{"id":9227,"date":"2022-03-03T08:22:37","date_gmt":"2022-03-03T07:22:37","guid":{"rendered":"http:\/\/countermelodypodcast.com\/?p=9227"},"modified":"2025-07-29T10:57:22","modified_gmt":"2025-07-29T08:57:22","slug":"episode-134-legacy","status":"publish","type":"post","link":"https:\/\/countermelodypodcast.com\/index.php\/2022\/03\/03\/episode-134-legacy\/","title":{"rendered":"Episode 134. Legacy"},"content":{"rendered":"<div id=\"mega-menu-wrap-primary\" class=\"mega-menu-wrap\"><div class=\"mega-menu-toggle\"><div class=\"mega-toggle-blocks-left\"><\/div><div class=\"mega-toggle-blocks-center\"><\/div><div class=\"mega-toggle-blocks-right\"><div class='mega-toggle-block mega-menu-toggle-animated-block mega-toggle-block-1' id='mega-toggle-block-1'><button aria-controls=\"mega-menu-primary\" aria-expanded=\"false\" aria-haspopup=\"true\" aria-label=\"Menu\" class=\"mega-toggle-animated mega-toggle-animated-slider\" type=\"button\">\n                  <span class=\"mega-toggle-animated-box\">\n                    <span class=\"mega-toggle-animated-inner\"><\/span>\n                  <\/span>\n                <\/button><\/div><\/div><\/div><ul id=\"mega-menu-primary\" class=\"mega-menu max-mega-menu mega-menu-horizontal mega-no-js\" data-event=\"hover_intent\" data-effect=\"slide\" data-effect-speed=\"200\" data-effect-mobile=\"slide\" data-effect-speed-mobile=\"200\" data-mobile-force-width=\"body\" data-second-click=\"go\" data-document-click=\"collapse\" data-vertical-behaviour=\"standard\" data-breakpoint=\"600\" data-unbind=\"true\" data-mobile-state=\"collapse_all\" data-mobile-direction=\"vertical\"><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-menu-item-home mega-align-bottom-left mega-menu-flyout mega-menu-item-19160\" id=\"mega-menu-item-19160\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/\">Home<\/a><\/li><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-align-bottom-left mega-menu-flyout mega-menu-item-19161\" id=\"mega-menu-item-19161\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/index.php\/about-daniel\/\">About Daniel<\/a><\/li><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-current_page_parent mega-align-bottom-left mega-menu-flyout mega-menu-item-19171\" id=\"mega-menu-item-19171\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/index.php\/all-episodes\/\">All Episodes<\/a><\/li><\/ul><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">Episode 134.  Legacy (Black History Month 2022 Postlude)<\/h2>\n\n\n\n<iframe loading=\"lazy\" width=\"340\" height=\"50\" src=\"https:\/\/countermelody.blubrry.net\/?powerpress_embed=532-podcast&amp;powerpress_player=mediaelement-audio\" title=\"Blubrry Podcast Player\" frameborder=\"0\" scrolling=\"no\"><\/iframe>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p><strong>SOCIAL SHARE<\/strong><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"has-text-align-right\"><strong>SUBSCRIPTION PLATFORM<\/strong><\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<ul class=\"wp-block-social-links has-normal-icon-size is-style-logos-only is-layout-flex wp-block-social-links-is-layout-flex\"><li class=\"wp-social-link wp-social-link-facebook  wp-block-social-link\"><a rel=\"noopener nofollow\" target=\"_blank\" href=\"https:\/\/facebook.com\/sharer\/sharer.php?u=http%3A%2F%2Fcountermelodypodcast.com%2F%3Fp%3D9227&#038;title=Episode%20%5B%5D.%20%5B%5D\" class=\"wp-block-social-link-anchor\"><svg width=\"24\" height=\"24\" viewBox=\"0 0 24 24\" version=\"1.1\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" aria-hidden=\"true\" focusable=\"false\"><path d=\"M12 2C6.5 2 2 6.5 2 12c0 5 3.7 9.1 8.4 9.9v-7H7.9V12h2.5V9.8c0-2.5 1.5-3.9 3.8-3.9 1.1 0 2.2.2 2.2.2v2.5h-1.3c-1.2 0-1.6.8-1.6 1.6V12h2.8l-.4 2.9h-2.3v7C18.3 21.1 22 17 22 12c0-5.5-4.5-10-10-10z\"><\/path><\/svg><span class=\"wp-block-social-link-label screen-reader-text\">Share on Facebook<\/span><\/a><\/li>\n\n<li class=\"wp-social-link wp-social-link-twitter  wp-block-social-link\"><a rel=\"noopener nofollow\" target=\"_blank\" href=\"https:\/\/twitter.com\/share?url=http%3A%2F%2Fcountermelodypodcast.com%2F%3Fp%3D9227&#038;link=Episode%20%5B%5D.%20%5B%5D\" class=\"wp-block-social-link-anchor\"><svg width=\"24\" height=\"24\" viewBox=\"0 0 24 24\" version=\"1.1\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" aria-hidden=\"true\" focusable=\"false\"><path d=\"M22.23,5.924c-0.736,0.326-1.527,0.547-2.357,0.646c0.847-0.508,1.498-1.312,1.804-2.27 c-0.793,0.47-1.671,0.812-2.606,0.996C18.324,4.498,17.257,4,16.077,4c-2.266,0-4.103,1.837-4.103,4.103 c0,0.322,0.036,0.635,0.106,0.935C8.67,8.867,5.647,7.234,3.623,4.751C3.27,5.357,3.067,6.062,3.067,6.814 c0,1.424,0.724,2.679,1.825,3.415c-0.673-0.021-1.305-0.206-1.859-0.513c0,0.017,0,0.034,0,0.052c0,1.988,1.414,3.647,3.292,4.023 c-0.344,0.094-0.707,0.144-1.081,0.144c-0.264,0-0.521-0.026-0.772-0.074c0.522,1.63,2.038,2.816,3.833,2.85 c-1.404,1.1-3.174,1.756-5.096,1.756c-0.331,0-0.658-0.019-0.979-0.057c1.816,1.164,3.973,1.843,6.29,1.843 c7.547,0,11.675-6.252,11.675-11.675c0-0.178-0.004-0.355-0.012-0.531C20.985,7.47,21.68,6.747,22.23,5.924z\"><\/path><\/svg><span class=\"wp-block-social-link-label screen-reader-text\">Share on Twitter<\/span><\/a><\/li>\n\n<li class=\"wp-social-link wp-social-link-pinterest  wp-block-social-link\"><a rel=\"noopener nofollow\" target=\"_blank\" href=\"https:\/\/pinterest.com\/pin\/create\/button\/?url=http%3A%2F%2Fcountermelodypodcast.com%2F%3Fp%3D9227&#038;description=Episode%20%5B%5D.%20%5B%5D\" class=\"wp-block-social-link-anchor\"><svg width=\"24\" height=\"24\" viewBox=\"0 0 24 24\" version=\"1.1\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" aria-hidden=\"true\" focusable=\"false\"><path d=\"M12.289,2C6.617,2,3.606,5.648,3.606,9.622c0,1.846,1.025,4.146,2.666,4.878c0.25,0.111,0.381,0.063,0.439-0.169 c0.044-0.175,0.267-1.029,0.365-1.428c0.032-0.128,0.017-0.237-0.091-0.362C6.445,11.911,6.01,10.75,6.01,9.668 c0-2.777,2.194-5.464,5.933-5.464c3.23,0,5.49,2.108,5.49,5.122c0,3.407-1.794,5.768-4.13,5.768c-1.291,0-2.257-1.021-1.948-2.277 c0.372-1.495,1.089-3.112,1.089-4.191c0-0.967-0.542-1.775-1.663-1.775c-1.319,0-2.379,1.309-2.379,3.059 c0,1.115,0.394,1.869,0.394,1.869s-1.302,5.279-1.54,6.261c-0.405,1.666,0.053,4.368,0.094,4.604 c0.021,0.126,0.167,0.169,0.25,0.063c0.129-0.165,1.699-2.419,2.142-4.051c0.158-0.59,0.817-2.995,0.817-2.995 c0.43,0.784,1.681,1.446,3.013,1.446c3.963,0,6.822-3.494,6.822-7.833C20.394,5.112,16.849,2,12.289,2\"><\/path><\/svg><span class=\"wp-block-social-link-label screen-reader-text\">Share on Pinterest<\/span><\/a><\/li>\n\n<li class=\"wp-social-link wp-social-link-email  wp-block-social-link\"><a rel=\"noopener nofollow\" target=\"_blank\" href=\"mailto:?body=http%3A%2F%2Fcountermelodypodcast.com%2F%3Fp%3D9227&#038;subject=Episode%20%5B%5D.