{"id":8294,"date":"2021-10-31T14:06:24","date_gmt":"2021-10-31T13:06:24","guid":{"rendered":"http:\/\/countermelodypodcast.com\/?p=8294"},"modified":"2021-11-03T15:07:09","modified_gmt":"2021-11-03T14:07:09","slug":"episode-113-edda-moser","status":"publish","type":"post","link":"https:\/\/countermelodypodcast.com\/index.php\/2021\/10\/31\/episode-113-edda-moser\/","title":{"rendered":"Episode 113. Edda Moser"},"content":{"rendered":"<div id=\"mega-menu-wrap-primary\" class=\"mega-menu-wrap\"><div class=\"mega-menu-toggle\"><div class=\"mega-toggle-blocks-left\"><\/div><div class=\"mega-toggle-blocks-center\"><\/div><div class=\"mega-toggle-blocks-right\"><div class='mega-toggle-block mega-menu-toggle-animated-block mega-toggle-block-1' id='mega-toggle-block-1'><button aria-label=\"Menu\" class=\"mega-toggle-animated mega-toggle-animated-slider\" type=\"button\" aria-haspopup=\"true\" aria-expanded=\"false\" aria-controls=\"mega-menu-primary\">\n                  <span class=\"mega-toggle-animated-box\">\n                    <span class=\"mega-toggle-animated-inner\"><\/span>\n                  <\/span>\n                <\/button><\/div><\/div><\/div><ul id=\"mega-menu-primary\" class=\"mega-menu max-mega-menu mega-menu-horizontal mega-no-js\" data-event=\"hover_intent\" data-effect=\"slide\" data-effect-speed=\"200\" data-effect-mobile=\"slide\" data-effect-speed-mobile=\"200\" data-mobile-force-width=\"body\" data-second-click=\"go\" data-document-click=\"collapse\" data-vertical-behaviour=\"standard\" data-breakpoint=\"600\" data-unbind=\"true\" data-mobile-state=\"collapse_all\" data-mobile-direction=\"vertical\" data-hover-intent-timeout=\"300\" data-hover-intent-interval=\"100\"><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-menu-item-home mega-align-bottom-left mega-menu-flyout mega-menu-item-19160\" id=\"mega-menu-item-19160\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/\">Home<\/a><\/li><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-align-bottom-left mega-menu-flyout mega-menu-item-19161\" id=\"mega-menu-item-19161\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/index.php\/about-daniel\/\">About Daniel<\/a><\/li><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-current_page_parent mega-align-bottom-left mega-menu-flyout mega-menu-item-19171\" id=\"mega-menu-item-19171\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/index.php\/all-episodes\/\">All Episodes<\/a><\/li><\/ul><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">Episode 113.  Edda Moser<\/h2>\n\n\n\n<iframe loading=\"lazy\" width=\"340\" height=\"50\" src=\"https:\/\/countermelody.blubrry.net\/?powerpress_embed=436-podcast&amp;powerpress_player=mediaelement-audio\" title=\"Blubrry Podcast Player\" frameborder=\"0\" scrolling=\"no\"><\/iframe>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p><strong>SOCIAL SHARE<\/strong><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"has-text-align-right\"><strong>SUBSCRIPTION PLATFORM<\/strong><\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<div class=\"wp-block-buttons is-content-justification-left is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button alignright\"><a class=\"wp-block-button__link no-border-radius\" href=\"https:\/\/countermelody.blubrry.net\/\">SUBSCRIBE VIA YOUR FAVORITE PODCAST PLATFORM<\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"421\" height=\"577\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Demure-Edda.jpg\" alt=\"\" class=\"wp-image-8469\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Demure-Edda.jpg 421w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Demure-Edda-219x300.jpg 219w\" sizes=\"auto, (max-width: 421px) 100vw, 421px\" \/><\/figure><\/div>\n\n\n\n<div style=\"height:38px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>On 27 October the great German dramatic coloratura Edda Moser celebrated her 83rd birthday. Celebrated as the greatest Queen of the Night ever, Edda Moser\u2019s operatic career was centered on the music of Mozart but also included so much more. I present, it is true, two rare live examples of her singing the music of Mozart, but I also include her performances of music by Henze, Leh\u00e1r, Verdi, Handel, Johann and Richard Strauss, Gluck, Offenbach, and Boris Blacher, as well as precious examples of her singing of Lieder, including songs by Brahms, Schubert, and Clara Schumann. I conclude with her reading of a beloved poem in tribute to her ongoing commitment to German language and culture. Vocal guest stars this week include Kostas Paskalis, Werner Krenn, Alfredo Kraus, Jos\u00e9 van Dam, Arleen Aug\u00e9r, and Theo Adam. <em>Geliebte Frau Moser, wir erfreuen uns an Ihrer Kunstfertigkeit als begnadete S\u00e4ngerin und Ihrem Vorbild als kulturelle Fahnentr\u00e4gerin.<\/em><\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-gallery columns-3 is-cropped wp-block-gallery-1\"><ul class=\"blocks-gallery-grid\"><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"245\" height=\"245\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/11\/Edda-GIF-3.gif\" alt=\"\" data-id=\"8511\" data-full-url=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/11\/Edda-GIF-3.gif\" data-link=\"https:\/\/countermelodypodcast.com\/index.php\/2021\/10\/31\/episode-113-edda-moser\/edda-gif-3\/\" class=\"wp-image-8511\"\/><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"245\" height=\"245\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/11\/Edda-GIF-1.gif\" alt=\"\" data-id=\"8509\" data-full-url=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/11\/Edda-GIF-1.gif\" data-link=\"https:\/\/countermelodypodcast.com\/index.php\/2021\/10\/31\/episode-113-edda-moser\/edda-gif-1-2\/\" class=\"wp-image-8509\"\/><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"245\" height=\"245\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/11\/Edda-GIF-4.webp\" alt=\"\" data-id=\"8512\" data-link=\"https:\/\/countermelodypodcast.com\/index.php\/2021\/10\/31\/episode-113-edda-moser\/edda-gif-4\/\" class=\"wp-image-8512\"\/><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"245\" height=\"245\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/11\/Edda-GIF-2.gif\" alt=\"\" data-id=\"8510\" data-full-url=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/11\/Edda-GIF-2.gif\" data-link=\"https:\/\/countermelodypodcast.com\/index.php\/2021\/10\/31\/episode-113-edda-moser\/edda-gif-2\/\" class=\"wp-image-8510 