{"id":8116,"date":"2021-09-19T17:17:28","date_gmt":"2021-09-19T15:17:28","guid":{"rendered":"http:\/\/countermelodypodcast.com\/?p=8116"},"modified":"2021-09-19T23:56:02","modified_gmt":"2021-09-19T21:56:02","slug":"episode-107-norman-bailey-and-friends","status":"publish","type":"post","link":"https:\/\/countermelodypodcast.com\/index.php\/2021\/09\/19\/episode-107-norman-bailey-and-friends\/","title":{"rendered":"Episode 107. Norman Bailey and Friends"},"content":{"rendered":"<div id=\"mega-menu-wrap-primary\" class=\"mega-menu-wrap\"><div class=\"mega-menu-toggle\"><div class=\"mega-toggle-blocks-left\"><\/div><div class=\"mega-toggle-blocks-center\"><\/div><div class=\"mega-toggle-blocks-right\"><div class='mega-toggle-block mega-menu-toggle-animated-block mega-toggle-block-1' id='mega-toggle-block-1'><button aria-label=\"Menu\" class=\"mega-toggle-animated mega-toggle-animated-slider\" type=\"button\" aria-haspopup=\"true\" aria-expanded=\"false\" aria-controls=\"mega-menu-primary\">\n                  <span class=\"mega-toggle-animated-box\">\n                    <span class=\"mega-toggle-animated-inner\"><\/span>\n                  <\/span>\n                <\/button><\/div><\/div><\/div><ul id=\"mega-menu-primary\" class=\"mega-menu max-mega-menu mega-menu-horizontal mega-no-js\" data-event=\"hover_intent\" data-effect=\"slide\" data-effect-speed=\"200\" data-effect-mobile=\"slide\" data-effect-speed-mobile=\"200\" data-mobile-force-width=\"body\" data-second-click=\"go\" data-document-click=\"collapse\" data-vertical-behaviour=\"standard\" data-breakpoint=\"600\" data-unbind=\"true\" data-mobile-state=\"collapse_all\" data-mobile-direction=\"vertical\" data-hover-intent-timeout=\"300\" data-hover-intent-interval=\"100\"><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-menu-item-home mega-align-bottom-left mega-menu-flyout mega-menu-item-19160\" id=\"mega-menu-item-19160\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/\">Home<\/a><\/li><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-align-bottom-left mega-menu-flyout mega-menu-item-19161\" id=\"mega-menu-item-19161\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/index.php\/about-daniel\/\">About Daniel<\/a><\/li><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-current_page_parent mega-align-bottom-left mega-menu-flyout mega-menu-item-19171\" id=\"mega-menu-item-19171\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/index.php\/all-episodes\/\">All Episodes<\/a><\/li><\/ul><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">Episode 107.  Norman Bailey and Friends<\/h2>\n\n\n\n<iframe loading=\"lazy\" width=\"340\" height=\"50\" src=\"https:\/\/countermelody.blubrry.net\/?powerpress_embed=409-podcast&amp;powerpress_player=mediaelement-audio\" title=\"Blubrry Podcast Player\" frameborder=\"0\" scrolling=\"no\"><\/iframe>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p><strong>SOCIAL SHARE<\/strong><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"has-text-align-right\"><strong>SUBSCRIPTION PLATFORM<\/strong><\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<div class=\"wp-block-buttons is-content-justification-left is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button alignright\"><a class=\"wp-block-button__link no-border-radius\" href=\"https:\/\/countermelody.blubrry.net\/\">SUBSCRIBE VIA YOUR FAVORITE PODCAST PLATFORM<\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/09\/Bailey-Sachs.jpg\" alt=\"\" class=\"wp-image-8219\" width=\"406\" height=\"561\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/09\/Bailey-Sachs.jpg 359w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/09\/Bailey-Sachs-217x300.jpg 217w\" sizes=\"auto, (max-width: 406px) 100vw, 406px\" \/><\/figure><\/div>\n\n\n\n<div style=\"height:38px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Death has had a busy month in the music world, especially this past week, when we lost the great British <em>Heldenbariton<\/em> Norman Bailey and the delectable Hollywood star Jane Powell. This past week was also the memorial service for the soprano Carmen Balthrop, who died of pancreatic cancer on September 5. My original intent was to devote the episode to Norman Bailey, but when Jane (with whom I had a personal relationship, having been her late husband Dick Moore\u2019s personal assistant from 2009-2012) also died, I realized I had to do an omnibus episode of sorts. I begin with several selections each from both of the recently departed divas and then plunge headlong into an appreciation of the voice, technique and artistry of the great Norman Bailey, featuring him in opera excerpts not just by Wagner, in whose music he excelled, but also by Verdi, Richard Strauss, and Michael Tippett. He is also featured in recordings from the 1970s of songs by Schumann, Brahms, Hugo Wolf, and Peter Warlock. The episode concludes with a tribute to Maria Callas on the 44thanniversary of her death on September 16, 1977.