{"id":6926,"date":"2021-02-21T12:02:49","date_gmt":"2021-02-21T11:02:49","guid":{"rendered":"http:\/\/countermelodypodcast.com\/?p=6926"},"modified":"2025-07-29T11:02:28","modified_gmt":"2025-07-29T09:02:28","slug":"episode-76-william-warfield-bhm2021-iv","status":"publish","type":"post","link":"https:\/\/countermelodypodcast.com\/index.php\/2021\/02\/21\/episode-76-william-warfield-bhm2021-iv\/","title":{"rendered":"Episode 76. William Warfield (BHM2021 IV)"},"content":{"rendered":"<div id=\"mega-menu-wrap-primary\" class=\"mega-menu-wrap\"><div class=\"mega-menu-toggle\"><div class=\"mega-toggle-blocks-left\"><\/div><div class=\"mega-toggle-blocks-center\"><\/div><div class=\"mega-toggle-blocks-right\"><div class='mega-toggle-block mega-menu-toggle-animated-block mega-toggle-block-1' id='mega-toggle-block-1'><button aria-controls=\"mega-menu-primary\" aria-expanded=\"false\" aria-haspopup=\"true\" aria-label=\"Menu\" class=\"mega-toggle-animated mega-toggle-animated-slider\" type=\"button\">\n                  <span class=\"mega-toggle-animated-box\">\n                    <span class=\"mega-toggle-animated-inner\"><\/span>\n                  <\/span>\n                <\/button><\/div><\/div><\/div><ul id=\"mega-menu-primary\" class=\"mega-menu max-mega-menu mega-menu-horizontal mega-no-js\" data-event=\"hover_intent\" data-effect=\"slide\" data-effect-speed=\"200\" data-effect-mobile=\"slide\" data-effect-speed-mobile=\"200\" data-mobile-force-width=\"body\" data-second-click=\"go\" data-document-click=\"collapse\" data-vertical-behaviour=\"standard\" data-breakpoint=\"600\" data-unbind=\"true\" data-mobile-state=\"collapse_all\" data-mobile-direction=\"vertical\"><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-menu-item-home mega-align-bottom-left mega-menu-flyout mega-menu-item-19160\" id=\"mega-menu-item-19160\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/\">Home<\/a><\/li><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-align-bottom-left mega-menu-flyout mega-menu-item-19161\" id=\"mega-menu-item-19161\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/index.php\/about-daniel\/\">About Daniel<\/a><\/li><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-current_page_parent mega-align-bottom-left mega-menu-flyout mega-menu-item-19171\" id=\"mega-menu-item-19171\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/index.php\/all-episodes\/\">All Episodes<\/a><\/li><\/ul><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">Episode 76.  William Warfield (Black History Month IV)<\/h2>\n\n\n\n<iframe loading=\"lazy\" width=\"340\" height=\"50\" src=\"https:\/\/countermelody.blubrry.net\/?powerpress_embed=285-podcast&amp;powerpress_player=mediaelement-audio\" frameborder=\"0\" scrolling=\"no\"><\/iframe>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p><strong>SOCIAL SHARE<\/strong><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"has-text-align-right\"><strong>SUBSCRIPTION PLATFORM<\/strong><\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<div class=\"wp-block-buttons alignleft is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button alignright\"><a class=\"wp-block-button__link no-border-radius\" href=\"https:\/\/countermelody.blubrry.net\/\">SUBSCRIBE VIA YOUR FAVORITE PODCAST PLATFORM<\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Warfield-Van-Vechten-Maybe.jpg\" alt=\"\" class=\"wp-image-6954\" width=\"513\" height=\"497\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Warfield-Van-Vechten-Maybe.jpg 437w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Warfield-Van-Vechten-Maybe-300x291.jpg 300w\" sizes=\"auto, (max-width: 513px) 100vw, 513px\" \/><\/figure><\/div>\n\n\n\n<div style=\"height:38px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>This week\u2019s subject is one of the towering figures of 20th century music: the African American bass-baritone William Warfield (1920\u20132002). Though he sprang to prominence as Joe in the 1951 MGM remake of <em>Show Boat<\/em> and as Porgy opposite his then-wife Leontyne Price in the US State Department-sponsored 1952 international tour of <em>Porgy and Bess<\/em>, in my opinion his greatest accomplishments were as a concert singer. This episode focuses on his performances of Aaron Copland\u2019s <em>Old American Songs<\/em>, his interpretations of German <em>lieder<\/em>, and, from later in his career, his narration of Copland\u2019s <em>A Lincoln Portrait<\/em> and the poetry of Langston Hughes. I knew William Warfield, universally known to his students and younger colleagues as \u201cUncle Bill,\u201d when I was one of the accompanists in his vocal studio at the University of Illinois where I was obtaining my master\u2019s degree. His kindness and his dedication to his craft inspired us all to give of our best. It is my privilege to celebrate the unique and multi-faceted artistry of this unforgettable and treasurable man.