is-layout-flex wp-block-gallery-is-layout-flex\"\/><\/figure><\/li><\/ul><\/figure>\n\n\n\n<div style=\"height:47px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-custom-size\" style=\"font-size:30px\"><strong> RECORDINGS HEARD IN THIS EPISODE<\/strong><\/p>\n\n\n\n<div style=\"height:55px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"393\" height=\"541\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/11\/Moser-Queen-Hamburg.jpg\" alt=\"\" class=\"wp-image-8477\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/11\/Moser-Queen-Hamburg.jpg 393w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/11\/Moser-Queen-Hamburg-218x300.jpg 218w\" sizes=\"auto, (max-width: 393px) 100vw, 393px\" \/><\/figure><\/div>\n\n\n\n<p>Wolfgang Amadeus Mozart, Emanuel Schikaneder: Der H\u00f6lle Rache kocht in meinem Herzen (<em>Die Zauberfl\u00f6te<\/em>). Edda Moser, Wolfgang Sawallisch, Orchester der Bayerischen Staatsoper M\u00fcnchen [1973]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"500\" height=\"340\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/11\/Moser-Violetta.jpg\" alt=\"\" class=\"wp-image-8478\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/11\/Moser-Violetta.jpg 500w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/11\/Moser-Violetta-300x204.jpg 300w\" sizes=\"auto, (max-width: 500px) 100vw, 500px\" \/><\/figure><\/div>\n\n\n\n<p>Giuseppe Verdi, Francesco Maria Piave: Sempre libera (<em>La Traviata<\/em>). Edda Moser, Franco Bonisolli, Heinz Wallberg, Philharmonia Hungarica [1976]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"397\" height=\"565\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/11\/Moser-Lauterwasser.jpg\" alt=\"\" class=\"wp-image-8479\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/11\/Moser-Lauterwasser.jpg 397w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/11\/Moser-Lauterwasser-211x300.jpg 211w\" sizes=\"auto, (max-width: 397px) 100vw, 397px\" \/><\/figure><\/div>\n\n\n\n<p>Richard Wagner: Wohl kenn\u2019 ich dich&#8230; Preis\u2019 deinen Engel (<em>Der fliegende Holl\u00e4nder<\/em>). Edda Moser, unknown conductor, castmates, chorus and recording date<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"600\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/11\/Venezia-with-Werba.jpg\" alt=\"\" class=\"wp-image-8480\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/11\/Venezia-with-Werba.jpg 600w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/11\/Venezia-with-Werba-300x300.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/11\/Venezia-with-Werba-150x150.jpg 150w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><figcaption>Excerpts from this recording are featured on the Edda Moser bonus episode.<\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:11px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Clara Schumann, Friedrich R\u00fcckert: Warum willst du andre Fragen?, Op. 12\/11. Edda Moser, Erik Werba [1977]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"458\" height=\"440\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/11\/Papa-Moser.jpg\" alt=\"\" class=\"wp-image-8481\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/11\/Papa-Moser.jpg 458w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/11\/Papa-Moser-300x288.jpg 300w\" sizes=\"auto, (max-width: 458px) 100vw, 458px\" \/><figcaption>Hans Joachim Moser (25 May 1889 \u2014 14 August 1967)<\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Jewish Music [Aboda for the Day of Atonement]; The Troubadours [Raimbault de Vaquerias: Kalenda Maya]; The Minnesingers [Walther von der Vogelweide: Palastine Song]. Hans Joachim Moser [Recorded for Parlophone 2000 Years of Music series, 1930]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/11\/Blacher-Young.jpg\" alt=\"\" class=\"wp-image-8482\" width=\"525\" height=\"642\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/11\/Blacher-Young.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/11\/Blacher-Young-245x300.jpg 245w\" sizes=\"auto, (max-width: 525px) 100vw, 525px\" \/><figcaption>Boris Blacher (6 January&nbsp;1903&nbsp;\u2013 30 January 1975)<\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:8px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Boris Blacher: Wie kommst du her? [Balcony Scene] (<em>Romeo und Julia<\/em>). Edda Moser, Werner Krenn, Paul Sacher, Kammerensemble der Berliner Hochschule der K\u00fcnste [early 1960s]<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/11\/Werner-Krenn.jpg\" alt=\"\" class=\"wp-image-8483\" width=\"428\" height=\"544\"\/><figcaption>Werner Krenn<\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image is-style-bottom-wave\"><figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"635\" height=\"357\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/11\/Moser-in-Fledermaus.jpg\" alt=\"\" class=\"wp-image-8484\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/11\/Moser-in-Fledermaus.jpg 635w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/11\/Moser-in-Fledermaus-300x169.jpg 300w\" sizes=\"auto, (max-width: 635px) 100vw, 635px\" \/><\/figure><\/div>\n\n\n\n<p>Johann Strauss II, Carl Haffner and Richard Gen\u00e9e after Henri Meilhac and Ludovic Hal\u00e9vy: Kl\u00e4nge der Heimat (Die Fledermaus). Edda Moser, Anton Paulik, Wiener Philharmoniker [live Wien 01.01.75]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/11\/Henze.jpg\" alt=\"\" class=\"wp-image-8485\" width=\"432\" height=\"605\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/11\/Henze.jpg 220w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/11\/Henze-214x300.jpg 214w\" sizes=\"auto, (max-width: 432px) 100vw, 432px\" \/><figcaption>Hans Werner Henze (1 July 1926 \u2013 27 October 2012)<\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Hans Werner Henze, Ingeborg Bachmann: Aria II [Freies Geleit] (<em>Nachtst\u00fccke und Arien<\/em>). Edda Moser, Christoph von Dohn\u00e1nyi, Rundfunk-Sinfonie-Orchester K\u00f6ln [1968, Westdeutschen Rundfunk]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"857\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/11\/Wenzinger-857x1024.jpg\" alt=\"\" class=\"wp-image-8486\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/11\/Wenzinger-857x1024.jpg 857w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/11\/Wenzinger-251x300.jpg 251w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/11\/Wenzinger-768x918.