{"id":8751,"date":"2022-01-06T18:32:23","date_gmt":"2022-01-06T17:32:23","guid":{"rendered":"http:\/\/countermelodypodcast.com\/?p=8751"},"modified":"2025-07-29T10:57:51","modified_gmt":"2025-07-29T08:57:51","slug":"episode-123-lois-marshall","status":"publish","type":"post","link":"https:\/\/countermelodypodcast.com\/index.php\/2022\/01\/06\/episode-123-lois-marshall\/","title":{"rendered":"Episode 123. Lois Marshall"},"content":{"rendered":"<div id=\"mega-menu-wrap-primary\" class=\"mega-menu-wrap\"><div class=\"mega-menu-toggle\"><div class=\"mega-toggle-blocks-left\"><\/div><div class=\"mega-toggle-blocks-center\"><\/div><div class=\"mega-toggle-blocks-right\"><div class='mega-toggle-block mega-menu-toggle-animated-block mega-toggle-block-1' id='mega-toggle-block-1'><button aria-label=\"Menu\" class=\"mega-toggle-animated mega-toggle-animated-slider\" type=\"button\" aria-haspopup=\"true\" aria-expanded=\"false\" aria-controls=\"mega-menu-primary\">\n                  <span class=\"mega-toggle-animated-box\">\n                    <span class=\"mega-toggle-animated-inner\"><\/span>\n                  <\/span>\n                <\/button><\/div><\/div><\/div><ul id=\"mega-menu-primary\" class=\"mega-menu max-mega-menu mega-menu-horizontal mega-no-js\" data-event=\"hover_intent\" data-effect=\"slide\" data-effect-speed=\"200\" data-effect-mobile=\"slide\" data-effect-speed-mobile=\"200\" data-mobile-force-width=\"body\" data-second-click=\"go\" data-document-click=\"collapse\" data-vertical-behaviour=\"standard\" data-breakpoint=\"600\" data-unbind=\"true\" data-mobile-state=\"collapse_all\" data-mobile-direction=\"vertical\" data-hover-intent-timeout=\"300\" data-hover-intent-interval=\"100\"><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-menu-item-home mega-align-bottom-left mega-menu-flyout mega-menu-item-19160\" id=\"mega-menu-item-19160\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/\">Home<\/a><\/li><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-align-bottom-left mega-menu-flyout mega-menu-item-19161\" id=\"mega-menu-item-19161\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/index.php\/about-daniel\/\">About Daniel<\/a><\/li><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-current_page_parent mega-align-bottom-left mega-menu-flyout mega-menu-item-19171\" id=\"mega-menu-item-19171\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/index.php\/all-episodes\/\">All Episodes<\/a><\/li><\/ul><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">Episode 123.  Lois Marshall (Great Canadian Singers)<\/h2>\n\n\n\n<iframe loading=\"lazy\" width=\"340\" height=\"50\" src=\"https:\/\/countermelody.blubrry.net\/?powerpress_embed=482-podcast&amp;powerpress_player=mediaelement-audio\" title=\"Blubrry Podcast Player\" frameborder=\"0\" scrolling=\"no\"><\/iframe>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p><strong>SOCIAL SHARE<\/strong><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"has-text-align-right\"><strong>SUBSCRIPTION PLATFORM<\/strong><\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<ul class=\"wp-block-social-links 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5.331 5.331 0 0 0 2.372-4.114 2.787 2.787 0 0 0 1.583-2.5 2.775 2.775 0 0 0-2.772-2.772 2.742 2.742 0 0 0-1.688.574 9.482 9.482 0 0 0-4.637-1.348v-.008a2.349 2.349 0 0 1 2.011-2.316 1.97 1.97 0 0 0 1.926 1.521 1.98 1.98 0 0 0 1.978-1.978 1.98 1.98 0 0 0-1.978-1.978 1.985 1.985 0 0 0-1.938 1.578 3.183 3.183 0 0 0-2.849 3.172v.011a9.463 9.463 0 0 0-4.59 1.35 2.741 2.741 0 0 0-1.688-.574Zm6.736 9.1a3.162 3.162 0 0 1-2.921-1.944.215.215 0 0 1 .014-.2.219.219 0 0 1 .168-.106 27.327 27.327 0 0 1 2.74-.133 27.357 27.357 0 0 1 2.74.133.219.219 0 0 1 .168.106.215.215 0 0 1 .014.2 3.158 3.158 0 0 1-2.921 1.944Zm3.743-3.157a1.265 1.265 0 0 1-1.4-1.371 1.954 1.954 0 0 1 .482-1.442 1.15 1.15 0 0 1 .842-.379 1.7 1.7 0 0 1 1.49 1.777 1.323 1.323 0 0 1-.325 1.015 1.476 1.476 0 0 1-1.089.4Zm-7.485 0a1.476 1.476 0 0 1-1.086-.4 1.323 1.323 0 0 1-.325-1.016 1.7 1.7 0 0 1 1.49-1.777 1.151 1.151 0 0 1 .843.379 1.951 1.951 0 0 1 .481 1.441 1.276 1.276 0 0 1-1.403 1.373Z\"><\/path><\/svg><span class=\"wp-block-social-link-label screen-reader-text\">Share on Reddit<\/span><\/a><\/li><\/ul>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<div class=\"wp-block-buttons is-content-justification-left is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button alignright\"><a class=\"wp-block-button__link no-border-radius\" href=\"https:\/\/countermelody.blubrry.net\/\">SUBSCRIBE VIA YOUR FAVORITE PODCAST PLATFORM<\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"800\" height=\"600\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/01\/Lois-Marshall.jpg\" alt=\"\" class=\"wp-image-8924\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/01\/Lois-Marshall.jpg 800w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/01\/Lois-Marshall-300x225.