{"id":8287,"date":"2021-10-24T09:38:25","date_gmt":"2021-10-24T07:38:25","guid":{"rendered":"http:\/\/countermelodypodcast.com\/?p=8287"},"modified":"2025-07-29T10:59:00","modified_gmt":"2025-07-29T08:59:00","slug":"episode-112-barry-mcdaniel","status":"publish","type":"post","link":"https:\/\/countermelodypodcast.com\/index.php\/2021\/10\/24\/episode-112-barry-mcdaniel\/","title":{"rendered":"Episode 112. Barry McDaniel"},"content":{"rendered":"<div id=\"mega-menu-wrap-primary\" class=\"mega-menu-wrap\"><div class=\"mega-menu-toggle\"><div class=\"mega-toggle-blocks-left\"><\/div><div class=\"mega-toggle-blocks-center\"><\/div><div class=\"mega-toggle-blocks-right\"><div class='mega-toggle-block mega-menu-toggle-animated-block mega-toggle-block-1' id='mega-toggle-block-1'><button aria-label=\"Menu\" class=\"mega-toggle-animated mega-toggle-animated-slider\" type=\"button\" aria-haspopup=\"true\" aria-expanded=\"false\" aria-controls=\"mega-menu-primary\">\n                  <span class=\"mega-toggle-animated-box\">\n                    <span class=\"mega-toggle-animated-inner\"><\/span>\n                  <\/span>\n                <\/button><\/div><\/div><\/div><ul id=\"mega-menu-primary\" class=\"mega-menu max-mega-menu mega-menu-horizontal mega-no-js\" data-event=\"hover_intent\" data-effect=\"slide\" data-effect-speed=\"200\" data-effect-mobile=\"slide\" data-effect-speed-mobile=\"200\" data-mobile-force-width=\"body\" data-second-click=\"go\" data-document-click=\"collapse\" data-vertical-behaviour=\"standard\" data-breakpoint=\"600\" data-unbind=\"true\" data-mobile-state=\"collapse_all\" data-mobile-direction=\"vertical\" data-hover-intent-timeout=\"300\" data-hover-intent-interval=\"100\"><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-menu-item-home mega-align-bottom-left mega-menu-flyout mega-menu-item-19160\" id=\"mega-menu-item-19160\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/\">Home<\/a><\/li><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-align-bottom-left mega-menu-flyout mega-menu-item-19161\" id=\"mega-menu-item-19161\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/index.php\/about-daniel\/\">About Daniel<\/a><\/li><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-current_page_parent mega-align-bottom-left mega-menu-flyout mega-menu-item-19171\" id=\"mega-menu-item-19171\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/index.php\/all-episodes\/\">All Episodes<\/a><\/li><\/ul><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">Episode 112.  Barry McDaniel<\/h2>\n\n\n\n<iframe loading=\"lazy\" width=\"340\" height=\"50\" src=\"https:\/\/countermelody.blubrry.net\/?powerpress_embed=432-podcast&amp;powerpress_player=mediaelement-audio\" title=\"Blubrry Podcast Player\" frameborder=\"0\" scrolling=\"no\"><\/iframe>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p><strong>SOCIAL SHARE<\/strong><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"has-text-align-right\"><strong>SUBSCRIPTION PLATFORM<\/strong><\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<div class=\"wp-block-buttons is-content-justification-left is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button alignright\"><a class=\"wp-block-button__link no-border-radius\" href=\"https:\/\/countermelody.blubrry.net\/\">SUBSCRIBE VIA YOUR FAVORITE PODCAST PLATFORM<\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"914\" height=\"956\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Headshottez-vous.jpg\" alt=\"\" class=\"wp-image-8427\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Headshottez-vous.jpg 914w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Headshottez-vous-287x300.jpg 287w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Headshottez-vous-768x803.jpg 768w\" sizes=\"auto, (max-width: 914px) 100vw, 914px\" \/><\/figure><\/div>\n\n\n\n<div style=\"height:38px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>This past week would have been the 91st birthday of Barry McDaniel (1930-2018), the great US-American Berlin-based lyric baritone whose artistry encompassed opera, oratorio (particularly the music of Bach), art song (particularly Lieder), and contemporary music, as well as delicious forays into operetta. This episode celebrates all aspects of this exceptionally fine singer, whose immediately recognizable voice, allied to a firm technique, superb diction, superior musicianship, and devotion to his craft yielded finely-hewn, distinctively inflected performances in a career which spanned nearly fifty years. The episode features him singing music of Strauss, Bach, Rossini, Schubert, Reimann, Ravel, Henze, Rossini, Mozart, Debussy, Mill\u00f6cker and more. Vocal guest stars include Alfredo Kraus, Agnes Giebel, Kurt B\u00f6hme, Arlene Saunders, Mack Harrell (who was Barry McDaniel&#8217;s teacher) and Edita Gruberov\u00e1, to whom we pay especial tribute after her tragic death early last week.