{"id":6777,"date":"2021-02-07T17:04:11","date_gmt":"2021-02-07T16:04:11","guid":{"rendered":"http:\/\/countermelodypodcast.com\/?p=6777"},"modified":"2025-07-29T11:02:41","modified_gmt":"2025-07-29T09:02:41","slug":"episode-73-carol-brice-bhm-2021-i","status":"publish","type":"post","link":"https:\/\/countermelodypodcast.com\/index.php\/2021\/02\/07\/episode-73-carol-brice-bhm-2021-i\/","title":{"rendered":"Episode 73. Carol Brice (BHM 2021 I)"},"content":{"rendered":"<div id=\"mega-menu-wrap-primary\" class=\"mega-menu-wrap\"><div class=\"mega-menu-toggle\"><div class=\"mega-toggle-blocks-left\"><\/div><div class=\"mega-toggle-blocks-center\"><\/div><div class=\"mega-toggle-blocks-right\"><div class='mega-toggle-block mega-menu-toggle-animated-block mega-toggle-block-1' id='mega-toggle-block-1'><button aria-controls=\"mega-menu-primary\" aria-expanded=\"false\" aria-haspopup=\"true\" aria-label=\"Menu\" class=\"mega-toggle-animated mega-toggle-animated-slider\" type=\"button\">\n                  <span class=\"mega-toggle-animated-box\">\n                    <span class=\"mega-toggle-animated-inner\"><\/span>\n                  <\/span>\n                <\/button><\/div><\/div><\/div><ul id=\"mega-menu-primary\" class=\"mega-menu max-mega-menu mega-menu-horizontal mega-no-js\" data-event=\"hover_intent\" data-effect=\"slide\" data-effect-speed=\"200\" data-effect-mobile=\"slide\" data-effect-speed-mobile=\"200\" data-mobile-force-width=\"body\" data-second-click=\"go\" data-document-click=\"collapse\" data-vertical-behaviour=\"standard\" data-breakpoint=\"600\" data-unbind=\"true\" data-mobile-state=\"collapse_all\" data-mobile-direction=\"vertical\"><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-menu-item-home mega-align-bottom-left mega-menu-flyout mega-menu-item-19160\" id=\"mega-menu-item-19160\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/\">Home<\/a><\/li><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-align-bottom-left mega-menu-flyout mega-menu-item-19161\" id=\"mega-menu-item-19161\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/index.php\/about-daniel\/\">About Daniel<\/a><\/li><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-current_page_parent mega-align-bottom-left mega-menu-flyout mega-menu-item-19171\" id=\"mega-menu-item-19171\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/index.php\/all-episodes\/\">All Episodes<\/a><\/li><\/ul><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">Episode 73.  Carol Brice (Black History Month 2021 &#8211; I)<\/h2>\n\n\n\n<iframe loading=\"lazy\" width=\"340\" height=\"50\" src=\"https:\/\/countermelody.blubrry.net\/?powerpress_embed=274-podcast&amp;powerpress_player=mediaelement-audio\" frameborder=\"0\" scrolling=\"no\"><\/iframe>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p><strong>SOCIAL SHARE<\/strong><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"has-text-align-right\"><strong>SUBSCRIPTION PLATFORM<\/strong><\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<div class=\"wp-block-buttons alignleft is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button alignright\"><a class=\"wp-block-button__link no-border-radius\" href=\"https:\/\/countermelody.blubrry.net\/\">SUBSCRIBE VIA YOUR FAVORITE PODCAST PLATFORM<\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:40px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"393\" height=\"390\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Screenshot-1159.png\" alt=\"\" class=\"wp-image-6831\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Screenshot-1159.png 393w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Screenshot-1159-300x298.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Screenshot-1159-150x150.png 150w\" sizes=\"auto, (max-width: 393px) 100vw, 393px\" \/><\/figure><\/div>\n\n\n\n<p><em>Countermelody<\/em>\u2019s Black History Month celebration for 2021 begins with the great African American contralto Carol Brice (1916-1985) who had a distinguished and varied career singing everything from Bach to Harold Arlen. I first heard Carol Brice many years ago in her recording of \u201cSweet Little Jesus Boy,\u201d which exemplifies all her musical virtues: simplicity and directness of utterance, lack of sentimentality, and deep identification with both text and music. Add to this a voice of such depth and refinement and a technique so secure that she is almost without equal. From her early career outings as the first African American to win the coveted Naumburg Award, through her appearances on the Broadway stage and in <em>Porgy and Bess<\/em>, Carol Brice brought an emotional honesty to her performances such as is rarely encountered in any field of genre. On this episode I feature her in a wide range of live and commercial recordings from Marc Blitzstein\u2019s <em>Regina<\/em> to concert pieces by Brahms and Mahler, focusing in particular on a matchless 1947 song recital with her brother Jonathan Brice as her collaborator. I also feature her husband, the baritone Thomas Carey in a pair of recordings. I hope you will be as moved by Carol Brice\u2019s singing as I am every time I hear this radiant artist.