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/01\/Lois-Marshall-768x576.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><\/figure><\/div>\n\n\n\n<div style=\"height:38px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Today is my first episode of the New Year, and the first in my three-part series this month on Great Canadian Singers. It is my contention that my first subject, Lois Marshall (1925-1997), is one of the greatest artists of the twentieth century. If you haven\u2019t heard of her (which is entirely possible, given the vagaries of posthumous fame and reputation), you are in for an enormous treat. Possessed of a rare musical scrupulousness, an interpretive honestly, directness, and integrity, as well as a finely-honed dramatic sensibility, Lois Marshall, in a better world, would have graced the world\u2019s operatic stages. Alas, she was stricken with polio as a child, and though she managed to gain the ability to walk, staged opera was a genre which she only rarely attempted. Yet she worked with the world\u2019s greatest conductors, among them Toscanini, Stokowski, and Beecham, and was a recitalist celebrated the world over. This episode offers an extended yet partial glimpse of the range and variety of her artistry, and includes recordings of arias by both Purcell and Puccini (the title role of <em>Turandot<\/em>!), Bach and Beethoven, as well as a dazzling array of recital repertoire from Debussy to folk song arrangements. Fellow Canadians Maureen Forrester and Glenn Gould are also featured. In my opinion, this artist is ripe for rediscovery, and I hope that you will join me on this extraordinary journey into the life and career of Lois Marshall.<\/p>\n\n\n\n<div style=\"height:47px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-custom-size\" style=\"font-size:30px\"><strong> RECORDINGS HEARD IN THIS EPISODE<\/strong><\/p>\n\n\n\n<div style=\"height:55px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"648\" height=\"364\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/01\/Bumbry-in-Crowned-Helmet.jpg\" alt=\"\" class=\"wp-image-8931\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/01\/Bumbry-in-Crowned-Helmet.jpg 648w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/01\/Bumbry-in-Crowned-Helmet-300x169.jpg 300w\" sizes=\"auto, (max-width: 648px) 100vw, 648px\" \/><\/figure><\/div>\n\n\n\n<p>Richard Wagner: Geliebter, komm! (<em>Tannh\u00e4user<\/em>). Grace Bumbry, Wolfgang Sawallisch, Orchester und Chor der Bayreuther Festspiele [live Bayreuth 23.07.61]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"461\" height=\"600\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/01\/Big-Headshot.jpg\" alt=\"\" class=\"wp-image-8960\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/01\/Big-Headshot.jpg 461w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/01\/Big-Headshot-231x300.jpg 231w\" sizes=\"auto, (max-width: 461px) 100vw, 461px\" \/><\/figure><\/div>\n\n\n\n<p>Traditional Scottish, arr. Malcolm Lawson: Loch Lomond. Lois Marshall, Weldon Kilburn [1959]<\/p>\n\n\n\n<p>Robert Burns: A Red, Red, Rose. Lois Marshall [date unknown]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"600\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/01\/AlbumArtSmall-Copy.jpg\" alt=\"\" class=\"wp-image-8934\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/01\/AlbumArtSmall-Copy.jpg 600w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/01\/AlbumArtSmall-Copy-300x300.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/01\/AlbumArtSmall-Copy-150x150.jpg 150w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/figure><\/div>\n\n\n\n<p>Henry Purcell, Anonymous librettist, adapted from William Shakespeare: Hark! The Ech\u2019ing Air (<em>The Fairy Queen<\/em>). Lois Marshall, Eduardo Pedrazzoli, London Symphony Orchestra [1959]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"601\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/01\/AlbumArtSmall-Copy-1.jpg\" alt=\"\" class=\"wp-image-8935\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/01\/AlbumArtSmall-Copy-1.jpg 600w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/01\/AlbumArtSmall-Copy-1-300x300.