{"id":6591,"date":"2021-01-17T17:42:59","date_gmt":"2021-01-17T16:42:59","guid":{"rendered":"http:\/\/countermelodypodcast.com\/?p=6591"},"modified":"2023-02-05T16:49:51","modified_gmt":"2023-02-05T15:49:51","slug":"episode-70-paul-robeson-ballad-of-an-american","status":"publish","type":"post","link":"https:\/\/countermelodypodcast.com\/index.php\/2021\/01\/17\/episode-70-paul-robeson-ballad-of-an-american\/","title":{"rendered":"Episode 70. Paul Robeson: Ballad of an American"},"content":{"rendered":"<div id=\"mega-menu-wrap-primary\" class=\"mega-menu-wrap\"><div class=\"mega-menu-toggle\"><div class=\"mega-toggle-blocks-left\"><\/div><div class=\"mega-toggle-blocks-center\"><\/div><div class=\"mega-toggle-blocks-right\"><div class='mega-toggle-block mega-menu-toggle-animated-block mega-toggle-block-1' id='mega-toggle-block-1'><button aria-label=\"Menu\" class=\"mega-toggle-animated mega-toggle-animated-slider\" type=\"button\" aria-haspopup=\"true\" aria-expanded=\"false\" aria-controls=\"mega-menu-primary\">\n                  <span class=\"mega-toggle-animated-box\">\n                    <span class=\"mega-toggle-animated-inner\"><\/span>\n                  <\/span>\n                <\/button><\/div><\/div><\/div><ul id=\"mega-menu-primary\" class=\"mega-menu max-mega-menu mega-menu-horizontal mega-no-js\" data-event=\"hover_intent\" data-effect=\"slide\" data-effect-speed=\"200\" data-effect-mobile=\"slide\" data-effect-speed-mobile=\"200\" data-mobile-force-width=\"body\" data-second-click=\"go\" data-document-click=\"collapse\" data-vertical-behaviour=\"standard\" data-breakpoint=\"600\" data-unbind=\"true\" data-mobile-state=\"collapse_all\" data-mobile-direction=\"vertical\" data-hover-intent-timeout=\"300\" data-hover-intent-interval=\"100\"><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-menu-item-home mega-align-bottom-left mega-menu-flyout mega-menu-item-19160\" id=\"mega-menu-item-19160\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/\">Home<\/a><\/li><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-align-bottom-left mega-menu-flyout mega-menu-item-19161\" id=\"mega-menu-item-19161\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/index.php\/about-daniel\/\">About Daniel<\/a><\/li><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-current_page_parent mega-align-bottom-left mega-menu-flyout mega-menu-item-19171\" id=\"mega-menu-item-19171\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/index.php\/all-episodes\/\">All Episodes<\/a><\/li><\/ul><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">Episode 70.  Paul Robeson: Ballad of an American<\/h2>\n\n\n\n<iframe loading=\"lazy\" width=\"340\" height=\"50\" src=\"https:\/\/countermelody.blubrry.net\/?powerpress_embed=259-podcast&amp;powerpress_player=mediaelement-audio\" frameborder=\"0\" scrolling=\"no\"><\/iframe>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p><strong>SOCIAL SHARE<\/strong><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"has-text-align-right\"><strong>SUBSCRIPTION PLATFORM<\/strong><\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<div class=\"wp-block-buttons alignleft is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button alignright\"><a class=\"wp-block-button__link no-border-radius\" href=\"https:\/\/countermelody.blubrry.net\/\">SUBSCRIBE VIA YOUR FAVORITE PODCAST PLATFORM<\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"766\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Handsome-Robeson-Untrimmed.jpg\" alt=\"\" class=\"wp-image-6659\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Handsome-Robeson-Untrimmed.jpg 600w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Handsome-Robeson-Untrimmed-235x300.jpg 235w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/figure><\/div>\n\n\n\n<div style=\"height:38px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>January 23 is the 45th anniversary of the death of Paul Robeson, who remains one of the most celebrated, and controversial, of all artists. A man of fierce intelligence and convictions, he was naturally gifted in a number of different media. Today I will focus on his accomplishments as a singer, but within the context of his political activism and activities on behalf of oppressed people the world over. He was vilified and hunted as much (if not more) than he was revered and celebrated. In this episode I remember some of his most famous performances and recordings, focusing on his performances of African American spirituals and protest songs, folk songs from around the world, including Russia and China, and works that celebrated the brand of left-wing populism that was in vogue in the 1930s and 1940s, focusing in particular on his recording of the hybrid work, <em>Ballad for Americans<\/em>, by composer Earl Robinson and lyricist John LaTouche. As the United States faces the potential of a better future that could be offset by violence and divisiveness, let us remember the life and career of a truly great American who paid an enormous price for his convictions, but created the potential context for a better, more just world and country.<\/p>\n\n\n\n<p>Previous episodes that included music by Paul Robeson:<\/p>\n\n\n\n<p>Episode 37 (No More Slavery Chains).