{"id":6733,"date":"2021-01-31T14:46:24","date_gmt":"2021-01-31T13:46:24","guid":{"rendered":"http:\/\/countermelodypodcast.com\/?p=6733"},"modified":"2024-03-08T22:10:23","modified_gmt":"2024-03-08T21:10:23","slug":"episode-72-igor-gorin-great-baritones-ii","status":"publish","type":"post","link":"https:\/\/countermelodypodcast.com\/index.php\/2021\/01\/31\/episode-72-igor-gorin-great-baritones-ii\/","title":{"rendered":"Episode 72. Igor Gorin (Great Baritones II)"},"content":{"rendered":"<div id=\"mega-menu-wrap-primary\" class=\"mega-menu-wrap\"><div class=\"mega-menu-toggle\"><div class=\"mega-toggle-blocks-left\"><\/div><div class=\"mega-toggle-blocks-center\"><\/div><div class=\"mega-toggle-blocks-right\"><div class='mega-toggle-block mega-menu-toggle-animated-block mega-toggle-block-1' id='mega-toggle-block-1'><button aria-label=\"Menu\" class=\"mega-toggle-animated mega-toggle-animated-slider\" type=\"button\" aria-haspopup=\"true\" aria-expanded=\"false\" aria-controls=\"mega-menu-primary\">\n                  <span class=\"mega-toggle-animated-box\">\n                    <span class=\"mega-toggle-animated-inner\"><\/span>\n                  <\/span>\n                <\/button><\/div><\/div><\/div><ul id=\"mega-menu-primary\" class=\"mega-menu max-mega-menu mega-menu-horizontal mega-no-js\" data-event=\"hover_intent\" data-effect=\"slide\" data-effect-speed=\"200\" data-effect-mobile=\"slide\" data-effect-speed-mobile=\"200\" data-mobile-force-width=\"body\" data-second-click=\"go\" data-document-click=\"collapse\" data-vertical-behaviour=\"standard\" data-breakpoint=\"600\" data-unbind=\"true\" data-mobile-state=\"collapse_all\" data-mobile-direction=\"vertical\" data-hover-intent-timeout=\"300\" data-hover-intent-interval=\"100\"><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-menu-item-home mega-align-bottom-left mega-menu-flyout mega-menu-item-19160\" id=\"mega-menu-item-19160\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/\">Home<\/a><\/li><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-align-bottom-left mega-menu-flyout mega-menu-item-19161\" id=\"mega-menu-item-19161\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/index.php\/about-daniel\/\">About Daniel<\/a><\/li><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-current_page_parent mega-align-bottom-left mega-menu-flyout mega-menu-item-19171\" id=\"mega-menu-item-19171\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/index.php\/all-episodes\/\">All Episodes<\/a><\/li><\/ul><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">Episode 72.  Igor Gorin (Great Baritones II)<\/h2>\n\n\n\n<iframe loading=\"lazy\" width=\"340\" height=\"50\" src=\"https:\/\/countermelody.blubrry.net\/?powerpress_embed=268-podcast&amp;powerpress_player=mediaelement-audio\" frameborder=\"0\" scrolling=\"no\"><\/iframe>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p><strong>SOCIAL SHARE<\/strong><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"has-text-align-right\"><strong>SUBSCRIPTION PLATFORM<\/strong><\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<div class=\"wp-block-buttons is-content-justification-left is-layout-flex wp-container-core-buttons-is-layout-fdcfc74e wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button alignright\"><a class=\"wp-block-button__link wp-element-button\" href=\"https:\/\/countermelody.blubrry.net\/\">SUBSCRIBE VIA YOUR FAVORITE PODCAST PLATFORM<\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"386\" height=\"471\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Igor-Young-Formal.png\" alt=\"\" class=\"wp-image-6782\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Igor-Young-Formal.png 386w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Igor-Young-Formal-246x300.png 246w\" sizes=\"auto, (max-width: 386px) 100vw, 386px\" \/><\/figure>\n<\/div>\n\n\n<div style=\"height:38px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>I recently rediscovered the great Ukranian-American baritone Igor Gorin (1904-1982) and was bowled over by the sheer beauty of his voice. In fact, I am tempted to call his the most beautiful baritone voice I have ever heard. His is a fascinating life story, beginning in pre-Soviet Ukraine and moving back and forth from Vienna to the United States until finally, with forged documents, he emigrated to the US and became a naturalized citizen. Through