{"id":6993,"date":"2021-03-14T11:44:04","date_gmt":"2021-03-14T10:44:04","guid":{"rendered":"http:\/\/countermelodypodcast.com\/?p=6993"},"modified":"2021-03-14T11:44:06","modified_gmt":"2021-03-14T10:44:06","slug":"episode-80-sad-songs-with-a-twist","status":"publish","type":"post","link":"https:\/\/countermelodypodcast.com\/index.php\/2021\/03\/14\/episode-80-sad-songs-with-a-twist\/","title":{"rendered":"Episode 80. Sad Songs (with a twist)"},"content":{"rendered":"<div id=\"mega-menu-wrap-primary\" class=\"mega-menu-wrap\"><div class=\"mega-menu-toggle\"><div class=\"mega-toggle-blocks-left\"><\/div><div class=\"mega-toggle-blocks-center\"><\/div><div class=\"mega-toggle-blocks-right\"><div class='mega-toggle-block mega-menu-toggle-animated-block mega-toggle-block-1' id='mega-toggle-block-1'><button aria-label=\"Menu\" class=\"mega-toggle-animated mega-toggle-animated-slider\" type=\"button\" aria-haspopup=\"true\" aria-expanded=\"false\" aria-controls=\"mega-menu-primary\">\n                  <span class=\"mega-toggle-animated-box\">\n                    <span class=\"mega-toggle-animated-inner\"><\/span>\n                  <\/span>\n                <\/button><\/div><\/div><\/div><ul id=\"mega-menu-primary\" class=\"mega-menu max-mega-menu mega-menu-horizontal mega-no-js\" data-event=\"hover_intent\" data-effect=\"slide\" data-effect-speed=\"200\" data-effect-mobile=\"slide\" data-effect-speed-mobile=\"200\" data-mobile-force-width=\"body\" data-second-click=\"go\" data-document-click=\"collapse\" data-vertical-behaviour=\"standard\" data-breakpoint=\"600\" data-unbind=\"true\" data-mobile-state=\"collapse_all\" data-mobile-direction=\"vertical\" data-hover-intent-timeout=\"300\" data-hover-intent-interval=\"100\"><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-menu-item-home mega-align-bottom-left mega-menu-flyout mega-menu-item-19160\" id=\"mega-menu-item-19160\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/\">Home<\/a><\/li><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-align-bottom-left mega-menu-flyout mega-menu-item-19161\" id=\"mega-menu-item-19161\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/index.php\/about-daniel\/\">About Daniel<\/a><\/li><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-current_page_parent mega-align-bottom-left mega-menu-flyout mega-menu-item-19171\" id=\"mega-menu-item-19171\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/index.php\/all-episodes\/\">All Episodes<\/a><\/li><\/ul><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">Episode 80.  Sad Songs (with a twist)<\/h2>\n\n\n\n<iframe loading=\"lazy\" width=\"340\" height=\"50\" src=\"https:\/\/countermelody.blubrry.net\/?powerpress_embed=300-podcast&amp;powerpress_player=mediaelement-audio\" frameborder=\"0\" scrolling=\"no\"><\/iframe>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p><strong>SOCIAL SHARE<\/strong><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"has-text-align-right\"><strong>SUBSCRIPTION PLATFORM<\/strong><\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<div class=\"wp-block-buttons is-content-justification-left is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button alignright\"><a class=\"wp-block-button__link no-border-radius\" href=\"https:\/\/countermelody.blubrry.net\/\">SUBSCRIBE VIA YOUR FAVORITE PODCAST PLATFORM<\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"500\" height=\"290\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/03\/Maria-Opens-Eyes.gif\" alt=\"\" class=\"wp-image-7185\"\/><figcaption>Maria Callas<\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:38px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>It\u2019s been a year since the pandemic sent us all into various degrees of lockdown, panic, and depression. In certain parts of the world there is no end in sight, while in other parts, medical expertise is being blatantly defied as lockdown measures are carelessly lifted. I did a survey of my friends and listeners this week regarding their favorite sad songs, and I got hit with an avalanche of a wide range of not-happy music. In this episode I am limiting myself to so-called \u201cclassical\u201d music. Because the music itself is so heavy, I impersonate (at the top of the episode) a radio announcer for WOKE-FM, a fictional Milwaukee \u201cTop 40 Classical Radio Station,\u201d who is taking calls from all over the world from listeners requesting their favorite sad music. These spurious callers have invariably good taste, and request some glorious music, albeit very sad indeed, by some transcendent performers, including Irmgard Seefried, Maria Callas, Janet Baker, Pierre Bernac, Nan Merriman, Lois Marshall, Peter Pears, and two beautiful French sopranos, Ren\u00e9e Doria and Andr\u00e9a Guiot, who, at extremely advanced ages, each recently departed this earth. Composers from Dowland, Rameau, and Monteverdi are represented, alongside Poulenc, Schubert, Mahler, Debussy, and Stravinsky. The episode also includes guest vocal appearances by singers, including Cathy Berberian, Magda Olivero, Charles Panz\u00e9ra, Jorma Hynninen, and Bethany Beardslee, who will receive full-episode treatment in the near future. Ultimately, we return to the atmosphere of a normal <em>Countermelody<\/em> episode, and are deeply moved by the singers, composers, and music represented.