{"id":7275,"date":"2021-05-09T09:32:38","date_gmt":"2021-05-09T07:32:38","guid":{"rendered":"http:\/\/countermelodypodcast.com\/?p=7275"},"modified":"2021-05-10T19:12:32","modified_gmt":"2021-05-10T17:12:32","slug":"episode-88-jorma-hynninen-80","status":"publish","type":"post","link":"https:\/\/countermelodypodcast.com\/index.php\/2021\/05\/09\/episode-88-jorma-hynninen-80\/","title":{"rendered":"Episode 88. Jorma Hynninen @ 80"},"content":{"rendered":"<div id=\"mega-menu-wrap-primary\" class=\"mega-menu-wrap\"><div class=\"mega-menu-toggle\"><div class=\"mega-toggle-blocks-left\"><\/div><div class=\"mega-toggle-blocks-center\"><\/div><div class=\"mega-toggle-blocks-right\"><div class='mega-toggle-block mega-menu-toggle-animated-block mega-toggle-block-1' id='mega-toggle-block-1'><button aria-controls=\"mega-menu-primary\" aria-expanded=\"false\" aria-haspopup=\"true\" aria-label=\"Menu\" class=\"mega-toggle-animated mega-toggle-animated-slider\" type=\"button\">\n                  <span class=\"mega-toggle-animated-box\">\n                    <span class=\"mega-toggle-animated-inner\"><\/span>\n                  <\/span>\n                <\/button><\/div><\/div><\/div><ul id=\"mega-menu-primary\" class=\"mega-menu max-mega-menu mega-menu-horizontal mega-no-js\" data-event=\"hover_intent\" data-effect=\"slide\" data-effect-speed=\"200\" data-effect-mobile=\"slide\" data-effect-speed-mobile=\"200\" data-mobile-force-width=\"body\" data-second-click=\"go\" data-document-click=\"collapse\" data-vertical-behaviour=\"standard\" data-breakpoint=\"600\" data-unbind=\"true\" data-mobile-state=\"collapse_all\" data-mobile-direction=\"vertical\"><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-menu-item-home mega-menu-item-19160\" id=\"mega-menu-item-19160\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/\">Home<\/a><\/li><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-menu-item-19161\" id=\"mega-menu-item-19161\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/index.php\/about-daniel\/\">About Daniel<\/a><\/li><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-current_page_parent mega-menu-item-19171\" id=\"mega-menu-item-19171\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/index.php\/all-episodes\/\">All Episodes<\/a><\/li><\/ul><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">Episode 88.  Jorma Hynninen @ 80: A Celebration in Song<\/h2>\n\n\n\n<iframe loading=\"lazy\" width=\"340\" height=\"50\" src=\"https:\/\/countermelody.blubrry.net\/?powerpress_embed=330-podcast&amp;powerpress_player=mediaelement-audio\" frameborder=\"0\" scrolling=\"no\"><\/iframe>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"wp-block-paragraph\"><strong>SOCIAL SHARE<\/strong><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"has-text-align-right wp-block-paragraph\"><strong>SUBSCRIPTION PLATFORM<\/strong><\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<div class=\"wp-block-buttons is-content-justification-left is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button alignright\"><a class=\"wp-block-button__link no-border-radius\" href=\"https:\/\/countermelody.blubrry.net\/\">SUBSCRIBE VIA YOUR FAVORITE PODCAST PLATFORM<\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/05\/Hynninen-Barn.jpg\" alt=\"\" class=\"wp-image-7508\" width=\"600\" height=\"375\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/05\/Hynninen-Barn.jpg 475w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/05\/Hynninen-Barn-300x188.jpg 300w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/figure><\/div>\n\n\n\n<div style=\"height:38px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"wp-block-paragraph\">A month ago the great Finnish baritone Jorma Hynninen turned 80, and on May 2, his close artistic collaborator, the Finnish pianist Ralf Goth\u00f3ni turned 75. We celebrate these two birthdays somewhat belatedly, but no less enthusiastically, with a program comprised primarily of art song, beginning with some choice German Lieder recordings, but ultimately focusing on the songs of their native Finland. We hear Hynninen in performances across the span of his entire career, from 1968 through 2015. Needless to say, their great compatriot Jean Sibelius is foregrounded, but, as is often the case in this country, there are a surprising number of fascinating composers whose work in this genre rewards further exploration. If the music of Oskar Merikanto, Yrj\u00f6 Kilpinen, Erik Bergman, Selim Palmgren, Fredrik Pacius, V\u00e4ino Hannikainen, Taneli Kuusisto, or Toivo Kuula is not familiar to you, prepare to be delighted, surprised, and moved by the depth and variety of their creation. Soile Isokoski also joins the gentlemen in an excerpt from Goth\u00f3ni\u2019s cantata <em>Der Ochs und sein Hirte<\/em>. And Hynninen gives further evidence of his versatility with performances of pop standards and tango. <em>Hyv\u00e4\u00e4 my\u00f6h\u00e4stynytt\u00e4 syntym\u00e4p\u00e4iv\u00e4\u00e4<\/em>, Maestri!