a series of happy circumstances, he became one of the top US radio stars of the 1930s and 1940s and eventually appeared as well on early television broadcasts. A career in regional opera resulted, including starring roles at Lyric Opera of Chicago and one single appearance at the Metropolitan Opera at the age of 59. This episode features live, radio, and studio performances by Gorin in opera, operetta, Broadway, and folk and art songs over a period of nearly 40 years, including a live late career performances of Ernest Bloch\u2019s <em>Avodath Hakodesh<\/em>, in which he returned to his cantorial roots. If you do not (or do) already know this artist, you are in for a treat.<\/p>\n\n\n\n<p>A bonus episode on Igor Gorin for my Patreon subscribers includes complete performances of two constrasting song cycles by Modest Mussorgsky, <em>The Nursery<\/em> and the <em>Songs and Dances of Death<\/em>.<\/p>\n\n\n\n<div style=\"height:47px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"528\" height=\"703\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Young-n-Pretty.png\" alt=\"\" class=\"wp-image-6817\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Young-n-Pretty.png 528w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Young-n-Pretty-225x300.png 225w\" sizes=\"auto, (max-width: 528px) 100vw, 528px\" \/><\/figure>\n<\/div>\n\n\n<p class=\"has-custom-size\" style=\"font-size:30px\"><strong> RECORDINGS HEARD IN THIS EPISODE<\/strong><\/p>\n\n\n\n<div style=\"height:55px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"508\" height=\"511\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/78-Cover.jpg\" alt=\"\" class=\"wp-image-6785\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/78-Cover.jpg 508w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/78-Cover-298x300.jpg 298w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/78-Cover-150x150.jpg 150w\" sizes=\"auto, (max-width: 508px) 100vw, 508px\" \/><\/figure>\n<\/div>\n\n\n<p>All selections feature Igor Gorin.<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"644\" height=\"960\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Pilzer.jpg\" alt=\"\" class=\"wp-image-6786\" style=\"width:440px;height:656px\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Pilzer.jpg 644w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Pilzer-201x300.jpg 201w\" sizes=\"auto, (max-width: 644px) 100vw, 644px\" \/><figcaption class=\"wp-element-caption\">Maximilian Pilzer (1890 \u2013 1958)<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Russian Folk Song: \u041e\u0447\u0438 \u0447\u0451\u0440\u043d\u044b\u0435 [Dark Eyes]. Orchestra conducted by Maximilian Pilzer [1946]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"520\" height=\"354\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Gorin-in-Pagliacci.png\" alt=\"\" class=\"wp-image-6787\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Gorin-in-Pagliacci.png 520w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Gorin-in-Pagliacci-300x204.png 300w\" sizes=\"auto, (max-width: 520px) 100vw, 520px\" \/><figcaption class=\"wp-element-caption\">Gorin in a still from a <em>Voice of Firestone <\/em>kinescope from the 1950s (as below).<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Ruggero Leoncavallo: Un nido di memorie (<em>Pagliacci<\/em>). Orchestra conducted by Wilfred Pelletier [1938]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"525\" height=\"360\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Gorin-in-Pagliacci2.png\" alt=\"\" class=\"wp-image-6788\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Gorin-in-Pagliacci2.png 525w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Gorin-in-Pagliacci2-300x206.png 300w\" sizes=\"auto, (max-width: 525px) 100vw, 525px\" \/><\/figure>\n<\/div>\n\n\n<p>Ruggero Leoncavallo: E voi, piuttosto (<em>Pagliacci<\/em>). Orchestra conducted by Donald Voorhees [1955]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"354\" height=\"475\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Howard-Barlow.png\" alt=\"\" class=\"wp-image-6789\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Howard-Barlow.png 354w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Howard-Barlow-224x300.png 224w\" sizes=\"auto, (max-width: 354px) 100vw, 354px\" \/><figcaption class=\"wp-element-caption\">Howard