%20%5B%5D\" class=\"wp-block-social-link-anchor\"><svg width=\"24\" height=\"24\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 24 24\"><path d=\"M9 11.8l6.1-4.5c.1.4.4.7.9.7h2c.6 0 1-.4 1-1V5c0-.6-.4-1-1-1h-2c-.6 0-1 .4-1 1v.4l-6.4 4.8c-.2-.1-.4-.2-.6-.2H6c-.6 0-1 .4-1 1v2c0 .6.4 1 1 1h2c.2 0 .4-.1.6-.2l6.4 4.8v.4c0 .6.4 1 1 1h2c.6 0 1-.4 1-1v-2c0-.6-.4-1-1-1h-2c-.5 0-.8.3-.9.7L9 12.2v-.4z\"\/><\/svg><span class=\"wp-block-social-link-label screen-reader-text\">Share via Email<\/span><\/a><\/li>\n\n<li class=\"wp-social-link wp-social-link-reddit  wp-block-social-link\"><a rel=\"noopener nofollow\" target=\"_blank\" href=\"https:\/\/reddit.com\/submit?url=http%3A%2F%2Fcountermelodypodcast.com%2F%3Fp%3D9227&#038;title=Episode%20%5B%5D.%20%5B%5D\" class=\"wp-block-social-link-anchor\"><svg width=\"24\" height=\"24\" viewBox=\"0 0 24 24\" version=\"1.1\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" aria-hidden=\"true\" focusable=\"false\"><path d=\"M5.27 9.221A2.775 2.775 0 0 0 2.498 11.993a2.785 2.785 0 0 0 1.6 2.511 5.337 5.337 0 0 0 2.374 4.11 9.386 9.386 0 0 0 5.539 1.7 9.386 9.386 0 0 0 5.541-1.7 5.331 5.331 0 0 0 2.372-4.114 2.787 2.787 0 0 0 1.583-2.5 2.775 2.775 0 0 0-2.772-2.772 2.742 2.742 0 0 0-1.688.574 9.482 9.482 0 0 0-4.637-1.348v-.008a2.349 2.349 0 0 1 2.011-2.316 1.97 1.97 0 0 0 1.926 1.521 1.98 1.98 0 0 0 1.978-1.978 1.98 1.98 0 0 0-1.978-1.978 1.985 1.985 0 0 0-1.938 1.578 3.183 3.183 0 0 0-2.849 3.172v.011a9.463 9.463 0 0 0-4.59 1.35 2.741 2.741 0 0 0-1.688-.574Zm6.736 9.1a3.162 3.162 0 0 1-2.921-1.944.215.215 0 0 1 .014-.2.219.219 0 0 1 .168-.106 27.327 27.327 0 0 1 2.74-.133 27.357 27.357 0 0 1 2.74.133.219.219 0 0 1 .168.106.215.215 0 0 1 .014.2 3.158 3.158 0 0 1-2.921 1.944Zm3.743-3.157a1.265 1.265 0 0 1-1.4-1.371 1.954 1.954 0 0 1 .482-1.442 1.15 1.15 0 0 1 .842-.379 1.7 1.7 0 0 1 1.49 1.777 1.323 1.323 0 0 1-.325 1.015 1.476 1.476 0 0 1-1.089.4Zm-7.485 0a1.476 1.476 0 0 1-1.086-.4 1.323 1.323 0 0 1-.325-1.016 1.7 1.7 0 0 1 1.49-1.777 1.151 1.151 0 0 1 .843.379 1.951 1.951 0 0 1 .481 1.441 1.276 1.276 0 0 1-1.403 1.373Z\"><\/path><\/svg><span class=\"wp-block-social-link-label screen-reader-text\">Share on Reddit<\/span><\/a><\/li><\/ul>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<div class=\"wp-block-buttons is-horizontal is-content-justification-left is-layout-flex wp-container-core-buttons-is-layout-7e5fce0a wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button alignright\"><a class=\"wp-block-button__link no-border-radius\" href=\"https:\/\/countermelody.blubrry.net\/\">SUBSCRIBE VIA YOUR FAVORITE PODCAST PLATFORM<\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"331\" height=\"500\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Andrson-Singing-Like-Germans.jpg\" alt=\"\" class=\"wp-image-9391\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Andrson-Singing-Like-Germans.jpg 331w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Andrson-Singing-Like-Germans-199x300.jpg 199w\" sizes=\"auto, (max-width: 331px) 100vw, 331px\" \/><\/figure><\/div>\n\n\n\n<div style=\"height:38px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>This is the second part of my final episode of Black History Month 2022, continuing the exploration of the legacies of more than two dozen mostly underrecorded African American artists. Each piece of this aural mosaic fills in gaps in the recorded history of these artists. After opening memorial tributes to Josephine Veasey, Antonietta Stella, and Betty Davis, the episode is broken into several sections: first, recordings of Baroque music by Aubrey Pankey, Carmen Balthrop, Adele Addison, Betty Allen, Seth McCoy, Marvin Hayes, and a rare live recording by Marian Anderson, whose 125th birthday was observed this past week. There follow recordings of concert repertoire sung by Dorothy Maynor, Louise Parker, and Grace de la Cruz, with William Pearson and Julius Eastman leading us briefly into the bizarre world of the extended vocal techniques of the 1960s. There follow recorded performances of art song by Helen Colbert, Rhea Jackson, John Riley, Clamma Dale, Ellabelle Davis, Marvis Martin, and Cynthia Haymon, whereupon the episode concludes with some rare performances of operatic repertoire with Gwendolyn Killebrew, Claudia Lindsey, Dagmar Pr\u016f\u0161ov\u00e1, and Gwendolyn Walters, capped by an exquisite a cappella performance of \u201cA City Called Heaven\u201d by the great Mattiwilda Dobbs.<\/p>\n\n\n\n<div style=\"height:47px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-custom-size\" style=\"font-size:30px\"><strong> RECORDINGS HEARD IN THIS EPISODE<\/strong><\/p>\n\n\n\n<div style=\"height:55px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"496\" height=\"785\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Veasey.jpg\" alt=\"\" class=\"wp-image-9394\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Veasey.jpg 496w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Veasey-190x300.jpg 190w\" sizes=\"auto, (max-width: 496px) 100vw, 496px\" \/><\/figure><\/div>\n\n\n\n<p>Giuseppe Verdi: Liber scriptus (<em>Messa da Requiem<\/em>). Josephine Veasey, Leonard Bernstein, London Symphony Orchestra and Chorus<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"536\" height=\"684\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Stella.jpg\" alt=\"\" class=\"wp-image-9395\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Stella.jpg 536w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Stella-235x300.jpg 235w\" sizes=\"auto, (max-width: 536px) 100vw, 536px\" \/><\/figure><\/div>\n\n\n\n<p>Giuseppe Verdi: Libera me (<em>Messa da Requiem<\/em>). Antonietta Stella, Herbert von Karajan, Wiener Symphoniker, Wiener Singverein [Wien 20.XI.1954]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Betty-Davis-1024x683.jpg\" alt=\"\" class=\"wp-image-9396\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Betty-Davis-1024x683.jpg 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Betty-Davis-300x200.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Betty-Davis-768x512.