{"id":6929,"date":"2021-02-24T20:43:26","date_gmt":"2021-02-24T19:43:26","guid":{"rendered":"http:\/\/countermelodypodcast.com\/?p=6929"},"modified":"2024-02-16T10:50:56","modified_gmt":"2024-02-16T09:50:56","slug":"episode-77-margaret-tynes-bhm2021-v","status":"publish","type":"post","link":"https:\/\/countermelodypodcast.com\/index.php\/2021\/02\/24\/episode-77-margaret-tynes-bhm2021-v\/","title":{"rendered":"Episode 77. Margaret Tynes (BHM2021 V)"},"content":{"rendered":"<div id=\"mega-menu-wrap-primary\" class=\"mega-menu-wrap\"><div class=\"mega-menu-toggle\"><div class=\"mega-toggle-blocks-left\"><\/div><div class=\"mega-toggle-blocks-center\"><\/div><div class=\"mega-toggle-blocks-right\"><div class='mega-toggle-block mega-menu-toggle-animated-block mega-toggle-block-1' id='mega-toggle-block-1'><button aria-label=\"Menu\" class=\"mega-toggle-animated mega-toggle-animated-slider\" type=\"button\" aria-haspopup=\"true\" aria-expanded=\"false\" aria-controls=\"mega-menu-primary\">\n                  <span class=\"mega-toggle-animated-box\">\n                    <span class=\"mega-toggle-animated-inner\"><\/span>\n                  <\/span>\n                <\/button><\/div><\/div><\/div><ul id=\"mega-menu-primary\" class=\"mega-menu max-mega-menu mega-menu-horizontal mega-no-js\" data-event=\"hover_intent\" data-effect=\"slide\" data-effect-speed=\"200\" data-effect-mobile=\"slide\" data-effect-speed-mobile=\"200\" data-mobile-force-width=\"body\" data-second-click=\"go\" data-document-click=\"collapse\" data-vertical-behaviour=\"standard\" data-breakpoint=\"600\" data-unbind=\"true\" data-mobile-state=\"collapse_all\" data-mobile-direction=\"vertical\" data-hover-intent-timeout=\"300\" data-hover-intent-interval=\"100\"><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-menu-item-home mega-align-bottom-left mega-menu-flyout mega-menu-item-19160\" id=\"mega-menu-item-19160\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/\">Home<\/a><\/li><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-align-bottom-left mega-menu-flyout mega-menu-item-19161\" id=\"mega-menu-item-19161\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/index.php\/about-daniel\/\">About Daniel<\/a><\/li><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-current_page_parent mega-align-bottom-left mega-menu-flyout mega-menu-item-19171\" id=\"mega-menu-item-19171\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/index.php\/all-episodes\/\">All Episodes<\/a><\/li><\/ul><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">Episode 77.  Margaret Tynes (Black History Month 2021 V)<\/h2>\n\n\n\n<iframe loading=\"lazy\" width=\"340\" height=\"50\" src=\"https:\/\/countermelody.blubrry.net\/?powerpress_embed=289-podcast&amp;powerpress_player=mediaelement-audio\" frameborder=\"0\" scrolling=\"no\"><\/iframe>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p><strong>SOCIAL SHARE<\/strong><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"has-text-align-right\"><strong>SUBSCRIPTION PLATFORM<\/strong><\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<div class=\"wp-block-buttons alignleft is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button alignright\"><a class=\"wp-block-button__link no-border-radius\" href=\"https:\/\/countermelody.blubrry.net\/\">SUBSCRIBE VIA YOUR FAVORITE PODCAST PLATFORM<\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Tynes-Divan-Seated-817x1024.jpg\" alt=\"\" class=\"wp-image-7002\" width=\"582\" height=\"727\"\/><\/figure><\/div>\n\n\n\n<div style=\"height:38px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>For a special bonus episode this week (without the usual paywall!), I bring you the extraordinary soprano Margaret Tynes, who in September celebrated her 101st birthday! Tynes is a unique artist, fearlessly forging her own musical, dramatic, and vocal path, aided and abetted by a strong voice with a powerful top register. Though she made a number of significant appearances in her homeland earlier in her career (including an appearance in Duke Ellington\u2019s jazz suite, <em>A Drum Is a Woman<\/em>), her later successes were focused primarily in Europe, where she was particularly celebrated for her extraordinary Salome, with which she created a sensation in Spoleto in 1961, and her Lady Macbeth. All these and more are featured on this episode, which also includes spirituals and Creole folk songs, as well as excerpts from <em>Aida<\/em>, <em>Carmen<\/em>, and <em>Porgy and Bess<\/em>. Guest artists include LeVern Hutcherson, most remembered today for his appearances on stage and screen in <em>Porgy<\/em>, and George Shirley, the first African American tenor to sing at the Metropolitan Opera.