<a href=\"http:\/\/www.countermelodypodcast.com\/episode-37-no-more-slavery-chains\"> www.countermelodypodcast.com\/episode-37-no-more-slavery-chains<\/a><\/p>\n\n\n\n<p>Episode 55 (Season Two Teaser): <a href=\"http:\/\/www.countermelodypodcast.com\/episode-55-season-two-teaser\">www.countermelodypodcast.com\/episode-55-season-two-teaser<\/a><\/p>\n\n\n\n<p>Episode 65 (The Year 1935): <a href=\"http:\/\/www.countermelodypodcast.com\/episode-65-1935-hb2u-mommie-dearest\">www.countermelodypodcast.com\/episode-65-1935-hb2u-mommie-dearest<\/a><\/p>\n\n\n\n<div style=\"height:47px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-custom-size\" style=\"font-size:30px\"><strong> RECORDINGS HEARD IN THIS EPISODE<\/strong><\/p>\n\n\n\n<div style=\"height:55px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"640\" height=\"480\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Robeson-in-Show-Boat.jpg\" alt=\"\" class=\"wp-image-6665\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Robeson-in-Show-Boat.jpg 640w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Robeson-in-Show-Boat-300x225.jpg 300w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><figcaption>Paul Robeson as Joe in the 1936 film version of <em>Show Boat<\/em><\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Jerome Kern, Oscar Hammerstein, Paul Robeson (revised words): Old Man River (<em>Show Boat<\/em>). Paul Robeson; Alan Booth [live Carnegie Hall 9 May 1958]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"604\" height=\"470\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Elisabeth-Welch-and-Paul-Robeson.png\" alt=\"\" class=\"wp-image-6666\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Elisabeth-Welch-and-Paul-Robeson.png 604w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Elisabeth-Welch-and-Paul-Robeson-300x233.png 300w\" sizes=\"auto, (max-width: 604px) 100vw, 604px\" \/><figcaption>Paul Robeson and Elisabeth Welch<\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Jerome Kern, Oscar Hammerstein II: I Still Suits Me (<em>Show Boat<\/em> &#8211; 1936 film). Paul Robeson, Elisabeth Welch; Clifford Greenwood, New Mayfair Orchestra [1936]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"325\" height=\"402\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Shilkret2.jpg\" alt=\"\" class=\"wp-image-6668\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Shilkret2.jpg 325w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Shilkret2-243x300.jpg 243w\" sizes=\"auto, (max-width: 325px) 100vw, 325px\" \/><figcaption>Nathaniel Shilkret (1889-1982)<\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Nathaniel Shilkret, Gene Austin: Lonesome Road (used in <em>Show Boat<\/em> &#8211; 1929 film). Paul Robeson; Ray Noble, New Mayfair Orchestra [1929]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Sandeers-Nina-Mae-McKinney.jpg\" alt=\"\" class=\"wp-image-6679\" width=\"439\" height=\"586\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Sandeers-Nina-Mae-McKinney.jpg 350w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Sandeers-Nina-Mae-McKinney-225x300.jpg 225w\" sizes=\"auto, (max-width: 439px) 100vw, 439px\" \/><figcaption>Paul Robeson and Nina Mae McKinney in <em>Sanders of the River <\/em>(1935)<\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:11px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Mischa Spoliansky, Arthur Wimperis: Congo Lullaby (<em>Sanders of the River<\/em>). Paul Robeson; Muir Matheson, New Mayfair Orchestra [1935]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"512\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Preach-It.jpg\" alt=\"\" class=\"wp-image-6669\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Preach-It.jpg 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Preach-It-300x150.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Preach-It-768x384.jpg 768w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure><\/div>\n\n\n\n<p>George Gershwin, DuBose Heyward, Ira Gershwin: It Ain&#8217;t Necessarily So (<em>Porgy and Bess<\/em>). Paul Robeson [1939]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"617\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Robeson-and-Son-1-1024x617.jpg\" alt=\"\" class=\"wp-image-6689\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Robeson-and-Son-1-1024x617.jpg 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Robeson-and-Son-1-300x181.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Robeson-and-Son-1-768x463.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Robeson-and-Son-1-1536x925.jpg 1536w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Robeson-and-Son-1-1600x964.jpg 1600w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Robeson-and-Son-1.jpg 2005w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption>Paul Robeson with his son, 1943. (Photo by Afro American Newspapers\/Gado\/Getty Images)<\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Roy Henderson, Buddy DeSylva, Lew Brown: Little Pal. Paul Robeson; Ray Noble, New Mayfair Orchestra [1929]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"500\" height=\"625\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Duke-2.jpg\" alt=\"\" class=\"wp-image-6674\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Duke-2.jpg 500w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Duke-2-240x300.jpg 240w\" sizes=\"auto, (max-width: 500px) 100vw, 500px\" \/><figcaption>Duke Ellington (1899-1974)<\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Duke Ellington, Barney Bigard, Irving Mills: Mood Indigo. Paul Robeson [1937]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Seress-1.jpg\" alt=\"\" class=\"wp-image-6675\" width=\"461\" height=\"695\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Seress-1.jpg 