"340\" height=\"50\" src=\"https:\/\/countermelody.blubrry.net\/?powerpress_embed=554-podcast&amp;powerpress_player=mediaelement-audio\" title=\"Blubrry Podcast Player\" frameborder=\"0\" scrolling=\"no\"><\/iframe>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p><strong>SOCIAL SHARE<\/strong><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"has-text-align-right\"><strong>SUBSCRIPTION PLATFORM<\/strong><\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<ul class=\"wp-block-social-links has-normal-icon-size 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href=\"https:\/\/twitter.com\/share?url=http%3A%2F%2Fcountermelodypodcast.com%2F%3Fp%3D9477&#038;link=Episode%20139.%20Swiss%20Misses%20and%20Misters\" class=\"wp-block-social-link-anchor\"><svg width=\"24\" height=\"24\" viewBox=\"0 0 24 24\" version=\"1.1\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" aria-hidden=\"true\" focusable=\"false\"><path d=\"M22.23,5.924c-0.736,0.326-1.527,0.547-2.357,0.646c0.847-0.508,1.498-1.312,1.804-2.27 c-0.793,0.47-1.671,0.812-2.606,0.996C18.324,4.498,17.257,4,16.077,4c-2.266,0-4.103,1.837-4.103,4.103 c0,0.322,0.036,0.635,0.106,0.935C8.67,8.867,5.647,7.234,3.623,4.751C3.27,5.357,3.067,6.062,3.067,6.814 c0,1.424,0.724,2.679,1.825,3.415c-0.673-0.021-1.305-0.206-1.859-0.513c0,0.017,0,0.034,0,0.052c0,1.988,1.414,3.647,3.292,4.023 c-0.344,0.094-0.707,0.144-1.081,0.144c-0.264,0-0.521-0.026-0.772-0.074c0.522,1.63,2.038,2.816,3.833,2.85 c-1.404,1.1-3.174,1.756-5.096,1.756c-0.331,0-0.658-0.019-0.979-0.057c1.816,1.164,3.973,1.843,6.29,1.843 c7.547,0,11.675-6.252,11.675-11.675c0-0.178-0.004-0.355-0.012-0.531C20.985,7.47,21.68,6.747,22.23,5.924z\"><\/path><\/svg><span class=\"wp-block-social-link-label screen-reader-text\">Share on Twitter<\/span><\/a><\/li>\n\n<li class=\"wp-social-link wp-social-link-pinterest  wp-block-social-link\"><a rel=\"noopener nofollow\" target=\"_blank\" href=\"https:\/\/pinterest.com\/pin\/create\/button\/?url=http%3A%2F%2Fcountermelodypodcast.com%2F%3Fp%3D9477&#038;description=Episode%20139.%20Swiss%20Misses%20and%20Misters\" class=\"wp-block-social-link-anchor\"><svg width=\"24\" height=\"24\" viewBox=\"0 0 24 24\" version=\"1.1\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" aria-hidden=\"true\" focusable=\"false\"><path d=\"M12.289,2C6.617,2,3.606,5.648,3.606,9.622c0,1.846,1.025,4.146,2.666,4.878c0.25,0.111,0.381,0.063,0.439-0.169 c0.044-0.175,0.267-1.029,0.365-1.428c0.032-0.128,0.017-0.237-0.091-0.362C6.445,11.911,6.01,10.75,6.01,9.668 c0-2.777,2.194-5.464,5.933-5.464c3.23,0,5.49,2.108,5.49,5.122c0,3.407-1.794,5.768-4.13,5.768c-1.291,0-2.257-1.021-1.948-2.277 c0.372-1.495,1.089-3.112,1.089-4.191c0-0.967-0.542-1.775-1.663-1.775c-1.319,0-2.379,1.309-2.379,3.059 c0,1.115,0.394,1.869,0.394,1.869s-1.302,5.279-1.54,6.261c-0.405,1.666,0.053,4.368,0.094,4.604 c0.021,0.126,0.167,0.169,0.25,0.063c0.129-0.165,1.699-2.419,2.142-4.051c0.158-0.59,0.817-2.995,0.817-2.995 c0.43,0.784,1.681,1.446,3.013,1.446c3.963,0,6.822-3.494,6.822-7.833C20.394,5.112,16.849,2,12.289,2\"><\/path><\/svg><span class=\"wp-block-social-link-label screen-reader-text\">Share on Pinterest<\/span><\/a><\/li>\n\n<li class=\"wp-social-link wp-social-link-email  wp-block-social-link\"><a rel=\"noopener nofollow\" target=\"_blank\" href=\"mailto:?body=http%3A%2F%2Fcountermelodypodcast.com%2F%3Fp%3D9477&#038;subject=Episode%20139.%20Swiss%20Misses%20and%20Misters\" class=\"wp-block-social-link-anchor\"><svg width=\"24\" height=\"24\" 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4.11 9.386 9.386 0 0 0 5.539 1.7 9.386 9.386 0 0 0 5.541-1.7 5.331 5.331 0 0 0 2.372-4.114 2.787 2.787 0 0 0 1.583-2.5 2.775 2.775 0 0 0-2.772-2.772 2.742 2.742 0 0 0-1.688.574 9.482 9.482 0 0 0-4.637-1.348v-.008a2.349 2.349 0 0 1 2.011-2.316 1.97 1.97 0 0 0 1.926 1.521 1.98 1.98 0 0 0 1.978-1.978 1.98 1.98 0 0 0-1.978-1.978 1.985 1.985 0 0 0-1.938 1.578 3.183 3.183 0 0 0-2.849 3.172v.011a9.463 9.463 0 0 0-4.59 1.35 2.741 2.741 0 0 0-1.688-.574Zm6.736 9.1a3.162 3.162 0 0 1-2.921-1.944.215.215 0 0 1 .014-.2.219.219 0 0 1 .168-.106 27.327 27.327 0 0 1 2.74-.133 27.357 27.357 0 0 1 2.74.133.219.219 0 0 1 .168.106.215.215 0 0 1 .014.2 3.158 3.158 0 0 1-2.921 1.944Zm3.743-3.157a1.265 1.265 0 0 1-1.4-1.371 1.954 1.954 0 0 1 .482-1.442 1.15 1.15 0 0 1 .842-.379 1.7 1.7 0 0 1 1.49 1.777 1.323 1.323 0 0 1-.325 1.015 1.476 1.476 0 0 1-1.089.4Zm-7.485 0a1.476 1.476 0 0 1-1.086-.4 1.323 1.323 0 0 1-.325-1.016 1.7 1.7 0 0 1 1.49-1.777 1.151 1.151 0 0 1 .843.379 1.951 1.951 0 0 1 .481 1.441 1.276 1.276 0 0 1-1.403 1.373Z\"><\/path><\/svg><span class=\"wp-block-social-link-label screen-reader-text\">Share on Reddit<\/span><\/a><\/li><\/ul>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<div class=\"wp-block-buttons is-horizontal is-content-justification-left is-layout-flex wp-container-core-buttons-is-layout-7e5fce0a wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button alignright\"><a class=\"wp-block-button__link no-border-radius\" href=\"https:\/\/countermelody.blubrry.net\/\">SUBSCRIBE VIA YOUR FAVORITE PODCAST PLATFORM<\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"485\" height=\"640\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/04\/Haefliger.jpg\" alt=\"\" class=\"wp-image-9691\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/04\/Haefliger.jpg 