{"id":7751,"date":"2021-08-15T18:52:31","date_gmt":"2021-08-15T16:52:31","guid":{"rendered":"http:\/\/countermelodypodcast.com\/?p=7751"},"modified":"2022-06-16T16:20:19","modified_gmt":"2022-06-16T14:20:19","slug":"episode-102-john-reardon","status":"publish","type":"post","link":"https:\/\/countermelodypodcast.com\/index.php\/2021\/08\/15\/episode-102-john-reardon\/","title":{"rendered":"Episode 102. John Reardon"},"content":{"rendered":"<div id=\"mega-menu-wrap-primary\" class=\"mega-menu-wrap\"><div class=\"mega-menu-toggle\"><div class=\"mega-toggle-blocks-left\"><\/div><div class=\"mega-toggle-blocks-center\"><\/div><div class=\"mega-toggle-blocks-right\"><div class='mega-toggle-block mega-menu-toggle-animated-block mega-toggle-block-1' id='mega-toggle-block-1'><button aria-label=\"Menu\" class=\"mega-toggle-animated mega-toggle-animated-slider\" type=\"button\" aria-haspopup=\"true\" aria-expanded=\"false\" aria-controls=\"mega-menu-primary\">\n                  <span class=\"mega-toggle-animated-box\">\n                    <span class=\"mega-toggle-animated-inner\"><\/span>\n                  <\/span>\n                <\/button><\/div><\/div><\/div><ul id=\"mega-menu-primary\" class=\"mega-menu max-mega-menu mega-menu-horizontal mega-no-js\" data-event=\"hover_intent\" data-effect=\"slide\" data-effect-speed=\"200\" data-effect-mobile=\"slide\" data-effect-speed-mobile=\"200\" data-mobile-force-width=\"body\" data-second-click=\"go\" data-document-click=\"collapse\" data-vertical-behaviour=\"standard\" data-breakpoint=\"600\" data-unbind=\"true\" data-mobile-state=\"collapse_all\" data-mobile-direction=\"vertical\" data-hover-intent-timeout=\"300\" data-hover-intent-interval=\"100\"><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-menu-item-home mega-align-bottom-left mega-menu-flyout mega-menu-item-19160\" id=\"mega-menu-item-19160\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/\">Home<\/a><\/li><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-align-bottom-left mega-menu-flyout mega-menu-item-19161\" id=\"mega-menu-item-19161\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/index.php\/about-daniel\/\">About Daniel<\/a><\/li><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-current_page_parent mega-align-bottom-left mega-menu-flyout mega-menu-item-19171\" id=\"mega-menu-item-19171\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/index.php\/all-episodes\/\">All Episodes<\/a><\/li><\/ul><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">Episode 102.  John Reardon: Make Someone Happy<\/h2>\n\n\n\n<iframe loading=\"lazy\" width=\"320\" height=\"30\" src=\"https:\/\/countermelody.blubrry.net\/?powerpress_embed=387-podcast&amp;powerpress_player=mediaelement-audio\" frameborder=\"0\" scrolling=\"no\"><\/iframe>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p><strong>SOCIAL SHARE<\/strong><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"has-text-align-right\"><strong>SUBSCRIPTION PLATFORM<\/strong><\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<ul class=\"wp-block-social-links has-normal-icon-size is-style-logos-only 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c-1.404,1.1-3.174,1.756-5.096,1.756c-0.331,0-0.658-0.019-0.979-0.057c1.816,1.164,3.973,1.843,6.29,1.843 c7.547,0,11.675-6.252,11.675-11.675c0-0.178-0.004-0.355-0.012-0.531C20.985,7.47,21.68,6.747,22.23,5.924z\"><\/path><\/svg><span class=\"wp-block-social-link-label screen-reader-text\">Share on Twitter<\/span><\/a><\/li>\n\n<li class=\"wp-social-link wp-social-link-pinterest  wp-block-social-link\"><a rel=\"noopener nofollow\" target=\"_blank\" href=\"https:\/\/pinterest.com\/pin\/create\/button\/?url=http%3A%2F%2Fcountermelodypodcast.com%2Findex.php%2F2021%2F08%2F15%2Fepisode-102-john-reardon%2F&#038;description=Episode%20102.%20John%20Reardon\" class=\"wp-block-social-link-anchor\"><svg width=\"24\" height=\"24\" viewBox=\"0 0 24 24\" version=\"1.1\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" aria-hidden=\"true\" focusable=\"false\"><path d=\"M12.289,2C6.617,2,3.606,5.648,3.606,9.622c0,1.846,1.025,4.146,2.666,4.878c0.25,0.111,0.381,0.063,0.439-0.169 c0.044-0.175,0.267-1.029,0.365-1.428c0.032-0.128,0.017-0.237-0.091-0.362C6.445,11.911,6.01,10.75,6.01,9.668 c0-2.777,2.194-5.464,5.933-5.464c3.23,0,5.49,2.108,5.49,5.122c0,3.407-1.794,5.768-4.13,5.768c-1.291,0-2.257-1.021-1.948-2.277 c0.372-1.495,1.089-3.112,1.089-4.191c0-0.967-0.542-1.775-1.663-1.775c-1.319,0-2.379,1.309-2.379,3.059 c0,1.115,0.394,1.869,0.394,1.869s-1.302,5.279-1.54,6.261c-0.405,1.666,0.053,4.368,0.094,4.604 c0.021,0.126,0.167,0.169,0.25,0.063c0.129-0.165,1.699-2.419,2.142-4.051c0.158-0.59,0.817-2.995,0.817-2.995 c0.43,0.784,1.681,1.446,3.013,1.446c3.963,0,6.822-3.494,6.822-7.833C20.394,5.112,16.849,2,12.289,2\"><\/path><\/svg><span class=\"wp-block-social-link-label screen-reader-text\">Share on Pinterest<\/span><\/a><\/li>\n\n<li class=\"wp-social-link wp-social-link-email  