{"id":6583,"date":"2021-01-10T15:12:50","date_gmt":"2021-01-10T14:12:50","guid":{"rendered":"http:\/\/countermelodypodcast.com\/?p=6583"},"modified":"2025-07-29T11:03:28","modified_gmt":"2025-07-29T09:03:28","slug":"episode-69-voiceless-wonders-an-introduction","status":"publish","type":"post","link":"https:\/\/countermelodypodcast.com\/index.php\/2021\/01\/10\/episode-69-voiceless-wonders-an-introduction\/","title":{"rendered":"Episode 69. Voiceless Wonders: An Introduction"},"content":{"rendered":"<div id=\"mega-menu-wrap-primary\" class=\"mega-menu-wrap\"><div class=\"mega-menu-toggle\"><div class=\"mega-toggle-blocks-left\"><\/div><div class=\"mega-toggle-blocks-center\"><\/div><div class=\"mega-toggle-blocks-right\"><div class='mega-toggle-block mega-menu-toggle-animated-block mega-toggle-block-1' id='mega-toggle-block-1'><button aria-label=\"Menu\" class=\"mega-toggle-animated mega-toggle-animated-slider\" type=\"button\" aria-haspopup=\"true\" aria-expanded=\"false\" aria-controls=\"mega-menu-primary\">\n                  <span class=\"mega-toggle-animated-box\">\n                    <span class=\"mega-toggle-animated-inner\"><\/span>\n                  <\/span>\n                <\/button><\/div><\/div><\/div><ul id=\"mega-menu-primary\" class=\"mega-menu max-mega-menu mega-menu-horizontal mega-no-js\" data-event=\"hover_intent\" data-effect=\"slide\" data-effect-speed=\"200\" data-effect-mobile=\"slide\" data-effect-speed-mobile=\"200\" data-mobile-force-width=\"body\" data-second-click=\"go\" data-document-click=\"collapse\" data-vertical-behaviour=\"standard\" data-breakpoint=\"600\" data-unbind=\"true\" data-mobile-state=\"collapse_all\" data-mobile-direction=\"vertical\" data-hover-intent-timeout=\"300\" data-hover-intent-interval=\"100\"><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-menu-item-home mega-align-bottom-left mega-menu-flyout mega-menu-item-19160\" id=\"mega-menu-item-19160\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/\">Home<\/a><\/li><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-align-bottom-left mega-menu-flyout mega-menu-item-19161\" id=\"mega-menu-item-19161\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/index.php\/about-daniel\/\">About Daniel<\/a><\/li><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-current_page_parent mega-align-bottom-left mega-menu-flyout mega-menu-item-19171\" id=\"mega-menu-item-19171\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/index.php\/all-episodes\/\">All Episodes<\/a><\/li><\/ul><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">Episode 69.  Voiceless Wonders: An Introduction<\/h2>\n\n\n\n<iframe loading=\"lazy\" width=\"340\" height=\"50\" src=\"https:\/\/countermelody.blubrry.net\/?powerpress_embed=256-podcast&amp;powerpress_player=mediaelement-audio\" frameborder=\"0\" scrolling=\"no\"><\/iframe>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p><strong>SOCIAL SHARE<\/strong><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"has-text-align-right\"><strong>SUBSCRIPTION PLATFORM<\/strong><\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<div class=\"wp-block-buttons alignleft is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button alignright\"><a class=\"wp-block-button__link no-border-radius\" href=\"https:\/\/countermelody.blubrry.net\/\">SUBSCRIBE VIA YOUR FAVORITE PODCAST PLATFORM<\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"388\" height=\"500\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Mabel-and-Hand.jpg\" alt=\"\" class=\"wp-image-6652\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Mabel-and-Hand.jpg 388w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Mabel-and-Hand-233x300.jpg 233w\" sizes=\"auto, (max-width: 388px) 100vw, 388px\" \/><figcaption>Mabel Mercer<\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:38px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Some of the greatest singers in history are not necessarily the most vocally-gifted. This is the first of what I hope will be a series of episodes devoted to such artists. I consider singers across many genres: recitalists (Pierre Bernac, Madeleine Grey, Povla Frijsh, Jane Bathori), cabaret (Mabel Mercer, No\u00ebl Coward, Julie Wilson, Barbara, Lotte Lenya), musicals (Fred and Adele Astaire, Chita Rivera), pop music (Bob Dylan, Lou Reed), jazz (Billie Holiday, Alberta Hunter), actors (Audrey Hepburn, Melina Mercouri, Judi Dench, Hildegard Knef, Divine), and even comedians (Dody Goodman, Bourvil), with special focus on a few of the voiceless tenors who hold a special place in my heart (Hugues Cuenod, Karl Erb, Helmut Krebs, Julius Patzak). At the end, I feature two aging icons (Marlene Dietrich and Jos\u00e9phine Baker) in unforgettable live performances of two protest songs that are painfully relevant at this moment in time. Composers include Alec Wilder, George Gershwin, Kurt Weill, Franz Schubert, Stephen Sondheim, Francis Poulenc, Abel Meeropol, Claude Debussy, Kander and Ebb, Pete Seeger, Carl Orff, Manos Hadzidakis, Fats Waller, Maurice Ravel, and Rudolf Sieczy\u0144ski. Please join me for this very special episode. But prepare yourselves for an emotional wallop.