485w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/04\/Haefliger-227x300.jpg 227w\" sizes=\"auto, (max-width: 485px) 100vw, 485px\" \/><figcaption>Ernst Haefliger<\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:38px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>A few months ago, we paid a visit to Zurich. The weather was glorious, we ate well, saw interesting theater, and I found a great used record store that was probably the one inexpensive place in the entire city. I had been thinking of doing an episode on Swiss singers ever since I started the podcast nearly three years ago and this experience provided the needed impetus to put this together. It helps that, to paraphrase the bigot, \u201cSome of my favorite singers are Swiss.\u201d Because of the unique polyglot nature of the country, there are many different stylistic trends to be found in Swiss music and Swiss singers. As with my recent episode on Ukraine, I decided to foreground not just the singers, but also the composers, of the featured country. So not only do we get to experience the singing of such favorites as Lisa Della Casa, Charles Panz\u00e9ra, Ernst Haefliger, Heinz Rehfuss, Hugues Cu\u00e9nod, and Eric Tappy (with a special nod to Gloria Davy, Ira Malaniuk, and Maria Stader, all naturalized Swiss citizens), but we hear the music of Ernest Bloch, Othmar Schoeck, Arthur Honegger, Frank Martin, Hermann Suter, and others. This is just a dip of the toe into the pure waters of Swiss music and singers: episodes on individual favorites will no doubt follow in due time!<\/p>\n\n\n\n<div style=\"height:47px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-custom-size\" style=\"font-size:30px\"><strong> RECORDINGS HEARD IN THIS EPISODE<\/strong><\/p>\n\n\n\n<div style=\"height:55px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"527\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/04\/Lisa-Della-Casa.jpg\" alt=\"\" class=\"wp-image-9694\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/04\/Lisa-Della-Casa.jpg 600w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/04\/Lisa-Della-Casa-300x264.jpg 300w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/figure><\/div>\n\n\n\n<p>Richard Strauss, Hermann Hesse: Fr\u00fchling (<em>Vier letzte Lieder<\/em>, AV 150\/1). Lisa Della Casa, Karl B\u00f6hm, Wiener Philharmoniker [live Salzburg 30.VII.1958]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"531\" height=\"757\" data-id=\"9701\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/04\/Hermann-Suter-Young.jpg\" alt=\"\" class=\"wp-image-9701\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/04\/Hermann-Suter-Young.jpg 531w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/04\/Hermann-Suter-Young-210x300.jpg 210w\" sizes=\"auto, (max-width: 531px) 100vw, 531px\" \/><figcaption>Hermann Suter<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"400\" height=\"562\" data-id=\"9696\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/04\/Mathis-Eyes.jpg\" alt=\"\" class=\"wp-image-9696\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/04\/Mathis-Eyes.jpg 400w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/04\/Mathis-Eyes-214x300.jpg 214w\" sizes=\"auto, (max-width: 400px) 100vw, 400px\" \/><figcaption>Edith Mathis<\/figcaption><\/figure>\n<\/figure>\n\n\n\n<p>Hermann Suter, Francis of Assisi: Laudato sia, mio Signore, per sora luna e le stelle (<em>Le Laudi di San Francesco d\u2019Assisi<\/em>, Op. 25-2). Edith Mathis, Norma Procter, Eric Tappy, Fernando Corena, Hans M\u00fcnch, Eduard M\u00fcller, Orchester der Basler Orchester-Gesellschaft, Basler Gesangsverein [1968]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"463\" height=\"640\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/04\/Fernando-Corena.jpg\" alt=\"\" class=\"wp-image-9699\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/04\/Fernando-Corena.jpg 463w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/04\/Fernando-Corena-217x300.jpg 217w\" sizes=\"auto, (max-width: 463px) 100vw, 463px\" \/><\/figure><\/div>\n\n\n\n<p>Charles Gounod, Jules Barbier, Michel Carr\u00e9: Au bruit des lourds marteaux (<em>Phil\u00e9mon et Baucis<\/em>). Fernando Corena, James Walker, L\u2019Orchestre de la Suisse Romande [1956]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-2 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"593\" height=\"494\" data-id=\"9698\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/04\/Corboz.jpg\" alt=\"\" class=\"wp-image-9698\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/04\/Corboz.jpg 593w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/04\/Corboz-300x250.jpg 300w\" sizes=\"auto, (max-width: 593px) 100vw, 593px\" \/><figcaption>Michel Corboz (1934 &#8211; 2021)<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"809\" height=\"743\" data-id=\"9697\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/04\/Tappy.jpg\" alt=\"\" class=\"wp-image-9697\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/04\/Tappy.jpg 809w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/04\/Tappy-300x276.