<\/p>\n\n\n\n<div style=\"height:47px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-custom-size\" style=\"font-size:30px\"><strong> RECORDINGS HEARD IN THIS EPISODE<\/strong><\/p>\n\n\n\n<div style=\"height:55px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"995\" height=\"1000\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Gruberova-Zerbinetta.jpg\" alt=\"\" class=\"wp-image-8433\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Gruberova-Zerbinetta.jpg 995w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Gruberova-Zerbinetta-150x150.jpg 150w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Gruberova-Zerbinetta-768x772.jpg 768w\" sizes=\"auto, (max-width: 995px) 100vw, 995px\" \/><\/figure><\/div>\n\n\n\n<p>Richard Strauss, Hugo von Hoffmansthal: Als ein Gott kam jeder gegangen&#8230; H\u00fcbsch gepredigt aber tauben Ohren (<em>Ariadne auf Naxos<\/em>). Edita Gruberov\u00e1, Barry McDaniel, Gerhard Unger, Kurt Equiluz, Manfred Jungwirth, Karl B\u00f6hm, Orchester der Wiener Staatsoper [live Wien 20 Nov 1976]<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Harlekin.jpg\" alt=\"\" class=\"wp-image-8455\" width=\"471\" height=\"625\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Harlekin.jpg 377w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Harlekin-226x300.jpg 226w\" sizes=\"auto, (max-width: 471px) 100vw, 471px\" \/><\/figure><\/div>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"469\" height=\"595\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Young-Handsome.jpg\" alt=\"\" class=\"wp-image-8435\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Young-Handsome.jpg 469w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Young-Handsome-236x300.jpg 236w\" sizes=\"auto, (max-width: 469px) 100vw, 469px\" \/><\/figure><\/div>\n\n\n\n<p>Carl Orff: Dies, nox et omnia (<em>Carmina Burana<\/em>). Barry McDaniel, Ferdinand Leitner, K\u00f6lner Rundfunk-Sinfonie-Orchester [1971]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"682\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Giebel.jpg\" alt=\"\" class=\"wp-image-8436\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Giebel.jpg 682w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Giebel-200x300.jpg 200w\" sizes=\"auto, (max-width: 682px) 100vw, 682px\" \/><\/figure><\/div>\n\n\n\n<p>Johann Sebastian Bach: Nun verschwinden alle Plage (<em>Liebster Jesu, mein Verlangen<\/em>, BWV 32). Barry McDaniel, Agnes Giebel, Pierre Pierlot, Fritz Werner, S\u00fcdwestdeutsches Kammerorchester Pforzheim [1963]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"602\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Reimann-Record.jpg\" alt=\"\" class=\"wp-image-8437\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Reimann-Record.jpg 600w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Reimann-Record-300x300.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Reimann-Record-150x150.jpg 150w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/figure><\/div>\n\n\n\n<p>Aribert Reimann, Joseph von Eichendorff: Vor dem Schloss in den B\u00e4umen es rauschend weht (<em>Nachtst\u00fcck<\/em>). Barry McDaniel, Aribert Reimann [1975]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"870\" height=\"490\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Reimann-working-on-Lear-score.jpg\" alt=\"\" class=\"wp-image-8438\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Reimann-working-on-Lear-score.jpg 870w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Reimann-working-on-Lear-score-300x169.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Reimann-working-on-Lear-score-768x433.jpg 768w\" sizes=\"auto, (max-width: 870px) 100vw, 870px\" \/><figcaption>Aribert Reimann working on the <em>Lear<\/em> score<\/figcaption><\/figure>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Aribert Reimann, Claus H. Henneberg: Habe ich mein Leben retten k\u00f6nnen (<em>Lear<\/em>). David Knutson, Gerd Albrecht, Bayerischer Staatsorchester [live M\u00fcnchen 1978]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"777\" height=\"952\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Someones-in-the-mirror.jpg\" alt=\"\" class=\"wp-image-8439\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Someones-in-the-mirror.jpg 777w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Someones-in-the-mirror-245x300.jpg 245w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Someones-in-the-mirror-768x941.jpg 768w\" sizes=\"auto, (max-width: 777px) 100vw, 777px\" \/><\/figure><\/div>\n\n\n\n<p>Franz Schubert, Johann Gabriel Seidl: Der Wanderer an den Mond, D. 870. Barry McDaniel, Ernest Lush [BBC 1965]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"714\" height=\"871\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Mack-Harrell.jpg\" alt=\"\" class=\"wp-image-8440\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Mack-Harrell.jpg 714w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Mack-Harrell-246x300.jpg 246w\" sizes=\"auto, (max-width: 714px) 100vw, 714px\" \/><\/figure><\/div>\n\n\n\n<p>Hugo Wolf, Paul Heyse: Und willst du deinen Liebsten sterben sehen (<em>Italienisches Liederbuch<\/em>). Mack Harrell, Brooks Smith [1953]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Barry-Singing.jpg\" alt=\"\" class=\"wp-image-8441\" width=\"380\" height=\"584\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Barry-Singing.jpg 303w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Barry-Singing-195x300.jpg 195w\" sizes=\"auto, (max-width: 380px) 100vw, 380px\" \/><\/figure><\/div>\n\n\n\n<p>Ludwig Van Beethoven, Joseph von Sonnleithner: Wir wollen mit Vertrauen (<em>Fidelio<\/em>). Barry McDaniel, Arthur Rother, Orchestra and Chorus of the Deutsche Oper Berlin [live Berlin 1963]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"719\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Figaro-719x1024.jpg\" alt=\"\" class=\"wp-image-8442\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Figaro-719x1024.jpg 719w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Figaro-211x300.jpg 211w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Figaro-768x1094.