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/01\/AlbumArtSmall-Copy-1-150x150.jpg 150w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/figure><\/div>\n\n\n\n<p>Traditional Scottish, arr. Healey Willan, Robert Burns: Ae Fond Kiss. Lois Marshall, Weldon Kilburn [1959]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"764\" height=\"1016\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/01\/MacMillan-1.jpg\" alt=\"\" class=\"wp-image-8958\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/01\/MacMillan-1.jpg 764w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/01\/MacMillan-1-226x300.jpg 226w\" sizes=\"auto, (max-width: 764px) 100vw, 764px\" \/><figcaption>Ernest MacMillan<\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:11px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Johann Sebastian Bach: Wir beten zu den Tempel an (<em>Jauchzet Gott in allen Lande<\/em>, BWV 51). Lois Marshall, Ernest MacMillan, Toronto Symphony Orchestra [1954]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"515\" height=\"554\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/01\/Bloom.png\" alt=\"\" class=\"wp-image-8947\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/01\/Bloom.png 515w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/01\/Bloom-279x300.png 279w\" sizes=\"auto, (max-width: 515px) 100vw, 515px\" \/><figcaption>Robert Bloom<\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Johann Sebastian Bach: Liebster Jesu, mein Verlangen (Cantata, BWV 32). Lois Marshall, Robert Bloom, Brian Priestman, Bach Aria Group Orchestra [1972]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"407\" height=\"606\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/01\/Screenshot-1192.png\" alt=\"\" class=\"wp-image-8939\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/01\/Screenshot-1192.png 407w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/01\/Screenshot-1192-201x300.png 201w\" sizes=\"auto, (max-width: 407px) 100vw, 407px\" \/><\/figure><\/div>\n\n\n\n<p>George Frideric Handel, John Arbuthnot, et.al. (after John Dryden\u2019s translation of Ovid): As when the dove laments her love (<em>Acis and Galatea<\/em>). Lois Marshall, Eduardo Pedrazolli, London Symphony Orchestra [1959]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"682\" height=\"900\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/01\/Queen.jpg\" alt=\"\" class=\"wp-image-8938\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/01\/Queen.jpg 682w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/01\/Queen-227x300.jpg 227w\" sizes=\"auto, (max-width: 682px) 100vw, 682px\" \/><figcaption>As Queen of the Night (but looking like Turandot!)<\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Giacomo Puccini, Giuseppe Adami, Renato Simoni: In questa reggia (<em>Turandot<\/em>). Lois Marshall, Eduardo Pedrazzoli, London Symphony Orchestra [1959]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/01\/Lois-singing.png\" alt=\"\" class=\"wp-image-8940\" width=\"434\" height=\"599\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/01\/Lois-singing.png 353w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/01\/Lois-singing-217x300.png 217w\" sizes=\"auto, (max-width: 434px) 100vw, 434px\" \/><figcaption>Lois Marshall and Ernest MacMillan<\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Wolfgang Amadeus Mozart, Caterino Mazzol\u00e0 (after Pietro Metastasio): Parto, parto (<em>La clemenza di Tito<\/em>). Lois Marshall, Eduardo Pedrazolli, London Symphony Orchestra [1959]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"415\" height=\"529\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/01\/Screenshot-1189.png\" alt=\"\" class=\"wp-image-8941\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/01\/Screenshot-1189.png 415w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/01\/Screenshot-1189-235x300.png 235w\" sizes=\"auto, (max-width: 415px) 100vw, 415px\" \/><\/figure><\/div>\n\n\n\n<p>Joseph Haydn, Gottfried van Swieten: With verdure clad (<em>The Creation<\/em>). Lois Marshall, Anthony Bernard, London Symphony Orchestra [1957]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"574\" height=\"767\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/01\/Screenshot-1191.png\" alt=\"\" class=\"wp-image-8942\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/01\/Screenshot-1191.png 574w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/01\/Screenshot-1191-225x300.png 225w\" sizes=\"auto, (max-width: 574px) 100vw, 574px\" \/><\/figure><\/div>\n\n\n\n<p>Ludwig Van Beethoven, Pietro Metastasio: Ah, Perfido!, Op. 65. Lois Marshall, Eduard Grikurov, Leningrad Philharmonic Orchestra [1962]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"722\" height=\"488\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/01\/At-premiere-of-Anne-Frank-piece.png\" alt=\"\" class=\"wp-image-8943\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/01\/At-premiere-of-Anne-Frank-piece.png 