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/04\/Tappy-768x705.jpg 768w\" sizes=\"auto, (max-width: 809px) 100vw, 809px\" \/><figcaption>Eric Tappy<\/figcaption><\/figure>\n<\/figure>\n\n\n\n<p>Claudio Monteverdi, Alessandro Striggio (figlio): Perch\u2019a lo sdegno ed al dolor in preda. Eric Tappy, Louis Quilico, Michel Corboz, Orchestre de l\u2019Op\u00e9ra de Lyon [1986]; Saliam cantand\u2019 al cielo (<em>L\u2019Orfeo<\/em>) Eric Tappy, Theo Altmeyer, Michel Corboz, Ensemble Instrumental de Lausanne [1968]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"478\" height=\"609\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/04\/Libero-de-Luca-Duca.png\" alt=\"\" class=\"wp-image-9703\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/04\/Libero-de-Luca-Duca.png 478w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/04\/Libero-de-Luca-Duca-235x300.png 235w\" sizes=\"auto, (max-width: 478px) 100vw, 478px\" \/><\/figure><\/div>\n\n\n\n<p>Jules Massenet, Henri Meilhac und Philippe Gille [after Abb\u00e9 Prevost]: En fermant les yeux (<em>Manon<\/em>). Libero de Luca, Janine Micheau, Albert Wolff, Orchestre National de l\u2019Op\u00e9ra-Comique [1951]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"655\" height=\"793\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/04\/Hugues-Hawklike.jpg\" alt=\"\" class=\"wp-image-9704\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/04\/Hugues-Hawklike.jpg 655w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/04\/Hugues-Hawklike-248x300.jpg 248w\" sizes=\"auto, (max-width: 655px) 100vw, 655px\" \/><\/figure><\/div>\n\n\n\n<p>Francis Poulenc, Guillaume Apollinaire: Chanson d\u2019Orkenise (<em>Banalit\u00e9s<\/em>, FP 107\/1). Hugues Cu\u00e9nod, Francis Poulenc [Radio Suisse Romande 09.XII.1953]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"943\" height=\"883\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/04\/Charles-and-Magdeleine.jpg\" alt=\"\" class=\"wp-image-9705\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/04\/Charles-and-Magdeleine.jpg 943w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/04\/Charles-and-Magdeleine-300x281.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/04\/Charles-and-Magdeleine-768x719.jpg 768w\" sizes=\"auto, (max-width: 943px) 100vw, 943px\" \/><figcaption>The Panz\u00e9ras: A genuine husband and wife team!<\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Gabriel Faur\u00e9, Jean de La Ville de Mirmont: Diane, S\u00e9l\u00e9n\u00e9 (<em>L\u2019horizon chim\u00e9rique<\/em>, Op. 118\/3). Charles Panz\u00e9ra, Magdeleine Panz\u00e9ra-Baillot [1937]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-3 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"585\" height=\"787\" data-id=\"9706\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/04\/Panzera-upwards-washout.jpg\" alt=\"\" class=\"wp-image-9706\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/04\/Panzera-upwards-washout.jpg 585w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/04\/Panzera-upwards-washout-223x300.jpg 223w\" sizes=\"auto, (max-width: 585px) 100vw, 585px\" \/><figcaption>Charles Panz\u00e9ra<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"593\" height=\"697\" data-id=\"9707\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/04\/Honegger.jpg\" alt=\"\" class=\"wp-image-9707\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/04\/Honegger.jpg 593w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/04\/Honegger-255x300.jpg 255w\" sizes=\"auto, (max-width: 593px) 100vw, 593px\" \/><figcaption>Arthur Honegger<\/figcaption><\/figure>\n<\/figure>\n\n\n\n<p>Arthur Honegger, Paul Claudel: Lamento (<em>La danse des morts<\/em>, H.131\/3), Charles Panz\u00e9ra, Charles Munch, Orchestre de la Soci\u00e9t\u00e9 des Concerts du Conservatoire [1941]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/04\/Widmer-Tryptichon.png\" alt=\"\" class=\"wp-image-9708\" width=\"640\" height=\"318\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/04\/Widmer-Tryptichon.png 845w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/04\/Widmer-Tryptichon-300x149.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/04\/Widmer-Tryptichon-768x382.png 768w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><figcaption>Kurt Widmer Triptychon<\/figcaption><\/figure>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Rudolf Kelterborn, Erika Burkart: Was soll ich antworten (<em>Ensemble-Buch I<\/em>\/2). Kurt Widmer, J\u00f6rg Wyttenbach, Ensemble der IGNM Basel [1991]<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"481\" height=\"495\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/04\/Kelterborn.png\" alt=\"\" class=\"wp-image-9709\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/04\/Kelterborn.png 481w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/04\/Kelterborn-292x300.png 292w\" sizes=\"auto, (max-width: 481px) 100vw, 481px\" \/><\/figure><\/div>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/04\/Della-Casa-Countess.jpg\" alt=\"\" class=\"wp-image-9710\" width=\"397\" height=\"546\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/04\/Della-Casa-Countess.jpg 327w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/04\/Della-Casa-Countess-218x300.jpg 218w\" sizes=\"auto, (max-width: 397px) 100vw, 397px\" \/><\/figure><\/div>\n\n\n\n<p>Johannes Brahms, Ludwig H\u00f6lty: Die Mainacht, Op. 43\/2. Lisa della