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Figaro.jpg 958w\" sizes=\"auto, (max-width: 719px) 100vw, 719px\" \/><\/figure><\/div>\n\n\n\n<p>Gioacchino Rossini, Cesare Sterbini [translated by Gustav Friedrich Gro\u00dfmann]: Bin das Faktotum der sch\u00f6nen Welt [Largo al factotum] (<em>Der Barbier von Sevilla<\/em>). Barry McDaniel, Horst Stein, Studio-Orchester Berlin [1966]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"983\" height=\"655\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Moll-Schweigsame-Frau-I-1.png\" alt=\"\" class=\"wp-image-8443\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Moll-Schweigsame-Frau-I-1.png 983w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Moll-Schweigsame-Frau-I-1-300x200.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Moll-Schweigsame-Frau-I-1-768x512.png 768w\" sizes=\"auto, (max-width: 983px) 100vw, 983px\" \/><figcaption>With Kurt Moll (L) in <em>Die schweigsame Frau<\/em><\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Richard Strauss, Stefan Zweig: Euer Gnaden tun sich selber Unrecht&#8230; M\u00e4dchen nur, die nichts erfahren (<em>Die schweigsame Frau<\/em>). Barry McDaniel, Kurt B\u00f6hme, Wolfgang Sawallisch, Bayerisches Staatsorchester [live M\u00fcnchen 14 July 1971]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"476\" height=\"640\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Papageno.jpg\" alt=\"\" class=\"wp-image-8444\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Papageno.jpg 476w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Papageno-223x300.jpg 223w\" sizes=\"auto, (max-width: 476px) 100vw, 476px\" \/><figcaption>As Papageno<\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Wolfgang Amadeus Mozart, Giuseppe Petrosellini: Con un vezzo all&#8217;italiana (<em>La finta giardiniera<\/em>). Barry McDaniel, Leopold Hager, Mozarteum Orchester Salzburg [1980]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"974\" height=\"739\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Pearly-Fish-5.png\" alt=\"\" class=\"wp-image-8451\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Pearly-Fish-5.png 974w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Pearly-Fish-5-300x228.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Pearly-Fish-5-768x583.png 768w\" sizes=\"auto, (max-width: 974px) 100vw, 974px\" \/><\/figure><\/div>\n\n\n\n<p>Georges Bizet, Mich\u00e8le Carr\u00e9, Eug\u00e8ne Cormon: Au fond du temple saint (<em>Les p\u00eacheurs de perles<\/em>). Barry McDaniel, Alfredo Kraus, unknown conductor and orchestra [television broadcast from M\u00fcnchen 1970]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"836\" height=\"465\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/McDaniel-Saunders-Gasparone.png\" alt=\"\" class=\"wp-image-8445\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/McDaniel-Saunders-Gasparone.png 836w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/McDaniel-Saunders-Gasparone-300x167.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/McDaniel-Saunders-Gasparone-768x427.png 768w\" sizes=\"auto, (max-width: 836px) 100vw, 836px\" \/><\/figure><\/div>\n\n\n\n<p>Carl Mill\u00f6cker, Friedrich Zell [n\u00e9 Camillo Walzel], Richard Gen\u00e9e: Ich h\u00e4tte noch so viel zu sagen&#8230; H\u00fcten Sie sich vor den R\u00e4uberpaar (<em>Gasparone<\/em>). Barry McDaniel, Arlene Saunders, Heinz Wallberg, Mitglieder des M\u00fcnchner Philharmonischen Orchesters [1972 film soundtrack]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Henze-Bachmann-1024x776.jpg\" alt=\"\" class=\"wp-image-8446\" width=\"678\" height=\"514\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Henze-Bachmann-1024x776.jpg 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Henze-Bachmann-300x227.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Henze-Bachmann-768x582.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Henze-Bachmann.jpg 1500w\" sizes=\"auto, (max-width: 678px) 100vw, 678px\" \/><figcaption>Hans Werner Henze and Ingeborg Bachmann<\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:11px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Hans Werner Henze, Ingeborg Bachmann: Das T\u00fcr ist offen (<em>Der junge Lord<\/em>). Barry McDaniel, Manfred R\u00f6hrl, Helmut Krebs, Ivan Sardi, Ernst Krukowski, Fritz Hoppe, Christoph von Dohn\u00e1nyi, Orchester und Chor der Deutschen Oper Berlin [1967]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"728\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Reutter-728x1024.jpg\" alt=\"\" class=\"wp-image-8447\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Reutter-728x1024.jpg 728w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Reutter-213x300.jpg 213w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Reutter-768x1080.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Reutter.jpg 870w\" sizes=\"auto, (max-width: 728px) 100vw, 728px\" \/><figcaption>Hermann Reutter<\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Hermann Reutter, Federico Garc\u00eda Lorca [translated by Enrique Beck]: Korduaner Stadtteil (<em>Spanischer Totentanz<\/em>, No. 5). Barry McDaniel, Hermann Reutter [1975]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"682\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Dallapiccola-1024x682.jpg\" alt=\"\" class=\"wp-image-8449\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Dallapiccola-1024x682.jpg 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Dallapiccola-300x200.