{"id":8329,"date":"2021-10-17T18:50:29","date_gmt":"2021-10-17T16:50:29","guid":{"rendered":"http:\/\/countermelodypodcast.com\/?p=8329"},"modified":"2021-10-17T22:00:06","modified_gmt":"2021-10-17T20:00:06","slug":"episode-111-verdi-auf-deutsch","status":"publish","type":"post","link":"https:\/\/countermelodypodcast.com\/index.php\/2021\/10\/17\/episode-111-verdi-auf-deutsch\/","title":{"rendered":"Episode 111. Verdi auf Deutsch"},"content":{"rendered":"<div id=\"mega-menu-wrap-primary\" class=\"mega-menu-wrap\"><div class=\"mega-menu-toggle\"><div class=\"mega-toggle-blocks-left\"><\/div><div class=\"mega-toggle-blocks-center\"><\/div><div class=\"mega-toggle-blocks-right\"><div class='mega-toggle-block mega-menu-toggle-animated-block mega-toggle-block-1' id='mega-toggle-block-1'><button aria-label=\"Menu\" class=\"mega-toggle-animated mega-toggle-animated-slider\" type=\"button\" aria-haspopup=\"true\" aria-expanded=\"false\" aria-controls=\"mega-menu-primary\">\n                  <span class=\"mega-toggle-animated-box\">\n                    <span class=\"mega-toggle-animated-inner\"><\/span>\n                  <\/span>\n                <\/button><\/div><\/div><\/div><ul id=\"mega-menu-primary\" class=\"mega-menu max-mega-menu mega-menu-horizontal mega-no-js\" data-event=\"hover_intent\" data-effect=\"slide\" data-effect-speed=\"200\" data-effect-mobile=\"slide\" data-effect-speed-mobile=\"200\" data-mobile-force-width=\"body\" data-second-click=\"go\" data-document-click=\"collapse\" data-vertical-behaviour=\"standard\" data-breakpoint=\"600\" data-unbind=\"true\" data-mobile-state=\"collapse_all\" data-mobile-direction=\"vertical\" data-hover-intent-timeout=\"300\" data-hover-intent-interval=\"100\"><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-menu-item-home mega-align-bottom-left mega-menu-flyout mega-menu-item-19160\" id=\"mega-menu-item-19160\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/\">Home<\/a><\/li><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-align-bottom-left mega-menu-flyout mega-menu-item-19161\" id=\"mega-menu-item-19161\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/index.php\/about-daniel\/\">About Daniel<\/a><\/li><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-current_page_parent mega-align-bottom-left mega-menu-flyout mega-menu-item-19171\" id=\"mega-menu-item-19171\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/index.php\/all-episodes\/\">All Episodes<\/a><\/li><\/ul><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">Episode 111.  Verdi auf Deutsch<\/h2>\n\n\n\n<iframe loading=\"lazy\" width=\"340\" height=\"50\" src=\"https:\/\/countermelody.blubrry.net\/?powerpress_embed=428-podcast&amp;powerpress_player=mediaelement-audio\" title=\"Blubrry Podcast Player\" frameborder=\"0\" scrolling=\"no\"><\/iframe>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p><strong>SOCIAL SHARE<\/strong><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"has-text-align-right\"><strong>SUBSCRIPTION PLATFORM<\/strong><\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<div class=\"wp-block-buttons is-content-justification-left is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button alignright\"><a class=\"wp-block-button__link no-border-radius\" href=\"https:\/\/countermelody.blubrry.net\/\">SUBSCRIBE VIA YOUR FAVORITE PODCAST PLATFORM<\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"805\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Elderly-Joe-805x1024.jpg\" alt=\"\" class=\"wp-image-8378\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Elderly-Joe-805x1024.jpg 805w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Elderly-Joe-236x300.jpg 236w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Elderly-Joe-768x977.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Elderly-Joe.jpg 943w\" sizes=\"auto, (max-width: 805px) 100vw, 805px\" \/><\/figure><\/div>\n\n\n\n<div style=\"height:38px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Today\u2019s is a mammoth episode on a mammoth topic: historical performances of Verdi\u2019s operas in German translation. I trace the historical and ongoing popularity of Verdi\u2019s works in Germany, and include discussions of the works of Friedrich Schiller as Verdian subject matter; the co-opting of Verdi\u2019s genius by the Third Reich; and the numerous African American Verdi singers, including Gloria Davy, Lawrence Winters, Lenora Lafayette, Betty Allen, and Grace Bumbry, who based their careers (or significant portions thereof) in German-speaking European countries. Recordings featured were made between the years 1923 and 1973 and feature such native German-speaking singers as Richard Tauber, Margarete Teschemacher, Maria Cebotari, Josef Greindl, Meta Seinemeyer, Inge Borkh, Fritz Wunderlich, Annelies Kupper, Elisabeth Gr\u00fcmmer, Wolfgang Windgassen, Gottlob Frick, and Hilde G\u00fcden, among many others. Non-German singers such as Teresa Stratas, S\u00e1ndor K\u00f3nya, Pilar Lorengar, Jess Thomas, Raymond Wolansky, and James King are also highlighted. This episode is an exploration of the greatest operatic composer of all time, but in unexpected garb.<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Handsome-Joe.jpg\" alt=\"\" class=\"wp-image-8423\" width=\"365\" height=\"504\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Handsome-Joe.jpg 250w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Handsome-Joe-217x300.jpg 217w\" sizes=\"auto, (max-width: 365px) 100vw, 365px\" \/><\/figure><\/div>\n\n\n\n<div style=\"height:47px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-custom-size\" style=\"font-size:30px\"><strong> RECORDINGS HEARD IN THIS EPISODE<\/strong><\/p>\n\n\n\n<div style=\"height:55px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"705\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Again-Stratas-1024x705.jpg\" alt=\"\" class=\"wp-image-8381\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Again-Stratas-1024x705.jpg 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Again-Stratas-300x207.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Again-Stratas-768x529.