{"id":6584,"date":"2021-01-24T13:04:31","date_gmt":"2021-01-24T12:04:31","guid":{"rendered":"http:\/\/countermelodypodcast.com\/?p=6584"},"modified":"2024-02-16T10:51:34","modified_gmt":"2024-02-16T09:51:34","slug":"episode-71-eide-norena","status":"publish","type":"post","link":"https:\/\/countermelodypodcast.com\/index.php\/2021\/01\/24\/episode-71-eide-norena\/","title":{"rendered":"Episode 71. Eid\u00e9 Nor\u00e9na"},"content":{"rendered":"<div id=\"mega-menu-wrap-primary\" class=\"mega-menu-wrap\"><div class=\"mega-menu-toggle\"><div class=\"mega-toggle-blocks-left\"><\/div><div class=\"mega-toggle-blocks-center\"><\/div><div class=\"mega-toggle-blocks-right\"><div class='mega-toggle-block mega-menu-toggle-animated-block mega-toggle-block-1' id='mega-toggle-block-1'><button aria-label=\"Menu\" class=\"mega-toggle-animated mega-toggle-animated-slider\" type=\"button\" aria-haspopup=\"true\" aria-expanded=\"false\" aria-controls=\"mega-menu-primary\">\n                  <span class=\"mega-toggle-animated-box\">\n                    <span class=\"mega-toggle-animated-inner\"><\/span>\n                  <\/span>\n                <\/button><\/div><\/div><\/div><ul id=\"mega-menu-primary\" class=\"mega-menu max-mega-menu mega-menu-horizontal mega-no-js\" data-event=\"hover_intent\" data-effect=\"slide\" data-effect-speed=\"200\" data-effect-mobile=\"slide\" data-effect-speed-mobile=\"200\" data-mobile-force-width=\"body\" data-second-click=\"go\" data-document-click=\"collapse\" data-vertical-behaviour=\"standard\" data-breakpoint=\"600\" data-unbind=\"true\" data-mobile-state=\"collapse_all\" data-mobile-direction=\"vertical\" data-hover-intent-timeout=\"300\" data-hover-intent-interval=\"100\"><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-menu-item-home mega-align-bottom-left mega-menu-flyout mega-menu-item-19160\" id=\"mega-menu-item-19160\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/\">Home<\/a><\/li><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-align-bottom-left mega-menu-flyout mega-menu-item-19161\" id=\"mega-menu-item-19161\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/index.php\/about-daniel\/\">About Daniel<\/a><\/li><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-current_page_parent mega-align-bottom-left mega-menu-flyout mega-menu-item-19171\" id=\"mega-menu-item-19171\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/index.php\/all-episodes\/\">All Episodes<\/a><\/li><\/ul><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">Episode 71.  Eid\u00e9 Nor\u00e9na<\/h2>\n\n\n\n<iframe loading=\"lazy\" width=\"340\" height=\"50\" src=\"https:\/\/countermelody.blubrry.net\/?powerpress_embed=262-podcast&amp;powerpress_player=mediaelement-audio\" frameborder=\"0\" scrolling=\"no\"><\/iframe>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p><strong>SOCIAL SHARE<\/strong><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"has-text-align-right\"><strong>SUBSCRIPTION PLATFORM<\/strong><\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<div class=\"wp-block-buttons alignleft is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button alignright\"><a class=\"wp-block-button__link no-border-radius\" href=\"https:\/\/countermelody.blubrry.net\/\">SUBSCRIBE VIA YOUR FAVORITE PODCAST PLATFORM<\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"528\" height=\"641\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Big-Fairy.jpg\" alt=\"\" class=\"wp-image-6734\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Big-Fairy.jpg 528w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Big-Fairy-247x300.jpg 247w\" sizes=\"auto, (max-width: 528px) 100vw, 528px\" \/><figcaption>Eid\u00e9 Nor\u00e9na in the title role of Rimsky-Korsakov&#8217;s <em>Snegourochka <\/em>[<em>The Snow Maiden<\/em>]<\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:38px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Kaja Eid\u00e9 Nor\u00e9na(1884-1968, n\u00e9e Karoline Hansen), the Norwegian lyric-coloratura soprano, is one of the greatest singers of her generation, and nearly forgotten today. She made her concert debut at the age of 19 and in 1907 began her operatic career as Amor in <em>Orfeo ed Euridice<\/em>. In 1909 she married the actor Egil Eide, through whose coaching she became celebrated for her dramatic portrayals. Under her married name Kaja Eide she became one of the