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Betty-Davis.jpg 1200w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure><\/div>\n\n\n\n<p>Betty Davis: They Say I\u2019m Different. Betty Davis [1974]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"532\" height=\"703\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Aubrey-Pankey.png\" alt=\"\" class=\"wp-image-9397\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Aubrey-Pankey.png 532w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Aubrey-Pankey-227x300.png 227w\" sizes=\"auto, (max-width: 532px) 100vw, 532px\" \/><\/figure><\/div>\n\n\n\n<p>Giulio Caccini, Giovanni Battista Guarini: Amarilli mia bella (<em>Le nuove musiche<\/em>). Aubrey Pankey, Orchestra conducted by Marius Fran\u00e7ois Gaillard [1938]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-2 is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"795\" height=\"1024\" data-id=\"9400\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Balthrop-795x1024.jpg\" alt=\"\" class=\"wp-image-9400\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Balthrop-795x1024.jpg 795w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Balthrop-233x300.jpg 233w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Balthrop-768x990.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Balthrop-1192x1536.jpg 1192w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Balthrop.jpg 1202w\" sizes=\"auto, (max-width: 795px) 100vw, 795px\" \/><figcaption>Carmen Balthrop<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"495\" height=\"728\" data-id=\"9398\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Carolyn-Watkinson.jpg\" alt=\"\" class=\"wp-image-9398\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Carolyn-Watkinson.jpg 495w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Carolyn-Watkinson-204x300.jpg 204w\" sizes=\"auto, (max-width: 495px) 100vw, 495px\" \/><figcaption>Carolyn Watkinson<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"640\" data-id=\"9399\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Alan-Curtis-1024x640.jpg\" alt=\"\" class=\"wp-image-9399\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Alan-Curtis-1024x640.jpg 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Alan-Curtis-300x188.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Alan-Curtis-768x480.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Alan-Curtis.jpg 1280w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption>Alan Curtis<\/figcaption><\/figure>\n<\/figure>\n\n\n\n<p>Claudio Monteverdi, Giovanni Francesco Busenello: Pur ti miro (<em>L\u2019incoronazione di Poppea<\/em>). Carmen Balthrop, Carolyn Watkinson, Alan Curtis, Il Comlesso Barocco [live Venezia 09.1980]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"575\" height=\"682\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Marvin-Hayes.png\" alt=\"\" class=\"wp-image-9401\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Marvin-Hayes.png 575w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Marvin-Hayes-253x300.png 253w\" sizes=\"auto, (max-width: 575px) 100vw, 575px\" \/><\/figure><\/div>\n\n\n\n<p>George Frideric Handel, Thomas Morell: Arm, arm, ye brave (<em>Judas Maccabaeus<\/em>). Marvin Hayes, Maurice Abravanel, Utah Symphony Orchestra [1951]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"500\" height=\"733\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Adele.jpg\" alt=\"\" class=\"wp-image-9402\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Adele.jpg 500w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Adele-205x300.jpg 205w\" sizes=\"auto, (max-width: 500px) 100vw, 500px\" \/><\/figure><\/div>\n\n\n\n<p>George Frideric Handel, Charles Jennens: Rejoice greatly (<em>Messiah<\/em>). Adele Addison, Thompson Stone, The Handel and Haydn Society of Boston, The Zimbler Sinfonietta [1959]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-2 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"471\" height=\"640\" data-id=\"9403\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Addison-Van-Vechten.jpg\" alt=\"\" class=\"wp-image-9403\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Addison-Van-Vechten.jpg 471w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Addison-Van-Vechten-221x300.jpg 221w\" sizes=\"auto, (max-width: 471px) 100vw, 471px\" \/><figcaption>Adele Addison<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"668\" height=\"962\" data-id=\"9404\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Betty-Allen.jpg\" alt=\"\" class=\"wp-image-9404\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Betty-Allen.jpg 668w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Betty-Allen-208x300.jpg 208w\" sizes=\"auto, (max-width: 668px) 100vw, 668px\" \/><figcaption>Betty Allen<\/figcaption><\/figure>\n<\/figure>\n\n\n\n<p>Johann Sebastian Bach, Picander [n\u00e9 Christian Friedrich Henrici], English version by John Troutbeck: Behold, my Savior now is taken [So ist mein Jesus nun gefangen] (<em>Saint Matthew Passion<\/em>, BWV 244\/33). Adele Addison, Betty Allen, Leonard Bernstein, New York Philharmonic, Collegiate Chorale [1963]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"746\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Seth-McCoy-746x1024.jpg\" alt=\"\" class=\"wp-image-9405\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Seth-McCoy-746x1024.jpg 746w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Seth-McCoy-218x300.jpg 218w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Seth-McCoy-768x1055.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Seth-McCoy.jpg 965w\" sizes=\"auto, (max-width: 746px) 100vw, 746px\" \/><\/figure><\/div>\n\n\n\n<p>Johann Sebastian Bach, Picander [n\u00e9 Christian Friedrich Henrici]: Geduld! Wenn mich falsche Zungen stechen! (<em>Matth\u00e4us-Passion<\/em>, BWV 244\/35). Seth McCoy, Johannes Somary, English Chamber Orchestra [1978]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"794\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Anderson-Lincoln-Memorial.jpg\" alt=\"\" class=\"wp-image-9406\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Anderson-Lincoln-Memorial.jpg 794w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Anderson-Lincoln-Memorial-233x300.jpg 233w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Anderson-Lincoln-Memorial-768x990.jpg 768w\" sizes=\"auto, (max-width: 794px) 100vw, 794px\" \/><\/figure><\/div>\n\n\n\n<p>Johann Sebastian Bach, unknown poet: Du Herr, du kr\u00f6nst allein das Jahr (<em>Es wartet alles auf dich<\/em>, BWV 187\/3). Marian Anderson, Robert Bloom, Erich Itor Kahn, Bernard Greenhouse [live, unknown venue and date]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"798\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Maynor-798x1024.jpg\" alt=\"\" class=\"wp-image-9407\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Maynor-798x1024.jpg 798w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Maynor-234x300.jpg 234w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Maynor-768x986.