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Again-Stratas.jpg 1371w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure><\/div>\n\n\n\n<p><strong><em>Othello<\/em><\/strong>: Nun in der n\u00e4cht\u2019gen Stille. Wolfgang Windgassen, Teresa Stratas, Otto Gerdes, Bayerisches Staatsorchester [1967]<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"639\" height=\"894\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Windgassen.jpg\" alt=\"\" class=\"wp-image-8380\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Windgassen.jpg 639w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Windgassen-214x300.jpg 214w\" sizes=\"auto, (max-width: 639px) 100vw, 639px\" \/><\/figure><\/div>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Cebotari.jpg\" alt=\"\" class=\"wp-image-8382\" width=\"545\" height=\"800\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Cebotari.jpg 409w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Cebotari-205x300.jpg 205w\" sizes=\"auto, (max-width: 545px) 100vw, 545px\" \/><\/figure><\/div>\n\n\n\n<p><strong><em>Luise Miller<\/em><\/strong>: Nur dir will ich geh\u00f6ren&#8230; Jede Strafe, Herr, darfst du senden. Maria Cebotari, Georg Hann, Karl Elmendorff, S\u00e4chsische Staatskapelle [1944]<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Hann.jpg\" alt=\"\" class=\"wp-image-8383\" width=\"438\" height=\"607\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Hann.jpg 408w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Hann-216x300.jpg 216w\" sizes=\"auto, (max-width: 438px) 100vw, 438px\" \/><\/figure><\/div>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-gallery columns-3 is-cropped wp-block-gallery-1\"><ul class=\"blocks-gallery-grid\"><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"815\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Konya-815x1024.jpg\" alt=\"\" data-id=\"8385\" data-full-url=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Konya.jpg\" data-link=\"https:\/\/countermelodypodcast.com\/?attachment_id=8385\" class=\"wp-image-8385\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Konya-815x1024.jpg 815w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Konya-239x300.jpg 239w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Konya-768x965.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Konya.jpg 1188w\" sizes=\"auto, (max-width: 815px) 100vw, 815px\" \/><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"640\" height=\"878\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Davy.jpg\" alt=\"\" data-id=\"8384\" data-full-url=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Davy.jpg\" data-link=\"https:\/\/countermelodypodcast.com\/?attachment_id=8384\" class=\"wp-image-8384\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Davy.jpg 640w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Davy-219x300.jpg 219w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"303\" height=\"400\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Wolansky.jpg\" alt=\"\" data-id=\"8386\" data-full-url=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Wolansky.jpg\" data-link=\"https:\/\/countermelodypodcast.com\/?attachment_id=8386\" class=\"wp-image-8386 is-layout-flex wp-block-gallery-is-layout-flex\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Wolansky.jpg 303w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Wolansky-227x300.jpg 227w\" sizes=\"auto, (max-width: 303px) 100vw, 303px\" \/><\/figure><\/li><\/ul><\/figure>\n\n\n\n<p><strong><em>Der Troubadour<\/em><\/strong>: Rings tiefes Schweigen&#8230; Einsam steh\u2019 ich. Gloria Davy, S\u00e1ndor K\u00f3nya, Raymond Wolansky, J\u00e1nos Kulka, Orchester der W\u00fcrttembergischen Staatstheater Stuttgart [1961]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-gallery columns-2 is-cropped wp-block-gallery-2\"><ul class=\"blocks-gallery-grid\"><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"303\" height=\"412\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/WDG-n-Doggie.jpg\" alt=\"\" data-id=\"8388\" data-full-url=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/WDG-n-Doggie.jpg\" data-link=\"https:\/\/countermelodypodcast.com\/?attachment_id=8388\" class=\"wp-image-8388\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/WDG-n-Doggie.jpg 303w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/WDG-n-Doggie-221x300.jpg 221w\" sizes=\"auto, (max-width: 303px) 100vw, 303px\" \/><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"394\" height=\"610\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Mags-Tesch.jpg\" alt=\"\" data-id=\"8387\" data-full-url=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Mags-Tesch.jpg\" data-link=\"https:\/\/countermelodypodcast.com\/?attachment_id=8387\" class=\"wp-image-8387 is-layout-flex wp-block-gallery-is-layout-flex\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Mags-Tesch.jpg 394w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Mags-Tesch-194x300.jpg 194w\" sizes=\"auto, (max-width: 394px) 100vw, 394px\" \/><\/figure><\/li><\/ul><\/figure>\n\n\n\n<p>Vernahmt ihr? Wenn es tagt, sei dem Beil er verfallen. Willi Domgraf-Fassbaender, Margarete Teschemacher, Erich Orthmann,<a> <\/a>Orchester der Staatsoper Berlin [1932]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-gallery columns-2 is-cropped wp-block-gallery-3\"><ul class=\"blocks-gallery-grid\"><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"547\" height=\"565\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Friedel-B.png\" alt=\"\" data-id=\"8389\" data-full-url=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Friedel-B.png\" data-link=\"https:\/\/countermelodypodcast.com\/?attachment_id=8389\" class=\"wp-image-8389\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Friedel-B.png 547w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Friedel-B-290x300.png 290w\" sizes=\"auto, (max-width: 547px) 100vw, 547px\" \/><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"364\" height=\"480\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Heil-Helge.jpg\" alt=\"\" data-id=\"8390\" data-full-url=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Heil-Helge.jpg\" data-link=\"https:\/\/countermelodypodcast.com\/?attachment_id=8390\" class=\"wp-image-8390 is-layout-flex wp-block-gallery-is-layout-flex\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Heil-Helge.jpg 364w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Heil-Helge-228x300.jpg 