<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"492\" height=\"411\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/05\/Gothoni-at-Keyboard.jpg\" alt=\"\" class=\"wp-image-7509\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/05\/Gothoni-at-Keyboard.jpg 492w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/05\/Gothoni-at-Keyboard-300x251.jpg 300w\" sizes=\"auto, (max-width: 492px) 100vw, 492px\" \/><figcaption>Ralf Goth\u00f3ni<\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:47px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-custom-size wp-block-paragraph\" style=\"font-size:30px\"><strong> RECORDINGS HEARD IN THIS EPISODE<\/strong><\/p>\n\n\n\n<div style=\"height:55px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"538\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/05\/Hynninen-Gothoni-1024x538.jpg\" alt=\"\" class=\"wp-image-7528\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/05\/Hynninen-Gothoni-1024x538.jpg 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/05\/Hynninen-Gothoni-300x158.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/05\/Hynninen-Gothoni-768x403.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/05\/Hynninen-Gothoni.jpg 1200w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure><\/div>\n\n\n\n<p class=\"wp-block-paragraph\">Robert Schumann, Friedrich R\u00fcckert: Widmung (<em>Mythen<\/em>, Op. 25\/1). Ralf Goth\u00f3ni [1979]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/05\/Kilpinen2-783x1024.jpg\" alt=\"\" class=\"wp-image-7511\" width=\"580\" height=\"758\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/05\/Kilpinen2-783x1024.jpg 783w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/05\/Kilpinen2-229x300.jpg 229w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/05\/Kilpinen2-768x1004.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/05\/Kilpinen2-1175x1536.jpg 1175w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/05\/Kilpinen2.jpg 1566w\" sizes=\"auto, (max-width: 580px) 100vw, 580px\" \/><figcaption>Yrj\u00f6&nbsp;Henrik&nbsp;Kilpinen&nbsp;(4 February 1892 \u2013 2 March 1959)<\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"wp-block-paragraph\">Yrj\u00f6 Kilpinen, Elias L\u00f6nnrot Mill\u00e4 maksan maammon maion [How can I repay my mother?], Op. 100\/39. Ralf Goth\u00f3ni [1984]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"567\" height=\"731\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/05\/Koskimies.jpg\" alt=\"\" class=\"wp-image-7546\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/05\/Koskimies.jpg 567w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/05\/Koskimies-233x300.jpg 233w\" sizes=\"auto, (max-width: 567px) 100vw, 567px\" \/><figcaption>Pentti Koskimies (16 March 1922 \u2013 3 January 1992)<\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"wp-block-paragraph\">Toivo Kuula: Aamulaulu [Morning Song], Op. 2\/3. Pentti Koskimies [1968]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/05\/Karjalainen2-768x1024.jpg\" alt=\"\" class=\"wp-image-7542\" width=\"605\" height=\"806\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/05\/Karjalainen2-768x1024.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/05\/Karjalainen2-225x300.jpg 225w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/05\/Karjalainen2-1152x1536.jpg 1152w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/05\/Karjalainen2-1536x2048.jpg 1536w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/05\/Karjalainen2-1600x2133.jpg 1600w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/05\/Karjalainen2.jpg 1920w\" sizes=\"auto, (max-width: 605px) 100vw, 605px\" \/><figcaption>Kullervo Karjalainen (<a href=\"https:\/\/fi.wikipedia.org\/wiki\/13._hein%C3%A4kuuta\">13 July&nbsp;<\/a><a href=\"https:\/\/fi.wikipedia.org\/wiki\/1932\">1932<\/a>\u2013 <a href=\"https:\/\/fi.wikipedia.org\/wiki\/11._tammikuuta\">11 