639w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Seress-1-199x300.jpg 199w\" sizes=\"auto, (max-width: 461px) 100vw, 461px\" \/><figcaption>Rezs\u0151 Seress (1899-1968)<\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:11px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Rezs\u0151 Seress, Desmond Carter: Gloomy Sunday. Paul Robeson [1936]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"268\" height=\"342\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Robeston-testimony.jpg\" alt=\"\" class=\"wp-image-6676\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Robeston-testimony.jpg 268w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Robeston-testimony-235x300.jpg 235w\" sizes=\"auto, (max-width: 268px) 100vw, 268px\" \/><\/figure><\/div>\n\n\n\n<p>Paul Robeson on the defintions of Fascism and Communism [Senate testimony, 31 May 1948]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"553\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Ballad-for-Americans.jpg\" alt=\"\" class=\"wp-image-6680\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Ballad-for-Americans.jpg 600w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Ballad-for-Americans-300x277.jpg 300w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/figure><\/div>\n\n\n\n<p>Earl Robinson, John LaTouche: Ballad for Americans. Paul Robeson; Nathaniel Shilkret, Victor Symphony Orchestra, American Peoples Chorus [1940]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"576\" height=\"733\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Earl-Robinson-and-Paul-Robeson.jpg\" alt=\"\" class=\"wp-image-6681\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Earl-Robinson-and-Paul-Robeson.jpg 576w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Earl-Robinson-and-Paul-Robeson-236x300.jpg 236w\" sizes=\"auto, (max-width: 576px) 100vw, 576px\" \/><figcaption>Earl Robinson (1910-1991) and Paul Robeson<\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Earl Robinson, Allen Lewis: The House I Live In. Paul Robeson; Emanuel Balaban, Columbia Concert Orchestra [1947]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"513\" height=\"659\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Brown.jpg\" alt=\"\" class=\"wp-image-6683\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Brown.jpg 513w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Brown-234x300.jpg 234w\" sizes=\"auto, (max-width: 513px) 100vw, 513px\" \/><figcaption>Lawrence Brown (1893-1972)<\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:11px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Marc Blitzstein: The Purest Kind of Guy (<em>No for an Answer<\/em>). Paul Robeson; Lawrence Brown [1942]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"435\" height=\"498\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Robeson-and-Alan-Booth.png\" alt=\"\" class=\"wp-image-6684\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Robeson-and-Alan-Booth.png 435w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Robeson-and-Alan-Booth-262x300.png 262w\" sizes=\"auto, (max-width: 435px) 100vw, 435px\" \/><figcaption>Paul Robeson and Alan Booth (1925-1996)<\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Yiddish Folk Song: Shlof, mein Kind. Paul Robeson; Alan Booth [1956]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"700\" height=\"467\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/The-Peekskill-Riot-4-September-1949.jpg\" alt=\"\" class=\"wp-image-6685\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/The-Peekskill-Riot-4-September-1949.jpg 700w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/The-Peekskill-Riot-4-September-1949-300x200.jpg 300w\" sizes=\"auto, (max-width: 700px) 100vw, 700px\" \/><figcaption>The Peekskill Riot (4 September 1949)<\/figcaption><\/figure>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Traditional Spiritual, arr. H.T. Burleigh: Scandalize My Name. Paul Robeson; Alan Booth [1957]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"800\" height=\"500\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Robeson-Fervent.jpg\" alt=\"\" class=\"wp-image-6691\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Robeson-Fervent.jpg 800w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Robeson-Fervent-300x188.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Robeson-Fervent-768x480.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><\/figure>\n\n\n\n<p>Traditional Spiritual: Weepin&#8217; Mary. Paul Robeson; Lawrence Brown [1929]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"684\" height=\"571\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Robeson-and-Lawrence-Brown-1.png\" alt=\"\" class=\"wp-image-6688\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Robeson-and-Lawrence-Brown-1.png 684w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Robeson-and-Lawrence-Brown-1-300x250.png 300w\" sizes=\"auto, (max-width: 684px) 100vw, 684px\" \/><figcaption>Paul Robeson and Lawrence Brown<\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Traditional Spiritual, arr. H.T. Burleigh: By an&#8217; By. Paul Robeson; Lawrence Brown [1945]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"789\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Robeson-at-Carnegie-789x1024.jpg\" alt=\"\" class=\"wp-image-6694\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Robeson-at-Carnegie-789x1024.jpg 789w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Robeson-at-Carnegie-231x300.jpg 231w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Robeson-at-Carnegie-768x996.