228w\" sizes=\"auto, (max-width: 364px) 100vw, 364px\" \/><\/figure><\/li><\/ul><\/figure>\n\n\n\n<p>Mutter, du schl\u00e4fst nicht? Helge Rosvaenge, Friedel Beckmann, Bruno Seidler-Winkler, Orchester der Staatsoper, Berlin [1943]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-gallery columns-2 is-cropped wp-block-gallery-4\"><ul class=\"blocks-gallery-grid\"><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"550\" height=\"800\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Anton-de-Ridder.jpg\" alt=\"\" data-id=\"8391\" data-full-url=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Anton-de-Ridder.jpg\" data-link=\"https:\/\/countermelodypodcast.com\/?attachment_id=8391\" class=\"wp-image-8391\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Anton-de-Ridder.jpg 550w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Anton-de-Ridder-206x300.jpg 206w\" sizes=\"auto, (max-width: 550px) 100vw, 550px\" \/><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"460\" height=\"640\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Rothenberger.jpg\" alt=\"\" data-id=\"8392\" data-full-url=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Rothenberger.jpg\" data-link=\"https:\/\/countermelodypodcast.com\/?attachment_id=8392\" class=\"wp-image-8392 is-layout-flex wp-block-gallery-is-layout-flex\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Rothenberger.jpg 460w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Rothenberger-216x300.jpg 216w\" sizes=\"auto, (max-width: 460px) 100vw, 460px\" \/><\/figure><\/li><\/ul><\/figure>\n\n\n\n<p><strong><em>La Traviata<\/em><\/strong>: Ich war bezaubert von deinem Reiz. Anneliese Rothenberger, Anton de Ridder, Giuseppe Patan\u00e8, Staatskapelle Dresden [1973]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-gallery columns-2 is-cropped wp-block-gallery-5\"><ul class=\"blocks-gallery-grid\"><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"400\" height=\"577\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Stader.webp\" alt=\"\" data-id=\"8393\" data-full-url=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Stader.webp\" data-link=\"https:\/\/countermelodypodcast.com\/?attachment_id=8393\" class=\"wp-image-8393\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Stader.webp 400w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Stader-208x300.webp 208w\" sizes=\"auto, (max-width: 400px) 100vw, 400px\" \/><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"412\" height=\"542\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Winters-in-Whiteface.png\" alt=\"\" data-id=\"8394\" data-full-url=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Winters-in-Whiteface.png\" data-link=\"https:\/\/countermelodypodcast.com\/?attachment_id=8394\" class=\"wp-image-8394 is-layout-flex wp-block-gallery-is-layout-flex\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Winters-in-Whiteface.png 412w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Winters-in-Whiteface-228x300.png 228w\" sizes=\"auto, (max-width: 412px) 100vw, 412px\" \/><\/figure><\/li><\/ul><\/figure>\n\n\n\n<p>Weh, f\u00fcr mich Arme ist alles verloren&#8230; Sagt der Jungfrau es wird gelingen. Lawrence Winters, Maria Stader, Hans Schmidt-Isserstedt, Sinfonieorchester des NDR [1958]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-gallery columns-2 is-cropped wp-block-gallery-6\"><ul class=\"blocks-gallery-grid\"><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"340\" height=\"460\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Fritz.jpg\" alt=\"\" data-id=\"8395\" data-full-url=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Fritz.jpg\" data-link=\"https:\/\/countermelodypodcast.com\/?attachment_id=8395\" class=\"wp-image-8395\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Fritz.jpg 340w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Fritz-222x300.jpg 222w\" sizes=\"auto, (max-width: 340px) 100vw, 340px\" \/><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"798\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Gueden-798x1024.jpg\" alt=\"\" data-id=\"8396\" data-full-url=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Gueden.jpg\" data-link=\"https:\/\/countermelodypodcast.com\/?attachment_id=8396\" class=\"wp-image-8396 is-layout-flex wp-block-gallery-is-layout-flex\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Gueden-798x1024.jpg 798w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Gueden-234x300.jpg 234w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Gueden-768x986.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Gueden.jpg 800w\" sizes=\"auto, (max-width: 798px) 100vw, 798px\" \/><\/figure><\/li><\/ul><\/figure>\n\n\n\n<p>O lass uns fliehen aus diesen Mauern. Hilde G\u00fcden, Fritz Wunderlich, Bruno Bartoletti, Symphonieorchester des Bayerischen Rundfunks [1966]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-gallery columns-2 is-cropped wp-block-gallery-7\"><ul class=\"blocks-gallery-grid\"><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"815\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Jess-as-Samson-815x1024.jpg\" alt=\"\" data-id=\"8414\" data-full-url=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Jess-as-Samson.jpg\" data-link=\"https:\/\/countermelodypodcast.com\/?attachment_id=8414\" class=\"wp-image-8414\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Jess-as-Samson-815x1024.jpg 815w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Jess-as-Samson-239x300.jpg 239w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Jess-as-Samson-768x965.