<\/p>\n\n\n\n<div style=\"height:47px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-custom-size\" style=\"font-size:30px\"><strong> RECORDINGS HEARD IN THIS EPISODE<\/strong><\/p>\n\n\n\n<div style=\"height:55px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Warfield-and-Copland-1024x665.jpg\" alt=\"\" class=\"wp-image-6959\" width=\"640\" height=\"416\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Warfield-and-Copland-1024x665.jpg 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Warfield-and-Copland-300x195.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Warfield-and-Copland-768x499.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Warfield-and-Copland.jpg 1072w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><figcaption>William Warfield and Aaron Copland<\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Robert Lowry, arr. Aaron Copland: At the River (<em>Old American Songs<\/em>, Set II). William Warfield; Aaron Copland [1953]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"599\" height=\"592\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Fox-Warfield-Disc-1.jpg\" alt=\"\" class=\"wp-image-6961\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Fox-Warfield-Disc-1.jpg 599w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Fox-Warfield-Disc-1-300x296.jpg 300w\" sizes=\"auto, (max-width: 599px) 100vw, 599px\" \/><\/figure><\/div>\n\n\n\n<p>Traditional Spiritual: Deep River. William Warfield; Virgil Fox [1962]<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"480\" height=\"360\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Virgil-Fox.jpg\" alt=\"\" class=\"wp-image-6979\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Virgil-Fox.jpg 480w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Virgil-Fox-300x225.jpg 300w\" sizes=\"auto, (max-width: 480px) 100vw, 480px\" \/><figcaption>Virgil Fox (1912-1980)<\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"551\" height=\"438\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Dorothy-at-Piano.jpg\" alt=\"\" class=\"wp-image-6955\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Dorothy-at-Piano.jpg 551w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Dorothy-at-Piano-300x238.jpg 300w\" sizes=\"auto, (max-width: 551px) 100vw, 551px\" \/><figcaption>Dorothy Maynor (1910-1996)<\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Annie Fortescue Harrison, Meta Orred: In the Gloaming. Dorothy Maynor; Howard Barlow, The Firestone Orchestra [<em>Voice of Firestone<\/em> 31 July 1944]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/william-marshall-300x300-1.png\" alt=\"\" class=\"wp-image-6957\" width=\"420\" height=\"420\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/william-marshall-300x300-1.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/william-marshall-300x300-1-150x150.png 150w\" sizes=\"auto, (max-width: 420px) 100vw, 420px\" \/><figcaption>William Marshall (1924 &#8211; 2003)<\/figcaption><\/figure><\/div>\n\n\n\n<p>Traditional Spiritual: Let Us Break Bread Together on Our Knees. William Marshall; Unknown Pianist and Recording Date<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Hughes-805x1024.jpg\" alt=\"\" class=\"wp-image-6956\" width=\"636\" height=\"809\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Hughes-805x1024.jpg 805w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Hughes-236x300.jpg 236w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Hughes-768x978.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Hughes-1207x1536.jpg 1207w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Hughes-1600x2037.jpg 1600w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Hughes.jpg 1609w\" sizes=\"auto, (max-width: 636px) 100vw, 636px\" \/><figcaption>Langston Hughes (1901 &#8211; 1967)<\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Langston Hughes: Negro. William Warfield [2001]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"672\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Warfied-Recording-Studio-1024x672.jpg\" alt=\"\" class=\"wp-image-6967\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Warfied-Recording-Studio-1024x672.jpg 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Warfied-Recording-Studio-300x197.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Warfied-Recording-Studio-768x504.