Casa, Michio Kobayashi [live Tokyo, 05.V.70]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"443\" height=\"572\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/04\/Davy-Handsome.png\" alt=\"\" class=\"wp-image-9711\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/04\/Davy-Handsome.png 443w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/04\/Davy-Handsome-232x300.png 232w\" sizes=\"auto, (max-width: 443px) 100vw, 443px\" \/><\/figure><\/div>\n\n\n\n<p>Johannes Brahms, Hermann Lingg: Immer leiser wird mein Schlummer, Op. 105\/2. Gloria Davy, Giorgio Favaretto [1957]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/04\/Marko-Rothmuller.jpg\" alt=\"\" class=\"wp-image-9712\" width=\"640\" height=\"858\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/04\/Marko-Rothmuller.jpg 716w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/04\/Marko-Rothmuller-224x300.jpg 224w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><figcaption>Marko Rothm\u00fcller<\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Ernest Bloch: Meditation (<em>Avodath Hakodesh<\/em> [Sacred Service]). Marko Rothm\u00fcller, Dorothy Bond, Ernest Bloch, London Philharmonic Orchestra and Choir [1949]<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"800\" height=\"551\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/04\/Ernest-Bloch.jpg\" alt=\"\" class=\"wp-image-9713\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/04\/Ernest-Bloch.jpg 800w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/04\/Ernest-Bloch-300x207.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/04\/Ernest-Bloch-768x529.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><figcaption>Ernest Bloch (1880 &#8211; 1959)<\/figcaption><\/figure>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-4 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"539\" height=\"593\" data-id=\"9714\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/04\/Othmar-BABY.png\" alt=\"\" class=\"wp-image-9714\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/04\/Othmar-BABY.png 539w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/04\/Othmar-BABY-273x300.png 273w\" sizes=\"auto, (max-width: 539px) 100vw, 539px\" \/><figcaption>Othmar Schoeck (1886 &#8211; 1957)<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"487\" height=\"613\" data-id=\"9715\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/04\/Stader-Pearl-Dignity.png\" alt=\"\" class=\"wp-image-9715\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/04\/Stader-Pearl-Dignity.png 487w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/04\/Stader-Pearl-Dignity-238x300.png 238w\" sizes=\"auto, (max-width: 487px) 100vw, 487px\" \/><figcaption>Maria Stader (1911 &#8211; 1999)<\/figcaption><\/figure>\n<\/figure>\n\n\n\n<p>Othmar Schoeck, Carl Spitteler: Das bescheidene W\u00fcnschelein, Op. 24a\/7. Maria Stader, Karl Engel [1958]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/04\/Haefliger-Glasses.png\" alt=\"\" class=\"wp-image-9737\" width=\"433\" height=\"692\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/04\/Haefliger-Glasses.png 381w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/04\/Haefliger-Glasses-188x300.png 188w\" sizes=\"auto, (max-width: 433px) 100vw, 433px\" \/><figcaption>Ernst Haefliger<\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Othmar Schoeck, Eduard M\u00f6rike: Peregrina, Op. 17\/4. Ernst Haefliger, Karl Grenacher [1967]<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"630\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/04\/Schoeck-and-Cigar-1024x630.jpg\" alt=\"\" class=\"wp-image-9717\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/04\/Schoeck-and-Cigar-1024x630.jpg 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/04\/Schoeck-and-Cigar-300x185.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/04\/Schoeck-and-Cigar-768x473.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/04\/Schoeck-and-Cigar-1536x945.jpg 1536w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/04\/Schoeck-and-Cigar-1600x985.jpg 1600w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/04\/Schoeck-and-Cigar.jpg 1950w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption>Othmar Schoeck<\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-5 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"564\" height=\"795\" data-id=\"9724\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/04\/Malaniuk-Brangaene.jpg\" alt=\"\" class=\"wp-image-9724\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/04\/Malaniuk-Brangaene.jpg 564w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/04\/Malaniuk-Brangaene-213x300.jpg 213w\" sizes=\"auto, (max-width: 564px) 100vw, 564px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"564\" height=\"835\" data-id=\"9725\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/04\/Peter-Lagger.jpg\" alt=\"\" class=\"wp-image-9725\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/04\/Peter-Lagger.jpg 564w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/04\/Peter-Lagger-203x300.jpg 203w\" sizes=\"auto, (max-width: 564px) 100vw, 564px\" \/><\/figure>\n<\/figure>\n\n\n\n<p>Othmar Schoeck, Philipp Otto Runge (after Jacob and Wilhelm Grimm): Final Sequence (<em>Vom Fischer un syner