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Jess-as-Samson.jpg 872w\" sizes=\"auto, (max-width: 815px) 100vw, 815px\" \/><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"650\" height=\"851\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Inge-Borkh.jpg\" alt=\"\" data-id=\"8412\" data-link=\"https:\/\/countermelodypodcast.com\/?attachment_id=8412\" class=\"wp-image-8412 is-layout-flex wp-block-gallery-is-layout-flex\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Inge-Borkh.jpg 650w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Inge-Borkh-229x300.jpg 229w\" sizes=\"auto, (max-width: 650px) 100vw, 650px\" \/><\/figure><\/li><\/ul><\/figure>\n\n\n\n<p><strong><em>Ein Maskenball<\/em><\/strong>: Wei\u00dft du nicht was die Qualen. Inge Borkh, Jess Thomas, Giuseppe Patan\u00e8, Orchester der Deutschen Oper Berlin [1964]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-gallery columns-2 is-cropped wp-block-gallery-8\"><ul class=\"blocks-gallery-grid\"><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"599\" height=\"829\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Pilaf-L.jpg\" alt=\"\" data-id=\"8418\" data-full-url=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Pilaf-L.jpg\" data-link=\"https:\/\/countermelodypodcast.com\/?attachment_id=8418\" class=\"wp-image-8418\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Pilaf-L.jpg 599w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Pilaf-L-217x300.jpg 217w\" sizes=\"auto, (max-width: 599px) 100vw, 599px\" \/><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"430\" height=\"648\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/James-King.jpg\" alt=\"\" data-id=\"8417\" data-full-url=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/James-King.jpg\" data-link=\"https:\/\/countermelodypodcast.com\/?attachment_id=8417\" class=\"wp-image-8417 is-layout-flex wp-block-gallery-is-layout-flex\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/James-King.jpg 430w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/James-King-199x300.jpg 199w\" sizes=\"auto, (max-width: 430px) 100vw, 430px\" \/><\/figure><\/li><\/ul><\/figure>\n\n\n\n<p><strong><em>Don Carlos<\/em><\/strong>: Ich komme zu erfliehen eine Gunst. Pilar Lorengar, James King, Wolfgang Sawallisch, Orchester der Deutschen Oper Berlin [live 1967]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-gallery columns-2 is-cropped wp-block-gallery-9\"><ul class=\"blocks-gallery-grid\"><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"714\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Greindl-one-eye-714x1024.jpg\" alt=\"\" data-id=\"8415\" data-full-url=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Greindl-one-eye.jpg\" data-link=\"https:\/\/countermelodypodcast.com\/?attachment_id=8415\" class=\"wp-image-8415\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Greindl-one-eye-714x1024.jpg 714w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Greindl-one-eye-209x300.jpg 209w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Greindl-one-eye-768x1102.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Greindl-one-eye-1071x1536.jpg 1071w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Greindl-one-eye.jpg 1188w\" sizes=\"auto, (max-width: 714px) 100vw, 714px\" \/><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"699\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Kupper-as-Danae-699x1024.jpg\" alt=\"\" data-id=\"8416\" data-full-url=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Kupper-as-Danae.jpg\" data-link=\"https:\/\/countermelodypodcast.com\/?attachment_id=8416\" class=\"wp-image-8416 is-layout-flex wp-block-gallery-is-layout-flex\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Kupper-as-Danae-699x1024.jpg 699w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Kupper-as-Danae-205x300.jpg 205w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Kupper-as-Danae.jpg 750w\" sizes=\"auto, (max-width: 699px) 100vw, 699px\" \/><\/figure><\/li><\/ul><\/figure>\n\n\n\n<p><strong><em>Die Macht des Schicksals<\/em><\/strong>: Kloster-Szene. Annelies Kupper, Josef Greindl, Ferdinand Leitner, Orchester der W\u00fcrttembergisches Staatstheater Stuttgart [1956]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-gallery columns-3 is-cropped wp-block-gallery-10\"><ul class=\"blocks-gallery-grid\"><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"384\" height=\"512\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Frick.png\" alt=\"\" data-id=\"8410\" data-full-url=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Frick.png\" data-link=\"https:\/\/countermelodypodcast.com\/?attachment_id=8410\" class=\"wp-image-8410\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Frick.png 384w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Frick-225x300.png 225w\" sizes=\"auto, (max-width: 384px) 100vw, 384px\" \/><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"564\" height=\"802\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Bumbry-Venus.jpg\" alt=\"\" data-id=\"8409\" data-full-url=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Bumbry-Venus.jpg\" data-link=\"https:\/\/countermelodypodcast.com\/?attachment_id=8409\" class=\"wp-image-8409\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Bumbry-Venus.jpg 564w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Bumbry-Venus-211x300.jpg 211w\" sizes=\"auto, (max-width: 564px) 100vw, 564px\" \/><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"424\" height=\"594\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Gedda.png\" alt=\"\" data-id=\"8411\" data-full-url=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Gedda.png\" data-link=\"https:\/\/countermelodypodcast.com\/?attachment_id=8411\" class=\"wp-image-8411 is-layout-flex wp-block-gallery-is-layout-flex\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Gedda.png 424w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Gedda-214x300.png 214w\" sizes=\"auto, (max-width: 424px) 100vw, 424px\" \/><\/figure><\/li><\/ul><\/figure>\n\n\n\n<p>Grausames Schicksal&#8230; Nein, nicht fluchen. Grace Bumbry, Nicolai Gedda, Gottlob Frick, Giuseppe Patan\u00e8, Staatskapelle Dresden [1967]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-gallery columns-3 is-cropped wp-block-gallery-11\"><ul class=\"blocks-gallery-grid\"><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"363\" height=\"563\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Gostic.png\" alt=\"\" data-id=\"8419\" data-link=\"https:\/\/countermelodypodcast.com\/?attachment_id=8419\" class=\"wp-image-8419\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Gostic.png 363w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Gostic-193x300.png 193w\" sizes=\"auto, (max-width: 363px) 100vw, 