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Maynor.jpg 1047w\" sizes=\"auto, (max-width: 798px) 100vw, 798px\" \/><\/figure><\/div>\n\n\n\n<p>Wolfgang Amadeus Mozart; Alleluia (<em>Exsultate, jubilate<\/em>, KV. 165). Dorothy Maynor, Sylvan Levin, RCA Victor Symphony Orchestra [1942]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"714\" height=\"1004\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Grace-de-la-Cruz.png\" alt=\"\" class=\"wp-image-9408\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Grace-de-la-Cruz.png 714w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Grace-de-la-Cruz-213x300.png 213w\" sizes=\"auto, (max-width: 714px) 100vw, 714px\" \/><\/figure><\/div>\n\n\n\n<p>Anton\u00edn Dvo\u0159\u00e1k: Inflammatus et accensus (<em>Stabat Mater<\/em>, Op. 58). Grace de la Cruz, Hubert Reichert, Westf\u00e4lisches Sinfonieorchester Recklinghausen [1965]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"687\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Louise-Parker-687x1024.jpg\" alt=\"\" class=\"wp-image-9409\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Louise-Parker-687x1024.jpg 687w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Louise-Parker-201x300.jpg 201w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Louise-Parker-768x1144.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Louise-Parker.jpg 945w\" sizes=\"auto, (max-width: 687px) 100vw, 687px\" \/><\/figure><\/div>\n\n\n\n<p>Paul Hindemith, Walt Whitman: Sing on, there in the swamp [Arioso] (<em>When Lilacs Last in the Dooryard Bloom\u2019d: A Requiem for Those We Love<\/em>). Louise Parker, Paul Hindemith, New York Philharmonic [1963]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"768\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/William-Pearson-1024x768.jpg\" alt=\"\" class=\"wp-image-9410\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/William-Pearson-1024x768.jpg 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/William-Pearson-300x225.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/William-Pearson-768x576.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/William-Pearson-1536x1152.jpg 1536w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/William-Pearson-1600x1200.jpg 1600w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/William-Pearson.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure><\/div>\n\n\n\n<p>Hans Werner Henze, Hans Magnus Enzensberger [after Esteban Montoya]: Das Messer (<em>El Cimarr\u00f3n<\/em>). William Pearson; Karlheinz Z\u00f6ller, Leo Brouwer, Stomu Yamash\u2019ta, Hans Werner Henze [1971]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"465\" height=\"465\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Julius-Eastman.jpg\" alt=\"\" class=\"wp-image-9411\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Julius-Eastman.jpg 465w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Julius-Eastman-300x300.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Julius-Eastman-150x150.jpg 150w\" sizes=\"auto, (max-width: 465px) 100vw, 465px\" \/><\/figure><\/div>\n\n\n\n<p>Peter Maxwell Davies, Randolph Stow (after George III): The Sentry [excerpt] (<em>Eight Songs for a Mad King<\/em>). Julius Eastman, Peter Maxwell Davies, The Fires of London [1971]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"560\" height=\"858\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Helen-Colbert.png\" alt=\"\" class=\"wp-image-9412\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Helen-Colbert.png 560w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Helen-Colbert-196x300.png 196w\" sizes=\"auto, (max-width: 560px) 100vw, 560px\" \/><\/figure><\/div>\n\n\n\n<p>Franz Schubert, Franz von Schober: Die Forelle, D. 550. Helen Colbert, Jerzy Lefeld [1956]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"772\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Singers-in-Paris-1955-1-1024x772.jpg\" alt=\"\" class=\"wp-image-9414\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Singers-in-Paris-1955-1-1024x772.jpg 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Singers-in-Paris-1955-1-300x226.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Singers-in-Paris-1955-1-768x579.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Singers-in-Paris-1955-1.jpg 1392w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption>I found this photo on the website of the Detroit Public Library. The figures depicted are identified as follows: Elwood Peterson, tenor; <strong><em>John Riley, baritone<\/em><\/strong>; Howard Swanson, arranger; Vera Little, contralto; <strong><em>Rhea Jackson, soprano<\/em><\/strong>; Marvin Hayes, bass; Andres Wheatley, harpsichordist; Gordon Heath, baritone\/producer; Parmenia Egstrom (on floor), organizer. Ste. Chapelle, June, 1955.<\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Franz Schubert, Johann Wolfgang von Goethe: Heidenr\u00f6slein, D257. Rhea Jackson, Simone Treillard [mid-1950s]<\/p>\n\n\n\n<p>Franz Schubert, Heinrich Heine: Das Fischerm\u00e4dchen, D.957\/10. John Riley, Simone Treillard [mid-1950s]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"424\" height=\"612\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Clamma-Dale.jpg\" alt=\"\" class=\"wp-image-9415\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Clamma-Dale.jpg 424w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Clamma-Dale-208x300.jpg 208w\" sizes=\"auto, (max-width: 424px) 100vw, 424px\" \/><\/figure><\/div>\n\n\n\n<p>Johannes Brahms, traditional folk text adapted by August Heinrich Hoffmann von Fallersleben: Von ewiger Liebe, Op. 43\/1. Clamma Dale, Claude Frank [live 1977]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"850\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Ellabelle-Davis-and-Harp-850x1024.jpg\" alt=\"\" class=\"wp-image-9416\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Ellabelle-Davis-and-Harp-850x1024.jpg 850w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Ellabelle-Davis-and-Harp-249x300.jpg 249w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Ellabelle-Davis-and-Harp-768x926.