wp-block-social-link\"><a rel=\"noopener nofollow\" target=\"_blank\" 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1-1.4-1.371 1.954 1.954 0 0 1 .482-1.442 1.15 1.15 0 0 1 .842-.379 1.7 1.7 0 0 1 1.49 1.777 1.323 1.323 0 0 1-.325 1.015 1.476 1.476 0 0 1-1.089.4Zm-7.485 0a1.476 1.476 0 0 1-1.086-.4 1.323 1.323 0 0 1-.325-1.016 1.7 1.7 0 0 1 1.49-1.777 1.151 1.151 0 0 1 .843.379 1.951 1.951 0 0 1 .481 1.441 1.276 1.276 0 0 1-1.403 1.373Z\"><\/path><\/svg><span class=\"wp-block-social-link-label screen-reader-text\">Share on Reddit<\/span><\/a><\/li><\/ul>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<div class=\"wp-block-buttons is-horizontal is-content-justification-left is-layout-flex wp-container-core-buttons-is-layout-7e5fce0a wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button alignright\"><a class=\"wp-block-button__link no-border-radius\" href=\"https:\/\/countermelody.blubrry.net\/\">SUBSCRIBE VIA YOUR FAVORITE PODCAST PLATFORM<\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"735\" height=\"886\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/Reardon-Headshot.jpg\" alt=\"\" class=\"wp-image-8067\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/Reardon-Headshot.jpg 735w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/Reardon-Headshot-249x300.jpg 249w\" sizes=\"auto, (max-width: 735px) 100vw, 735px\" \/><\/figure>\n<\/div>\n\n\n<div style=\"height:38px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Here\u2019s another great baritone to help get us through another week: the extraordinarily versatile and talented John Reardon (1930-1988). Possessed of a voice of extraordinary beauty and flexibility, as well as deeply intuitive interpretive powers and a profound musicality and dramatic sensibility, he had everything it took to make his mark in the fields of musicals, operetta, and opera (the latter in both standard, and, even more significantly, contemporary repertoire). I have several rare live recordings as well as some uncommon studio recordings to share with my listeners. Guest stars include Leontyne Price, Judith Raskin, Jo Sullivan, Lisa Della Casa, Alexander Young, Ragnar Ulfung, Evelyn Lear, and Bliss Hebert, in a rare outing as a pianist accompanying Reardon in a 1967 recording of American art songs. I also pay homage to his television appearances, both on NBC Opera and, especially, between 1968 and 1986, as the character \u201cReardon\u201d in <em>Mister Rogers\u2019 Neighborhood<\/em>, which served to introduce countless multitudes of children to the glories of opera.<\/p>\n\n\n\n<div style=\"height:47px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-custom-size\" style=\"font-size:30px\"><strong> RECORDINGS HEARD IN THIS EPISODE<\/strong><\/p>\n\n\n\n<div style=\"height:55px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"385\" height=\"490\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/Reardon-Dussault.jpg\" alt=\"\" class=\"wp-image-8044\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/Reardon-Dussault.jpg 385w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/Reardon-Dussault-236x300.jpg 236w\" sizes=\"auto, (max-width: 385px) 100vw, 385px\" \/><figcaption>John Reardon and Nancy Dussault in <em>Do Re Mi<\/em> (1960)<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:8px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Jule Styne, Betty Comden, Adolph Green: Make Someone Happy (<em>Do Re Mi<\/em>). John Reardon, Orchestra conducted by Lehman Engel [1960]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"576\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/Reardon-on-Mister-Rogers-1024x576.jpg\" alt=\"\" class=\"wp-image-8047\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/Reardon-on-Mister-Rogers-1024x576.jpg 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/Reardon-on-Mister-Rogers-300x169.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/Reardon-on-Mister-Rogers-768x432.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/Reardon-on-Mister-Rogers.jpg 1200w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n<p>Fred Rogers: I Love to Sing (<em>Misterogers\u2019 Neighborhood<\/em>). John Reardon, Fred Rogers [1968]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1016\" height=\"639\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/Bleecker-screenshot.png\" alt=\"\" class=\"wp-image-8045\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/Bleecker-screenshot.png 1016w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/Bleecker-screenshot-300x189.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/Bleecker-screenshot-768x483.png 768w\" sizes=\"auto, (max-width: 1016px) 100vw, 1016px\" \/><figcaption>A fleeting screenshot of John Reardon in <em>The Saint of Bleecker Street<\/em>, 1954.<\/figcaption><\/figure>\n\n\n\n<div style=\"height:9px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Gian Carlo Menotti: Song of the Second Wedding Guest (<em>The Saint of Bleecker Street<\/em>). John Reardon, Samuel Krachmalnick, Orchestra and Chorus of the NBC Opera [1954].