<\/p>\n\n\n\n<div style=\"height:47px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-custom-size\" style=\"font-size:30px\"><strong> RECORDINGS HEARD IN THIS EPISODE<\/strong><\/p>\n\n\n\n<div style=\"height:55px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Robert Schumann, Friedrich R\u00fcckert: Widmung, Op. 25\/1. Norman Bailey, John Constable [1977]<\/p>\n\n\n\n<div style=\"height:9px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"576\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/09\/Jane-Glam-1024x576.jpg\" alt=\"\" class=\"wp-image-8225\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/09\/Jane-Glam-1024x576.jpg 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/09\/Jane-Glam-300x169.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/09\/Jane-Glam-768x432.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/09\/Jane-Glam.jpg 1200w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure><\/div>\n\n\n\n<p>Edvard Grieg: Springtime (as heard in <em>Three Daring Daughters<\/em>). Jeanette MacDonald, Jane Powell, Orchestra conducted by George Stoll [1948]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"804\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/09\/Dick-and-Jane.jpg\" alt=\"\" class=\"wp-image-8220\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/09\/Dick-and-Jane.jpg 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/09\/Dick-and-Jane-300x236.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/09\/Dick-and-Jane-768x603.jpg 768w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption>My former boss Dick Moore with Jane Powell<\/figcaption><\/figure>\n\n\n\n<div style=\"height:6px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Richard Rodgers, Oscar Hammerstein II: The Gentleman Is a Dope (<em>Allegro<\/em>). Jane Powell, Orchestra conducted by Harold Levey [Theatre Guild on the Air, 25 November 1951]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"605\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/09\/AlbumArtSmall-Copy-1.jpg\" alt=\"\" class=\"wp-image-8221\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/09\/AlbumArtSmall-Copy-1.jpg 600w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/09\/AlbumArtSmall-Copy-1-298x300.jpg 298w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/09\/AlbumArtSmall-Copy-1-150x150.jpg 150w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/figure><\/div>\n\n\n\n<p>Sam H. Stept, Lew Brown, Charles Tobias: Comes Love. Jane Powell, Buddy Bregman and his Orchestra [from Can\u2019t We Be Friends, Verve Records 1956]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"800\" height=\"836\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/09\/Elderly-Jane.jpg\" alt=\"\" class=\"wp-image-8222\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/09\/Elderly-Jane.jpg 800w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/09\/Elderly-Jane-287x300.jpg 287w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/09\/Elderly-Jane-768x803.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><\/figure><\/div>\n\n\n\n<p>Burton Lane, Alan Jay Lerner: Too Late Now (<em>Royal Wedding<\/em>). Jane Powell, Thomas Lauderdale, Pink Martini [live Hollywood Bowl, 10 September 2010]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"832\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/09\/Balthrop-Michael-Myers-Poppea-1983-COC-832x1024.jpg\" alt=\"\" class=\"wp-image-8224\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/09\/Balthrop-Michael-Myers-Poppea-1983-COC-832x1024.jpg 832w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/09\/Balthrop-Michael-Myers-Poppea-1983-COC-244x300.jpg 244w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/09\/Balthrop-Michael-Myers-Poppea-1983-COC-768x945.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/09\/Balthrop-Michael-Myers-Poppea-1983-COC.jpg 1208w\" sizes=\"auto, (max-width: 832px) 100vw, 832px\" \/><figcaption>Carmen Balthrop as Poppea, Michael Myers as Nerone<\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Claudio Monteverdi, Giovanni Francesco Busenello: Or che Seneca \u00e8 morto (<em>L\u2019incoronazione di Poppea<\/em>). Carmen Balthrop, Carlo Gaifa, Alan Curtis, Il Complesso Barocco [live Venezia 1978]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"862\" height=\"863\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/09\/Carmen-on-Banquette.jpg\" alt=\"\" class=\"wp-image-8223\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/09\/Carmen-on-Banquette.jpg 862w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/09\/Carmen-on-Banquette-300x300.