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Dallapiccola-768x512.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Dallapiccola-1536x1023.jpg 1536w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Dallapiccola.jpg 1600w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption>Luigi Dallapiccola<\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Luigi Dallapiccola, Murilo Mendes [translated by Ruggero Jacobbi]:Trasfigurato dal soffio (<em>Preghiere<\/em>). Barry McDaniel, Frederik Prausnitz, English Chamber Orchestra [1967]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"981\" height=\"546\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Canterville-Ghost.png\" alt=\"\" class=\"wp-image-8450\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Canterville-Ghost.png 981w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Canterville-Ghost-300x167.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Canterville-Ghost-768x427.png 768w\" sizes=\"auto, (max-width: 981px) 100vw, 981px\" \/><\/figure><\/div>\n\n\n\n<p>Johann Sebastian Bach: Und er kam zu seinen J\u00fcngern und fand sie schlafend (<em>Matth\u00e4us-Passion<\/em>, BWV 244). Barry McDaniel, Ernst Haefliger, Johannes Somary, English Chamber Orchestra [1977]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Folder.jpg\" alt=\"\" class=\"wp-image-8448\" width=\"534\" height=\"534\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Folder.jpg 450w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Folder-300x300.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Folder-150x150.jpg 150w\" sizes=\"auto, (max-width: 534px) 100vw, 534px\" \/><\/figure><\/div>\n\n\n\n<p>Franz Schubert, Wilhelm M\u00fcller: T\u00e4uschung (<em>Winterreise<\/em>, D. 911\/19). Barry McDaniel, Aribert Reimann [1972]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Owlish-Glasses.jpg\" alt=\"\" class=\"wp-image-8454\" width=\"449\" height=\"596\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Owlish-Glasses.jpg 377w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Owlish-Glasses-226x300.jpg 226w\" sizes=\"auto, (max-width: 449px) 100vw, 449px\" \/><\/figure><\/div>\n\n\n\n<p>Johannes Brahms, Friedrich Hebbel: Vor\u00fcber, Op. 57\/8. Barry McDaniel, Robert Spillman [1969]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Evariste.jpg\" alt=\"\" class=\"wp-image-8452\" width=\"480\" height=\"522\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Evariste.jpg 317w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Evariste-276x300.jpg 276w\" sizes=\"auto, (max-width: 480px) 100vw, 480px\" \/><figcaption> \u00c9variste de Parny<\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Maurice Ravel, \u00c9variste de Parny: Aoua! (<em>Chansons mad\u00e9casses<\/em>, M.78\/2). Barry McDaniel, Aribert Reimann, Karlheinz Zoeller, Eberhard Finke [1966]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"639\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Lhermite-639x1024.png\" alt=\"\" class=\"wp-image-8453\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Lhermite-639x1024.png 639w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Lhermite-187x300.png 187w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Lhermite.png 676w\" sizes=\"auto, (max-width: 639px) 100vw, 639px\" \/><figcaption>Tristan Lhermite<\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Claude Debussy, Tristan [Fran\u00e7ois] Lhermite: Je tremble en voyant ton visage (<em>Le promenoir des deux amants<\/em>, L.129\/3). Barry McDaniel, Aribert Reimann [1973]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"605\" height=\"600\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Niles.jpg\" alt=\"\" class=\"wp-image-8456\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Niles.jpg 605w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Niles-300x298.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Niles-150x150.jpg 150w\" sizes=\"auto, (max-width: 605px) 100vw, 605px\" \/><figcaption>John Jacob Niles<\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>John Jacob Niles: The Gambler&#8217;s Lament (<em>Five Gambling Songs<\/em>, No. 2). Barry McDaniel, Robert Spillman [1972]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"591\" height=\"719\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Shadowed-Headshot.jpg\" alt=\"\" class=\"wp-image-8458\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Shadowed-Headshot.jpg 591w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Shadowed-Headshot-247x300.jpg 247w\" sizes=\"auto, (max-width: 591px) 100vw, 591px\" \/><\/figure><\/div>\n\n\n\n<p>Robert Schumann, Joseph von Eichendorff: Mondnacht (<em>Liederkreis<\/em>, Op. 39\/5). Barry McDaniel, Aribert Reimann [1973]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"801\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Older-Barry-1024x801.jpg\" alt=\"\" class=\"wp-image-8457\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Older-Barry-1024x801.jpg 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Older-Barry-300x235.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Older-Barry-768x600.