{"id":7195,"date":"2021-04-11T16:34:43","date_gmt":"2021-04-11T14:34:43","guid":{"rendered":"http:\/\/countermelodypodcast.com\/?p=7195"},"modified":"2021-04-11T16:49:56","modified_gmt":"2021-04-11T14:49:56","slug":"episode-84-cathy-berberian-part-i-magnificathy","status":"publish","type":"post","link":"https:\/\/countermelodypodcast.com\/index.php\/2021\/04\/11\/episode-84-cathy-berberian-part-i-magnificathy\/","title":{"rendered":"Episode 84. Cathy Berberian, Part I: MagnifiCathy"},"content":{"rendered":"<div id=\"mega-menu-wrap-primary\" class=\"mega-menu-wrap\"><div class=\"mega-menu-toggle\"><div class=\"mega-toggle-blocks-left\"><\/div><div class=\"mega-toggle-blocks-center\"><\/div><div class=\"mega-toggle-blocks-right\"><div class='mega-toggle-block mega-menu-toggle-animated-block mega-toggle-block-1' id='mega-toggle-block-1'><button aria-label=\"Menu\" class=\"mega-toggle-animated mega-toggle-animated-slider\" type=\"button\" aria-haspopup=\"true\" aria-expanded=\"false\" aria-controls=\"mega-menu-primary\">\n                  <span class=\"mega-toggle-animated-box\">\n                    <span class=\"mega-toggle-animated-inner\"><\/span>\n                  <\/span>\n                <\/button><\/div><\/div><\/div><ul id=\"mega-menu-primary\" class=\"mega-menu max-mega-menu mega-menu-horizontal mega-no-js\" data-event=\"hover_intent\" data-effect=\"slide\" data-effect-speed=\"200\" data-effect-mobile=\"slide\" data-effect-speed-mobile=\"200\" data-mobile-force-width=\"body\" data-second-click=\"go\" data-document-click=\"collapse\" data-vertical-behaviour=\"standard\" data-breakpoint=\"600\" data-unbind=\"true\" data-mobile-state=\"collapse_all\" data-mobile-direction=\"vertical\" data-hover-intent-timeout=\"300\" data-hover-intent-interval=\"100\"><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-menu-item-home mega-align-bottom-left mega-menu-flyout mega-menu-item-19160\" id=\"mega-menu-item-19160\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/\">Home<\/a><\/li><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-align-bottom-left mega-menu-flyout mega-menu-item-19161\" id=\"mega-menu-item-19161\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/index.php\/about-daniel\/\">About Daniel<\/a><\/li><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-current_page_parent mega-align-bottom-left mega-menu-flyout mega-menu-item-19171\" id=\"mega-menu-item-19171\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/index.php\/all-episodes\/\">All Episodes<\/a><\/li><\/ul><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">Episode 84.  Cathy Berberian, Part I: MagnifiCathy<\/h2>\n\n\n\n<iframe loading=\"lazy\" width=\"340\" height=\"50\" src=\"https:\/\/countermelody.blubrry.net\/?powerpress_embed=315-podcast&amp;powerpress_player=mediaelement-audio\" frameborder=\"0\" scrolling=\"no\"><\/iframe>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p><strong>SOCIAL SHARE<\/strong><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"has-text-align-right\"><strong>SUBSCRIPTION PLATFORM<\/strong><\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<div class=\"wp-block-buttons is-content-justification-left is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button alignright\"><a class=\"wp-block-button__link no-border-radius\" href=\"https:\/\/countermelody.blubrry.net\/\">SUBSCRIBE VIA YOUR FAVORITE PODCAST PLATFORM<\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"774\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/04\/With-Masked-Figures-1024x774.jpg\" alt=\"\" class=\"wp-image-7324\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/04\/With-Masked-Figures-1024x774.jpg 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/04\/With-Masked-Figures-300x227.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/04\/With-Masked-Figures-768x580.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/04\/With-Masked-Figures.jpg 1200w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure><\/div>\n\n\n\n<div style=\"height:38px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>This episode is the first part of a tribute I have been wanting to create for quite some time. It honors the extraordinary artist and musician Cathy Berberian (1925-1983), the cosmopolitan Armenian-American vocalist who made an indelible mark on contemporary classical music and the public recital. Possessed of an extraordinarily flexible intelligence and sensibility, she influenced an entire generation of composers, including John Cage, Sylvano Bussotti, Henri Pousseur, and, in particular, her one-time husband Luciano Berio. Each of these composers wrote music with Berberian specifically in mind, and Berberian\u2019s