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/09\/Carmen-on-Banquette-150x150.jpg 150w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/09\/Carmen-on-Banquette-768x769.jpg 768w\" sizes=\"auto, (max-width: 862px) 100vw, 862px\" \/><\/figure><\/div>\n\n\n\n<p>Olivier Messiaen: Pri\u00e8re exauc\u00e9e (<em>Po\u00e8mes pour Mi<\/em>, No. 9). Carmen Balthrop, Jos\u00e9 C\u00e1ceres [live Washington 1989]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"659\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/09\/Balthrop-in-Treemonisha.jpg\" alt=\"\" class=\"wp-image-8226\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/09\/Balthrop-in-Treemonisha.jpg 1000w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/09\/Balthrop-in-Treemonisha-300x198.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/09\/Balthrop-in-Treemonisha-768x506.jpg 768w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><\/figure><\/div>\n\n\n\n<p>Scott Joplin, orchestrated Gunther Schuller: There\u2019s need of some good leader&#8230;. A real slow drag (<em>Treemonisha<\/em>). Carmen Balthrop, Cora Johnson, John DeMain, Houston Grand Opera Orchestra and Chorus, Full Company [live Houston 1981]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"463\" height=\"604\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/09\/Bailey-as-Sachs.jpg\" alt=\"\" class=\"wp-image-8227\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/09\/Bailey-as-Sachs.jpg 463w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/09\/Bailey-as-Sachs-230x300.jpg 230w\" sizes=\"auto, (max-width: 463px) 100vw, 463px\" \/><\/figure><\/div>\n\n\n\n<p>Richard Wagner (English version by Frederick Jameson, revised by Norman Feasey and Gordon Kember): And yet it haunts me still [Fliedermonolog excerpt] (<em>The Mastersingers of Nuremberg<\/em>). Norman Bailey, Reginald Goodall, Sadlers Wells Opera Orchestra [live London 18 September 1968]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"640\" height=\"786\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/09\/With-Johnson-as-Macbeth.jpg\" alt=\"\" class=\"wp-image-8229\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/09\/With-Johnson-as-Macbeth.jpg 640w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/09\/With-Johnson-as-Macbeth-244x300.jpg 244w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/figure><\/div>\n\n\n\n<p>Giuseppe Verdi, Francesco Maria Piave (English translator unknown): Does your heart no longer yearn [Di Provenza il mar] (<em>La Traviata<\/em>). Norman Bailey, Alexander Gibson, Philharmonia Orchestra [1975 television production]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"640\" height=\"459\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/09\/Bailey-as-Sachs2.jpg\" alt=\"\" class=\"wp-image-8228\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/09\/Bailey-as-Sachs2.jpg 640w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/09\/Bailey-as-Sachs2-300x215.jpg 300w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/figure><\/div>\n\n\n\n<p>Michael Tippett: What is happening? Am I no longer king? (<em>King Priam<\/em>). Norman Bailey, Philip Langridge, David Atherton, London Sinfonietta [1982]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"800\" height=\"450\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/09\/Bailey-and-Ciesinski.png\" alt=\"\" class=\"wp-image-8235\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/09\/Bailey-and-Ciesinski.png 800w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/09\/Bailey-and-Ciesinski-300x169.