<\/p>\n\n\n\n<div style=\"height:47px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-custom-size\" style=\"font-size:30px\"><strong> RECORDINGS HEARD IN THIS EPISODE<\/strong><\/p>\n\n\n\n<div style=\"height:55px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"483\" height=\"635\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Margaret-Tynes-print-ad.jpg\" alt=\"\" class=\"wp-image-7008\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Margaret-Tynes-print-ad.jpg 483w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Margaret-Tynes-print-ad-228x300.jpg 228w\" sizes=\"auto, (max-width: 483px) 100vw, 483px\" \/><\/figure><\/div>\n\n\n\n<p>Traditional Spiritual: Ev\u2019rytime I Feel the Spirit. Margaret Tynes; P\u00e1l Varga, Orchestra of the Budapest Philharmonic Society [1962]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"594\" height=\"474\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Margaret-Tynes-Joya-Sherrill-Duke-Ellinton.jpg\" alt=\"\" class=\"wp-image-7005\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Margaret-Tynes-Joya-Sherrill-Duke-Ellinton.jpg 594w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Margaret-Tynes-Joya-Sherrill-Duke-Ellinton-300x239.jpg 300w\" sizes=\"auto, (max-width: 594px) 100vw, 594px\" \/><figcaption>Joya Sherrill, Duke Ellington, and Margaret Tynes in <em>A Drum Is a Woman <\/em>(1956).<\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Duke Ellington, Billy Strayhorn: A Drum Is a Woman [Part One]. Margaret Tynes; Duke Ellington and His Orchestra [1956]<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large is-resized\"><img decoding=\"async\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/A-Drum-Is-a-Woman-cover-1024x1014.jpg\" alt=\"\" class=\"wp-image-7019\" width=\"-37\" height=\"-36\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/A-Drum-Is-a-Woman-cover-1024x1014.jpg 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/A-Drum-Is-a-Woman-cover-300x297.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/A-Drum-Is-a-Woman-cover-150x150.jpg 150w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/A-Drum-Is-a-Woman-cover-768x760.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/A-Drum-Is-a-Woman-cover.jpg 1404w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure><\/div>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"500\" height=\"720\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Tynes-Hands.jpg\" alt=\"\" class=\"wp-image-7009\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Tynes-Hands.jpg 500w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Tynes-Hands-208x300.jpg 208w\" sizes=\"auto, (max-width: 500px) 100vw, 500px\" \/><\/figure><\/div>\n\n\n\n<p>George Gershwin, DuBose Heyward, Ira Gershwin: Summertime (<em>Porgy and Bess<\/em>). Margaret Tynes; Orchestra conducted by Warren Edward Vincent [1960]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"540\" height=\"623\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Brock.jpg\" alt=\"\" class=\"wp-image-7007\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Brock.jpg 540w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Brock-260x300.jpg 260w\" sizes=\"auto, (max-width: 540px) 100vw, 540px\" \/><figcaption>Brock Peters (1927 &#8211; 2005)<\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>George Gershwin, DuBose Heyward, Ira Gershwin: I wants to stay here&#8230; I loves you, Porgy (<em>Porgy and Bess<\/em>). Margaret Tynes, Brock Peters; Paul Belanger, Opera Society Orchestra [1955]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"734\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/LeVern-Hutcherson.jpg\" alt=\"\" class=\"wp-image-7006\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/LeVern-Hutcherson.jpg 600w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/LeVern-Hutcherson-245x300.jpg 245w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><figcaption>LeVern Hutcherson (1905 &#8211; 1969)<\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>George Gershwin, DuBose