{"id":7891,"date":"2021-08-08T14:05:40","date_gmt":"2021-08-08T12:05:40","guid":{"rendered":"http:\/\/countermelodypodcast.com\/?p=7891"},"modified":"2021-08-08T14:50:21","modified_gmt":"2021-08-08T12:50:21","slug":"episode-101-heinrich-rehkemper","status":"publish","type":"post","link":"https:\/\/countermelodypodcast.com\/index.php\/2021\/08\/08\/episode-101-heinrich-rehkemper\/","title":{"rendered":"Episode 101. Heinrich Rehkemper"},"content":{"rendered":"<div id=\"mega-menu-wrap-primary\" class=\"mega-menu-wrap\"><div class=\"mega-menu-toggle\"><div class=\"mega-toggle-blocks-left\"><\/div><div class=\"mega-toggle-blocks-center\"><\/div><div class=\"mega-toggle-blocks-right\"><div class='mega-toggle-block mega-menu-toggle-animated-block mega-toggle-block-1' id='mega-toggle-block-1'><button aria-label=\"Menu\" class=\"mega-toggle-animated mega-toggle-animated-slider\" type=\"button\" aria-haspopup=\"true\" aria-expanded=\"false\" aria-controls=\"mega-menu-primary\">\n                  <span class=\"mega-toggle-animated-box\">\n                    <span class=\"mega-toggle-animated-inner\"><\/span>\n                  <\/span>\n                <\/button><\/div><\/div><\/div><ul id=\"mega-menu-primary\" class=\"mega-menu max-mega-menu mega-menu-horizontal mega-no-js\" data-event=\"hover_intent\" data-effect=\"slide\" data-effect-speed=\"200\" data-effect-mobile=\"slide\" data-effect-speed-mobile=\"200\" data-mobile-force-width=\"body\" data-second-click=\"go\" data-document-click=\"collapse\" data-vertical-behaviour=\"standard\" data-breakpoint=\"600\" data-unbind=\"true\" data-mobile-state=\"collapse_all\" data-mobile-direction=\"vertical\" data-hover-intent-timeout=\"300\" data-hover-intent-interval=\"100\"><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-menu-item-home mega-align-bottom-left mega-menu-flyout mega-menu-item-19160\" id=\"mega-menu-item-19160\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/\">Home<\/a><\/li><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-align-bottom-left mega-menu-flyout mega-menu-item-19161\" id=\"mega-menu-item-19161\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/index.php\/about-daniel\/\">About Daniel<\/a><\/li><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-current_page_parent mega-align-bottom-left mega-menu-flyout mega-menu-item-19171\" id=\"mega-menu-item-19171\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/index.php\/all-episodes\/\">All Episodes<\/a><\/li><\/ul><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">Episode 101.  Heinrich Rehkemper<\/h2>\n\n\n\n<iframe loading=\"lazy\" width=\"340\" height=\"50\" src=\"https:\/\/countermelody.blubrry.net\/?powerpress_embed=383-podcast&amp;powerpress_player=mediaelement-audio\" frameborder=\"0\" scrolling=\"no\"><\/iframe>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p><strong>SOCIAL SHARE<\/strong><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"has-text-align-right\"><strong>SUBSCRIPTION PLATFORM<\/strong><\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<div class=\"wp-block-buttons is-content-justification-left is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button alignright\"><a class=\"wp-block-button__link no-border-radius\" href=\"https:\/\/countermelody.blubrry.net\/\">SUBSCRIBE VIA YOUR FAVORITE PODCAST PLATFORM<\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/Rehkemper-Hand-on-Hip-Best-Focus.png\" alt=\"\" class=\"wp-image-8006\" width=\"431\" height=\"745\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/Rehkemper-Hand-on-Hip-Best-Focus.png 295w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/Rehkemper-Hand-on-Hip-Best-Focus-174x300.png 174w\" sizes=\"auto, (max-width: 431px) 100vw, 431px\" \/><\/figure><\/div>\n\n\n\n<div style=\"height:38px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>I continue my salute to Great Baritones with an examination of the recorded legacy of one of my favorite German baritones, the nearly-forgotten Heinrich Rehkemper (1894-1949) who left a small but important cache