{"id":9313,"date":"2022-03-25T21:16:18","date_gmt":"2022-03-25T20:16:18","guid":{"rendered":"http:\/\/countermelodypodcast.com\/?p=9313"},"modified":"2024-02-16T10:47:00","modified_gmt":"2024-02-16T09:47:00","slug":"episode-137-ukrainian-singers-and-composers","status":"publish","type":"post","link":"https:\/\/countermelodypodcast.com\/index.php\/2022\/03\/25\/episode-137-ukrainian-singers-and-composers\/","title":{"rendered":"Episode 137. Ukrainian Singers and Composers"},"content":{"rendered":"<div id=\"mega-menu-wrap-primary\" class=\"mega-menu-wrap\"><div class=\"mega-menu-toggle\"><div class=\"mega-toggle-blocks-left\"><\/div><div class=\"mega-toggle-blocks-center\"><\/div><div class=\"mega-toggle-blocks-right\"><div class='mega-toggle-block mega-menu-toggle-animated-block mega-toggle-block-1' id='mega-toggle-block-1'><button aria-label=\"Menu\" class=\"mega-toggle-animated mega-toggle-animated-slider\" type=\"button\" aria-haspopup=\"true\" aria-expanded=\"false\" aria-controls=\"mega-menu-primary\">\n                  <span class=\"mega-toggle-animated-box\">\n                    <span class=\"mega-toggle-animated-inner\"><\/span>\n                  <\/span>\n                <\/button><\/div><\/div><\/div><ul id=\"mega-menu-primary\" class=\"mega-menu max-mega-menu mega-menu-horizontal mega-no-js\" data-event=\"hover_intent\" data-effect=\"slide\" data-effect-speed=\"200\" data-effect-mobile=\"slide\" data-effect-speed-mobile=\"200\" data-mobile-force-width=\"body\" data-second-click=\"go\" data-document-click=\"collapse\" data-vertical-behaviour=\"standard\" data-breakpoint=\"600\" data-unbind=\"true\" data-mobile-state=\"collapse_all\" data-mobile-direction=\"vertical\" data-hover-intent-timeout=\"300\" data-hover-intent-interval=\"100\"><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-menu-item-home mega-align-bottom-left mega-menu-flyout mega-menu-item-19160\" id=\"mega-menu-item-19160\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/\">Home<\/a><\/li><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-align-bottom-left mega-menu-flyout mega-menu-item-19161\" id=\"mega-menu-item-19161\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/index.php\/about-daniel\/\">About Daniel<\/a><\/li><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-current_page_parent mega-align-bottom-left mega-menu-flyout mega-menu-item-19171\" id=\"mega-menu-item-19171\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/index.php\/all-episodes\/\">All Episodes<\/a><\/li><\/ul><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">Episode 137.  Ukrainian Singers and Composers<\/h2>\n\n\n\n<iframe loading=\"lazy\" width=\"340\" height=\"50\" src=\"https:\/\/countermelody.blubrry.net\/?powerpress_embed=546-podcast&amp;powerpress_player=mediaelement-audio\" title=\"Blubrry Podcast Player\" frameborder=\"0\" scrolling=\"no\"><\/iframe>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p><strong>SOCIAL SHARE<\/strong><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"has-text-align-right\"><strong>SUBSCRIPTION PLATFORM<\/strong><\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<ul class=\"wp-block-social-links has-normal-icon-size is-style-logos-only is-layout-flex wp-block-social-links-is-layout-flex\"><li class=\"wp-social-link wp-social-link-facebook  wp-block-social-link\"><a rel=\"noopener nofollow\" target=\"_blank\" href=\"https:\/\/facebook.com\/sharer\/sharer.php?u=http%3A%2F%2Fcountermelodypodcast.com%2F%3Fp%3D9313&#038;title=Episode%20%5B%5D.%20%5B%5D\" class=\"wp-block-social-link-anchor\"><svg width=\"24\" height=\"24\" viewBox=\"0 0 24 24\" version=\"1.1\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" aria-hidden=\"true\" focusable=\"false\"><path d=\"M12 2C6.5 2 2 6.5 2 12c0 5 3.7 9.1 8.4 9.9v-7H7.9V12h2.5V9.8c0-2.5 1.5-3.9 3.8-3.9 1.1 0 2.2.2 2.2.2v2.5h-1.3c-1.2 0-1.6.8-1.6 1.6V12h2.8l-.4 2.9h-2.3v7C18.3 21.1 22 17 22 12c0-5.5-4.5-10-10-10z\"><\/path><\/svg><span class=\"wp-block-social-link-label screen-reader-text\">Share on Facebook<\/span><\/a><\/li>\n\n<li class=\"wp-social-link wp-social-link-twitter  wp-block-social-link\"><a rel=\"noopener nofollow\" target=\"_blank\" href=\"https:\/\/twitter.com\/share?url=http%3A%2F%2Fcountermelodypodcast.com%2F%3Fp%3D9313&#038;link=Episode%20%5B%5D.%20%5B%5D\" class=\"wp-block-social-link-anchor\"><svg width=\"24\" height=\"24\" viewBox=\"0 0 24 24\" version=\"1.1\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" aria-hidden=\"true\" focusable=\"false\"><path d=\"M22.23,5.924c-0.736,0.326-1.527,0.547-2.357,0.646c0.847-0.508,1.498-1.312,1.804-2.27 c-0.793,0.47-1.671,0.812-2.606,0.996C18.324,4.498,17.257,4,16.077,4c-2.266,0-4.103,1.837-4.103,4.103 c0,0.322,0.036,0.635,0.106,0.935C8.67,8.867,5.647,7.234,3.623,4.751C3.27,5.357,3.067,6.062,3.067,6.814 c0,1.424,0.724,2.679,1.825,3.415c-0.673-0.021-1.305-0.206-1.859-0.513c0,0.017,0,0.034,0,0.052c0,1.988,1.414,3.647,3.292,4.023 c-0.344,0.094-0.707,0.144-1.081,0.144c-0.264,0-0.521-0.026-0.772-0.074c0.522,1.63,2.038,2.816,3.833,2.85 c-1.404,1.1-3.174,1.756-5.096,1.756c-0.331,0-0.658-0.019-0.979-0.057c1.816,1.164,3.973,1.843,6.29,1.843 c7.547,0,11.675-6.252,11.675-11.675c0-0.178-0.004-0.355-0.012-0.531C20.985,7.47,21.68,6.747,22.23,5.924z\"><\/path><\/svg><span class=\"wp-block-social-link-label screen-reader-text\">Share on Twitter<\/span><\/a><\/li>\n\n<li class=\"wp-social-link wp-social-link-pinterest  wp-block-social-link\"><a rel=\"noopener nofollow\" target=\"_blank\" href=\"https:\/\/pinterest.com\/pin\/create\/button\/?url=http%3A%2F%2Fcountermelodypodcast.com%2F%3Fp%3D9313&#038;description=Episode%20%5B%5D.%20%5B%5D\" class=\"wp-block-social-link-anchor\"><svg width=\"24\" height=\"24\" viewBox=\"0 0 24 24\" version=\"1.1\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" aria-hidden=\"true\" focusable=\"false\"><path d=\"M12.289,2C6.617,2,3.606,5.648,3.606,9.622c0,1.846,1.025,4.146,2.666,4.878c0.25,0.111,0.381,0.063,0.439-0.169 c0.044-0.175,0.267-1.029,0.365-1.428c0.032-0.128,0.017-0.237-0.091-0.362C6.445,11.911,6.01,10.75,6.01,9.668 c0-2.777,2.194-5.464,5.933-5.464c3.23,0,5.49,2.108,5.49,5.122c0,3.407-1.794,5.768-4.13,5.768c-1.291,0-2.257-1.021-1.948-2.277 c0.372-1.495,1.089-3.112,1.089-4.191c0-0.967-0.542-1.775-1.663-1.775c-1.319,0-2.379,1.309-2.379,3.059 c0,1.115,0.394,1.869,0.394,1.869s-1.302,5.279-1.54,6.261c-0.405,1.666,0.053,4.368,0.094,4.604 c0.021,0.126,0.167,0.169,0.25,0.063c0.129-0.165,1.699-2.419,2.142-4.051c0.158-0.59,0.817-2.995,0.817-2.995 c0.43,0.784,1.681,1.446,3.013,1.446c3.963,0,6.822-3.494,6.822-7.833C20.394,5.112,16.849,2,12.289,2\"><\/path><\/svg><span class=\"wp-block-social-link-label screen-reader-text\">Share on Pinterest<\/span><\/a><\/li>\n\n<li class=\"wp-social-link wp-social-link-email  wp-block-social-link\"><a rel=\"noopener nofollow\" target=\"_blank\" href=\"mailto:?body=http%3A%2F%2Fcountermelodypodcast.com%2F%3Fp%3D9313&#038;subject=Episode%20%5B%5D.