Heyward, Ira Gershwin: Porgy, I\u2019s your woman now (<em>Porgy and Bess<\/em>). Margaret Tynes, LeVern Hutcherson; Orchestra conducted by Warren Edward Vincent [1960]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"683\" height=\"552\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Tynes-in-Budapest.png\" alt=\"\" class=\"wp-image-7010\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Tynes-in-Budapest.png 683w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Tynes-in-Budapest-300x242.png 300w\" sizes=\"auto, (max-width: 683px) 100vw, 683px\" \/><figcaption>Margaret Tynes in Budapest<\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Giuseppe Verdi: L\u2019insana parola, o Numi (<em>Aida<\/em>). Margaret Tynes; P\u00e1l Varga, Orchestra of the Budapest Philharmonic Society [1962]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"500\" height=\"723\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Tynes-African.jpg\" alt=\"\" class=\"wp-image-7011\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Tynes-African.jpg 500w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Tynes-African-207x300.jpg 207w\" sizes=\"auto, (max-width: 500px) 100vw, 500px\" \/><\/figure><\/div>\n\n\n\n<p>Giuseppe Verdi: Or che d\u2019amore (<em>Aida<\/em>). Margaret Tynes; P\u00e1l Varga, Orchestra of the Budapest Philharmonic Society [1962]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"500\" height=\"719\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Margaret-and-Fan.jpg\" alt=\"\" class=\"wp-image-7030\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Margaret-and-Fan.jpg 500w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Margaret-and-Fan-209x300.jpg 209w\" sizes=\"auto, (max-width: 500px) 100vw, 500px\" \/><\/figure><\/div>\n\n\n\n<p>Georges Bizet: En vain pour \u00e9viter [Card Scene] (<em>Carmen<\/em>). Margaret Tynes; Unknown conductor and orchestra<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"853\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Gorgeous-Tynes.jpg\" alt=\"\" class=\"wp-image-7014\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Gorgeous-Tynes.jpg 600w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Gorgeous-Tynes-211x300.jpg 211w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/figure><\/div>\n\n\n\n<p>Giovanni Battista Pergolesi: Cujus animam gementem (<em>Stabat Mater<\/em>). Margaret Tynes; Massimo Bruni, Prague Chamber Orchestra [1968]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"328\" height=\"463\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Tynes-1965.jpg\" alt=\"\" class=\"wp-image-7025\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Tynes-1965.jpg 328w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Tynes-1965-213x300.jpg 213w\" sizes=\"auto, (max-width: 328px) 100vw, 328px\" \/><\/figure><\/div>\n\n\n\n<p>Giovanni Battista Pergolesi: O quam tristis et afflicta (<em>Stabat Mater<\/em>). Margaret Tynes, Anita Turner-Butler; Massimo Bruni, Prague Chamber Orchestra [1968]<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"600\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Pergolesi.jpg\" alt=\"\" class=\"wp-image-7013\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Pergolesi.jpg 600w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Pergolesi-300x300.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Pergolesi-150x150.jpg 150w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/figure><\/div>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"367\" height=\"544\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Tynes-Little-Older.jpg\" alt=\"\" class=\"wp-image-7015\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Tynes-Little-Older.jpg 367w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Tynes-Little-Older-202x300.jpg 202w\" sizes=\"auto, (max-width: 367px) 100vw, 367px\" \/><\/figure><\/div>\n\n\n\n<p>Traditional Creole:&nbsp; Creole Nursery Song [Dans\u00e9, Conni, Conn\u00e9]; Creole Lullaby [Fais dodo]. Margaret Tynes; J\u00e1nos Gyulai Gaal, Hungarian Radio Orchestra [1962]<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"600\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Tynes-Spirituals.jpg\" alt=\"\" class=\"wp-image-7016\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Tynes-Spirituals.jpg 600w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Tynes-Spirituals-300x300.