Barlow&nbsp;(1892-1972)<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Idabelle Firestone, Madeleine Marshall: If I Could Tell You. Howard Barlow conducting the Firestone Orchestra [<strong>Voice of Firestone<\/strong> 22 February 1946]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"527\" height=\"726\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Gorin-Young.jpg\" alt=\"\" class=\"wp-image-6790\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Gorin-Young.jpg 527w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Gorin-Young-218x300.jpg 218w\" sizes=\"auto, (max-width: 527px) 100vw, 527px\" \/><\/figure>\n<\/div>\n\n\n<p>Irving Berlin: What\u2019ll I Do; Always [radio broadcast 1937]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"738\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Spoliansky-738x1024.jpg\" alt=\"\" class=\"wp-image-6791\" style=\"width:577px;height:801px\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Spoliansky-738x1024.jpg 738w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Spoliansky-216x300.jpg 216w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Spoliansky-768x1066.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Spoliansky-1106x1536.jpg 1106w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Spoliansky.jpg 1475w\" sizes=\"auto, (max-width: 738px) 100vw, 738px\" \/><figcaption class=\"wp-element-caption\">Mischa Spoliansky (1898-1985)<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Mischa Spoliansky, Frank Eyton: Tell Me Tonight [Heute Nacht oder nie]. Howard Barlow conducting the Firestone Orchestra [<strong>Voice of Firestone<\/strong> ca. 1946]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"378\" height=\"472\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Spoliansky-Sheet-Music.png\" alt=\"\" class=\"wp-image-6792\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Spoliansky-Sheet-Music.png 378w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Spoliansky-Sheet-Music-240x300.png 240w\" sizes=\"auto, (max-width: 378px) 100vw, 378px\" \/><\/figure>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"601\" height=\"419\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Pelletier.jpg\" alt=\"\" class=\"wp-image-6793\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Pelletier.jpg 601w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Pelletier-300x209.jpg 300w\" sizes=\"auto, (max-width: 601px) 100vw, 601px\" \/><figcaption class=\"wp-element-caption\">Wilfrid Pelletier (1896 &#8211; 1982)<\/figcaption><\/figure>\n<\/div>\n\n\n<p>Gioacchino Rossini: Largo al factotum (<em>Il barbiere di Siviglia<\/em>). Orchestra conducted by Wilfrid Pelletier [1938]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"789\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Nin-789x1024.jpg\" alt=\"\" class=\"wp-image-6794\" style=\"width:596px;height:773px\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Nin-789x1024.jpg 789w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Nin-231x300.jpg 231w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Nin-768x997.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Nin.jpg 794w\" sizes=\"auto, (max-width: 789px) 100vw, 789px\" \/><\/figure>\n<\/div>\n\n\n<p>Spanish Folk Song, arr. Joaqu\u00edn Nin: El vito. Adolf Baller, piano [1939]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"750\" height=\"908\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Shilkret-1.jpg\" alt=\"\" class=\"wp-image-6795\" style=\"width:555px;height:671px\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Shilkret-1.jpg 750w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Shilkret-1-248x300.jpg 248w\" sizes=\"auto, (max-width: 750px) 100vw, 750px\" \/><figcaption class=\"wp-element-caption\">Nathaniel Shilkret (1889&nbsp;\u2013&nbsp;1982)<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Caucasian Folk Song: Caucasian Melody. Orchestra conducted by Nathaniel Shilkret [1937]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"795\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Igor-Dreamy-Eyes-795x1024.jpg\" alt=\"\" class=\"wp-image-6796\" style=\"width:529px;height:681px\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Igor-Dreamy-Eyes-795x1024.jpg 795w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Igor-Dreamy-Eyes-233x300.jpg 233w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Igor-Dreamy-Eyes-768x989.