%20%5B%5D\" class=\"wp-block-social-link-anchor\"><svg width=\"24\" height=\"24\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 24 24\"><path d=\"M9 11.8l6.1-4.5c.1.4.4.7.9.7h2c.6 0 1-.4 1-1V5c0-.6-.4-1-1-1h-2c-.6 0-1 .4-1 1v.4l-6.4 4.8c-.2-.1-.4-.2-.6-.2H6c-.6 0-1 .4-1 1v2c0 .6.4 1 1 1h2c.2 0 .4-.1.6-.2l6.4 4.8v.4c0 .6.4 1 1 1h2c.6 0 1-.4 1-1v-2c0-.6-.4-1-1-1h-2c-.5 0-.8.3-.9.7L9 12.2v-.4z\"\/><\/svg><span class=\"wp-block-social-link-label screen-reader-text\">Share via Email<\/span><\/a><\/li>\n\n<li class=\"wp-social-link wp-social-link-reddit  wp-block-social-link\"><a rel=\"noopener nofollow\" target=\"_blank\" href=\"https:\/\/reddit.com\/submit?url=http%3A%2F%2Fcountermelodypodcast.com%2F%3Fp%3D9313&#038;title=Episode%20%5B%5D.%20%5B%5D\" class=\"wp-block-social-link-anchor\"><svg width=\"24\" height=\"24\" viewBox=\"0 0 24 24\" version=\"1.1\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" aria-hidden=\"true\" focusable=\"false\"><path d=\"M5.27 9.221A2.775 2.775 0 0 0 2.498 11.993a2.785 2.785 0 0 0 1.6 2.511 5.337 5.337 0 0 0 2.374 4.11 9.386 9.386 0 0 0 5.539 1.7 9.386 9.386 0 0 0 5.541-1.7 5.331 5.331 0 0 0 2.372-4.114 2.787 2.787 0 0 0 1.583-2.5 2.775 2.775 0 0 0-2.772-2.772 2.742 2.742 0 0 0-1.688.574 9.482 9.482 0 0 0-4.637-1.348v-.008a2.349 2.349 0 0 1 2.011-2.316 1.97 1.97 0 0 0 1.926 1.521 1.98 1.98 0 0 0 1.978-1.978 1.98 1.98 0 0 0-1.978-1.978 1.985 1.985 0 0 0-1.938 1.578 3.183 3.183 0 0 0-2.849 3.172v.011a9.463 9.463 0 0 0-4.59 1.35 2.741 2.741 0 0 0-1.688-.574Zm6.736 9.1a3.162 3.162 0 0 1-2.921-1.944.215.215 0 0 1 .014-.2.219.219 0 0 1 .168-.106 27.327 27.327 0 0 1 2.74-.133 27.357 27.357 0 0 1 2.74.133.219.219 0 0 1 .168.106.215.215 0 0 1 .014.2 3.158 3.158 0 0 1-2.921 1.944Zm3.743-3.157a1.265 1.265 0 0 1-1.4-1.371 1.954 1.954 0 0 1 .482-1.442 1.15 1.15 0 0 1 .842-.379 1.7 1.7 0 0 1 1.49 1.777 1.323 1.323 0 0 1-.325 1.015 1.476 1.476 0 0 1-1.089.4Zm-7.485 0a1.476 1.476 0 0 1-1.086-.4 1.323 1.323 0 0 1-.325-1.016 1.7 1.7 0 0 1 1.49-1.777 1.151 1.151 0 0 1 .843.379 1.951 1.951 0 0 1 .481 1.441 1.276 1.276 0 0 1-1.403 1.373Z\"><\/path><\/svg><span class=\"wp-block-social-link-label screen-reader-text\">Share on Reddit<\/span><\/a><\/li><\/ul>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<div class=\"wp-block-buttons is-horizontal is-content-justification-left is-layout-flex wp-container-core-buttons-is-layout-7e5fce0a wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link no-border-radius wp-element-button\" href=\"https:\/\/countermelody.blubrry.net\/\">SUBSCRIBE VIA YOUR FAVORITE PODCAST PLATFORM<\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"431\" height=\"580\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Shevchenko.png\" alt=\"\" class=\"wp-image-9571\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Shevchenko.png 431w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Shevchenko-223x300.png 223w\" sizes=\"auto, (max-width: 431px) 100vw, 431px\" \/><figcaption class=\"wp-element-caption\">Taras Shevchenko (1814-1861)<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:38px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Here finally is my long-promised and long-overdue episode on great Ukrainian singers. Because I am so historically oriented, I begin the episode at the dawn of recorded sound and present singers from the early twentieth century all the way through to the present day. The first voice heard is the Ukrainian-Jewish bass Alexander Kipnis, still after all these years the noblest voice that I have ever encountered. There follow Teresa Arkel, Salomea Krushelnytska, Elena Ruszkowska, Lydia Lipovska and the extraordinary heldentenor Modest Menzinsky: all voices from the distant past, though much renowned in their day. Along with the exploration of Ukrainian singers (including Boris Gmyria, Ivan Kozlovsky, Yuri Mazurok, Mark Reizen, Misha Raitzin, Ira Malaniuk, Paul Plishka, Yuriy Mynenko, Anatoly Kocherga, and Bela Rudenko, among many others), I also provide a tip-of-the-iceberg introduction to the (for me, as I suspect for many of us) nearly unexplored world of Ukrainian composers, including Reinhold Gli\u00e8re, Mykola Lysenko, Yevhen Stankovych, Mykola Leontovych, Kyrylo Stetsenko, Vasyl Barvinsky, Boris Lyatoschinsky, Mykola Arkas, and Valentin Sylvestrov, their work often bolstered by the powerful poetry of that 19th century bard and figurehead of Ukrainian independence, Taras Shevchenko. Some of the greatest discoveries for me in preparing this episode were the tenor Anatoliy Solovyanenko and the baritones Mykola Kondratyuk and Dmytro Hnatiuk. I trust you will have your favorites as well. I offer this episode in tribute to, and in solidarity with, the people of Ukraine.<\/p>\n\n\n\n<p>Resources for learning more about Ukrainian music:<\/p>\n\n\n\n<p><a href=\"https:\/\/www.yusypovych.com\/eng\/ukrainian-composers\" target=\"_blank\" rel=\"noreferrer noopener\">Myron Yusypovych&#8217;s website on Ukrainian composers<\/a><\/p>\n\n\n\n<p><a href=\"https:\/\/www.ukrainianartsong.ca\/\" data-type=\"URL\" data-id=\"https:\/\/www.ukrainianartsong.ca\/\" target=\"_blank\" rel=\"noreferrer noopener\">The Ukrainian Art Song Project<\/a><\/p>\n\n\n\n<p><a href=\"https:\/\/www.youtube.com\/watch?v=UqdwQ4eCTHM\" target=\"_blank\" rel=\"noreferrer noopener\">Natalya Pasichnyk&#8217;s documentary <em>Ukrainian Rhapsody: A Journey into Ukrainian Classical Music<\/em><\/a><\/p>\n\n\n\n<p><a href=\"https:\/\/www.youtube.com\/channel\/UCIAcyEzVSfKVUoOMXeZcQbA\" target=\"_blank\" rel=\"noreferrer noopener\">Viktor Ostafeychuk&#8217;s astonishing YouTube channel, featuring many historical live performances from the Kiev Opera<\/a><\/p>\n\n\n\n<p><a href=\"https:\/\/www.youtube.com\/channel\/UCWFbBhe_OETQwX74CvZkp9w\" target=\"_blank\" rel=\"noreferrer noopener\">Ukrainian Vinyl, another invaluable YouTube channel, with rare and priceless recordings<\/a><\/p>\n\n\n\n<div style=\"height:47px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-custom-size\" style=\"font-size:30px\"><strong> RECORDINGS HEARD IN THIS EPISODE<\/strong><\/p>\n\n\n\n<div style=\"height:55px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"546\" height=\"852\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Kipnis.jpg\" alt=\"\" class=\"wp-image-9577\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Kipnis.jpg 546w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Kipnis-192x300.jpg 192w\" sizes=\"auto, (max-width: 546px) 100vw, 546px\" \/><figcaption class=\"wp-element-caption\">Alexander Kipnis (1891 &#8211; 1978)<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>George Frideric Handel: Al sen ti stringo e parto (<em>Ariodante<\/em>). Alexander Kipnis, Arthur Bergh [1930]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"350\" height=\"547\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Gmyrya.jpg\" alt=\"\" class=\"wp-image-9579\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Gmyrya.jpg 350w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Gmyrya-192x300.jpg 192w\" sizes=\"auto, (max-width: 350px) 100vw, 350px\" \/><figcaption class=\"wp-element-caption\">Boris Hmyria [or Gmyria] (1903 &#8211; 1969)<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Traditional