input strongly influenced the shape and form that these works assumed. Divorcing Berio in 1964 freed her to pursue her own musical interests, which included her own compositions, a musical friendship with Igor Stravinsky, a burgeoning interest in folk music, and the music of the Beatles. Her 1967 recording of so-called&nbsp;<em>Beatles Arias&nbsp;<\/em>(titled&nbsp;<em>Revolution&nbsp;<\/em>in its US release) is a unique document, which both explores the hidden depths of this material, at the same time poking fun at the entire crossover genre. Her daring theatricality and vibrant personality continue to exert an indelible influence that extends far beyond the&nbsp;<em>avant garde<\/em>. In two weeks I will explore the directions that she pursued in her later career.<\/p>\n\n\n\n<div style=\"height:47px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-custom-size\" style=\"font-size:30px\"><strong> RECORDINGS HEARD IN THIS EPISODE<\/strong><\/p>\n\n\n\n<div style=\"height:55px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"807\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/04\/Allez-Hop-6-1024x807.png\" alt=\"\" class=\"wp-image-7332\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/04\/Allez-Hop-6-1024x807.png 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/04\/Allez-Hop-6-300x236.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/04\/Allez-Hop-6-768x605.png 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/04\/Allez-Hop-6.png 1369w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure><\/div>\n\n\n\n<p>John Lennon, Paul McCartney, arr. Louis Andriessen: Ticket to Ride. Cathy Berberian; Bruno Canino [Lugano 21 January 1969]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"715\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/04\/Berberian-Canino-1024x715.jpg\" alt=\"\" class=\"wp-image-7333\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/04\/Berberian-Canino-1024x715.jpg 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/04\/Berberian-Canino-300x209.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/04\/Berberian-Canino-768x536.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/04\/Berberian-Canino-1536x1073.jpg 1536w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/04\/Berberian-Canino-1600x1117.jpg 1600w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/04\/Berberian-Canino.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption>Cathy Berberian and Bruno Canino<\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Henry Purcell, Thomas Shadwell: Nymphs and Shepherds (<em>The Libertine<\/em>). Cathy Berberian; Bruno Canino [live Edinburgh 1973]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"675\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/04\/Cathy-in-Recital-675x1024.jpg\" alt=\"\" class=\"wp-image-7334\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/04\/Cathy-in-Recital-675x1024.jpg 675w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/04\/Cathy-in-Recital-198x300.jpg 198w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/04\/Cathy-in-Recital.jpg 766w\" sizes=\"auto, (max-width: 675px) 100vw, 675px\" \/><\/figure><\/div>\n\n\n\n<p>Philipp zu Eulenburg: Seerose (<em>Rosenlieder<\/em>, No. 4). Cathy Berberian; Bruno Canino [1976]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"338\" height=\"450\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/04\/Cathy-with-Fan.jpg\" alt=\"\" class=\"wp-image-7336\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/04\/Cathy-with-Fan.jpg 338w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/04\/Cathy-with-Fan-225x300.jpg 225w\" sizes=\"auto, (max-width: 338px) 100vw, 338px\" \/><\/figure><\/div>\n\n\n\n<p>William Walton, Edith Sitwell: Water Party (<em>Fa\u00e7ade 2<\/em>). Cathy Berberian; Steuart Bedford, Richard Adeney, Thea King, Jack Brymer, David Mason, Charles Tunnell, James Blades [1980]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"500\" height=\"665\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/04\/Hands-and-Smile.jpg\" alt=\"\" class=\"wp-image-7335\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/04\/Hands-and-Smile.jpg 500w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/04\/Hands-and-Smile-226x300.jpg 226w\" sizes=\"auto, (max-width: 500px) 100vw, 500px\" \/><\/figure><\/div>\n\n\n\n<p>Traditional Spanish, arr. Fernando Obradors: El Vito. Cathy Berberian; Harold Lester [Stuttgart June 1978]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"373\" height=\"512\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/04\/Pensive.jpg\" alt=\"\" class=\"wp-image-7337\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/04\/Pensive.jpg 373w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/04\/Pensive-219x300.jpg 219w\" sizes=\"auto, (max-width: 373px) 100vw, 373px\" \/><\/figure><\/div>\n\n\n\n<p>Arnold Schoenberg, Ernest Guiraud; Ingolf Dahl and Carl Beier (English translation): Red Mass (<em>Pierrot Lunaire<\/em>, Op. 21\/11). Cathy Berberian; Marius Constant, Ensemble Ars Nova [Paris 17 April 1972]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"768\" height=\"505\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/04\/Singing-Everything.jpg\" alt=\"\" class=\"wp-image-7338\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/04\/Singing-Everything.