{"id":8074,"date":"2021-09-26T08:25:00","date_gmt":"2021-09-26T06:25:00","guid":{"rendered":"http:\/\/countermelodypodcast.com\/?p=8074"},"modified":"2024-02-16T10:49:02","modified_gmt":"2024-02-16T09:49:02","slug":"episode-108-christiane-eda-pierre","status":"publish","type":"post","link":"https:\/\/countermelodypodcast.com\/index.php\/2021\/09\/26\/episode-108-christiane-eda-pierre\/","title":{"rendered":"Episode 108. Christiane Eda-Pierre"},"content":{"rendered":"<div id=\"mega-menu-wrap-primary\" class=\"mega-menu-wrap\"><div class=\"mega-menu-toggle\"><div class=\"mega-toggle-blocks-left\"><\/div><div class=\"mega-toggle-blocks-center\"><\/div><div class=\"mega-toggle-blocks-right\"><div class='mega-toggle-block mega-menu-toggle-animated-block mega-toggle-block-1' id='mega-toggle-block-1'><button aria-label=\"Menu\" class=\"mega-toggle-animated mega-toggle-animated-slider\" type=\"button\" aria-haspopup=\"true\" aria-expanded=\"false\" aria-controls=\"mega-menu-primary\">\n                  <span class=\"mega-toggle-animated-box\">\n                    <span class=\"mega-toggle-animated-inner\"><\/span>\n                  <\/span>\n                <\/button><\/div><\/div><\/div><ul id=\"mega-menu-primary\" class=\"mega-menu max-mega-menu mega-menu-horizontal mega-no-js\" data-event=\"hover_intent\" data-effect=\"slide\" data-effect-speed=\"200\" data-effect-mobile=\"slide\" data-effect-speed-mobile=\"200\" data-mobile-force-width=\"body\" data-second-click=\"go\" data-document-click=\"collapse\" data-vertical-behaviour=\"standard\" data-breakpoint=\"600\" data-unbind=\"true\" data-mobile-state=\"collapse_all\" data-mobile-direction=\"vertical\" data-hover-intent-timeout=\"300\" data-hover-intent-interval=\"100\"><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-menu-item-home mega-align-bottom-left mega-menu-flyout mega-menu-item-19160\" id=\"mega-menu-item-19160\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/\">Home<\/a><\/li><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-align-bottom-left mega-menu-flyout mega-menu-item-19161\" id=\"mega-menu-item-19161\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/index.php\/about-daniel\/\">About Daniel<\/a><\/li><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-current_page_parent mega-align-bottom-left mega-menu-flyout mega-menu-item-19171\" id=\"mega-menu-item-19171\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/index.php\/all-episodes\/\">All Episodes<\/a><\/li><\/ul><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">Episode 108.  Christiane Eda-Pierre<\/h2>\n\n\n\n<iframe loading=\"lazy\" width=\"340\" height=\"50\" src=\"https:\/\/countermelody.blubrry.net\/?powerpress_embed=413-podcast&amp;powerpress_player=mediaelement-audio\" title=\"Blubrry Podcast Player\" frameborder=\"0\" scrolling=\"no\"><\/iframe>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p><strong>SOCIAL SHARE<\/strong><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"has-text-align-right\"><strong>SUBSCRIPTION PLATFORM<\/strong><\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<div class=\"wp-block-buttons is-content-justification-left is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button alignright\"><a class=\"wp-block-button__link no-border-radius\" href=\"https:\/\/countermelody.blubrry.net\/\">SUBSCRIBE VIA YOUR FAVORITE PODCAST PLATFORM<\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"831\" height=\"977\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/09\/Eda-Pierre.jpg\" alt=\"\" class=\"wp-image-8250\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/09\/Eda-Pierre.jpg 831w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/09\/Eda-Pierre-255x300.jpg 255w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/09\/Eda-Pierre-768x903.jpg 768w\" sizes=\"auto, (max-width: 831px) 100vw, 831px\" \/><\/figure><\/div>\n\n\n\n<div style=\"height:38px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Today\u2019s episode is a memorial tribute to the great Martinique-born French soprano Christiane Eda-Pierre on the first anniversary of her death. When this artist died on 6 September 2020 at the age of 88, I posted this episode as a bonus exclusively for my Patreon subscribers. Because a number of my listeners have inquired if I have ever devoted an episode to this artist, I have decided to release this episode to the general