363px\" \/><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"780\" height=\"990\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Lafayette-Packing.jpeg\" alt=\"\" data-id=\"8420\" data-full-url=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Lafayette-Packing.jpeg\" data-link=\"https:\/\/countermelodypodcast.com\/?attachment_id=8420\" class=\"wp-image-8420\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Lafayette-Packing.jpeg 780w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Lafayette-Packing-236x300.jpeg 236w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Lafayette-Packing-768x975.jpeg 768w\" sizes=\"auto, (max-width: 780px) 100vw, 780px\" \/><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"425\" height=\"657\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Milinkovic.jpg\" alt=\"\" data-id=\"8408\" data-link=\"https:\/\/countermelodypodcast.com\/?attachment_id=8408\" class=\"wp-image-8408 is-layout-flex wp-block-gallery-is-layout-flex\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Milinkovic.jpg 425w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Milinkovic-194x300.jpg 194w\" sizes=\"auto, (max-width: 425px) 100vw, 425px\" \/><\/figure><\/li><\/ul><\/figure>\n\n\n\n<p><strong><em>Aida<\/em><\/strong>: Komm, o Geliebte, nahe dich. Leonora Lafayette, Georgina von Milinkovic, Josef Gostic, Clemens Krauss, Orchester des Bayerischen Rundfunks [live M\u00fcnchen 1953]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-gallery columns-2 is-cropped wp-block-gallery-12\"><ul class=\"blocks-gallery-grid\"><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"372\" height=\"594\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Hillebrecht.png\" alt=\"\" data-id=\"8405\" data-full-url=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Hillebrecht.png\" data-link=\"https:\/\/countermelodypodcast.com\/?attachment_id=8405\" class=\"wp-image-8405\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Hillebrecht.png 372w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Hillebrecht-188x300.png 188w\" sizes=\"auto, (max-width: 372px) 100vw, 372px\" \/><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"823\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Betty-Allen-823x1024.jpg\" alt=\"\" data-id=\"8404\" data-full-url=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Betty-Allen.jpg\" data-link=\"https:\/\/countermelodypodcast.com\/?attachment_id=8404\" class=\"wp-image-8404 is-layout-flex wp-block-gallery-is-layout-flex\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Betty-Allen-823x1024.jpg 823w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Betty-Allen-241x300.jpg 241w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Betty-Allen-768x956.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Betty-Allen.jpg 1213w\" sizes=\"auto, (max-width: 823px) 100vw, 823px\" \/><\/figure><\/li><\/ul><\/figure>\n\n\n\n<p>Wohl war euch das Los der Waffen feindlich. Betty Allen, Hildegard Hillebrecht, Horst Stein, Berliner Symphoniker, Chor der St\u00e4dtischen Oper Berlin [1960]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"758\" height=\"468\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Seinemeyer-living-it-up.png\" alt=\"\" class=\"wp-image-8401\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Seinemeyer-living-it-up.png 758w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Seinemeyer-living-it-up-300x185.png 300w\" sizes=\"auto, (max-width: 758px) 100vw, 758px\" \/><\/figure><\/div>\n\n\n\n<p>Wohlan denn, erhebt euch \u00e4gyptische Scharen. Meta Seinemeyer, Robert Burg, Frieder Weissmann, Orchester der Staatsoper Berlin [1928]<\/p>\n\n\n\n<figure class=\"wp-block-gallery columns-2 is-cropped wp-block-gallery-13\"><ul class=\"blocks-gallery-grid\"><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"606\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/RBurg-606x1024.jpg\" alt=\"\" data-id=\"8402\" data-full-url=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/RBurg.jpg\" data-link=\"https:\/\/countermelodypodcast.com\/?attachment_id=8402\" class=\"wp-image-8402\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/RBurg-606x1024.jpg 606w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/RBurg-178x300.jpg 178w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/RBurg.jpg 639w\" sizes=\"auto, (max-width: 606px) 100vw, 606px\" \/><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"371\" height=\"600\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Weissmann.jpg\" alt=\"\" data-id=\"8403\" data-full-url=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Weissmann.jpg\" data-link=\"https:\/\/countermelodypodcast.com\/?attachment_id=8403\" class=\"wp-image-8403 is-layout-flex wp-block-gallery-is-layout-flex\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Weissmann.jpg 371w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Weissmann-186x300.jpg 186w\" sizes=\"auto, (max-width: 371px) 100vw, 371px\" \/><\/figure><\/li><\/ul><\/figure>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-gallery columns-2 is-cropped wp-block-gallery-14\"><ul class=\"blocks-gallery-grid\"><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"500\" height=\"673\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Kalter.jpg\" alt=\"\" data-id=\"8399\" data-full-url=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Kalter.jpg\" data-link=\"https:\/\/countermelodypodcast.com\/?attachment_id=8399\" class=\"wp-image-8399\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Kalter.jpg 500w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Kalter-223x300.jpg 223w\" sizes=\"auto, (max-width: 500px) 100vw, 500px\" \/><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"688\" height=\"990\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Tauber.jpg\" alt=\"\" data-id=\"8400\" data-full-url=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Tauber.jpg\" data-link=\"https:\/\/countermelodypodcast.com\/?attachment_id=8400\" class=\"wp-image-8400 is-layout-flex wp-block-gallery-is-layout-flex\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Tauber.jpg 688w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Tauber-208x300.jpg 208w\" sizes=\"auto, (max-width: 688px) 100vw, 688px\" \/><\/figure><\/li><\/ul><\/figure>\n\n\n\n<p>Ich lieb\u2019 ihn ja noch immer&#8230; Was hab\u2019 ich leiden m\u00fc\u00dfen. Richard Tauber, Sabine Kalter, Orchestra conducted by Carl Besi [1923]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-gallery