<\/p>\n\n\n\n<div style=\"height:47px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-custom-size\" style=\"font-size:30px\"><strong> RECORDINGS HEARD IN THIS EPISODE<\/strong><\/p>\n\n\n\n<div style=\"height:55px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"337\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/03\/Dalton-Souzay.jpg\" alt=\"\" class=\"wp-image-7146\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/03\/Dalton-Souzay.jpg 600w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/03\/Dalton-Souzay-300x169.jpg 300w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><figcaption>From L to R: Dalton Baldwin (19 December 1931 \u2013 12 December 2019)<br>and G\u00e9rard Souzay (8 December 1918 \u2013 17 August 2004).<\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Jayme Ovalle, Manuel Bandeira: Azul\u00e3o. G\u00e9rard Souzay; Dalton Baldwin [1958]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/03\/Doria.jpeg\" alt=\"\" class=\"wp-image-7147\" width=\"578\" height=\"790\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/03\/Doria.jpeg 750w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/03\/Doria-220x300.jpeg 220w\" sizes=\"auto, (max-width: 578px) 100vw, 578px\" \/><figcaption>Ren\u00e9e Doria (13 February 1921 \u2013 6 March 2021)<\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Jean-Paul-\u00c9gide Martini, Jean-Pierre Claris de Florian: Plaisir d\u2019amour, Ren\u00e9e Doria; Franco Vertezza, Wiener Symphoniker [recording date unknown]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"456\" height=\"600\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/03\/Seefried.jpg\" alt=\"\" class=\"wp-image-7148\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/03\/Seefried.jpg 456w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/03\/Seefried-228x300.jpg 228w\" sizes=\"auto, (max-width: 456px) 100vw, 456px\" \/><figcaption>Irmgard Seefried (9 October 1919 \u2013 24 November 1988)<\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Hugo Wolf, Eduard M\u00f6rike: Das verlassene M\u00e4gdlein (<em>M\u00f6rike-Lieder<\/em>). Irmgard Seefried; Victor Graef [1945]<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"1019\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/03\/Viktor-Graef-LP-1024x1019.jpg\" alt=\"\" class=\"wp-image-7183\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/03\/Viktor-Graef-LP-1024x1019.jpg 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/03\/Viktor-Graef-LP-300x300.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/03\/Viktor-Graef-LP-150x150.jpg 150w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/03\/Viktor-Graef-LP-768x765.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/03\/Viktor-Graef-LP.jpg 1360w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption>A disc by Victor Graef (30. November 1886 \u2013 29. August 1969), of whom I could find no photo<\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"447\" height=\"478\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/03\/Scovotti.jpg\" alt=\"\" class=\"wp-image-7149\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/03\/Scovotti.jpg 447w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/03\/Scovotti-281x300.jpg 281w\" sizes=\"auto, (max-width: 447px) 100vw, 447px\" \/><figcaption>Jeanette Scovott (born 5 December 1936)<\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Jean-Baptiste Rameau: Tristes appr\u00eats, p\u00e2les flambeaux (<em>Castor et Pollux<\/em>). Jeanette Scovotti; Nikolaus Harnoncourt, Concentus Musicus Wien [1972]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"657\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/03\/Lois-Marshall-1024x657.jpg\" alt=\"\" class=\"wp-image-7151\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/03\/Lois-Marshall-1024x657.jpg 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/03\/Lois-Marshall-300x193.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/03\/Lois-Marshall-768x493.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/03\/Lois-Marshall-1536x986.jpg 1536w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/03\/Lois-Marshall-1600x1027.jpg 1600w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/03\/Lois-Marshall.jpg 1920w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption>Lois Marshall (29 January 1924 \u2013 19 February1997)<\/figcaption><\/figure>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Henry Purcell: When I Am Laid in Earth (<em>Dido and \u00c6neas<\/em>). Lois Marshall; Amsterdams Kamerorkest [telecast from 29 September 1963]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"796\" height=\"650\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/03\/Pears-and-Bream.jpg\" alt=\"\" class=\"wp-image-7152\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/03\/Pears-and-Bream.jpg 796w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/03\/Pears-and-Bream-300x245.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/03\/Pears-and-Bream-768x627.jpg 768w\" sizes=\"auto, (max-width: 796px) 100vw, 796px\" \/><figcaption>From L to R: Julian Bream (15 July 1933 \u2013 14 August 2020) and Peter Pears (22 June 1910 \u2013 3 April 1986)<\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>John Dowland: Flow, My Tears (<em>The Second Booke of Songes<\/em>). Peter Pears; Julian Bream [live Aldeburgh 7 June 1958]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/03\/Baker.jpg\" alt=\"\" class=\"wp-image-7153\" width=\"423\" height=\"499\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/03\/Baker.