public. Researching Christiane Eda-Pierre was a journey of discovery for me, as I only knew the soprano\u2019s commercial recordings and live performances from the Met. But believe me, there is <em>so <\/em>much more to this singer than this. From the French baroque repertoire through contemporary works dedicated specifically to her, Christiane Eda-Pierre brought extraordinary gifts: a voice of beauty and clarity, well-modulated from top to bottom, a near-perfect technique capped by a flawless trill, a profound musical sensibility, and a searing dramatic intensity that surprised me. I present excerpts from the full range of her repertoire, from Rameau and Handel in the Baroque period through the bel canto of Rossini and Bellini, to the glories of 19<sup>th<\/sup> century French opera, a genre that, in my opinion, represents her at her absolute best, to contemporary masterpieces written expressly for her by Charles Chaynes and Olivier Messiaen. It is my fervent wish that you find as much delight in this great artist as I have.<\/p>\n\n\n\n<p><em>Countermelody<\/em>&nbsp;is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel\u2019s lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and \u201cinside stories.\u201d Occasional guests from the \u201cbusiness\u201d (singers, conductors, composers, coaches, and teachers) lend their distinctive insights. At&nbsp;<em>Countermelody<\/em>\u2019s core is the interaction between singers of all stripes, their instruments, and the connection they make to the words they sing. At&nbsp;<em>Countermelody<\/em>\u2019s core is the interaction between singers of all stripes, their instruments, and the connection they make to the words they sing. Please visit the&nbsp;<em>Countermelody<\/em>&nbsp;website (<a href=\"http:\/\/www.countermelodypodcast.com\">www.countermelodypodcast.com<\/a>) for additional content including artist photos and episode setlists. And please head to my Patreon page at <a href=\"http:\/\/www.patreon.com\/countermelody\">www.patreon.com\/countermelody<\/a> to pledge your monthly support at whatever level you can afford. Bonus episodes available exclusively to Patreon supporters are currently available.<\/p>\n\n\n\n<div style=\"height:47px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-custom-size\" style=\"font-size:30px\"><strong> RECORDINGS HEARD IN THIS EPISODE<\/strong><\/p>\n\n\n\n<div style=\"height:55px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"564\" height=\"724\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/09\/As-Lakme.jpg\" alt=\"\" class=\"wp-image-8253\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/09\/As-Lakme.jpg 564w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/09\/As-Lakme-234x300.jpg 234w\" sizes=\"auto, (max-width: 564px) 100vw, 564px\" \/><\/figure><\/div>\n\n\n\n<p>L\u00e9o Delibes: O\u00f9 va la jeune hindoue (<em>Lakm\u00e9<\/em>). Christiane Eda-Pierre, David Lloyd Jones, Radio \u00c9ireann Symphony [live Wexford, 22 August 1970]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"700\" height=\"884\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/09\/With-Necklace.jpg\" alt=\"\" class=\"wp-image-8254\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/09\/With-Necklace.jpg 700w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/09\/With-Necklace-238x300.jpg 238w\" sizes=\"auto, (max-width: 700px) 100vw, 700px\" \/><\/figure><\/div>\n\n\n\n<p>Jean-Philippe Rameau: \u00c0 la chasse, armez-vous! (<em>Hippolyte et Aricie<\/em>). Christiane Eda-Pierre; Jean-Fran\u00e7ois Paillard, Orchestre Jean-Fran\u00e7ois Paillard [1966 studio recording]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"683\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/09\/Eda-Pierre-Messiaen-Ange-683x1024.jpg\" alt=\"\" class=\"wp-image-8255\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/09\/Eda-Pierre-Messiaen-Ange-683x1024.jpg 683w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/09\/Eda-Pierre-Messiaen-Ange-200x300.jpg 200w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/09\/Eda-Pierre-Messiaen-Ange-768x1151.