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Older-Barry-1536x1201.jpg 1536w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Older-Barry-1600x1251.jpg 1600w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Older-Barry.jpg 1920w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure><\/div>\n\n\n\n<p>Johann Sebastian Bach: Ich freue mich auf meinem Tod (<em>Ich habe genug<\/em>, BWV 82). Barry McDaniel, Karl Hochreither, Bach-Collegium Berlin [1967]<\/p>\n\n\n\n<figure class=\"wp-block-gallery columns-3 is-cropped wp-block-gallery-1\"><ul class=\"blocks-gallery-grid\"><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"728\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Erkennen-Sie-die-Melodie-728x1024.jpg\" alt=\"\" data-id=\"8459\" data-full-url=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Erkennen-Sie-die-Melodie.jpg\" data-link=\"https:\/\/countermelodypodcast.com\/index.php\/2021\/10\/24\/episode-112-barry-mcdaniel\/erkennen-sie-die-melodie\/\" class=\"wp-image-8459\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Erkennen-Sie-die-Melodie-728x1024.jpg 728w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Erkennen-Sie-die-Melodie-213x300.jpg 213w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Erkennen-Sie-die-Melodie-768x1080.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Erkennen-Sie-die-Melodie.jpg 915w\" sizes=\"auto, (max-width: 728px) 100vw, 728px\" \/><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"377\" height=\"500\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Guglielmo.jpg\" alt=\"\" data-id=\"8460\" data-full-url=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Guglielmo.jpg\" data-link=\"https:\/\/countermelodypodcast.com\/index.php\/2021\/10\/24\/episode-112-barry-mcdaniel\/guglielmo\/\" class=\"wp-image-8460\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Guglielmo.jpg 377w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Guglielmo-226x300.jpg 226w\" sizes=\"auto, (max-width: 377px) 100vw, 377px\" \/><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"378\" height=\"500\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Head-on-Headshot.jpg\" alt=\"\" data-id=\"8461\" data-full-url=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Head-on-Headshot.jpg\" data-link=\"https:\/\/countermelodypodcast.com\/index.php\/2021\/10\/24\/episode-112-barry-mcdaniel\/head-on-headshot\/\" class=\"wp-image-8461\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Head-on-Headshot.jpg 378w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Head-on-Headshot-227x300.jpg 227w\" sizes=\"auto, (max-width: 378px) 100vw, 378px\" \/><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"376\" height=\"500\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/In-Turban-perhaps-Cosi.jpg\" alt=\"\" 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data-link=\"https:\/\/countermelodypodcast.com\/index.php\/2021\/10\/24\/episode-112-barry-mcdaniel\/papageno2\/\" class=\"wp-image-8463\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Papageno2.jpg 777w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Papageno2-233x300.jpg 233w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Papageno2-768x990.jpg 768w\" sizes=\"auto, (max-width: 777px) 100vw, 777px\" \/><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"719\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Sideways-Bowtie-719x1024.jpg\" alt=\"\" data-id=\"8464\" data-full-url=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Sideways-Bowtie.jpg\" data-link=\"https:\/\/countermelodypodcast.com\/index.php\/2021\/10\/24\/episode-112-barry-mcdaniel\/sideways-bowtie\/\" class=\"wp-image-8464\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Sideways-Bowtie-719x1024.jpg 719w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Sideways-Bowtie-211x300.jpg 211w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Sideways-Bowtie-768x1094.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Sideways-Bowtie.jpg 788w\" sizes=\"auto, (max-width: 719px) 100vw, 719px\" \/><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"366\" height=\"500\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Turco-in-Italia.jpg\" alt=\"\" data-id=\"8465\" data-full-url=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Turco-in-Italia.jpg\" data-link=\"https:\/\/countermelodypodcast.com\/index.php\/2021\/10\/24\/episode-112-barry-mcdaniel\/turco-in-italia\/\" class=\"wp-image-8465\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Turco-in-Italia.jpg 366w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Turco-in-Italia-220x300.jpg 220w\" sizes=\"auto, (max-width: 366px) 100vw, 366px\" \/><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"378\" height=\"500\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Wildschuetz.jpg\" alt=\"\" data-id=\"8466\" data-full-url=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Wildschuetz.jpg\" data-link=\"https:\/\/countermelodypodcast.com\/index.php\/2021\/10\/24\/episode-112-barry-mcdaniel\/wildschuetz\/\" class=\"wp-image-8466 is-layout-flex wp-block-gallery-is-layout-flex\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Wildschuetz.jpg 378w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Wildschuetz-227x300.jpg 227w\" sizes=\"auto, (max-width: 378px) 100vw, 378px\" \/><\/figure><\/li><\/ul><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>Episode 112. Barry McDaniel SOCIAL SHARE SUBSCRIPTION PLATFORM This past week would have been the 91st