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Ellabelle-Davis-and-Harp.jpg 1081w\" sizes=\"auto, (max-width: 850px) 100vw, 850px\" \/><\/figure><\/div>\n\n\n\n<p>Alfred Bachelet, Eug\u00e8ne Ad\u00e9nis-Colombeau: Ch\u00e8re nuit. Ellabelle Davis, Kjell Olsson [ca. 1950]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"600\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Young-Marvis.png\" alt=\"\" class=\"wp-image-9417\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Young-Marvis.png 600w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Young-Marvis-300x300.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Young-Marvis-150x150.png 150w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/figure><\/div>\n\n\n\n<p>Traditional Auvergne, arr. Joseph-Marie Canteloube, arr. for chamber orchestra by Jean-Guy Bailly: Ba\u00efl\u00e8ro (<em>Chants d\u2019Auvergne<\/em>, Series I:2). Marvis Martin, Jean-Jacques Kantorow, Orchestre d\u2019Auvergne [1994]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Haymon.jpg\" alt=\"\" class=\"wp-image-9418\" width=\"438\" height=\"539\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Haymon.jpg 331w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Haymon-244x300.jpg 244w\" sizes=\"auto, (max-width: 438px) 100vw, 438px\" \/><\/figure><\/div>\n\n\n\n<p>Harry T. Burleigh, Laurence Hope [n\u00e9e Adela Florence Cory]: Till I Wake (<em>Five Songs of Laurence Hope<\/em>, No. 5). Cynthia Haymon, Warren Jones [1992]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"800\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Dagmar-Prusova-as-Eboli.jpg\" alt=\"\" class=\"wp-image-9426\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Dagmar-Prusova-as-Eboli.jpg 600w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Dagmar-Prusova-as-Eboli-225x300.jpg 225w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><figcaption>Dagmar Pr\u016f\u0161ov\u00e1 as Eboli in <em>Don Carlo<\/em>, Prague National Theatre, 1964<\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Gioacchino Rossini, Cesare Sterbini, unknown Czech translator: Srdce sv\u00e9ho j\u00e1 se [Una voce poco fa] (<em>Il barbiere di Siviglia<\/em>). Dagmar Pr\u016f\u0161ov\u00e1, Bohumil Gregor, Orchestr N\u00e1rodn\u00edho divadla v Praze [Prague National Theatre Orchestra] [1964]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"533\" height=\"666\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Claudia-Lindsey.jpg\" alt=\"\" class=\"wp-image-9419\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Claudia-Lindsey.jpg 533w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Claudia-Lindsey-240x300.jpg 240w\" sizes=\"auto, (max-width: 533px) 100vw, 533px\" \/><\/figure><\/div>\n\n\n\n<p>Frederick Delius, original libretto by C.F. Keary, revised and adapted by Douglas Craig and Andrew Page: My lord Koanga, dead (<em>Koanga<\/em>). Claudia Lindsey, Charles Groves, London Symphony Orchestra [live London, 19.V.1972]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"805\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Killebrew-805x1024.jpg\" alt=\"\" class=\"wp-image-9420\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Killebrew-805x1024.jpg 805w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Killebrew-236x300.jpg 236w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Killebrew-768x977.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Killebrew.jpg 1045w\" sizes=\"auto, (max-width: 805px) 100vw, 805px\" \/><\/figure><\/div>\n\n\n\n<p>Hector Berlioz, after William Shakespeare: Il m\u2019en souvient (<em>B\u00e9atrice et B\u00e9n\u00e9dict<\/em>). Gwendolyn Killebrew, Seiji Ozawa, Boston Symphony Orchestra [live 1979 telecast]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"623\" height=\"705\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Gwendolyn-Walters.png\" alt=\"\" class=\"wp-image-9421\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Gwendolyn-Walters.png 623w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Gwendolyn-Walters-265x300.png 265w\" sizes=\"auto, (max-width: 623px) 100vw, 623px\" \/><\/figure><\/div>\n\n\n\n<p>Christoph Willibald Gluck, Fran\u00e7ois Gand Leblanc du Roullet [after Jean Baptiste Racine]: H\u00e9las! mon coeur sensible et tendre (<em>Iphig\u00e9nie en Aulide<\/em>). Gwendolyn Walters, Peter Maag, Orchestr N\u00e1rodn\u00edho divadla v Praze [Prague National Theatre Orchestra] [1966]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"778\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Dobbs-1024x778.jpg\" alt=\"\" class=\"wp-image-9422\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Dobbs-1024x778.jpg 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Dobbs-300x228.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Dobbs-768x584.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Dobbs.jpg 1484w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure><\/div>\n\n\n\n<p>Traditional Spiritual: A City Called Heaven. Mattiwilda Dobbs [1970]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Episode 134. Legacy (Black History Month 2022 Postlude) SOCIAL SHARE SUBSCRIPTION PLATFORM This is the second part of my final&hellip;<\/p>\n","protected":false},"author":1,"featured_media":9392,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"advgb_blocks_editor_width":"","advgb_blocks_columns_visual_guide":"","footnotes":""},"categories":[420,1626,1075,3207,1701,5823,3132,3273,2261,1625,2398,2399,1072,8033,1263,2260,808,2329,3272,2806],"tags":[1055,3247,60,3843,2188,3274,3832,3817,2275,2265,3844,527,3245,3847,2534,3851,153,3831,3830,3819,3822,3820,338,3856,2717,3828,3493,3838,3827,101,1228,2661,280,114,3845,207,1056,2266,3816,3852,2720,1347,310,1197,3836,1242,3840,115,3815,3818,3826,3823,3837,298,1137,863,3833,3825,3841,3849,3855,3829,2660,2786,3821,972,3839,342,3846,3850,3824,1281,1753,2047,3842,3624,2394,3028,3854,3835,2279,2464,2262,3834,430,3848,3853,2466,3094,2719,2600,34],"class_list":["post-9227","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-african-american-opera-singers","category-african-american-singers","category-art-song","category-behind-the-iron-curtain","category-bel-canto","category-forgotten-divas","category-franz-schubert","category-french-opera","category-full-figured-baroque","category-gay-pride","category-giuseppe-verdi","category-great-baritones","category-in-memoriam","category-johann-sebastian-bach","category-mezzo-madness","category-music-for-a-world-in-crisis","category-needle-drop","category-opera-in-translation","category-singers-of-color","category-twentieth-century-music