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Igor-Dreamy-Eyes.jpg 1125w\" sizes=\"auto, (max-width: 795px) 100vw, 795px\" \/><\/figure>\n<\/div>\n\n\n<p>Caucasian Folk Song, arr. Nicolai Bolin: Kasbek. Orchestra conducted by Nathaniel Shilkret [1937]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"702\" height=\"513\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Youmans.png\" alt=\"\" class=\"wp-image-6797\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Youmans.png 702w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Youmans-300x219.png 300w\" sizes=\"auto, (max-width: 702px) 100vw, 702px\" \/><figcaption class=\"wp-element-caption\">Vincent Youmans (1898 &#8211; 1946)<\/figcaption><\/figure>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Vincent Youmans, Edward Heyman: Through the Years (<em>Through the Years<\/em>). Victor Orchestra conducted by Maximilian Pilzer [1946]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"505\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Stella-Roman-1024x505.jpg\" alt=\"\" class=\"wp-image-6798\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Stella-Roman-1024x505.jpg 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Stella-Roman-300x148.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Stella-Roman-768x379.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Stella-Roman-1536x758.jpg 1536w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Stella-Roman.jpg 1545w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Stella Roman (1904 &#8211; 1992)<\/figcaption><\/figure>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Fritz Kreisler, Victor Jacobi: You Are Free (<em>Apple Blossoms<\/em>). Stella Roman; Firestone Orchestra conducted by Howard Barlow [<strong>Voice of Firestone<\/strong> 22 April 1946]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"547\" height=\"560\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Bush-Songs.png\" alt=\"\" class=\"wp-image-6799\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Bush-Songs.png 547w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Bush-Songs-293x300.png 293w\" sizes=\"auto, (max-width: 547px) 100vw, 547px\" \/><\/figure>\n<\/div>\n\n\n<p>William G. James, Richard Baylis: Bush Silence (<em>Six Australian Bush Songs<\/em>, No. 2). Henry Penn, pianist [Adelaide Town Hall Recital, 24 October 1959]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"437\" height=\"529\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Gorin-Big-Smile.png\" alt=\"\" class=\"wp-image-6800\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Gorin-Big-Smile.png 437w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Gorin-Big-Smile-248x300.png 248w\" sizes=\"auto, (max-width: 437px) 100vw, 437px\" \/><\/figure>\n<\/div>\n\n\n<p>Francis Poulenc, Anonymous text: La belle jeunesse (<em>Chansons gaillairdes<\/em>, No. 7). Henry Penn, pianist [Adelaide Town Hall Recital 24 October 1959]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"555\" height=\"684\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Dark-Eyed-Smirk.png\" alt=\"\" class=\"wp-image-6801\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Dark-Eyed-Smirk.png 555w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Dark-Eyed-Smirk-243x300.png 243w\" sizes=\"auto, (max-width: 555px) 100vw, 555px\" \/><\/figure>\n<\/div>\n\n\n<p>Alessandro Scarlatti: Son tutto duolo. Henry Penn, pianist [Adelaide Town Hall Recital 24 October 1959]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"692\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Glorious-Voice-692x1024.jpg\" alt=\"\" class=\"wp-image-6802\" style=\"width:478px;height:707px\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Glorious-Voice-692x1024.jpg 692w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Glorious-Voice-203x300.jpg 203w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Glorious-Voice.jpg 761w\" sizes=\"auto, (max-width: 692px) 100vw, 692px\" \/><\/figure>\n<\/div>\n\n\n<p>Antonio Vivaldi: Di due rai languir costante. Willard Straight, pianist [1961]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"808\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Gorin-Boky-808x1024.jpg\" alt=\"\" class=\"wp-image-6803\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Gorin-Boky-808x1024.jpg 808w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Gorin-Boky-237x300.jpg 237w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Gorin-Boky-768x973.