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/09\/Eda-Pierre-Messiaen-Ange-1025x1536.jpg 1025w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/09\/Eda-Pierre-Messiaen-Ange.jpg 1366w\" sizes=\"auto, (max-width: 683px) 100vw, 683px\" \/><\/figure><\/div>\n\n\n\n<p>Olivier Messiaen: L&#8217;Ange Musicien [Excerpt from Act II, Scene V] (<em>Saint-Fran\u00e7ois d&#8217;Assise<\/em>); Christiane Eda-Pierre, Seiji Ozawa, Orchestre de l&#8217;Op\u00e9ra de Paris [World Premiere, Paris 28.11.1983]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"680\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/09\/Eda-Pierre-Gala-680x1024.jpg\" alt=\"\" class=\"wp-image-8258\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/09\/Eda-Pierre-Gala-680x1024.jpg 680w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/09\/Eda-Pierre-Gala-199x300.jpg 199w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/09\/Eda-Pierre-Gala-768x1156.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/09\/Eda-Pierre-Gala-1021x1536.jpg 1021w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/09\/Eda-Pierre-Gala-1361x2048.jpg 1361w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/09\/Eda-Pierre-Gala.jpg 1499w\" sizes=\"auto, (max-width: 680px) 100vw, 680px\" \/><\/figure><\/div>\n\n\n\n<p>Jean-Philippe Rameau: Malgr\u00e9 le Dieu des mers (<em>Dardanus<\/em>). Christiane Eda-Pierre; Raymond Leppard, Orchestre du Th\u00e9\u00e2tre National de l&#8217;Op\u00e9ra de Paris [1981 studio recording]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"687\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/09\/Erszebet-2-687x1024.jpg\" alt=\"\" class=\"wp-image-8289\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/09\/Erszebet-2-687x1024.jpg 687w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/09\/Erszebet-2-201x300.jpg 201w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/09\/Erszebet-2.jpg 720w\" sizes=\"auto, (max-width: 687px) 100vw, 687px\" \/><\/figure><\/div>\n\n\n\n<p>Charles Chaynes: Dans le bain cette voix (<em>Erszebet<\/em>). Christiane Eda-Pierre, Elgar Howarth, Orchestre du Th\u00e9\u00e2tre National de l&#8217;Op\u00e9ra de Paris [live, 1983, Op\u00e9ra de Paris]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"683\" height=\"459\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/09\/Proscenium.jpg\" alt=\"\" class=\"wp-image-8268\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/09\/Proscenium.jpg 683w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/09\/Proscenium-300x202.jpg 300w\" sizes=\"auto, (max-width: 683px) 100vw, 683px\" \/><\/figure><\/div>\n\n\n\n<p>George Frideric Handel: Ah, mio cor! (<em>Alcina<\/em>). Christiane Eda-Pierre; Raymond Leppard, Scottish Chamber Orchestra [live, Aix-en-Provence, 1978]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/09\/Dialogues-des-Carmelites.jpg\" alt=\"\" class=\"wp-image-8261\" width=\"375\" height=\"535\"\/><figcaption>In <em>Dialogues des Carm<em>\u00e9<\/em>lites<\/em><\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:11px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Benjamin Britten: Being Beauteous (<em>Les Illuminations<\/em>, Op. 18, No. 7). Christiane Eda-Pierre; Jean-Walter Audoli, Ensemble Instrumental Jean-Walter Audoli [1986 studio recording]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"556\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/09\/Thiriet-1024x556.jpg\" alt=\"\" class=\"wp-image-8260\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/09\/Thiriet-1024x556.jpg 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/09\/Thiriet-300x163.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/09\/Thiriet-768x417.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/09\/Thiriet.jpg 1128w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption>Maurice Thiriet (1906 &#8211; 1972)<\/figcaption><\/figure>\n\n\n\n<div style=\"height:11px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Maurice Thiriet: Le Sphinx (<em>\u0152dipe Roi<\/em>). Christiane Eda-Pierre, Andr\u00e9 Falcon, Manuel Rosenthal, Orchestre National de l&#8217;ORTF [Radio France 5 January 1972]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"386\" height=\"360\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/09\/Pritchard-1.jpg\" alt=\"\" class=\"wp-image-8267\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/09\/Pritchard-1.jpg 386w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/09\/Pritchard-1-300x280.jpg 300w\" sizes=\"auto, (max-width: 386px) 100vw, 386px\" \/><figcaption>John Pritchard (1921 &#8211; 1989)<\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:12px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Wolfgang Amadeus Mozart: Padre, germani, addio (<em>Idomeneo<\/em>). Christiane Eda-Pierre; John Pritchard, San Francisco Opera Orchestra [live, September 1977]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"938\" height=\"767\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/09\/Ewing-Rosina.png\" alt=\"\" class=\"wp-image-8266\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/09\/Ewing-Rosina.png 938w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/09\/Ewing-Rosina-300x245.