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/09\/Bailey-and-Ciesinski-768x432.png 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><figcaption>Kristine Ciesinski and Norman Bailey in <em>The Hidden Life of Alban Berg <\/em>(1991 documentary)<\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:11px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Alban Berg: Was starren Sie? (<em>Lulu<\/em>). Norman Bailey, Kristine Ciesinski, unknown conductor and orchestra [from soundtrack of The Hidden Life of Alban Berg, 1991]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"509\" height=\"605\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/09\/Olderheadshot.png\" alt=\"\" class=\"wp-image-8233\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/09\/Olderheadshot.png 509w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/09\/Olderheadshot-252x300.png 252w\" sizes=\"auto, (max-width: 509px) 100vw, 509px\" \/><\/figure><\/div>\n\n\n\n<p>Richard Strauss, Joseph Gregor: Auch dich schuf der Gott (<em>Die Liebe der Danae<\/em>). Norman Bailey, Charles Mackerras, BBC Symphony Orchestra [London 20 April 1980]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"679\" height=\"694\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/09\/Songs-of-Love-and-Death.jpg\" alt=\"\" class=\"wp-image-8230\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/09\/Songs-of-Love-and-Death.jpg 679w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/09\/Songs-of-Love-and-Death-294x300.jpg 294w\" sizes=\"auto, (max-width: 679px) 100vw, 679px\" \/><\/figure><\/div>\n\n\n\n<p>Johannes Brahms: Ich wandte mich und sahe an (<em>Vier ernste Ges\u00e4nge<\/em>, Op. 121\/2). Norman Bailey, John Constable [1977]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"599\" height=\"603\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/09\/Warlock-Songs.jpg\" alt=\"\" class=\"wp-image-8231\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/09\/Warlock-Songs.jpg 599w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/09\/Warlock-Songs-298x300.jpg 298w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/09\/Warlock-Songs-150x150.jpg 150w\" sizes=\"auto, (max-width: 599px) 100vw, 599px\" \/><\/figure><\/div>\n\n\n\n<p>Peter Warlock, Bruce Hunt: The Fox. Norman Bailey, Geoffrey Parsons [1977]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"599\" height=\"601\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/09\/Wolf-Lieder.jpg\" alt=\"\" class=\"wp-image-8232\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/09\/Wolf-Lieder.jpg 599w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/09\/Wolf-Lieder-300x300.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/09\/Wolf-Lieder-150x150.jpg 150w\" sizes=\"auto, (max-width: 599px) 100vw, 599px\" \/><\/figure><\/div>\n\n\n\n<p>Hugo Wolf, Michelangelo Buonarotti (German version by Walter Heinrich Robert-Tornow): Alles endet, was entstehet. Norman Bailey, John Constable [1979]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"680\" height=\"511\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/09\/As-Wotan-at-ENO.jpg\" alt=\"\" class=\"wp-image-8234\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/09\/As-Wotan-at-ENO.jpg 680w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/09\/As-Wotan-at-ENO-300x225.jpg 300w\" sizes=\"auto, (max-width: 680px) 100vw, 680px\" \/><\/figure><\/div>\n\n\n\n<p>Hugo Wolf, Eduard M\u00f6rike: Abschied. Norman Bailey, John Constable [1979]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"350\" height=\"600\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/09\/Bailey-in-costume.jpg\" alt=\"\" class=\"wp-image-8236\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/09\/Bailey-in-costume.jpg 350w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/09\/Bailey-in-costume-175x300.jpg 175w\" sizes=\"auto, (max-width: 350px) 100vw, 350px\" \/><\/figure><\/div>\n\n\n\n<p>Richard Wagner: Da scheinest du&#8230; O du mein holder Abendstern (<em>Tannh\u00e4user<\/em>). Norman Bailey, John Barker [1975] <\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-gallery columns-2 is-cropped wp-block-gallery-1\"><ul class=\"blocks-gallery-grid\"><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"1005\" height=\"693\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/09\/Maria-ORTF.png\" alt=\"\" data-id=\"8238\" data-link=\"https:\/\/countermelodypodcast.com\/?attachment_id=8238\" class=\"wp-image-8238\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/09\/Maria-ORTF.png 1005w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/09\/Maria-ORTF-300x207.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/09\/Maria-ORTF-768x530.png 768w\" sizes=\"auto, (max-width: 1005px) 100vw, 1005px\" \/><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"1009\" height=\"691\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/09\/Maria-Qui-nel-petto.png\" alt=\"\" data-id=\"8239\" data-link=\"https:\/\/countermelodypodcast.com\/?attachment_id=8239\" class=\"wp-image-8239\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/09\/Maria-Qui-nel-petto.png 1009w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/09\/Maria-Qui-nel-petto-300x205.