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/11\/Wenzinger-1285x1536.jpg 1285w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/11\/Wenzinger-1714x2048.jpg 1714w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/11\/Wenzinger-1600x1912.jpg 1600w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/11\/Wenzinger.jpg 1950w\" sizes=\"auto, (max-width: 857px) 100vw, 857px\" \/><figcaption>August Wenzinger (14 November 1905  \u2013  25 December 1996)<\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>George Frideric Handel, Barthold Heinrich Brockes: Soll mein Kind, mein Heiland, sterben? (<em>Brockes-Passion<\/em>, HWV 48). Edda Moser, Theo Adam, August Wenzinger, Schola Cantorum Basiliensis [1967]<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"650\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/11\/Theo-Adam.jpg\" alt=\"\" class=\"wp-image-8487\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/11\/Theo-Adam.jpg 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/11\/Theo-Adam-300x190.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/11\/Theo-Adam-768x488.jpg 768w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption>Theo Adam (1 August 1926 \u2013 10 January 2019)<\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"500\" height=\"580\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/11\/Auger.jpg\" alt=\"\" class=\"wp-image-8488\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/11\/Auger.jpg 500w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/11\/Auger-259x300.jpg 259w\" sizes=\"auto, (max-width: 500px) 100vw, 500px\" \/><figcaption>Arleen Aug\u00e9r&nbsp;(13 September 1939 \u2013 10 June 1993)<\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:8px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Wolfgang Amadeus Mozart, Vittorio Amedeo Cigna-Santi: Se viver non degg\u2019io (<em>Mitridate, Re di Ponto<\/em>). Edda Moser, Arleen Aug\u00e9r, Leopold Hager, Mozarteum Orchestra [live Salzburg 1971]<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"624\" height=\"398\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/11\/Hager.jpg\" alt=\"\" class=\"wp-image-8489\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/11\/Hager.jpg 624w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/11\/Hager-300x191.jpg 300w\" sizes=\"auto, (max-width: 624px) 100vw, 624px\" \/><figcaption>Leopold Hager (born 6 October 1935)<\/figcaption><\/figure>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"334\" height=\"604\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/11\/Moser-Vitellia.jpg\" alt=\"\" class=\"wp-image-8490\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/11\/Moser-Vitellia.jpg 334w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/11\/Moser-Vitellia-166x300.jpg 166w\" sizes=\"auto, (max-width: 334px) 100vw, 334px\" \/><\/figure><\/div>\n\n\n\n<p>Wolfgang Amadeus Mozart, Pietro Metastasio: Non pi\u00f9 di Fiori (<em>La Clemenza di Tito<\/em>). Edda Moser, Julius Rudel, Wiener Symphoniker. [live Wien 01 July 1976]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"448\" height=\"630\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/11\/Rigoletto-with-Ots.jpg\" alt=\"\" class=\"wp-image-8491\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/11\/Rigoletto-with-Ots.jpg 448w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/11\/Rigoletto-with-Ots-213x300.jpg 213w\" sizes=\"auto, (max-width: 448px) 100vw, 448px\" \/><figcaption>As Gilda with baritone Georg Ots<\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Giuseppe Verdi, Francesco Maria Piave after Victor Hugo: Furtivo fra le tenebre&#8230; S\u00ec, vendetta, tremenda vendetta (<em>Rigoletto<\/em>). Edda Moser, Kostas Paskalis, Georg Singer, Wiener Philharmoniker [live Wien 1973]<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"564\" height=\"874\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/11\/Paskalis-di-Luna.jpg\" alt=\"\" class=\"wp-image-8492\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/11\/Paskalis-di-Luna.jpg 564w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/11\/Paskalis-di-Luna-194x300.jpg 194w\" sizes=\"auto, (max-width: 564px) 100vw, 564px\" \/><figcaption>Kostas Paskalis ((1 September 1929  \u2013  9 February 2007)<\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"586\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/11\/Moser-Met-Fountain.jpg\" alt=\"\" class=\"wp-image-8493\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/11\/Moser-Met-Fountain.jpg 600w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/11\/Moser-Met-Fountain-300x293.jpg 300w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/figure><\/div>\n\n\n\n<p>Giuseppe Verdi, Joseph M\u00e9ry and Camille du Locle after Friedrich Schiller: Du, im irdischen Wahn [Tu che le vanit\u00e0] (<em>Don Carlos<\/em>). Edda Moser, Giuseppe Patan\u00e8, Radio-Symphonie-Orchester Berlin [1973]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"442\" height=\"572\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/11\/Kraus-Handsome-1.jpg\" alt=\"\" class=\"wp-image-8496\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/11\/Kraus-Handsome-1.jpg 442w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/11\/Kraus-Handsome-1-232x300.jpg 232w\" sizes=\"auto, (max-width: 442px) 100vw, 442px\" \/><figcaption>Alfredo Kraus (24 November 1927&nbsp;\u2013 10 September 1999)<\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:9px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Giuseppe Verdi, Francesco Maria Piave after Alexandre Dumas: Ah, non pi\u00f9! A un tempio&#8230; Ah! Gran Dio, morir si giovane (<em>La Traviata<\/em>). Edda Moser, Alfredo Kraus, Julius Rudel, Wiener Philharmoniker [live Wien 1980]<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"614\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/11\/Rudel-1024x614.jpg\" alt=\"\" class=\"wp-image-8494\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/11\/Rudel-1024x614.jpg 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/11\/Rudel-300x180.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/11\/Rudel-768x461.