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/03\/Baker-254x300.jpg 254w\" sizes=\"auto, (max-width: 423px) 100vw, 423px\" \/><figcaption>Janet Baker (born 21 August 1933)<\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Gustav Mahler: Der Einsame im Herbst (<em>Das Lied von der Erde<\/em>). Janet Baker; George Szell, Cleveland Orchestra [live 05 February 1970]<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"542\" height=\"665\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/03\/Szell.jpg\" alt=\"\" class=\"wp-image-7154\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/03\/Szell.jpg 542w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/03\/Szell-245x300.jpg 245w\" sizes=\"auto, (max-width: 542px) 100vw, 542px\" \/><figcaption>George Szell (7 June 1897 \u2013 30 July, 1970)<\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"966\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/03\/Callas-Pretre-966x1024.jpg\" alt=\"\" class=\"wp-image-7157\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/03\/Callas-Pretre-966x1024.jpg 966w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/03\/Callas-Pretre-283x300.jpg 283w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/03\/Callas-Pretre-768x814.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/03\/Callas-Pretre-1449x1536.jpg 1449w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/03\/Callas-Pretre-1932x2048.jpg 1932w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/03\/Callas-Pretre-1600x1696.jpg 1600w\" sizes=\"auto, (max-width: 966px) 100vw, 966px\" \/><figcaption>From L to R: Georges Pr\u00eatre&nbsp;(14 August 1924 \u2013 4 January 2017)and Maria Callas (2 December 1923 \u2013 16 September 1977)<\/figcaption><\/figure>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Christoph Willibald Gluck: J\u2019ai perdu mon Eurydice (<em>Orph\u00e9e et Eurydice<\/em>). Maria Callas; Georges Pr\u00eatre, Orchestre National de la RTF [1961]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"448\" height=\"672\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/03\/Bryn-Julson2.jpg\" alt=\"\" class=\"wp-image-7156\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/03\/Bryn-Julson2.jpg 448w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/03\/Bryn-Julson2-200x300.jpg 200w\" sizes=\"auto, (max-width: 448px) 100vw, 448px\" \/><figcaption>Phyllis Bryn-Julson (born 5 February 1945)<\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Charles Griffes, William Sharp: The Lament of Ian the Proud (<em>Three Poems of Fiona MacLeod<\/em>, Op. 11\/1. Phyllis Bryn-Julson; Seiji Ozawa, Boston Symphony Orchestra [1976]<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/03\/Ozawa.png\" alt=\"\" class=\"wp-image-7158\" width=\"545\" height=\"556\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/03\/Ozawa.png 484w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/03\/Ozawa-294x300.png 294w\" sizes=\"auto, (max-width: 545px) 100vw, 545px\" \/><figcaption>Seiji Ozawa (born 1 September 1935)<\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"479\" height=\"700\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/03\/Magda-Sideeye.jpg\" alt=\"\" class=\"wp-image-7159\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/03\/Magda-Sideeye.jpg 479w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/03\/Magda-Sideeye-205x300.jpg 205w\" sizes=\"auto, (max-width: 479px) 100vw, 479px\" \/><figcaption>Magda Olivero (25 March 1910 \u2013 8 September 2014)<\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Giacomo Puccini: Senza mamma (<em>Suor Angelica<\/em>). Magda Olivero; Alfredo Simonetto, Orchestra Sinfonica di Torino della RAI [1949]<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/03\/Simonetto.jpg\" alt=\"\" class=\"wp-image-7160\" width=\"447\" height=\"620\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/03\/Simonetto.jpg 649w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/03\/Simonetto-216x300.jpg 216w\" sizes=\"auto, (max-width: 447px) 100vw, 447px\" \/><figcaption>Alfredo Simonetto (15 April 1905 \u2013 02 June 1963)<\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"564\" height=\"426\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/03\/Berberian.jpg\" alt=\"\" class=\"wp-image-7161\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/03\/Berberian.jpg 564w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/03\/Berberian-300x227.jpg 300w\" sizes=\"auto, (max-width: 564px) 100vw, 564px\" \/><figcaption>Cathy Berberian (4 July 1925 \u2013 6 March 1983)<\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Claudio Monteverdi, Giovanni Francesco Busenello: Disprezzata regina (<em>L\u2019incoronazione di Poppea<\/em>). Cathy Berberian; Nikolaus Harnoncourt, Concentus Musicus Wien [1974]<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"531\" height=\"708\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/03\/Harnoncourt.jpg\" alt=\"\" class=\"wp-image-7162\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/03\/Harnoncourt.jpg 531w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/03\/Harnoncourt-225x300.jpg 225w\" sizes=\"auto, (max-width: 531px) 100vw, 531px\" \/><figcaption>Nikolaus Harnoncourt (6 December 1929 \u2013 5 March 2016)<\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/03\/Hynninen-Window.jpg\" alt=\"\" class=\"wp-image-7163\" width=\"594\" height=\"397\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/03\/Hynninen-Window.jpg 512w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/03\/Hynninen-Window-300x200.jpg 300w\" sizes=\"auto, (max-width: 594px) 100vw, 594px\" \/><figcaption>Jorma Hynninen (born 3 April 1941)<\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Johannes