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/09\/Ewing-Rosina-768x628.png 768w\" sizes=\"auto, (max-width: 938px) 100vw, 938px\" \/><figcaption>Maria Ewing as Rosina<\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Wolfgang Amadeus Mozart: S&#8217;io non mori a questi accenti (<em>Idomeneo<\/em>). Christiane Eda-Pierre, Maria Ewing; John Pritchard, San Francisco Opera Orchestra [live, September 1977]<\/p>\n\n\n\n<div style=\"height:99px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"688\" height=\"457\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/09\/With-student.jpg\" alt=\"\" class=\"wp-image-8269\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/09\/With-student.jpg 688w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/09\/With-student-300x199.jpg 300w\" sizes=\"auto, (max-width: 688px) 100vw, 688px\" \/><\/figure><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"694\" height=\"461\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/09\/With-another-student.jpg\" alt=\"\" class=\"wp-image-8271\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/09\/With-another-student.jpg 694w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/09\/With-another-student-300x199.jpg 300w\" sizes=\"auto, (max-width: 694px) 100vw, 694px\" \/><\/figure><\/div>\n\n\n\n<p>Gioacchino Rossini: Contro un cor (<em>Il barbiere di Siviglia<\/em>). Christiane Eda-Pierre; Gianfranco Rivoli, Orchestre National de l&#8217;Op\u00e9ra de Monte-Carlo [1970 studio recording]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/09\/Flowery-Hat.jpg\" alt=\"\" class=\"wp-image-8259\" width=\"517\" height=\"594\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/09\/Flowery-Hat.jpg 434w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/09\/Flowery-Hat-261x300.jpg 261w\" sizes=\"auto, (max-width: 517px) 100vw, 517px\" \/><\/figure><\/div>\n\n\n\n<p>Vincenzo Bellini: Ah, s&#8217;io potessi dissipar le nube (<em>Il pirata<\/em>). Christiane Eda-Pierre; Leone Magiera, Wexford Opera Orchestra and Chorus [live, 1972]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"736\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/09\/As-Lucia-736x1024.jpg\" alt=\"\" class=\"wp-image-8272\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/09\/As-Lucia-736x1024.jpg 736w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/09\/As-Lucia-216x300.jpg 216w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/09\/As-Lucia-768x1069.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/09\/As-Lucia-1104x1536.jpg 1104w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/09\/As-Lucia.jpg 1150w\" sizes=\"auto, (max-width: 736px) 100vw, 736px\" \/><figcaption>As Lucia<\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Vincenzo Bellini: Ah, toglietemi la vita&#8230; Vien, diletto (<em>I Puritani<\/em>). Christiane Eda-Pierre, Robert Massard, Pierre Thau, Gianfranco Rivoli, Orchestre du Th\u00e9\u00e2tre de l&#8217;Op\u00e9ra de Marseille [live, 22 March 1974]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"445\" height=\"629\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/09\/Jane-Rhodes.jpg\" alt=\"\" class=\"wp-image-8273\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/09\/Jane-Rhodes.jpg 445w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/09\/Jane-Rhodes-212x300.jpg 212w\" sizes=\"auto, (max-width: 445px) 100vw, 445px\" \/><figcaption>Jane Rhodes (1929 &#8211; 2011)<\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:11px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>\u00c9douard Lalo: \u00d4 silence pour moi sublime (<em>Le Roi d&#8217;Ys<\/em>). Christiane Eda-Pierre, Jane Rhodes; Jean-Pierre Marty, Nouvel Orchestre Philharmonique [Radio France 14 March 1978]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"602\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/09\/Dolorous-1024x602.jpg\" alt=\"\" class=\"wp-image-8274\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/09\/Dolorous-1024x602.jpg 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/09\/Dolorous-300x176.