<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"387\" height=\"471\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/Papageno.png\" alt=\"\" class=\"wp-image-8046\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/Papageno.png 387w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/Papageno-246x300.png 246w\" sizes=\"auto, (max-width: 387px) 100vw, 387px\" \/><\/figure>\n<\/div>\n\n\n<p>Wolfgang Amadeus Mozart, Emanuel Schikaneder, English singing translation by W.H. Auden, Chester Kallman: Bei M\u00e4nnern (<em>The Magic Flute<\/em>). John Reardon, Leontyne Price, Peter Herman Adler, Symphony of the Air [NBC Opera, telecast 15 January 1956]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"683\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/Handsome-Rec-Session-683x1024.jpg\" alt=\"\" class=\"wp-image-8048\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/Handsome-Rec-Session-683x1024.jpg 683w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/Handsome-Rec-Session-200x300.jpg 200w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/Handsome-Rec-Session-768x1152.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/Handsome-Rec-Session-1024x1536.jpg 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/Handsome-Rec-Session.jpg 1067w\" sizes=\"auto, (max-width: 683px) 100vw, 683px\" \/><\/figure>\n<\/div>\n\n\n<p>Arthur Siegel, June Carroll: Don\u2019t Wait \u2018Til It\u2019s Too Late to See Paris (<em>New Faces of 1956<\/em>). John Reardon, Orchestra conducted by Jay Blackton [1956]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"500\" height=\"500\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/Folder-Copy.jpg\" alt=\"\" class=\"wp-image-8049\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/Folder-Copy.jpg 500w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/Folder-Copy-300x300.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/Folder-Copy-150x150.jpg 150w\" sizes=\"auto, (max-width: 500px) 100vw, 500px\" \/><\/figure>\n<\/div>\n\n\n<p>Robert Wright, George Forrest, after Edvard Grieg: Hill of Dreams (<em>Song of Norway<\/em>). John Reardon, Helena Scott, William Orvis, Orchestra conducted by Lehman Engel [1959]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/AlbumArtSmall-Copy-1024x1024.jpg\" alt=\"\" class=\"wp-image-8050\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/AlbumArtSmall-Copy-1024x1024.jpg 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/AlbumArtSmall-Copy-300x300.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/AlbumArtSmall-Copy-150x150.jpg 150w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/AlbumArtSmall-Copy-768x768.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/AlbumArtSmall-Copy-1536x1536.jpg 1536w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/AlbumArtSmall-Copy-1600x1600.jpg 1600w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/AlbumArtSmall-Copy.jpg 1724w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n<p>Franz Leh\u00e1r, English text by Merl Puffer, Deena Cavalieri: Maxim\u2019s; While Our Lips Are Still Denying (<em>The Merry Widow<\/em>). John Reardon, Lisa Della Casa, Franz Allers, The American Opera Society Orchestra [1962]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/Reardon-70s-Suitcoat.jpg\" alt=\"\" class=\"wp-image-8051\" width=\"343\" height=\"528\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/Reardon-70s-Suitcoat.jpg 260w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/Reardon-70s-Suitcoat-195x300.jpg 195w\" sizes=\"auto, (max-width: 343px) 100vw, 343px\" \/><\/figure>\n<\/div>\n\n\n<p>Jerome Kern, Oscar Hammerstein II: The Song Is You (<em>Music in the Air<\/em>). John Reardon, Patrice Munsel, Michael Battistelli, New Amsterdam Theatre Company [live Town Hall, April 1985]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"500\" height=\"500\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/AlbumArtSmall-Copy-1.jpg\" alt=\"\" class=\"wp-image-8052\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/AlbumArtSmall-Copy-1.jpg 500w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/AlbumArtSmall-Copy-1-300x300.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/AlbumArtSmall-Copy-1-150x150.jpg 150w\" sizes=\"auto, (max-width: 500px) 100vw, 500px\" \/><\/figure>\n<\/div>\n\n\n<p>Leonard Bernstein, Betty Comden, Adolph Green: Lonely Town (<em>On the Town<\/em>). John Reardon, Orchestra conducted by Leonard Bernstein [1960]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/Mid-Seventies-Handsome.png\" alt=\"\" class=\"wp-image-8053\" width=\"409\" height=\"627\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/Mid-Seventies-Handsome.png 324w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/Mid-Seventies-Handsome-196x300.png 196w\" sizes=\"auto, (max-width: 409px) 100vw, 409px\" \/><\/figure>\n<\/div>\n\n\n<p>Leonard Bernstein, Richard Wilbur: My Love; Dear Boy (<em>Candide<\/em>). John Reardon, David Eisler, Robert Page, Cleveland Orchestra, Blossom Festival Chorus [live Blossom Festival 1984]<\/p>\n\n\n\n<p>Leonard Bernstein, Lawrence Ferlinghetti: The Pennycandystore behind the El (<em>Songfest<\/em>). John Reardon, Leonard Bernstein, National Symphony Orchestra [1978]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"891\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/Stevens-Lady.jpg\" alt=\"\" class=\"wp-image-8055\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/Stevens-Lady.jpg 900w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/Stevens-Lady-300x297.