<\/p>\n\n\n\n<p>This week\u2019s bonus episode for my Patreon supporters features another great African American contralto, Lucretia West, who spent a significant portion of her life and career in Germany, where she was celebrated for her performances of Mahler and <em>Lieder <\/em>in particular.<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Lucretia-West.jpg\" alt=\"\" class=\"wp-image-6830\" width=\"446\" height=\"585\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Lucretia-West.jpg 642w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Lucretia-West-229x300.jpg 229w\" sizes=\"auto, (max-width: 446px) 100vw, 446px\" \/><figcaption>Lucretia West (b. 1922)<\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:47px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-custom-size\" style=\"font-size:30px\"><strong> RECORDINGS HEARD IN THIS EPISODE<\/strong><\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"468\" height=\"468\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Carol-Debut-Recording.jpg\" alt=\"\" class=\"wp-image-6829\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Carol-Debut-Recording.jpg 468w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Carol-Debut-Recording-300x300.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Carol-Debut-Recording-150x150.jpg 150w\" sizes=\"auto, (max-width: 468px) 100vw, 468px\" \/><\/figure><\/div>\n\n\n\n<div style=\"height:55px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Traditional Spiritual, arr. Edward H. Boatner: On My Journey. Carol Brice; Jonathan Brice [1947]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"382\" height=\"478\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Screenshot-1172.png\" alt=\"\" class=\"wp-image-6832\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Screenshot-1172.png 382w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Screenshot-1172-240x300.png 240w\" sizes=\"auto, (max-width: 382px) 100vw, 382px\" \/><figcaption>Carol and Jonathan Brice<\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Giuseppe Sarti: Lungi dal caro bene. Carol Brice; Jonathan Brice [1947]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"526\" height=\"393\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Screenshot-1137.png\" alt=\"\" class=\"wp-image-6834\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Screenshot-1137.png 526w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Screenshot-1137-300x224.png 300w\" sizes=\"auto, (max-width: 526px) 100vw, 526px\" \/><\/figure><\/div>\n\n\n\n<p>Frederick John Easthope Martin, Helen Taylor: Come to the Fair. Carol Brice [V-Disc, released May 1946]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"379\" height=\"389\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Screenshot-1160.png\" alt=\"\" class=\"wp-image-6833\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Screenshot-1160.png 379w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Screenshot-1160-292x300.png 292w\" sizes=\"auto, (max-width: 379px) 100vw, 379px\" \/><\/figure><\/div>\n\n\n\n<p>Johann Sebastian Bach: Esurientes implevit bonis (<em>Magnificat<\/em>, BWV 243). Carol Brice; Daniel Saidenberg, Columbia Broadcasting Concert Orchestra [1947]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"603\" height=\"553\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/BBK.png\" alt=\"\" class=\"wp-image-6835\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/BBK.png 603w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/BBK-300x275.png 300w\" sizes=\"auto, (max-width: 603px) 100vw, 603px\" \/><figcaption>Leonard Bernstein, Carol Brice, and Serge Koussevitzky<\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Johannes Brahms, Johann Wolfgang von Goethe: Ist auf deinem Psalter (<em>Alt-Rhapsodie<\/em>, Op. 53). Carol Brice; Serge Koussevitzky, Boston Symphony Orchestra, Tanglewood