January&nbsp;<\/a><a href=\"https:\/\/fi.wikipedia.org\/wiki\/2021\">2021&nbsp;<\/a><a href=\"https:\/\/fi.wikipedia.org\/wiki\/Rovaniemi\">Rovanie<\/a>mi)<\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"wp-block-paragraph\">Kullervo Karjalainen, Toivo Pekkanen: J\u00e4\u00e4hyv\u00e4lset [Farewell]. Pentti Koskimies [1972]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"770\" height=\"770\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/05\/Pacius2.jpg\" alt=\"\" class=\"wp-image-7513\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/05\/Pacius2.jpg 770w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/05\/Pacius2-300x300.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/05\/Pacius2-150x150.jpg 150w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/05\/Pacius2-768x768.jpg 768w\" sizes=\"auto, (max-width: 770px) 100vw, 770px\" \/><figcaption>Fredrik Pacius (19 March 1809 \u2013 8 January 1891))<\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"wp-block-paragraph\">Fredrik Pacius, Zacharias Topelius: Kyllikin kosijat [Kyllikki\u2019s Suitors] (<em>Kypron prinsessa<\/em> [The Princess of Cyprus]). Pentti Koskimies [1980]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"681\" height=\"454\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/05\/Against-Tree.png\" alt=\"\" class=\"wp-image-7514\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/05\/Against-Tree.png 681w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/05\/Against-Tree-300x200.png 300w\" sizes=\"auto, (max-width: 681px) 100vw, 681px\" \/><\/figure><\/div>\n\n\n\n<p class=\"wp-block-paragraph\">Franz Schubert, Wilhelm M\u00fcller: Am Feierabend (<em>Die<\/em> <em>sch\u00f6ne M\u00fcllerin<\/em>, D.795\/5) Ralf Goth\u00f3ni [1989]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"612\" height=\"463\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/05\/Oh-What-a-Beautiful-Mornin.png\" alt=\"\" class=\"wp-image-7515\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/05\/Oh-What-a-Beautiful-Mornin.png 612w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/05\/Oh-What-a-Beautiful-Mornin-300x227.png 300w\" sizes=\"auto, (max-width: 612px) 100vw, 612px\" \/><\/figure><\/div>\n\n\n\n<p class=\"wp-block-paragraph\">Gustav Mahler: Ging heut\u2019 morgen \u00fcber\u2019s Feld (<em>Lieder eines fahrenden Gesellen<\/em>). Eliahu Inbal, Wiener Symphoniker [1997]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/05\/Hynninen-Old-with-Mustache.jpg\" alt=\"\" class=\"wp-image-7516\" width=\"420\" height=\"417\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/05\/Hynninen-Old-with-Mustache.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/05\/Hynninen-Old-with-Mustache-150x150.jpg 150w\" sizes=\"auto, (max-width: 420px) 100vw, 420px\" \/><\/figure><\/div>\n\n\n\n<p class=\"wp-block-paragraph\">Hugo Wolf, Eduard M\u00f6rike: Abschied. Ralf Goth\u00f3ni [1978]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/05\/With-Sticks.png\" alt=\"\" class=\"wp-image-7517\" width=\"422\" height=\"601\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/05\/With-Sticks.png 379w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/05\/With-Sticks-210x300.png 210w\" sizes=\"auto, (max-width: 422px) 100vw, 422px\" \/><\/figure><\/div>\n\n\n\n<p class=\"wp-block-paragraph\">Oskar Merikanto, Daniel Fallstr\u00f6m: Annina. Ralf Goth\u00f3ni [1975]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/05\/Oskar.jpg\" alt=\"\" class=\"wp-image-7518\" width=\"657\" height=\"700\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/05\/Oskar.jpg 844w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/05\/Oskar-281x300.jpg 281w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/05\/Oskar-768x819.jpg 768w\" sizes=\"auto, (max-width: 657px) 100vw, 657px\" \/><figcaption>Oskar Merikanto (5 August 1868 \u2013 17 February 1924)<\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"wp-block-paragraph\">Oskar Merikanto, Severi Nyman: Kuin hiipuva hiillos tummentuu [As the Dying Embers Grow Dark], Op. 47\/2. Ralf Goth\u00f3ni [1975]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"416\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/05\/Hynninen-in-Doorway.jpg\" alt=\"\" class=\"wp-image-7520\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/05\/Hynninen-in-Doorway.jpg 600w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/05\/Hynninen-in-Doorway-300x208.jpg 