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/11\/Rudel.jpg 1500w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption>Julius Rudel (6 March 1921 \u2013 26 June 2014)<\/figcaption><\/figure>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"662\" height=\"577\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/11\/Edda-with-Rose.jpg\" alt=\"\" class=\"wp-image-8497\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/11\/Edda-with-Rose.jpg 662w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/11\/Edda-with-Rose-300x261.jpg 300w\" sizes=\"auto, (max-width: 662px) 100vw, 662px\" \/><\/figure><\/div>\n\n\n\n<p>Jacques Offenbach, Jules Barbier after ETA Hoffmann: Ch\u00e8re enfant (<em>Les contes d\u2019Hoffmann<\/em>). Edda Moser, Jos\u00e9 van Dam, Jocelyne Taillon, James Levine, Wiener Philharmoniker [live Salzburg, August 1980]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"640\" height=\"480\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/11\/Iphigenie.jpg\" alt=\"\" class=\"wp-image-8498\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/11\/Iphigenie.jpg 640w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/11\/Iphigenie-300x225.jpg 300w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/figure><\/div>\n\n\n\n<p>Christoph Willibald Gluck, Nicolas-Fran\u00e7ois Guillard: \u00d4 toi qui prolongeas mes jours (<em>Iphig\u00e9nie en Tauride<\/em>). Edda Moser, Riccardo Muti, Orchestra del Maggio Musicale Fiorentino [live Firenze, Spring 1981]<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"370\" height=\"493\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/11\/Muti.png\" alt=\"\" class=\"wp-image-8499\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/11\/Muti.png 370w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/11\/Muti-225x300.png 225w\" sizes=\"auto, (max-width: 370px) 100vw, 370px\" \/><figcaption>Riccardo Muti<\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"905\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/11\/Moser-Birthday-Girl-Full-Length-1024x905.jpg\" alt=\"\" class=\"wp-image-8500\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/11\/Moser-Birthday-Girl-Full-Length-1024x905.jpg 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/11\/Moser-Birthday-Girl-Full-Length-300x265.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/11\/Moser-Birthday-Girl-Full-Length-768x679.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/11\/Moser-Birthday-Girl-Full-Length-1536x1357.jpg 1536w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/11\/Moser-Birthday-Girl-Full-Length-1600x1414.jpg 1600w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/11\/Moser-Birthday-Girl-Full-Length.jpg 1900w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<p>Ludwig Van Beethoven, Joseph Sonnleithner after Jean Nicolas Bouilly: Komm, Hoffnung (<em>Fidelio<\/em>). Edda Moser, Eugene Kohn, Louisville Orchestra [live Louisville, October 1985]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"689\" height=\"707\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/11\/Moser-Imperious.png\" alt=\"\" class=\"wp-image-8501\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/11\/Moser-Imperious.png 689w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/11\/Moser-Imperious-292x300.png 292w\" sizes=\"auto, (max-width: 689px) 100vw, 689px\" \/><\/figure><\/div>\n\n\n\n<p>Richard Strauss, Oscar Wilde, translated by Hedwig Lachmann: Ach, ich habe ihn gek\u00fc\u00dft, deinen Mund (<em>Salome<\/em>). Edda Moser, Josef Hopferweiser, Peter Schneider, Wiener Philharmoniker [live Wien 02 February 1994]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"599\" height=\"583\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/11\/Strauss-Pfitzner-Werba.jpg\" alt=\"\" class=\"wp-image-8502\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/11\/Strauss-Pfitzner-Werba.jpg 599w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/11\/Strauss-Pfitzner-Werba-300x292.jpg 300w\" sizes=\"auto, (max-width: 599px) 100vw, 599px\" \/><\/figure><\/div>\n\n\n\n<p>Richard Strauss, Clemens Brentano: Als mir dein Lied erklang (<em>Brentano-Lieder<\/em>, Op. 68\/4). Edda Moser, Erik Werba [1972]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"600\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/11\/Schubert-Hokanson.jpg\" alt=\"\" class=\"wp-image-8503\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/11\/Schubert-Hokanson.jpg 600w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/11\/Schubert-Hokanson-300x300.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/11\/Schubert-Hokanson-150x150.jpg 150w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/figure><\/div>\n\n\n\n<p>Franz Schubert, Wilhelm von Sch\u00fctz: Delphine, D.857. Edda Moser, Leonard Hokanson [1983]<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"449\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/11\/Moser-Hokanson.jpg\" alt=\"\" class=\"wp-image-8504\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/11\/Moser-Hokanson.jpg 600w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/11\/Moser-Hokanson-300x225.jpg 300w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><figcaption>Rehearsing with Leonard Hokanson (13 August 1931 \u2013 21 March 2003)<\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"598\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/11\/Schumann-Brahms-Werba.jpg\" alt=\"\" class=\"wp-image-8505\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/11\/Schumann-Brahms-Werba.jpg 600w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/11\/Schumann-Brahms-Werba-300x300.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/11\/Schumann-Brahms-Werba-150x150.jpg 150w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/figure><\/div>\n\n\n\n<p>Johannes Brahms, Ludwig H\u00f6lty: Die Mainacht, Op. 43\/2. Edda Moser, Erik Werba [1973]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"729\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/11\/Edda-Widow.jpg\" alt=\"\" class=\"wp-image-8506\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/11\/Edda-Widow.jpg 729w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/11\/Edda-Widow-214x300.jpg 214w\" sizes=\"auto, (max-width: 729px) 100vw, 729px\" \/><\/figure><\/div>\n\n\n\n<p>Franz Leh\u00e1r, Viktor L\u00e9on, Leo Stein: Vilja-Lied (Die lustige Witwe). Edda Moser, Lovro von Mata\u010di\u0107, Zagreb Tamburitze Ensemble [RAI Milano 25 January 1980]<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"400\" height=\"400\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/11\/Matacic.jpg\" alt=\"\" class=\"wp-image-8507\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/11\/Matacic.jpg 400w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/11\/Matacic-300x300.