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Tynes-Spirituals-150x150.jpg 150w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/figure><\/div>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"415\" height=\"544\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/George.png\" alt=\"\" class=\"wp-image-7017\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/George.png 415w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/George-229x300.png 229w\" sizes=\"auto, (max-width: 415px) 100vw, 415px\" \/><figcaption>George Shirley (born 18 April 1934)<\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Richard Strauss: Ah! Herrlich! Wundervoll! (<em>Salome<\/em>). Margaret Tynes, George Shirley, Lili Chookasian; Thomas Schippers, Orchestra Filarmonica del Teatro Verdi di Trieste [live Spoleto 30 June 1961]<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"454\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Lili-Chookasian.jpg\" alt=\"\" class=\"wp-image-7018\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Lili-Chookasian.jpg 600w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Lili-Chookasian-300x227.jpg 300w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><figcaption>Lili Chookasian (1921 &#8211; 2012)<\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"611\" height=\"880\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Tynes-Salome.jpg\" alt=\"\" class=\"wp-image-7020\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Tynes-Salome.jpg 611w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Tynes-Salome-208x300.jpg 208w\" sizes=\"auto, (max-width: 611px) 100vw, 611px\" \/><\/figure><\/div>\n\n\n\n<p>Richard Strauss: Du sprachst b\u00f6se Worte gegen mich (<em>Salome<\/em>). Margaret Tynes; P\u00e1l Varga, Orchestra of the Budapest Philharmonic Society [1962]<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Qualiton-Cover.jpg\" alt=\"\" class=\"wp-image-7029\" width=\"554\" height=\"553\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Qualiton-Cover.jpg 468w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Qualiton-Cover-300x300.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Qualiton-Cover-150x150.jpg 150w\" sizes=\"auto, (max-width: 554px) 100vw, 554px\" \/><\/figure><\/div>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"564\" height=\"815\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Tynes-Side-Eyed-Smile.jpg\" alt=\"\" class=\"wp-image-7028\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Tynes-Side-Eyed-Smile.jpg 564w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Tynes-Side-Eyed-Smile-208x300.jpg 208w\" sizes=\"auto, (max-width: 564px) 100vw, 564px\" \/><\/figure><\/div>\n\n\n\n<p>Richard Strauss: H\u00e4ttest du mich angeseh\u2019n (<em>Salome<\/em>). Margaret Tynes, George Shirley, Lili Chookasian; Thomas Schippers, Orchestra Filarmonica del Teatro Verdi di Trieste [live Spoleto 30 June 1961]<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Schippers.jpg\" alt=\"\" class=\"wp-image-7021\" width=\"607\" height=\"410\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Schippers.jpg 518w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Schippers-300x203.jpg 300w\" sizes=\"auto, (max-width: 607px) 100vw, 607px\" \/><figcaption>Thomas Schippers (1930 &#8211; 1977)<\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"500\" height=\"722\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Tynes-Mask.jpg\" alt=\"\" class=\"wp-image-7024\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Tynes-Mask.jpg 500w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Tynes-Mask-208x300.jpg 208w\" sizes=\"auto, (max-width: 500px) 100vw, 500px\" \/><\/figure><\/div>\n\n\n\n<p>Giuseppe Verdi: Gran Scena del Sonnambulismo (<em>Macbeth<\/em>). Margaret Tynes; P\u00e1l Varga, Orchestra of the Budapest Philharmonic Society [1962]<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"720\" height=\"538\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Margaret-Tynes-Nora-Holt-William-Warfield2.jpg\" alt=\"\" class=\"wp-image-7026\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Margaret-Tynes-Nora-Holt-William-Warfield2.jpg 720w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Margaret-Tynes-Nora-Holt-William-Warfield2-300x224.jpg 300w\" sizes=\"auto, (max-width: 720px) 100vw, 720px\" \/><figcaption>Margaret