of discs, many of them devoted to the <em>Lieder<\/em> of Franz Schubert. He also made the first complete recording of Gustav Mahler\u2019s <em>Kindertotenlieder<\/em>. I place Rehkemper in the context of the other significant German baritones of his era, Heinrich Schlusnus, Willi Domgraf-Fassbaender, Karl Schmitt-Walter, and Gerhard H\u00fcschand examine the specter of Nazism that hangs over all German artists from this period. But it is first and foremost the unique legacy of Rehkemper\u2019s art song recordings that concerns me here, and I discuss what makes his work so important, and what today\u2019s singers can learn through close study of his recordings.<\/p>\n\n\n\n<p><em>Countermelody<\/em>&nbsp;is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel\u2019s lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and \u201cinside stories.\u201d Occasional guests from the \u201cbusiness\u201d (singers, conductors, composers, coaches, and teachers) lend their distinctive insights. At&nbsp;<em>Countermelody<\/em>\u2019s core is the interaction between singers of all stripes, their instruments, and the connection they make to the words they sing. At&nbsp;<em>Countermelody<\/em>\u2019s core is the interaction between singers of all stripes, their instruments, and the connection they make to the words they sing. Please visit the&nbsp;<em>Countermelody<\/em>&nbsp;website (<a href=\"http:\/\/www.countermelodypodcast.com\">www.countermelodypodcast.com<\/a>) for additional content including artist photos and episode setlists. And please head to my Patreon page at <a href=\"http:\/\/www.patreon.com\/countermelody\">www.patreon.com\/countermelody<\/a> to pledge your monthly support at whatever level you can afford. Bonus episodes available only to Patreon supporters are currently available.<\/p>\n\n\n\n<p><\/p>\n\n\n\n<div style=\"height:47px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-custom-size\" style=\"font-size:30px\"><strong> RECORDINGS HEARD IN THIS EPISODE<\/strong><\/p>\n\n\n\n<div style=\"height:55px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/Another-HR-Headshot.png\" alt=\"\" class=\"wp-image-8010\" width=\"439\" height=\"587\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/Another-HR-Headshot.png 332w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/Another-HR-Headshot-224x300.png 224w\" sizes=\"auto, (max-width: 439px) 100vw, 439px\" \/><\/figure><\/div>\n\n\n\n<p>Franz Schubert, Friedrich R\u00fcckert: Sei mir gegr\u00fc\u00dft, D.741. Henrich Rehkemper, Manfred Gurlitt [1928]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"580\" height=\"849\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/Rehkemper-as-Escamillo.jpg\" alt=\"\" class=\"wp-image-8011\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/Rehkemper-as-Escamillo.jpg 580w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/Rehkemper-as-Escamillo-205x300.jpg 205w\" sizes=\"auto, (max-width: 580px) 100vw, 580px\" \/><\/figure><\/div>\n\n\n\n<p>Gioacchino Rossini, Cesare Sterbini: Ich bin das Faktotum [Largo al factotum] (<em>Der Barbier von Sevilla<\/em>). Henrich Rehkemper [1923]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Wolfgang Amadeus Mozart, Lorenzo da Ponte: Will der Herr Graf [Se vuol ballare] (<em>Figaros Hochzeit<\/em>). Heinrich Rehkemper, Julius Pr\u00fcwer, Orchester der Staatsoper Berlin [1929]<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/Rehkemper-LV-headshot.png\" alt=\"\" class=\"wp-image-8012\" width=\"389\" height=\"551\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/Rehkemper-LV-headshot.png 327w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/Rehkemper-LV-headshot-212x300.png 212w\" sizes=\"auto, (max-width: 389px) 100vw, 389px\" \/><\/figure><\/div>\n\n\n\n<p>Wolfgang Amadeus Mozart, Emanuel Schikaneder: Papagena! Papagena! (<em>Die Zaberfl\u00f6te<\/em>). Heinrich Rehkemper, Manfred Gurlitt, Orchester der Staatsoper Berlin [1928]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/Rehkemper-as-Giovanni.png\" alt=\"\" class=\"wp-image-8013\" width=\"391\" height=\"632\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/Rehkemper-as-Giovanni.png 333w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/Rehkemper-as-Giovanni-186x300.png 186w\" sizes=\"auto, (max-width: 391px) 100vw, 391px\" \/><\/figure><\/div>\n\n\n\n<p>Wolfgang Amadeus Mozart, Lorenzo da Ponte: Horch auf der Klang der Zither [Deh, vieni alla finestra] (<em>Don Juan<\/em>). Heinrich Rehkemper [1923]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"351\" height=\"514\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/Rehkemper-as-Jokanaan.jpg\" alt=\"\" class=\"wp-image-8014\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/Rehkemper-as-Jokanaan.jpg 351w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/Rehkemper-as-Jokanaan-205x300.jpg 205w\" sizes=\"auto, (max-width: 351px) 100vw, 351px\" \/><figcaption>As Jochanaan.<\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:11px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Richard Wagner: Des eignes s\u00fcndigen Blutes Gewell (<em>Parsifal<\/em>). Heinrich Rehkemper [1923]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/Rehkemper-as-Nevers-in-Die-Huguenotten-TRIMMED.jpg\" alt=\"\" class=\"wp-image-8015\" width=\"552\" height=\"511\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/Rehkemper-as-Nevers-in-Die-Huguenotten-TRIMMED.jpg 552w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/Rehkemper-as-Nevers-in-Die-Huguenotten-TRIMMED-300x278.jpg 300w\" sizes=\"auto, (max-width: 552px) 100vw, 552px\" \/><figcaption>As Nevers in <em>Die Huguenotten<\/em><\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:11px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Giuseppe Verdi, Salvatore Cammarano: Ihres Auges himmlisch Strahlen [Il balen del suo sorriso] (<em>Der Troubadour<\/em>). Five versions: (a) Heinrich Rehkemper [1923]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"405\" height=\"554\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/Schlusnus-Full-Torso-Shot.jpg\" alt=\"\" class=\"wp-image-8016\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/Schlusnus-Full-Torso-Shot.jpg 405w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/Schlusnus-Full-Torso-Shot-219x300.jpg 219w\" sizes=\"auto, (max-width: 405px) 100vw, 405px\" \/><\/figure><\/div>\n\n\n\n<p>Heinrich Schlusnus, Julius Pr\u00fcwer, Orchester der Staatsoper Berlin [1928]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"400\" height=\"610\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/WDF-and-Canine-Buddy.png\" alt=\"\" class=\"wp-image-8017\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/WDF-and-Canine-Buddy.png 400w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/WDF-and-Canine-Buddy-197x300.png 197w\" sizes=\"auto, (max-width: 400px) 100vw, 400px\" \/><\/figure><\/div>\n\n\n\n<p>Willi Domgraf-Fassbaender, Fritz Zweig, Berliner Funk-Orchester [1931]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/KSW-Di-Luna.png\" alt=\"\" class=\"wp-image-8018\" width=\"346\" height=\"511\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/KSW-Di-Luna.png 346w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/KSW-Di-Luna-203x300.png 203w\" sizes=\"auto, (max-width: 346px) 100vw, 346px\" \/><figcaption>Karl Schmitt-Walter as the Count di Luna.<\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Karl Schmitt-Walter, Artur Rother, Orchester der Staatsoper Berlin [1942]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"373\" height=\"518\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/Gerhard-Huesch.png\" alt=\"\" class=\"wp-image-8019\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/Gerhard-Huesch.png 373w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/Gerhard-Huesch-216x300.png 216w\" sizes=\"auto, (max-width: 373px) 100vw, 373px\" \/><\/figure><\/div>\n\n\n\n<p>Gerhard H\u00fcsch, Staatskapelle Berlin [1935]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"353\" height=\"556\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/Rehkemper-as-Hans-Heiling.png\" alt=\"\" class=\"wp-image-8020\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/Rehkemper-as-Hans-Heiling.png 