Brahms: Denn es gehet dem Menschen (<em>Vier ernste Ges\u00e4nge<\/em>, Op. 122\/1). Jorma Hynninen; Ralf Goth\u00f3ni [1985]<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"462\" height=\"579\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/03\/Gothoni.jpg\" alt=\"\" class=\"wp-image-7164\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/03\/Gothoni.jpg 462w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/03\/Gothoni-239x300.jpg 239w\" sizes=\"auto, (max-width: 462px) 100vw, 462px\" \/><figcaption>Ralf Goth\u00f3ni (born 2 May 1946)<\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/03\/Beardslee.jpg\" alt=\"\" class=\"wp-image-7165\" width=\"619\" height=\"757\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/03\/Beardslee.jpg 684w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/03\/Beardslee-245x300.jpg 245w\" sizes=\"auto, (max-width: 619px) 100vw, 619px\" \/><figcaption>Bethany Beardslee (born 25 December 1925)<\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Claude Debussy, Paul Verlaine: Il pleut dans mon coeur (<em>Ariettes oubli\u00e9es<\/em>, L.60\/2). Bethany Beardslee; Robert Helps [1989]<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/03\/Helps.jpg\" alt=\"\" class=\"wp-image-7166\" width=\"409\" height=\"463\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/03\/Helps.jpg 280w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/03\/Helps-265x300.jpg 265w\" sizes=\"auto, (max-width: 409px) 100vw, 409px\" \/><figcaption>Robert Helps (23 September 1928 \u2013 24 November 2001)<\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"458\" height=\"560\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/03\/Bernard-Kruysen2.png\" alt=\"\" class=\"wp-image-7167\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/03\/Bernard-Kruysen2.png 458w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/03\/Bernard-Kruysen2-245x300.png 245w\" sizes=\"auto, (max-width: 458px) 100vw, 458px\" \/><figcaption>Bernard Kruysen (28 March 1933 \u2013 30 October 2000)<\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Gabriel Faur\u00e9, Paul Verlaine: Prison, Op. 83\/1. Bernard Kruysen; No\u00ebl Lee [1965]<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/03\/Noel-Lee.jpg\" alt=\"\" class=\"wp-image-7168\" width=\"343\" height=\"523\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/03\/Noel-Lee.jpg 266w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/03\/Noel-Lee-196x300.jpg 196w\" sizes=\"auto, (max-width: 343px) 100vw, 343px\" \/><figcaption>No\u00ebl Lee&nbsp;(25 December 1924 \u2013 15 July 2013)<\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/03\/Panzera.jpg\" alt=\"\" class=\"wp-image-7169\" width=\"425\" height=\"666\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/03\/Panzera.jpg 319w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/03\/Panzera-191x300.jpg 191w\" sizes=\"auto, (max-width: 425px) 100vw, 425px\" \/><figcaption>Charles Panz\u00e9ra&nbsp;(16 February 1896 \u2013 6 June 1976)<\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Reynaldo Hahn, Paul Verlaine: D\u2019une prison. Charles Panz\u00e9ra; Magdeleine Panz\u00e9ra-Baillot [1923]<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/03\/The-Panzeras-697x1024.jpg\" alt=\"\" class=\"wp-image-7187\" width=\"638\" height=\"937\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/03\/The-Panzeras-697x1024.jpg 697w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/03\/The-Panzeras-204x300.jpg 204w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/03\/The-Panzeras-768x1128.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/03\/The-Panzeras.jpg 910w\" sizes=\"auto, (max-width: 638px) 100vw, 638px\" \/><\/figure><\/div>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"605\" height=\"580\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/03\/Brigitte-outdoors.jpg\" alt=\"\" class=\"wp-image-7170\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/03\/Brigitte-outdoors.jpg 605w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/03\/Brigitte-outdoors-300x288.jpg 300w\" sizes=\"auto, (max-width: 605px) 100vw, 605px\" \/><figcaption>Brigitte Fassbaender (born 3 July 1939)<\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Robert Schumann, Heinrich Heine: Ich wandelte unter den B\u00e4umen (<em>Liederkreis<\/em>, Op. 24\/3). Brigitte Fassbaender; Irwin Gage [1985]<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/03\/Gage.jpg\" alt=\"\" class=\"wp-image-7171\" width=\"799\" height=\"381\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/03\/Gage.jpg 696w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/03\/Gage-300x143.jpg 300w\" sizes=\"auto, (max-width: 799px) 100vw, 799px\" \/><figcaption>Irwin Gage (4 September 1939 \u2013 12 April 2018)<\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/03\/Bernac-Poulenc-2.jpg\" alt=\"\" class=\"wp-image-7172\" width=\"497\" height=\"499\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/03\/Bernac-Poulenc-2.jpg 471w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/03\/Bernac-Poulenc-2-300x300.