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/09\/Dolorous-768x452.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/09\/Dolorous-1536x904.jpg 1536w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/09\/Dolorous-1600x941.jpg 1600w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/09\/Dolorous.jpg 2040w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<p>\u00c9douard Lalo: Cher Mylio (<em>Le Roi d&#8217;Ys<\/em>). Christiane Eda-Pierre, Jean Dupouy; Jean-Pierre Marty, Nouvel Orchestre Philharmonique [live, Radio France 14 March 1978]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/09\/Kraus-in-Pearl-Fishers.jpg\" alt=\"\" class=\"wp-image-8275\" width=\"435\" height=\"605\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/09\/Kraus-in-Pearl-Fishers.jpg 331w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/09\/Kraus-in-Pearl-Fishers-216x300.jpg 216w\" sizes=\"auto, (max-width: 435px) 100vw, 435px\" \/><figcaption>Alfredo Kraus (1927- 1999) as Nadir<\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Georges Bizet: Ton coeur n&#8217;as pas compris le mien (<em>Les p\u00eacheurs de perles<\/em>). Christiane Eda-Pierre, Alfredo Kraus; Jean Fournet, Orchestra of the Lyric Opera of Chicago [live 19 November 1966]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"458\" height=\"672\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/09\/Eda-Pierre-and-Overhead-Lights.jpg\" alt=\"\" class=\"wp-image-8284\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/09\/Eda-Pierre-and-Overhead-Lights.jpg 458w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/09\/Eda-Pierre-and-Overhead-Lights-204x300.jpg 204w\" sizes=\"auto, (max-width: 458px) 100vw, 458px\" \/><\/figure><\/div>\n\n\n\n<p>Jacques Offenbach: Ch\u00e8re enfant; Antonia\u2019s Dying Trill (<em>Les contes d&#8217;Hoffmann<\/em>). Christiane Eda-Pierre, Jos\u00e9 van Dam, Francine Arrauzau; Jean P\u00e9risson, Orchestre National de France [live, Op\u00e9ra de Paris 1978]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"723\" height=\"722\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/09\/Eda-Pierre-in-Turban-1.jpg\" alt=\"\" class=\"wp-image-8283\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/09\/Eda-Pierre-in-Turban-1.jpg 723w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/09\/Eda-Pierre-in-Turban-1-300x300.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/09\/Eda-Pierre-in-Turban-1-150x150.jpg 150w\" sizes=\"auto, (max-width: 723px) 100vw, 723px\" \/><\/figure><\/div>\n\n\n\n<p>Charles Gounod: \u00c9coute, \u00f4 Juliette! (<em>Rom\u00e9o et Juliette<\/em>). Christiane Eda-Pierre, John Sandor, Antonio de Almeida, Orchestre de l&#8217;Op\u00e9ra de Nice [live, March 1978]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"780\" height=\"1014\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/09\/Chaynes.jpg\" alt=\"\" class=\"wp-image-8279\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/09\/Chaynes.jpg 780w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/09\/Chaynes-231x300.jpg 231w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/09\/Chaynes-768x998.jpg 768w\" sizes=\"auto, (max-width: 780px) 100vw, 780px\" \/><figcaption>Charles Chaynes (1925 &#8211; 2016)<\/figcaption><\/figure>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Charles Chaynes, Aim\u00e9 C\u00e9saire: Pour la lib\u00e9ration (<em>Pour un monde noir<\/em>). Christiane Eda-Pierre, Jean-Claude Chazal, G\u00e9rard Lemaire; Gilbert Amy, Nouvel Orchestre Philharmonique [live, Radio France 14 June 1978]<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"757\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/09\/Eda-Pierre-and-Son.jpg\" alt=\"\" class=\"wp-image-8278\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/09\/Eda-Pierre-and-Son.jpg 1000w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/09\/Eda-Pierre-and-Son-300x227.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/09\/Eda-Pierre-and-Son-768x581.jpg 768w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><figcaption>With her late son Dominique Lacaze.