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Robeson-at-Carnegie.jpg 1089w\" sizes=\"auto, (max-width: 789px) 100vw, 789px\" \/><\/figure><\/div>\n\n\n\n<p>Spiritual, arr Lawrence Brown: Didn&#8217;t My Lord Deliver Daniel. Paul Robeson; Alan Booth [live Carnegie Hall 9 May 1958]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Paul-Robeson-World-Peace-Conference-20-April-1949-683x1024.jpg\" alt=\"\" class=\"wp-image-6692\" width=\"565\" height=\"847\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Paul-Robeson-World-Peace-Conference-20-April-1949-683x1024.jpg 683w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Paul-Robeson-World-Peace-Conference-20-April-1949-200x300.jpg 200w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Paul-Robeson-World-Peace-Conference-20-April-1949.jpg 700w\" sizes=\"auto, (max-width: 565px) 100vw, 565px\" \/><figcaption>Paul Robeson at the World Peace Conference in Paris, 20 April 1949<\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Traditional American: Takin&#8217; Names. Paul Robeson; Alan Booth [1957]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"768\" height=\"733\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Brown-Robeson.jpg\" alt=\"\" class=\"wp-image-6693\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Brown-Robeson.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Brown-Robeson-300x286.jpg 300w\" sizes=\"auto, (max-width: 768px) 100vw, 768px\" \/><figcaption>Lawrence Brown and Paul Robeson<\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Traditional American, arr. H.T. Burleigh: John Henry. Paul Robeson; Lawrence Brown [1945]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"620\" height=\"372\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Robeson-in-Proud-Valley.jpg\" alt=\"\" class=\"wp-image-6695\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Robeson-in-Proud-Valley.jpg 620w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Robeson-in-Proud-Valley-300x180.jpg 300w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/><figcaption>Paul Robeson in the film <em>The Proud Valley <\/em>(1940)<\/figcaption><\/figure>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Traditional American, arr. Avery Robinson: Water Boy. Paul Robeson; Lawrence Brown [1945]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"702\" height=\"336\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Paul-Robeson.jpg\" alt=\"\" class=\"wp-image-6696\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Paul-Robeson.jpg 702w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Paul-Robeson-300x144.jpg 300w\" sizes=\"auto, (max-width: 702px) 100vw, 702px\" \/><\/figure><\/div>\n\n\n\n<p>Traditional American, John Newton: Amazing Grace. Paul Robeson; Alan Booth [1956]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"576\" height=\"594\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Robeson-Keyboard.png\" alt=\"\" class=\"wp-image-6697\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Robeson-Keyboard.png 576w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Robeson-Keyboard-291x300.png 291w\" sizes=\"auto, (max-width: 576px) 100vw, 576px\" \/><\/figure><\/div>\n\n\n\n<p>Traditional Scottish, arr. Walter Goehr. Loch Lomond. Paul Robeson [1938]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Palmgren-629x1024.jpg\" alt=\"\" class=\"wp-image-6698\" width=\"530\" height=\"863\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Palmgren-629x1024.jpg 629w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Palmgren-184x300.jpg 184w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Palmgren.jpg 705w\" sizes=\"auto, (max-width: 530px) 100vw, 530px\" \/><figcaption>Selim Palmgren (1878-1951)<\/figcaption><\/figure><\/div>\n\n\n\n<p>Traditional Finnish, arr. Selim Palmgren: Wanderer. Paul Robeson; Alan Booth [1957]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"576\" height=\"498\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Songs-of-New-China.jpg\" alt=\"\" class=\"wp-image-6699\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Songs-of-New-China.jpg 576w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Songs-of-New-China-300x259.jpg 300w\" sizes=\"auto, (max-width: 576px) 100vw, 576px\" \/><\/figure><\/div>\n\n\n\n<p>Traditional Chinese: Riding the Dragon [Children&#8217;s Song]. Paul Robeson [1941]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"475\" height=\"656\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Garat.jpg\" alt=\"\" class=\"wp-image-6700\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Garat.jpg 475w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Garat-217x300.jpg 217w\" sizes=\"auto, (max-width: 475px) 100vw, 475px\" \/><figcaption>Pierre-Jean Garat (1764-1823)<\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Pierre-Jean Garat: Dans le printemps de mes ann\u00e9ees. Paul Robeson; Alan Booth [1958]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"983\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Chaliapin-1-983x1024.jpg\" alt=\"\" class=\"wp-image-6702\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Chaliapin-1-983x1024.jpg 983w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Chaliapin-1-288x300.jpg 288w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Chaliapin-1-768x800.