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/03\/Bernac-Poulenc-2-150x150.jpg 150w\" sizes=\"auto, (max-width: 497px) 100vw, 497px\" \/><figcaption>From L to R: Pierre Bernac (12 January 1899 \u2013 17 October 1979)<br>and Francis Poulenc (7 January 1899 \u2013 30 January 1963)<\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Francis Poulenc, Guillaume Apollinaire: Sanglots (<em>Banalit\u00e9s<\/em>, FP 107\/5). Pierre Bernac; Francis Poulenc [1950]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/03\/Alexander-Young.jpg\" alt=\"\" class=\"wp-image-7173\" width=\"644\" height=\"740\"\/><figcaption>Alexander Young (18 October 1920 \u2013  5 March 2000)<\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:11px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Igor Stravinsky, Dylan Thomas: Do not go gentle (<em>In Memoriam Dylan Thomas<\/em>). Alexander Young; Igor Stravinsky, The Columbia Chamber Ensemble [1965]<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"682\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/03\/Dylan-T-1024x682.jpeg\" alt=\"\" class=\"wp-image-7174\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/03\/Dylan-T-1024x682.jpeg 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/03\/Dylan-T-300x200.jpeg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/03\/Dylan-T-768x512.jpeg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/03\/Dylan-T.jpeg 1400w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption>Dylan Thomas &nbsp;(27 October 1914 \u2013 9 November 1953)<\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"640\" height=\"958\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/03\/Kurt.jpg\" alt=\"\" class=\"wp-image-7175\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/03\/Kurt.jpg 640w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/03\/Kurt-200x300.jpg 200w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><figcaption>Kurt Ollmann<\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Jacques Leguerney, Pierre de Ronsard: Ma douce jouvence est pass\u00e9e. Kurt Ollmann; Mary Dibbern [1985]<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"667\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/03\/Mary-Dibbern.jpg\" alt=\"\" class=\"wp-image-7176\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/03\/Mary-Dibbern.jpg 1000w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/03\/Mary-Dibbern-300x200.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/03\/Mary-Dibbern-768x512.jpg 768w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><figcaption>Mary Dibbern<\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/03\/Nan-Merriman.png\" alt=\"\" class=\"wp-image-7181\" width=\"478\" height=\"602\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/03\/Nan-Merriman.png 427w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/03\/Nan-Merriman-238x300.png 238w\" sizes=\"auto, (max-width: 478px) 100vw, 478px\" \/><figcaption>Nan Merriman &nbsp;(28 April 1920 \u2013 22 July 2012)<\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>James Joyce, arr. Edmond Pendelton: Bid adieu. Nan Merriman; Felix de Nobel [live Amsterdam 27 April 1965]<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/03\/Felix-de-Nobel-710x1024.jpg\" alt=\"\" class=\"wp-image-7180\" width=\"487\" height=\"703\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/03\/Felix-de-Nobel-710x1024.jpg 710w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/03\/Felix-de-Nobel-208x300.jpg 208w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/03\/Felix-de-Nobel.jpg 750w\" sizes=\"auto, (max-width: 487px) 100vw, 487px\" \/><figcaption>Felix de Nobel (27 May 1907 \u2013 25 March 1981)<\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/03\/Guiot-892x1024.jpg\" alt=\"\" class=\"wp-image-7178\" width=\"668\" height=\"766\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/03\/Guiot-892x1024.jpg 892w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/03\/Guiot-261x300.jpg 261w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/03\/Guiot-768x882.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/03\/Guiot-1338x1536.jpg 1338w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/03\/Guiot-1600x1837.jpg 1600w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/03\/Guiot.jpg 1784w\" sizes=\"auto, (max-width: 668px) 100vw, 668px\" \/><figcaption>Andr\u00e9a Guiot (11 January 1928 \u2013 15 February 2021)<\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Francis Poulenc: Au jardin des oliviers (<em>Les dialogues des Carm\u00e9lites<\/em>). Andr\u00e9a Guiot; Jean Fournet, Orquestra del Teatro Col\u00f3n [live Buenos Aires 1965]<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"396\" height=\"576\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/03\/Fournet.jpg\" alt=\"\" class=\"wp-image-7179\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/03\/Fournet.jpg 396w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/03\/Fournet-206x300.jpg 206w\" sizes=\"auto, (max-width: 396px) 100vw, 396px\" \/><figcaption>Jean Fournet (14 April 1913 \u2013 3 November 2008)<\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"639\" height=\"867\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/03\/Souzay-au-bord-dun-lac-2.jpg\" alt=\"\" class=\"wp-image-7177\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/03\/Souzay-au-bord-dun-lac-2.jpg 639w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/03\/Souzay-au-bord-dun-lac-2-221x300.jpg 221w\" sizes=\"auto, (max-width: 639px) 100vw, 639px\" \/><\/figure><\/div>\n\n\n\n<p>Franz Schubert, Wilhelm M\u00fcller: Des Baches Wiegenlied (<em>Die sch\u00f6ne M\u00fcllerin<\/em>, D.795\/20). G\u00e9rard Souzay; Dalton Baldwin [1964] <\/p>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Episode 80. Sad Songs (with a twist) SOCIAL SHARE SUBSCRIPTION PLATFORM It\u2019s been a year since the pandemic sent