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/Stevens-Lady-150x150.jpg 150w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/Stevens-Lady-768x760.jpg 768w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><\/figure>\n\n\n\n<p>Kurt Weill, Ira Gershwin: This Is New (<em>Lady in the Dark<\/em>). John Reardon, Orchestra conducted by Lehman Engel [1963]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"600\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/AlbumArtSmall-Copy-2.jpg\" alt=\"\" class=\"wp-image-8054\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/AlbumArtSmall-Copy-2.jpg 600w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/AlbumArtSmall-Copy-2-300x300.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/AlbumArtSmall-Copy-2-150x150.jpg 150w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/figure>\n<\/div>\n\n\n<p>Kurt Weill, Ira Gershwin: Love Is My Enemy (cut from <em>The Firebrand of Florence<\/em>). John Reardon, Jo Sullivan, Orchestra conducted by Denis Deal [1981]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"731\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/Reardon-Raskin-Labyrinth-1024x731.png\" alt=\"\" class=\"wp-image-8056\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/Reardon-Raskin-Labyrinth-1024x731.png 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/Reardon-Raskin-Labyrinth-300x214.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/Reardon-Raskin-Labyrinth-768x548.png 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/Reardon-Raskin-Labyrinth.png 1045w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption>John Reardon and Judith Raskin in <em>Labyrinth <\/em>(1963)<\/figcaption><\/figure>\n\n\n\n<div style=\"height:28px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Gian Carlo Menotti: Duet of the Bride and Groom (<em>Labyrinth<\/em>). John Reardon, Judith Raskin, Herbert Grossman, NBC Opera Orchestra [1963]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1021\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/AlbumArtSmall-Copy-3-1021x1024.jpg\" alt=\"\" class=\"wp-image-8057\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/AlbumArtSmall-Copy-3-1021x1024.jpg 1021w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/AlbumArtSmall-Copy-3-300x300.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/AlbumArtSmall-Copy-3-150x150.jpg 150w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/AlbumArtSmall-Copy-3-768x771.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/AlbumArtSmall-Copy-3.jpg 1495w\" sizes=\"auto, (max-width: 1021px) 100vw, 1021px\" \/><\/figure>\n\n\n\n<p>Gian Carlo Menotti: When the air sings of summer (<em>The Old Maid and the Thief<\/em>). John Reardon, Jorge Mester, Orchestra of the Teatro Verdi di Trieste [1970]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"600\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/Floodez-Voo.jpg\" alt=\"\" class=\"wp-image-8058\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/Floodez-Voo.jpg 600w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/Floodez-Voo-300x300.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/Floodez-Voo-150x150.jpg 150w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/figure>\n<\/div>\n\n\n<p>Igor Stravinsky: A skillful piece will I make (<em>The Flood<\/em>). John Reardon, Robert Oliver, Igor Stravinsky and Robert Craft conducting the Columbia Symphony Orchestra [1962]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"589\" height=\"600\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/Rake.jpg\" alt=\"\" class=\"wp-image-8059\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/Rake.jpg 589w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/Rake-295x300.jpg 295w\" sizes=\"auto, (max-width: 589px) 100vw, 589px\" \/><\/figure>\n\n\n\n<p>Igor Stravinsky, W.H. Auden, Chester Kallman: Tom Rakewell at your service&#8230; Fair lady; I burn! I freeze! (<em>The Rake\u2019s Progress<\/em>). John Reardon, Alexander Young, Igor Stravinsky, Royal Philharmonic Orchestra [1964]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/Raggy.jpg\" alt=\"\" class=\"wp-image-8071\" width=\"490\" height=\"684\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/Raggy.jpg 367w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/Raggy-215x300.jpg 215w\" sizes=\"auto, (max-width: 490px) 100vw, 490px\" \/><\/figure>\n<\/div>\n\n\n<p>Alban Berg, after Frank Wedekind: Du hast eine halbe Million geheiratet (<em>Lulu<\/em>), John Reardon, Ragnar Ulfung, Christoph von Dohn\u00e1nyi [live San Francisco November 1971]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"899\" height=\"659\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/Mourning.jpg\" alt=\"\" class=\"wp-image-8064\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/Mourning.jpg 899w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/Mourning-300x220.