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/04\/Singing-Everything-300x197.jpg 300w\" sizes=\"auto, (max-width: 768px) 100vw, 768px\" \/><\/figure><\/div>\n\n\n\n<p>Victor Herbert, Rida Johnson Young: Italian Street Song (<em>Naughty Marietta<\/em>). Cathy Berberian, Candace Smith; Massimiliano Damenini [Lugano 09 February 1981]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/04\/Berberian-and-Cage.jpg\" alt=\"\" class=\"wp-image-7339\" width=\"531\" height=\"372\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/04\/Berberian-and-Cage.jpg 400w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/04\/Berberian-and-Cage-300x210.jpg 300w\" sizes=\"auto, (max-width: 531px) 100vw, 531px\" \/><\/figure><\/div>\n\n\n\n<p>John Cage: Aria (with Fontana Mix) [excerpt]. Cathy Berberian; John Cage [1958]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"576\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/04\/Steely-Dan.jpg\" alt=\"\" class=\"wp-image-7340\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/04\/Steely-Dan.jpg 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/04\/Steely-Dan-300x169.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/04\/Steely-Dan-768x432.jpg 768w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure><\/div>\n\n\n\n<p>Steely Dan: Your Gold Teeth [1973]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"576\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/04\/Screenshot-121-1024x576.png\" alt=\"\" class=\"wp-image-7341\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/04\/Screenshot-121-1024x576.png 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/04\/Screenshot-121-300x169.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/04\/Screenshot-121-768x432.png 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/04\/Screenshot-121-1536x864.png 1536w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/04\/Screenshot-121-1600x900.png 1600w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/04\/Screenshot-121.png 1920w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure><\/div>\n\n\n\n<p>Komitas Vardapet [n\u00e9 Soghomon Soghomonian]: Chem gma khagha (I Can\u2019t Dance). Cathy Berberian; Maro Ajemian [1970]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"617\" height=\"623\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/04\/Komitas-as-Young-Man.png\" alt=\"\" class=\"wp-image-7343\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/04\/Komitas-as-Young-Man.png 617w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/04\/Komitas-as-Young-Man-297x300.png 297w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/04\/Komitas-as-Young-Man-150x150.png 150w\" sizes=\"auto, (max-width: 617px) 100vw, 617px\" \/><figcaption>Komitas Vardipet (ne Soghomon Soghomonian) [1869 &#8211; 1935]<\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Komitas Vardapet [n\u00e9 Soghomon Soghomonian]: Karoun (It\u2019s Spring). Cathy Berberian; Maro Ajemian [1970]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"792\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/04\/Wedding-to-Berio-1024x792.png\" alt=\"\" class=\"wp-image-7344\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/04\/Wedding-to-Berio-1024x792.png 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/04\/Wedding-to-Berio-300x232.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/04\/Wedding-to-Berio-768x594.png 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/04\/Wedding-to-Berio.png 1395w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption>With Luciano Berio on their wedding day, 1950.