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/09\/Maria-Qui-nel-petto-768x526.png 768w\" sizes=\"auto, (max-width: 1009px) 100vw, 1009px\" \/><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"1023\" height=\"693\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/09\/Maria-eyes-1.png\" alt=\"\" data-id=\"8243\" data-full-url=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/09\/Maria-eyes-1.png\" data-link=\"https:\/\/countermelodypodcast.com\/?attachment_id=8243\" class=\"wp-image-8243 is-layout-flex wp-block-gallery-is-layout-flex\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/09\/Maria-eyes-1.png 1023w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/09\/Maria-eyes-1-300x203.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/09\/Maria-eyes-1-768x520.png 768w\" sizes=\"auto, (max-width: 1023px) 100vw, 1023px\" \/><\/figure><\/li><\/ul><\/figure>\n\n\n\n<p>Vincenzo Bellini, Felice Romani: Ah, se una volta sola&#8230; Ah, non credea mirarti (<em>La sonnambula<\/em>). Maria Callas, Georges Pr\u00eatre, Orchestre National de l\u2019ORTF [ [18 May 1965]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Episode 107. Norman Bailey and Friends SOCIAL SHARE SUBSCRIPTION PLATFORM Death has had a busy month in the music world,&hellip;<\/p>\n","protected":false},"author":1,"featured_media":8246,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"advgb_blocks_editor_width":"","advgb_blocks_columns_visual_guide":"","footnotes":""},"categories":[420,1626,1075,2109,2398,2399,1072,2260,808,2329,2755,2257,2328,2806],"tags":[3247,1473,1635,2310,3240,3241,1462,3246,3245,33,3252,2939,1331,653,1231,1609,390,207,3239,237,863,1792,2638,3249,3258,3254,3257,2786,1948,1066,3256,410,2459,3238,3248,927,2404,3255,3242,3253,928,329,486,548,3244,3250,3243,3251,2783,62],"class_list":["post-8116","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-african-american-opera-singers","category-african-american-singers","category-art-song","category-broadway-and-musicals","category-giuseppe-verdi","category-great-baritones","category-in-memoriam","category-music-for-a-world-in-crisis","category-needle-drop","category-opera-in-translation","category-pop-icons","category-richard-strauss","category-richard-wagner","category-twentieth-century-music","tag-alan-curtis","tag-alan-jay-lerner","tag-alban-berg","tag-alexander-gibson","tag-allegro-rodgers-hammerstein","tag-buddy-bregman","tag-burton-lane","tag-carlo-gaifa","tag-carmen-balthrop","tag-claudio-monteverdi","tag-cora-johnson","tag-david-atherton","tag-die-liebe-der-danae","tag-eduard-morike","tag-friedrich-ruckert","tag-geoffrey-parsons","tag-georges-pretre","tag-giuseppe-verdi","tag-jane-powell","tag-jeanette-macdonald","tag-johannes-brahms","tag-john-constable","tag-john-demain","tag-jose-caceres","tag-joseph-gregor","tag-king-priam-tippett","tag-kristine-ciesinski","tag-lincoronazione-di-poppea-2","tag-la-sonnambula","tag-la-traviata","tag-lulu-berg","tag-maria-callas","tag-michael-tippett","tag-norman-bailey","tag-olivier-messiaen","tag-oscar-hammerstein-ii","tag-peter-warlock","tag-philip-langridge","tag-pink-martini","tag-reginald-goodall","tag-richard-rodgers","tag-richard-strauss","tag-richard-wagner","tag-robert-schumann","tag-royal-wedding","tag-scott-joplin","tag-thomas-lauderdale","tag-treemonisha","tag-vier-ernste-gesange","tag-vincenzo-bellini"],"author_meta":{"display_name":"admin","author_link":"https:\/\/countermelodypodcast.com\/index.php\/author\/admin\/"},"featured_img":"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/09\/With-Jane-300x225.jpg","coauthors":[],"tax_additional":{"categories":{"linked":["<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/african-american-opera-singers\/\" class=\"advgb-post-tax-term\">African American Opera Singers<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/african-american-singers\/\" class=\"advgb-post-tax-term\">African American Singers<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/art-song\/\" class=\"advgb-post-tax-term\">Art Song<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/broadway-and-musicals\/\" class=\"advgb-post-tax-term\">Broadway and Musicals<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/giuseppe-verdi\/\" class=\"advgb-post-tax-term\">Giuseppe Verdi<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/great-baritones\/\" class=\"advgb-post-tax-term\">Great Baritones<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/in-memoriam\/\" class=\"advgb-post-tax-term\">In Memoriam<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/music-for-a-world-in-crisis\/\" class=\"advgb-post-tax-term\">Music for a World in