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/Mourning-768x563.jpg 768w\" sizes=\"auto, (max-width: 899px) 100vw, 899px\" \/><figcaption>John Reardon, Marie Collier, and Evelyn Lear in <em>Mourning Becomes Electra<\/em>, 1967<\/figcaption><\/figure>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Marvin David Levy, Henry Butler (after Eugene O\u2019Neill): How death becomes the Mannon (<em>Mourning Becomes Electra<\/em>). John Reardon, Marie Collier, Evelyn Lear, Zubin Mehta [live New York April 1967]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"986\" height=\"767\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/Tightrope.png\" alt=\"\" class=\"wp-image-8066\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/Tightrope.png 986w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/Tightrope-300x233.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/Tightrope-768x597.png 768w\" sizes=\"auto, (max-width: 986px) 100vw, 986px\" \/><figcaption>A screenshot from the video of <em>Tight-Rope<\/em>, 1985<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:9px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Chester Biscardi, Henry Butler: I had forgotten such sincerity (<em>Tight-Rope<\/em>). John Reardon, Karlos Moser, University of Wisconsin Madison School of Music and Department of Theatre and Drama [live October 1985]<\/p>\n\n\n\n<p><\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"455\" height=\"568\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/Newell.png\" alt=\"\" class=\"wp-image-8068\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/Newell.png 455w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/Newell-240x300.png 240w\" sizes=\"auto, (max-width: 455px) 100vw, 455px\" \/><figcaption>Newell Jenkins (1915-1996)<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:13px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Gioacchino Rossini: S\u00ec, di certo (<em>La pietra del paragone<\/em>). John Reardon, Newell Jenkins, The Clarion Concerts Orchestra [1973]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"786\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/Sarah-Caldwell-786x1024.jpg\" alt=\"\" class=\"wp-image-8063\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/Sarah-Caldwell-786x1024.jpg 786w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/Sarah-Caldwell-230x300.jpg 230w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/Sarah-Caldwell-768x1000.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/Sarah-Caldwell.jpg 800w\" sizes=\"auto, (max-width: 786px) 100vw, 786px\" \/><\/figure>\n\n\n\n<p>Giuseppe Verdi, Arrigo Boito: Credo con fermo cuor (<em>Otello<\/em>). John Reardon, Sarah Caldwell, Opera Company of Boston [live Boston 31 May 1981]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"600\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/Contemporary-Art-Songs.jpg\" alt=\"\" class=\"wp-image-8060\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/Contemporary-Art-Songs.jpg 600w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/Contemporary-Art-Songs-300x300.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/Contemporary-Art-Songs-150x150.jpg 150w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/figure>\n<\/div>\n\n\n<p>Richard Owen, Stephen Crane: There were many who went in huddled procession. John Reardon, Bliss Hebert [1967]<\/p>\n\n\n\n<p>George Cory, Douglass Cross: Most Men. John Reardon, Bliss Hebert [1967]<\/p>\n\n\n\n<p>Nicholas Flagello, William Blake: Leave, o leave me to my sorrows; As I walked forth. John Reardon, Bliss Hebert [1967]<\/p>\n\n\n\n<p>Richard Hundley, Robert Louis Stevenson: For Your Delight. John Reardon, Bliss Hebert [1967]<\/p>\n\n\n\n<p>John Koch, Walter de la Mare: Silver. John Reardon, Bliss Hebert [1967]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"696\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/Rogers-Reardon-Tiger.jpg\" alt=\"\" class=\"wp-image-8061\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/Rogers-Reardon-Tiger.jpg 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/Rogers-Reardon-Tiger-300x204.