<\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Luciano Berio, Jacopo da Lentini: Avendo gran disio (<em>Quattro canzoni populari<\/em>, No. 3). Cathy Berberian; Bruno Canino [live Ascona 9 October 1975]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"337\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/04\/Cathy-1972.jpg\" alt=\"\" class=\"wp-image-7345\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/04\/Cathy-1972.jpg 600w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/04\/Cathy-1972-300x169.jpg 300w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/figure><\/div>\n\n\n\n<p>Luciano Berio, James Joyce: Winds of May (<em>Chamber Music<\/em>). Cathy Berberian; Luciano Berio, Members of the Juilliard Ensemble [Fred Sherry, Virgil Blackwell, Kathleen Bride] [1969]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"770\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/04\/Screenshot-193-1024x770.png\" alt=\"\" class=\"wp-image-7346\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/04\/Screenshot-193-1024x770.png 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/04\/Screenshot-193-300x226.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/04\/Screenshot-193-768x578.png 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/04\/Screenshot-193.png 1434w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure><\/div>\n\n\n\n<p>Luciano Berio, Cathy Berberian: Summer Night Blues. Cathy Berberian; Luciano Berio [1956]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"1003\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/04\/Allez-Hop-9-1024x1003.png\" alt=\"\" class=\"wp-image-7347\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/04\/Allez-Hop-9-1024x1003.png 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/04\/Allez-Hop-9-300x294.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/04\/Allez-Hop-9-768x753.png 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/04\/Allez-Hop-9.png 1095w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure><\/div>\n\n\n\n<p>Luciano Berio, Italo Calvino: Ora mi alzo (<em>Allez-Hop!<\/em>). Cathy Berberian; Bruno Maderna, Orchestra degli Incontri Musicali [1959]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"724\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/04\/Circles-4-1024x724.png\" alt=\"\" class=\"wp-image-7348\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/04\/Circles-4-1024x724.png 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/04\/Circles-4-300x212.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/04\/Circles-4-768x543.png 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/04\/Circles-4.png 1396w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure><\/div>\n\n\n\n<p>James Joyce: Sirens (<em>Ulysses<\/em>) [excerpt]. Cathy Berberian [1958]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"740\" height=\"759\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/04\/Luciano-and-Cathy-2.jpg\" alt=\"\" class=\"wp-image-7349\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/04\/Luciano-and-Cathy-2.jpg 740w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/04\/Luciano-and-Cathy-2-292x300.jpg 292w\" sizes=\"auto, (max-width: 740px) 100vw, 740px\" \/><\/figure><\/div>\n\n\n\n<p>Luciano Berio: Thema (Omaggio a Joyce). Luciano Berio; the voice of Cathy Berberian [1958]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"800\" height=\"621\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/04\/Haubenstock-Ramati.jpg\" alt=\"\" class=\"wp-image-7350\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/04\/Haubenstock-Ramati.jpg 800w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/04\/Haubenstock-Ramati-300x233.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/04\/Haubenstock-Ramati-768x596.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><figcaption>Roman Haubenstock-Ramati (1919 \u2013 1994)<\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Roman Haubenstock-Ramati, Samuel Beckett: Credentials, or Think, Think Lucky [excerpt]. Cathy Berberian; Hans Rosbaud, Mitglieder des SWF Sinfonieorchesters Baden Baden [1961]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"738\" height=\"487\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/04\/Pousseur.png\" alt=\"\" class=\"wp-image-7351\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/04\/Pousseur.png 738w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/04\/Pousseur-300x198.png 300w\" sizes=\"auto, (max-width: 738px) 100vw, 738px\" \/><figcaption>Henri Pousseur (1929 \u2013 2009)<\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Henri Pousseur: Phon\u00e8mes pour Cathy. Cathy Berberian [live Venezia 11 September 1967]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"489\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/04\/Allez-Hop-1-489x1024.png\" alt=\"\" class=\"wp-image-7352\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/04\/Allez-Hop-1-489x1024.png 489w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/04\/Allez-Hop-1-143x300.png 143w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/04\/Allez-Hop-1.png 496w\" sizes=\"auto, (max-width: 489px) 100vw, 