Crisis<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Needle Drop<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/opera-in-translation\/\" class=\"advgb-post-tax-term\">Opera in Translation<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/pop-icons\/\" class=\"advgb-post-tax-term\">Pop Icons<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/richard-strauss\/\" class=\"advgb-post-tax-term\">Richard Strauss<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/richard-wagner\/\" class=\"advgb-post-tax-term\">Richard Wagner<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Twentieth Century Music<\/a>"],"unlinked":["<span class=\"advgb-post-tax-term\">African American Opera Singers<\/span>","<span class=\"advgb-post-tax-term\">African American Singers<\/span>","<span class=\"advgb-post-tax-term\">Art Song<\/span>","<span class=\"advgb-post-tax-term\">Broadway and Musicals<\/span>","<span class=\"advgb-post-tax-term\">Giuseppe Verdi<\/span>","<span class=\"advgb-post-tax-term\">Great Baritones<\/span>","<span class=\"advgb-post-tax-term\">In Memoriam<\/span>","<span class=\"advgb-post-tax-term\">Music for a World in Crisis<\/span>","<span class=\"advgb-post-tax-term\">Needle Drop<\/span>","<span class=\"advgb-post-tax-term\">Opera in Translation<\/span>","<span class=\"advgb-post-tax-term\">Pop Icons<\/span>","<span class=\"advgb-post-tax-term\">Richard Strauss<\/span>","<span class=\"advgb-post-tax-term\">Richard Wagner<\/span>","<span class=\"advgb-post-tax-term\">Twentieth Century Music<\/span>"]},"tags":{"linked":["<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Alan Curtis<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Alan Jay Lerner<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Alban Berg<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Alexander Gibson<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Allegro (Rodgers &amp; Hammerstein)<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Buddy Bregman<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Burton Lane<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Carlo Gaifa<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Carmen Balthrop<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Claudio Monteverdi<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Cora Johnson<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">David Atherton<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Die Liebe der Danae<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Eduard M\u00f6rike<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Friedrich R\u00fcckert<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Geoffrey Parsons<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Georges Pretre<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Giuseppe Verdi<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Jane Powell<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Jeanette MacDonald<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Johannes Brahms<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">John Constable<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">John DeMain<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Jos\u00e9 C\u00e1ceres<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Joseph Gregor<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">King Priam (Tippett)<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Kristine Ciesinski<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">L\u2019incoronazione di Poppea<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">La sonnambula<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">La Traviata<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Lulu (Berg)<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Maria Callas<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Michael Tippett<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Norman Bailey<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Olivier Messiaen<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Oscar Hammerstein II<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Peter Warlock<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Philip Langridge<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Pink Martini<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Reginald Goodall<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Richard Rodgers<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Richard Strauss<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Richard Wagner<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Robert