<\/p>\n\n\n\n<div style=\"height:47px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-custom-size\" style=\"font-size:30px\"><strong> RECORDINGS HEARD IN THIS EPISODE<\/strong><\/p>\n\n\n\n<div style=\"height:55px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"576\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Mildred-Bailey-1946-by-William-Gottlieb-1024x576.jpg\" alt=\"\" class=\"wp-image-6647\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Mildred-Bailey-1946-by-William-Gottlieb-1024x576.jpg 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Mildred-Bailey-1946-by-William-Gottlieb-300x169.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Mildred-Bailey-1946-by-William-Gottlieb-768x432.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Mildred-Bailey-1946-by-William-Gottlieb.jpg 1200w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure><\/div>\n\n\n\n<p>Hoagy Carmichael, Stuart Gorrell: Georgia on My Mind. Mildred Bailey; The Delta Rhythm Boys [1941]<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"598\" height=\"445\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Mildred-Bailey.jpg\" alt=\"\" class=\"wp-image-6648\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Mildred-Bailey.jpg 598w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Mildred-Bailey-300x223.jpg 300w\" sizes=\"auto, (max-width: 598px) 100vw, 598px\" \/><\/figure><\/div>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"500\" height=\"700\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Audrey-Moon-River-color.jpg\" alt=\"\" class=\"wp-image-6649\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Audrey-Moon-River-color.jpg 500w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Audrey-Moon-River-color-214x300.jpg 214w\" sizes=\"auto, (max-width: 500px) 100vw, 500px\" \/><\/figure><\/div>\n\n\n\n<p>Henry Mancini, Johnny Mercer: Moon River (<em>Breakfast at Tiffany\u2019s<\/em>). Audrey Hepburn; Henry Mancini and His Orchestra [1961]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"588\" height=\"667\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Madeleine-Grey-and-Ravel.jpg\" alt=\"\" class=\"wp-image-6644\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Madeleine-Grey-and-Ravel.jpg 588w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Madeleine-Grey-and-Ravel-264x300.jpg 264w\" sizes=\"auto, (max-width: 588px) 100vw, 588px\" \/><figcaption>Madeleine Grey and Maurice Ravel<\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Maurice Ravel: Aoua! (<em>Chansons mad\u00e9casses<\/em>, M.78, No. 2). Madeleine Grey; Instrumental ensemble led by Maurice Ravel [1932]<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"538\" height=\"706\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Grey.jpg\" alt=\"\" class=\"wp-image-6645\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Grey.jpg 538w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Grey-229x300.jpg 229w\" sizes=\"auto, (max-width: 538px) 100vw, 538px\" \/><\/figure><\/div>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"445\" height=\"307\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Hildegard-Knef-by-Ulrich-Mack.png\" alt=\"\" class=\"wp-image-6642\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Hildegard-Knef-by-Ulrich-Mack.png 445w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Hildegard-Knef-by-Ulrich-Mack-300x207.png 300w\" sizes=\"auto, (max-width: 445px) 100vw, 445px\" \/><\/figure><\/div>\n\n\n\n<p>Charles Strouse, Lee Adams, Gerhard Bronner (German words), arr. Hans Hammerschmid: Applaus. Hildegard Knef [1975]<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"416\" height=\"551\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Hildegard-Knef-by-Rico-Puhlmann.png\" alt=\"\" class=\"wp-image-6643\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Hildegard-Knef-by-Rico-Puhlmann.png 416w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Hildegard-Knef-by-Rico-Puhlmann-226x300.png 226w\" sizes=\"auto, (max-width: 416px) 100vw, 416px\" \/><\/figure><\/div>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"351\" height=\"446\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Frances.jpg\" alt=\"\" class=\"wp-image-6640\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Frances.jpg 351w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Frances-236x300.jpg 236w\" sizes=\"auto, (max-width: 351px) 100vw, 351px\" \/><\/figure><\/div>\n\n\n\n<p>George Gershwin, Ira Gershwin: Someone to Watch over Me (<em>Oh, Kay!