Tynes (born 11 September 1919), Nora Holt (1885 &#8211; 1974), William Warfield (1920 &#8211; 2002)<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>Episode 77. Margaret Tynes (Black History Month 2021 V) SOCIAL SHARE SUBSCRIPTION PLATFORM For a special bonus episode this week&hellip;<\/p>\n","protected":false},"author":1,"featured_media":7004,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"advgb_blocks_editor_width":"","advgb_blocks_columns_visual_guide":"","footnotes":""},"categories":[420,1626,4894,1076,5823,2261,2398,2257,3272,2806],"tags":[2709,2663,2696,2707,2701,2700,2639,1592,1396,2263,350,1321,207,1397,2703,2693,2694,2163,2698,2697,2706,2702,329,2695,430,2699,372,2708],"class_list":["post-6929","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-african-american-opera-singers","category-african-american-singers","category-bhm-2023-wk-1","category-crossover","category-forgotten-divas","category-full-figured-baroque","category-giuseppe-verdi","category-richard-strauss","category-singers-of-color","category-twentieth-century-music","tag-a-drum-is-a-woman-ellington-strayhorn","tag-aida-verdi","tag-anita-turner-butler","tag-billy-strayhorn","tag-brock-peters","tag-creole-folk-songs","tag-dubose-heyward","tag-duke-ellington","tag-george-gershwin","tag-george-shirley","tag-georges-bizet","tag-giovanni-battista-pergolesi","tag-giuseppe-verdi","tag-ira-gershwin","tag-levern-hutcherson","tag-lili-chookasian","tag-macbeth-verdi","tag-margaret-tynes","tag-massimo-bruni","tag-pal-varga","tag-paul-belanger","tag-porgy-and-bess-gershwin","tag-richard-strauss","tag-salome-richard-strauss","tag-spirituals","tag-stabat-mater-pergolesi","tag-thomas-schippers","tag-warren-edward-vincent"],"author_meta":{"display_name":"admin","author_link":"https:\/\/countermelodypodcast.com\/index.php\/author\/admin\/"},"featured_img":"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Tynes-Upward-TRIMMED-300x163.jpg","coauthors":[],"tax_additional":{"categories":{"linked":["<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/african-american-opera-singers\/\" class=\"advgb-post-tax-term\">African American Opera Singers<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/african-american-singers\/\" class=\"advgb-post-tax-term\">African American Singers<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/bhm-2023-wk-1\/\" class=\"advgb-post-tax-term\">BHM 2023 Wk 1<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/crossover\/\" class=\"advgb-post-tax-term\">Crossover<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/forgotten-divas\/\" class=\"advgb-post-tax-term\">Forgotten Divas<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/full-figured-baroque\/\" class=\"advgb-post-tax-term\">Full-Figured Baroque<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/giuseppe-verdi\/\" class=\"advgb-post-tax-term\">Giuseppe Verdi<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/richard-strauss\/\" class=\"advgb-post-tax-term\">Richard Strauss<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/singers-of-color\/\" class=\"advgb-post-tax-term\">Singers of Color<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Twentieth Century Music<\/a>"],"unlinked":["<span class=\"advgb-post-tax-term\">African American Opera Singers<\/span>","<span class=\"advgb-post-tax-term\">African American Singers<\/span>","<span class=\"advgb-post-tax-term\">BHM 2023 Wk 1<\/span>","<span class=\"advgb-post-tax-term\">Crossover<\/span>","<span class=\"advgb-post-tax-term\">Forgotten Divas<\/span>","<span class=\"advgb-post-tax-term\">Full-Figured Baroque<\/span>","<span class=\"advgb-post-tax-term\">Giuseppe Verdi<\/span>","<span class=\"advgb-post-tax-term\">Richard Strauss<\/span>","<span class=\"advgb-post-tax-term\">Singers of Color<\/span>","<span class=\"advgb-post-tax-term\">Twentieth Century Music<\/span>"]},"tags":{"linked":["<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">A Drum Is a Woman (Ellington-Strayhorn)<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Aida (Verdi)<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Anita Turner-Butler<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Billy Strayhorn<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Brock Peters<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Creole Folk Songs<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">DuBose