birthday of Barry McDaniel&hellip;<\/p>\n","protected":false},"author":1,"featured_media":8432,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"advgb_blocks_editor_width":"","advgb_blocks_columns_visual_guide":"","footnotes":""},"categories":[1075,3132,3273,2261,1625,2399,1074,1072,8033,2260,808,2329,1470,2806],"tags":[47,462,1200,1330,3358,1186,3114,2173,2672,3361,3150,501,3367,3349,1022,3357,3341,3362,3346,1280,578,3351,3338,3345,2673,488,101,2944,3342,3352,3360,3363,114,2720,2227,2555,3344,2938,648,115,3348,3116,3350,1224,298,863,3336,3335,1021,3334,3339,3355,3364,3354,3368,3353,328,2391,519,3365,3347,1281,545,3343,3366,329,548,3337,3356,3340,862,861,34,698],"class_list":["post-8287","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-art-song","category-franz-schubert","category-french-opera","category-full-figured-baroque","category-gay-pride","category-great-baritones","category-happy-birthday","category-in-memoriam","category-johann-sebastian-bach","category-music-for-a-world-in-crisis","category-needle-drop","category-opera-in-translation","category-operetta","category-twentieth-century-music","tag-alfredo-kraus","tag-ariadne-auf-naxos","tag-aribert-reimann","tag-arlene-saunders","tag-arthur-rother","tag-barry-mcdaniel","tag-brooks-smith","tag-carl-millocker","tag-carl-orff","tag-carmina-burana","tag-christoph-von-dohnanyi","tag-claude-debussy","tag-david-knutson","tag-der-junge-lord","tag-deutsche-oper-berlin","tag-die-schweigsame-frau","tag-eberhard-finke","tag-edita-gruberova","tag-enrique-beck","tag-ernest-lush","tag-ernst-haefliger","tag-ernst-krukowski","tag-evariste-de-parny","tag-federico-garcia-lorca","tag-ferdinand-leitner","tag-fidelio","tag-franz-schubert","tag-frederik-prausnitz","tag-friedrich-hebbel","tag-fritz-hoppe","tag-fritz-werner","tag-gerhard-unger","tag-gioacchino-rossini","tag-hans-werner-henze","tag-heinz-wallberg","tag-helmut-krebs","tag-hermann-reutter","tag-horst-stein","tag-hugo-wolf","tag-il-barbiere-di-siviglia","tag-ingeborg-bachmann","tag-italienisches-liederbuch","tag-ivan-sardi","tag-johann-gabriel-seidl","tag-johann-sebastian-bach","tag-johannes-brahms","tag-john-jacob-niles","tag-joseph-von-eichendorff","tag-karl-bohm","tag-karl-hochreither","tag-karlheinz-zoeller","tag-kurt-bohme","tag-kurt-equiluz","tag-la-finta-giardiniera","tag-lear-reimann","tag-leopold-hager","tag-ludwig-van-beethoven","tag-luigi-dallapiccola","tag-mack-harrell","tag-manfred-jungwirth","tag-manfred-rohrl","tag-matthaus-passion","tag-maurice-ravel","tag-murilo-mendes","tag-pierre-pierlot","tag-richard-strauss","tag-robert-schumann","tag-robert-spillman","tag-stefan-zweig","tag-tristan-lhermite-2","tag-wilhelm-muller","tag-winterreise","tag-wolfgang-amadeus-mozart","tag-wolfgang-sawallisch"],"author_meta":{"display_name":"admin","author_link":"https:\/\/countermelodypodcast.com\/index.php\/author\/admin\/"},"featured_img":"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/10\/Handsome-Headshot-TRIMMED-300x199.jpg","coauthors":[],"tax_additional":{"categories":{"linked":["<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/art-song\/\" class=\"advgb-post-tax-term\">Art Song<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/franz-schubert\/\" class=\"advgb-post-tax-term\">Franz Schubert<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/french-opera\/\" class=\"advgb-post-tax-term\">French Opera<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/full-figured-baroque\/\" class=\"advgb-post-tax-term\">Full-Figured Baroque<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/gay-pride\/\" class=\"advgb-post-tax-term\">Gay Pride<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/great-baritones\/\" class=\"advgb-post-tax-term\">Great Baritones<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/happy-birthday\/\" class=\"advgb-post-tax-term\">Happy Birthday<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/in-memoriam\/\" class=\"advgb-post-tax-term\">In Memoriam<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/johann-sebastian-bach\/\" class=\"advgb-post-tax-term\">Johann Sebastian Bach<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/music-for-a-world-in-crisis\/\" class=\"advgb-post-tax-term\">Music for a World in Crisis<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Needle Drop<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/opera-in-translation\/\" class=\"advgb-post-tax-term\">Opera in Translation<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Operetta<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Twentieth Century Music<\/a>"],"unlinked":["<span class=\"advgb-post-tax-term\">Art Song<\/span>","<span class=\"advgb-post-tax-term\">Franz Schubert<\/span>","<span class=\"advgb-post-tax-term\">French Opera<\/span>","<span class=\"advgb-post-tax-term\">Full-Figured Baroque<\/span>","<span class=\"advgb-post-tax-term\">Gay Pride<\/span>","<span class=\"advgb-post-tax-term\">Great Baritones<\/span>","<span class=\"advgb-post-tax-term\">Happy Birthday<\/span>","<span class=\"advgb-post-tax-term\">In Memoriam<\/span>","<span class=\"advgb-post-tax-term\">Johann Sebastian Bach<\/span>","<span class=\"advgb-post-tax-term\">Music for a World in Crisis<\/span>","<span class=\"advgb-post-tax-term\">Needle Drop<\/span>","<span class=\"advgb-post-tax-term\">Opera in Translation<\/span>","<span class=\"advgb-post-tax-term\">Operetta<\/span>","<span class=\"advgb-post-tax-term\">Twentieth Century