489px\" \/><\/figure><\/div>\n\n\n\n<p>Kurt Weill, Bertolt Brecht, Cathy Berberian [English lyrics]: Song of Sexual Slavery (<em>The Threepenny Opera<\/em>). Cathy Berberian; Bruno Canino [Lugano 21 January 1969]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"685\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/04\/With-Bussotti-Fashion-Shoot-685x1024.png\" alt=\"\" class=\"wp-image-7353\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/04\/With-Bussotti-Fashion-Shoot-685x1024.png 685w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/04\/With-Bussotti-Fashion-Shoot-201x300.png 201w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/04\/With-Bussotti-Fashion-Shoot.png 704w\" sizes=\"auto, (max-width: 685px) 100vw, 685px\" \/><figcaption>A fashion shoot for Italian <em>Vogue<\/em> with Berberian and Bussotti<\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Sylvano Bussotti: O, Atti vocali (<em>Le passion selon Sade<\/em>) [excerpt]. Cathy Berberian [1970]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"933\" height=\"562\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/04\/Berio-Berberian.png\" alt=\"\" class=\"wp-image-7354\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/04\/Berio-Berberian.png 933w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/04\/Berio-Berberian-300x181.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/04\/Berio-Berberian-768x463.png 768w\" sizes=\"auto, (max-width: 933px) 100vw, 933px\" \/><\/figure><\/div>\n\n\n\n<p>Igor Stravinsky, Alexander Afanasyev: The Colonel (<em>Pribaoutki<\/em>, No. 3). Cathy Berberian, George Pieterson; Luciano Berio, Members of the Rotterdam Philharmonic [live Holland Festival 28 June 1974]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"449\" height=\"594\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/04\/Cathy-in-Sleeves.jpg\" alt=\"\" class=\"wp-image-7355\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/04\/Cathy-in-Sleeves.jpg 449w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/04\/Cathy-in-Sleeves-227x300.jpg 227w\" sizes=\"auto, (max-width: 449px) 100vw, 449px\" \/><\/figure><\/div>\n\n\n\n<p>Igor Stravinsky, W.H. Auden: Elegy for JFK. Cathy Berberian; Pierre Boulez, Members of the Orchestra Filarmonica Roma [live Roma 4 March 1965]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/04\/Bang.jpeg\" alt=\"\" class=\"wp-image-7356\" width=\"460\" height=\"422\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/04\/Bang.jpeg 400w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/04\/Bang-300x275.jpeg 300w\" sizes=\"auto, (max-width: 460px) 100vw, 460px\" \/><figcaption>BANG!<\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Cathy Berberian: Stripsody. Cathy Berberian [live performance from the Norwegian television program <em>Musikk utenfor allfarvei<\/em> (Music off the Beaten Track) 13 March 1970]<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"817\" height=\"557\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/04\/Strip-Sody.png\" alt=\"\" class=\"wp-image-7369\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/04\/Strip-Sody.png 817w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/04\/Strip-Sody-300x205.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/04\/Strip-Sody-768x524.png 768w\" sizes=\"auto, (max-width: 817px) 100vw, 817px\" \/><\/figure><\/div>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"826\" height=\"616\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/04\/Ticket-4.png\" alt=\"\" class=\"wp-image-7357\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/04\/Ticket-4.png 826w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/04\/Ticket-4-300x224.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/04\/Ticket-4-768x573.png 768w\" sizes=\"auto, (max-width: 826px) 100vw, 826px\" \/><\/figure><\/div>\n\n\n\n<p>John Cage: Song Books [excerpt]. Cathy Berberian [live Holland Festival 1972]<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"428\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/04\/John-Cage.jpg\" alt=\"\" class=\"wp-image-7358\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/04\/John-Cage.jpg 600w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/04\/John-Cage-300x214.jpg 300w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><figcaption>John Cage (1912 \u2013 1992)<\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"599\" height=\"607\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/04\/Beatles-Arias-French-Cover.jpg\" alt=\"\" class=\"wp-image-7359\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/04\/Beatles-Arias-French-Cover.jpg 599w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/04\/Beatles-Arias-French-Cover-296x300.jpg 296w\" sizes=\"auto, (max-width: 599px) 100vw, 599px\" \/><\/figure><\/div>\n\n\n\n<p>Paul McCartney, John Lennon, arr. Guy Boyer: Yesterday. Cathy Berberian; Instrumental Ensemble [1967]<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/04\/Beatles-Arias-Cover.jpg\" alt=\"\" class=\"wp-image-7360\" width=\"590\" height=\"590\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/04\/Beatles-Arias-Cover.jpg 500w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/04\/Beatles-Arias-Cover-300x300.