Fru<\/em>, Op. 43). Ira Malaniuk, Ernst Haefliger, Peter Lagger, Erich Schmid, Radioorchester Berom\u00fcnster [1964]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-6 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"921\" height=\"960\" data-id=\"9719\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/04\/Mathis-cream-blouse.jpg\" alt=\"\" class=\"wp-image-9719\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/04\/Mathis-cream-blouse.jpg 921w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/04\/Mathis-cream-blouse-288x300.jpg 288w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/04\/Mathis-cream-blouse-768x801.jpg 768w\" sizes=\"auto, (max-width: 921px) 100vw, 921px\" \/><figcaption>Edith Mathis (born 1938)<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"356\" height=\"500\" data-id=\"9718\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/04\/Martin-portrait.jpeg\" alt=\"\" class=\"wp-image-9718\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/04\/Martin-portrait.jpeg 356w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/04\/Martin-portrait-214x300.jpeg 214w\" sizes=\"auto, (max-width: 356px) 100vw, 356px\" \/><figcaption>Frank Martin (1890 &#8211; 1974)<\/figcaption><\/figure>\n<\/figure>\n\n\n\n<p>Frank Martin: Ave Maria [Gegr\u00fc\u00dfet seist du] (<em>Maria Triptychon<\/em>). Jean Fournet, Edith Mathis, Wolfgang Schneiderhan, Schweizerisches Festspielorchester [Luzern 22.VIII.84]<\/p>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-7 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"768\" height=\"1024\" data-id=\"9736\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/04\/Fournet-768x1024.jpg\" alt=\"\" class=\"wp-image-9736\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/04\/Fournet-768x1023.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/04\/Fournet-225x300.jpg 225w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/04\/Fournet.jpg 800w\" sizes=\"auto, (max-width: 768px) 100vw, 768px\" \/><figcaption>Jean Fournet (1913 &#8211; 2008)<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"403\" height=\"599\" data-id=\"9735\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/04\/Schneiderhan.jpg\" alt=\"\" class=\"wp-image-9735\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/04\/Schneiderhan.jpg 403w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/04\/Schneiderhan-202x300.jpg 202w\" sizes=\"auto, (max-width: 403px) 100vw, 403px\" \/><figcaption>Wolfgang Schneiderhan (1915 &#8211; 2002)<\/figcaption><\/figure>\n<\/figure>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"515\" height=\"819\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/04\/Rehfuss-in-Armor.jpg\" alt=\"\" class=\"wp-image-9720\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/04\/Rehfuss-in-Armor.jpg 515w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/04\/Rehfuss-in-Armor-189x300.jpg 189w\" sizes=\"auto, (max-width: 515px) 100vw, 515px\" \/><figcaption>Heinz Rehfuss<\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Frank Martin, Hugo von Hofmannsthal: Ach, Gott, wie graust mir vor dem Tod (<em>Sechs Monologe aus Jedermann<\/em>, No. 2). Heinz Rehfuss, Frank Martin [1956]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-8 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"365\" height=\"521\" data-id=\"9721\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/04\/Bepearled-Buckel.jpg\" alt=\"\" class=\"wp-image-9721\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/04\/Bepearled-Buckel.jpg 365w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/04\/Bepearled-Buckel-210x300.jpg 210w\" sizes=\"auto, (max-width: 365px) 100vw, 365px\" \/><figcaption>Ursula Buckel<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"728\" height=\"754\" data-id=\"9722\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/04\/Haefliger-profile.jpg\" alt=\"\" class=\"wp-image-9722\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/04\/Haefliger-profile.jpg 728w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/04\/Haefliger-profile-290x300.jpg 290w\" sizes=\"auto, (max-width: 728px) 100vw, 728px\" \/><figcaption>Ernst Haefliger<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"433\" height=\"600\" data-id=\"9723\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/04\/Jakob-Stampfli.png\" alt=\"\" class=\"wp-image-9723\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/04\/Jakob-Stampfli.png 433w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/04\/Jakob-Stampfli-217x300.png 217w\" sizes=\"auto, (max-width: 433px) 100vw, 433px\" \/><figcaption>Jakob St\u00e4mpfli<\/figcaption><\/figure>\n<\/figure>\n\n\n\n<p>Frank Martin: Sentinelle, que dis-tu de la nuit&#8230; Mais les t\u00e9n\u00e8bres ne r\u00e9gneront pas toujours (<em>In terra pax<\/em>). Ernst Haefliger, Jakob St\u00e4mpfli, Ursula Buckel, Ernest Ansermet, L\u2019Orchestre de la Suisse Romande, L\u2019Union Chorale de la Tour de Peilz, Choeur des Dames de Lausanne [1963]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"759\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/04\/Cuenod-and-Glasses.jpg\" alt=\"\" class=\"wp-image-9726\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/04\/Cuenod-and-Glasses.jpg 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/04\/Cuenod-and-Glasses-300x222.