Heyward<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Duke Ellington<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">George Gershwin<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">George Shirley<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Georges Bizet<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Giovanni Battista Pergolesi<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Giuseppe Verdi<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Ira Gershwin<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">LeVern Hutcherson<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Lili Chookasian<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Macbeth (Verdi)<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Margaret Tynes<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Massimo Bruni<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">P\u00e1l Varga<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Paul Belanger<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Porgy and Bess (Gershwin)<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Richard Strauss<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Salome (Richard Strauss)<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Spirituals<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Stabat Mater (Pergolesi)<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Thomas Schippers<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Warren Edward Vincent<\/a>"],"unlinked":["<span class=\"advgb-post-tax-term\">A Drum Is a Woman (Ellington-Strayhorn)<\/span>","<span class=\"advgb-post-tax-term\">Aida (Verdi)<\/span>","<span class=\"advgb-post-tax-term\">Anita Turner-Butler<\/span>","<span class=\"advgb-post-tax-term\">Billy Strayhorn<\/span>","<span class=\"advgb-post-tax-term\">Brock Peters<\/span>","<span class=\"advgb-post-tax-term\">Creole Folk Songs<\/span>","<span class=\"advgb-post-tax-term\">DuBose Heyward<\/span>","<span class=\"advgb-post-tax-term\">Duke Ellington<\/span>","<span class=\"advgb-post-tax-term\">George Gershwin<\/span>","<span class=\"advgb-post-tax-term\">George Shirley<\/span>","<span class=\"advgb-post-tax-term\">Georges Bizet<\/span>","<span class=\"advgb-post-tax-term\">Giovanni Battista Pergolesi<\/span>","<span class=\"advgb-post-tax-term\">Giuseppe Verdi<\/span>","<span class=\"advgb-post-tax-term\">Ira Gershwin<\/span>","<span class=\"advgb-post-tax-term\">LeVern Hutcherson<\/span>","<span class=\"advgb-post-tax-term\">Lili Chookasian<\/span>","<span class=\"advgb-post-tax-term\">Macbeth (Verdi)<\/span>","<span class=\"advgb-post-tax-term\">Margaret Tynes<\/span>","<span class=\"advgb-post-tax-term\">Massimo Bruni<\/span>","<span class=\"advgb-post-tax-term\">P\u00e1l Varga<\/span>","<span class=\"advgb-post-tax-term\">Paul Belanger<\/span>","<span class=\"advgb-post-tax-term\">Porgy and Bess (Gershwin)<\/span>","<span class=\"advgb-post-tax-term\">Richard Strauss<\/span>","<span class=\"advgb-post-tax-term\">Salome (Richard Strauss)<\/span>","<span class=\"advgb-post-tax-term\">Spirituals<\/span>","<span class=\"advgb-post-tax-term\">Stabat Mater (Pergolesi)<\/span>","<span class=\"advgb-post-tax-term\">Thomas Schippers<\/span>","<span class=\"advgb-post-tax-term\">Warren Edward Vincent<\/span>"]}},"comment_count":"9","relative_dates":{"created":"Posted 5 years ago","modified":"Updated 2 years ago"},"absolute_dates":{"created":"Posted on 24\/02\/2021","modified":"Updated on 16\/02\/2024"},"absolute_dates_time":{"created":"Posted on 24\/02\/2021 20:43","modified":"Updated on 16\/02\/2024 10:50"},"featured_img_caption":"","series_order":"","_links":{"self":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/6929","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/comments?post=6929"}],"version-history":[{"count":9,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/6929\/revisions"}],"predecessor-version":[{"id":7032,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/6929\/revisions\/7032"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/media\/7004"}],"wp:attachment":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/media?parent=6929"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/categories?post=6929"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/tags?post=6929"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}