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Gorin-Boky.jpg 1145w\" sizes=\"auto, (max-width: 808px) 100vw, 808px\" \/><figcaption class=\"wp-element-caption\">Igor Gorin and Colette Boky in a still from the film version of  Otto Nicolai&#8217;s <em>The Merry Wives Of Windsor<\/em>, 1965<\/figcaption><\/figure>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Antonio Sarti: Lungi dal caro bene (<em>Giulio Sabino<\/em>). Unidentified pianist [1976]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"368\" height=\"472\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Igor-Nice-Tie.png\" alt=\"\" class=\"wp-image-6804\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Igor-Nice-Tie.png 368w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Igor-Nice-Tie-234x300.png 234w\" sizes=\"auto, (max-width: 368px) 100vw, 368px\" \/><\/figure>\n<\/div>\n\n\n<p>Giuseppe Verdi: Dagli immortali vertici (<em>Attila<\/em>). Orchestra conducted by Bruno Reibold [1941]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"611\" height=\"720\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Gorin-1937.jpg\" alt=\"\" class=\"wp-image-6805\" style=\"width:527px;height:621px\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Gorin-1937.jpg 611w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Gorin-1937-255x300.jpg 255w\" sizes=\"auto, (max-width: 611px) 100vw, 611px\" \/><\/figure>\n<\/div>\n\n\n<p>Gaetano Donizetti: Se ancor m\u2019\u00e8 dato a stringerti (<em>Maria di Rohan<\/em>). Unidentified pianist [1966]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"854\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Gorin-Antique-854x1024.jpg\" alt=\"\" class=\"wp-image-6806\" style=\"width:565px;height:677px\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Gorin-Antique-854x1024.jpg 854w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Gorin-Antique-250x300.jpg 250w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Gorin-Antique-768x921.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Gorin-Antique.jpg 1123w\" sizes=\"auto, (max-width: 854px) 100vw, 854px\" \/><\/figure>\n<\/div>\n\n\n<p>Modest Mussorgsky: All is quiet in the camp (<em>Khovanshchina<\/em>). Orchestra conducted by Charles O\u2019Connell [1942]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"343\" height=\"444\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Igor-to-Joe.png\" alt=\"\" class=\"wp-image-6809\" style=\"width:422px;height:545px\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Igor-to-Joe.png 343w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Igor-to-Joe-232x300.png 232w\" sizes=\"auto, (max-width: 343px) 100vw, 343px\" \/><\/figure>\n<\/div>\n\n\n<p>Modest Mussorgsky: Reverie of the Young Peasant (<em>The Fair at<\/em> <em>Sorotchinsky<\/em>). Max Rabinowitsch, pianist [1939]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"343\" height=\"436\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Igor-Autograph.png\" alt=\"\" class=\"wp-image-6808\" style=\"width:441px;height:559px\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Igor-Autograph.png 343w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Igor-Autograph-236x300.png 236w\" sizes=\"auto, (max-width: 343px) 100vw, 343px\" \/><\/figure>\n<\/div>\n\n\n<p>Modest Mussorgsky: \u0413\u0434\u0435 \u0442\u044b, \u0437\u0432\u0435\u0437\u0434\u043e\u0447\u043a\u0430? [Where art thou, little star?]. Max Rabinowitsch, pianist [1939]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"498\" height=\"446\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Gorin-as-Cantor2.png\" alt=\"\" class=\"wp-image-6810\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Gorin-as-Cantor2.png 498w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Gorin-as-Cantor2-300x269.png 300w\" sizes=\"auto, (max-width: 498px) 100vw, 498px\" \/><\/figure>\n<\/div>\n\n\n<p>Ernest Bloch: Tzur Yisroel (<em>Avodath Hakodesh<\/em>). Siegfried Landau conducting the Brooklyn Philharmonia Choral Society and Orchestra [Brooklyn 15 February 1964]<\/p>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"367\" height=\"547\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Gorin-as-Cantor.png\" alt=\"\" class=\"wp-image-6811\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Gorin-as-Cantor.png 