Schumann<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Royal Wedding<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Scott Joplin<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Thomas Lauderdale<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Treemonisha<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Vier ernste Ges\u00e4nge<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Vincenzo Bellini<\/a>"],"unlinked":["<span class=\"advgb-post-tax-term\">Alan Curtis<\/span>","<span class=\"advgb-post-tax-term\">Alan Jay Lerner<\/span>","<span class=\"advgb-post-tax-term\">Alban Berg<\/span>","<span class=\"advgb-post-tax-term\">Alexander Gibson<\/span>","<span class=\"advgb-post-tax-term\">Allegro (Rodgers &amp; Hammerstein)<\/span>","<span class=\"advgb-post-tax-term\">Buddy Bregman<\/span>","<span class=\"advgb-post-tax-term\">Burton Lane<\/span>","<span class=\"advgb-post-tax-term\">Carlo Gaifa<\/span>","<span class=\"advgb-post-tax-term\">Carmen Balthrop<\/span>","<span class=\"advgb-post-tax-term\">Claudio Monteverdi<\/span>","<span class=\"advgb-post-tax-term\">Cora Johnson<\/span>","<span class=\"advgb-post-tax-term\">David Atherton<\/span>","<span class=\"advgb-post-tax-term\">Die Liebe der Danae<\/span>","<span class=\"advgb-post-tax-term\">Eduard M\u00f6rike<\/span>","<span class=\"advgb-post-tax-term\">Friedrich R\u00fcckert<\/span>","<span class=\"advgb-post-tax-term\">Geoffrey Parsons<\/span>","<span class=\"advgb-post-tax-term\">Georges Pretre<\/span>","<span class=\"advgb-post-tax-term\">Giuseppe Verdi<\/span>","<span class=\"advgb-post-tax-term\">Jane Powell<\/span>","<span class=\"advgb-post-tax-term\">Jeanette MacDonald<\/span>","<span class=\"advgb-post-tax-term\">Johannes Brahms<\/span>","<span class=\"advgb-post-tax-term\">John Constable<\/span>","<span class=\"advgb-post-tax-term\">John DeMain<\/span>","<span class=\"advgb-post-tax-term\">Jos\u00e9 C\u00e1ceres<\/span>","<span class=\"advgb-post-tax-term\">Joseph Gregor<\/span>","<span class=\"advgb-post-tax-term\">King Priam (Tippett)<\/span>","<span class=\"advgb-post-tax-term\">Kristine Ciesinski<\/span>","<span class=\"advgb-post-tax-term\">L\u2019incoronazione di Poppea<\/span>","<span class=\"advgb-post-tax-term\">La sonnambula<\/span>","<span class=\"advgb-post-tax-term\">La Traviata<\/span>","<span class=\"advgb-post-tax-term\">Lulu (Berg)<\/span>","<span class=\"advgb-post-tax-term\">Maria Callas<\/span>","<span class=\"advgb-post-tax-term\">Michael Tippett<\/span>","<span class=\"advgb-post-tax-term\">Norman Bailey<\/span>","<span class=\"advgb-post-tax-term\">Olivier Messiaen<\/span>","<span class=\"advgb-post-tax-term\">Oscar Hammerstein II<\/span>","<span class=\"advgb-post-tax-term\">Peter Warlock<\/span>","<span class=\"advgb-post-tax-term\">Philip Langridge<\/span>","<span class=\"advgb-post-tax-term\">Pink Martini<\/span>","<span class=\"advgb-post-tax-term\">Reginald Goodall<\/span>","<span class=\"advgb-post-tax-term\">Richard Rodgers<\/span>","<span class=\"advgb-post-tax-term\">Richard Strauss<\/span>","<span class=\"advgb-post-tax-term\">Richard Wagner<\/span>","<span class=\"advgb-post-tax-term\">Robert Schumann<\/span>","<span class=\"advgb-post-tax-term\">Royal Wedding<\/span>","<span class=\"advgb-post-tax-term\">Scott Joplin<\/span>","<span class=\"advgb-post-tax-term\">Thomas Lauderdale<\/span>","<span class=\"advgb-post-tax-term\">Treemonisha<\/span>","<span class=\"advgb-post-tax-term\">Vier ernste Ges\u00e4nge<\/span>","<span class=\"advgb-post-tax-term\">Vincenzo Bellini<\/span>"]}},"comment_count":"3","relative_dates":{"created":"Posted 5 years ago","modified":"Updated 5 years ago"},"absolute_dates":{"created":"Posted on 19\/09\/2021","modified":"Updated on 19\/09\/2021"},"absolute_dates_time":{"created":"Posted on 19\/09\/2021 17:17","modified":"Updated on 19\/09\/2021 23:56"},"featured_img_caption":"","series_order":"","_links":{"self":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/8116","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/comments?post=8116"}],"version-history":[{"count":1,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/8116\/revisions"}],"predecessor-version":[{"id":8244,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/8116\/revisions\/8244"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/media\/8246"}],"wp:attachment":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/media?parent=8116"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/categories?post=8116"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/tags?post=8116"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}