Music<\/span>"]},"tags":{"linked":["<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Alfredo Kraus<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Ariadne auf Naxos<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Aribert Reimann<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Arlene Saunders<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Arthur Rother<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Barry McDaniel<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Brooks Smith<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Carl Mill\u00f6cker<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Carl Orff<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Carmina Burana<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Christoph von Dohn\u00e1nyi<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Claude Debussy<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">David Knutson<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Der junge Lord<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Deutsche Oper Berlin<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Die schweigsame Frau<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Eberhard Finke<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Edita Gruberov\u00e1<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Enrique Beck<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Ernest Lush<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Ernst Haefliger<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Ernst Krukowski<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">\u00c9variste de Parny<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Federico Garc\u00eda Lorca<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Ferdinand Leitner<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Fidelio<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Franz Schubert<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Frederik Prausnitz<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Friedrich Hebbel<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Fritz Hoppe<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Fritz Werner<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Gerhard Unger<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Gioacchino Rossini<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Hans Werner Henze<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Heinz Wallberg<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Helmut Krebs<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Hermann Reutter<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Horst Stein<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Hugo Wolf<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Il barbiere di Siviglia<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Ingeborg Bachmann<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Italienisches Liederbuch<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Ivan Sardi<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Johann Gabriel Seidl<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Johann Sebastian Bach<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Johannes Brahms<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">John Jacob Niles<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Joseph von Eichendorff<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Karl B\u00f6hm<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Karl Hochreither<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Karlheinz Zoeller<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Kurt B\u00f6hme<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Kurt Equiluz<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">La finta giardiniera<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Lear (Reimann)<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Leopold Hager<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Ludwig van Beethoven<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Luigi Dallapiccola<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Mack Harrell<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Manfred Jungwirth<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Manfred R\u00f6hrl<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Matth\u00e4us-Passion<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Maurice Ravel<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Murilo Mendes<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Pierre Pierlot<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Richard Strauss<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Robert Schumann<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Robert Spillman<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Stefan Zweig<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Tristan Lhermite<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Wilhelm M\u00fcller<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Winterreise<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Wolfgang Amadeus Mozart<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Wolfgang Sawallisch<\/a>"],"unlinked":["<span class=\"advgb-post-tax-term\">Alfredo Kraus<\/span>","<span class=\"advgb-post-tax-term\">Ariadne auf Naxos<\/span>","<span class=\"advgb-post-tax-term\">Aribert Reimann<\/span>","<span class=\"advgb-post-tax-term\">Arlene Saunders<\/span>","<span