Festival Chorus (dir. Robert Shaw) [live Tanglewood 03 August 1946]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"291\" height=\"358\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Screenshot-1162.png\" alt=\"\" class=\"wp-image-6836\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Screenshot-1162.png 291w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Screenshot-1162-244x300.png 244w\" sizes=\"auto, (max-width: 291px) 100vw, 291px\" \/><\/figure><\/div>\n\n\n\n<p>Manuel de Falla, Gregorio Mart\u00ednez Sierra: Canci\u00f3n del amor dolido (<em>El amor brujo<\/em>). Carol Brice; Fritz Reiner, Pittsburgh Symphony Orchestra [1946]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"391\" height=\"569\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Screenshot-1176.png\" alt=\"\" class=\"wp-image-6837\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Screenshot-1176.png 391w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Screenshot-1176-206x300.png 206w\" sizes=\"auto, (max-width: 391px) 100vw, 391px\" \/><\/figure><\/div>\n\n\n\n<p>Manuel de Falla, Th\u00e9ophile Gautier: S\u00e9guedille (<em>Trois m\u00e9lodies<\/em>, No. 3). Carol Brice; Jonathan Brice [1947]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Screenshot-1143.png\" alt=\"\" class=\"wp-image-6838\" width=\"453\" height=\"444\"\/><figcaption>Fritz Reiner and Carol Brice<\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Gustav Mahler: Die zwei blauen Augen von meinem Schatz (<em>Lieder eines fahrenden Gesellen<\/em>, No. 4). Carol Brice; Fritz Reiner, Pittsburgh Symphony Orchestra [1947]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"256\" height=\"380\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Screenshot-1139.png\" alt=\"\" class=\"wp-image-6839\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Screenshot-1139.png 256w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Screenshot-1139-202x300.png 202w\" sizes=\"auto, (max-width: 256px) 100vw, 256px\" \/><figcaption>Jonathan Brice<\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Robert Franz, Wilhelm Osterwald: Im Fr\u00fchling, Op. 17\/5. Carol Brice; Jonathan Brice [1947]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"468\" height=\"468\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/West-Schubert.jpg\" alt=\"\" class=\"wp-image-6840\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/West-Schubert.jpg 468w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/West-Schubert-300x300.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/West-Schubert-150x150.jpg 150w\" sizes=\"auto, (max-width: 468px) 100vw, 468px\" \/><\/figure><\/div>\n\n\n\n<p>Franz Schubert, Friedrich von Matthison: Geistertanz, D. 117. Lucretia West; Leo Taubmann [1955]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"335\" height=\"350\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Jean-Berger.jpg\" alt=\"\" class=\"wp-image-6841\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Jean-Berger.jpg 335w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Jean-Berger-287x300.jpg 287w\" sizes=\"auto, (max-width: 335px) 100vw, 335px\" \/><figcaption>Jean Berger (1909-2002)<\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Jean Berger (n\u00e9 Arthur Schlo\u00dfberg): They All Dance the Samba. Carol Brice; Jonathan Brice [1947]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Carpenter-668x1024.jpg\" alt=\"\" class=\"wp-image-6842\" width=\"492\" height=\"753\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Carpenter-668x1024.jpg 668w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Carpenter-196x300.jpg 196w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Carpenter-768x1177.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Carpenter-1002x1536.jpg 1002w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Carpenter.jpg 1293w\" sizes=\"auto, (max-width: 492px) 100vw, 492px\" \/><figcaption>John Alden Carpenter (1876-1951)<\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>John Alden Carpenter, Rabindranath Tagore: The Day Is No More. Carol Brice; Jonathan Brice [1947]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"600\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Blitzstein2.jpg\" alt=\"\" class=\"wp-image-6843\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Blitzstein2.jpg 600w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Blitzstein2-300x300.