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Warfied-Recording-Studio-1536x1008.jpg 1536w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Warfied-Recording-Studio.jpg 1600w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure><\/div>\n\n\n\n<p>Vincent Youmans, Billy Rose, Edward Eliscu: Without a Song (<em>Great Day<\/em>). William Warfield; Lehman Engel, Columbia Symphony Orchestra [1952]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"365\" height=\"461\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Otto-Herz.jpg\" alt=\"\" class=\"wp-image-6968\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Otto-Herz.jpg 365w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Otto-Herz-238x300.jpg 238w\" sizes=\"auto, (max-width: 365px) 100vw, 365px\" \/><figcaption>Otto Herz (1894-1976)<\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Traditional Sea Shanty, arr. Celius Dougherty: Shenandoah. William Warfield; Otto Herz [1952]<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"920\" height=\"674\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Aint-Necessary-Screenshot.png\" alt=\"\" class=\"wp-image-6965\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Aint-Necessary-Screenshot.png 920w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Aint-Necessary-Screenshot-300x220.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Aint-Necessary-Screenshot-768x563.png 768w\" sizes=\"auto, (max-width: 920px) 100vw, 920px\" \/><figcaption>Screenshot of William Warfield&#8217;s appearance on the <em>Colgate Comedy Hour<\/em>.<\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>George Gershwin, DuBose Heyward, Ira Gershwin: It Ain\u2019t Necessarily So (<em>Porgy and Bess<\/em>). William Warfield; Orchestra conducted by Al Goodman [<em>Colgate Comedy Hour,<\/em> 1 April 1951]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Warfield-Price-Theatre-World.jpg\" alt=\"\" class=\"wp-image-6962\" width=\"624\" height=\"955\"\/><\/figure><\/div>\n\n\n\n<p>George Gershwin, DuBose Heyward, Ira Gershwin: Porgy, Porgy, that you there&#8230; I wants to stay here (<em>Porgy and Bess<\/em>). Leontyne Price, William Warfield; Alexander Smallens, RIAS-Unterhaltungsorchester [live Berlin Titania Palast 21 September 1952]<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"402\" height=\"492\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Smallens-Mic.png\" alt=\"\" class=\"wp-image-6987\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Smallens-Mic.png 402w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Smallens-Mic-245x300.png 245w\" sizes=\"auto, (max-width: 402px) 100vw, 402px\" \/><figcaption>Alexander Smallens (1889-1972)<\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:25px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"631\" height=\"480\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Warfield-Price-Wedding.jpg\" alt=\"\" class=\"wp-image-6966\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Warfield-Price-Wedding.jpg 631w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Warfield-Price-Wedding-300x228.jpg 300w\" sizes=\"auto, (max-width: 631px) 100vw, 631px\" \/><\/figure><\/div>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"794\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Copland-Warfield-Recording-1024x794.jpg\" alt=\"\" class=\"wp-image-6969\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Copland-Warfield-Recording-1024x794.jpg 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Copland-Warfield-Recording-300x233.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Copland-Warfield-Recording-768x595.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Copland-Warfield-Recording-1536x1191.jpg 1536w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Copland-Warfield-Recording-2048x1588.jpg 2048w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Copland-Warfield-Recording-1600x1241.jpg 1600w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption>Aaron Copland and William Warfield recording the orchestral version of the <em>Old American Songs<\/em>.<\/figcaption><\/figure>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Daniel Decatur Emmett, arr. Aaron Copland: The Boatman\u2019s Dance;  Traditional American, arr. Aaron Copland: Long Time Ago; I Bought Me a Cat (<em>Old American Songs<\/em>, Set I). William Warfield; Aaron Copland, Columbia Symphony Orchestra [1963]<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"812\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Copland-Warfield-1024x812.jpg\" alt=\"\" class=\"wp-image-6970\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Copland-Warfield-1024x812.jpg 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Copland-Warfield-300x238.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Copland-Warfield-768x609.