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/Rogers-Reardon-Tiger-768x522.jpg 768w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<p>Josie Carey, Fred Rogers: Then Your Heart Is Full of Love. John Reardon, Orchestra conducted by Noel Regney (from <em>King Friday XIII XIII Celebrates In Misterogers\u2019 Neighborhood Of Makebelieve<\/em>, 1964)<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/Reardon-with-Stache.jpg\" alt=\"\" class=\"wp-image-8062\" width=\"503\" height=\"642\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/Reardon-with-Stache.jpg 352w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/Reardon-with-Stache-235x300.jpg 235w\" sizes=\"auto, (max-width: 503px) 100vw, 503px\" \/><\/figure>\n<\/div>\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Episode 102. John Reardon: Make Someone Happy SOCIAL SHARE SUBSCRIPTION PLATFORM Here\u2019s another great baritone to help get us through&hellip;<\/p>\n","protected":false},"author":1,"featured_media":8073,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"advgb_blocks_editor_width":"","advgb_blocks_columns_visual_guide":"","footnotes":""},"categories":[420,1075,1701,2109,1076,1625,2398,2399,1072,2260,808,1470,2806],"tags":[1958,1635,2776,77,4200,1957,3136,2041,3147,2731,3150,4196,3143,330,3054,2071,1448,3134,3141,2072,1968,114,207,2083,3145,3156,2730,1397,1389,3154,3133,2084,3155,1169,1872,4201,1040,972,334,2144,3148,3146,4198,4202,3142,3137,1959,927,4197,3149,3139,2472,3153,2074,2045,3144,2076,3140,3152,1014,4204,3151,4199,2733,3135,3138,4203,34],"class_list":["post-7751","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-african-american-opera-singers","category-art-song","category-bel-canto","category-broadway-and-musicals","category-crossover","category-gay-pride","category-giuseppe-verdi","category-great-baritones","category-in-memoriam","category-music-for-a-world-in-crisis","category-needle-drop","category-operetta","category-twentieth-century-music","tag-adolph-green","tag-alban-berg","tag-alexander-young","tag-arrigo-boito","tag-arthur-siegel","tag-betty-comden","tag-bliss-hebert","tag-candide","tag-chester-biscardi","tag-chester-kallman","tag-christoph-von-dohnanyi","tag-denis-deal","tag-douglass-cross","tag-edvard-grieg","tag-evelyn-lear","tag-franz-allers","tag-franz-lehar","tag-fred-rogers","tag-george-cory","tag-george-forrest","tag-gian-carlo-menotti","tag-gioacchino-rossini","tag-giuseppe-verdi","tag-helena-scott","tag-henry-butler","tag-herbert-grossman","tag-igor-stravinsky","tag-ira-gershwin","tag-jerome-kern","tag-jo-sullivan-lehman-engel","tag-john-koch","tag-john-reardon","tag-jorge-mester","tag-judith-raskin","tag-jule-styne","tag-june-carroll","tag-kurt-weill","tag-leonard-bernstein","tag-leontyne-price","tag-lisa-della-casa","tag-marie-collier","tag-marvin-david-levy","tag-nbc-opera","tag-new-faces-of-1956","tag-newell-jenkins","tag-nicholas-flagello","tag-on-the-town","tag-oscar-hammerstein-ii","tag-peter-herman-adler","tag-ragnar-ulfung","tag-richard-owen","tag-robert-craft","tag-robert-oliver","tag-robert-wright","tag-samuel-krachmalnick","tag-sarah-caldwell","tag-song-of-norway","tag-stephen-crane","tag-the-flood","tag-the-magic-flute","tag-the-merry-widow","tag-the-rakes-progress","tag-the-saint-of-bleecker-street","tag-w-h-auden","tag-walter-de-la-mare","tag-william-blake","tag-william-orvis","tag-wolfgang-amadeus-mozart"],"author_meta":{"display_name":"admin","author_link":"https:\/\/countermelodypodcast.com\/index.php\/author\/admin\/"},"featured_img":"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/JR-Boy-TRIMMED-300x201.jpg","coauthors":[],"tax_additional":{"categories":{"linked":["<a 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href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/great-baritones\/\" class=\"advgb-post-tax-term\">Great Baritones<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/in-memoriam\/\" class=\"advgb-post-tax-term\">In Memoriam<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/music-for-a-world-in-crisis\/\" class=\"advgb-post-tax-term\">Music for a World in Crisis<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Needle Drop<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Operetta<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Twentieth Century Music<\/a>"],"unlinked":["<span class=\"advgb-post-tax-term\">African American Opera Singers<\/span>","<span class=\"advgb-post-tax-term\">Art Song<\/span>","<span class=\"advgb-post-tax-term\">Bel Canto<\/span>","<span class=\"advgb-post-tax-term\">Broadway and Musicals<\/span>","<span class=\"advgb-post-tax-term\">Crossover<\/span>","<span class=\"advgb-post-tax-term\">Gay Pride<\/span>","<span class=\"advgb-post-tax-term\">Giuseppe Verdi<\/span>","<span class=\"advgb-post-tax-term\">Great Baritones<\/span>","<span class=\"advgb-post-tax-term\">In Memoriam<\/span>","<span class=\"advgb-post-tax-term\">Music for a World in Crisis<\/span>","<span class=\"advgb-post-tax-term\">Needle Drop<\/span>","<span class=\"advgb-post-tax-term\">Operetta<\/span>","<span class=\"advgb-post-tax-term\">Twentieth Century