300w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/figure><\/div>\n\n\n\n<p class=\"wp-block-paragraph\">Oskar Merikanto, J.H. Erkko: Kev\u00e4tlinnuille etel\u00e4ss\u00e4 [To the Spring Birds in the South], Op. 11\/1. Ralf Goth\u00f3ni [1984]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"540\" height=\"600\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/05\/Kuula.jpg\" alt=\"\" class=\"wp-image-7521\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/05\/Kuula.jpg 540w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/05\/Kuula-270x300.jpg 270w\" sizes=\"auto, (max-width: 540px) 100vw, 540px\" \/><figcaption>Toivo Kuula (7 July 1883 \u2013 18 May 1918)<\/figcaption><\/figure><\/div>\n\n\n\n<p class=\"wp-block-paragraph\">Toivo Kuula, V.A. Koskenniemi: Epilogi [Epilogue], Op. 6\/2. Ralf Goth\u00f3ni [1977]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/05\/Hynninen-Window.jpg\" alt=\"\" class=\"wp-image-7522\" width=\"577\" height=\"385\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/05\/Hynninen-Window.jpg 512w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/05\/Hynninen-Window-300x200.jpg 300w\" sizes=\"auto, (max-width: 577px) 100vw, 577px\" \/><\/figure><\/div>\n\n\n\n<p class=\"wp-block-paragraph\">Folk Song, arr. Toivo Kuula: Huuda hautas pohjasta [Shout from the Grave] (<em>South Ostrobothnian Folk Songs<\/em>, No. 3). Ralf Goth\u00f3ni [1976]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/05\/Vaino-Hannikainen-1921.jpg\" alt=\"\" class=\"wp-image-7523\" width=\"434\" height=\"708\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/05\/Vaino-Hannikainen-1921.jpg 392w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/05\/Vaino-Hannikainen-1921-184x300.jpg 184w\" sizes=\"auto, (max-width: 434px) 100vw, 434px\" \/><figcaption>V\u00e4in\u00f6 Hannikainen (12 January&nbsp;1900 \u2013 7 August&nbsp;1960)<\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"wp-block-paragraph\">Folk Song, arr. V\u00e4ino Hannikainen: Ik\u00e4v\u00e4 on olla kartanolla (<em>Karelian<\/em> <em>Folk Songs<\/em>, Op. 79\/35). Ralf Goth\u00f3ni [1976]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"474\" height=\"646\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/05\/Kuusisto.jpg\" alt=\"\" class=\"wp-image-7524\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/05\/Kuusisto.jpg 474w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/05\/Kuusisto-220x300.jpg 220w\" sizes=\"auto, (max-width: 474px) 100vw, 474px\" \/><figcaption>Taneli Kuusisto&nbsp;(19 June 1905 \u2013 30 March 1988)<\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"wp-block-paragraph\">Folk Song, arr. Taneli Kuusisto: Kehtolaulu [Lullaby] (<em>Savonian Folk<\/em> <em>Songs<\/em>, Op. 21\/2) Ralf Goth\u00f3ni [1976]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"634\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/05\/Selim-634x1024.jpg\" alt=\"\" class=\"wp-image-7525\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/05\/Selim-634x1024.jpg 634w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/05\/Selim-186x300.jpg 186w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/05\/Selim-768x1241.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/05\/Selim-951x1536.jpg 951w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/05\/Selim-1268x2048.jpg 1268w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/05\/Selim-1600x2585.jpg 1600w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/05\/Selim-scaled.jpg 1585w\" sizes=\"auto, (max-width: 634px) 100vw, 634px\" \/><figcaption>Selim Palmgren &nbsp;(16 February 1878 \u2013 13 December 1951)<\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"wp-block-paragraph\">Selim Palmgren, Gustaf Fr\u00f6ding: Sj\u00f6fararen vid milan [The Charcoal Burner]. Ralf Goth\u00f3ni [1977]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"745\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/05\/Erik-Bergman-745x1024.jpg\" alt=\"\" class=\"wp-image-7526\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/05\/Erik-Bergman-745x1024.jpg 745w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/05\/Erik-Bergman-218x300.jpg 218w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/05\/Erik-Bergman-768x1056.