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Copland-Warfield-1536x1218.jpg 1536w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Copland-Warfield-2048x1624.jpg 2048w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Copland-Warfield-1600x1269.jpg 1600w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure><\/div>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Warfield-ad.jpg\" alt=\"\" class=\"wp-image-6971\" width=\"633\" height=\"808\"\/><\/figure><\/div>\n\n\n\n<p> Johann Sebastian Bach: Es ist vollbracht (<em>Sehet, wir gehen hinauf gen Jerusalem<\/em>, BWV 159). William Warfield, Robert Bloom; Frank Brieff, Bach Aria Group<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Uncle-Bill-1956-autograph.jpg\" alt=\"\" class=\"wp-image-6972\" width=\"523\" height=\"652\"\/><\/figure><\/div>\n\n\n\n<p>Carl Loewe, Johann Wolfgang von Goethe: Hochzeitlied, Op. 20\/1. William Warfield; Otto Herz [1952]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Uncle-Bill-Singing.jpg\" alt=\"\" class=\"wp-image-6973\" width=\"448\" height=\"644\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Uncle-Bill-Singing.jpg 292w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Uncle-Bill-Singing-209x300.jpg 209w\" sizes=\"auto, (max-width: 448px) 100vw, 448px\" \/><\/figure><\/div>\n\n\n\n<p>Robert Schumann, Joseph von Eichendorff: from <em>Liederkreis<\/em>, Op. 39: IX. Wehmut; X. Zwielicht; XI. Im Walde; XII. Fr\u00fchlingsnacht. William Warfield; Otto Herz [1953]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"504\" height=\"688\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Leopold-Hands.jpg\" alt=\"\" class=\"wp-image-6974\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Leopold-Hands.jpg 504w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Leopold-Hands-220x300.jpg 220w\" sizes=\"auto, (max-width: 504px) 100vw, 504px\" \/><figcaption>L\u00e9opold Simoneau (1916-2006)<\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:9px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Robert Schumann: Blaue Auge hat das M\u00e4dchen (<em>Spanische Liebeslieder<\/em>, Op. 138\/9). L\u00e9opold Simoneau, William Warfield; Arthur Gold, Robert Fizdale [1963]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"777\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Gold-Fizdale.jpg\" alt=\"\" class=\"wp-image-6975\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Gold-Fizdale.jpg 600w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Gold-Fizdale-232x300.jpg 232w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><figcaption>Robert Fizdale (top, 1920-1995)  and Arthur Gold (bottom, 1917-1990)<\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Robert Schumann: Flutenreicher Ebro (<em>Spanische Liebeslieder<\/em>, Op. 138\/5). William Warfield; Arthur Gold, Robert Fizdale [1963]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"481\" height=\"670\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Weigl.jpg\" alt=\"\" class=\"wp-image-6958\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Weigl.jpg 481w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Weigl-215x300.jpg 215w\" sizes=\"auto, (max-width: 481px) 100vw, 481px\" \/><figcaption>Karl Weigl (1881 &#8211; 1949)<\/figcaption><\/figure><\/div>\n\n\n\n<p>Karl Weigl, Hermann Hesse: O Nacht, du silberbleiche, Op. 10\/5. William Warfield; David Garvey [1973]<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Garvey.jpg\" alt=\"\" class=\"wp-image-6976\" width=\"571\" height=\"740\"\/><figcaption>David Garvey (1922-1995)<\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"557\" height=\"698\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Bernstein-Warfield-Copland-Lincoln.png\" alt=\"\" class=\"wp-image-6978\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Bernstein-Warfield-Copland-Lincoln.png 557w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Bernstein-Warfield-Copland-Lincoln-239x300.png 239w\" sizes=\"auto, (max-width: 557px) 100vw, 557px\" \/><\/figure><\/div>\n\n\n\n<p>Aaron Copland, Carl Sandburg: Fellow citizens (from <em>A Lincoln Portrait<\/em>). William Warfield, Leonard Bernstein, New York Philharmonic [live Royal Albert Hall 03 June 1976]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Beret.jpg\" alt=\"\" class=\"wp-image-6977\" width=\"635\" height=\"411\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Beret.jpg 480w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Beret-300x194.jpg 300w\" sizes=\"auto, (max-width: 635px) 100vw, 635px\" \/><\/figure><\/div>\n\n\n\n<p>Langston Hughes: Madam and the Census Taker; Still Here. William Warfield [2001]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Dunbar.jpg\" alt=\"\" class=\"wp-image-6985\" width=\"668\" height=\"473\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Dunbar.jpg 830w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Dunbar-300x213.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Dunbar-768x545.jpg 768w\" sizes=\"auto, (max-width: 668px) 100vw, 668px\" \/><figcaption>Paul Laurence Dunbar (1872\u20131906)<\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Paul Laurence Dunbar: Prometheus. William Warfield [live 26 May 1995]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Warfield-Schumann-Brahms-Cover-1.jpg\" alt=\"\" class=\"wp-image-6982\" width=\"575\" height=\"575\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Warfield-Schumann-Brahms-Cover-1.jpg 864w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Warfield-Schumann-Brahms-Cover-1-300x300.