Music<\/span>"]},"tags":{"linked":["<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Adolph Green<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Alban Berg<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Alexander Young<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Arrigo Boito<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Arthur Siegel<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Betty Comden<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Bliss Hebert<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Candide<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Chester Biscardi<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Chester Kallman<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Christoph von Dohn\u00e1nyi<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Denis Deal<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Douglass Cross<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Edvard Grieg<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Evelyn Lear<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Franz Allers<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Franz Leh\u00e1r<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Fred Rogers<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">George Cory<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">George Forrest<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Gian Carlo Menotti<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Gioacchino Rossini<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Giuseppe Verdi<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Helena Scott<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Henry Butler<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Herbert Grossman<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Igor Stravinsky<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Ira Gershwin<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Jerome Kern<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Jo Sullivan Lehman Engel<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">John Koch<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">John Reardon<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Jorge Mester<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Judith Raskin<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Jule Styne<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">June Carroll<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Kurt Weill<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Leonard Bernstein<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Leontyne Price<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Lisa Della Casa<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Marie Collier<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Marvin David Levy<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">NBC Opera<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">New Faces of 1956<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Newell Jenkins<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Nicholas Flagello<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">On the Town<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Oscar Hammerstein II<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Peter Herman Adler<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Ragnar Ulfung<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Richard Owen<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Robert Craft<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Robert Oliver<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Robert Wright<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Samuel Krachmalnick<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Sarah Caldwell<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Song of Norway<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Stephen Crane<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">The Flood<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">The Magic Flute<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">The Merry Widow<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">The Rake\u2019s Progress<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">The Saint of Bleecker Street<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">W.H. Auden<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Walter de la Mare<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">William Blake<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">William Orvis<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Wolfgang Amadeus Mozart<\/a>"],"unlinked":["<span class=\"advgb-post-tax-term\">Adolph Green<\/span>","<span class=\"advgb-post-tax-term\">Alban Berg<\/span>","<span class=\"advgb-post-tax-term\">Alexander Young<\/span>","<span class=\"advgb-post-tax-term\">Arrigo Boito<\/span>","<span class=\"advgb-post-tax-term\">Arthur