<\/em>). Frances Gershwin; Alfred Simon (from <em>For George and Ira<\/em> [1973])<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"678\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/George-and-Ira-1024x678.jpg\" alt=\"\" class=\"wp-image-6641\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/George-and-Ira-1024x678.jpg 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/George-and-Ira-300x199.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/George-and-Ira-768x508.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/George-and-Ira.jpg 1100w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption>George (L) and Ira (R) Gershwin<\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"711\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Patzak-711x1024.jpg\" alt=\"\" class=\"wp-image-6638\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Patzak-711x1024.jpg 711w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Patzak-208x300.jpg 208w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Patzak-768x1106.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Patzak-1067x1536.jpg 1067w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Patzak.jpg 1422w\" sizes=\"auto, (max-width: 711px) 100vw, 711px\" \/><\/figure><\/div>\n\n\n\n<p>Rudolf Sieczy\u0144ski: Wien, du Stadt meiner Tr\u00e4ume. Julius Patzak; Hans Totzauer, Grinzinger Schrammeln Orchestra [1958]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"800\" height=\"492\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/The-Fugs.jpg\" alt=\"\" class=\"wp-image-6637\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/The-Fugs.jpg 800w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/The-Fugs-300x185.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/The-Fugs-768x472.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><\/figure><\/div>\n\n\n\n<p>Ken Weaver: I Couldn\u2019t Get High. The Fugs (from <em>The Fugs First Album<\/em> [1965])<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Bernac-Poulenc.png\" alt=\"\" class=\"wp-image-6636\" width=\"332\" height=\"524\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Bernac-Poulenc.png 332w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Bernac-Poulenc-190x300.png 190w\" sizes=\"auto, (max-width: 332px) 100vw, 332px\" \/><figcaption>Francis Poulenc (L) and Pierre Bernac (R) photographed by Richard Avedon (1950)<\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Francis Poulenc, Guillaume Apollinaire: Voyage (<em>Calligrammes<\/em>, FP 140, No. 7). Pierre Bernac; Francis Poulenc [1950]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Dench-Desiree-691x1024.jpg\" alt=\"\" class=\"wp-image-6635\" width=\"588\" height=\"871\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Dench-Desiree-691x1024.jpg 691w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Dench-Desiree-202x300.jpg 202w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Dench-Desiree-768x1138.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Dench-Desiree-1037x1536.jpg 1037w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Dench-Desiree.jpg 1368w\" sizes=\"auto, (max-width: 588px) 100vw, 588px\" \/><\/figure><\/div>\n\n\n\n<p>Stephen Sondheim: Send in the Clowns (<em>A Little Night Music<\/em>). Judi Dench [1996]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"384\" height=\"350\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Lou-Reed-glasses.jpg\" alt=\"\" class=\"wp-image-6631\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Lou-Reed-glasses.jpg 384w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Lou-Reed-glasses-300x273.jpg 300w\" sizes=\"auto, (max-width: 384px) 100vw, 384px\" \/><\/figure><\/div>\n\n\n\n<p>Lou Reed: Walk on the Wild Side (from <em>Transformer<\/em> [1972])<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Lou-Reed-2-1024x683.jpg\" alt=\"\" class=\"wp-image-6634\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Lou-Reed-2-1024x683.jpg 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Lou-Reed-2-300x200.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Lou-Reed-2-768x512.