722w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/01\/At-premiere-of-Anne-Frank-piece-300x203.png 300w\" sizes=\"auto, (max-width: 722px) 100vw, 722px\" \/><figcaption>After premiere of <em>From the Diary of Anne Frank<\/em><\/figcaption><\/figure>\n\n\n\n<div style=\"height:11px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Oskar Morawetz, Anne Frank: I have not thought about her for months (<em>From the Diary of Anne Frank<\/em>). Lois Marshall, Lawrence Leonard, Toronto Symphony Orchestra [1970]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"481\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/01\/Randy-Forrester-1024x481.png\" alt=\"\" class=\"wp-image-8944\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/01\/Randy-Forrester-1024x481.png 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/01\/Randy-Forrester-300x141.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/01\/Randy-Forrester-768x361.png 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/01\/Randy-Forrester.png 1275w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption>Maureen Forrester<\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Traditional British, arr. Welford Russell. Flow Gently, Sweet Afton. Lois Marshall, Maureen Forrester, Yehudi Wyner [live 1974]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"750\" height=\"764\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/01\/Marshall-and-Kilburn.jpeg\" alt=\"\" class=\"wp-image-8945\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/01\/Marshall-and-Kilburn.jpeg 750w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/01\/Marshall-and-Kilburn-295x300.jpeg 295w\" sizes=\"auto, (max-width: 750px) 100vw, 750px\" \/><figcaption>Lois Marshall and Weldon Kilburn<\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Traditional British, collected and arranged Cecil J. Sharp: Oh, No, John. Lois Marshall, Weldon Kilburn [1958]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"794\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/01\/Judy-Loman-794x1024.jpg\" alt=\"\" class=\"wp-image-8946\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/01\/Judy-Loman-794x1024.jpg 794w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/01\/Judy-Loman-233x300.jpg 233w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/01\/Judy-Loman-768x990.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/01\/Judy-Loman-1191x1536.jpg 1191w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/01\/Judy-Loman.jpg 1588w\" sizes=\"auto, (max-width: 794px) 100vw, 794px\" \/><figcaption>Judy Loman<\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:11px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Traditional Irish, arr. Benjamin Britten, Thomas Moore: The Last Rose of Summer. Lois Marshall, Judy Loman [1976]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"367\" height=\"512\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/01\/George.png\" alt=\"\" class=\"wp-image-8948\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/01\/George.png 367w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/01\/George-215x300.png 215w\" sizes=\"auto, (max-width: 367px) 100vw, 367px\" \/><figcaption>George van Renesse<\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:14px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Gustav Mahler, traditional folk text collected by Achim von Arnim, Clemens Brentano: Rheinenlegendchen (<em>Des Knaben Wunderhorn<\/em>). Lois Marshall, George van Renesse [live Netherlands 1956]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/01\/Lois-Headshot.jpg\" alt=\"\" class=\"wp-image-8949\" width=\"360\" height=\"461\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/01\/Lois-Headshot.jpg 281w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/01\/Lois-Headshot-234x300.jpg 234w\" sizes=\"auto, (max-width: 360px) 100vw, 360px\" \/><\/figure><\/div>\n\n\n\n<p>Claude Debussy, Pierre Lou\u00ffs: Le tombeau des na\u00efades (<em>Trois<\/em> <em>Chansons de Bilitis<\/em>, L.97\/3). Lois Marshall, Weldon Kilburn [1968]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"474\" height=\"489\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/01\/Screenshot-1185.png\" alt=\"\" class=\"wp-image-8950\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/01\/Screenshot-1185.png 474w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/01\/Screenshot-1185-291x300.png 291w\" sizes=\"auto, (max-width: 474px) 100vw, 474px\" \/><\/figure><\/div>\n\n\n\n<p>Ottorino Respighi, Percy Bysshe Shelley, translated