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Blitzstein2-150x150.jpg 150w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><figcaption>Marc Blitzstein (1905-1964)<\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Marc Blitzstein: Miss Birdie, ma\u2019am&#8230; Night could be time to sleep (<em>Regina<\/em>). Carol Brice, Elisabeth Carron; Samuel Krachmalnick, New York City Opera Orchestra [1958]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Brice-Saratora-Recording-Session.jpg\" alt=\"\" class=\"wp-image-6844\" width=\"469\" height=\"700\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Brice-Saratora-Recording-Session.jpg 573w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Brice-Saratora-Recording-Session-201x300.jpg 201w\" sizes=\"auto, (max-width: 469px) 100vw, 469px\" \/><\/figure><\/div>\n\n\n\n<p>Harold Arlen, Johnny Mercer: Gettin\u2019 a Man (<em>Saratoga<\/em>). Carol Brice, Odette Myrtil; Orchestra conducted by Jerry Arlen [1959]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Screenshot-1156.png\" alt=\"\" class=\"wp-image-6845\" width=\"338\" height=\"422\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Screenshot-1156.png 245w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Screenshot-1156-240x300.png 240w\" sizes=\"auto, (max-width: 338px) 100vw, 338px\" \/><figcaption>Carol Brice and Tun Tun in <em>Saratoga<\/em><\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Harold Arlen, Johnny Mercer: Goose Never Be a Peacock (<em>Saratoga<\/em>). Carol Brice; Orchestra conducted by Jerry Arlen [1959]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"583\" height=\"387\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Finian.png\" alt=\"\" class=\"wp-image-6846\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Finian.png 583w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Finian-300x199.png 300w\" sizes=\"auto, (max-width: 583px) 100vw, 583px\" \/><\/figure><\/div>\n\n\n\n<p>Burton Lane, Yip Harburg: Necessity (<em>Finian\u2019s Rainbow<\/em>). Carol Brice; Orchestra and Chorus conducted by Max Meth [1960]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"470\" height=\"363\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Screenshot-1146.png\" alt=\"\" class=\"wp-image-6847\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Screenshot-1146.png 470w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Screenshot-1146-300x232.png 300w\" sizes=\"auto, (max-width: 470px) 100vw, 470px\" \/><figcaption>The cast of <em>The Grass Harp<\/em><\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Claibe Richardson, Kenward Elmslie: If There\u2019s Enough Love (<em>The Grass Harp<\/em>). Carol Brice; Orchestra conducted by Theodore Saidenberg [live New York 06 November 1971]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"607\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Claibe.jpg\" alt=\"\" class=\"wp-image-6848\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Claibe.jpg 600w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Claibe-297x300.jpg 297w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><figcaption>Claibe Richardson (1929 &#8211; 2003)<\/figcaption><\/figure>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Claibe Richardson, Kenward Elmslie: Marry with Me (<em>The Grass Harp<\/em>). Carol Brice; Orchestra conducted by Jonathan Tunick<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"307\" height=\"429\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Kenward.jpg\" alt=\"\" class=\"wp-image-6849\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Kenward.jpg 307w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Kenward-215x300.jpg 215w\" sizes=\"auto, (max-width: 307px) 100vw, 307px\" \/><figcaption>Kenward Elmslie (b. 1929)<\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"585\" height=\"391\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Screenshot-1154.png\" alt=\"\" class=\"wp-image-6851\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Screenshot-1154.png 585w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Screenshot-1154-300x201.png 300w\" sizes=\"auto, (max-width: 585px) 100vw, 585px\" \/><figcaption>Carol Brice and Larry Marshall in <em>Porgy and Bess<\/em><\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>George Gershwin, DuBose Heyward, Ira Gershwin: What do you think you\u2019re doing&#8230; I hates yo\u2019 struttin\u2019 style (<em>Porgy and Bess<\/em>). Carol Brice, Larry Marshall; John DeMain, Houston Grand Opera [1976]<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"585\" height=\"385\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Screenshot-1153.png\" alt=\"\" class=\"wp-image-6850\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Screenshot-1153.png 585w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Screenshot-1153-300x197.png 300w\" sizes=\"auto, (max-width: 585px) 100vw, 585px\" \/><\/figure><\/div>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"430\" height=\"467\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Screenshot-1166.png\" alt=\"\" class=\"wp-image-6852\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Screenshot-1166.png 430w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Screenshot-1166-276x300.png 276w\" sizes=\"auto, (max-width: 430px) 100vw, 430px\" \/><figcaption>Thomas Carey (1931 &#8211; 2002)<\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Traditional Spiritual, arr. Roland Hayes: Sister Mary Had-a But One Child. Thomas Carey; Urs Schneider, N\u00fcrnberger Symphoniker [1970]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"336\" height=\"476\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Screenshot-1165.png\" alt=\"\" class=\"wp-image-6853\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Screenshot-1165.png 336w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Screenshot-1165-212x300.png 212w\" sizes=\"auto, (max-width: 336px) 100vw, 336px\" \/><\/figure><\/div>\n\n\n\n<p>Stephen Foster: I Dream of Jeannie with the Light Brown Hair. Thomas Carey; Thomas Carey; Urs Schneider, N\u00fcrnberger Symphoniker [1970]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"349\" height=\"562\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Screenshot-1163.png\" alt=\"\" class=\"wp-image-6854\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Screenshot-1163.png 349w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Screenshot-1163-186x300.png 186w\" sizes=\"auto, (max-width: 349px) 100vw, 349px\" \/><\/figure><\/div>\n\n\n\n<p>Stephen Foster: Ah! May that Red Rose Live Alway. Carol Brice; Jonathan Brice [1947]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"590\" height=\"830\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Carol-Brice-Print-Ad.jpg\" alt=\"\" class=\"wp-image-6855\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Carol-Brice-Print-Ad.jpg 590w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Carol-Brice-Print-Ad-213x300.jpg 213w\" sizes=\"auto, (max-width: 590px) 100vw, 590px\" \/><\/figure><\/div>\n\n\n\n<p>Traditional Spiritual, arr. Hall Johnson: Witness. Carol Brice; Jonathan Brice [1947]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"471\" height=\"316\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Screenshot-1164.png\" alt=\"\" class=\"wp-image-6856\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Screenshot-1164.png 471w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Screenshot-1164-300x201.png 300w\" sizes=\"auto, (max-width: 471px) 100vw, 471px\" \/><\/figure><\/div>\n\n\n\n<p>Robert MacGimsey: Sweet Little Jesus Boy. Carol Brice; Jonathan Brice [1947]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"451\" height=\"332\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Screenshot-1141.png\" alt=\"\" class=\"wp-image-6857\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Screenshot-1141.png 451w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Screenshot-1141-300x221.png 300w\" sizes=\"auto, (max-width: 451px) 100vw, 451px\" \/><figcaption>Betty Allen (1927 &#8211; 2009), Lawrence Winters (1915 &#8211; 1965), and Carol Brice<\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Charles Albert Tindley, Lucille Simmons: We Shall Overcome. Carol Brice; Male Quartet [recording details unknown]<\/p>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Episode 73. Carol Brice (Black History Month 2021 &#8211; I) SOCIAL SHARE SUBSCRIPTION PLATFORM Countermelody\u2019s Black History Month celebration