Norway\u2019s most famous singers, though her career was essentially a provincial one until, mid-career, she restudied her technique and rebuilt her voice, which led to her La Scala debut as Gilda under the baton of Arturo Toscanini (and under her new professional name, Eide Norena). She went on to an international career, performing in the world\u2019s most celebrated opera houses, including the Metropolitan Opera, Covent Garden, the Salzburg Festival, and, particularly, the Paris Op\u00e9ra. Her repertoire was a wide one, ranging from Oph\u00e9lie to Desdemona, and her vocal technique was solid to the point of near-perfection, her legato singing being particularly remarkable. What sets her apart, and what makes her one of <em>my<\/em> favorite singers, is her profoundly musical interpretations allied to her keen dramatic sense. The majority of the recordings featured on the episode are from the 1930s. Nor\u00e9na retired in 1938 and spent the remainder of her life in Switzerland, where she died in 1968. Nor\u00e9na is, for me, everything that a great singer should be, and it is a particular honor for me to feature her on the podcast.<\/p>\n\n\n\n<p>A bonus episode posted today on my Patreon page (<a rel=\"noreferrer noopener\" href=\"http:\/\/www.patreon.com\/countermelody\" target=\"_blank\">www.patreon.com\/countermelody<\/a>) features Nor\u00e9na in the role of Juliette in Gounod\u2019s opera, including both live and studio recordings of duets with Charles Hackett and Gaston Micheletti.<\/p>\n\n\n\n<p>And a link to the article about Nor\u00e9na that I wrote in 2007 for my long-defunct blog: <a rel=\"noreferrer noopener\" href=\"http:\/\/www.counterleben.blogspot.com\/2007\/07\/fairy-from-ice.html\" target=\"_blank\">www.counterleben.blogspot.com\/2007\/07\/fairy-from-ice.html<\/a><\/p>\n\n\n\n<div style=\"height:47px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-custom-size\" style=\"font-size:30px\"><strong> RECORDINGS HEARD IN THIS EPISODE<\/strong><\/p>\n\n\n\n<div style=\"height:55px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"640\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Vicki-Clark-1024x640.jpg\" alt=\"\" class=\"wp-image-6744\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Vicki-Clark-1024x640.jpg 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Vicki-Clark-300x188.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Vicki-Clark-768x480.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Vicki-Clark.jpg 1500w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<p>Harold Arlen, Yip Harburg: Right as the Rain (<em>Bloomer Girl<\/em>). Victoria Clark [from <em>Fifteen Seconds of Grace<\/em>, 2007]<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"809\" height=\"493\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Harburg-Arlen.jpg\" alt=\"\" class=\"wp-image-6745\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Harburg-Arlen.jpg 809w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Harburg-Arlen-300x183.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Harburg-Arlen-768x468.jpg 768w\" sizes=\"auto, (max-width: 809px) 100vw, 809px\" \/><figcaption>Yip Harburg (1896-1981) and Harold Arlen (1905-1986)<\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"419\" height=\"632\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Hat-Looking-Up.jpg\" alt=\"\" class=\"wp-image-6746\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Hat-Looking-Up.jpg 419w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Hat-Looking-Up-199x300.jpg 199w\" sizes=\"auto, (max-width: 419px) 100vw, 419px\" \/><\/figure><\/div>\n\n\n\n<p>All other recordings on today&#8217;s podcast feature Eid\u00e9 Nor\u00e9na.<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"644\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Kaja-Eide-644x1024.jpg\" alt=\"\" class=\"wp-image-6747\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Kaja-Eide-644x1024.jpg 644w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Kaja-Eide-189x300.jpg 189w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Kaja-Eide.jpg 755w\" sizes=\"auto, (max-width: 644px) 100vw, 644px\" \/><\/figure><\/div>\n\n\n\n<p>George Frederic Handel: Care selve (<em>Atalanta<\/em>). Orchestra conducted by Joseph Messner [1937]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"407\" height=\"541\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Urbain-in-Huguenpots.png\" alt=\"\" class=\"wp-image-6748\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Urbain-in-Huguenpots.png 407w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Urbain-in-Huguenpots-226x300.png 226w\" sizes=\"auto, (max-width: 407px) 100vw, 407px\" \/><figcaption>As Urbain in <em>Les Huguenots<\/em><\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Giacomo Meyerbeer: Nobles seigneurs, salut (<em>Les Huguenots<\/em>) [sung in Norwegian] [1911]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"364\" height=\"470\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Buck-Teeth-screenshot.png\" alt=\"\" class=\"wp-image-6749\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Buck-Teeth-screenshot.png 364w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Buck-Teeth-screenshot-232x300.png 232w\" sizes=\"auto, (max-width: 364px) 100vw, 364px\" \/><\/figure><\/div>\n\n\n\n<p>Wolfgang Amadeus Mozart: Durch Z\u00e4rtlichkeit (<em>Die Entf\u00fchrung aus dem<\/em> <em>Serail<\/em>) [sung in French]. Orchestra conducted by Piero Coppola [1934]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"851\" height=\"563\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/On-Horsie.png\" alt=\"\" class=\"wp-image-6750\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/On-Horsie.png 851w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/On-Horsie-300x198.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/On-Horsie-768x508.png 768w\" sizes=\"auto, (max-width: 851px) 100vw, 851px\" \/><\/figure><\/div>\n\n\n\n<p>Wolfgang Amadeus Mozart: Non mi dir (<em>Don Giovanni<\/em>) [sung in French]. Orchestra conducted by Piero Coppola [1934]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Rimsky-Coq-maybe.jpg\" alt=\"\" class=\"wp-image-6752\" width=\"397\" height=\"526\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Rimsky-Coq-maybe.jpg 277w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Rimsky-Coq-maybe-226x300.jpg 226w\" sizes=\"auto, (max-width: 397px) 100vw, 397px\" \/><\/figure><\/div>\n\n\n\n<p>Nikolai Rimsky-Korsakov: Hymn to the Sun (<em>Le Coq d&#8217;Or<\/em>) [sung in French]. Orchestra conducted by Piero Coppola [1932]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"720\" height=\"833\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Bemberg.jpg\" alt=\"\" class=\"wp-image-6753\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Bemberg.jpg 720w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Bemberg-259x300.jpg 259w\" sizes=\"auto, (max-width: 720px) 100vw, 720px\" \/><figcaption>Herman Bemberg (1859-1931)<\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Herman Bemberg: Nymphes et Sylvains. Orchestra conducted by Piero Coppola<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"735\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/The-American-Way-flood-relief-1937-Margaret-Bourke-White-1024x735.jpg\" alt=\"\" class=\"wp-image-6754\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/The-American-Way-flood-relief-1937-Margaret-Bourke-White-1024x735.jpg 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/The-American-Way-flood-relief-1937-Margaret-Bourke-White-300x215.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/The-American-Way-flood-relief-1937-Margaret-Bourke-White-768x551.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/The-American-Way-flood-relief-1937-Margaret-Bourke-White-1536x1102.jpg 1536w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/The-American-Way-flood-relief-1937-Margaret-Bourke-White.jpg 1600w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption>This iconic photo &#8220;The American Way&#8221; by Margaret Bourke-White,<br>shows victims of the 1937 flooding of the Ohio River<\/figcaption><\/figure>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Waldemar Thrane: Kom kjyra! [Norwegian Echo Song] (Red Cross relief concert) [1937 radio broadcast]<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"275\" height=\"352\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Thrane.png\" alt=\"\" class=\"wp-image-6755\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Thrane.png 275w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Thrane-234x300.png 234w\" sizes=\"auto, (max-width: 275px) 100vw, 275px\" \/><figcaption>Waldemar Thrane (1790-1828)<\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"691\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Backer-Grondahl-691x1024.jpg\" alt=\"\" class=\"wp-image-6756\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Backer-Grondahl-691x1024.jpg 691w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Backer-Grondahl-202x300.jpg 202w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Backer-Grondahl-768x1138.