Roberto Ascoli: La nuda tomba (<em>Il tramonto<\/em>, P 101). Lois Marshall, Orford String Quartet [1971]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"706\" height=\"480\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/01\/Headshot-TRIMMED-1.png\" alt=\"\" class=\"wp-image-8951\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/01\/Headshot-TRIMMED-1.png 706w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/01\/Headshot-TRIMMED-1-300x204.png 300w\" sizes=\"auto, (max-width: 706px) 100vw, 706px\" \/><\/figure><\/div>\n\n\n\n<p>Traditional Spanish, arr. Manuel de Falla: Polo (<em>Siete canciones populares espa\u00f1olas<\/em>, No. 7). Lois Marshall, Weldon Kilburn [ca 1969]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"599\" height=\"572\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/01\/Folder-Copy.jpg\" alt=\"\" class=\"wp-image-8952\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/01\/Folder-Copy.jpg 599w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/01\/Folder-Copy-300x286.jpg 300w\" sizes=\"auto, (max-width: 599px) 100vw, 599px\" \/><figcaption>The cover of Lois Marshall&#8217;s 1960 <em>Frauenliebe<\/em>, recorded in Russia<\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:11px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Robert Schumann, Adalbert von Chamisso: S\u00fc\u00dfer Freund, du blickest mich (<em>Frauenliebe und -leben<\/em>, Op. 42\/6). Lois Marshall, Weldon Kilburn [1960]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"370\" height=\"545\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/01\/Lois-Smiling.png\" alt=\"\" class=\"wp-image-8954\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/01\/Lois-Smiling.png 370w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/01\/Lois-Smiling-204x300.png 204w\" sizes=\"auto, (max-width: 370px) 100vw, 370px\" \/><\/figure><\/div>\n\n\n\n<p>Franz Schubert, Wilhelm M\u00fcller: Gefror\u2019ne Tr\u00e4nen (<em>Winterreise<\/em>, D.911\/3). Lois Marshall, Anton Kuerti [live Toronto 1976]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"715\" height=\"934\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/01\/Smiling-Posing-Lois.jpg\" alt=\"\" class=\"wp-image-8956\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/01\/Smiling-Posing-Lois.jpg 715w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/01\/Smiling-Posing-Lois-230x300.jpg 230w\" sizes=\"auto, (max-width: 715px) 100vw, 715px\" \/><\/figure><\/div>\n\n\n\n<p>Johannes Brahms, 1 Corinthians 13, translated by Martin Luther: Wenn ich mit Menschen- und mit Engelszungen (<em>Vier ernste Ges\u00e4nge<\/em>, Op. 121\/4). Lois Marshall, George van Renesse [live Concertgebouw 1956]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"377\" height=\"563\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/01\/Screenshot-1184.png\" alt=\"\" class=\"wp-image-8955\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/01\/Screenshot-1184.png 377w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/01\/Screenshot-1184-201x300.png 201w\" sizes=\"auto, (max-width: 377px) 100vw, 377px\" \/><figcaption>Lois Marshall and Glenn Gould<\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:11px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Richard Strauss, Heinrich Heine: Beim Schlafengehen (<em>Vier letzte Lieder<\/em>, TrV 296\/3). Lois Marshall, Glenn Gould [CBC telecast, 15 Oct 1962]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Episode 123. Lois Marshall (Great Canadian Singers) SOCIAL SHARE SUBSCRIPTION PLATFORM Today is my first episode of the New Year,&hellip;<\/p>\n","protected":false},"author":1,"featured_media":8927,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"advgb_blocks_editor_width":"","advgb_blocks_columns_visual_guide":"","footnotes":""},"categories":[420,1626,1075,3207,3614,5823,3132,2261,2476,2314,1074,8033,1263,2260,808,2257,2328,3272,2806,427],"tags":[2315,3582,3563,3576,3574,3579,3562,305,3583,3568,501,2316,1646,3577,3580,3584,2605,101,3564,280,3561,94,3559,341,1297,3560,1197,255,298,863,3581,792,2530,3570,1638,1427,328,2651,2267,3566,3573,3520,3565,3567,3575,329,486,2279,3586,548,2353,3578,3585,3569,1092,3486,3571,862,861,34,698,3572],"class_list":["post-8751","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-african-american-opera-singers","category-african-american-singers","category-art-song","category-behind-the-iron-curtain","category-canadian-singers","category-forgotten-divas","category-franz-schubert","category-full-figured-baroque","category-giacomo-puccini","category-gustav-mahler","category-happy-birthday","category-johann-sebastian-bach","category-mezzo-madness","category-music-for-a-world-in-crisis","category-needle-drop","category-richard-strauss","category-richard-wagner","category-singers-of-color","category-twentieth-century-music","category-verismo","tag-achim-von-arnim","tag-acis-and-galatea","tag-adalbert-von-chamisso","tag-ah-perfido","tag-anne-frank","tag-anthony-bernard","tag-anton-kuerti","tag-benjamin-britten","tag-brian-priestman","tag-chansons-de-bilitis","tag-claude-debussy","tag-clemens-brentano","tag-des-knaben-wunderhorn","tag-eduard-grikurov","tag-eduardo-pedrazolli","tag-ernest-macmillan","tag-folk-songs","tag-franz-schubert","tag-frauenliebe-und-leben","tag-george-frideric-handel","tag-george-van-renesse","tag-giacomo-puccini","tag-glenn-gould","tag-grace-bumbry","tag-gustav-mahler","tag-healey-willan","tag-heinrich-heine","tag-henry-purcell","tag-johann-sebastian-bach","tag-johannes-brahms","tag-john-dryden","tag-john-weldon","tag-joseph-haydn","tag-judy-loman","tag-la-clemenza-di-tito","tag-lois-marshall","tag-ludwig-van-beethoven","tag-manuel-de-falla","tag-maureen-forrester","tag-orford-string-quartet","tag-oskar-morawetz","tag-ottorino-respighi","tag-percy-bysshe-shelley","tag-pierre-louys","tag-pietro-metastasio","tag-richard-strauss","tag-richard-wagner","tag-robert-bloom","tag-robert-burns","tag-robert-schumann","tag-tannhauser","tag-the-creation-haydn","tag-the-fairy-queen","tag-thomas-moore","tag-turandot","tag-weldon-kilburn","tag-welford-russell","tag-wilhelm-muller","tag-winterreise","tag-wolfgang-amadeus-mozart","tag-wolfgang-sawallisch","tag-yehudi-wyner"],"author_meta":{"display_name":"admin","author_link":"https:\/\/countermelodypodcast.com\/index.php\/author\/admin\/"},"featured_img":"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/01\/Headshot-TRIMMED-300x204.png","coauthors":[],"tax_additional":{"categories":{"linked":["<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/african-american-opera-singers\/\" class=\"advgb-post-tax-term\">African American Opera Singers<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/african-american-singers\/\" class=\"advgb-post-tax-term\">African American Singers<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/art-song\/\" class=\"advgb-post-tax-term\">Art Song<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/behind-the-iron-curtain\/\" class=\"advgb-post-tax-term\">Behind the Iron Curtain<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/canadian-singers\/\" class=\"advgb-post-tax-term\">Canadian Singers<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/forgotten-divas\/\" class=\"advgb-post-tax-term\">Forgotten Divas<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/franz-schubert\/\" class=\"advgb-post-tax-term\">Franz Schubert<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/full-figured-baroque\/\" class=\"advgb-post-tax-term\">Full-Figured Baroque<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/giacomo-puccini\/\" class=\"advgb-post-tax-term\">Giacomo Puccini<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/gustav-mahler\/\" class=\"advgb-post-tax-term\">Gustav Mahler<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/happy-birthday\/\" class=\"advgb-post-tax-term\">Happy Birthday<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/johann-sebastian-bach\/\" class=\"advgb-post-tax-term\">Johann Sebastian Bach<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/mezzo-madness\/\" class=\"advgb-post-tax-term\">Mezzo Madness<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/music-for-a-world-in-crisis\/\" class=\"advgb-post-tax-term\">Music for a World in Crisis<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Needle Drop<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/richard-strauss\/\" class=\"advgb-post-tax-term\">Richard Strauss<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/richard-wagner\/\" class=\"advgb-post-tax-term\">Richard Wagner<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/singers-of-color\/\" class=\"advgb-post-tax-term\">Singers of Color<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Twentieth Century Music<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Verismo<\/a>"],"unlinked":["<span class=\"advgb-post-tax-term\">African American Opera Singers<\/span>","<span class=\"advgb-post-tax-term\">African American Singers<\/span>","<span class=\"advgb-post-tax-term\">Art Song<\/span>","<span class=\"advgb-post-tax-term\">Behind the Iron Curtain<\/span>","<span class=\"advgb-post-tax-term\">Canadian Singers<\/span>","<span class=\"advgb-post-tax-term\">Forgotten Divas<\/span>","<span class=\"advgb-post-tax-term\">Franz Schubert<\/span>","<span