for&hellip;<\/p>\n","protected":false},"author":1,"featured_media":6859,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"advgb_blocks_editor_width":"","advgb_blocks_columns_visual_guide":"","footnotes":""},"categories":[420,1626,1075,2109,1076,2261,8033,1263,2260,808,1540],"tags":[2652,2658,1462,1124,2130,2639,2655,2653,2641,101,2657,367,1396,2656,1297,966,1531,2650,298,863,2649,2638,1971,2636,2132,2640,2646,2648,2654,2651,937,2643,2645,414,2644,2647,621,567,601,2045,2642,339,430,1594,625,2131,2637,1553,1463],"class_list":["post-6777","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-african-american-opera-singers","category-african-american-singers","category-art-song","category-broadway-and-musicals","category-crossover","category-full-figured-baroque","category-johann-sebastian-bach","category-mezzo-madness","category-music-for-a-world-in-crisis","category-needle-drop","category-protest-songs","tag-alto-rhapsody-brahms","tag-black-history-month-2021","tag-burton-lane","tag-carol-brice","tag-claibe-richardson","tag-dubose-heyward","tag-edward-h-boatner","tag-el-amor-brujo","tag-finians-rainbow-2","tag-franz-schubert","tag-frederick-john-easthope-martin","tag-fritz-reiner","tag-george-gershwin","tag-giuseppe-sarti","tag-gustav-mahler","tag-hall-johnson","tag-harold-arlen","tag-jean-berger","tag-johann-sebastian-bach","tag-johannes-brahms","tag-john-alden-carpenter","tag-john-demain","tag-johnny-mercer","tag-jonathan-brice","tag-kenward-elmslie","tag-larry-marshall","tag-leo-taubmann","tag-lucretia-west","tag-magnificat-bach","tag-manuel-de-falla","tag-marc-blitzstein","tag-mercer","tag-odette-myrtil","tag-porgy-and-bess","tag-regina-blitzstein","tag-robert-franz","tag-robert-macgimsey","tag-robert-shaw","tag-roland-hayes","tag-samuel-krachmalnick","tag-saratoga-arlen","tag-serge-koussevitzky","tag-spirituals","tag-stephen-foster","tag-sweet-little-jesus-boy","tag-the-grass-harp","tag-thomas-carey","tag-we-shall-overcome","tag-yip-harburg"],"author_meta":{"display_name":"admin","author_link":"https:\/\/countermelodypodcast.com\/index.php\/author\/admin\/"},"featured_img":"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Carol-1947-TRIMMED-300x213.png","coauthors":[],"tax_additional":{"categories":{"linked":["<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/african-american-opera-singers\/\" class=\"advgb-post-tax-term\">African American Opera Singers<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/african-american-singers\/\" class=\"advgb-post-tax-term\">African American Singers<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/art-song\/\" class=\"advgb-post-tax-term\">Art Song<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/broadway-and-musicals\/\" class=\"advgb-post-tax-term\">Broadway and Musicals<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/crossover\/\" class=\"advgb-post-tax-term\">Crossover<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/full-figured-baroque\/\" class=\"advgb-post-tax-term\">Full-Figured Baroque<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/johann-sebastian-bach\/\" class=\"advgb-post-tax-term\">Johann Sebastian Bach<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/mezzo-madness\/\" class=\"advgb-post-tax-term\">Mezzo Madness<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/music-for-a-world-in-crisis\/\" class=\"advgb-post-tax-term\">Music for a World in Crisis<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Needle Drop<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/protest-songs\/\" class=\"advgb-post-tax-term\">Protest Songs<\/a>"],"unlinked":["<span class=\"advgb-post-tax-term\">African American Opera Singers<\/span>","<span class=\"advgb-post-tax-term\">African American Singers<\/span>","<span class=\"advgb-post-tax-term\">Art Song<\/span>","<span class=\"advgb-post-tax-term\">Broadway and Musicals<\/span>","<span class=\"advgb-post-tax-term\">Crossover<\/span>","<span class=\"advgb-post-tax-term\">Full-Figured Baroque<\/span>","<span class=\"advgb-post-tax-term\">Johann Sebastian Bach<\/span>","<span class=\"advgb-post-tax-term\">Mezzo Madness<\/span>","<span class=\"advgb-post-tax-term\">Music for a World in Crisis<\/span>","<span class=\"advgb-post-tax-term\">Needle Drop<\/span>","<span class=\"advgb-post-tax-term\">Protest Songs<\/span>"]},"tags":{"linked":["<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/protest-songs\/\" class=\"advgb-post-tax-term\">Alto Rhapsody (Brahms)<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/protest-songs\/\" class=\"advgb-post-tax-term\">Black History Month 2021<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/protest-songs\/\" class=\"advgb-post-tax-term\">Burton Lane<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/protest-songs\/\" class=\"advgb-post-tax-term\">Carol Brice<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/protest-songs\/\" class=\"advgb-post-tax-term\">Claibe Richardson<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/protest-songs\/\" class=\"advgb-post-tax-term\">DuBose Heyward<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/protest-songs\/\" class=\"advgb-post-tax-term\">Edward