367w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Gorin-as-Cantor-201x300.png 201w\" sizes=\"auto, (max-width: 367px) 100vw, 367px\" \/><\/figure>\n<\/div>\n\n\n<div style=\"height:43px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"767\" height=\"1024\" data-id=\"6812\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Gorin-Musical-America-767x1024.jpg\" alt=\"\" class=\"wp-image-6812\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Gorin-Musical-America-767x1024.jpg 767w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Gorin-Musical-America-225x300.jpg 225w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Gorin-Musical-America-768x1026.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Gorin-Musical-America.jpg 781w\" sizes=\"auto, (max-width: 767px) 100vw, 767px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"729\" height=\"1024\" data-id=\"6813\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Igor-MusAm-729x1024.jpg\" alt=\"\" class=\"wp-image-6813\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Igor-MusAm-729x1024.jpg 729w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Igor-MusAm-214x300.jpg 214w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Igor-MusAm.jpg 757w\" sizes=\"auto, (max-width: 729px) 100vw, 729px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"760\" height=\"1024\" data-id=\"6814\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Igor-Musical-America-760x1024.jpg\" alt=\"\" class=\"wp-image-6814\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Igor-Musical-America-760x1024.jpg 760w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Igor-Musical-America-223x300.jpg 223w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Igor-Musical-America-768x1035.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Igor-Musical-America.jpg 784w\" sizes=\"auto, (max-width: 760px) 100vw, 760px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"348\" height=\"467\" data-id=\"6815\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Musical-America-2.png\" alt=\"\" class=\"wp-image-6815\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Musical-America-2.png 348w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Musical-America-2-224x300.png 224w\" sizes=\"auto, (max-width: 348px) 100vw, 348px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"324\" height=\"461\" data-id=\"6816\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Musical-America-ad.png\" alt=\"\" class=\"wp-image-6816\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Musical-America-ad.png 324w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Musical-America-ad-211x300.png 211w\" sizes=\"auto, (max-width: 324px) 100vw, 324px\" \/><\/figure>\n<figcaption class=\"blocks-gallery-caption wp-element-caption\">Various <em>Musical America <\/em>advertisements<\/figcaption><\/figure>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Johann Sebastian Bach: Jesu, Joy of Man\u2019s Desiring (<em>Herz und Mund und Tat und Leben<\/em>, BWV 147). Orchestra conducted by Carmen Dragon [1955]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"735\" height=\"873\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Carmen-Dragon.jpg\" alt=\"\" class=\"wp-image-6820\" style=\"width:598px;height:710px\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Carmen-Dragon.jpg 735w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Carmen-Dragon-253x300.jpg 253w\" sizes=\"auto, (max-width: 735px) 100vw, 735px\" \/><figcaption class=\"wp-element-caption\">Carmen Dragon (1914 \u2013 1984)<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"334\" height=\"432\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Igor-Debout.png\" alt=\"\" class=\"wp-image-6819\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Igor-Debout.png 334w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Igor-Debout-232x300.png 232w\" sizes=\"auto, (max-width: 334px) 100vw, 334px\" \/><\/figure>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>Episode 72. Igor Gorin (Great Baritones II) SOCIAL SHARE SUBSCRIPTION PLATFORM I recently rediscovered the great Ukranian-American baritone Igor