us&hellip;<\/p>\n","protected":false},"author":1,"featured_media":7141,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"advgb_blocks_editor_width":"","advgb_blocks_columns_visual_guide":"","footnotes":""},"categories":[1075,2261,2399,2314,1072,2396,1675,1263,2260,808,2806,427],"tags":[2776,2791,2768,2782,2777,2414,2780,470,2797,2785,2789,2778,153,501,33,1298,2794,2767,2775,2803,2771,2787,544,101,589,2793,1606,2801,94,2805,2195,1297,1197,255,648,2730,1173,2772,2770,304,2800,1794,2796,2802,2798,863,2792,103,1851,2774,2786,490,1427,2779,141,2799,410,2773,2769,2784,2415,1733,550,2795,2790,536,106,1722,782,2781,548,2464,145,2804,2783,862,2788],"class_list":["post-6993","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-art-song","category-full-figured-baroque","category-great-baritones","category-gustav-mahler","category-in-memoriam","category-jorma-hynninen","category-magda-olivero","category-mezzo-madness","category-music-for-a-world-in-crisis","category-needle-drop","category-twentieth-century-music","category-verismo","tag-alexander-young","tag-alfredo-simonetto","tag-andrea-guiot","tag-ariettes-oubliees","tag-banalites-poulenc","tag-bernard-kruysen","tag-bethany-beardslee","tag-brigitte-fassbaender","tag-castor-et-pollux-rameau","tag-cathy-berberian","tag-charles-griffes","tag-charles-panzera","tag-christoph-willibald-gluck","tag-claude-debussy","tag-claudio-monteverdi","tag-das-lied-von-der-erde","tag-dido-and-aeneas","tag-die-schone-mullerin","tag-dylan-thomas","tag-eduard-morike-morike-lieder-wolf-irmgard-seefried","tag-felix-de-nobel","tag-fiona-macleod","tag-francis-poulenc","tag-franz-schubert","tag-gabriel-faure-2","tag-george-szell","tag-georges-pretre-2","tag-gerard-souzay-dalton-baldwin","tag-giacomo-puccini","tag-giovanni-francesco-busenello","tag-guillaume-apollinaire","tag-gustav-mahler","tag-heinrich-heine","tag-henry-purcell","tag-hugo-wolf","tag-igor-stravinsky","tag-irwin-gage","tag-jacques-leguerney","tag-james-joyce","tag-janet-baker","tag-jayme-ovalle","tag-jean-fournet","tag-jean-baptiste-rameau","tag-jean-paul-egide-martini","tag-jeanette-scovotti","tag-johannes-brahms","tag-john-dowland","tag-jorma-hynninen","tag-julian-bream","tag-kurt-ollmann","tag-lincoronazione-di-poppea-2","tag-les-dialogues-des-carmelites","tag-lois-marshall","tag-madeleine-panzera-baillot","tag-magda-olivero","tag-manuel-bandeira","tag-maria-callas","tag-mary-dibbern","tag-nan-merriman","tag-nikolaus-harnoncourt","tag-noel-lee","tag-orphee-et-eurydice","tag-paul-verlaine","tag-peter-pears","tag-phyllis-bryn-julson","tag-pierre-bernac","tag-ralf-gothoni-2","tag-renee-doria","tag-reynaldo-hahn","tag-robert-helps","tag-robert-schumann","tag-seiji-ozawa","tag-suor-angelica","tag-victor-graef","tag-vier-ernste-gesange","tag-wilhelm-muller","tag-william-sharp-fiona-macleod"],"author_meta":{"display_name":"admin","author_link":"https:\/\/countermelodypodcast.com\/index.php\/author\/admin\/"},"featured_img":"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/03\/Doria-in-Blue-TRIMMED-300x173.jpg","coauthors":[],"tax_additional":{"categories":{"linked":["<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/art-song\/\" class=\"advgb-post-tax-term\">Art Song<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/full-figured-baroque\/\" class=\"advgb-post-tax-term\">Full-Figured Baroque<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/great-baritones\/\" class=\"advgb-post-tax-term\">Great Baritones<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/gustav-mahler\/\" class=\"advgb-post-tax-term\">Gustav Mahler<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/in-memoriam\/\" class=\"advgb-post-tax-term\">In Memoriam<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/jorma-hynninen\/\" class=\"advgb-post-tax-term\">Jorma Hynninen<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/magda-olivero\/\" class=\"advgb-post-tax-term\">Magda Olivero<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/mezzo-madness\/\" class=\"advgb-post-tax-term\">Mezzo Madness<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/music-for-a-world-in-crisis\/\" class=\"advgb-post-tax-term\">Music for a World in Crisis<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Needle Drop<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Twentieth Century Music<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Verismo<\/a>"],"unlinked":["<span class=\"advgb-post-tax-term\">Art Song<\/span>","<span class=\"advgb-post-tax-term\">Full-Figured Baroque<\/span>","<span class=\"advgb-post-tax-term\">Great Baritones<\/span>","<span class=\"advgb-post-tax-term\">Gustav Mahler<\/span>","<span class=\"advgb-post-tax-term\">In Memoriam<\/span>","<span class=\"advgb-post-tax-term\">Jorma Hynninen<\/span>","<span class=\"advgb-post-tax-term\">Magda Olivero<\/span>","<span class=\"advgb-post-tax-term\">Mezzo Madness<\/span>","<span class=\"advgb-post-tax-term\">Music for a World in Crisis<\/span>","<span class=\"advgb-post-tax-term\">Needle Drop<\/span>","<span class=\"advgb-post-tax-term\">Twentieth Century Music<\/span>","<span class=\"advgb-post-tax-term\">Verismo<\/span>"]},"tags":{"linked":["<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Alexander Young<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Alfredo Simonetto<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Andr\u00e9a Guiot<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Ariettes oubli\u00e9es<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Banalit\u00e9s (Poulenc)<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Bernard