353w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/Rehkemper-as-Hans-Heiling-190x300.png 190w\" sizes=\"auto, (max-width: 353px) 100vw, 353px\" \/><\/figure><\/div>\n\n\n\n<p>Felix Mendelssohn: Es ist genug! (<em>Elias<\/em>). Heinrich Rehkemper, Manfred Gurlitt, Orchester der Staatsoper Berlin [1928]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"526\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/Horenstein.jpg\" alt=\"\" class=\"wp-image-8021\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/Horenstein.jpg 600w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/Horenstein-300x263.jpg 300w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/figure><\/div>\n\n\n\n<p>Gustav Mahler, Friedrich R\u00fcckert: Nun seh\u2019 ich wohl; Wenn dein M\u00fctterlein (<em>Kindertotenlieder<\/em>). Heinrich Rehkemper, Jascha Horenstein, Orchester der Staatsoper Berlin [1928]<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/Kindertoten.jpg\" alt=\"\" class=\"wp-image-8032\" width=\"503\" height=\"480\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/Kindertoten.jpg 599w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/Kindertoten-300x286.jpg 300w\" sizes=\"auto, (max-width: 503px) 100vw, 503px\" \/><\/figure><\/div>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"424\" height=\"576\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/Rehkemper-BW-headshot.png\" alt=\"\" class=\"wp-image-8022\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/Rehkemper-BW-headshot.png 424w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/Rehkemper-BW-headshot-221x300.png 221w\" sizes=\"auto, (max-width: 424px) 100vw, 424px\" \/><\/figure><\/div>\n\n\n\n<p>Franz Schubert, Johann Georg Jacobi: Lied des Orpheus, als er in die H\u00f6lle ging, D.474. Heinrich Rehkemper. Waldemar Liachowsky [1925]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"466\" height=\"518\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/Gurlitt-2.png\" alt=\"\" class=\"wp-image-8034\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/Gurlitt-2.png 466w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/Gurlitt-2-270x300.png 270w\" sizes=\"auto, (max-width: 466px) 100vw, 466px\" \/><figcaption>Manfred Gurlitt (1890 &#8211; 1972)<\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:11px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Franz Schubert, Franz von Schober: Am Bach im Fr\u00fchling, D361. Heinrich Rehkemper, Manfred Gurlitt [1928]<\/p>\n\n\n\n<p>A fascinating article on Manfred Gurlitt, his complicated history and his thwarted legacy can be found at <a rel=\"noreferrer noopener\" href=\"https:\/\/forbiddenmusic.org\/2013\/08\/06\/manfred-gurlitt\/\" target=\"_blank\">https:\/\/forbiddenmusic.org\/2013\/08\/06\/manfred-gurlitt.<\/a><\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/Studio-Portrait-in-Fur-Coat.jpg\" alt=\"\" class=\"wp-image-8024\" width=\"389\" height=\"526\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/Studio-Portrait-in-Fur-Coat.jpg 312w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/Studio-Portrait-in-Fur-Coat-222x300.jpg 222w\" sizes=\"auto, (max-width: 389px) 100vw, 389px\" \/><\/figure><\/div>\n\n\n\n<p>Franz Schubert, Wilhelm M\u00fcller: Eifersucht und Stolz (<em>Die sch\u00f6ne M\u00fcllerin<\/em>), D.795\/15. Heinrich Rehkemper, Manfred Gurlitt [1928]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"778\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/Raucheisen-778x1024.jpg\" alt=\"\" class=\"wp-image-8027\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/Raucheisen-778x1024.jpg 778w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/Raucheisen-228x300.jpg 228w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/Raucheisen-768x1011.