Ukrainian, arr. Leonid Glibov: Stayit\u2019 gora visokaya [There is a tall mountain]. Boris Hmyrya, Pavel Muravsky conducting the National Choir of Ukraine \u201cDumka\u201d [1967]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"662\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Reizen2-662x1024.jpg\" alt=\"\" class=\"wp-image-9580\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Reizen2-662x1024.jpg 662w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Reizen2-194x300.jpg 194w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Reizen2.jpg 725w\" sizes=\"auto, (max-width: 662px) 100vw, 662px\" \/><figcaption class=\"wp-element-caption\">Mark Reizen (1895 &#8211; 1992)<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Lyudmila Alexandrova, Mykhailo Petrenko: Divlyus\u2019 ya na nebo [I look at the sky]. Mark Reizen, Vladimir Khvostin [1983]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"629\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Arkel2-629x1024.jpg\" alt=\"\" class=\"wp-image-9581\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Arkel2-629x1024.jpg 629w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Arkel2-184x300.jpg 184w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Arkel2-768x1251.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Arkel2-943x1536.jpg 943w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Arkel2-1258x2048.jpg 1258w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Arkel2-1600x2606.jpg 1600w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Arkel2-scaled.jpg 1572w\" sizes=\"auto, (max-width: 629px) 100vw, 629px\" \/><figcaption class=\"wp-element-caption\">Teresa Arkel (1861 [or 1862] &#8211; 1929)<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Arrigo Boito: Spunta l\u2019aurora pallida (<em>Mefistofele<\/em>). Teresa Arkel [1903]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"623\" height=\"950\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Kruszelnytska.jpg\" alt=\"\" class=\"wp-image-9582\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Kruszelnytska.jpg 623w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Kruszelnytska-197x300.jpg 197w\" sizes=\"auto, (max-width: 623px) 100vw, 623px\" \/><figcaption class=\"wp-element-caption\">Salomea [or Solomiya] Krushelnytska (1872 &#8211; 1952)<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Alfredo Catalani: Ebben? Ne andr\u00f2 lontana (<em>La Wally<\/em>). Salomea Krushelnytska [1906]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"494\" height=\"763\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Ruszkowska.jpg\" alt=\"\" class=\"wp-image-9583\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Ruszkowska.jpg 494w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Ruszkowska-194x300.jpg 194w\" sizes=\"auto, (max-width: 494px) 100vw, 494px\" \/><figcaption class=\"wp-element-caption\">Elena Ruszkowska (1877 &#8211; 1948)<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Giuseppe Verdi: Fuggiam gli ardori inospiti&#8230; L\u00e0, tra foreste vergini (<em>Aida<\/em>). Elena Ruszkowska, Carlo Barrera [1909]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"367\" height=\"540\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Lipkowska-in-Hat.jpg\" alt=\"\" class=\"wp-image-9587\" style=\"width:410px;height:603px\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Lipkowska-in-Hat.jpg 367w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Lipkowska-in-Hat-204x300.jpg 204w\" sizes=\"auto, (max-width: 367px) 100vw, 367px\" \/><figcaption class=\"wp-element-caption\">Lydia Lipkowska (1882 &#8211; 1958)<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Pyotr Il\u2019yich Tchaikovsky, Modest Tchaikovsky: Otchevo eto prezhde ne znala [Why did I not know] (Iolanta\u2019s Arioso) (<em>Iolanta<\/em>). Lydia Lipkowska, Mikhail Dulov [1912]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"655\" height=\"960\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Mazurok.jpg\" alt=\"\" class=\"wp-image-9588\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Mazurok.jpg 655w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Mazurok-205x300.jpg 205w\" sizes=\"auto, (max-width: 655px) 100vw, 655px\" \/><figcaption class=\"wp-element-caption\">Yuri Mazurok (1931 &#8211; 2006)<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Pyotr Il\u2019yich Tchaikovsky, Modest Tchaikovsky: Yeletsky\u2019s Aria [Act I] (<em>Pique-Dame<\/em>). Yuri Mazurok, Boris Khaikin, Orchestra of the Bolshoi Theater [1967]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"356\" height=\"475\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Menzinsky.jpg\" alt=\"\" class=\"wp-image-9589\" style=\"width:445px;height:594px\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Menzinsky.jpg 356w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Menzinsky-225x300.jpg 225w\" sizes=\"auto, (max-width: 356px) 100vw, 356px\" \/><figcaption class=\"wp-element-caption\">Modest Menzinsky (1875 &#8211; 1935)<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Mykola Lysenko, Taras Shevchenko: Oy Dnipre miy Dnipre [Oh, Dnieper, my Dnieper]. Modest Menzinsky [1911]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"325\" height=\"454\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Lysenko.jpg\" alt=\"\" class=\"wp-image-9615\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Lysenko.jpg 325w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Lysenko-215x300.jpg 215w\" sizes=\"auto, (max-width: 325px) 100vw, 325px\" \/><figcaption class=\"wp-element-caption\">Mykola Lysenko (1842 &#8211; 1912)<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"654\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Sokil-654x1024.jpg\" alt=\"\" class=\"wp-image-9590\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Sokil-654x1024.jpg 654w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Sokil-192x300.jpg 192w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Sokil-768x1202.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Sokil.jpg 832w\" sizes=\"auto, (max-width: 654px) 100vw, 654px\" \/><figcaption class=\"wp-element-caption\">Maria Sokil Rudnitsky (1902 &#8211; 1999)<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Traditional Ukrainian, arr. Mykola Leontovych and Antin Rudnitsky:. Shchedryk [Bountiful Evening &#8211; New Year\u2019s Carol]. Maria Sokil, Antin Rudnitsky [1941]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Leontovych-1024x1024.jpg\" alt=\"\" class=\"wp-image-9613\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Leontovych-1024x1024.jpg 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Leontovych-300x300.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Leontovych-150x150.jpg 150w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Leontovych-768x768.