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Chaliapin-1.jpg 992w\" sizes=\"auto, (max-width: 983px) 100vw, 983px\" \/><figcaption>Fedor Chaliapin (1873-1938) was an enormous influence on Robeson<\/figcaption><\/figure>\n\n\n\n<div style=\"height:11px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Alexander Alexandrov: O Thou Silent Night. Paul Robeson; Alan Booth [live Carnegie Hall 9 May 1958]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"433\" height=\"476\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Robeson-in-Russia.png\" alt=\"\" class=\"wp-image-6703\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Robeson-in-Russia.png 433w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Robeson-in-Russia-273x300.png 273w\" sizes=\"auto, (max-width: 433px) 100vw, 433px\" \/><\/figure><\/div>\n\n\n\n<p>Traditional Russian: Volga Boat Song. Paul Robeson; Alan Booth [live Carnegie Hall 9 May 1958]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Robeson-1024x683.jpg\" alt=\"\" class=\"wp-image-6704\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Robeson-1024x683.jpg 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Robeson-300x200.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Robeson-768x512.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Robeson.jpg 1050w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure><\/div>\n\n\n\n<p>Alexander Gretchaninov: Cradle Song [sung in Russian]. Paul Robeson; Lawrence Brown [1942]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Mussorgsky.jpg\" alt=\"\" class=\"wp-image-6718\" width=\"542\" height=\"288\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Mussorgsky.jpg 500w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Mussorgsky-300x160.jpg 300w\" sizes=\"auto, (max-width: 542px) 100vw, 542px\" \/><figcaption>Modest Mussorgsky (1839-1881)<\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Modest Mussorgsky: Within Four Walls [sung in Russian] (<em>Sunless<\/em>, No. 1). Paul Robeson; Lawrence Brown [1942]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"818\" height=\"550\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Pushkin.jpg\" alt=\"\" class=\"wp-image-6720\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Pushkin.jpg 818w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Pushkin-300x202.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Pushkin-768x516.jpg 768w\" sizes=\"auto, (max-width: 818px) 100vw, 818px\" \/><figcaption>Alexander Pushkin (1799-1837)<\/figcaption><\/figure>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Modest Mussorgsky, Alexander Pushkin: Monologue (<em>Boris Godunov<\/em>). Paul Robeson; Alan Booth [live Carnegie Hall 9 May 1958]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"806\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/robesonchina.jpg\" alt=\"\" class=\"wp-image-6726\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/robesonchina.jpg 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/robesonchina-300x236.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/robesonchina-768x605.jpg 768w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption>Paul Robeson with Chinese opera singer Mei Lan-fang and opera singer and producer\u00a0Wang Shiao-lou,<br>London 1930s.<\/figcaption><\/figure>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Traditional Chinese: Chinese Army Song. Paul Robeson [1941]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Kevin-Barry.jpg\" alt=\"\" class=\"wp-image-6714\" width=\"316\" height=\"373\"\/><figcaption>Kevin Barry (1902-1920)<\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Traditional Irish: Kevin Barry. Paul Robeson; Alan Booth [1956]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"663\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Hanns_Eisler_1917-1-1-663x1024.jpg\" alt=\"\" class=\"wp-image-6722\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Hanns_Eisler_1917-1-1-663x1024.jpg 663w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Hanns_Eisler_1917-1-1-194x300.jpg 194w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Hanns_Eisler_1917-1-1-768x1187.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Hanns_Eisler_1917-1-1-994x1536.jpg 994w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Hanns_Eisler_1917-1-1-1325x2048.jpg 1325w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Hanns_Eisler_1917-1-1-1600x2473.jpg 1600w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Hanns_Eisler_1917-1-1-scaled.jpg 1657w\" sizes=\"auto, (max-width: 663px) 100vw, 663px\" \/><figcaption>Hanns Eisler (1898-1962)<\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Anonymous, arr. Hanns Eisler: The Peat Bog Soldiers [sung in English and German]. Paul Robeson; Lawrence Brown [1942]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"700\" height=\"467\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Paul-Robeson-and-the-Welsh-miners.jpg\" alt=\"\" class=\"wp-image-6724\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Paul-Robeson-and-the-Welsh-miners.jpg 700w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Paul-Robeson-and-the-Welsh-miners-300x200.jpg 300w\" sizes=\"auto, (max-width: 700px) 100vw, 700px\" \/><figcaption>Paul Robeson in Spain with the pro-democracy insurgents (1938)<\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Traditional Spanish: The Four Insurgent Generals [sung in English and Spanish]. Paul Robeson; Lawrence Brown [1942]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"700\" height=\"850\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Robeson-picketing-White-House-1.jpg\" alt=\"\" class=\"wp-image-6711\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Robeson-picketing-White-House-1.jpg 700w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Robeson-picketing-White-House-1-247x300.jpg 247w\" sizes=\"auto, (max-width: 700px) 100vw, 700px\" \/><\/figure><\/div>\n\n\n\n<p>Hirsch Glick: Zot nit keynmol [Song of the Warsaw Ghetto]. Paul Robeson; Alan Booth [1956]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Joe-Hill.jpg\" alt=\"\" class=\"wp-image-6712\" width=\"349\" height=\"527\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Joe-Hill.