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/Raucheisen-1166x1536.jpg 1166w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/Raucheisen.jpg 1555w\" sizes=\"auto, (max-width: 778px) 100vw, 778px\" \/><figcaption>Michael Raucheisen<\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:12px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Hugo Wolf: Zwei <em>M\u00f6rike-Lieder<\/em>: Auftrag; Der Feuerreiter. Heinrich Rehkemper, Michael Raucheisen [1929]<\/p>\n\n\n\n<p>Franz Schubert, Heinrich Heine: Der Doppelg\u00e4nger, D.957\/13. Heinrich Rehkemper, Manfred Gurlitt [1928]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"450\" height=\"450\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/Gute-Nacht.jpg\" alt=\"\" class=\"wp-image-8028\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/Gute-Nacht.jpg 450w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/Gute-Nacht-300x300.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/Gute-Nacht-150x150.jpg 150w\" sizes=\"auto, (max-width: 450px) 100vw, 450px\" \/><\/figure><\/div>\n\n\n\n<p>Franz Schubert, Wilhelm M\u00fcller: Three Songs from <em>Winterreise<\/em>, D.911. Heinrich Rehkemper: I. Gute Nacht [with Manfred Gurlitt, 1928]; V. Der Lindenbaum [with Waldemar Liachowsky, 1926]; XXIV. Der Leiermann [with Manfred Gurlitt, 1928]<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"450\" height=\"450\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/Leiermann.jpg\" alt=\"\" class=\"wp-image-8031\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/Leiermann.jpg 450w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/Leiermann-300x300.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/Leiermann-150x150.jpg 150w\" sizes=\"auto, (max-width: 450px) 100vw, 450px\" \/><\/figure><\/div>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/Rehkemper-as-Athanasius.jpg\" alt=\"\" class=\"wp-image-8029\" width=\"432\" height=\"693\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/Rehkemper-as-Athanasius.jpg 202w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/Rehkemper-as-Athanasius-187x300.jpg 187w\" sizes=\"auto, (max-width: 432px) 100vw, 432px\" \/><\/figure><\/div>\n\n\n\n<p>Robert Schumann, Nikolaus Lenau: Meine Rose, Op. 90\/2. Heinrich Rehkemper [1924]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/Rehkemper-in-Don-Pasquale.jpg\" alt=\"\" class=\"wp-image-8030\" width=\"438\" height=\"684\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/Rehkemper-in-Don-Pasquale.jpg 285w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/Rehkemper-in-Don-Pasquale-192x300.jpg 192w\" sizes=\"auto, (max-width: 438px) 100vw, 438px\" \/><\/figure><\/div>\n\n\n\n<p>Franz Schubert, Friedrich Klopstock: Das Rosenband, D.280. Heinrich Rehkemper, Manfred Gurlitt [1928]<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/Fingers-on-Face.jpg\" alt=\"\" class=\"wp-image-8036\" width=\"506\" height=\"790\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/Fingers-on-Face.jpg 355w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/Fingers-on-Face-192x300.jpg 192w\" sizes=\"auto, (max-width: 506px) 100vw, 506px\" \/><\/figure><\/div>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"567\" height=\"572\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/Rehkemper-Everest-Scala.jpg\" alt=\"\" class=\"wp-image-8035\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/Rehkemper-Everest-Scala.jpg 567w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/Rehkemper-Everest-Scala-297x300.jpg 297w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/Rehkemper-Everest-Scala-150x150.jpg 150w\" sizes=\"auto, (max-width: 567px) 100vw, 567px\" \/><\/figure><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Episode 101. Heinrich Rehkemper SOCIAL SHARE SUBSCRIPTION PLATFORM I continue my salute to Great Baritones with an examination of