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Leontovych.jpg 1200w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Mykola Leontovych (1877 &#8211; 1921)<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"335\" height=\"507\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Kocherga.png\" alt=\"\" class=\"wp-image-9594\" style=\"width:397px;height:601px\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Kocherga.png 335w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Kocherga-198x300.png 198w\" sizes=\"auto, (max-width: 335px) 100vw, 335px\" \/><figcaption class=\"wp-element-caption\">Anatoly Kocherga (b. 1947)<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Dmitri Shostakovich, Yevgeny Yevtushenko: O Russkiu moi narad [Oh, my Russian people] (from First Movement [Babi Yar], <em>Symphony No. 13<\/em>, Op. 113). Anatoly Kocherga, Neeme J\u00e4rvi, G\u00f6teborgs Symfoniker, National Male Choir of Estonia [1996]<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"866\" height=\"495\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Yev-kiss-Shosti.jpg\" alt=\"\" class=\"wp-image-9592\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Yev-kiss-Shosti.jpg 866w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Yev-kiss-Shosti-300x171.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Yev-kiss-Shosti-768x439.jpg 768w\" sizes=\"auto, (max-width: 866px) 100vw, 866px\" \/><figcaption class=\"wp-element-caption\">Dmitri Shostakovich (1906 &#8211; 1975) and Yevgeny Yevtushenko (1932 &#8211; 2017) after the premiere of Shostakovich\u2019s <em>Babi Yar <\/em>Symphony on 18 December 1962<\/figcaption><\/figure>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"463\" height=\"609\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Nina-Matvienko.png\" alt=\"\" class=\"wp-image-9595\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Nina-Matvienko.png 463w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Nina-Matvienko-228x300.png 228w\" sizes=\"auto, (max-width: 463px) 100vw, 463px\" \/><figcaption class=\"wp-element-caption\">Nina Matvienko (born 1947)<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Yevhen Stankovych: <em>Requiem for Holodomor Victims<\/em> [excerpt]. Nina Matvienko, Volodymyr Sirenko, Honored Symphony Orchestra of the State Television and Radio Company of Ukraine, National Choir of Ukraine \u201cDumka\u201d, National Veryovka Choir [2003]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"336\" height=\"465\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Stankovych.jpg\" alt=\"\" class=\"wp-image-9593\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Stankovych.jpg 336w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Stankovych-217x300.jpg 217w\" sizes=\"auto, (max-width: 336px) 100vw, 336px\" \/><figcaption class=\"wp-element-caption\">Yevhen Stankovych (born 1942)<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"509\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Misha-Raitzin.jpg\" alt=\"\" class=\"wp-image-9596\" style=\"width:392px;height:665px\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Misha-Raitzin.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Misha-Raitzin-177x300.jpg 177w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><figcaption class=\"wp-element-caption\">Misha Raitzin (1930 &#8211; 1990)<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Rav Avraham Kook, Shmerke Kaczerginski: Zol shoyn kumen di Geule [Let Redemption Come]. Misha Raitzin, arranged and conducted by Bob Reisenman [1980]<\/p>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"200\" height=\"327\" data-id=\"9597\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Kook.jpg\" alt=\"\" class=\"wp-image-9597\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Kook.jpg 200w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Kook-183x300.jpg 183w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><figcaption class=\"wp-element-caption\">Avraham Kook (1865 &#8211; 1935)<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"851\" height=\"1014\" data-id=\"9599\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Shmerke-TRIMMED.jpg\" alt=\"\" class=\"wp-image-9599\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Shmerke-TRIMMED.jpg 851w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Shmerke-TRIMMED-252x300.jpg 252w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Shmerke-TRIMMED-768x915.jpg 768w\" sizes=\"auto, (max-width: 851px) 100vw, 851px\" \/><figcaption class=\"wp-element-caption\">Shmerke Kaczerginski (1908 &#8211; 1954)<\/figcaption><\/figure>\n<\/figure>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"368\" height=\"518\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Dobriansky.png\" alt=\"\" class=\"wp-image-9600\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Dobriansky.png 368w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Dobriansky-213x300.png 213w\" sizes=\"auto, (max-width: 368px) 100vw, 368px\" \/><figcaption class=\"wp-element-caption\">Andrij Dobriansky (1930 &#8211; 2012)<\/figcaption><\/figure>\n<\/div>\n\n\n<p>Bohdan Wesolovsky, Dmitriy Zaghul: Ne khodi, moya kritko, v sadochok [Do not go, my flower, to the garden]. Andrij Dobriansky, Ensemble led by George Tremblay [1968]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"497\" height=\"656\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Bogdan-Wesolovsky.jpg\" alt=\"\" class=\"wp-image-9601\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Bogdan-Wesolovsky.jpg 497w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Bogdan-Wesolovsky-227x300.jpg 227w\" sizes=\"auto, (max-width: 497px) 100vw, 497px\" \/><figcaption class=\"wp-element-caption\">Bohdan Wesolovsky (1915 &#8211; 1971)<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"575\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Gliere-1024x575.jpg\" alt=\"\" class=\"wp-image-9602\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Gliere-1024x575.jpg 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Gliere-300x168.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Gliere-768x431.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Gliere.jpg 1240w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Reinhold Gli\u00e8re (1875 &#8211; 1956)<\/figcaption><\/figure>\n<\/div>\n\n\n<p>Reinhold Gli\u00e8re: <em>Concerto for Coloratura Soprano and Orchestra<\/em>, Op. 82:<\/p>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"361\" height=\"609\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Miroshnychenko.png\" alt=\"\" class=\"wp-image-9603\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Miroshnychenko.png 361w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Miroshnychenko-178x300.png 178w\" sizes=\"auto, (max-width: 361px) 100vw, 361px\" \/><figcaption class=\"wp-element-caption\">Evgenia Miroshnychenko (1931 &#8211; 2009)<\/figcaption><\/figure>\n<\/div>\n\n\n<p>First Movement. Andante. Evgenia Miroshnychenko, Mark Ermler, Orchestra of the Bolshoi Theater [1965]<\/p>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"311\" height=\"500\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Bela-Rudenko.jpg\" alt=\"\" class=\"wp-image-9604\" style=\"width:361px;height:580px\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Bela-Rudenko.jpg 