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Joe-Hill-199x300.jpg 199w\" sizes=\"auto, (max-width: 349px) 100vw, 349px\" \/><figcaption>Joe Hill [n\u00e9 Joel Emmanuel H\u00e4gglund] (1879-1915)<\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:11px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Earl Robinson, Alfred Hayes: Joe Hill. Paul Robeson; Alan Booth [live Carnegie Hall 9 May 1958]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-gallery columns-3 is-cropped wp-block-gallery-1\"><ul class=\"blocks-gallery-grid\"><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"359\" height=\"450\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Hagen-Robeson.jpg\" alt=\"\" data-id=\"6713\" data-full-url=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Hagen-Robeson.jpg\" data-link=\"https:\/\/countermelodypodcast.com\/episode-70-paul-robeson-ballad-of-an-american\/hagen-robeson\/\" class=\"wp-image-6713\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Hagen-Robeson.jpg 359w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Hagen-Robeson-239x300.jpg 239w\" sizes=\"auto, (max-width: 359px) 100vw, 359px\" \/><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"753\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Othello-Print-Ad-753x1024.jpg\" alt=\"\" data-id=\"6715\" data-full-url=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Othello-Print-Ad.jpg\" data-link=\"https:\/\/countermelodypodcast.com\/episode-70-paul-robeson-ballad-of-an-american\/othello-print-ad\/\" class=\"wp-image-6715\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Othello-Print-Ad-753x1024.jpg 753w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Othello-Print-Ad-221x300.jpg 221w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Othello-Print-Ad-768x1044.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Othello-Print-Ad-1130x1536.jpg 1130w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Othello-Print-Ad.jpg 1280w\" sizes=\"auto, (max-width: 753px) 100vw, 753px\" \/><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"400\" height=\"313\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Robeson-and-Peggy-Ashcroft-in-Othello.jpg\" alt=\"\" data-id=\"6716\" data-full-url=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Robeson-and-Peggy-Ashcroft-in-Othello.jpg\" data-link=\"https:\/\/countermelodypodcast.com\/episode-70-paul-robeson-ballad-of-an-american\/robeson-and-peggy-ashcroft-in-othello\/\" class=\"wp-image-6716\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Robeson-and-Peggy-Ashcroft-in-Othello.jpg 400w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Robeson-and-Peggy-Ashcroft-in-Othello-300x235.jpg 300w\" sizes=\"auto, (max-width: 400px) 100vw, 400px\" \/><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"811\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Robeson-and-Uta-Hagen-in-Othello-811x1024.jpg\" alt=\"\" data-id=\"6721\" data-full-url=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Robeson-and-Uta-Hagen-in-Othello-scaled.jpg\" data-link=\"https:\/\/countermelodypodcast.com\/episode-70-paul-robeson-ballad-of-an-american\/robeson-and-uta-hagen-in-othello\/\" class=\"wp-image-6721\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Robeson-and-Uta-Hagen-in-Othello-811x1024.jpg 811w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Robeson-and-Uta-Hagen-in-Othello-238x300.jpg 238w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Robeson-and-Uta-Hagen-in-Othello-768x969.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Robeson-and-Uta-Hagen-in-Othello-1217x1536.jpg 1217w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Robeson-and-Uta-Hagen-in-Othello-1623x2048.jpg 1623w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Robeson-and-Uta-Hagen-in-Othello-1600x2020.jpg 1600w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Robeson-and-Uta-Hagen-in-Othello-scaled.jpg 2028w\" sizes=\"auto, (max-width: 811px) 100vw, 811px\" \/><figcaption class=\"blocks-gallery-item__caption is-layout-flex wp-block-gallery-is-layout-flex\">Paul Robeson and Uta Hagen (New York 1942)<\/figcaption><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"1023\" height=\"576\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Robeson-Ashcroft.jpg\" alt=\"\" data-id=\"6723\" data-full-url=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Robeson-Ashcroft.jpg\" data-link=\"https:\/\/countermelodypodcast.com\/episode-70-paul-robeson-ballad-of-an-american\/robeson-ashcroft\/\" class=\"wp-image-6723\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Robeson-Ashcroft.jpg 1023w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Robeson-Ashcroft-300x169.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Robeson-Ashcroft-768x432.jpg 768w\" sizes=\"auto, (max-width: 1023px) 100vw, 1023px\" \/><figcaption class=\"blocks-gallery-item__caption\">Paul Robeson and Peggy Ashcroft (London 1930)<\/figcaption><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"996\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Robeson-Othello-Columbia-996x1024.jpg\" alt=\"\" data-id=\"6725\" data-full-url=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Robeson-Othello-Columbia.jpg\" data-link=\"https:\/\/countermelodypodcast.com\/episode-70-paul-robeson-ballad-of-an-american\/robeson-othello-columbia\/\" class=\"wp-image-6725\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Robeson-Othello-Columbia-996x1024.jpg 996w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Robeson-Othello-Columbia-292x300.jpg 292w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Robeson-Othello-Columbia-768x790.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Robeson-Othello-Columbia-1494x1536.jpg 1494w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Robeson-Othello-Columbia.jpg 1556w\" sizes=\"auto, (max-width: 996px) 100vw, 996px\" \/><figcaption class=\"blocks-gallery-item__caption\">The Columbia recording with the stars of the Broadway production<\/figcaption><\/figure><\/li><\/ul><\/figure>\n\n\n\n<p>William Shakespeare: A word or two before you go (<em>Othello<\/em>). Paul Robeson [live Carnegie Hall 9 May 1958]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"700\" height=\"420\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Paul-and-Eslanda-Robeson.jpg\" alt=\"\" class=\"wp-image-6727\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Paul-and-Eslanda-Robeson.jpg 700w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Paul-and-Eslanda-Robeson-300x180.jpg 300w\" sizes=\"auto, (max-width: 700px) 100vw, 700px\" \/><figcaption>Paul Robeson and Eslanda Goode Robeson (1895-1965)<\/figcaption><\/figure>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Traditional Spiritual: No More Auction Block for Me. Paul Robeson; Alan Booth [1956]<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"819\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Robeson-by-Yousuf-Karsh-819x1024.jpg\" alt=\"\" class=\"wp-image-6728\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Robeson-by-Yousuf-Karsh-819x1024.jpg 819w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Robeson-by-Yousuf-Karsh-240x300.jpg 240w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Robeson-by-Yousuf-Karsh-768x961.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Robeson-by-Yousuf-Karsh-1228x1536.jpg 1228w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Robeson-by-Yousuf-Karsh.jpg 1567w\" sizes=\"auto, (max-width: 819px) 100vw, 819px\" \/><figcaption>Paul Robeson photographed by Yousuf Karsh (1941)<\/figcaption><\/figure><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Episode 70. Paul Robeson: Ballad of an American SOCIAL SHARE SUBSCRIPTION PLATFORM January 23 is the 45th anniversary of the&hellip;<\/p>\n","protected":false},"author":1,"featured_media":6658,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"advgb_blocks_editor_width":"","advgb_blocks_columns_visual_guide":"","footnotes":""},"categories":[1626,1075,4894,2109,1076,1072,2260,808,1540,3272,2806],"tags":[2598,2603,2604,1592,1561,1372,2605,1396,2602,2609,2610,1389,2597,2596,937,810,2601,2607,927,2599,1564,414,2606,2608,2138,430,2600],"class_list":["post-6591","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-african-american-singers","category-art-song","category-bhm-2023-wk-1","category-broadway-and-musicals","category-crossover","category-in-memoriam","category-music-for-a-world-in-crisis","category-needle-drop","category-protest-songs","category-singers-of-color","category-twentieth-century-music","tag-alan-booth","tag-alexander-gretchaninov","tag-boris-godunov","tag-duke-ellington","tag-earl-robinson","tag-elisabeth-welch","tag-folk-songs","tag-george-gershwin","tag-hanns-eisler","tag-henry-thacker-burleigh","tag-hirsch-glick","tag-jerome-kern","tag-john-latouche","tag-lawrence-brown","tag-marc-blitzstein","tag-mischa-spoliansky","tag-modest-mussorgsky","tag-nathaniel-shilkret","tag-oscar-hammerstein-ii","tag-othello","tag-paul-robeson","tag-porgy-and-bess","tag-protest-songs","tag-selim-palmgren","tag-show-boat","tag-spirituals","tag-william-shakespeare"],"author_meta":{"display_name":"admin","author_link":"https:\/\/countermelodypodcast.com\/index.php\/author\/admin\/"},"featured_img":"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Robeson-on-Train-TRIMMED-300x136.jpg","coauthors":[],"tax_additional":{"categories":{"linked":["<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/african-american-singers\/\" class=\"advgb-post-tax-term\">African American Singers<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/art-song\/\" class=\"advgb-post-tax-term\">Art Song<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/bhm-2023-wk-1\/\" class=\"advgb-post-tax-term\">BHM 2023 Wk 1<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/broadway-and-musicals\/\" class=\"advgb-post-tax-term\">Broadway and Musicals<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/crossover\/\" class=\"advgb-post-tax-term\">Crossover<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/in-memoriam\/\" class=\"advgb-post-tax-term\">In Memoriam<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/music-for-a-world-in-crisis\/\" class=\"advgb-post-tax-term\">Music for a World in Crisis<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Needle Drop<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/protest-songs\/\" class=\"advgb-post-tax-term\">Protest