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Backer-Grondahl-1037x1536.jpg 1037w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Backer-Grondahl.jpg 1090w\" sizes=\"auto, (max-width: 691px) 100vw, 691px\" \/><figcaption>Agathe Backer Gr\u00f8ndahl (1847-1907)<\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Agathe Backer Gr\u00f8ndahl, arr. Jean Vuillermoz: Mot kveld [At Sunset]. Orchestra conducted by Piero Coppola<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"743\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Piero-Coppola-743x1024.jpg\" alt=\"\" class=\"wp-image-6757\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Piero-Coppola-743x1024.jpg 743w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Piero-Coppola-218x300.jpg 218w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Piero-Coppola-768x1059.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Piero-Coppola-1114x1536.jpg 1114w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Piero-Coppola.jpg 1485w\" sizes=\"auto, (max-width: 743px) 100vw, 743px\" \/><figcaption>Piero Coppola (1888-1971)<\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"349\" height=\"540\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Young-Kaja.png\" alt=\"\" class=\"wp-image-6758\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Young-Kaja.png 349w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Young-Kaja-194x300.png 194w\" sizes=\"auto, (max-width: 349px) 100vw, 349px\" \/><figcaption>Young Kaja<\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Gabriel Faur\u00e9: Apr\u00e8s un r\u00eave, Op. 7\/1. Orchestra conducted by Piero Coppola [1933]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"362\" height=\"557\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Hat-again.jpg\" alt=\"\" class=\"wp-image-6759\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Hat-again.jpg 362w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Hat-again-195x300.jpg 195w\" sizes=\"auto, (max-width: 362px) 100vw, 362px\" \/><\/figure><\/div>\n\n\n\n<p>Jacques Offenbach: Elle a fui, la tourterelle (<em>Les contes d&#8217;Hoffmann<\/em>). Orchestra conducted by Piero Coppola [1932]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"734\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Kaja-in-Hat-734x1024.jpg\" alt=\"\" class=\"wp-image-6760\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Kaja-in-Hat-734x1024.jpg 734w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Kaja-in-Hat-215x300.jpg 215w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Kaja-in-Hat-768x1072.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Kaja-in-Hat.jpg 860w\" sizes=\"auto, (max-width: 734px) 100vw, 734px\" \/><\/figure>\n\n\n\n<p>Charles Gounod: Dieu! c&#8217;est comme une main&#8230; Ah, je ris de me voir (<em>Faust<\/em>). Orchestra conducted by Piero Coppola [1933]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"334\" height=\"480\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Ophelie-with-fleurs.jpg\" alt=\"\" class=\"wp-image-6761\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Ophelie-with-fleurs.jpg 334w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Ophelie-with-fleurs-209x300.jpg 209w\" sizes=\"auto, (max-width: 334px) 100vw, 334px\" \/><\/figure><\/div>\n\n\n\n<p>Ambroise Thomas: Il garde le silence (<em>Hamlet<\/em>). Orchestra conducted by Piero Coppola [1933]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Kaja-Eide-1922-Anders-Beer-Wilse-767x1024.jpg\" alt=\"\" class=\"wp-image-6762\" width=\"554\" height=\"738\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Kaja-Eide-1922-Anders-Beer-Wilse-225x300.jpg 225w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Kaja-Eide-1922-Anders-Beer-Wilse-768x1025.jpg 768w\" sizes=\"auto, (max-width: 554px) 100vw, 554px\" \/><\/figure><\/div>\n\n\n\n<p>Ambroise Thomas: Mad Scene [excerpt] (<em>Hamlet<\/em>). Orchestra conducted by Henri Defoss\u00e9 [1930]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"366\" height=\"373\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Wistful-maybe-Mimi.png\" alt=\"\" class=\"wp-image-6763\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Wistful-maybe-Mimi.png 366w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Wistful-maybe-Mimi-294x300.png 294w\" sizes=\"auto, (max-width: 366px) 100vw, 366px\" \/><\/figure><\/div>\n\n\n\n<p>Giacomo Puccini: Donde lieta usc\u00ec (<em>La boh\u00e8me<\/em>). Orchestra conducted by Piero Coppola [1933]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"426\" height=\"532\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Portrait-Painting.png\" alt=\"\" class=\"wp-image-6764\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Portrait-Painting.png 426w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Portrait-Painting-240x300.png 240w\" sizes=\"auto, (max-width: 426px) 100vw, 426px\" \/><\/figure><\/div>\n\n\n\n<p>Giuseppe Verdi: Ah! fors&#8217;\u00e8 lui&#8230; Sempre libera (<em>La Traviata<\/em>). Orchestra conducted by Piero Coppola [1932]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"388\" height=\"476\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Autograph-1935.png\" alt=\"\" class=\"wp-image-6765\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Autograph-1935.png 388w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Autograph-1935-245x300.png 245w\" sizes=\"auto, (max-width: 388px) 100vw, 388px\" \/><\/figure><\/div>\n\n\n\n<p>Gioacchino Rossini: Sombre for\u00eat (<em>Guillaume Tell<\/em>). Orchestra conducted by Henri Defoss\u00e9 [1930]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Desdemona-profile-793x1024.jpg\" alt=\"\" class=\"wp-image-6767\" width=\"485\" height=\"626\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Desdemona-profile-793x1024.jpg 793w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Desdemona-profile-232x300.jpg 232w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Desdemona-profile-768x992.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Desdemona-profile-1190x1536.jpg 1190w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Desdemona-profile.jpg 1586w\" sizes=\"auto, (max-width: 485px) 100vw, 485px\" \/><\/figure><\/div>\n\n\n\n<p>Giuseppe Verdi: Piangea cantando (<em>Otello<\/em>). Orchestra conducted by Fran\u00e7ois Ruhlmann [1938]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"852\" height=\"526\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Kaja-as-Butterfly.png\" alt=\"\" class=\"wp-image-6766\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Kaja-as-Butterfly.png 852w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Kaja-as-Butterfly-300x185.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Kaja-as-Butterfly-768x474.png 768w\" sizes=\"auto, (max-width: 852px) 100vw, 852px\" \/><figcaption>As Butterfly in the early years of her career<\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Giacomo Puccini: Tanto amore segreto (<em>Turandot<\/em>). Orchestra conducted by Piero Coppola [1932]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"427\" height=\"551\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Desdemona-perhaps.png\" alt=\"\" class=\"wp-image-6771\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Desdemona-perhaps.png 427w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Desdemona-perhaps-232x300.png 232w\" sizes=\"auto, (max-width: 427px) 100vw, 427px\" \/><\/figure><\/div>\n\n\n\n<p>Edvard Grieg: V\u00e5ren, Op. 33\/2. Orchestra conducted by Piero Coppola [1932]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Egil-Eide.jpg\" alt=\"\" class=\"wp-image-6769\" width=\"523\" height=\"549\"\/><figcaption>Nor\u00e9na&#8217;s first husband was the actor and director Egil Eide (1868-1946)<br>Below, a drawing of Eide and Nor\u00e9na together<br>by caricaturist Fredrik Christian B\u00f8dtker (1869-1931)<\/figcaption><\/figure><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"418\" height=\"600\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Egil-and-Kaja-Caricature-Fredrik-Christian-Bodtker.jpg\" alt=\"\" class=\"wp-image-6770\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Egil-and-Kaja-Caricature-Fredrik-Christian-Bodtker.jpg 418w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Egil-and-Kaja-Caricature-Fredrik-Christian-Bodtker-209x300.jpg 209w\" sizes=\"auto, (max-width: 418px) 100vw, 