","tag-adele-addison","tag-alan-curtis","tag-alfred-bachelet","tag-antonietta-stella","tag-antonin-dvorak","tag-aubrey-pankey","tag-august-heinrich-hoffmann-von-fallersleben","tag-beatrice-et-benedict","tag-bernard-greenhouse","tag-betty-allen","tag-betty-davis","tag-bohumil-gregor","tag-carmen-balthrop","tag-carolyn-watkinson","tag-charles-groves","tag-charles-jennens","tag-christoph-willibald-gluck","tag-clamma-dale","tag-claude-frank","tag-claudia-lindsey","tag-cynthia-haymon","tag-dagmar-prusova","tag-dorothy-maynor","tag-eight-songs-for-a-mad-king","tag-el-cimarron-henze","tag-ellabelle-davis","tag-erich-itor-kahn","tag-esteban-montoya","tag-eugene-adenis-colombeau","tag-franz-schubert","tag-franz-von-schober","tag-frederick-delius","tag-george-frideric-handel","tag-gioacchino-rossini","tag-giulio-caccini","tag-giuseppe-verdi","tag-grace-de-la-cruz","tag-gwendolyn-killebrew","tag-gwendolyn-walters","tag-handel-and-haydn-society","tag-hans-werner-henze","tag-harry-t-burleigh","tag-hector-berlioz","tag-heinrich-heine","tag-helen-colbert","tag-herbert-von-karajan","tag-hubert-reichert","tag-il-barbiere-di-siviglia","tag-iphigenie-en-aulide","tag-jean-baptiste-racine","tag-jean-guy-bailly","tag-jean-jacques-kantorow","tag-jerzy-lefeld","tag-johann-sebastian-bach","tag-johann-wolfgang-von-goethe","tag-johannes-brahms","tag-john-reilly","tag-joseph-marie-canteloube","tag-josephine-veasey","tag-judas-maccabaeus-handel","tag-julius-eastman","tag-kjell-olsson","tag-koanga-delius","tag-lincoronazione-di-poppea-2","tag-laurence-hope","tag-leonard-bernstein","tag-louise-parker","tag-marian-anderson","tag-marius-francois-gaillard","tag-marvin-hayes","tag-marvis-martin","tag-matthaus-passion","tag-mattiwilda-dobbs","tag-maurice-abravanel","tag-messa-da-requiem-verdi","tag-messiah-handel","tag-paul-hindemith","tag-peter-maag","tag-peter-maxwell-davies","tag-rhea-jackson","tag-robert-bloom","tag-seiji-ozawa","tag-seth-mccoy","tag-simone-treillard","tag-spirituals","tag-thomas-morell","tag-thompson-stone","tag-walt-whitman","tag-warren-jones","tag-william-pearson","tag-william-shakespeare","tag-wolfgang-amadeus-mozart"],"author_meta":{"display_name":"admin","author_link":"https:\/\/countermelodypodcast.com\/index.php\/author\/admin\/"},"featured_img":"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/03\/Betty-Elegant-TRIMMED-300x156.jpg","coauthors":[],"tax_additional":{"categories":{"linked":["<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/african-american-opera-singers\/\" class=\"advgb-post-tax-term\">African American Opera Singers<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/african-american-singers\/\" class=\"advgb-post-tax-term\">African American Singers<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/art-song\/\" class=\"advgb-post-tax-term\">Art Song<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/behind-the-iron-curtain\/\" class=\"advgb-post-tax-term\">Behind the Iron Curtain<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/bel-canto\/\" class=\"advgb-post-tax-term\">Bel Canto<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/forgotten-divas\/\" class=\"advgb-post-tax-term\">Forgotten Divas<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/franz-schubert\/\" class=\"advgb-post-tax-term\">Franz Schubert<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/french-opera\/\" class=\"advgb-post-tax-term\">French Opera<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/full-figured-baroque\/\" class=\"advgb-post-tax-term\">Full-Figured Baroque<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/gay-pride\/\" class=\"advgb-post-tax-term\">Gay Pride<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/giuseppe-verdi\/\" class=\"advgb-post-tax-term\">Giuseppe Verdi<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/great-baritones\/\" class=\"advgb-post-tax-term\">Great Baritones<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/in-memoriam\/\" class=\"advgb-post-tax-term\">In Memoriam<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/johann-sebastian-bach\/\" class=\"advgb-post-tax-term\">Johann Sebastian Bach<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/mezzo-madness\/\" class=\"advgb-post-tax-term\">Mezzo Madness<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/music-for-a-world-in-crisis\/\" class=\"advgb-post-tax-term\">Music for a World in Crisis<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Needle Drop<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/opera-in-translation\/\" class=\"advgb-post-tax-term\">Opera in Translation<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/singers-of-color\/\" class=\"advgb-post-tax-term\">Singers of Color<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Twentieth Century Music<\/a>"],"unlinked":["<span class=\"advgb-post-tax-term\">African American Opera Singers<\/span>","<span class=\"advgb-post-tax-term\">African American Singers<\/span>","<span class=\"advgb-post-tax-term\">Art Song<\/span>","<span class=\"advgb-post-tax-term\">Behind the Iron Curtain<\/span>","<span class=\"advgb-post-tax-term\">Bel Canto<\/span>","<span class=\"advgb-post-tax-term\">Forgotten Divas<\/span>","<span class=\"advgb-post-tax-term\">Franz Schubert<\/span>","<span class=\"advgb-post-tax-term\">French Opera<\/span>","<span class=\"advgb-post-tax-term\">Full-Figured Baroque<\/span>","<span class=\"advgb-post-tax-term\">Gay Pride<\/span>","<span class=\"advgb-post-tax-term\">Giuseppe Verdi<\/span>","<span class=\"advgb-post-tax-term\">Great Baritones<\/span>","<span class=\"advgb-post-tax-term\">In Memoriam<\/span>","<span class=\"advgb-post-tax-term\">Johann Sebastian Bach<\/span>","<span class=\"advgb-post-tax-term\">Mezzo Madness<\/span>","<span class=\"advgb-post-tax-term\">Music for a World in Crisis<\/span>","<span class=\"advgb-post-tax-term\">Needle Drop<\/span>","<span class=\"advgb-post-tax-term\">Opera in Translation<\/span>","<span class=\"advgb-post-tax-term\">Singers of Color<\/span>","<span class=\"advgb-post-tax-term\">Twentieth Century Music<\/span>"]},"tags":{"linked":["<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Adele Addison<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Alan Curtis<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Alfred Bachelet<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Antonietta Stella<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Anton\u00edn Dvo\u0159\u00e1k<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Aubrey Pankey<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">August