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/05\/Erik-Bergman-1117x1536.jpg 1117w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/05\/Erik-Bergman-1490x2048.jpg 1490w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/05\/Erik-Bergman-1600x2199.jpg 1600w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/05\/Erik-Bergman-scaled.jpg 1862w\" sizes=\"auto, (max-width: 745px) 100vw, 745px\" \/><figcaption>Erik Bergman (24 November 1911 \u2013 24 April 2006)<\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"wp-block-paragraph\">Erik Bergman, Hjalmar Gullberg: Serenad, Op. 35\/1. Ralf Goth\u00f3ni [1977]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"890\" height=\"534\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/05\/Sibelius.jpg\" alt=\"\" class=\"wp-image-7527\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/05\/Sibelius.jpg 890w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/05\/Sibelius-300x180.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/05\/Sibelius-768x461.jpg 768w\" sizes=\"auto, (max-width: 890px) 100vw, 890px\" \/><figcaption>Jean Sibelius (8 December 1865 \u2013 20 September 1957)<\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"wp-block-paragraph\">Jean Sibelius, Erik Johan Stagnelius: Serenad, JS 168. Jorma Panula, G\u00f6teborgs Symfoniker [1985]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"384\" height=\"468\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/05\/Handsomeness.png\" alt=\"\" class=\"wp-image-7533\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/05\/Handsomeness.png 384w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/05\/Handsomeness-246x300.png 246w\" sizes=\"auto, (max-width: 384px) 100vw, 384px\" \/><\/figure><\/div>\n\n\n\n<p class=\"wp-block-paragraph\">Jean Sibelius, Johan Ludvig Runeberg: Flickan kom ifr\u00e5n sin \u00e4lkslingsm\u00f6te [The Girl Came from Meeting Her Lover], Op. 37\/5. Ralf Goth\u00f3ni [1975]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/05\/Hynninen-Young-and-Old-1024x1024.jpg\" alt=\"\" class=\"wp-image-7534\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/05\/Hynninen-Young-and-Old-1024x1024.jpg 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/05\/Hynninen-Young-and-Old-300x300.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/05\/Hynninen-Young-and-Old-150x150.jpg 150w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/05\/Hynninen-Young-and-Old-768x768.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/05\/Hynninen-Young-and-Old.jpg 1100w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure><\/div>\n\n\n\n<p class=\"wp-block-paragraph\">Jean Sibelius, Josef Julius Wecksell: Var det en dr\u00f6m? [Was It a Dream?], Op. 37\/4. Ralf Goth\u00f3ni [1980]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"960\" height=\"540\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/05\/Hynninen-at-Savonlinna.jpg\" alt=\"\" class=\"wp-image-7535\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/05\/Hynninen-at-Savonlinna.jpg 960w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/05\/Hynninen-at-Savonlinna-300x169.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/05\/Hynninen-at-Savonlinna-768x432.jpg 768w\" sizes=\"auto, (max-width: 960px) 100vw, 960px\" \/><\/figure><\/div>\n\n\n\n<p class=\"wp-block-paragraph\">Jean Sibelius, Ernst Josephson: N\u00e4cken [The Sprite], Op. 57\/8. Ralf Goth\u00f3ni [1980]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"725\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/05\/Hynninen-Tux-725x1024.jpg\" alt=\"\" class=\"wp-image-7536\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/05\/Hynninen-Tux-725x1024.jpg 725w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/05\/Hynninen-Tux-212x300.jpg 212w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/05\/Hynninen-Tux-768x1085.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/05\/Hynninen-Tux-1087x1536.jpg 1087w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/05\/Hynninen-Tux-1449x2048.jpg 1449w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/05\/Hynninen-Tux-1600x2261.jpg 1600w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/05\/Hynninen-Tux.jpg 1755w\" sizes=\"auto, (max-width: 725px) 100vw, 725px\" \/><\/figure><\/div>\n\n\n\n<p class=\"wp-block-paragraph\">Jean Sibelius, Johan Ludvig Runeberg: Norden [The North], Op. 90\/1. Ralf Goth\u00f3ni [1980]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"834\" height=\"510\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/05\/Outdoors.png\" alt=\"\" class=\"wp-image-7537\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/05\/Outdoors.png 834w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/05\/Outdoors-300x183.