<\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:37px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"414\" height=\"549\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/09\/Beautiful-Old.png\" alt=\"\" class=\"wp-image-8277\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/09\/Beautiful-Old.png 414w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/09\/Beautiful-Old-226x300.png 226w\" sizes=\"auto, (max-width: 414px) 100vw, 414px\" \/><\/figure><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Episode 108. Christiane Eda-Pierre SOCIAL SHARE SUBSCRIPTION PLATFORM Today\u2019s episode is a memorial tribute to the great Martinique-born French soprano&hellip;<\/p>\n","protected":false},"author":1,"featured_media":8282,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"advgb_blocks_editor_width":"","advgb_blocks_columns_visual_guide":"","footnotes":""},"categories":[1701,5823,3273,1072,808,3272,2806],"tags":[3271,47,3263,305,2711,296,2143,1813,280,350,3264,3268,114,3267,3266,1794,3262,3260,3265,1621,3261,68,1062,497,3259,3248,3270,691,3269,2464,62,34],"class_list":["post-8074","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-bel-canto","category-forgotten-divas","category-french-opera","category-in-memoriam","category-needle-drop","category-singers-of-color","category-twentieth-century-music","tag-aime-cesaire","tag-alfredo-kraus","tag-antonio-de-almeida","tag-benjamin-britten","tag-charles-chaynes","tag-charles-gounod","tag-christiane-eda-pierre","tag-edouard-lalo","tag-george-frideric-handel","tag-georges-bizet","tag-gerard-lemaire-gilbert-amy","tag-gianfranco-rivoli","tag-gioacchino-rossini","tag-jane-rhodes","tag-jean-dupouy","tag-jean-fournet","tag-jean-claude-chazal","tag-jean-philippe-rameau","tag-jean-pierre-marty","tag-john-pritchard","tag-john-sandor","tag-leo-delibes","tag-leone-magiera","tag-maria-ewing","tag-maurice-thiriet","tag-olivier-messiaen","tag-pierre-thau","tag-raymond-leppard","tag-robert-massard","tag-seiji-ozawa","tag-vincenzo-bellini","tag-wolfgang-amadeus-mozart"],"author_meta":{"display_name":"admin","author_link":"https:\/\/countermelodypodcast.com\/index.php\/author\/admin\/"},"featured_img":"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/09\/Papagena-1959-TRIMMED-1-300x154.jpg","coauthors":[],"tax_additional":{"categories":{"linked":["<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/bel-canto\/\" class=\"advgb-post-tax-term\">Bel Canto<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/forgotten-divas\/\" class=\"advgb-post-tax-term\">Forgotten Divas<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/french-opera\/\" class=\"advgb-post-tax-term\">French Opera<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/in-memoriam\/\" class=\"advgb-post-tax-term\">In Memoriam<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Needle Drop<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/singers-of-color\/\" class=\"advgb-post-tax-term\">Singers of Color<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Twentieth Century Music<\/a>"],"unlinked":["<span class=\"advgb-post-tax-term\">Bel Canto<\/span>","<span class=\"advgb-post-tax-term\">Forgotten Divas<\/span>","<span class=\"advgb-post-tax-term\">French Opera<\/span>","<span class=\"advgb-post-tax-term\">In Memoriam<\/span>","<span class=\"advgb-post-tax-term\">Needle Drop<\/span>","<span class=\"advgb-post-tax-term\">Singers of Color<\/span>","<span class=\"advgb-post-tax-term\">Twentieth Century Music<\/span>"]},"tags":{"linked":["<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Aim\u00e9 C\u00e9saire<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Alfredo Kraus<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Antonio de Almeida<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Benjamin Britten<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Charles Chaynes<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Charles Gounod<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Christiane Eda-Pierre<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">\u00c9douard Lalo<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">George Frideric Handel<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Georges Bizet<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">G\u00e9rard Lemaire; Gilbert Amy<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Gianfranco Rivoli<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Gioacchino