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/04\/Cuenod-and-Glasses-768x569.jpg 768w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption>Hugues Cu\u00e9nod (1902 &#8211; 2010)<\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Jean Binet, Jean Cuttat: Chanson pour les nuages (<em>Chansons du mal au coeur<\/em>). Hugues Cu\u00e9nod, Pierre Aegerter [1984]<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"372\" height=\"525\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/04\/Jean-Binet.png\" alt=\"\" class=\"wp-image-9727\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/04\/Jean-Binet.png 372w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/04\/Jean-Binet-213x300.png 213w\" sizes=\"auto, (max-width: 372px) 100vw, 372px\" \/><figcaption>Jean Binet (1893 &#8211; 1960)<\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"391\" height=\"606\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/04\/Mollet-Younger.png\" alt=\"\" class=\"wp-image-9728\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/04\/Mollet-Younger.png 391w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/04\/Mollet-Younger-194x300.png 194w\" sizes=\"auto, (max-width: 391px) 100vw, 391px\" \/><figcaption>Pierre Mollet (1920 &#8211; 2007)<\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>\u00c9mile Jaques-Dalcroze: Solitude. Pierre Mollet, Jean Lemaire et son orchestra [1957]<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"400\" height=\"600\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/04\/Jaques-Dalcroze.jpg\" alt=\"\" class=\"wp-image-9729\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/04\/Jaques-Dalcroze.jpg 400w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/04\/Jaques-Dalcroze-200x300.jpg 200w\" sizes=\"auto, (max-width: 400px) 100vw, 400px\" \/><figcaption>\u00c9mile Jaques-Dalcroze (1865 &#8211; 1950)<\/figcaption><\/figure><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Episode 139. Swiss Misses and Misters SOCIAL SHARE SUBSCRIPTION PLATFORM A few months ago, we paid a visit to Zurich.&hellip;<\/p>\n","protected":false},"author":1,"featured_media":9689,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"advgb_blocks_editor_width":"","advgb_blocks_columns_visual_guide":"","footnotes":""},"categories":[420,1626,2261,2399,1263,2260,808,3272,2806],"tags":[4009,3865,4014,3644,296,4006,2778,33,2230,3987,3684,4002,3992,2620,578,2148,544,797,588,1013,998,2195,4018,3994,3672,4019,3999,4017,3760,1380,3993,4016,1718,3988,3989,4005,1794,2223,863,4003,4020,433,1021,2988,4015,2144,4013,4000,4004,4010,3996,4021,4011,4001,2458,4007,4008,3990,1026,329,2958,4012,3991,3995],"class_list":["post-9477","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-african-american-opera-singers","category-african-american-singers","category-full-figured-baroque","category-great-baritones","category-mezzo-madness","category-music-for-a-world-in-crisis","category-needle-drop","category-singers-of-color","category-twentieth-century-music","tag-abbe-prevost","tag-albert-wolff","tag-alessandro-striggio","tag-arthur-honegger","tag-charles-gounod","tag-charles-munch","tag-charles-panzera","tag-claudio-monteverdi","tag-edith-mathis","tag-emile-jaques-dalcroze","tag-eric-tappy","tag-erika-burkhart","tag-ernest-ansermet","tag-ernest-bloch","tag-ernst-haefliger","tag-fernando-corena","tag-francis-poulenc","tag-frank-martin","tag-gabriel-faure","tag-giorgio-favaretto","tag-gloria-davy","tag-guillaume-apollinaire","tag-hans-munch","tag-heinz-rehfuss","tag-henri-meilhac","tag-hermann-hesse","tag-hermann-lingg","tag-hermann-suter","tag-hugo-von-hofmannsthal","tag-hugues-cuenod","tag-jakob-stampfli","tag-james-walker","tag-janine-micheau","tag-jean-binet","tag-jean-cuttat","tag-jean-de-la-ville-de-mirmont","tag-jean-fournet","tag-jean-lemaire","tag-johannes-brahms","tag-jorg-wyttenbach","tag-jules-barbier","tag-jules-massenet","tag-karl-bohm","tag-kurt-widmer","tag-libero-de-luca","tag-lisa-della-casa","tag-louis-quilico","tag-ludwig-holty","tag-magdeleine-panzera-baillot","tag-manon-massenet","tag-marko-rothmuller","tag-michel-carre","tag-michel-corboz","tag-michio-kobayashi","tag-norma-procter","tag-paul-claudel","tag-philippe-gille","tag-pierre-aegerter","tag-pierre-mollet","tag-richard-strauss","tag-rudolf-kelterborn","tag-theo-altmeyer","tag-ursula-buckel","tag-wolfgang-schneiderhan"],"author_meta":{"display_name":"admin","author_link":"https:\/\/countermelodypodcast.com\/index.php\/author\/admin\/"},"featured_img":"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/04\/Della-Casa-TRIMMED-300x210.jpeg","coauthors":[],"tax_additional":{"categories":{"linked":["<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/african-american-opera-singers\/\" class=\"advgb-post-tax-term\">African American Opera Singers<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/african-american-singers\/\" class=\"advgb-post-tax-term\">African American Singers<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/full-figured-baroque\/\" class=\"advgb-post-tax-term\">Full-Figured Baroque<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/great-baritones\/\" class=\"advgb-post-tax-term\">Great Baritones<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/mezzo-madness\/\" class=\"advgb-post-tax-term\">Mezzo