H. Boatner<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/protest-songs\/\" class=\"advgb-post-tax-term\">El amor brujo<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/protest-songs\/\" class=\"advgb-post-tax-term\">Finian\u2019s Rainbow<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/protest-songs\/\" class=\"advgb-post-tax-term\">Franz Schubert<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/protest-songs\/\" class=\"advgb-post-tax-term\">Frederick John Easthope Martin<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/protest-songs\/\" class=\"advgb-post-tax-term\">Fritz Reiner<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/protest-songs\/\" class=\"advgb-post-tax-term\">George Gershwin<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/protest-songs\/\" class=\"advgb-post-tax-term\">Giuseppe Sarti<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/protest-songs\/\" class=\"advgb-post-tax-term\">Gustav Mahler<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/protest-songs\/\" class=\"advgb-post-tax-term\">Hall Johnson<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/protest-songs\/\" class=\"advgb-post-tax-term\">Harold Arlen<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/protest-songs\/\" class=\"advgb-post-tax-term\">Jean Berger<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/protest-songs\/\" class=\"advgb-post-tax-term\">Johann Sebastian Bach<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/protest-songs\/\" class=\"advgb-post-tax-term\">Johannes Brahms<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/protest-songs\/\" class=\"advgb-post-tax-term\">John Alden Carpenter<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/protest-songs\/\" class=\"advgb-post-tax-term\">John DeMain<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/protest-songs\/\" class=\"advgb-post-tax-term\">Johnny Mercer<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/protest-songs\/\" class=\"advgb-post-tax-term\">Jonathan Brice<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/protest-songs\/\" class=\"advgb-post-tax-term\">Kenward Elmslie<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/protest-songs\/\" class=\"advgb-post-tax-term\">Larry Marshall<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/protest-songs\/\" class=\"advgb-post-tax-term\">Leo Taubmann<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/protest-songs\/\" class=\"advgb-post-tax-term\">Lucretia West<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/protest-songs\/\" class=\"advgb-post-tax-term\">Magnificat (Bach)<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/protest-songs\/\" class=\"advgb-post-tax-term\">Manuel de Falla<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/protest-songs\/\" class=\"advgb-post-tax-term\">Marc Blitzstein<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/protest-songs\/\" class=\"advgb-post-tax-term\">Mercer)<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/protest-songs\/\" class=\"advgb-post-tax-term\">Odette Myrtil<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/protest-songs\/\" class=\"advgb-post-tax-term\">Porgy and Bess<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/protest-songs\/\" class=\"advgb-post-tax-term\">Regina (Blitzstein)<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/protest-songs\/\" class=\"advgb-post-tax-term\">Robert Franz<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/protest-songs\/\" class=\"advgb-post-tax-term\">Robert MacGimsey<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/protest-songs\/\" class=\"advgb-post-tax-term\">Robert Shaw<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/protest-songs\/\" class=\"advgb-post-tax-term\">Roland Hayes<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/protest-songs\/\" class=\"advgb-post-tax-term\">Samuel Krachmalnick<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/protest-songs\/\" class=\"advgb-post-tax-term\">Saratoga (Arlen<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/protest-songs\/\" class=\"advgb-post-tax-term\">Serge Koussevitzky<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/protest-songs\/\" class=\"advgb-post-tax-term\">Spirituals<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/protest-songs\/\" class=\"advgb-post-tax-term\">Stephen Foster<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/protest-songs\/\" class=\"advgb-post-tax-term\">Sweet Little Jesus