class=\"advgb-post-tax-term\">Full-Figured Baroque<\/span>","<span class=\"advgb-post-tax-term\">Giacomo Puccini<\/span>","<span class=\"advgb-post-tax-term\">Gustav Mahler<\/span>","<span class=\"advgb-post-tax-term\">Happy Birthday<\/span>","<span class=\"advgb-post-tax-term\">Johann Sebastian Bach<\/span>","<span class=\"advgb-post-tax-term\">Mezzo Madness<\/span>","<span class=\"advgb-post-tax-term\">Music for a World in Crisis<\/span>","<span class=\"advgb-post-tax-term\">Needle Drop<\/span>","<span class=\"advgb-post-tax-term\">Richard Strauss<\/span>","<span class=\"advgb-post-tax-term\">Richard Wagner<\/span>","<span class=\"advgb-post-tax-term\">Singers of Color<\/span>","<span class=\"advgb-post-tax-term\">Twentieth Century Music<\/span>","<span class=\"advgb-post-tax-term\">Verismo<\/span>"]},"tags":{"linked":["<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Achim von Arnim<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Acis and Galatea<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Adalbert von Chamisso<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Ah Perfido!<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Anne Frank<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Anthony Bernard<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Anton Kuerti<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Benjamin Britten<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Brian Priestman<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Chansons de Bilitis<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Claude Debussy<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Clemens Brentano<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Des Knaben Wunderhorn<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Eduard Grikurov<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Eduardo Pedrazolli<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Ernest MacMillan<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Folk Songs<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Franz Schubert<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Frauenliebe und -leben<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">George Frideric Handel<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">George van Renesse<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Giacomo Puccini<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Glenn Gould<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Grace Bumbry<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Gustav Mahler<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Healey Willan<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Heinrich Heine<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Henry Purcell<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Johann Sebastian Bach<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Johannes Brahms<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">John Dryden<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">John Weldon<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Joseph Haydn<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Judy Loman<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">La Clemenza di Tito<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Lois Marshall<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Ludwig van Beethoven<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Manuel de Falla<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Maureen Forrester<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Orford String Quartet<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Oskar Morawetz<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Ottorino Respighi<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Percy Bysshe Shelley<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Pierre Lou\u00ffs<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Pietro Metastasio<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Richard Strauss<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Richard Wagner<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Robert Bloom<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Robert Burns<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Robert Schumann<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Tannh\u00e4user<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">The Creation (Haydn)<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">The Fairy Queen<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Thomas Moore<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Turandot<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Weldon