Gorin&hellip;<\/p>\n","protected":false},"author":1,"featured_media":6781,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"advgb_blocks_editor_width":"","advgb_blocks_columns_visual_guide":"","footnotes":""},"categories":[1075,1701,2109,1076,2261,2398,2399,808,1470,425,427],"tags":[2628,1311,2626,1326,2624,2632,2623,2620,544,2629,376,114,207,2634,2621,2633,2411,115,608,298,2625,2622,2631,810,2601,2607,704,70,2635,2630,2619,2627],"class_list":["post-6733","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-art-song","category-bel-canto","category-broadway-and-musicals","category-crossover","category-full-figured-baroque","category-giuseppe-verdi","category-great-baritones","category-needle-drop","category-operetta","category-ruggero-leoncavallo","category-verismo","tag-adolf-baller","tag-alessandro-scarlatti","tag-antonio-sarti","tag-antonio-vivaldi","tag-attila-verdi","tag-avodath-hakodesh-bloch","tag-donald-voorhees","tag-ernest-bloch","tag-francis-poulenc","tag-fritz-kreisler","tag-gaetano-donizetti","tag-gioacchino-rossini","tag-giuseppe-verdi","tag-henry-penn","tag-howard-barlow","tag-idabelle-firestone","tag-igor-gorin","tag-il-barbiere-di-siviglia","tag-irving-berlin","tag-johann-sebastian-bach","tag-maria-di-rohan-donizetti","tag-max-rabinowitsch","tag-maximilian-pilzer","tag-mischa-spoliansky","tag-modest-mussorgsky","tag-nathaniel-shilkret","tag-pagliacci","tag-ruggero-leoncavallo","tag-russian-folk-songs","tag-stella-roman","tag-wilfred-pelletier","tag-william-g-james"],"author_meta":{"display_name":"admin","author_link":"https:\/\/countermelodypodcast.com\/index.php\/author\/admin\/"},"featured_img":"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Radio-Star-TRIMMED-300x243.png","coauthors":[],"tax_additional":{"categories":{"linked":["<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/art-song\/\" class=\"advgb-post-tax-term\">Art Song<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/bel-canto\/\" class=\"advgb-post-tax-term\">Bel Canto<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/broadway-and-musicals\/\" class=\"advgb-post-tax-term\">Broadway and Musicals<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/crossover\/\" class=\"advgb-post-tax-term\">Crossover<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/full-figured-baroque\/\" class=\"advgb-post-tax-term\">Full-Figured Baroque<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/giuseppe-verdi\/\" class=\"advgb-post-tax-term\">Giuseppe Verdi<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/great-baritones\/\" class=\"advgb-post-tax-term\">Great Baritones<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Needle Drop<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Operetta<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/ruggero-leoncavallo\/\" class=\"advgb-post-tax-term\">Ruggero Leoncavallo<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Verismo<\/a>"],"unlinked":["<span class=\"advgb-post-tax-term\">Art Song<\/span>","<span class=\"advgb-post-tax-term\">Bel Canto<\/span>","<span class=\"advgb-post-tax-term\">Broadway and Musicals<\/span>","<span class=\"advgb-post-tax-term\">Crossover<\/span>","<span class=\"advgb-post-tax-term\">Full-Figured Baroque<\/span>","<span class=\"advgb-post-tax-term\">Giuseppe Verdi<\/span>","<span class=\"advgb-post-tax-term\">Great Baritones<\/span>","<span class=\"advgb-post-tax-term\">Needle Drop<\/span>","<span class=\"advgb-post-tax-term\">Operetta<\/span>","<span class=\"advgb-post-tax-term\">Ruggero Leoncavallo<\/span>","<span class=\"advgb-post-tax-term\">Verismo<\/span>"]},"tags":{"linked":["<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Adolf Baller<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Alessandro Scarlatti<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Antonio Sarti<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Antonio Vivaldi<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Attila (Verdi)<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Avodath Hakodesh (Bloch)<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Donald Voorhees<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Ernest Bloch<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Francis Poulenc<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Fritz Kreisler<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Gaetano Donizetti<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Gioacchino Rossini<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Giuseppe Verdi<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Henry