class=\"advgb-post-tax-term\">Arthur Rother<\/span>","<span class=\"advgb-post-tax-term\">Barry McDaniel<\/span>","<span class=\"advgb-post-tax-term\">Brooks Smith<\/span>","<span class=\"advgb-post-tax-term\">Carl Mill\u00f6cker<\/span>","<span class=\"advgb-post-tax-term\">Carl Orff<\/span>","<span class=\"advgb-post-tax-term\">Carmina Burana<\/span>","<span class=\"advgb-post-tax-term\">Christoph von Dohn\u00e1nyi<\/span>","<span class=\"advgb-post-tax-term\">Claude Debussy<\/span>","<span class=\"advgb-post-tax-term\">David Knutson<\/span>","<span class=\"advgb-post-tax-term\">Der junge Lord<\/span>","<span class=\"advgb-post-tax-term\">Deutsche Oper Berlin<\/span>","<span class=\"advgb-post-tax-term\">Die schweigsame Frau<\/span>","<span class=\"advgb-post-tax-term\">Eberhard Finke<\/span>","<span class=\"advgb-post-tax-term\">Edita Gruberov\u00e1<\/span>","<span class=\"advgb-post-tax-term\">Enrique Beck<\/span>","<span class=\"advgb-post-tax-term\">Ernest Lush<\/span>","<span class=\"advgb-post-tax-term\">Ernst Haefliger<\/span>","<span class=\"advgb-post-tax-term\">Ernst Krukowski<\/span>","<span class=\"advgb-post-tax-term\">\u00c9variste de Parny<\/span>","<span class=\"advgb-post-tax-term\">Federico Garc\u00eda Lorca<\/span>","<span class=\"advgb-post-tax-term\">Ferdinand Leitner<\/span>","<span class=\"advgb-post-tax-term\">Fidelio<\/span>","<span class=\"advgb-post-tax-term\">Franz Schubert<\/span>","<span class=\"advgb-post-tax-term\">Frederik Prausnitz<\/span>","<span class=\"advgb-post-tax-term\">Friedrich Hebbel<\/span>","<span class=\"advgb-post-tax-term\">Fritz Hoppe<\/span>","<span class=\"advgb-post-tax-term\">Fritz Werner<\/span>","<span class=\"advgb-post-tax-term\">Gerhard Unger<\/span>","<span class=\"advgb-post-tax-term\">Gioacchino Rossini<\/span>","<span class=\"advgb-post-tax-term\">Hans Werner Henze<\/span>","<span class=\"advgb-post-tax-term\">Heinz Wallberg<\/span>","<span class=\"advgb-post-tax-term\">Helmut Krebs<\/span>","<span class=\"advgb-post-tax-term\">Hermann Reutter<\/span>","<span class=\"advgb-post-tax-term\">Horst Stein<\/span>","<span class=\"advgb-post-tax-term\">Hugo Wolf<\/span>","<span class=\"advgb-post-tax-term\">Il barbiere di Siviglia<\/span>","<span class=\"advgb-post-tax-term\">Ingeborg Bachmann<\/span>","<span class=\"advgb-post-tax-term\">Italienisches Liederbuch<\/span>","<span class=\"advgb-post-tax-term\">Ivan Sardi<\/span>","<span class=\"advgb-post-tax-term\">Johann Gabriel Seidl<\/span>","<span class=\"advgb-post-tax-term\">Johann Sebastian Bach<\/span>","<span class=\"advgb-post-tax-term\">Johannes Brahms<\/span>","<span class=\"advgb-post-tax-term\">John Jacob Niles<\/span>","<span class=\"advgb-post-tax-term\">Joseph von Eichendorff<\/span>","<span class=\"advgb-post-tax-term\">Karl B\u00f6hm<\/span>","<span class=\"advgb-post-tax-term\">Karl Hochreither<\/span>","<span class=\"advgb-post-tax-term\">Karlheinz Zoeller<\/span>","<span class=\"advgb-post-tax-term\">Kurt B\u00f6hme<\/span>","<span class=\"advgb-post-tax-term\">Kurt Equiluz<\/span>","<span class=\"advgb-post-tax-term\">La finta giardiniera<\/span>","<span class=\"advgb-post-tax-term\">Lear (Reimann)<\/span>","<span class=\"advgb-post-tax-term\">Leopold Hager<\/span>","<span class=\"advgb-post-tax-term\">Ludwig van Beethoven<\/span>","<span class=\"advgb-post-tax-term\">Luigi Dallapiccola<\/span>","<span class=\"advgb-post-tax-term\">Mack Harrell<\/span>","<span class=\"advgb-post-tax-term\">Manfred Jungwirth<\/span>","<span class=\"advgb-post-tax-term\">Manfred R\u00f6hrl<\/span>","<span class=\"advgb-post-tax-term\">Matth\u00e4us-Passion<\/span>","<span class=\"advgb-post-tax-term\">Maurice Ravel<\/span>","<span class=\"advgb-post-tax-term\">Murilo Mendes<\/span>","<span class=\"advgb-post-tax-term\">Pierre Pierlot<\/span>","<span class=\"advgb-post-tax-term\">Richard Strauss<\/span>","<span class=\"advgb-post-tax-term\">Robert Schumann<\/span>","<span class=\"advgb-post-tax-term\">Robert Spillman<\/span>","<span class=\"advgb-post-tax-term\">Stefan Zweig<\/span>","<span class=\"advgb-post-tax-term\">Tristan Lhermite<\/span>","<span class=\"advgb-post-tax-term\">Wilhelm M\u00fcller<\/span>","<span class=\"advgb-post-tax-term\">Winterreise<\/span>","<span class=\"advgb-post-tax-term\">Wolfgang Amadeus Mozart<\/span>","<span class=\"advgb-post-tax-term\">Wolfgang Sawallisch<\/span>"]}},"comment_count":"0","relative_dates":{"created":"Posted 4 years ago","modified":"Updated 9 months ago"},"absolute_dates":{"created":"Posted on 24\/10\/2021","modified":"Updated on 29\/07\/2025"},"absolute_dates_time":{"created":"Posted on 24\/10\/2021 09:38","modified":"Updated on 29\/07\/2025 10:59"},"featured_img_caption":"","series_order":"","_links":{"self":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/8287","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/comments?post=8287"}],"version-history":[{"count":7,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/8287\/revisions"}],"predecessor-version":[{"id":8467,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/8287\/revisions\/8467"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/media\/8432"}],"wp:attachment":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/media?parent=8287"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/categories?post=8287"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/tags?post=8287"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}