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Lou-Reed-2.jpg 1200w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure><\/div>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"360\" height=\"332\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Mercouri.jpg\" alt=\"\" class=\"wp-image-6629\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Mercouri.jpg 360w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Mercouri-300x277.jpg 300w\" sizes=\"auto, (max-width: 360px) 100vw, 360px\" \/><\/figure><\/div>\n\n\n\n<p>Manos Hadzithakis: The Children of Piraeus [\u03a4\u03b1 \u03a0\u03b1\u03b9\u03b4\u03b9\u03ac \u03c4\u03bf\u03c5 \u03a0\u03b5\u03b9\u03c1\u03b1\u03b9\u03ac] (<em>Never on Sunday<\/em>). Melina Mercouri [1960]<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"395\" height=\"599\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Melina-and-Ciggybutt.jpg\" alt=\"\" class=\"wp-image-6630\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Melina-and-Ciggybutt.jpg 395w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Melina-and-Ciggybutt-198x300.jpg 198w\" sizes=\"auto, (max-width: 395px) 100vw, 395px\" \/><\/figure><\/div>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"332\" height=\"489\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Lenya-TRIMMED.jpg\" alt=\"\" class=\"wp-image-6627\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Lenya-TRIMMED.jpg 332w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Lenya-TRIMMED-204x300.jpg 204w\" sizes=\"auto, (max-width: 332px) 100vw, 332px\" \/><\/figure><\/div>\n\n\n\n<p>Kurt Weill, Bertolt Brecht: Denn wie man sich bettet (<em>Aufstieg und Fall der Stadt Mahagonny<\/em>). Lotte Lenya; Roger Bean and His Orchestra [1955]<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"304\" height=\"476\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Lenya.png\" alt=\"\" class=\"wp-image-6628\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Lenya.png 304w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Lenya-192x300.png 192w\" sizes=\"auto, (max-width: 304px) 100vw, 304px\" \/><\/figure><\/div>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"357\" height=\"478\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Fred-and-Adele-Astaire.png\" alt=\"\" class=\"wp-image-6626\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Fred-and-Adele-Astaire.png 357w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Fred-and-Adele-Astaire-224x300.png 224w\" sizes=\"auto, (max-width: 357px) 100vw, 357px\" \/><\/figure><\/div>\n\n\n\n<p>George Gershwin, Ira Gershwin: Hang on to Me (<em>Lady, Be Good!<\/em>). Fred Astaire, Adele Astaire; George Gershwin [1926]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"703\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Julie-Wilson-with-Gardenia-TRIMMED-1024x703.jpg\" alt=\"\" class=\"wp-image-6624\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Julie-Wilson-with-Gardenia-TRIMMED-1024x703.jpg 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Julie-Wilson-with-Gardenia-TRIMMED-300x206.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Julie-Wilson-with-Gardenia-TRIMMED-768x527.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Julie-Wilson-with-Gardenia-TRIMMED.jpg 1039w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure><\/div>\n\n\n\n<p>Stephen Sondheim: I\u2019m Still Here (<em>Follies<\/em>). Julie Wilson; William Roy [1987]<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"712\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Julie-Wilson.png\" alt=\"\" class=\"wp-image-6625\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Julie-Wilson.png 600w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Julie-Wilson-253x300.png 253w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/figure><\/div>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"759\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Cuenod.jpg\" alt=\"\" class=\"wp-image-6623\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Cuenod.jpg 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Cuenod-300x222.