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/05\/Outdoors-768x470.png 768w\" sizes=\"auto, (max-width: 834px) 100vw, 834px\" \/><\/figure><\/div>\n\n\n\n<p class=\"wp-block-paragraph\">Jean Sibelius, Adolf Paul: Sangen om korsspindeln &#8211; Laulu ristilukista [The Song of the Cross-Spider] (<em>King Christian II<\/em>, Op. 27-4). Verse 1 [in Swedish]: Jorma Panula, G\u00f6teborgs Symfoniker [1985]; Verse 2 [in Finnish]: Leif Segerstam, Tampere Phiharmonic Orchestra [1994]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"573\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/05\/Kom-nu-hid-1-1024x573.png\" alt=\"\" class=\"wp-image-7538\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/05\/Kom-nu-hid-1-1024x573.png 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/05\/Kom-nu-hid-1-300x168.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/05\/Kom-nu-hid-1-768x430.png 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/05\/Kom-nu-hid-1.png 1258w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure><\/div>\n\n\n\n<p class=\"wp-block-paragraph\">Jean Sibelius, William Shakespeare: Kom nu hid, d\u00f6d [Come away, Death], Op. 60\/1. Kalevi Kiviniemi [live Kuusankoski Church, Finland 26 March 2015]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"569\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/05\/Svarta-Rosor-1-1024x569.png\" alt=\"\" class=\"wp-image-7539\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/05\/Svarta-Rosor-1-1024x569.png 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/05\/Svarta-Rosor-1-300x167.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/05\/Svarta-Rosor-1-768x427.png 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/05\/Svarta-Rosor-1.png 1265w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure><\/div>\n\n\n\n<p class=\"wp-block-paragraph\">Jean Sibelius, Ernst Josephson: Svarta rosor [Black Roses], Op. 36\/1. Kiril Kozlovsky [live Hanko Music Festival 18th July 2014]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"730\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/05\/Gothoni-conducting-1024x730.jpg\" alt=\"\" class=\"wp-image-7532\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/05\/Gothoni-conducting-1024x730.jpg 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/05\/Gothoni-conducting-300x214.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/05\/Gothoni-conducting-768x548.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/05\/Gothoni-conducting-1536x1095.jpg 1536w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/05\/Gothoni-conducting-2048x1460.jpg 2048w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/05\/Gothoni-conducting-1600x1141.jpg 1600w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Ralf Goth\u00f3ni: Das Hereinkommenn auf dem Markt mit \u00f6ffenen H\u00e4nden (<em>Der<\/em> <em>Ochs und sein Hirte<\/em>, No. 10). Soile Isokoski, Ralf Goth\u00f3ni, Jan S\u00f6derblom, Ilari Angervo, Jan-Erik Gustafsson, Marko Yl\u00e4nen, Heini K\u00e4rkk\u00e4inen [1994]<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"374\" height=\"597\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/05\/Soile.png\" alt=\"\" class=\"wp-image-7540\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/05\/Soile.png 374w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/05\/Soile-188x300.png 188w\" sizes=\"auto, (max-width: 374px) 100vw, 374px\" \/><figcaption>Soile Isokoski<\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/05\/Evergreens.jpg\" alt=\"\" class=\"wp-image-7531\" width=\"572\" height=\"572\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/05\/Evergreens.jpg 500w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/05\/Evergreens-300x300.