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Warfield-Schumann-Brahms-Cover-1-150x150.jpg 150w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Warfield-Schumann-Brahms-Cover-1-768x768.jpg 768w\" sizes=\"auto, (max-width: 575px) 100vw, 575px\" \/><\/figure><\/div>\n\n\n\n<p>Johannes Brahms: from <em>Vier ernste Ges\u00e4nge<\/em>, Op. 121: III. O Tod, wie bitter bist du; IV. Wenn ich mit Menschen- und mit Engelszungen redete William Warfield; Otto Herz [1953]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"604\" height=\"767\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Young-Bill-Autograph.jpg\" alt=\"\" class=\"wp-image-6981\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Young-Bill-Autograph.jpg 604w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Young-Bill-Autograph-236x300.jpg 236w\" sizes=\"auto, (max-width: 604px) 100vw, 604px\" \/><figcaption>&#8220;Uncle Bill&#8221; Warfield<\/figcaption><\/figure><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Episode 76. William Warfield (Black History Month IV) SOCIAL SHARE SUBSCRIPTION PLATFORM This week\u2019s subject is one of the towering&hellip;<\/p>\n","protected":false},"author":1,"featured_media":6963,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"advgb_blocks_editor_width":"","advgb_blocks_columns_visual_guide":"","footnotes":""},"categories":[420,1626,1075,2261,1625,2399,8033,2260,808],"tags":[2686,2684,2480,1003,2272,2410,440,1486,338,1396,298,863,2687,992,972,334,50,2685,2682,2689,414,1004,548,2688,430,2690,851,2683,2692,2691,2268],"class_list":["post-6926","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-african-american-opera-singers","category-african-american-singers","category-art-song","category-full-figured-baroque","category-gay-pride","category-great-baritones","category-johann-sebastian-bach","category-music-for-a-world-in-crisis","category-needle-drop","tag-a-lincoln-portrait-copland","tag-aaron-copland","tag-alexander-smallens","tag-arthur-gold","tag-bach-aria-group","tag-carl-loewe","tag-celius-dougherty","tag-david-garvey","tag-dorothy-maynor","tag-george-gershwin","tag-johann-sebastian-bach","tag-johannes-brahms","tag-karl-weigl","tag-langston-hughes","tag-leonard-bernstein","tag-leontyne-price","tag-leopold-simoneau","tag-liederkreis-op-39-schumann","tag-old-american-songs-copland","tag-otto-herz","tag-porgy-and-bess","tag-robert-fizdale","tag-robert-schumann","tag-spanische-liebeslieder-schumann","tag-spirituals","tag-vier-ernste-gesange-brahms","tag-vincent-youmans","tag-virgil-fox","tag-voice-of-firestone","tag-william-marshall","tag-william-warfield"],"author_meta":{"display_name":"admin","author_link":"https:\/\/countermelodypodcast.com\/index.php\/author\/admin\/"},"featured_img":"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Shadows-TRIMMED-300x167.png","coauthors":[],"tax_additional":{"categories":{"linked":["<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/african-american-opera-singers\/\" class=\"advgb-post-tax-term\">African American Opera Singers<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/african-american-singers\/\" class=\"advgb-post-tax-term\">African American Singers<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/art-song\/\" class=\"advgb-post-tax-term\">Art Song<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/full-figured-baroque\/\" class=\"advgb-post-tax-term\">Full-Figured Baroque<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/gay-pride\/\" class=\"advgb-post-tax-term\">Gay Pride<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/great-baritones\/\" class=\"advgb-post-tax-term\">Great Baritones<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/johann-sebastian-bach\/\" class=\"advgb-post-tax-term\">Johann Sebastian Bach<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/music-for-a-world-in-crisis\/\" class=\"advgb-post-tax-term\">Music for a World in Crisis<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Needle Drop<\/a>"],"unlinked":["<span class=\"advgb-post-tax-term\">African American Opera Singers<\/span>","<span class=\"advgb-post-tax-term\">African American Singers<\/span>","<span class=\"advgb-post-tax-term\">Art Song<\/span>","<span class=\"advgb-post-tax-term\">Full-Figured Baroque<\/span>","<span class=\"advgb-post-tax-term\">Gay Pride<\/span>","<span class=\"advgb-post-tax-term\">Great Baritones<\/span>","<span class=\"advgb-post-tax-term\">Johann Sebastian Bach<\/span>","<span class=\"advgb-post-tax-term\">Music for a World in Crisis<\/span>","<span class=\"advgb-post-tax-term\">Needle Drop<\/span>"]},"tags":{"linked":["<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">A Lincoln Portrait (Copland)<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Aaron Copland<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Alexander Smallens<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Arthur Gold<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Bach