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/04\/Beatles-Arias-Cover-150x150.jpg 150w\" sizes=\"auto, (max-width: 590px) 100vw, 590px\" \/><\/figure><\/div>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"620\" height=\"460\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/04\/Waltons-Sitwell.jpg\" alt=\"\" class=\"wp-image-7361\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/04\/Waltons-Sitwell.jpg 620w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/04\/Waltons-Sitwell-300x223.jpg 300w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/><figcaption>William and Susana Walton (standing) with Edith Sitwell (seated)<\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>William Walton, Edith Sitwell: Tarantella (<em>Fa\u00e7ade<\/em>). Cathy Berberian; Steuart Bedford, Richard Adeney, Thea King, Jack Brymer, David Mason, Charles Tunnell, James Blades [1980]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"738\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/04\/Screenshot-204-1024x738.png\" alt=\"\" class=\"wp-image-7363\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/04\/Screenshot-204-1024x738.png 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/04\/Screenshot-204-300x216.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/04\/Screenshot-204-768x553.png 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/04\/Screenshot-204.png 1338w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure><\/div>\n\n\n\n<p>Erik Satie, M. God [Mimi Godebska]: Daph\u00e9n\u00e9o (<em>Trois m\u00e9lodies<\/em>). Cathy Berberian; Dario M\u00fcller [live Lugano 27 Februarry 1981]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"704\" height=\"396\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/04\/Recitaliste.jpg\" alt=\"\" class=\"wp-image-7362\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/04\/Recitaliste.jpg 704w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/04\/Recitaliste-300x169.jpg 300w\" sizes=\"auto, (max-width: 704px) 100vw, 704px\" \/><\/figure><\/div>\n\n\n\n<p>Jacques Offenbach, Henri Meilhac, Ludovic Hal\u00e9vy: Ah! quel diner (<em>La P\u00e9richole<\/em>). Cathy Berberian; Bruno Canino [live Ascona 07 October 1975]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"480\" height=\"711\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/04\/Portrait.png\" alt=\"\" class=\"wp-image-7364\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/04\/Portrait.png 480w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/04\/Portrait-203x300.png 203w\" sizes=\"auto, (max-width: 480px) 100vw, 480px\" \/><\/figure><\/div>\n\n\n\n<p>Claude Debussy, Pierre Lou\u00ffs: Le tombeau des na\u00efades (<em>Chansons de Bilitis<\/em>, L97\/3). Cathy Berberian; Bruno Canino [1970]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"744\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/04\/Use-1024x744.png\" alt=\"\" class=\"wp-image-7365\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/04\/Use-1024x744.png 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/04\/Use-300x218.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/04\/Use-768x558.png 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/04\/Use.png 1465w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure><\/div>\n\n\n\n<p>Reynaldo Hahn, Paul Verlaine: L\u2019heure exquise (<em>Chansons grises<\/em>, No. 5). Cathy Berberian; Bruno Canino [1976]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"848\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/04\/Screenshot-196-848x1024.png\" alt=\"\" class=\"wp-image-7367\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/04\/Screenshot-196-848x1024.png 848w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/04\/Screenshot-196-249x300.png 249w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/04\/Screenshot-196-768x927.png 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/04\/Screenshot-196.png 894w\" sizes=\"auto, (max-width: 848px) 100vw, 848px\" \/><\/figure><\/div>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Episode 84. Cathy Berberian, Part I: MagnifiCathy SOCIAL SHARE SUBSCRIPTION PLATFORM This episode is