311w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Bela-Rudenko-187x300.jpg 187w\" sizes=\"auto, (max-width: 311px) 100vw, 311px\" \/><figcaption class=\"wp-element-caption\">Bela Rudenko (1933 &#8211; 2021)<\/figcaption><\/figure>\n<\/div>\n\n\n<p>Second Movement. Allegro. Bela Rudenko, Stefan Turchak, Kiev Philharmonic Orchestra [1975]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"392\" height=\"594\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Kozlovsky.png\" alt=\"\" class=\"wp-image-9605\" style=\"width:432px;height:655px\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Kozlovsky.png 392w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Kozlovsky-198x300.png 198w\" sizes=\"auto, (max-width: 392px) 100vw, 392px\" \/><figcaption class=\"wp-element-caption\">Ivan Kozlovsky (1900 &#8211; 1993)<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Mykola Arkas, Taras Shevchenko: Andrey\u2019s Aria (<em>Kateryna<\/em>). Ivan Kozlovsky, Orchestra conducted by Alexander Orlov [1941]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"413\" height=\"600\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Arkas.png\" alt=\"\" class=\"wp-image-9606\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Arkas.png 413w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Arkas-207x300.png 207w\" sizes=\"auto, (max-width: 413px) 100vw, 413px\" \/><figcaption class=\"wp-element-caption\">Mykola Arkas (1853 &#8211; 1909)<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"304\" height=\"487\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Donets.png\" alt=\"\" class=\"wp-image-9607\" style=\"width:399px;height:639px\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Donets.png 304w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Donets-187x300.png 187w\" sizes=\"auto, (max-width: 304px) 100vw, 304px\" \/><figcaption class=\"wp-element-caption\">Mikhail Donets (1883 &#8211; 1941)<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Boris Lyatoshinsky, Maksym Rylsky: Solkalsky\u2019s Aria (<em>Shchors<\/em>). Mikhail Donets, V.A. Levitov, Orchestra of the Kiev State Opera and Ballet Theatre [1939]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"599\" height=\"603\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Lyatoshinsky.png\" alt=\"\" class=\"wp-image-9608\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Lyatoshinsky.png 599w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Lyatoshinsky-298x300.png 298w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Lyatoshinsky-150x150.png 150w\" sizes=\"auto, (max-width: 599px) 100vw, 599px\" \/><figcaption class=\"wp-element-caption\">Boris Lyatoshinsky (1895 &#8211; 1968)<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"630\" height=\"935\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Zoia-Gaidai.jpg\" alt=\"\" class=\"wp-image-9610\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Zoia-Gaidai.jpg 630w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Zoia-Gaidai-202x300.jpg 202w\" sizes=\"auto, (max-width: 630px) 100vw, 630px\" \/><figcaption class=\"wp-element-caption\">Zoya Gaidai (1902 &#8211; 1965)<\/figcaption><\/figure>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Kyrylo Stetsenko, Lesja Ukrajinka [n\u00e9e Larisa Petrivna Kosach-Kvitka]: Stoyala ya i slishala vesniy [I stood and listened to spring]. Zoya Gaidai, Galina Nikolaenko [ca. 1947]<\/p>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"768\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Paul-Plishka-1024x768.jpg\" alt=\"\" class=\"wp-image-9611\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Paul-Plishka-1024x768.jpg 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Paul-Plishka-300x225.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Paul-Plishka-768x576.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Paul-Plishka-1536x1152.jpg 1536w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Paul-Plishka.jpg 1600w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Paul Plishka (born 1941)<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Kyrylo Stetsenko, Oleksandr Oles [n\u00e9 Oleksandr Ivanovych Kandyba]: Oy chogo ty dube [Cossack\u2019s Longing]. Paul Plishka, Thomas Hrynkiw [1979]<\/p>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1020\" height=\"612\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Pavlo-Hunka-in-Coq-dOr.jpg\" alt=\"\" class=\"wp-image-9612\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Pavlo-Hunka-in-Coq-dOr.jpg 1020w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Pavlo-Hunka-in-Coq-dOr-300x180.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Pavlo-Hunka-in-Coq-dOr-768x461.jpg 768w\" sizes=\"auto, (max-width: 1020px) 100vw, 1020px\" \/><figcaption class=\"wp-element-caption\">Pavlo Hunka as Dodon in Barry Kosky&#8217;s production of <em>Le Coq d&#8217;Or<\/em>, March 2022<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Kyrylo Stetsenko, Taras Shevchenko: Zapovit [Testament]. Pavlo Hunka, Albert Krywolt [2010]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"411\" height=\"586\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Stetsenko.png\" alt=\"\" class=\"wp-image-9609\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Stetsenko.png 411w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Stetsenko-210x300.png 210w\" sizes=\"auto, (max-width: 411px) 100vw, 411px\" \/><figcaption class=\"wp-element-caption\">Kyrylo Stetsenko (1882 \u2013 1922)<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"576\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Luthando-Qave-1024x576.jpg\" alt=\"\" class=\"wp-image-9614\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Luthando-Qave-1024x576.jpg 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Luthando-Qave-300x169.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Luthando-Qave-768x432.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Luthando-Qave-1536x864.jpg 1536w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Luthando-Qave-1600x900.jpg 1600w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Luthando-Qave.