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Cuenod-768x569.jpg 768w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure><\/div>\n\n\n\n<p>Francis Poulenc, Louis Aragon: C (<em>Deux po\u00e8mes de Louis Aragon<\/em>, FP122, No. 1). Hugues Cuenod; Geoffrey Parsons [1978]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"414\" height=\"550\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Harry-Plunket-Greene.jpg\" alt=\"\" class=\"wp-image-6622\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Harry-Plunket-Greene.jpg 414w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Harry-Plunket-Greene-226x300.jpg 226w\" sizes=\"auto, (max-width: 414px) 100vw, 414px\" \/><\/figure><\/div>\n\n\n\n<p>Franz Schubert, Wilhelm M\u00fcller (unknown English translator). The Hurdy-Gurdy Man [Der Leiermann] (<em>Winterreise<\/em>, D.911, No. 24). Harry Plunket Greene [1934]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"500\" height=\"622\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Coward.jpg\" alt=\"\" class=\"wp-image-6621\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Coward.jpg 500w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Coward-241x300.jpg 241w\" sizes=\"auto, (max-width: 500px) 100vw, 500px\" \/><\/figure><\/div>\n\n\n\n<p>No\u00ebl Coward: I\u2019ll See You Again (<em>Bitter Sweet<\/em>). No\u00ebl Coward; Carroll Gibbons [1938]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"606\" height=\"455\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Chita-in-The-Visit.jpg\" alt=\"\" class=\"wp-image-6619\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Chita-in-The-Visit.jpg 606w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Chita-in-The-Visit-300x225.jpg 300w\" sizes=\"auto, (max-width: 606px) 100vw, 606px\" \/><\/figure><\/div>\n\n\n\n<p>John Kander, Fred Ebb: Love and Love Alone (<em>The Visit<\/em>). Chita Rivera [2015]<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"478\" height=\"610\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Kander-and-Ebb.jpg\" alt=\"\" class=\"wp-image-6620\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Kander-and-Ebb.jpg 478w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Kander-and-Ebb-235x300.jpg 235w\" sizes=\"auto, (max-width: 478px) 100vw, 478px\" \/><figcaption>Kander and Ebb<\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"388\" height=\"500\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Dylan.jpg\" alt=\"\" class=\"wp-image-6618\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Dylan.jpg 388w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Dylan-233x300.jpg 233w\" sizes=\"auto, (max-width: 388px) 100vw, 388px\" \/><\/figure><\/div>\n\n\n\n<p>Bob Dylan: Subterranean Homesick Blues (from <em>Bringing It All Back Home<\/em> [1965])<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"500\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Bourvil-1.jpg\" alt=\"\" class=\"wp-image-6617\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Bourvil-1.jpg 1000w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Bourvil-1-300x150.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Bourvil-1-768x384.jpg 768w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><\/figure><\/div>\n\n\n\n<p>Jacques Offenbach: Jour et nuit je me mets en quatre (<em>Les Contes d\u2019Hoffmann<\/em>). Bourvil; Andr\u00e9 Cluytens, Orchestre du Th\u00e9\u00e2tre National de l\u2019Op\u00e9ra-Comique [1948]<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Bourvil-Rideau-1024x683.jpg\" alt=\"\" class=\"wp-image-6639\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Bourvil-Rideau-1024x683.jpg 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Bourvil-Rideau-300x200.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Bourvil-Rideau-768x512.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Bourvil-Rideau.jpg 1200w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure><\/div>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"628\" height=\"800\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Dody-autograph.jpg\" alt=\"\" class=\"wp-image-6614\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Dody-autograph.jpg 628w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Dody-autograph-236x300.jpg 236w\" sizes=\"auto, (max-width: 628px) 100vw, 628px\" \/><\/figure><\/div>\n\n\n\n<p>Bud McCreery: Tranquilizers. Dody Goodman (from <em>Dody Goodman Sings?<\/em> [1958])<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"500\" height=\"500\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Dody-Goodman-Sings.jpg\" alt=\"\" class=\"wp-image-6615\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Dody-Goodman-Sings.jpg 500w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Dody-Goodman-Sings-300x300.