the first part of a tribute&hellip;<\/p>\n","protected":false},"author":1,"featured_media":7325,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"advgb_blocks_editor_width":"","advgb_blocks_columns_visual_guide":"","footnotes":""},"categories":[1075,2891,1076,1263,2260,808,1470,2806],"tags":[786,2867,2785,501,33,865,375,2878,2881,2876,2863,2892,2869,2887,255,2889,2730,2864,98,2770,2879,2875,1040,2885,2861,2882,2884,2893,2880,2866,782,2865,2890,1179,2862,2868,2886,1417,2733,2877],"class_list":["post-7195","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-art-song","category-comic-relief","category-crossover","category-mezzo-madness","category-music-for-a-world-in-crisis","category-needle-drop","category-operetta","category-twentieth-century-music","tag-arnold-schoenberg","tag-bruno-canino","tag-cathy-berberian","tag-claude-debussy","tag-claudio-monteverdi","tag-crossover","tag-edinburgh-festival","tag-edith-sitwell","tag-erik-satie","tag-fernando-obradors","tag-folk-music","tag-guy-boyer","tag-harold-lester","tag-henri-pousseur","tag-henry-purcell","tag-humor-in-music","tag-igor-stravinsky","tag-italo-calvino","tag-jacques-offenbach","tag-james-joyce","tag-john-cage","tag-komitas-vardapet","tag-kurt-weill","tag-louis-andriessen","tag-luciano-berio","tag-marcel-proust","tag-marius-constant","tag-nikolaus-hanoncourt","tag-pierre-boulez","tag-pierrot-lunaire","tag-reynaldo-hahn","tag-roman-haubenstock-ramati","tag-steely-dan","tag-steuart-bedford","tag-sylvano-bussotti","tag-the-beatles","tag-umberto-eco","tag-victor-herbert","tag-w-h-auden","tag-william-walton"],"author_meta":{"display_name":"admin","author_link":"https:\/\/countermelodypodcast.com\/index.php\/author\/admin\/"},"featured_img":"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/04\/Use-This-300x193.png","coauthors":[],"tax_additional":{"categories":{"linked":["<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/art-song\/\" class=\"advgb-post-tax-term\">Art Song<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/comic-relief\/\" class=\"advgb-post-tax-term\">Comic Relief<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/crossover\/\" class=\"advgb-post-tax-term\">Crossover<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/mezzo-madness\/\" class=\"advgb-post-tax-term\">Mezzo Madness<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/music-for-a-world-in-crisis\/\" class=\"advgb-post-tax-term\">Music for a World in Crisis<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Needle Drop<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Operetta<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Twentieth Century Music<\/a>"],"unlinked":["<span class=\"advgb-post-tax-term\">Art Song<\/span>","<span class=\"advgb-post-tax-term\">Comic Relief<\/span>","<span class=\"advgb-post-tax-term\">Crossover<\/span>","<span class=\"advgb-post-tax-term\">Mezzo Madness<\/span>","<span class=\"advgb-post-tax-term\">Music for a World in Crisis<\/span>","<span class=\"advgb-post-tax-term\">Needle Drop<\/span>","<span class=\"advgb-post-tax-term\">Operetta<\/span>","<span class=\"advgb-post-tax-term\">Twentieth Century Music<\/span>"]},"tags":{"linked":["<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Arnold Schoenberg<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Bruno Canino<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Cathy Berberian<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Claude Debussy<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Claudio Monteverdi<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">crossover<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Edinburgh Festival<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Edith Sitwell<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Erik Satie<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Fernando Obradors<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">folk music<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Guy Boyer<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Harold Lester<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Henri Pousseur<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Henry Purcell<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">humor in music<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Igor Stravinsky<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Italo Calvino<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Jacques Offenbach<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">James Joyce<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">John Cage<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Komitas Vardapet<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Kurt