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/11\/Matacic-150x150.jpg 150w\" sizes=\"auto, (max-width: 400px) 100vw, 400px\" \/><figcaption>Lovro von Mata\u010di\u0107 (14 February 1899 \u2013 4 January 1985)<\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"681\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/11\/Torzs-681x1024.jpg\" alt=\"\" class=\"wp-image-8508\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/11\/Torzs-681x1024.jpg 681w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/11\/Torzs-199x300.jpg 199w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/11\/Torzs-768x1155.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/11\/Torzs-1021x1536.jpg 1021w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/11\/Torzs.jpg 1181w\" sizes=\"auto, (max-width: 681px) 100vw, 681px\" \/><figcaption> Ivan T\u00f6rzs<\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:11px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Matthias Claudius, Johann Abraham Peter Schulz, Heinrich Isaac: Der Mond ist aufgegangen. Edda Moser, Ivan T\u00f6rzs [2014]<\/p>\n\n\n\n<figure class=\"wp-block-gallery columns-3 is-cropped wp-block-gallery-2\"><ul class=\"blocks-gallery-grid\"><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"799\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/11\/Another-Steiner-799x1024.jpg\" alt=\"\" data-id=\"8513\" data-full-url=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/11\/Another-Steiner.jpg\" data-link=\"https:\/\/countermelodypodcast.com\/index.php\/2021\/10\/31\/episode-113-edda-moser\/another-steiner\/\" class=\"wp-image-8513\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/11\/Another-Steiner-799x1024.jpg 799w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/11\/Another-Steiner-234x300.jpg 234w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/11\/Another-Steiner-768x985.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/11\/Another-Steiner-1198x1536.jpg 1198w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/11\/Another-Steiner-1598x2048.jpg 1598w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/11\/Another-Steiner-1600x2051.jpg 1600w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/11\/Another-Steiner.jpg 1986w\" sizes=\"auto, (max-width: 799px) 100vw, 799px\" \/><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"427\" height=\"670\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/11\/Comfy-in-Cardigan.jpg\" alt=\"\" data-id=\"8514\" data-full-url=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/11\/Comfy-in-Cardigan.jpg\" data-link=\"https:\/\/countermelodypodcast.com\/index.php\/2021\/10\/31\/episode-113-edda-moser\/comfy-in-cardigan\/\" class=\"wp-image-8514\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/11\/Comfy-in-Cardigan.jpg 427w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/11\/Comfy-in-Cardigan-191x300.jpg 191w\" sizes=\"auto, (max-width: 427px) 100vw, 427px\" \/><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"388\" height=\"363\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/11\/Dont-Fuck-with-Me-Fellas.png\" alt=\"\" data-id=\"8515\" data-full-url=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/11\/Dont-Fuck-with-Me-Fellas.png\" data-link=\"https:\/\/countermelodypodcast.com\/index.php\/2021\/10\/31\/episode-113-edda-moser\/dont-fuck-with-me-fellas-2\/\" class=\"wp-image-8515\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/11\/Dont-Fuck-with-Me-Fellas.png 388w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/11\/Dont-Fuck-with-Me-Fellas-300x281.png 300w\" sizes=\"auto, (max-width: 388px) 100vw, 388px\" \/><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"720\" height=\"540\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/11\/Edda-in-Scarf-and-Necklace.jpg\" alt=\"\" data-id=\"8516\" data-full-url=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/11\/Edda-in-Scarf-and-Necklace.jpg\" data-link=\"https:\/\/countermelodypodcast.com\/index.php\/2021\/10\/31\/episode-113-edda-moser\/edda-in-scarf-and-necklace\/\" class=\"wp-image-8516\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/11\/Edda-in-Scarf-and-Necklace.jpg 720w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/11\/Edda-in-Scarf-and-Necklace-300x225.jpg 300w\" sizes=\"auto, (max-width: 720px) 100vw, 720px\" \/><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"768\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/11\/Edda-Reaching-to-Sky-768x1024.jpg\" alt=\"\" data-id=\"8517\" data-full-url=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/11\/Edda-Reaching-to-Sky.jpg\" data-link=\"https:\/\/countermelodypodcast.com\/index.php\/2021\/10\/31\/episode-113-edda-moser\/edda-reaching-to-sky\/\" class=\"wp-image-8517\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/11\/Edda-Reaching-to-Sky-768x1024.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/11\/Edda-Reaching-to-Sky-225x300.jpg 225w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/11\/Edda-Reaching-to-Sky-1152x1536.jpg 1152w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/11\/Edda-Reaching-to-Sky.jpg 1200w\" sizes=\"auto, (max-width: 768px) 100vw, 768px\" \/><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"377\" height=\"587\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/11\/Moser-Autographed-Pixie-Haircut.jpg\" alt=\"\" data-id=\"8518\" data-full-url=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/11\/Moser-Autographed-Pixie-Haircut.jpg\" data-link=\"https:\/\/countermelodypodcast.com\/index.php\/2021\/10\/31\/episode-113-edda-moser\/moser-autographed-pixie-haircut\/\" class=\"wp-image-8518\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/11\/Moser-Autographed-Pixie-Haircut.jpg 377w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/11\/Moser-Autographed-Pixie-Haircut-193x300.jpg 193w\" sizes=\"auto, (max-width: 377px) 100vw, 377px\" \/><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"755\" height=\"425\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/11\/Moser-in-radio-studio.jpg\" alt=\"\" data-id=\"8519\" data-full-url=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/11\/Moser-in-radio-studio.jpg\" data-link=\"https:\/\/countermelodypodcast.com\/index.php\/2021\/10\/31\/episode-113-edda-moser\/moser-in-radio-studio\/\" class=\"wp-image-8519\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/11\/Moser-in-radio-studio.jpg 755w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/11\/Moser-in-radio-studio-300x169.jpg 