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/05\/Evergreens-150x150.jpg 150w\" sizes=\"auto, (max-width: 572px) 100vw, 572px\" \/><\/figure><\/div>\n\n\n\n<p class=\"wp-block-paragraph\">Paul McCartney: Yesterday. Heikki Sarmanto [1993]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"580\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/05\/Hurmio.jpg\" alt=\"\" class=\"wp-image-7530\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/05\/Hurmio.jpg 600w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/05\/Hurmio-300x290.jpg 300w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/figure><\/div>\n\n\n\n<p class=\"wp-block-paragraph\">Cesare Andrea Bixio, Rauni Kouta: Viulut j\u00f6ss\u00e4 [Violino tzigano]. Markku Johansson, Vantaan Viihdeorkesteri [2000]<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"715\" height=\"402\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/05\/Hynninen-Gothoni2.jpg\" alt=\"\" class=\"wp-image-7529\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/05\/Hynninen-Gothoni2.jpg 715w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/05\/Hynninen-Gothoni2-300x169.jpg 300w\" sizes=\"auto, (max-width: 715px) 100vw, 715px\" \/><\/figure><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Episode 88. Jorma Hynninen @ 80: A Celebration in Song SOCIAL SHARE SUBSCRIPTION PLATFORM A month ago the great Finnish&hellip;<\/p>\n","protected":false},"author":1,"featured_media":7506,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"advgb_blocks_editor_width":"","advgb_blocks_columns_visual_guide":"","footnotes":""},"categories":[1075,2399,2314,1074,2396,808,2806],"tags":[2925,2767,653,2919,2914,2929,101,2922,1297,2923,648,2931,104,2928,103,2932,2387,2926,2920,2930,2927,2918,2924,105,548,2608,2251,2916,2917,2915,862,2921],"class_list":["post-7275","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-art-song","category-great-baritones","category-gustav-mahler","category-happy-birthday","category-jorma-hynninen","category-needle-drop","category-twentieth-century-music","tag-cesare-bixio","tag-die-schone-mullerin","tag-eduard-morike","tag-eliahu-inbal","tag-erik-bergman","tag-ernst-josephson","tag-franz-schubert","tag-fredrik-pacius","tag-gustav-mahler","tag-heikki-sarmanto","tag-hugo-wolf","tag-j-h-erkko","tag-jean-sibelius","tag-johan-ludvig-runeberg","tag-jorma-hynninen","tag-jorma-panula","tag-kalevi-kiviniemi","tag-kiril-kozlovsky","tag-kullervo-karjalainen","tag-leif-segerstam","tag-markku-johansson","tag-oskar-merikanto","tag-pentti-koskimies","tag-ralf-gothoni","tag-robert-schumann","tag-selim-palmgren","tag-soile-isokoski","tag-taneli-kuusisto","tag-toivo-kuula","tag-vaino-hannikainen","tag-wilhelm-muller","tag-yrjo-kilpinen"],"author_meta":{"display_name":"admin","author_link":"https:\/\/countermelodypodcast.com\/index.php\/author\/admin\/"},"featured_img":"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/05\/At-80-TRIMMED-300x130.png","coauthors":[],"tax_additional":{"categories":{"linked":["<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/art-song\/\" class=\"advgb-post-tax-term\">Art Song<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/great-baritones\/\" class=\"advgb-post-tax-term\">Great Baritones<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/gustav-mahler\/\" class=\"advgb-post-tax-term\">Gustav Mahler<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/happy-birthday\/\" class=\"advgb-post-tax-term\">Happy Birthday<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/jorma-hynninen\/\" class=\"advgb-post-tax-term\">Jorma Hynninen<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Needle Drop<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Twentieth Century Music<\/a>"],"unlinked":["<span class=\"advgb-post-tax-term\">Art Song<\/span>","<span class=\"advgb-post-tax-term\">Great Baritones<\/span>","<span class=\"advgb-post-tax-term\">Gustav Mahler<\/span>","<span class=\"advgb-post-tax-term\">Happy Birthday<\/span>","<span class=\"advgb-post-tax-term\">Jorma Hynninen<\/span>","<span class=\"advgb-post-tax-term\">Needle Drop<\/span>","<span class=\"advgb-post-tax-term\">Twentieth Century Music<\/span>"]},"tags":{"linked":["<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Cesare Bixio<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Die sch\u00f6ne M\u00fcllerin<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Eduard M\u00f6rike<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Eliahu Inbal<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Erik Bergman<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Ernst Josephson<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Franz Schubert<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Fredrik Pacius<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Gustav Mahler<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Heikki Sarmanto<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Hugo Wolf<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">J.H. Erkko<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Jean