Weill<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Louis Andriessen<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Luciano Berio<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Marcel Proust<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Marius Constant<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Nikolaus Hanoncourt<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Pierre Boulez<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Pierrot lunaire<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Reynaldo Hahn<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Roman Haubenstock-Ramati<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Steely Dan<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Steuart Bedford<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Sylvano Bussotti<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">The Beatles<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Umberto Eco<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Victor Herbert<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">W.H. Auden<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">William Walton<\/a>"],"unlinked":["<span class=\"advgb-post-tax-term\">Arnold Schoenberg<\/span>","<span class=\"advgb-post-tax-term\">Bruno Canino<\/span>","<span class=\"advgb-post-tax-term\">Cathy Berberian<\/span>","<span class=\"advgb-post-tax-term\">Claude Debussy<\/span>","<span class=\"advgb-post-tax-term\">Claudio Monteverdi<\/span>","<span class=\"advgb-post-tax-term\">crossover<\/span>","<span class=\"advgb-post-tax-term\">Edinburgh Festival<\/span>","<span class=\"advgb-post-tax-term\">Edith Sitwell<\/span>","<span class=\"advgb-post-tax-term\">Erik Satie<\/span>","<span class=\"advgb-post-tax-term\">Fernando Obradors<\/span>","<span class=\"advgb-post-tax-term\">folk music<\/span>","<span class=\"advgb-post-tax-term\">Guy Boyer<\/span>","<span class=\"advgb-post-tax-term\">Harold Lester<\/span>","<span class=\"advgb-post-tax-term\">Henri Pousseur<\/span>","<span class=\"advgb-post-tax-term\">Henry Purcell<\/span>","<span class=\"advgb-post-tax-term\">humor in music<\/span>","<span class=\"advgb-post-tax-term\">Igor Stravinsky<\/span>","<span class=\"advgb-post-tax-term\">Italo Calvino<\/span>","<span class=\"advgb-post-tax-term\">Jacques Offenbach<\/span>","<span class=\"advgb-post-tax-term\">James Joyce<\/span>","<span class=\"advgb-post-tax-term\">John Cage<\/span>","<span class=\"advgb-post-tax-term\">Komitas Vardapet<\/span>","<span class=\"advgb-post-tax-term\">Kurt Weill<\/span>","<span class=\"advgb-post-tax-term\">Louis Andriessen<\/span>","<span class=\"advgb-post-tax-term\">Luciano Berio<\/span>","<span class=\"advgb-post-tax-term\">Marcel Proust<\/span>","<span class=\"advgb-post-tax-term\">Marius Constant<\/span>","<span class=\"advgb-post-tax-term\">Nikolaus Hanoncourt<\/span>","<span class=\"advgb-post-tax-term\">Pierre Boulez<\/span>","<span class=\"advgb-post-tax-term\">Pierrot lunaire<\/span>","<span class=\"advgb-post-tax-term\">Reynaldo Hahn<\/span>","<span class=\"advgb-post-tax-term\">Roman Haubenstock-Ramati<\/span>","<span class=\"advgb-post-tax-term\">Steely Dan<\/span>","<span class=\"advgb-post-tax-term\">Steuart Bedford<\/span>","<span class=\"advgb-post-tax-term\">Sylvano Bussotti<\/span>","<span class=\"advgb-post-tax-term\">The Beatles<\/span>","<span class=\"advgb-post-tax-term\">Umberto Eco<\/span>","<span class=\"advgb-post-tax-term\">Victor Herbert<\/span>","<span class=\"advgb-post-tax-term\">W.H. Auden<\/span>","<span class=\"advgb-post-tax-term\">William Walton<\/span>"]}},"comment_count":"0","relative_dates":{"created":"Posted 5 years ago","modified":"Updated 5 years ago"},"absolute_dates":{"created":"Posted on 11\/04\/2021","modified":"Updated on 11\/04\/2021"},"absolute_dates_time":{"created":"Posted on 11\/04\/2021 16:34","modified":"Updated on 11\/04\/2021 16:49"},"featured_img_caption":"","series_order":"","_links":{"self":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/7195","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/comments?post=7195"}],"version-history":[{"count":11,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/7195\/revisions"}],"predecessor-version":[{"id":7372,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/7195\/revisions\/7372"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/media\/7325"}],"wp:attachment":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/media?parent=7195"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/categories?post=7195"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/tags?post=7195"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}