300w\" sizes=\"auto, (max-width: 755px) 100vw, 755px\" \/><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"344\" height=\"648\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/11\/Moser-Konstanze.jpg\" alt=\"\" data-id=\"8520\" data-full-url=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/11\/Moser-Konstanze.jpg\" data-link=\"https:\/\/countermelodypodcast.com\/index.php\/2021\/10\/31\/episode-113-edda-moser\/moser-konstanze\/\" class=\"wp-image-8520\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/11\/Moser-Konstanze.jpg 344w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/11\/Moser-Konstanze-159x300.jpg 159w\" sizes=\"auto, (max-width: 344px) 100vw, 344px\" \/><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"825\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/11\/Moser-Queen-full-length-825x1024.jpg\" alt=\"\" data-id=\"8521\" data-full-url=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/11\/Moser-Queen-full-length.jpg\" data-link=\"https:\/\/countermelodypodcast.com\/index.php\/2021\/10\/31\/episode-113-edda-moser\/moser-queen-full-length\/\" class=\"wp-image-8521\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/11\/Moser-Queen-full-length-825x1024.jpg 825w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/11\/Moser-Queen-full-length-242x300.jpg 242w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/11\/Moser-Queen-full-length-768x953.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/11\/Moser-Queen-full-length-1238x1536.jpg 1238w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/11\/Moser-Queen-full-length.jpg 1263w\" sizes=\"auto, (max-width: 825px) 100vw, 825px\" \/><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"598\" height=\"441\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/11\/Moser-Queen-Paris-1977.jpg\" alt=\"\" data-id=\"8522\" data-full-url=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/11\/Moser-Queen-Paris-1977.jpg\" data-link=\"https:\/\/countermelodypodcast.com\/index.php\/2021\/10\/31\/episode-113-edda-moser\/moser-queen-paris-1977\/\" class=\"wp-image-8522\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/11\/Moser-Queen-Paris-1977.jpg 598w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/11\/Moser-Queen-Paris-1977-300x221.jpg 300w\" sizes=\"auto, (max-width: 598px) 100vw, 598px\" \/><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"444\" height=\"634\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/11\/Wellgunde.jpg\" alt=\"\" data-id=\"8526\" data-full-url=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/11\/Wellgunde.jpg\" data-link=\"https:\/\/countermelodypodcast.com\/index.php\/2021\/10\/31\/episode-113-edda-moser\/wellgunde\/\" class=\"wp-image-8526\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/11\/Wellgunde.jpg 444w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/11\/Wellgunde-210x300.jpg 210w\" sizes=\"auto, (max-width: 444px) 100vw, 444px\" \/><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"821\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/11\/Moser-Steiner-821x1024.jpg\" alt=\"\" data-id=\"8523\" data-full-url=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/11\/Moser-Steiner.jpg\" data-link=\"https:\/\/countermelodypodcast.com\/index.php\/2021\/10\/31\/episode-113-edda-moser\/moser-steiner\/\" class=\"wp-image-8523\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/11\/Moser-Steiner-821x1024.jpg 821w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/11\/Moser-Steiner-241x300.jpg 241w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/11\/Moser-Steiner-768x958.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/11\/Moser-Steiner-1232x1536.jpg 1232w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/11\/Moser-Steiner.jpg 1421w\" sizes=\"auto, (max-width: 821px) 100vw, 821px\" \/><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"662\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/11\/Moser-Young-662x1024.jpg\" alt=\"\" data-id=\"8524\" data-full-url=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/11\/Moser-Young.jpg\" data-link=\"https:\/\/countermelodypodcast.com\/index.php\/2021\/10\/31\/episode-113-edda-moser\/moser-young\/\" class=\"wp-image-8524\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/11\/Moser-Young-662x1024.jpg 662w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/11\/Moser-Young-194x300.jpg 194w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/11\/Moser-Young-768x1188.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/11\/Moser-Young-993x1536.jpg 993w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/11\/Moser-Young.jpg 1034w\" sizes=\"auto, (max-width: 662px) 100vw, 662px\" \/><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"606\" height=\"341\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/11\/Older-Edda-with-Choker.jpg\" alt=\"\" data-id=\"8525\" data-full-url=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/11\/Older-Edda-with-Choker.jpg\" data-link=\"https:\/\/countermelodypodcast.com\/index.php\/2021\/10\/31\/episode-113-edda-moser\/older-edda-with-choker\/\" class=\"wp-image-8525 is-layout-flex wp-block-gallery-is-layout-flex\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/11\/Older-Edda-with-Choker.jpg 606w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/11\/Older-Edda-with-Choker-300x169.jpg 300w\" sizes=\"auto, (max-width: 606px) 100vw, 606px\" \/><\/figure><\/li><\/ul><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>Episode 113. Edda Moser SOCIAL SHARE SUBSCRIPTION PLATFORM On 27 October the great German dramatic coloratura Edda Moser celebrated