418px\" \/><\/figure><\/div>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"448\" height=\"541\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/in-Huguenots-larger.png\" alt=\"\" class=\"wp-image-6768\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/in-Huguenots-larger.png 448w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/in-Huguenots-larger-248x300.png 248w\" sizes=\"auto, (max-width: 448px) 100vw, 448px\" \/><\/figure><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Episode 71. Eid\u00e9 Nor\u00e9na SOCIAL SHARE SUBSCRIPTION PLATFORM Kaja Eid\u00e9 Nor\u00e9na(1884-1968, n\u00e9e Karoline Hansen), the Norwegian lyric-coloratura soprano, is one&hellip;<\/p>\n","protected":false},"author":1,"featured_media":6737,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"advgb_blocks_editor_width":"","advgb_blocks_columns_visual_guide":"","footnotes":""},"categories":[1075,1701,5823,2261,2476,2398,2260,808,2329],"tags":[2618,2613,296,330,92,588,117,94,114,207,1531,2616,98,2611,2612,2617,2341,761,2615,34,1463],"class_list":["post-6584","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-art-song","category-bel-canto","category-forgotten-divas","category-full-figured-baroque","category-giacomo-puccini","category-giuseppe-verdi","category-music-for-a-world-in-crisis","category-needle-drop","category-opera-in-translation","tag-agathe-backer-grondahl-2","tag-ambroise-thomas","tag-charles-gounod","tag-edvard-grieg","tag-eide-norena","tag-gabriel-faure","tag-giacomo-meyerbeer","tag-giacomo-puccini","tag-gioacchino-rossini","tag-giuseppe-verdi","tag-harold-arlen","tag-herman-bemberg","tag-jacques-offenbach","tag-kaja-eide","tag-kaja-eide-norena","tag-nikolai-rimsky-korsakov","tag-piero-coppola","tag-victoria-clark","tag-waldemar-thrane","tag-wolfgang-amadeus-mozart","tag-yip-harburg"],"author_meta":{"display_name":"admin","author_link":"https:\/\/countermelodypodcast.com\/index.php\/author\/admin\/"},"featured_img":"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Norena-Met-Mimi-TRIMMED-300x172.jpg","coauthors":[],"tax_additional":{"categories":{"linked":["<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/art-song\/\" class=\"advgb-post-tax-term\">Art Song<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/bel-canto\/\" class=\"advgb-post-tax-term\">Bel Canto<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/forgotten-divas\/\" class=\"advgb-post-tax-term\">Forgotten Divas<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/full-figured-baroque\/\" class=\"advgb-post-tax-term\">Full-Figured Baroque<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/giacomo-puccini\/\" class=\"advgb-post-tax-term\">Giacomo Puccini<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/giuseppe-verdi\/\" class=\"advgb-post-tax-term\">Giuseppe Verdi<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/music-for-a-world-in-crisis\/\" class=\"advgb-post-tax-term\">Music for a World in Crisis<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Needle Drop<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/opera-in-translation\/\" class=\"advgb-post-tax-term\">Opera in Translation<\/a>"],"unlinked":["<span class=\"advgb-post-tax-term\">Art Song<\/span>","<span class=\"advgb-post-tax-term\">Bel Canto<\/span>","<span class=\"advgb-post-tax-term\">Forgotten Divas<\/span>","<span class=\"advgb-post-tax-term\">Full-Figured Baroque<\/span>","<span class=\"advgb-post-tax-term\">Giacomo Puccini<\/span>","<span class=\"advgb-post-tax-term\">Giuseppe Verdi<\/span>","<span class=\"advgb-post-tax-term\">Music for a World in Crisis<\/span>","<span class=\"advgb-post-tax-term\">Needle Drop<\/span>","<span class=\"advgb-post-tax-term\">Opera in Translation<\/span>"]},"tags":{"linked":["<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/opera-in-translation\/\" class=\"advgb-post-tax-term\">Agathe Backer Gr\u00f8ndahl<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/opera-in-translation\/\" class=\"advgb-post-tax-term\">Ambroise Thomas<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/opera-in-translation\/\" class=\"advgb-post-tax-term\">Charles Gounod<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/opera-in-translation\/\" class=\"advgb-post-tax-term\">Edvard Grieg<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/opera-in-translation\/\" class=\"advgb-post-tax-term\">Eide