Madness<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/music-for-a-world-in-crisis\/\" class=\"advgb-post-tax-term\">Music for a World in Crisis<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Needle Drop<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/singers-of-color\/\" class=\"advgb-post-tax-term\">Singers of Color<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Twentieth Century Music<\/a>"],"unlinked":["<span class=\"advgb-post-tax-term\">African American Opera Singers<\/span>","<span class=\"advgb-post-tax-term\">African American Singers<\/span>","<span class=\"advgb-post-tax-term\">Full-Figured Baroque<\/span>","<span class=\"advgb-post-tax-term\">Great Baritones<\/span>","<span class=\"advgb-post-tax-term\">Mezzo Madness<\/span>","<span class=\"advgb-post-tax-term\">Music for a World in Crisis<\/span>","<span class=\"advgb-post-tax-term\">Needle Drop<\/span>","<span class=\"advgb-post-tax-term\">Singers of Color<\/span>","<span class=\"advgb-post-tax-term\">Twentieth Century Music<\/span>"]},"tags":{"linked":["<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Abb\u00e9 Prevost<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Albert Wolff<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Alessandro Striggio<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Arthur Honegger<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Charles Gounod<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Charles Munch<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Charles Panz\u00e9ra<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Claudio Monteverdi<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Edith Mathis<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">\u00c9mile Jaques-Dalcroze<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Eric Tappy<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Erika Burkhart<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Ernest Ansermet<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Ernest Bloch<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Ernst Haefliger<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Fernando Corena<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Francis Poulenc<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Frank Martin<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Gabriel Faure<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Giorgio Favaretto<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Gloria Davy<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Guillaume Apollinaire<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Hans M\u00fcnch<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Heinz Rehfuss<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Henri Meilhac<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Hermann Hesse<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Hermann Lingg<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Hermann Suter<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Hugo von Hofmannsthal<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Hugues Cuenod<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Jakob St\u00e4mpfli<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">James Walker<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Janine Micheau<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Jean Binet<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Jean Cuttat<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Jean de La Ville de Mirmont<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Jean Fournet<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Jean Lemaire<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Johannes Brahms<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">J\u00f6rg Wyttenbach<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Jules Barbier<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Jules Massenet<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Karl B\u00f6hm<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Kurt Widmer<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Libero de Luca<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Lisa Della Casa<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Louis Quilico<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Ludwig H\u00f6lty<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Magdeleine Panz\u00e9ra-Baillot<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Manon (Massenet)<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Marko Rothm\u00fcller<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Michel Carr\u00e9<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Michel Corboz<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Michio Kobayashi<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Norma Procter<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Paul Claudel<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Philippe Gille<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Pierre Aegerter<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Pierre Mollet<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Richard Strauss<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Rudolf