her&hellip;<\/p>\n","protected":false},"author":1,"featured_media":8472,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"advgb_blocks_editor_width":"","advgb_blocks_columns_visual_guide":"","footnotes":""},"categories":[1075,3132,3273,2261,2398,2399,1074,2260,808,2329,1470,2257,2328,2806],"tags":[47,1454,1639,3379,3381,3150,153,3384,2316,487,3380,1612,333,2247,1165,3373,488,1061,101,1231,3377,280,1705,207,2720,3386,2227,3348,3374,3371,98,1683,3375,3385,749,863,2112,3370,363,3376,1638,1066,2421,3353,2228,328,3378,3372,3383,1704,329,486,325,3369,724,3382,34,698],"class_list":["post-8294","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-art-song","category-franz-schubert","category-french-opera","category-full-figured-baroque","category-giuseppe-verdi","category-great-baritones","category-happy-birthday","category-music-for-a-world-in-crisis","category-needle-drop","category-opera-in-translation","category-operetta","category-richard-strauss","category-richard-wagner","category-twentieth-century-music","tag-alfredo-kraus","tag-anton-paulik","tag-arleen-auger","tag-august-wenzinger","tag-boris-blacher","tag-christoph-von-dohnanyi","tag-christoph-willibald-gluck","tag-clara-schumann","tag-clemens-brentano","tag-der-fliegende-hollander","tag-die-fledermaus","tag-die-zauberflote","tag-don-carlo","tag-edda-moser","tag-erik-werba","tag-eugene-kohn","tag-fidelio","tag-franco-bonisolli","tag-franz-schubert","tag-friedrich-ruckert","tag-georg-singer","tag-george-frideric-handel","tag-giuseppe-patane","tag-giuseppe-verdi","tag-hans-werner-henze","tag-heinrich-isaac","tag-heinz-wallberg","tag-ingeborg-bachmann","tag-iphigenie-en-tauride","tag-ivan-torzs","tag-jacques-offenbach","tag-james-levine","tag-jocelyne-taillon","tag-johann-abraham-peter-schulz","tag-johann-strauss-ii","tag-johannes-brahms","tag-jose-van-dam","tag-josef-hopferweiser","tag-julius-rudel","tag-kostas-paskalis","tag-la-clemenza-di-tito","tag-la-traviata","tag-leonard-hokanson","tag-leopold-hager","tag-les-contes-dhoffmann","tag-ludwig-van-beethoven","tag-mitridate-re-di-ponto","tag-oscar-wilde","tag-paul-sacher","tag-riccardo-muti","tag-richard-strauss","tag-richard-wagner","tag-rigoletto","tag-salome","tag-theo-adam","tag-werner-krenn","tag-wolfgang-amadeus-mozart","tag-wolfgang-sawallisch"],"author_meta":{"display_name":"admin","author_link":"https:\/\/countermelodypodcast.com\/index.php\/author\/admin\/"},"featured_img":"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Ferocious-Neck-300x169.jpg","coauthors":[],"tax_additional":{"categories":{"linked":["<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/art-song\/\" class=\"advgb-post-tax-term\">Art Song<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/franz-schubert\/\" class=\"advgb-post-tax-term\">Franz Schubert<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/french-opera\/\" class=\"advgb-post-tax-term\">French Opera<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/full-figured-baroque\/\" class=\"advgb-post-tax-term\">Full-Figured Baroque<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/giuseppe-verdi\/\" class=\"advgb-post-tax-term\">Giuseppe Verdi<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/great-baritones\/\" class=\"advgb-post-tax-term\">Great Baritones<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/happy-birthday\/\" class=\"advgb-post-tax-term\">Happy Birthday<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/music-for-a-world-in-crisis\/\" class=\"advgb-post-tax-term\">Music for a World in Crisis<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Needle Drop<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/opera-in-translation\/\" class=\"advgb-post-tax-term\">Opera in Translation<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Operetta<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/richard-strauss\/\" class=\"advgb-post-tax-term\">Richard Strauss<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/richard-wagner\/\" class=\"advgb-post-tax-term\">Richard Wagner<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Twentieth Century Music<\/a>"],"unlinked":["<span class=\"advgb-post-tax-term\">Art Song<\/span>","<span class=\"advgb-post-tax-term\">Franz Schubert<\/span>","<span class=\"advgb-post-tax-term\">French Opera<\/span>","<span class=\"advgb-post-tax-term\">Full-Figured Baroque<\/span>","<span class=\"advgb-post-tax-term\">Giuseppe Verdi<\/span>","<span class=\"advgb-post-tax-term\">Great Baritones<\/span>","<span class=\"advgb-post-tax-term\">Happy Birthday<\/span>","<span class=\"advgb-post-tax-term\">Music for a World in Crisis<\/span>","<span class=\"advgb-post-tax-term\">Needle Drop<\/span>","<span class=\"advgb-post-tax-term\">Opera in Translation<\/span>","<span class=\"advgb-post-tax-term\">Operetta<\/span>","<span class=\"advgb-post-tax-term\">Richard Strauss<\/span>","<span class=\"advgb-post-tax-term\">Richard Wagner<\/span>","<span class=\"advgb-post-tax-term\">Twentieth Century Music<\/span>"]},"tags":{"linked":["<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Alfredo Kraus<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Anton Paulik<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Arleen Aug\u00e9r<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">August Wenzinger<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Boris Blacher<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Christoph von Dohn\u00e1nyi<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Christoph Willibald Gluck<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Clara Schumann<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Clemens Brentano<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Der fliegende Holl\u00e4nder<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Die Fledermaus<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Die Zauberfl\u00f6te<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Don Carlo<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Edda Moser<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Erik Werba<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Eugene Kohn<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Fidelio<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Franco Bonisolli<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Franz Schubert<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Friedrich R\u00fcckert<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Georg Singer<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">George Frideric Handel<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Giuseppe Patan\u00e8<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Giuseppe Verdi<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Hans Werner Henze<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Heinrich Isaac<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Heinz Wallberg<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Ingeborg Bachmann<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Iphig\u00e9nie en Tauride<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Ivan T\u00f6rzs<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Jacques Offenbach<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">James Levine<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Jocelyne