Aria Group<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Carl Loewe<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Celius Dougherty<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">David Garvey<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Dorothy Maynor<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">George Gershwin<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Johann Sebastian Bach<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Johannes Brahms<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Karl Weigl<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Langston Hughes<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Leonard Bernstein<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Leontyne Price<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Leopold Simoneau<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Liederkreis Op. 39 (Schumann)<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Old American Songs (Copland)<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Otto Herz<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Porgy and Bess<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Robert Fizdale<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Robert Schumann<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Spanische Liebeslieder (Schumann)<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Spirituals<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Vier ernste Ges\u00e4nge (Brahms)<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Vincent Youmans<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Virgil Fox<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Voice of Firestone<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">William Marshall<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">William Warfield<\/a>"],"unlinked":["<span class=\"advgb-post-tax-term\">A Lincoln Portrait (Copland)<\/span>","<span class=\"advgb-post-tax-term\">Aaron Copland<\/span>","<span class=\"advgb-post-tax-term\">Alexander Smallens<\/span>","<span class=\"advgb-post-tax-term\">Arthur Gold<\/span>","<span class=\"advgb-post-tax-term\">Bach Aria Group<\/span>","<span class=\"advgb-post-tax-term\">Carl Loewe<\/span>","<span class=\"advgb-post-tax-term\">Celius Dougherty<\/span>","<span class=\"advgb-post-tax-term\">David Garvey<\/span>","<span class=\"advgb-post-tax-term\">Dorothy Maynor<\/span>","<span class=\"advgb-post-tax-term\">George Gershwin<\/span>","<span class=\"advgb-post-tax-term\">Johann Sebastian Bach<\/span>","<span class=\"advgb-post-tax-term\">Johannes Brahms<\/span>","<span class=\"advgb-post-tax-term\">Karl Weigl<\/span>","<span class=\"advgb-post-tax-term\">Langston Hughes<\/span>","<span class=\"advgb-post-tax-term\">Leonard Bernstein<\/span>","<span class=\"advgb-post-tax-term\">Leontyne Price<\/span>","<span class=\"advgb-post-tax-term\">Leopold Simoneau<\/span>","<span class=\"advgb-post-tax-term\">Liederkreis Op. 39 (Schumann)<\/span>","<span class=\"advgb-post-tax-term\">Old American Songs (Copland)<\/span>","<span class=\"advgb-post-tax-term\">Otto Herz<\/span>","<span class=\"advgb-post-tax-term\">Porgy and Bess<\/span>","<span class=\"advgb-post-tax-term\">Robert Fizdale<\/span>","<span class=\"advgb-post-tax-term\">Robert Schumann<\/span>","<span class=\"advgb-post-tax-term\">Spanische Liebeslieder (Schumann)<\/span>","<span class=\"advgb-post-tax-term\">Spirituals<\/span>","<span class=\"advgb-post-tax-term\">Vier ernste Ges\u00e4nge (Brahms)<\/span>","<span class=\"advgb-post-tax-term\">Vincent Youmans<\/span>","<span class=\"advgb-post-tax-term\">Virgil Fox<\/span>","<span class=\"advgb-post-tax-term\">Voice of Firestone<\/span>","<span class=\"advgb-post-tax-term\">William Marshall<\/span>","<span class=\"advgb-post-tax-term\">William Warfield<\/span>"]}},"comment_count":"0","relative_dates":{"created":"Posted 5 years ago","modified":"Updated 9 months ago"},"absolute_dates":{"created":"Posted on 21\/02\/2021","modified":"Updated on 29\/07\/2025"},"absolute_dates_time":{"created":"Posted on 21\/02\/2021 12:02","modified":"Updated on 29\/07\/2025 11:02"},"featured_img_caption":"","series_order":"","_links":{"self":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/6926","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/comments?post=6926"}],"version-history":[{"count":8,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/6926\/revisions"}],"predecessor-version":[{"id":6990,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/6926\/revisions\/6990"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/media\/6963"}],"wp:attachment":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/media?parent=6926"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/categories?post=6926"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/tags?post=6926"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}