columns-2 is-cropped wp-block-gallery-15\"><ul class=\"blocks-gallery-grid\"><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"423\" height=\"556\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Schock.png\" alt=\"\" data-id=\"8398\" data-full-url=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Schock.png\" data-link=\"https:\/\/countermelodypodcast.com\/?attachment_id=8398\" class=\"wp-image-8398\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Schock.png 423w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Schock-228x300.png 228w\" sizes=\"auto, (max-width: 423px) 100vw, 423px\" \/><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"437\" height=\"595\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Grummer-Desdemona.png\" alt=\"\" data-id=\"8397\" data-full-url=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Grummer-Desdemona.png\" data-link=\"https:\/\/countermelodypodcast.com\/?attachment_id=8397\" class=\"wp-image-8397 is-layout-flex wp-block-gallery-is-layout-flex\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Grummer-Desdemona.png 437w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Grummer-Desdemona-220x300.png 220w\" sizes=\"auto, (max-width: 437px) 100vw, 437px\" \/><\/figure><\/li><\/ul><\/figure>\n\n\n\n<p><strong><em>Othello<\/em><\/strong>: Du liebtest mich um meine Abenteur. Elisabeth Gr\u00fcmmer, Rudolf Schock, Richard Kraus, Orchester der Deutschen Oper Berlin [1958] <\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Joe-in-Paris.jpg\" alt=\"\" class=\"wp-image-8421\" width=\"526\" height=\"823\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Joe-in-Paris.jpg 374w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Joe-in-Paris-192x300.jpg 192w\" sizes=\"auto, (max-width: 526px) 100vw, 526px\" \/><\/figure><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Episode 111. Verdi auf Deutsch SOCIAL SHARE SUBSCRIPTION PLATFORM Today\u2019s is a mammoth episode on a mammoth topic: historical performances&hellip;<\/p>\n","protected":false},"author":1,"featured_media":8377,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"advgb_blocks_editor_width":"","advgb_blocks_columns_visual_guide":"","footnotes":""},"categories":[420,1626,3207,2398,2399,1263,2260,808,2329,3272],"tags":[437,3323,476,3326,2265,1090,583,3319,889,333,2145,3330,2673,3328,1103,3222,45,3315,3322,1705,207,998,2140,341,1052,3327,324,3320,2938,348,3325,3278,3331,1020,2664,3229,3332,1110,1066,1038,3321,3313,3329,3314,1051,1102,1015,1063,3333,3324,2674,3318,606,3317,644,3316,1025,1360,332,3126,698,125],"class_list":["post-8329","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-african-american-opera-singers","category-african-american-singers","category-behind-the-iron-curtain","category-giuseppe-verdi","category-great-baritones","category-mezzo-madness","category-music-for-a-world-in-crisis","category-needle-drop","category-opera-in-translation","category-singers-of-color","tag-aida","tag-annelies-kupper","tag-anneliese-rothenberger","tag-anton-de-ridder","tag-betty-allen","tag-bruno-bartoletti","tag-bruno-seidler-winkler","tag-carl-besi","tag-clemens-krauss","tag-don-carlo","tag-elisabeth-grummer","tag-erich-orthmann","tag-ferdinand-leitner","tag-friedel-beckmann","tag-frieder-weissmann","tag-friedrich-schiller","tag-fritz-wunderlich","tag-georg-hann","tag-georgina-von-milinkovic","tag-giuseppe-patane","tag-giuseppe-verdi","tag-gloria-davy","tag-gottlob-frick","tag-grace-bumbry","tag-hans-schmidt-isserstedt","tag-helge-rosvaenge","tag-hilde-guden","tag-hildegard-hillebrecht","tag-horst-stein","tag-il-trovatore","tag-inge-borkh","tag-james-king","tag-janos-kulka","tag-jess-thomas","tag-josef-gostic","tag-josef-greindl","tag-karl-elmendorff","tag-la-forza-del-destino","tag-la-traviata","tag-lawrence-winters","tag-leonora-lafayette","tag-luisa-miller","tag-margarete-teschemacher","tag-maria-cebotari","tag-maria-stader","tag-meta-seinemeyer","tag-nicolai-gedda","tag-otello","tag-otto-gerdes","tag-pilar-lorengar","tag-raymond-wolansky","tag-richard-kraus","tag-richard-tauber","tag-robert-burg","tag-rudolf-schock","tag-sabine-kalter","tag-sandor-konya","tag-teresa-stratas","tag-un-ballo-in-maschera","tag-willi-domgraf-fassbaender","tag-wolfgang-sawallisch","tag-wolfgang-windgassen"],"author_meta":{"display_name":"admin","author_link":"https:\/\/countermelodypodcast.com\/index.php\/author\/admin\/"},"featured_img":"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Joe-Green-as-Youngster-TRIMMED.jpg","coauthors":[],"tax_additional":{"categories":{"linked":["<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/african-american-opera-singers\/\" class=\"advgb-post-tax-term\">African American Opera Singers<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/african-american-singers\/\" class=\"advgb-post-tax-term\">African American Singers<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/behind-the-iron-curtain\/\" class=\"advgb-post-tax-term\">Behind the Iron Curtain<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/giuseppe-verdi\/\" class=\"advgb-post-tax-term\">Giuseppe Verdi<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/great-baritones\/\" class=\"advgb-post-tax-term\">Great Baritones<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/mezzo-madness\/\" class=\"advgb-post-tax-term\">Mezzo Madness<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/music-for-a-world-in-crisis\/\" class=\"advgb-post-tax-term\">Music for a World in Crisis<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Needle Drop<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/opera-in-translation\/\" class=\"advgb-post-tax-term\">Opera in Translation<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/singers-of-color\/\" class=\"advgb-post-tax-term\">Singers of Color<\/a>"],"unlinked":["<span class=\"advgb-post-tax-term\">African American Opera Singers<\/span>","<span class=\"advgb-post-tax-term\">African American Singers<\/span>","<span class=\"advgb-post-tax-term\">Behind the Iron Curtain<\/span>","<span class=\"advgb-post-tax-term\">Giuseppe Verdi<\/span>","<span class=\"advgb-post-tax-term\">Great Baritones<\/span>","<span class=\"advgb-post-tax-term\">Mezzo Madness<\/span>","<span class=\"advgb-post-tax-term\">Music for a World in Crisis<\/span>","<span