Taillon<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Johann Abraham Peter Schulz<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Johann Strauss II<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Johannes Brahms<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Jos\u00e9 Van Dam<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Josef Hopferweiser<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Julius Rudel<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Kostas Paskalis<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">La Clemenza di Tito<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">La Traviata<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Leonard Hokanson<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Leopold Hager<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Les Contes d\u2019Hoffmann<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Ludwig van Beethoven<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Mitridate Re di Ponto<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Oscar Wilde<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Paul Sacher<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Riccardo Muti<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Richard Strauss<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Richard Wagner<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Rigoletto<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Salome<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Theo Adam<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Werner Krenn<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Wolfgang Amadeus Mozart<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Wolfgang Sawallisch<\/a>"],"unlinked":["<span class=\"advgb-post-tax-term\">Alfredo Kraus<\/span>","<span class=\"advgb-post-tax-term\">Anton Paulik<\/span>","<span class=\"advgb-post-tax-term\">Arleen Aug\u00e9r<\/span>","<span class=\"advgb-post-tax-term\">August Wenzinger<\/span>","<span class=\"advgb-post-tax-term\">Boris Blacher<\/span>","<span class=\"advgb-post-tax-term\">Christoph von Dohn\u00e1nyi<\/span>","<span class=\"advgb-post-tax-term\">Christoph Willibald Gluck<\/span>","<span class=\"advgb-post-tax-term\">Clara Schumann<\/span>","<span class=\"advgb-post-tax-term\">Clemens Brentano<\/span>","<span class=\"advgb-post-tax-term\">Der fliegende Holl\u00e4nder<\/span>","<span class=\"advgb-post-tax-term\">Die Fledermaus<\/span>","<span class=\"advgb-post-tax-term\">Die Zauberfl\u00f6te<\/span>","<span class=\"advgb-post-tax-term\">Don Carlo<\/span>","<span class=\"advgb-post-tax-term\">Edda Moser<\/span>","<span class=\"advgb-post-tax-term\">Erik Werba<\/span>","<span class=\"advgb-post-tax-term\">Eugene Kohn<\/span>","<span class=\"advgb-post-tax-term\">Fidelio<\/span>","<span class=\"advgb-post-tax-term\">Franco Bonisolli<\/span>","<span class=\"advgb-post-tax-term\">Franz Schubert<\/span>","<span class=\"advgb-post-tax-term\">Friedrich R\u00fcckert<\/span>","<span class=\"advgb-post-tax-term\">Georg Singer<\/span>","<span class=\"advgb-post-tax-term\">George Frideric Handel<\/span>","<span class=\"advgb-post-tax-term\">Giuseppe Patan\u00e8<\/span>","<span class=\"advgb-post-tax-term\">Giuseppe Verdi<\/span>","<span class=\"advgb-post-tax-term\">Hans Werner Henze<\/span>","<span class=\"advgb-post-tax-term\">Heinrich Isaac<\/span>","<span class=\"advgb-post-tax-term\">Heinz Wallberg<\/span>","<span class=\"advgb-post-tax-term\">Ingeborg Bachmann<\/span>","<span class=\"advgb-post-tax-term\">Iphig\u00e9nie en Tauride<\/span>","<span class=\"advgb-post-tax-term\">Ivan T\u00f6rzs<\/span>","<span class=\"advgb-post-tax-term\">Jacques Offenbach<\/span>","<span class=\"advgb-post-tax-term\">James Levine<\/span>","<span class=\"advgb-post-tax-term\">Jocelyne Taillon<\/span>","<span class=\"advgb-post-tax-term\">Johann Abraham Peter Schulz<\/span>","<span class=\"advgb-post-tax-term\">Johann Strauss II<\/span>","<span class=\"advgb-post-tax-term\">Johannes Brahms<\/span>","<span class=\"advgb-post-tax-term\">Jos\u00e9 Van Dam<\/span>","<span class=\"advgb-post-tax-term\">Josef Hopferweiser<\/span>","<span class=\"advgb-post-tax-term\">Julius Rudel<\/span>","<span class=\"advgb-post-tax-term\">Kostas Paskalis<\/span>","<span class=\"advgb-post-tax-term\">La Clemenza di Tito<\/span>","<span class=\"advgb-post-tax-term\">La Traviata<\/span>","<span class=\"advgb-post-tax-term\">Leonard Hokanson<\/span>","<span class=\"advgb-post-tax-term\">Leopold Hager<\/span>","<span class=\"advgb-post-tax-term\">Les Contes d\u2019Hoffmann<\/span>","<span class=\"advgb-post-tax-term\">Ludwig van Beethoven<\/span>","<span class=\"advgb-post-tax-term\">Mitridate Re di Ponto<\/span>","<span class=\"advgb-post-tax-term\">Oscar Wilde<\/span>","<span class=\"advgb-post-tax-term\">Paul Sacher<\/span>","<span class=\"advgb-post-tax-term\">Riccardo Muti<\/span>","<span class=\"advgb-post-tax-term\">Richard Strauss<\/span>","<span class=\"advgb-post-tax-term\">Richard Wagner<\/span>","<span class=\"advgb-post-tax-term\">Rigoletto<\/span>","<span class=\"advgb-post-tax-term\">Salome<\/span>","<span class=\"advgb-post-tax-term\">Theo Adam<\/span>","<span class=\"advgb-post-tax-term\">Werner Krenn<\/span>","<span class=\"advgb-post-tax-term\">Wolfgang Amadeus Mozart<\/span>","<span class=\"advgb-post-tax-term\">Wolfgang Sawallisch<\/span>"]}},"comment_count":"0","relative_dates":{"created":"Posted 4 years ago","modified":"Updated 4 years ago"},"absolute_dates":{"created":"Posted on 31\/10\/2021","modified":"Updated on 03\/11\/2021"},"absolute_dates_time":{"created":"Posted on 31\/10\/2021 14:06","modified":"Updated on 03\/11\/2021 15:07"},"featured_img_caption":"","series_order":"","_links":{"self":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/8294","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/comments?post=8294"}],"version-history":[{"count":6,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/8294\/revisions"}],"predecessor-version":[{"id":8531,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/8294\/revisions\/8531"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/media\/8472"}],"wp:attachment":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/media?parent=8294"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/categories?post=8294"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/tags?post=8294"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}