Kelterborn<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Theo Altmeyer<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Ursula Buckel<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Wolfgang Schneiderhan<\/a>"],"unlinked":["<span class=\"advgb-post-tax-term\">Abb\u00e9 Prevost<\/span>","<span class=\"advgb-post-tax-term\">Albert Wolff<\/span>","<span class=\"advgb-post-tax-term\">Alessandro Striggio<\/span>","<span class=\"advgb-post-tax-term\">Arthur Honegger<\/span>","<span class=\"advgb-post-tax-term\">Charles Gounod<\/span>","<span class=\"advgb-post-tax-term\">Charles Munch<\/span>","<span class=\"advgb-post-tax-term\">Charles Panz\u00e9ra<\/span>","<span class=\"advgb-post-tax-term\">Claudio Monteverdi<\/span>","<span class=\"advgb-post-tax-term\">Edith Mathis<\/span>","<span class=\"advgb-post-tax-term\">\u00c9mile Jaques-Dalcroze<\/span>","<span class=\"advgb-post-tax-term\">Eric Tappy<\/span>","<span class=\"advgb-post-tax-term\">Erika Burkhart<\/span>","<span class=\"advgb-post-tax-term\">Ernest Ansermet<\/span>","<span class=\"advgb-post-tax-term\">Ernest Bloch<\/span>","<span class=\"advgb-post-tax-term\">Ernst Haefliger<\/span>","<span class=\"advgb-post-tax-term\">Fernando Corena<\/span>","<span class=\"advgb-post-tax-term\">Francis Poulenc<\/span>","<span class=\"advgb-post-tax-term\">Frank Martin<\/span>","<span class=\"advgb-post-tax-term\">Gabriel Faure<\/span>","<span class=\"advgb-post-tax-term\">Giorgio Favaretto<\/span>","<span class=\"advgb-post-tax-term\">Gloria Davy<\/span>","<span class=\"advgb-post-tax-term\">Guillaume Apollinaire<\/span>","<span class=\"advgb-post-tax-term\">Hans M\u00fcnch<\/span>","<span class=\"advgb-post-tax-term\">Heinz Rehfuss<\/span>","<span class=\"advgb-post-tax-term\">Henri Meilhac<\/span>","<span class=\"advgb-post-tax-term\">Hermann Hesse<\/span>","<span class=\"advgb-post-tax-term\">Hermann Lingg<\/span>","<span class=\"advgb-post-tax-term\">Hermann Suter<\/span>","<span class=\"advgb-post-tax-term\">Hugo von Hofmannsthal<\/span>","<span class=\"advgb-post-tax-term\">Hugues Cuenod<\/span>","<span class=\"advgb-post-tax-term\">Jakob St\u00e4mpfli<\/span>","<span class=\"advgb-post-tax-term\">James Walker<\/span>","<span class=\"advgb-post-tax-term\">Janine Micheau<\/span>","<span class=\"advgb-post-tax-term\">Jean Binet<\/span>","<span class=\"advgb-post-tax-term\">Jean Cuttat<\/span>","<span class=\"advgb-post-tax-term\">Jean de La Ville de Mirmont<\/span>","<span class=\"advgb-post-tax-term\">Jean Fournet<\/span>","<span class=\"advgb-post-tax-term\">Jean Lemaire<\/span>","<span class=\"advgb-post-tax-term\">Johannes Brahms<\/span>","<span class=\"advgb-post-tax-term\">J\u00f6rg Wyttenbach<\/span>","<span class=\"advgb-post-tax-term\">Jules Barbier<\/span>","<span class=\"advgb-post-tax-term\">Jules Massenet<\/span>","<span class=\"advgb-post-tax-term\">Karl B\u00f6hm<\/span>","<span class=\"advgb-post-tax-term\">Kurt Widmer<\/span>","<span class=\"advgb-post-tax-term\">Libero de Luca<\/span>","<span class=\"advgb-post-tax-term\">Lisa Della Casa<\/span>","<span class=\"advgb-post-tax-term\">Louis Quilico<\/span>","<span class=\"advgb-post-tax-term\">Ludwig H\u00f6lty<\/span>","<span class=\"advgb-post-tax-term\">Magdeleine Panz\u00e9ra-Baillot<\/span>","<span class=\"advgb-post-tax-term\">Manon (Massenet)<\/span>","<span class=\"advgb-post-tax-term\">Marko Rothm\u00fcller<\/span>","<span class=\"advgb-post-tax-term\">Michel Carr\u00e9<\/span>","<span class=\"advgb-post-tax-term\">Michel Corboz<\/span>","<span class=\"advgb-post-tax-term\">Michio Kobayashi<\/span>","<span class=\"advgb-post-tax-term\">Norma Procter<\/span>","<span class=\"advgb-post-tax-term\">Paul Claudel<\/span>","<span class=\"advgb-post-tax-term\">Philippe Gille<\/span>","<span class=\"advgb-post-tax-term\">Pierre Aegerter<\/span>","<span class=\"advgb-post-tax-term\">Pierre Mollet<\/span>","<span class=\"advgb-post-tax-term\">Richard Strauss<\/span>","<span class=\"advgb-post-tax-term\">Rudolf Kelterborn<\/span>","<span class=\"advgb-post-tax-term\">Theo Altmeyer<\/span>","<span class=\"advgb-post-tax-term\">Ursula Buckel<\/span>","<span class=\"advgb-post-tax-term\">Wolfgang Schneiderhan<\/span>"]}},"comment_count":"0","relative_dates":{"created":"Posted 4 years ago","modified":"Updated 4 years ago"},"absolute_dates":{"created":"Posted on 08\/04\/2022","modified":"Updated on 09\/04\/2022"},"absolute_dates_time":{"created":"Posted on 08\/04\/2022 12:03","modified":"Updated on 09\/04\/2022 11:14"},"featured_img_caption":"","series_order":"","_links":{"self":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/9477","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/comments?post=9477"}],"version-history":[{"count":7,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/9477\/revisions"}],"predecessor-version":[{"id":9738,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/9477\/revisions\/9738"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/media\/9689"}],"wp:attachment":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/media?parent=9477"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/categories?post=9477"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/tags?post=9477"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}