Kruysen<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Bethany Beardslee<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Brigitte Fassbaender<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Castor et Pollux (Rameau)<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Cathy Berberian<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Charles Griffes<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Charles Panz\u00e9ra<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Christoph Willibald Gluck<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Claude Debussy<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Claudio Monteverdi<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Das Lied von der Erde<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Dido and Aeneas<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Die sch\u00f6ne M\u00fcllerin<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Dylan Thomas<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Eduard M\u00f6rike: M\u00f6rike-Lieder (Wolf). Irmgard Seefried<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Felix de Nobel<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Fiona MacLeod<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Francis Poulenc<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Franz Schubert<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Gabriel Faur\u00e9<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">George Szell<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Georges Pr\u00eatre<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">G\u00e9rard Souzay; Dalton Baldwin<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Giacomo Puccini<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Giovanni Francesco Busenello<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Guillaume Apollinaire<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Gustav Mahler<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Heinrich Heine<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Henry Purcell<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Hugo Wolf<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Igor Stravinsky<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Irwin Gage<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Jacques Leguerney<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">James Joyce<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Janet Baker<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Jayme Ovalle<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Jean Fournet<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Jean-Baptiste Rameau<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Jean-Paul-\u00c9gide Martini<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Jeanette Scovotti<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Johannes Brahms<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">John Dowland<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Jorma Hynninen<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Julian Bream<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Kurt Ollmann<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">L\u2019incoronazione di Poppea<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Les dialogues des Carm\u00e9lites<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Lois Marshall<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Madeleine Panz\u00e9ra-Baillot<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Magda Olivero<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Manuel Bandeira<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Maria Callas<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Mary Dibbern<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Nan Merriman<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Nikolaus Harnoncourt<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">No\u00ebl Lee<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Orph\u00e9e et Eurydice<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Paul Verlaine<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Peter Pears<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Phyllis Bryn-Julson<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Pierre Bernac<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Ralf Goth\u00f3ni<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Ren\u00e9e Doria<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Reynaldo Hahn<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Robert Helps<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Robert Schumann<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Seiji Ozawa<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Suor Angelica<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Victor Graef<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Vier ernste Ges\u00e4nge<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Wilhelm M\u00fcller<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">William Sharp (Fiona MacLeod)<\/a>"],"unlinked":["<span class=\"advgb-post-tax-term\">Alexander Young<\/span>","<span class=\"advgb-post-tax-term\">Alfredo Simonetto<\/span>","<span class=\"advgb-post-tax-term\">Andr\u00e9a Guiot<\/span>","<span class=\"advgb-post-tax-term\">Ariettes oubli\u00e9es<\/span>","<span class=\"advgb-post-tax-term\">Banalit\u00e9s (Poulenc)<\/span>","<span class=\"advgb-post-tax-term\">Bernard Kruysen<\/span>","<span class=\"advgb-post-tax-term\">Bethany Beardslee<\/span>","<span