class=\"advgb-post-tax-term\">Needle Drop<\/span>","<span class=\"advgb-post-tax-term\">Opera in Translation<\/span>","<span class=\"advgb-post-tax-term\">Singers of Color<\/span>"]},"tags":{"linked":["<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/singers-of-color\/\" class=\"advgb-post-tax-term\">Aida<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/singers-of-color\/\" class=\"advgb-post-tax-term\">Annelies Kupper<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/singers-of-color\/\" class=\"advgb-post-tax-term\">Anneliese Rothenberger<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/singers-of-color\/\" class=\"advgb-post-tax-term\">Anton de Ridder<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/singers-of-color\/\" class=\"advgb-post-tax-term\">Betty Allen<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/singers-of-color\/\" class=\"advgb-post-tax-term\">Bruno Bartoletti<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/singers-of-color\/\" class=\"advgb-post-tax-term\">Bruno Seidler-Winkler<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/singers-of-color\/\" class=\"advgb-post-tax-term\">Carl Besi<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/singers-of-color\/\" class=\"advgb-post-tax-term\">Clemens Krauss<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/singers-of-color\/\" class=\"advgb-post-tax-term\">Don Carlo<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/singers-of-color\/\" class=\"advgb-post-tax-term\">Elisabeth Gr\u00fcmmer<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/singers-of-color\/\" class=\"advgb-post-tax-term\">Erich Orthmann<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/singers-of-color\/\" class=\"advgb-post-tax-term\">Ferdinand Leitner<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/singers-of-color\/\" class=\"advgb-post-tax-term\">Friedel Beckmann<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/singers-of-color\/\" class=\"advgb-post-tax-term\">Frieder Weissmann<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/singers-of-color\/\" class=\"advgb-post-tax-term\">Friedrich Schiller<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/singers-of-color\/\" class=\"advgb-post-tax-term\">Fritz Wunderlich<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/singers-of-color\/\" class=\"advgb-post-tax-term\">Georg Hann<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/singers-of-color\/\" class=\"advgb-post-tax-term\">Georgina von Milinkovic<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/singers-of-color\/\" class=\"advgb-post-tax-term\">Giuseppe Patan\u00e8<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/singers-of-color\/\" class=\"advgb-post-tax-term\">Giuseppe Verdi<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/singers-of-color\/\" class=\"advgb-post-tax-term\">Gloria Davy<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/singers-of-color\/\" class=\"advgb-post-tax-term\">Gottlob Frick<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/singers-of-color\/\" class=\"advgb-post-tax-term\">Grace Bumbry<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/singers-of-color\/\" class=\"advgb-post-tax-term\">Hans Schmidt-Isserstedt<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/singers-of-color\/\" class=\"advgb-post-tax-term\">Helge Rosvaenge<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/singers-of-color\/\" class=\"advgb-post-tax-term\">Hilde G\u00fcden<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/singers-of-color\/\" class=\"advgb-post-tax-term\">Hildegard Hillebrecht<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/singers-of-color\/\" class=\"advgb-post-tax-term\">Horst Stein<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/singers-of-color\/\" class=\"advgb-post-tax-term\">Il Trovatore<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/singers-of-color\/\" class=\"advgb-post-tax-term\">Inge Borkh<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/singers-of-color\/\" class=\"advgb-post-tax-term\">James King<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/singers-of-color\/\" class=\"advgb-post-tax-term\">J\u00e1nos Kulka<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/singers-of-color\/\" class=\"advgb-post-tax-term\">Jess Thomas<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/singers-of-color\/\" class=\"advgb-post-tax-term\">Josef Gostic<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/singers-of-color\/\" class=\"advgb-post-tax-term\">Josef Greindl<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/singers-of-color\/\" class=\"advgb-post-tax-term\">Karl Elmendorff<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/singers-of-color\/\" class=\"advgb-post-tax-term\">La forza del destino<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/singers-of-color\/\" class=\"advgb-post-tax-term\">La Traviata<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/singers-of-color\/\" class=\"advgb-post-tax-term\">Lawrence Winters<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/singers-of-color\/\" class=\"advgb-post-tax-term\">Leonora Lafayette<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/singers-of-color\/\" class=\"advgb-post-tax-term\">Luisa Miller<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/singers-of-color\/\" class=\"advgb-post-tax-term\">Margarete Teschemacher<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/singers-of-color\/\" class=\"advgb-post-tax-term\">Maria Cebotari<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/singers-of-color\/\" class=\"advgb-post-tax-term\">Maria Stader<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/singers-of-color\/\" class=\"advgb-post-tax-term\">Meta Seinemeyer<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/singers-of-color\/\" class=\"advgb-post-tax-term\">Nicolai Gedda<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/singers-of-color\/\" class=\"advgb-post-tax-term\">Otello<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/singers-of-color\/\" class=\"advgb-post-tax-term\">Otto Gerdes<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/singers-of-color\/\" class=\"advgb-post-tax-term\">Pilar Lorengar<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/singers-of-color\/\" class=\"advgb-post-tax-term\">Raymond