Rossini<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Jane Rhodes<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Jean Dupouy<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Jean Fournet<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Jean-Claude Chazal<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Jean-Philippe Rameau<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Jean-Pierre Marty<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">John Pritchard<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">John Sandor<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">L\u00e9o Delibes<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Leone Magiera<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Maria Ewing<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Maurice Thiriet<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Olivier Messiaen<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Pierre Thau<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Raymond Leppard<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Robert Massard<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Seiji Ozawa<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Vincenzo Bellini<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Wolfgang Amadeus Mozart<\/a>"],"unlinked":["<span class=\"advgb-post-tax-term\">Aim\u00e9 C\u00e9saire<\/span>","<span class=\"advgb-post-tax-term\">Alfredo Kraus<\/span>","<span class=\"advgb-post-tax-term\">Antonio de Almeida<\/span>","<span class=\"advgb-post-tax-term\">Benjamin Britten<\/span>","<span class=\"advgb-post-tax-term\">Charles Chaynes<\/span>","<span class=\"advgb-post-tax-term\">Charles Gounod<\/span>","<span class=\"advgb-post-tax-term\">Christiane Eda-Pierre<\/span>","<span class=\"advgb-post-tax-term\">\u00c9douard Lalo<\/span>","<span class=\"advgb-post-tax-term\">George Frideric Handel<\/span>","<span class=\"advgb-post-tax-term\">Georges Bizet<\/span>","<span class=\"advgb-post-tax-term\">G\u00e9rard Lemaire; Gilbert Amy<\/span>","<span class=\"advgb-post-tax-term\">Gianfranco Rivoli<\/span>","<span class=\"advgb-post-tax-term\">Gioacchino Rossini<\/span>","<span class=\"advgb-post-tax-term\">Jane Rhodes<\/span>","<span class=\"advgb-post-tax-term\">Jean Dupouy<\/span>","<span class=\"advgb-post-tax-term\">Jean Fournet<\/span>","<span class=\"advgb-post-tax-term\">Jean-Claude Chazal<\/span>","<span class=\"advgb-post-tax-term\">Jean-Philippe Rameau<\/span>","<span class=\"advgb-post-tax-term\">Jean-Pierre Marty<\/span>","<span class=\"advgb-post-tax-term\">John Pritchard<\/span>","<span class=\"advgb-post-tax-term\">John Sandor<\/span>","<span class=\"advgb-post-tax-term\">L\u00e9o Delibes<\/span>","<span class=\"advgb-post-tax-term\">Leone Magiera<\/span>","<span class=\"advgb-post-tax-term\">Maria Ewing<\/span>","<span class=\"advgb-post-tax-term\">Maurice Thiriet<\/span>","<span class=\"advgb-post-tax-term\">Olivier Messiaen<\/span>","<span class=\"advgb-post-tax-term\">Pierre Thau<\/span>","<span class=\"advgb-post-tax-term\">Raymond Leppard<\/span>","<span class=\"advgb-post-tax-term\">Robert Massard<\/span>","<span class=\"advgb-post-tax-term\">Seiji Ozawa<\/span>","<span class=\"advgb-post-tax-term\">Vincenzo Bellini<\/span>","<span class=\"advgb-post-tax-term\">Wolfgang Amadeus Mozart<\/span>"]}},"comment_count":"2","relative_dates":{"created":"Posted 5 years ago","modified":"Updated 2 years ago"},"absolute_dates":{"created":"Posted on 26\/09\/2021","modified":"Updated on 16\/02\/2024"},"absolute_dates_time":{"created":"Posted on 26\/09\/2021 08:25","modified":"Updated on 16\/02\/2024 10:49"},"featured_img_caption":"","series_order":"","_links":{"self":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/8074","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/comments?post=8074"}],"version-history":[{"count":6,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/8074\/revisions"}],"predecessor-version":[{"id":8290,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/8074\/revisions\/8290"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/media\/8282"}],"wp:attachment":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/media?parent=8074"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/categories?post=8074"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/tags?post=8074"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}