Penn<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Howard Barlow<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Idabelle Firestone<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Igor Gorin<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Il barbiere di Siviglia<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Irving Berlin<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Johann Sebastian Bach<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Maria di Rohan (Donizetti)<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Max Rabinowitsch<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Maximilian Pilzer<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Mischa Spoliansky<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Modest Mussorgsky<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Nathaniel Shilkret<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Pagliacci<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Ruggero Leoncavallo<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Russian Folk Songs<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Stella Roman<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Wilfred Pelletier<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">William G. James<\/a>"],"unlinked":["<span class=\"advgb-post-tax-term\">Adolf Baller<\/span>","<span class=\"advgb-post-tax-term\">Alessandro Scarlatti<\/span>","<span class=\"advgb-post-tax-term\">Antonio Sarti<\/span>","<span class=\"advgb-post-tax-term\">Antonio Vivaldi<\/span>","<span class=\"advgb-post-tax-term\">Attila (Verdi)<\/span>","<span class=\"advgb-post-tax-term\">Avodath Hakodesh (Bloch)<\/span>","<span class=\"advgb-post-tax-term\">Donald Voorhees<\/span>","<span class=\"advgb-post-tax-term\">Ernest Bloch<\/span>","<span class=\"advgb-post-tax-term\">Francis Poulenc<\/span>","<span class=\"advgb-post-tax-term\">Fritz Kreisler<\/span>","<span class=\"advgb-post-tax-term\">Gaetano Donizetti<\/span>","<span class=\"advgb-post-tax-term\">Gioacchino Rossini<\/span>","<span class=\"advgb-post-tax-term\">Giuseppe Verdi<\/span>","<span class=\"advgb-post-tax-term\">Henry Penn<\/span>","<span class=\"advgb-post-tax-term\">Howard Barlow<\/span>","<span class=\"advgb-post-tax-term\">Idabelle Firestone<\/span>","<span class=\"advgb-post-tax-term\">Igor Gorin<\/span>","<span class=\"advgb-post-tax-term\">Il barbiere di Siviglia<\/span>","<span class=\"advgb-post-tax-term\">Irving Berlin<\/span>","<span class=\"advgb-post-tax-term\">Johann Sebastian Bach<\/span>","<span class=\"advgb-post-tax-term\">Maria di Rohan (Donizetti)<\/span>","<span class=\"advgb-post-tax-term\">Max Rabinowitsch<\/span>","<span class=\"advgb-post-tax-term\">Maximilian Pilzer<\/span>","<span class=\"advgb-post-tax-term\">Mischa Spoliansky<\/span>","<span class=\"advgb-post-tax-term\">Modest Mussorgsky<\/span>","<span class=\"advgb-post-tax-term\">Nathaniel Shilkret<\/span>","<span class=\"advgb-post-tax-term\">Pagliacci<\/span>","<span class=\"advgb-post-tax-term\">Ruggero Leoncavallo<\/span>","<span class=\"advgb-post-tax-term\">Russian Folk Songs<\/span>","<span class=\"advgb-post-tax-term\">Stella Roman<\/span>","<span class=\"advgb-post-tax-term\">Wilfred Pelletier<\/span>","<span class=\"advgb-post-tax-term\">William G. James<\/span>"]}},"comment_count":"0","relative_dates":{"created":"Posted 5 years ago","modified":"Updated 2 years ago"},"absolute_dates":{"created":"Posted on 31\/01\/2021","modified":"Updated on 08\/03\/2024"},"absolute_dates_time":{"created":"Posted on 31\/01\/2021 14:46","modified":"Updated on 08\/03\/2024 22:10"},"featured_img_caption":"","series_order":"","_links":{"self":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/6733","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/comments?post=6733"}],"version-history":[{"count":9,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/6733\/revisions"}],"predecessor-version":[{"id":14093,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/6733\/revisions\/14093"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/media\/6781"}],"wp:attachment":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/media?parent=6733"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/categories?post=6733"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/tags?post=6733"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}