Heinrich Hoffmann von Fallersleben<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">B\u00e9atrice et B\u00e9n\u00e9dict<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Bernard Greenhouse<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Betty Allen<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Betty Davis<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Bohumil Gregor<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Carmen Balthrop<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Carolyn Watkinson<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Charles Groves<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Charles Jennens<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Christoph Willibald Gluck<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Clamma Dale<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Claude Frank<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Claudia Lindsey<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Cynthia Haymon<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Dagmar Pr\u016f\u0161ov\u00e1<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Dorothy Maynor<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Eight Songs for a Mad King<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">El Cimarr\u00f3n (Henze)<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Ellabelle Davis<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Erich Itor Kahn<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Esteban Montoya<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Eug\u00e8ne Ad\u00e9nis-Colombeau<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Franz Schubert<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Franz von Schober<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Frederick Delius<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">George Frideric Handel<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Gioacchino Rossini<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Giulio Caccini<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Giuseppe Verdi<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Grace de la Cruz<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Gwendolyn Killebrew<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Gwendolyn Walters<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Handel and Haydn Society<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Hans Werner Henze<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Harry T. Burleigh<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Hector Berlioz<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Heinrich Heine<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Helen Colbert<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Herbert von Karajan<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Hubert Reichert<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Il barbiere di Siviglia<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Iphig\u00e9nie en Aulide<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Jean Baptiste Racine<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Jean-Guy Bailly<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Jean-Jacques Kantorow<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Jerzy Lefeld<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Johann Sebastian Bach<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Johann Wolfgang von Goethe<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Johannes Brahms<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">John Reilly<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Joseph-Marie Canteloube<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Josephine Veasey<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Judas Maccabaeus (Handel)<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Julius Eastman<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Kjell Olsson<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Koanga (Delius)<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">L\u2019incoronazione di Poppea<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Laurence Hope<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Leonard Bernstein<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Louise Parker<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Marian Anderson<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Marius Fran\u00e7ois Gaillard<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Marvin Hayes<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Marvis Martin<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Matth\u00e4us-Passion<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Mattiwilda Dobbs<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Maurice Abravanel<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Messa da Requiem (Verdi)<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Messiah (Handel)<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Paul Hindemith<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Peter Maag<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Peter Maxwell Davies<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Rhea Jackson<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Robert Bloom<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Seiji Ozawa<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Seth McCoy<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Simone Treillard<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Spirituals<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Thomas Morell<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Thompson Stone<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Walt Whitman<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Warren Jones<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">William Pearson<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">William Shakespeare<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Wolfgang Amadeus Mozart<\/a>"],"unlinked":["<span class=\"advgb-post-tax-term\">Adele Addison<\/span>","<span class=\"advgb-post-tax-term\">Alan Curtis<\/span>","<span class=\"advgb-post-tax-term\">Alfred Bachelet<\/span>","<span class=\"advgb-post-tax-term\">Antonietta Stella<\/span>","<span class=\"advgb-post-tax-term\">Anton\u00edn Dvo\u0159\u00e1k<\/span>","<span class=\"advgb-post-tax-term\">Aubrey Pankey<\/span>","<span class=\"advgb-post-tax-term\">August