the&hellip;<\/p>\n","protected":false},"author":1,"featured_media":8009,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"advgb_blocks_editor_width":"","advgb_blocks_columns_visual_guide":"","footnotes":""},"categories":[1075,3132,2398,2399,2314,2260,808,2329],"tags":[653,1644,101,1231,3131,3128,114,207,1297,1197,100,3125,2304,3130,3127,1174,3124,3129,548,3123,862,3126,34],"class_list":["post-7891","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-art-song","category-franz-schubert","category-giuseppe-verdi","category-great-baritones","category-gustav-mahler","category-music-for-a-world-in-crisis","category-needle-drop","category-opera-in-translation","tag-eduard-morike","tag-felix-mendelssohn","tag-franz-schubert","tag-friedrich-ruckert","tag-fritz-zweig","tag-gerhard-husch","tag-gioacchino-rossini","tag-giuseppe-verdi","tag-gustav-mahler","tag-heinrich-heine","tag-heinrich-rehkemper","tag-heinrich-schlusnus","tag-jascha-horenstein","tag-julius-pruwer","tag-karl-schmitt-walter","tag-manfred-gurlitt","tag-michael-raucheisen","tag-opera-in-translation","tag-robert-schumann","tag-waldemar-liachowsky","tag-wilhelm-muller","tag-willi-domgraf-fassbaender","tag-wolfgang-amadeus-mozart"],"author_meta":{"display_name":"admin","author_link":"https:\/\/countermelodypodcast.com\/index.php\/author\/admin\/"},"featured_img":"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/Fingers-on-Face-FINGER-FOCUS-300x186.jpg","coauthors":[],"tax_additional":{"categories":{"linked":["<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/art-song\/\" class=\"advgb-post-tax-term\">Art Song<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/franz-schubert\/\" class=\"advgb-post-tax-term\">Franz Schubert<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/giuseppe-verdi\/\" class=\"advgb-post-tax-term\">Giuseppe Verdi<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/great-baritones\/\" class=\"advgb-post-tax-term\">Great Baritones<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/gustav-mahler\/\" class=\"advgb-post-tax-term\">Gustav Mahler<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/music-for-a-world-in-crisis\/\" class=\"advgb-post-tax-term\">Music for a World in Crisis<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Needle Drop<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/opera-in-translation\/\" class=\"advgb-post-tax-term\">Opera in Translation<\/a>"],"unlinked":["<span class=\"advgb-post-tax-term\">Art Song<\/span>","<span class=\"advgb-post-tax-term\">Franz Schubert<\/span>","<span class=\"advgb-post-tax-term\">Giuseppe Verdi<\/span>","<span class=\"advgb-post-tax-term\">Great Baritones<\/span>","<span class=\"advgb-post-tax-term\">Gustav Mahler<\/span>","<span class=\"advgb-post-tax-term\">Music for a World in Crisis<\/span>","<span class=\"advgb-post-tax-term\">Needle Drop<\/span>","<span class=\"advgb-post-tax-term\">Opera in Translation<\/span>"]},"tags":{"linked":["<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/opera-in-translation\/\" class=\"advgb-post-tax-term\">Eduard M\u00f6rike<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/opera-in-translation\/\" class=\"advgb-post-tax-term\">Felix Mendelssohn<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/opera-in-translation\/\" class=\"advgb-post-tax-term\">Franz Schubert<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/opera-in-translation\/\" class=\"advgb-post-tax-term\">Friedrich R\u00fcckert<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/opera-in-translation\/\" class=\"advgb-post-tax-term\">Fritz Zweig<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/opera-in-translation\/\" class=\"advgb-post-tax-term\">Gerhard H\u00fcsch<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/opera-in-translation\/\" class=\"advgb-post-tax-term\">Gioacchino Rossini<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/opera-in-translation\/\" class=\"advgb-post-tax-term\">Giuseppe Verdi<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/opera-in-translation\/\" class=\"advgb-post-tax-term\">Gustav Mahler<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/opera-in-translation\/\" class=\"advgb-post-tax-term\">Heinrich Heine<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/opera-in-translation\/\" class=\"advgb-post-tax-term\">Heinrich Rehkemper<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/opera-in-translation\/\" class=\"advgb-post-tax-term\">Heinrich