Wolansky<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/singers-of-color\/\" class=\"advgb-post-tax-term\">Richard Kraus<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/singers-of-color\/\" class=\"advgb-post-tax-term\">Richard Tauber<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/singers-of-color\/\" class=\"advgb-post-tax-term\">Robert Burg<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/singers-of-color\/\" class=\"advgb-post-tax-term\">Rudolf Schock<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/singers-of-color\/\" class=\"advgb-post-tax-term\">Sabine Kalter<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/singers-of-color\/\" class=\"advgb-post-tax-term\">S\u00e1ndor K\u00f3nya<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/singers-of-color\/\" class=\"advgb-post-tax-term\">Teresa Stratas<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/singers-of-color\/\" class=\"advgb-post-tax-term\">Un ballo in maschera<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/singers-of-color\/\" class=\"advgb-post-tax-term\">Willi Domgraf-Fassbaender<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/singers-of-color\/\" class=\"advgb-post-tax-term\">Wolfgang Sawallisch<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/singers-of-color\/\" class=\"advgb-post-tax-term\">Wolfgang Windgassen<\/a>"],"unlinked":["<span class=\"advgb-post-tax-term\">Aida<\/span>","<span class=\"advgb-post-tax-term\">Annelies Kupper<\/span>","<span class=\"advgb-post-tax-term\">Anneliese Rothenberger<\/span>","<span class=\"advgb-post-tax-term\">Anton de Ridder<\/span>","<span class=\"advgb-post-tax-term\">Betty Allen<\/span>","<span class=\"advgb-post-tax-term\">Bruno Bartoletti<\/span>","<span class=\"advgb-post-tax-term\">Bruno Seidler-Winkler<\/span>","<span class=\"advgb-post-tax-term\">Carl Besi<\/span>","<span class=\"advgb-post-tax-term\">Clemens Krauss<\/span>","<span class=\"advgb-post-tax-term\">Don Carlo<\/span>","<span class=\"advgb-post-tax-term\">Elisabeth Gr\u00fcmmer<\/span>","<span class=\"advgb-post-tax-term\">Erich Orthmann<\/span>","<span class=\"advgb-post-tax-term\">Ferdinand Leitner<\/span>","<span class=\"advgb-post-tax-term\">Friedel Beckmann<\/span>","<span class=\"advgb-post-tax-term\">Frieder Weissmann<\/span>","<span class=\"advgb-post-tax-term\">Friedrich Schiller<\/span>","<span class=\"advgb-post-tax-term\">Fritz Wunderlich<\/span>","<span class=\"advgb-post-tax-term\">Georg Hann<\/span>","<span class=\"advgb-post-tax-term\">Georgina von Milinkovic<\/span>","<span class=\"advgb-post-tax-term\">Giuseppe Patan\u00e8<\/span>","<span class=\"advgb-post-tax-term\">Giuseppe Verdi<\/span>","<span class=\"advgb-post-tax-term\">Gloria Davy<\/span>","<span class=\"advgb-post-tax-term\">Gottlob Frick<\/span>","<span class=\"advgb-post-tax-term\">Grace Bumbry<\/span>","<span class=\"advgb-post-tax-term\">Hans Schmidt-Isserstedt<\/span>","<span class=\"advgb-post-tax-term\">Helge Rosvaenge<\/span>","<span class=\"advgb-post-tax-term\">Hilde G\u00fcden<\/span>","<span class=\"advgb-post-tax-term\">Hildegard Hillebrecht<\/span>","<span class=\"advgb-post-tax-term\">Horst Stein<\/span>","<span class=\"advgb-post-tax-term\">Il Trovatore<\/span>","<span class=\"advgb-post-tax-term\">Inge Borkh<\/span>","<span class=\"advgb-post-tax-term\">James King<\/span>","<span class=\"advgb-post-tax-term\">J\u00e1nos Kulka<\/span>","<span class=\"advgb-post-tax-term\">Jess Thomas<\/span>","<span class=\"advgb-post-tax-term\">Josef Gostic<\/span>","<span class=\"advgb-post-tax-term\">Josef Greindl<\/span>","<span class=\"advgb-post-tax-term\">Karl Elmendorff<\/span>","<span class=\"advgb-post-tax-term\">La forza del destino<\/span>","<span class=\"advgb-post-tax-term\">La Traviata<\/span>","<span class=\"advgb-post-tax-term\">Lawrence Winters<\/span>","<span class=\"advgb-post-tax-term\">Leonora Lafayette<\/span>","<span class=\"advgb-post-tax-term\">Luisa Miller<\/span>","<span class=\"advgb-post-tax-term\">Margarete Teschemacher<\/span>","<span class=\"advgb-post-tax-term\">Maria Cebotari<\/span>","<span class=\"advgb-post-tax-term\">Maria Stader<\/span>","<span class=\"advgb-post-tax-term\">Meta Seinemeyer<\/span>","<span class=\"advgb-post-tax-term\">Nicolai Gedda<\/span>","<span class=\"advgb-post-tax-term\">Otello<\/span>","<span class=\"advgb-post-tax-term\">Otto Gerdes<\/span>","<span class=\"advgb-post-tax-term\">Pilar Lorengar<\/span>","<span class=\"advgb-post-tax-term\">Raymond Wolansky<\/span>","<span class=\"advgb-post-tax-term\">Richard Kraus<\/span>","<span class=\"advgb-post-tax-term\">Richard Tauber<\/span>","<span class=\"advgb-post-tax-term\">Robert Burg<\/span>","<span class=\"advgb-post-tax-term\">Rudolf Schock<\/span>","<span class=\"advgb-post-tax-term\">Sabine Kalter<\/span>","<span class=\"advgb-post-tax-term\">S\u00e1ndor K\u00f3nya<\/span>","<span class=\"advgb-post-tax-term\">Teresa Stratas<\/span>","<span class=\"advgb-post-tax-term\">Un ballo in maschera<\/span>","<span class=\"advgb-post-tax-term\">Willi Domgraf-Fassbaender<\/span>","<span class=\"advgb-post-tax-term\">Wolfgang Sawallisch<\/span>","<span class=\"advgb-post-tax-term\">Wolfgang Windgassen<\/span>"]}},"comment_count":"1","relative_dates":{"created":"Posted 4 years ago","modified":"Updated 4 years ago"},"absolute_dates":{"created":"Posted on 17\/10\/2021","modified":"Updated on 17\/10\/2021"},"absolute_dates_time":{"created":"Posted on 17\/10\/2021 18:50","modified":"Updated on 17\/10\/2021 22:00"},"featured_img_caption":"","series_order":"","_links":{"self":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/8329","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/comments?post=8329"}],"version-history":[{"count":5,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/8329\/revisions"}],"predecessor-version":[{"id":8425,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/8329\/revisions\/8425"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/media\/8377"}],"wp:attachment":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/media?parent=8329"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/categories?post=8329"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/tags?post=8329"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}