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Luthando Qave<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Mykola Lysenko, Taras Shevchenko: Meni odnakovo [It Makes No Difference to Me]. Luthando Qave, Natalya Pasichnyk [2015]<\/p>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"400\" height=\"606\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Solovyanenko2.png\" alt=\"\" class=\"wp-image-9618\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Solovyanenko2.png 400w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Solovyanenko2-198x300.png 198w\" sizes=\"auto, (max-width: 400px) 100vw, 400px\" \/><figcaption class=\"wp-element-caption\">Anatoliy Solovyanenko (1932 &#8211; 1999)<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Mykola Lysenko, Ivan Kotlyarevsky: Sontse nizen\u2019ko [The sun is low] (<em>Natalka Poltavka<\/em>). Anatoliy Solovyanenko, Jacob Orlov, Kyiv Orchestra of Ukrainian Folk Instruments [1977]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"352\" height=\"550\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Lysenko2.jpg\" alt=\"\" class=\"wp-image-9620\" style=\"width:418px;height:653px\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Lysenko2.jpg 352w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Lysenko2-192x300.jpg 192w\" sizes=\"auto, (max-width: 352px) 100vw, 352px\" \/><figcaption class=\"wp-element-caption\">Mykola Lysenko (1842 &#8211; 1912)<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"564\" height=\"795\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Ira-Malaniuk.jpg\" alt=\"\" class=\"wp-image-9619\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Ira-Malaniuk.jpg 564w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Ira-Malaniuk-213x300.jpg 213w\" sizes=\"auto, (max-width: 564px) 100vw, 564px\" \/><figcaption class=\"wp-element-caption\">Ira Malaniuk (1919 &#8211; 2009)<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Vasyl Barvinsky, Taras Shevchenko: Lullaby. Ira Malaniuk, N. Kupdehraben [unknown recording date]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"338\" height=\"490\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Barvinsky.jpg\" alt=\"\" class=\"wp-image-9622\" style=\"width:431px;height:625px\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Barvinsky.jpg 338w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Barvinsky-207x300.jpg 207w\" sizes=\"auto, (max-width: 338px) 100vw, 338px\" \/><figcaption class=\"wp-element-caption\">Vasyl Barvinsky (1888 &#8211; 1963)<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"314\" height=\"504\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Dmytro-Hnatiuk.png\" alt=\"\" class=\"wp-image-9621\" style=\"width:403px;height:647px\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Dmytro-Hnatiuk.png 314w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Dmytro-Hnatiuk-187x300.png 187w\" sizes=\"auto, (max-width: 314px) 100vw, 314px\" \/><figcaption class=\"wp-element-caption\">Dmytro Hnatiuk (1925 &#8211; 2016)<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Traditional Ukrainian: Chornobryvtsi [Marigolds]. Dmytro Hnatiuk [1974]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"494\" height=\"617\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Kondratyuk.png\" alt=\"\" class=\"wp-image-9623\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Kondratyuk.png 494w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Kondratyuk-240x300.png 240w\" sizes=\"auto, (max-width: 494px) 100vw, 494px\" \/><figcaption class=\"wp-element-caption\">Mykola Kondratyuk (1931 &#8211; 2006)<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Lev Lepky, Bohdan Lepky: Chuyesh brate miy [Do You Hear, My Brother? (Song of the Cranes)]. Mykola Kondratyuk, Orchestra of Folk Instruments All-Union Radio [1970]<\/p>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-2 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"413\" height=\"608\" data-id=\"9625\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Levky-Lev.png\" alt=\"\" class=\"wp-image-9625\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Levky-Lev.png 413w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Levky-Lev-204x300.png 204w\" sizes=\"auto, (max-width: 413px) 100vw, 413px\" \/><figcaption class=\"wp-element-caption\">Lev Lepky (1888 &#8211; 1971)<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"379\" height=\"607\" data-id=\"9624\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Levky-Bohdan.png\" alt=\"\" class=\"wp-image-9624\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Levky-Bohdan.png 379w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Levky-Bohdan-187x300.png 187w\" sizes=\"auto, (max-width: 379px) 100vw, 379px\" \/><figcaption class=\"wp-element-caption\">Bohdan Lepky (1872 &#8211; 1941)<\/figcaption><\/figure>\n<\/figure>\n\n\n\n<p><\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"576\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Yuriy17-1-1024x576.png\" alt=\"\" class=\"wp-image-9628\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Yuriy17-1-1024x576.png 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Yuriy17-1-300x169.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Yuriy17-1-768x432.png 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Yuriy17-1.png 1366w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Yuriy Mynenko and the National Choir of Ukraine \u201cDumka\u201d<\/figcaption><\/figure>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Valentin Sylvestrov, Taras Shevchenko: Forgive and Farewell, World (<em>Requiem for Larissa<\/em>). Yuriy Mynenko, Nataliya Kmet, Yevchen Savchuk, National Choir of Ukraine \u201cDumka\u201d [2014]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"925\" height=\"604\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Silvestrov.png\" alt=\"\" class=\"wp-image-9626\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Silvestrov.png 925w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Silvestrov-300x196.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Silvestrov-768x501.png 768w\" sizes=\"auto, (max-width: 925px) 100vw, 925px\" \/><figcaption class=\"wp-element-caption\">Valentin Sylvestrov (b. 1937)<\/figcaption><\/figure>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>Episode 137. Ukrainian Singers and Composers SOCIAL SHARE SUBSCRIPTION PLATFORM Here finally is my long-promised and long-overdue episode on great&hellip;<\/p>\n","protected":false},"author":1,"featured_media":9629,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"advgb_blocks_editor_width":"","advgb_blocks_columns_visual_guide":"","footnotes":""},"categories":[1075,3207,5823,2399,1072,1263,2260,808,1540,3272,2806],"tags":[3892,1162,3944,159,3896,3921,3931,3919,77,3902,3926,3934,3885,3929,3904,3935,3938,3913,2955,3930,3887,3912,3940,3900,280,3932,207,3889,3898,3943,3897,3890,3903,3884,3894,3914,3907,3939,3920,3941,2331,3895,3945,3936,3928,3917,3916,3908,3937,3886,3918,3893,3906,3922,3924,3905,3891,1913,3933,3911,3927,3942,3882,3910,3901,3946,3881,3888,3909,3925,3923,3915,3883,3899],"class_list":["post-9313","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-art-song","category-behind-the-iron-curtain","category-forgotten-divas","category-great-baritones","category-in-memoriam","category-mezzo-madness","category-music-for-a-world-in-crisis","category-needle-drop","category-protest-songs","category-singers-of-color","category-twentieth-century-music","tag-albert-krywolt","tag-alexander-kipnis","tag-alexander-orlov","tag-alfredo-catalani","tag-anatoliy-solovyanenko","tag-anatoly-kotcherga","tag-andrij-dobriansky","tag-antin-rudnitsky","tag-arrigo-boito","tag-arthur-bergh","tag-avraham-kook","tag-bela-rudenko","tag-bogdan-lepky","tag-bohdan-wesolovsky","tag-boris-gmyrya","tag-boris-khaikin","tag-boris-lyatoshinsky","tag-carlo-barrera","tag-dmitri-shostakovich","tag-dmitriy-zaghul","tag-dmytro-hnatiuk","tag-elena-ruszkowska","tag-eugenia-miroshnychenko","tag-galina-nikolaneko","tag-george-frideric-handel","tag-george-tremblay","tag-giuseppe-verdi","tag-ira-malaniuk","tag-ivan-kotlyarevsky","tag-ivan-kozlovsky","tag-jacob-orlov","tag-kyrylo-stetsenko","tag-leonid-glibov","tag-lev-lepky","tag-luthando-qave","tag-lydia-lipkovskaya","tag-lyudmila-alexandrova","tag-maksym-rylsky","tag-maria-sokil","tag-mark-ermler","tag-mark-reizen","tag-matalya-pasichnyk","tag-mikhail-donets","tag-mikhail-dulov","tag-misha-raitzin","tag-modest-menzinsky","tag-modest-tchaikovsky","tag-mykhailo-petrenko","tag-mykola-arkas","tag-mykola-kondratyuk","tag-mykola-leontovych","tag-mykola-lysenko","tag-national-choir-of-ukraine-dumka","tag-neeme-jarvi","tag-nina-matyienko","tag-pavel-muravsky","tag-pavlo-hunka","tag-pyotr-ilyich-tchaikovsky-2","tag-reinhold-gliere","tag-salomea-krushelnytska","tag-shmerke-kaczerginski","tag-stefa-turchak","tag-taras-shevchenko","tag-teresa-arkel","tag-ukrainian-folk-music","tag-v-a-levitov","tag-valentin-sylvestrov","tag-vasily-baryinsky","tag-vladimir-khyostin","tag-volodymyr-sirenko","tag-yevhen-stankovych","tag-yuri-mazurok","tag-yuriy-mynenko","tag-zoya-gaidai"],"author_meta":{"display_name":"admin","author_link":"https:\/\/countermelodypodcast.com\/index.php\/author\/admin\/"},"featured_img":"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/TRIMMED-300x121.png","coauthors":[],"tax_additional":{"categories":{"linked":["<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/art-song\/\" class=\"advgb-post-tax-term\">Art Song<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/behind-the-iron-curtain\/\" class=\"advgb-post-tax-term\">Behind the Iron Curtain<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/forgotten-divas\/\" class=\"advgb-post-tax-term\">Forgotten Divas<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/great-baritones\/\" class=\"advgb-post-tax-term\">Great Baritones<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/in-memoriam\/\" class=\"advgb-post-tax-term\">In Memoriam<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/mezzo-madness\/\" class=\"advgb-post-tax-term\">Mezzo Madness<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/music-for-a-world-in-crisis\/\" class=\"advgb-post-tax-term\">Music for a World in Crisis<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Needle Drop<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/protest-songs\/\" class=\"advgb-post-tax-term\">Protest Songs<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/singers-of-color\/\" class=\"advgb-post-tax-term\">Singers of Color<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Twentieth Century Music<\/a>"],"unlinked":["<span class=\"advgb-post-tax-term\">Art Song<\/span>","<span class=\"advgb-post-tax-term\">Behind the Iron Curtain<\/span>","<span class=\"advgb-post-tax-term\">Forgotten Divas<\/span>","<span class=\"advgb-post-tax-term\">Great Baritones<\/span>","<span class=\"advgb-post-tax-term\">In Memoriam<\/span>","<span class=\"advgb-post-tax-term\">Mezzo Madness<\/span>","<span class=\"advgb-post-tax-term\">Music for a World in Crisis<\/span>","<span class=\"advgb-post-tax-term\">Needle Drop<\/span>","<span class=\"advgb-post-tax-term\">Protest Songs<\/span>","<span class=\"advgb-post-tax-term\">Singers of Color<\/span>","<span class=\"advgb-post-tax-term\">Twentieth Century Music<\/span>"]},"tags":{"linked":["<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Albert Krywolt<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Alexander Kipnis<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Alexander Orlov<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Alfredo Catalani<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Anatoliy Solovyanenko<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Anatoly Kotcherga<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Andrij Dobriansky<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Antin Rudnitsky<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Arrigo Boito<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Arthur Bergh<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Avraham Kook<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Bela Rudenko<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Bogdan Lepky<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Bohdan Wesolovsky<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Boris Gmyrya<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Boris Khaikin<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Boris Lyatoshinsky<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Carlo Barrera<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Dmitri Shostakovich<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Dmitriy Zaghul<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Dmytro Hnatiuk<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Elena Ruszkowska<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Eugenia Miroshnychenko<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Galina Nikolaneko<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">George Frideric Handel<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">George Tremblay<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Giuseppe Verdi<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Ira Malaniuk<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Ivan Kotlyarevsky<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Ivan Kozlovsky<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Jacob Orlov<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Kyrylo Stetsenko<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Leonid Glibov<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Lev Lepky<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Luthando Qave<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Lydia Lipkovskaya<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Lyudmila Alexandrova<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Maksym Rylsky<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Maria Sokil<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Mark Ermler<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Mark Reizen<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Matalya Pasichnyk<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Mikhail Donets<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Mikhail Dulov<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Misha Raitzin<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Modest Menzinsky<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Modest Tchaikovsky<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Mykhailo Petrenko<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Mykola Arkas<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Mykola Kondratyuk<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Mykola Leontovych<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Mykola Lysenko<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">National Choir of Ukraine \u201cDumka\u201d<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Neeme