Sibelius<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Johan Ludvig Runeberg<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Jorma Hynninen<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Jorma Panula<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Kalevi Kiviniemi<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Kiril Kozlovsky<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Kullervo Karjalainen<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Leif Segerstam<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Markku Johansson<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Oskar Merikanto<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Pentti Koskimies<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Ralf Gothoni<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Robert Schumann<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Selim Palmgren<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Soile Isokoski<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Taneli Kuusisto<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Toivo Kuula<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">V\u00e4ino Hannikainen<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Wilhelm M\u00fcller<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Yrj\u00f6 Kilpinen<\/a>"],"unlinked":["<span class=\"advgb-post-tax-term\">Cesare Bixio<\/span>","<span class=\"advgb-post-tax-term\">Die sch\u00f6ne M\u00fcllerin<\/span>","<span class=\"advgb-post-tax-term\">Eduard M\u00f6rike<\/span>","<span class=\"advgb-post-tax-term\">Eliahu Inbal<\/span>","<span class=\"advgb-post-tax-term\">Erik Bergman<\/span>","<span class=\"advgb-post-tax-term\">Ernst Josephson<\/span>","<span class=\"advgb-post-tax-term\">Franz Schubert<\/span>","<span class=\"advgb-post-tax-term\">Fredrik Pacius<\/span>","<span class=\"advgb-post-tax-term\">Gustav Mahler<\/span>","<span class=\"advgb-post-tax-term\">Heikki Sarmanto<\/span>","<span class=\"advgb-post-tax-term\">Hugo Wolf<\/span>","<span class=\"advgb-post-tax-term\">J.H. Erkko<\/span>","<span class=\"advgb-post-tax-term\">Jean Sibelius<\/span>","<span class=\"advgb-post-tax-term\">Johan Ludvig Runeberg<\/span>","<span class=\"advgb-post-tax-term\">Jorma Hynninen<\/span>","<span class=\"advgb-post-tax-term\">Jorma Panula<\/span>","<span class=\"advgb-post-tax-term\">Kalevi Kiviniemi<\/span>","<span class=\"advgb-post-tax-term\">Kiril Kozlovsky<\/span>","<span class=\"advgb-post-tax-term\">Kullervo Karjalainen<\/span>","<span class=\"advgb-post-tax-term\">Leif Segerstam<\/span>","<span class=\"advgb-post-tax-term\">Markku Johansson<\/span>","<span class=\"advgb-post-tax-term\">Oskar Merikanto<\/span>","<span class=\"advgb-post-tax-term\">Pentti Koskimies<\/span>","<span class=\"advgb-post-tax-term\">Ralf Gothoni<\/span>","<span class=\"advgb-post-tax-term\">Robert Schumann<\/span>","<span class=\"advgb-post-tax-term\">Selim Palmgren<\/span>","<span class=\"advgb-post-tax-term\">Soile Isokoski<\/span>","<span class=\"advgb-post-tax-term\">Taneli Kuusisto<\/span>","<span class=\"advgb-post-tax-term\">Toivo Kuula<\/span>","<span class=\"advgb-post-tax-term\">V\u00e4ino Hannikainen<\/span>","<span class=\"advgb-post-tax-term\">Wilhelm M\u00fcller<\/span>","<span class=\"advgb-post-tax-term\">Yrj\u00f6 Kilpinen<\/span>"]}},"comment_count":"0","relative_dates":{"created":"Posted 5 years ago","modified":"Updated 5 years ago"},"absolute_dates":{"created":"Posted on 09\/05\/2021","modified":"Updated on 10\/05\/2021"},"absolute_dates_time":{"created":"Posted on 09\/05\/2021 09:32","modified":"Updated on 10\/05\/2021 19:12"},"featured_img_caption":"","series_order":"","_links":{"self":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/7275","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/comments?post=7275"}],"version-history":[{"count":9,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/7275\/revisions"}],"predecessor-version":[{"id":7552,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/7275\/revisions\/7552"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/media\/7506"}],"wp:attachment":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/media?parent=7275"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/categories?post=7275"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/tags?post=7275"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}