Schlusnus<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/opera-in-translation\/\" class=\"advgb-post-tax-term\">Jascha Horenstein<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/opera-in-translation\/\" class=\"advgb-post-tax-term\">Julius Pr\u00fcwer<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/opera-in-translation\/\" class=\"advgb-post-tax-term\">Karl Schmitt-Walter<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/opera-in-translation\/\" class=\"advgb-post-tax-term\">Manfred Gurlitt<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/opera-in-translation\/\" class=\"advgb-post-tax-term\">Michael Raucheisen<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/opera-in-translation\/\" class=\"advgb-post-tax-term\">Opera in Translation<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/opera-in-translation\/\" class=\"advgb-post-tax-term\">Robert Schumann<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/opera-in-translation\/\" class=\"advgb-post-tax-term\">Waldemar Liachowsky<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/opera-in-translation\/\" class=\"advgb-post-tax-term\">Wilhelm M\u00fcller<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/opera-in-translation\/\" class=\"advgb-post-tax-term\">Willi Domgraf-Fassbaender<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/opera-in-translation\/\" class=\"advgb-post-tax-term\">Wolfgang Amadeus Mozart<\/a>"],"unlinked":["<span class=\"advgb-post-tax-term\">Eduard M\u00f6rike<\/span>","<span class=\"advgb-post-tax-term\">Felix Mendelssohn<\/span>","<span class=\"advgb-post-tax-term\">Franz Schubert<\/span>","<span class=\"advgb-post-tax-term\">Friedrich R\u00fcckert<\/span>","<span class=\"advgb-post-tax-term\">Fritz Zweig<\/span>","<span class=\"advgb-post-tax-term\">Gerhard H\u00fcsch<\/span>","<span class=\"advgb-post-tax-term\">Gioacchino Rossini<\/span>","<span class=\"advgb-post-tax-term\">Giuseppe Verdi<\/span>","<span class=\"advgb-post-tax-term\">Gustav Mahler<\/span>","<span class=\"advgb-post-tax-term\">Heinrich Heine<\/span>","<span class=\"advgb-post-tax-term\">Heinrich Rehkemper<\/span>","<span class=\"advgb-post-tax-term\">Heinrich Schlusnus<\/span>","<span class=\"advgb-post-tax-term\">Jascha Horenstein<\/span>","<span class=\"advgb-post-tax-term\">Julius Pr\u00fcwer<\/span>","<span class=\"advgb-post-tax-term\">Karl Schmitt-Walter<\/span>","<span class=\"advgb-post-tax-term\">Manfred Gurlitt<\/span>","<span class=\"advgb-post-tax-term\">Michael Raucheisen<\/span>","<span class=\"advgb-post-tax-term\">Opera in Translation<\/span>","<span class=\"advgb-post-tax-term\">Robert Schumann<\/span>","<span class=\"advgb-post-tax-term\">Waldemar Liachowsky<\/span>","<span class=\"advgb-post-tax-term\">Wilhelm M\u00fcller<\/span>","<span class=\"advgb-post-tax-term\">Willi Domgraf-Fassbaender<\/span>","<span class=\"advgb-post-tax-term\">Wolfgang Amadeus Mozart<\/span>"]}},"comment_count":"0","relative_dates":{"created":"Posted 5 years ago","modified":"Updated 5 years ago"},"absolute_dates":{"created":"Posted on 08\/08\/2021","modified":"Updated on 08\/08\/2021"},"absolute_dates_time":{"created":"Posted on 08\/08\/2021 14:05","modified":"Updated on 08\/08\/2021 14:50"},"featured_img_caption":"","series_order":"","_links":{"self":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/7891","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/comments?post=7891"}],"version-history":[{"count":6,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/7891\/revisions"}],"predecessor-version":[{"id":8040,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/7891\/revisions\/8040"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/media\/8009"}],"wp:attachment":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/media?parent=7891"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/categories?post=7891"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/tags?post=7891"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}