J\u00e4rvi<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Nina Matyienko<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Pavel Muravsky<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Pavlo Hunka<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Pyotr Il\u2019yich Tchaikovsky<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Reinhold Gli\u00e8re<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Salomea Krushelnytska<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Shmerke Kaczerginski<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Stefa Turchak<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Taras Shevchenko<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Teresa Arkel<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Ukrainian Folk Music<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">V.A. Levitov<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Valentin Sylvestrov<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Vasily Baryinsky<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Vladimir Khyostin<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Volodymyr Sirenko<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Yevhen Stankovych<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Yuri Mazurok<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Yuriy Mynenko<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Zoya Gaidai<\/a>"],"unlinked":["<span class=\"advgb-post-tax-term\">Albert Krywolt<\/span>","<span class=\"advgb-post-tax-term\">Alexander Kipnis<\/span>","<span class=\"advgb-post-tax-term\">Alexander Orlov<\/span>","<span class=\"advgb-post-tax-term\">Alfredo Catalani<\/span>","<span class=\"advgb-post-tax-term\">Anatoliy Solovyanenko<\/span>","<span class=\"advgb-post-tax-term\">Anatoly Kotcherga<\/span>","<span class=\"advgb-post-tax-term\">Andrij Dobriansky<\/span>","<span class=\"advgb-post-tax-term\">Antin Rudnitsky<\/span>","<span class=\"advgb-post-tax-term\">Arrigo Boito<\/span>","<span class=\"advgb-post-tax-term\">Arthur Bergh<\/span>","<span class=\"advgb-post-tax-term\">Avraham Kook<\/span>","<span class=\"advgb-post-tax-term\">Bela Rudenko<\/span>","<span class=\"advgb-post-tax-term\">Bogdan Lepky<\/span>","<span class=\"advgb-post-tax-term\">Bohdan Wesolovsky<\/span>","<span class=\"advgb-post-tax-term\">Boris Gmyrya<\/span>","<span class=\"advgb-post-tax-term\">Boris Khaikin<\/span>","<span class=\"advgb-post-tax-term\">Boris Lyatoshinsky<\/span>","<span class=\"advgb-post-tax-term\">Carlo Barrera<\/span>","<span class=\"advgb-post-tax-term\">Dmitri Shostakovich<\/span>","<span class=\"advgb-post-tax-term\">Dmitriy Zaghul<\/span>","<span class=\"advgb-post-tax-term\">Dmytro Hnatiuk<\/span>","<span class=\"advgb-post-tax-term\">Elena Ruszkowska<\/span>","<span class=\"advgb-post-tax-term\">Eugenia Miroshnychenko<\/span>","<span class=\"advgb-post-tax-term\">Galina Nikolaneko<\/span>","<span class=\"advgb-post-tax-term\">George Frideric Handel<\/span>","<span class=\"advgb-post-tax-term\">George Tremblay<\/span>","<span class=\"advgb-post-tax-term\">Giuseppe Verdi<\/span>","<span class=\"advgb-post-tax-term\">Ira Malaniuk<\/span>","<span class=\"advgb-post-tax-term\">Ivan Kotlyarevsky<\/span>","<span class=\"advgb-post-tax-term\">Ivan Kozlovsky<\/span>","<span class=\"advgb-post-tax-term\">Jacob Orlov<\/span>","<span class=\"advgb-post-tax-term\">Kyrylo Stetsenko<\/span>","<span class=\"advgb-post-tax-term\">Leonid Glibov<\/span>","<span class=\"advgb-post-tax-term\">Lev Lepky<\/span>","<span class=\"advgb-post-tax-term\">Luthando Qave<\/span>","<span class=\"advgb-post-tax-term\">Lydia Lipkovskaya<\/span>","<span class=\"advgb-post-tax-term\">Lyudmila Alexandrova<\/span>","<span class=\"advgb-post-tax-term\">Maksym Rylsky<\/span>","<span class=\"advgb-post-tax-term\">Maria Sokil<\/span>","<span class=\"advgb-post-tax-term\">Mark Ermler<\/span>","<span class=\"advgb-post-tax-term\">Mark Reizen<\/span>","<span class=\"advgb-post-tax-term\">Matalya Pasichnyk<\/span>","<span class=\"advgb-post-tax-term\">Mikhail Donets<\/span>","<span class=\"advgb-post-tax-term\">Mikhail Dulov<\/span>","<span class=\"advgb-post-tax-term\">Misha Raitzin<\/span>","<span class=\"advgb-post-tax-term\">Modest Menzinsky<\/span>","<span class=\"advgb-post-tax-term\">Modest Tchaikovsky<\/span>","<span class=\"advgb-post-tax-term\">Mykhailo Petrenko<\/span>","<span class=\"advgb-post-tax-term\">Mykola Arkas<\/span>","<span class=\"advgb-post-tax-term\">Mykola Kondratyuk<\/span>","<span class=\"advgb-post-tax-term\">Mykola Leontovych<\/span>","<span class=\"advgb-post-tax-term\">Mykola Lysenko<\/span>","<span class=\"advgb-post-tax-term\">National Choir of Ukraine \u201cDumka\u201d<\/span>","<span class=\"advgb-post-tax-term\">Neeme J\u00e4rvi<\/span>","<span class=\"advgb-post-tax-term\">Nina Matyienko<\/span>","<span class=\"advgb-post-tax-term\">Pavel Muravsky<\/span>","<span class=\"advgb-post-tax-term\">Pavlo Hunka<\/span>","<span class=\"advgb-post-tax-term\">Pyotr Il\u2019yich Tchaikovsky<\/span>","<span class=\"advgb-post-tax-term\">Reinhold Gli\u00e8re<\/span>","<span class=\"advgb-post-tax-term\">Salomea Krushelnytska<\/span>","<span class=\"advgb-post-tax-term\">Shmerke Kaczerginski<\/span>","<span class=\"advgb-post-tax-term\">Stefa Turchak<\/span>","<span class=\"advgb-post-tax-term\">Taras Shevchenko<\/span>","<span class=\"advgb-post-tax-term\">Teresa Arkel<\/span>","<span class=\"advgb-post-tax-term\">Ukrainian Folk Music<\/span>","<span class=\"advgb-post-tax-term\">V.A. Levitov<\/span>","<span class=\"advgb-post-tax-term\">Valentin Sylvestrov<\/span>","<span class=\"advgb-post-tax-term\">Vasily Baryinsky<\/span>","<span class=\"advgb-post-tax-term\">Vladimir Khyostin<\/span>","<span class=\"advgb-post-tax-term\">Volodymyr Sirenko<\/span>","<span class=\"advgb-post-tax-term\">Yevhen Stankovych<\/span>","<span class=\"advgb-post-tax-term\">Yuri Mazurok<\/span>","<span class=\"advgb-post-tax-term\">Yuriy Mynenko<\/span>","<span class=\"advgb-post-tax-term\">Zoya Gaidai<\/span>"]}},"comment_count":"0","relative_dates":{"created":"Posted 4 years ago","modified":"Updated 2 years ago"},"absolute_dates":{"created":"Posted on 25\/03\/2022","modified":"Updated on 16\/02\/2024"},"absolute_dates_time":{"created":"Posted on 25\/03\/2022 21:16","modified":"Updated on 16\/02\/2024 10:47"},"featured_img_caption":"","series_order":"","_links":{"self":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/9313","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/comments?post=9313"}],"version-history":[{"count":8,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/9313\/revisions"}],"predecessor-version":[{"id":13501,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/9313\/revisions\/13501"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/media\/9629"}],"wp:attachment":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/media?parent=9313"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/categories?post=9313"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/tags?post=9313"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}