Heinrich Hoffmann von Fallersleben<\/span>","<span class=\"advgb-post-tax-term\">B\u00e9atrice et B\u00e9n\u00e9dict<\/span>","<span class=\"advgb-post-tax-term\">Bernard Greenhouse<\/span>","<span class=\"advgb-post-tax-term\">Betty Allen<\/span>","<span class=\"advgb-post-tax-term\">Betty Davis<\/span>","<span class=\"advgb-post-tax-term\">Bohumil Gregor<\/span>","<span class=\"advgb-post-tax-term\">Carmen Balthrop<\/span>","<span class=\"advgb-post-tax-term\">Carolyn Watkinson<\/span>","<span class=\"advgb-post-tax-term\">Charles Groves<\/span>","<span class=\"advgb-post-tax-term\">Charles Jennens<\/span>","<span class=\"advgb-post-tax-term\">Christoph Willibald Gluck<\/span>","<span class=\"advgb-post-tax-term\">Clamma Dale<\/span>","<span class=\"advgb-post-tax-term\">Claude Frank<\/span>","<span class=\"advgb-post-tax-term\">Claudia Lindsey<\/span>","<span class=\"advgb-post-tax-term\">Cynthia Haymon<\/span>","<span class=\"advgb-post-tax-term\">Dagmar Pr\u016f\u0161ov\u00e1<\/span>","<span class=\"advgb-post-tax-term\">Dorothy Maynor<\/span>","<span class=\"advgb-post-tax-term\">Eight Songs for a Mad King<\/span>","<span class=\"advgb-post-tax-term\">El Cimarr\u00f3n (Henze)<\/span>","<span class=\"advgb-post-tax-term\">Ellabelle Davis<\/span>","<span class=\"advgb-post-tax-term\">Erich Itor Kahn<\/span>","<span class=\"advgb-post-tax-term\">Esteban Montoya<\/span>","<span class=\"advgb-post-tax-term\">Eug\u00e8ne Ad\u00e9nis-Colombeau<\/span>","<span class=\"advgb-post-tax-term\">Franz Schubert<\/span>","<span class=\"advgb-post-tax-term\">Franz von Schober<\/span>","<span class=\"advgb-post-tax-term\">Frederick Delius<\/span>","<span class=\"advgb-post-tax-term\">George Frideric Handel<\/span>","<span class=\"advgb-post-tax-term\">Gioacchino Rossini<\/span>","<span class=\"advgb-post-tax-term\">Giulio Caccini<\/span>","<span class=\"advgb-post-tax-term\">Giuseppe Verdi<\/span>","<span class=\"advgb-post-tax-term\">Grace de la Cruz<\/span>","<span class=\"advgb-post-tax-term\">Gwendolyn Killebrew<\/span>","<span class=\"advgb-post-tax-term\">Gwendolyn Walters<\/span>","<span class=\"advgb-post-tax-term\">Handel and Haydn Society<\/span>","<span class=\"advgb-post-tax-term\">Hans Werner Henze<\/span>","<span class=\"advgb-post-tax-term\">Harry T. Burleigh<\/span>","<span class=\"advgb-post-tax-term\">Hector Berlioz<\/span>","<span class=\"advgb-post-tax-term\">Heinrich Heine<\/span>","<span class=\"advgb-post-tax-term\">Helen Colbert<\/span>","<span class=\"advgb-post-tax-term\">Herbert von Karajan<\/span>","<span class=\"advgb-post-tax-term\">Hubert Reichert<\/span>","<span class=\"advgb-post-tax-term\">Il barbiere di Siviglia<\/span>","<span class=\"advgb-post-tax-term\">Iphig\u00e9nie en Aulide<\/span>","<span class=\"advgb-post-tax-term\">Jean Baptiste Racine<\/span>","<span class=\"advgb-post-tax-term\">Jean-Guy Bailly<\/span>","<span class=\"advgb-post-tax-term\">Jean-Jacques Kantorow<\/span>","<span class=\"advgb-post-tax-term\">Jerzy Lefeld<\/span>","<span class=\"advgb-post-tax-term\">Johann Sebastian Bach<\/span>","<span class=\"advgb-post-tax-term\">Johann Wolfgang von Goethe<\/span>","<span class=\"advgb-post-tax-term\">Johannes Brahms<\/span>","<span class=\"advgb-post-tax-term\">John Reilly<\/span>","<span class=\"advgb-post-tax-term\">Joseph-Marie Canteloube<\/span>","<span class=\"advgb-post-tax-term\">Josephine Veasey<\/span>","<span class=\"advgb-post-tax-term\">Judas Maccabaeus (Handel)<\/span>","<span class=\"advgb-post-tax-term\">Julius Eastman<\/span>","<span class=\"advgb-post-tax-term\">Kjell Olsson<\/span>","<span class=\"advgb-post-tax-term\">Koanga (Delius)<\/span>","<span class=\"advgb-post-tax-term\">L\u2019incoronazione di Poppea<\/span>","<span class=\"advgb-post-tax-term\">Laurence Hope<\/span>","<span class=\"advgb-post-tax-term\">Leonard Bernstein<\/span>","<span class=\"advgb-post-tax-term\">Louise Parker<\/span>","<span class=\"advgb-post-tax-term\">Marian Anderson<\/span>","<span class=\"advgb-post-tax-term\">Marius Fran\u00e7ois Gaillard<\/span>","<span class=\"advgb-post-tax-term\">Marvin Hayes<\/span>","<span class=\"advgb-post-tax-term\">Marvis Martin<\/span>","<span class=\"advgb-post-tax-term\">Matth\u00e4us-Passion<\/span>","<span class=\"advgb-post-tax-term\">Mattiwilda Dobbs<\/span>","<span class=\"advgb-post-tax-term\">Maurice Abravanel<\/span>","<span class=\"advgb-post-tax-term\">Messa da Requiem (Verdi)<\/span>","<span class=\"advgb-post-tax-term\">Messiah (Handel)<\/span>","<span class=\"advgb-post-tax-term\">Paul Hindemith<\/span>","<span class=\"advgb-post-tax-term\">Peter Maag<\/span>","<span class=\"advgb-post-tax-term\">Peter Maxwell Davies<\/span>","<span class=\"advgb-post-tax-term\">Rhea Jackson<\/span>","<span class=\"advgb-post-tax-term\">Robert Bloom<\/span>","<span class=\"advgb-post-tax-term\">Seiji Ozawa<\/span>","<span class=\"advgb-post-tax-term\">Seth McCoy<\/span>","<span class=\"advgb-post-tax-term\">Simone Treillard<\/span>","<span class=\"advgb-post-tax-term\">Spirituals<\/span>","<span class=\"advgb-post-tax-term\">Thomas Morell<\/span>","<span class=\"advgb-post-tax-term\">Thompson Stone<\/span>","<span class=\"advgb-post-tax-term\">Walt Whitman<\/span>","<span class=\"advgb-post-tax-term\">Warren Jones<\/span>","<span class=\"advgb-post-tax-term\">William Pearson<\/span>","<span class=\"advgb-post-tax-term\">William Shakespeare<\/span>","<span class=\"advgb-post-tax-term\">Wolfgang Amadeus Mozart<\/span>"]}},"comment_count":"0","relative_dates":{"created":"Posted 4 years ago","modified":"Updated 9 months ago"},"absolute_dates":{"created":"Posted on 03\/03\/2022","modified":"Updated on 29\/07\/2025"},"absolute_dates_time":{"created":"Posted on 03\/03\/2022 08:22","modified":"Updated on 29\/07\/2025 10:57"},"featured_img_caption":"","series_order":"","_links":{"self":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/9227","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/comments?post=9227"}],"version-history":[{"count":7,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/9227\/revisions"}],"predecessor-version":[{"id":9428,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/9227\/revisions\/9428"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/media\/9392"}],"wp:attachment":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/media?parent=9227"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/categories?post=9227"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/tags?post=9227"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}