Siegel<\/span>","<span class=\"advgb-post-tax-term\">Betty Comden<\/span>","<span class=\"advgb-post-tax-term\">Bliss Hebert<\/span>","<span class=\"advgb-post-tax-term\">Candide<\/span>","<span class=\"advgb-post-tax-term\">Chester Biscardi<\/span>","<span class=\"advgb-post-tax-term\">Chester Kallman<\/span>","<span class=\"advgb-post-tax-term\">Christoph von Dohn\u00e1nyi<\/span>","<span class=\"advgb-post-tax-term\">Denis Deal<\/span>","<span class=\"advgb-post-tax-term\">Douglass Cross<\/span>","<span class=\"advgb-post-tax-term\">Edvard Grieg<\/span>","<span class=\"advgb-post-tax-term\">Evelyn Lear<\/span>","<span class=\"advgb-post-tax-term\">Franz Allers<\/span>","<span class=\"advgb-post-tax-term\">Franz Leh\u00e1r<\/span>","<span class=\"advgb-post-tax-term\">Fred Rogers<\/span>","<span class=\"advgb-post-tax-term\">George Cory<\/span>","<span class=\"advgb-post-tax-term\">George Forrest<\/span>","<span class=\"advgb-post-tax-term\">Gian Carlo Menotti<\/span>","<span class=\"advgb-post-tax-term\">Gioacchino Rossini<\/span>","<span class=\"advgb-post-tax-term\">Giuseppe Verdi<\/span>","<span class=\"advgb-post-tax-term\">Helena Scott<\/span>","<span class=\"advgb-post-tax-term\">Henry Butler<\/span>","<span class=\"advgb-post-tax-term\">Herbert Grossman<\/span>","<span class=\"advgb-post-tax-term\">Igor Stravinsky<\/span>","<span class=\"advgb-post-tax-term\">Ira Gershwin<\/span>","<span class=\"advgb-post-tax-term\">Jerome Kern<\/span>","<span class=\"advgb-post-tax-term\">Jo Sullivan Lehman Engel<\/span>","<span class=\"advgb-post-tax-term\">John Koch<\/span>","<span class=\"advgb-post-tax-term\">John Reardon<\/span>","<span class=\"advgb-post-tax-term\">Jorge Mester<\/span>","<span class=\"advgb-post-tax-term\">Judith Raskin<\/span>","<span class=\"advgb-post-tax-term\">Jule Styne<\/span>","<span class=\"advgb-post-tax-term\">June Carroll<\/span>","<span class=\"advgb-post-tax-term\">Kurt Weill<\/span>","<span class=\"advgb-post-tax-term\">Leonard Bernstein<\/span>","<span class=\"advgb-post-tax-term\">Leontyne Price<\/span>","<span class=\"advgb-post-tax-term\">Lisa Della Casa<\/span>","<span class=\"advgb-post-tax-term\">Marie Collier<\/span>","<span class=\"advgb-post-tax-term\">Marvin David Levy<\/span>","<span class=\"advgb-post-tax-term\">NBC Opera<\/span>","<span class=\"advgb-post-tax-term\">New Faces of 1956<\/span>","<span class=\"advgb-post-tax-term\">Newell Jenkins<\/span>","<span class=\"advgb-post-tax-term\">Nicholas Flagello<\/span>","<span class=\"advgb-post-tax-term\">On the Town<\/span>","<span class=\"advgb-post-tax-term\">Oscar Hammerstein II<\/span>","<span class=\"advgb-post-tax-term\">Peter Herman Adler<\/span>","<span class=\"advgb-post-tax-term\">Ragnar Ulfung<\/span>","<span class=\"advgb-post-tax-term\">Richard Owen<\/span>","<span class=\"advgb-post-tax-term\">Robert Craft<\/span>","<span class=\"advgb-post-tax-term\">Robert Oliver<\/span>","<span class=\"advgb-post-tax-term\">Robert Wright<\/span>","<span class=\"advgb-post-tax-term\">Samuel Krachmalnick<\/span>","<span class=\"advgb-post-tax-term\">Sarah Caldwell<\/span>","<span class=\"advgb-post-tax-term\">Song of Norway<\/span>","<span class=\"advgb-post-tax-term\">Stephen Crane<\/span>","<span class=\"advgb-post-tax-term\">The Flood<\/span>","<span class=\"advgb-post-tax-term\">The Magic Flute<\/span>","<span class=\"advgb-post-tax-term\">The Merry Widow<\/span>","<span class=\"advgb-post-tax-term\">The Rake\u2019s Progress<\/span>","<span class=\"advgb-post-tax-term\">The Saint of Bleecker Street<\/span>","<span class=\"advgb-post-tax-term\">W.H. Auden<\/span>","<span class=\"advgb-post-tax-term\">Walter de la Mare<\/span>","<span class=\"advgb-post-tax-term\">William Blake<\/span>","<span class=\"advgb-post-tax-term\">William Orvis<\/span>","<span class=\"advgb-post-tax-term\">Wolfgang Amadeus Mozart<\/span>"]}},"comment_count":"0","relative_dates":{"created":"Posted 5 years ago","modified":"Updated 4 years ago"},"absolute_dates":{"created":"Posted on 15\/08\/2021","modified":"Updated on 16\/06\/2022"},"absolute_dates_time":{"created":"Posted on 15\/08\/2021 18:52","modified":"Updated on 16\/06\/2022 16:20"},"featured_img_caption":"","series_order":"","_links":{"self":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/7751","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/comments?post=7751"}],"version-history":[{"count":7,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/7751\/revisions"}],"predecessor-version":[{"id":10123,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/7751\/revisions\/10123"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/media\/8073"}],"wp:attachment":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/media?parent=7751"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/categories?post=7751"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/tags?post=7751"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}