Norena<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/opera-in-translation\/\" class=\"advgb-post-tax-term\">Gabriel Faure<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/opera-in-translation\/\" class=\"advgb-post-tax-term\">Giacomo Meyerbeer<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/opera-in-translation\/\" class=\"advgb-post-tax-term\">Giacomo Puccini<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/opera-in-translation\/\" class=\"advgb-post-tax-term\">Gioacchino Rossini<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/opera-in-translation\/\" class=\"advgb-post-tax-term\">Giuseppe Verdi<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/opera-in-translation\/\" class=\"advgb-post-tax-term\">Harold Arlen<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/opera-in-translation\/\" class=\"advgb-post-tax-term\">Herman Bemberg<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/opera-in-translation\/\" class=\"advgb-post-tax-term\">Jacques Offenbach<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/opera-in-translation\/\" class=\"advgb-post-tax-term\">Kaja Eide<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/opera-in-translation\/\" class=\"advgb-post-tax-term\">Kaja Eid\u00e9 Nor\u00e9na<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/opera-in-translation\/\" class=\"advgb-post-tax-term\">Nikolai Rimsky-Korsakov<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/opera-in-translation\/\" class=\"advgb-post-tax-term\">Piero Coppola<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/opera-in-translation\/\" class=\"advgb-post-tax-term\">Victoria Clark<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/opera-in-translation\/\" class=\"advgb-post-tax-term\">Waldemar Thrane<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/opera-in-translation\/\" class=\"advgb-post-tax-term\">Wolfgang Amadeus Mozart<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/opera-in-translation\/\" class=\"advgb-post-tax-term\">Yip Harburg<\/a>"],"unlinked":["<span class=\"advgb-post-tax-term\">Agathe Backer Gr\u00f8ndahl<\/span>","<span class=\"advgb-post-tax-term\">Ambroise Thomas<\/span>","<span class=\"advgb-post-tax-term\">Charles Gounod<\/span>","<span class=\"advgb-post-tax-term\">Edvard Grieg<\/span>","<span class=\"advgb-post-tax-term\">Eide Norena<\/span>","<span class=\"advgb-post-tax-term\">Gabriel Faure<\/span>","<span class=\"advgb-post-tax-term\">Giacomo Meyerbeer<\/span>","<span class=\"advgb-post-tax-term\">Giacomo Puccini<\/span>","<span class=\"advgb-post-tax-term\">Gioacchino Rossini<\/span>","<span class=\"advgb-post-tax-term\">Giuseppe Verdi<\/span>","<span class=\"advgb-post-tax-term\">Harold Arlen<\/span>","<span class=\"advgb-post-tax-term\">Herman Bemberg<\/span>","<span class=\"advgb-post-tax-term\">Jacques Offenbach<\/span>","<span class=\"advgb-post-tax-term\">Kaja Eide<\/span>","<span class=\"advgb-post-tax-term\">Kaja Eid\u00e9 Nor\u00e9na<\/span>","<span class=\"advgb-post-tax-term\">Nikolai Rimsky-Korsakov<\/span>","<span class=\"advgb-post-tax-term\">Piero Coppola<\/span>","<span class=\"advgb-post-tax-term\">Victoria Clark<\/span>","<span class=\"advgb-post-tax-term\">Waldemar Thrane<\/span>","<span class=\"advgb-post-tax-term\">Wolfgang Amadeus Mozart<\/span>","<span class=\"advgb-post-tax-term\">Yip Harburg<\/span>"]}},"comment_count":"0","relative_dates":{"created":"Posted 5 years ago","modified":"Updated 2 years ago"},"absolute_dates":{"created":"Posted on 24\/01\/2021","modified":"Updated on 16\/02\/2024"},"absolute_dates_time":{"created":"Posted on 24\/01\/2021 13:04","modified":"Updated on 16\/02\/2024 10:51"},"featured_img_caption":"","series_order":"","_links":{"self":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/6584","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/comments?post=6584"}],"version-history":[{"count":10,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/6584\/revisions"}],"predecessor-version":[{"id":6775,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/6584\/revisions\/6775"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/media\/6737"}],"wp:attachment":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/media?parent=6584"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/categories?post=6584"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/tags?post=6584"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}