class=\"advgb-post-tax-term\">Brigitte Fassbaender<\/span>","<span class=\"advgb-post-tax-term\">Castor et Pollux (Rameau)<\/span>","<span class=\"advgb-post-tax-term\">Cathy Berberian<\/span>","<span class=\"advgb-post-tax-term\">Charles Griffes<\/span>","<span class=\"advgb-post-tax-term\">Charles Panz\u00e9ra<\/span>","<span class=\"advgb-post-tax-term\">Christoph Willibald Gluck<\/span>","<span class=\"advgb-post-tax-term\">Claude Debussy<\/span>","<span class=\"advgb-post-tax-term\">Claudio Monteverdi<\/span>","<span class=\"advgb-post-tax-term\">Das Lied von der Erde<\/span>","<span class=\"advgb-post-tax-term\">Dido and Aeneas<\/span>","<span class=\"advgb-post-tax-term\">Die sch\u00f6ne M\u00fcllerin<\/span>","<span class=\"advgb-post-tax-term\">Dylan Thomas<\/span>","<span class=\"advgb-post-tax-term\">Eduard M\u00f6rike: M\u00f6rike-Lieder (Wolf). Irmgard Seefried<\/span>","<span class=\"advgb-post-tax-term\">Felix de Nobel<\/span>","<span class=\"advgb-post-tax-term\">Fiona MacLeod<\/span>","<span class=\"advgb-post-tax-term\">Francis Poulenc<\/span>","<span class=\"advgb-post-tax-term\">Franz Schubert<\/span>","<span class=\"advgb-post-tax-term\">Gabriel Faur\u00e9<\/span>","<span class=\"advgb-post-tax-term\">George Szell<\/span>","<span class=\"advgb-post-tax-term\">Georges Pr\u00eatre<\/span>","<span class=\"advgb-post-tax-term\">G\u00e9rard Souzay; Dalton Baldwin<\/span>","<span class=\"advgb-post-tax-term\">Giacomo Puccini<\/span>","<span class=\"advgb-post-tax-term\">Giovanni Francesco Busenello<\/span>","<span class=\"advgb-post-tax-term\">Guillaume Apollinaire<\/span>","<span class=\"advgb-post-tax-term\">Gustav Mahler<\/span>","<span class=\"advgb-post-tax-term\">Heinrich Heine<\/span>","<span class=\"advgb-post-tax-term\">Henry Purcell<\/span>","<span class=\"advgb-post-tax-term\">Hugo Wolf<\/span>","<span class=\"advgb-post-tax-term\">Igor Stravinsky<\/span>","<span class=\"advgb-post-tax-term\">Irwin Gage<\/span>","<span class=\"advgb-post-tax-term\">Jacques Leguerney<\/span>","<span class=\"advgb-post-tax-term\">James Joyce<\/span>","<span class=\"advgb-post-tax-term\">Janet Baker<\/span>","<span class=\"advgb-post-tax-term\">Jayme Ovalle<\/span>","<span class=\"advgb-post-tax-term\">Jean Fournet<\/span>","<span class=\"advgb-post-tax-term\">Jean-Baptiste Rameau<\/span>","<span class=\"advgb-post-tax-term\">Jean-Paul-\u00c9gide Martini<\/span>","<span class=\"advgb-post-tax-term\">Jeanette Scovotti<\/span>","<span class=\"advgb-post-tax-term\">Johannes Brahms<\/span>","<span class=\"advgb-post-tax-term\">John Dowland<\/span>","<span class=\"advgb-post-tax-term\">Jorma Hynninen<\/span>","<span class=\"advgb-post-tax-term\">Julian Bream<\/span>","<span class=\"advgb-post-tax-term\">Kurt Ollmann<\/span>","<span class=\"advgb-post-tax-term\">L\u2019incoronazione di Poppea<\/span>","<span class=\"advgb-post-tax-term\">Les dialogues des Carm\u00e9lites<\/span>","<span class=\"advgb-post-tax-term\">Lois Marshall<\/span>","<span class=\"advgb-post-tax-term\">Madeleine Panz\u00e9ra-Baillot<\/span>","<span class=\"advgb-post-tax-term\">Magda Olivero<\/span>","<span class=\"advgb-post-tax-term\">Manuel Bandeira<\/span>","<span class=\"advgb-post-tax-term\">Maria Callas<\/span>","<span class=\"advgb-post-tax-term\">Mary Dibbern<\/span>","<span class=\"advgb-post-tax-term\">Nan Merriman<\/span>","<span class=\"advgb-post-tax-term\">Nikolaus Harnoncourt<\/span>","<span class=\"advgb-post-tax-term\">No\u00ebl Lee<\/span>","<span class=\"advgb-post-tax-term\">Orph\u00e9e et Eurydice<\/span>","<span class=\"advgb-post-tax-term\">Paul Verlaine<\/span>","<span class=\"advgb-post-tax-term\">Peter Pears<\/span>","<span class=\"advgb-post-tax-term\">Phyllis Bryn-Julson<\/span>","<span class=\"advgb-post-tax-term\">Pierre Bernac<\/span>","<span class=\"advgb-post-tax-term\">Ralf Goth\u00f3ni<\/span>","<span class=\"advgb-post-tax-term\">Ren\u00e9e Doria<\/span>","<span class=\"advgb-post-tax-term\">Reynaldo Hahn<\/span>","<span class=\"advgb-post-tax-term\">Robert Helps<\/span>","<span class=\"advgb-post-tax-term\">Robert Schumann<\/span>","<span class=\"advgb-post-tax-term\">Seiji Ozawa<\/span>","<span class=\"advgb-post-tax-term\">Suor Angelica<\/span>","<span class=\"advgb-post-tax-term\">Victor Graef<\/span>","<span class=\"advgb-post-tax-term\">Vier ernste Ges\u00e4nge<\/span>","<span class=\"advgb-post-tax-term\">Wilhelm M\u00fcller<\/span>","<span class=\"advgb-post-tax-term\">William Sharp (Fiona MacLeod)<\/span>"]}},"comment_count":"0","relative_dates":{"created":"Posted 5 years ago","modified":"Updated 5 years ago"},"absolute_dates":{"created":"Posted on 14\/03\/2021","modified":"Updated on 14\/03\/2021"},"absolute_dates_time":{"created":"Posted on 14\/03\/2021 11:44","modified":"Updated on 14\/03\/2021 11:44"},"featured_img_caption":"","series_order":"","_links":{"self":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/6993","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/comments?post=6993"}],"version-history":[{"count":9,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/6993\/revisions"}],"predecessor-version":[{"id":7189,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/6993\/revisions\/7189"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/media\/7141"}],"wp:attachment":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/media?parent=6993"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/categories?post=6993"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/tags?post=6993"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}