Kilburn<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Welford Russell<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Wilhelm M\u00fcller<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Winterreise<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Wolfgang Amadeus Mozart<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Wolfgang Sawallisch<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Yehudi Wyner<\/a>"],"unlinked":["<span class=\"advgb-post-tax-term\">Achim von Arnim<\/span>","<span class=\"advgb-post-tax-term\">Acis and Galatea<\/span>","<span class=\"advgb-post-tax-term\">Adalbert von Chamisso<\/span>","<span class=\"advgb-post-tax-term\">Ah Perfido!<\/span>","<span class=\"advgb-post-tax-term\">Anne Frank<\/span>","<span class=\"advgb-post-tax-term\">Anthony Bernard<\/span>","<span class=\"advgb-post-tax-term\">Anton Kuerti<\/span>","<span class=\"advgb-post-tax-term\">Benjamin Britten<\/span>","<span class=\"advgb-post-tax-term\">Brian Priestman<\/span>","<span class=\"advgb-post-tax-term\">Chansons de Bilitis<\/span>","<span class=\"advgb-post-tax-term\">Claude Debussy<\/span>","<span class=\"advgb-post-tax-term\">Clemens Brentano<\/span>","<span class=\"advgb-post-tax-term\">Des Knaben Wunderhorn<\/span>","<span class=\"advgb-post-tax-term\">Eduard Grikurov<\/span>","<span class=\"advgb-post-tax-term\">Eduardo Pedrazolli<\/span>","<span class=\"advgb-post-tax-term\">Ernest MacMillan<\/span>","<span class=\"advgb-post-tax-term\">Folk Songs<\/span>","<span class=\"advgb-post-tax-term\">Franz Schubert<\/span>","<span class=\"advgb-post-tax-term\">Frauenliebe und -leben<\/span>","<span class=\"advgb-post-tax-term\">George Frideric Handel<\/span>","<span class=\"advgb-post-tax-term\">George van Renesse<\/span>","<span class=\"advgb-post-tax-term\">Giacomo Puccini<\/span>","<span class=\"advgb-post-tax-term\">Glenn Gould<\/span>","<span class=\"advgb-post-tax-term\">Grace Bumbry<\/span>","<span class=\"advgb-post-tax-term\">Gustav Mahler<\/span>","<span class=\"advgb-post-tax-term\">Healey Willan<\/span>","<span class=\"advgb-post-tax-term\">Heinrich Heine<\/span>","<span class=\"advgb-post-tax-term\">Henry Purcell<\/span>","<span class=\"advgb-post-tax-term\">Johann Sebastian Bach<\/span>","<span class=\"advgb-post-tax-term\">Johannes Brahms<\/span>","<span class=\"advgb-post-tax-term\">John Dryden<\/span>","<span class=\"advgb-post-tax-term\">John Weldon<\/span>","<span class=\"advgb-post-tax-term\">Joseph Haydn<\/span>","<span class=\"advgb-post-tax-term\">Judy Loman<\/span>","<span class=\"advgb-post-tax-term\">La Clemenza di Tito<\/span>","<span class=\"advgb-post-tax-term\">Lois Marshall<\/span>","<span class=\"advgb-post-tax-term\">Ludwig van Beethoven<\/span>","<span class=\"advgb-post-tax-term\">Manuel de Falla<\/span>","<span class=\"advgb-post-tax-term\">Maureen Forrester<\/span>","<span class=\"advgb-post-tax-term\">Orford String Quartet<\/span>","<span class=\"advgb-post-tax-term\">Oskar Morawetz<\/span>","<span class=\"advgb-post-tax-term\">Ottorino Respighi<\/span>","<span class=\"advgb-post-tax-term\">Percy Bysshe Shelley<\/span>","<span class=\"advgb-post-tax-term\">Pierre Lou\u00ffs<\/span>","<span class=\"advgb-post-tax-term\">Pietro Metastasio<\/span>","<span class=\"advgb-post-tax-term\">Richard Strauss<\/span>","<span class=\"advgb-post-tax-term\">Richard Wagner<\/span>","<span class=\"advgb-post-tax-term\">Robert Bloom<\/span>","<span class=\"advgb-post-tax-term\">Robert Burns<\/span>","<span class=\"advgb-post-tax-term\">Robert Schumann<\/span>","<span class=\"advgb-post-tax-term\">Tannh\u00e4user<\/span>","<span class=\"advgb-post-tax-term\">The Creation (Haydn)<\/span>","<span class=\"advgb-post-tax-term\">The Fairy Queen<\/span>","<span class=\"advgb-post-tax-term\">Thomas Moore<\/span>","<span class=\"advgb-post-tax-term\">Turandot<\/span>","<span class=\"advgb-post-tax-term\">Weldon Kilburn<\/span>","<span class=\"advgb-post-tax-term\">Welford Russell<\/span>","<span class=\"advgb-post-tax-term\">Wilhelm M\u00fcller<\/span>","<span class=\"advgb-post-tax-term\">Winterreise<\/span>","<span class=\"advgb-post-tax-term\">Wolfgang Amadeus Mozart<\/span>","<span class=\"advgb-post-tax-term\">Wolfgang Sawallisch<\/span>","<span class=\"advgb-post-tax-term\">Yehudi Wyner<\/span>"]}},"comment_count":"0","relative_dates":{"created":"Posted 4 years ago","modified":"Updated 8 months ago"},"absolute_dates":{"created":"Posted on 06\/01\/2022","modified":"Updated on 29\/07\/2025"},"absolute_dates_time":{"created":"Posted on 06\/01\/2022 18:32","modified":"Updated on 29\/07\/2025 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