Songs<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/singers-of-color\/\" class=\"advgb-post-tax-term\">Singers of Color<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Twentieth Century Music<\/a>"],"unlinked":["<span class=\"advgb-post-tax-term\">African American Singers<\/span>","<span class=\"advgb-post-tax-term\">Art Song<\/span>","<span class=\"advgb-post-tax-term\">BHM 2023 Wk 1<\/span>","<span class=\"advgb-post-tax-term\">Broadway and Musicals<\/span>","<span class=\"advgb-post-tax-term\">Crossover<\/span>","<span class=\"advgb-post-tax-term\">In Memoriam<\/span>","<span class=\"advgb-post-tax-term\">Music for a World in Crisis<\/span>","<span class=\"advgb-post-tax-term\">Needle Drop<\/span>","<span class=\"advgb-post-tax-term\">Protest Songs<\/span>","<span class=\"advgb-post-tax-term\">Singers of Color<\/span>","<span class=\"advgb-post-tax-term\">Twentieth Century Music<\/span>"]},"tags":{"linked":["<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Alan Booth<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Alexander Gretchaninov<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Boris Godunov<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Duke Ellington<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Earl Robinson<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Elisabeth Welch<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Folk Songs<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">George Gershwin<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Hanns Eisler<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Henry Thacker Burleigh<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Hirsch Glick<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Jerome Kern<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">John LaTouche<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Lawrence Brown<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Marc Blitzstein<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Mischa Spoliansky<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Modest Mussorgsky<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Nathaniel Shilkret<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Oscar Hammerstein II<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Othello<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Paul Robeson<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Porgy and Bess<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Protest Songs<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Selim Palmgren<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Show Boat<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Spirituals<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">William Shakespeare<\/a>"],"unlinked":["<span class=\"advgb-post-tax-term\">Alan Booth<\/span>","<span class=\"advgb-post-tax-term\">Alexander Gretchaninov<\/span>","<span class=\"advgb-post-tax-term\">Boris Godunov<\/span>","<span class=\"advgb-post-tax-term\">Duke Ellington<\/span>","<span class=\"advgb-post-tax-term\">Earl Robinson<\/span>","<span class=\"advgb-post-tax-term\">Elisabeth Welch<\/span>","<span class=\"advgb-post-tax-term\">Folk Songs<\/span>","<span class=\"advgb-post-tax-term\">George Gershwin<\/span>","<span class=\"advgb-post-tax-term\">Hanns Eisler<\/span>","<span class=\"advgb-post-tax-term\">Henry Thacker Burleigh<\/span>","<span class=\"advgb-post-tax-term\">Hirsch Glick<\/span>","<span class=\"advgb-post-tax-term\">Jerome Kern<\/span>","<span class=\"advgb-post-tax-term\">John LaTouche<\/span>","<span class=\"advgb-post-tax-term\">Lawrence Brown<\/span>","<span class=\"advgb-post-tax-term\">Marc Blitzstein<\/span>","<span class=\"advgb-post-tax-term\">Mischa Spoliansky<\/span>","<span class=\"advgb-post-tax-term\">Modest Mussorgsky<\/span>","<span class=\"advgb-post-tax-term\">Nathaniel Shilkret<\/span>","<span class=\"advgb-post-tax-term\">Oscar Hammerstein II<\/span>","<span class=\"advgb-post-tax-term\">Othello<\/span>","<span class=\"advgb-post-tax-term\">Paul Robeson<\/span>","<span class=\"advgb-post-tax-term\">Porgy and Bess<\/span>","<span class=\"advgb-post-tax-term\">Protest Songs<\/span>","<span class=\"advgb-post-tax-term\">Selim Palmgren<\/span>","<span class=\"advgb-post-tax-term\">Show Boat<\/span>","<span class=\"advgb-post-tax-term\">Spirituals<\/span>","<span class=\"advgb-post-tax-term\">William Shakespeare<\/span>"]}},"comment_count":"2","relative_dates":{"created":"Posted 5 years ago","modified":"Updated 3 years ago"},"absolute_dates":{"created":"Posted on 17\/01\/2021","modified":"Updated on 05\/02\/2023"},"absolute_dates_time":{"created":"Posted on 17\/01\/2021 17:42","modified":"Updated on 05\/02\/2023 16:49"},"featured_img_caption":"","series_order":"","_links":{"self":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/6591","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/comments?post=6591"}],"version-history":[{"count":11,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/6591\/revisions"}],"predecessor-version":[{"id":6731,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/6591\/revisions\/6731"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/media\/6658"}],"wp:attachment":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/media?parent=6591"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/categories?post=6591"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/tags?post=6591"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}