Boy<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/protest-songs\/\" class=\"advgb-post-tax-term\">The Grass Harp<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/protest-songs\/\" class=\"advgb-post-tax-term\">Thomas Carey<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/protest-songs\/\" class=\"advgb-post-tax-term\">We Shall Overcome<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/protest-songs\/\" class=\"advgb-post-tax-term\">Yip Harburg<\/a>"],"unlinked":["<span class=\"advgb-post-tax-term\">Alto Rhapsody (Brahms)<\/span>","<span class=\"advgb-post-tax-term\">Black History Month 2021<\/span>","<span class=\"advgb-post-tax-term\">Burton Lane<\/span>","<span class=\"advgb-post-tax-term\">Carol Brice<\/span>","<span class=\"advgb-post-tax-term\">Claibe Richardson<\/span>","<span class=\"advgb-post-tax-term\">DuBose Heyward<\/span>","<span class=\"advgb-post-tax-term\">Edward H. Boatner<\/span>","<span class=\"advgb-post-tax-term\">El amor brujo<\/span>","<span class=\"advgb-post-tax-term\">Finian\u2019s Rainbow<\/span>","<span class=\"advgb-post-tax-term\">Franz Schubert<\/span>","<span class=\"advgb-post-tax-term\">Frederick John Easthope Martin<\/span>","<span class=\"advgb-post-tax-term\">Fritz Reiner<\/span>","<span class=\"advgb-post-tax-term\">George Gershwin<\/span>","<span class=\"advgb-post-tax-term\">Giuseppe Sarti<\/span>","<span class=\"advgb-post-tax-term\">Gustav Mahler<\/span>","<span class=\"advgb-post-tax-term\">Hall Johnson<\/span>","<span class=\"advgb-post-tax-term\">Harold Arlen<\/span>","<span class=\"advgb-post-tax-term\">Jean Berger<\/span>","<span class=\"advgb-post-tax-term\">Johann Sebastian Bach<\/span>","<span class=\"advgb-post-tax-term\">Johannes Brahms<\/span>","<span class=\"advgb-post-tax-term\">John Alden Carpenter<\/span>","<span class=\"advgb-post-tax-term\">John DeMain<\/span>","<span class=\"advgb-post-tax-term\">Johnny Mercer<\/span>","<span class=\"advgb-post-tax-term\">Jonathan Brice<\/span>","<span class=\"advgb-post-tax-term\">Kenward Elmslie<\/span>","<span class=\"advgb-post-tax-term\">Larry Marshall<\/span>","<span class=\"advgb-post-tax-term\">Leo Taubmann<\/span>","<span class=\"advgb-post-tax-term\">Lucretia West<\/span>","<span class=\"advgb-post-tax-term\">Magnificat (Bach)<\/span>","<span class=\"advgb-post-tax-term\">Manuel de Falla<\/span>","<span class=\"advgb-post-tax-term\">Marc Blitzstein<\/span>","<span class=\"advgb-post-tax-term\">Mercer)<\/span>","<span class=\"advgb-post-tax-term\">Odette Myrtil<\/span>","<span class=\"advgb-post-tax-term\">Porgy and Bess<\/span>","<span class=\"advgb-post-tax-term\">Regina (Blitzstein)<\/span>","<span class=\"advgb-post-tax-term\">Robert Franz<\/span>","<span class=\"advgb-post-tax-term\">Robert MacGimsey<\/span>","<span class=\"advgb-post-tax-term\">Robert Shaw<\/span>","<span class=\"advgb-post-tax-term\">Roland Hayes<\/span>","<span class=\"advgb-post-tax-term\">Samuel Krachmalnick<\/span>","<span class=\"advgb-post-tax-term\">Saratoga (Arlen<\/span>","<span class=\"advgb-post-tax-term\">Serge Koussevitzky<\/span>","<span class=\"advgb-post-tax-term\">Spirituals<\/span>","<span class=\"advgb-post-tax-term\">Stephen Foster<\/span>","<span class=\"advgb-post-tax-term\">Sweet Little Jesus Boy<\/span>","<span class=\"advgb-post-tax-term\">The Grass Harp<\/span>","<span class=\"advgb-post-tax-term\">Thomas Carey<\/span>","<span class=\"advgb-post-tax-term\">We Shall Overcome<\/span>","<span class=\"advgb-post-tax-term\">Yip Harburg<\/span>"]}},"comment_count":"3","relative_dates":{"created":"Posted 5 years ago","modified":"Updated 9 months ago"},"absolute_dates":{"created":"Posted on 07\/02\/2021","modified":"Updated on 29\/07\/2025"},"absolute_dates_time":{"created":"Posted on 07\/02\/2021 17:04","modified":"Updated on 29\/07\/2025 11:02"},"featured_img_caption":"","series_order":"","_links":{"self":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/6777","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/comments?post=6777"}],"version-history":[{"count":7,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/6777\/revisions"}],"predecessor-version":[{"id":6925,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/6777\/revisions\/6925"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/media\/6859"}],"wp:attachment":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/media?parent=6777"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/categories?post=6777"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/tags?post=6777"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}