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Dody-Goodman-Sings-150x150.jpg 150w\" sizes=\"auto, (max-width: 500px) 100vw, 500px\" \/><\/figure><\/div>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Alberta-Hunter.jpg\" alt=\"\" class=\"wp-image-6611\" width=\"359\" height=\"366\"\/><\/figure><\/div>\n\n\n\n<p>Fats Waller, Andy Razaf: My Handy Man. Alberta Hunter; Gerald Cook, Doc Cheatham (from <em>Amtrak Blues<\/em> [produced by John Hammond] [1980])<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"500\" height=\"500\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Alberta-Young.jpeg\" alt=\"\" class=\"wp-image-6613\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Alberta-Young.jpeg 500w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Alberta-Young-300x300.jpeg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Alberta-Young-150x150.jpeg 150w\" sizes=\"auto, (max-width: 500px) 100vw, 500px\" \/><\/figure><\/div>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"692\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Divine-Wink-692x1024.jpg\" alt=\"\" class=\"wp-image-6609\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Divine-Wink-692x1024.jpg 692w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Divine-Wink-203x300.jpg 203w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Divine-Wink-768x1136.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Divine-Wink.jpg 1038w\" sizes=\"auto, (max-width: 692px) 100vw, 692px\" \/><\/figure><\/div>\n\n\n\n<p>Bobby Orlando: Shoot Your Shot. Divine [1982]<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"684\" height=\"431\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Divine-Dawn.jpg\" alt=\"\" class=\"wp-image-6610\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Divine-Dawn.jpg 684w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Divine-Dawn-300x189.jpg 300w\" sizes=\"auto, (max-width: 684px) 100vw, 684px\" \/><figcaption>Divine as Dawn Davenport in <em>Female Trouble<\/em> (1974)<\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"717\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Gerhard-Stolze-1-717x1024.jpg\" alt=\"\" class=\"wp-image-6607\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Gerhard-Stolze-1-717x1024.jpg 717w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Gerhard-Stolze-1-210x300.jpg 210w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Gerhard-Stolze-1.jpg 750w\" sizes=\"auto, (max-width: 717px) 100vw, 717px\" \/><\/figure><\/div>\n\n\n\n<p>Carl Orff: Olim lacus colueram (<em>Carmina Burana<\/em>). Gerhard Stolze; Eugen Jochum, Chor und Orchester des Deutschen Oper, Berlin [1967]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"686\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Michel-Senechal-2-686x1024.jpg\" alt=\"\" class=\"wp-image-6612\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Michel-Senechal-2-686x1024.jpg 686w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Michel-Senechal-2-201x300.jpg 201w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Michel-Senechal-2-768x1146.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Michel-Senechal-2-1029x1536.jpg 1029w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Michel-Senechal-2-1372x2048.jpg 1372w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Michel-Senechal-2-1600x2388.jpg 1600w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Michel-Senechal-2-scaled.jpg 1715w\" sizes=\"auto, (max-width: 686px) 100vw, 686px\" \/><\/figure>\n\n\n\n<p>Georges Bizet: Ouvre ton coeur (<em>Ivan IV<\/em>). Michel S\u00e9n\u00e9chal; Georges Tzipine, Orchestre et Ch\u0153ur National de la RTF<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"258\" height=\"358\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Erich-Kunz-Handsome.jpg\" alt=\"\" class=\"wp-image-6603\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Erich-Kunz-Handsome.jpg 258w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Erich-Kunz-Handsome-216x300.jpg 216w\" sizes=\"auto, (max-width: 258px) 100vw, 258px\" \/><\/figure><\/div>\n\n\n\n<p>Emmerich Zillner, Josef Hochmuth, Hans Werner: Es steht ein alter Nu\u00dfbaum. Erich Kunz; Kemmeter-Faltl Schrammel Ensemble [1954]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"374\" height=\"463\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Povla-Frijsh.png\" alt=\"\" class=\"wp-image-6602\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Povla-Frijsh.png 374w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Povla-Frijsh-242x300.png 242w\" sizes=\"auto, (max-width: 374px) 100vw, 374px\" \/><\/figure><\/div>\n\n\n\n<p>Randall Thompson, Elinor Wylie: Velvet Shoes. Povla Frijsh; Celius Dougherty [1940]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"444\" height=\"550\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Mabel.jpg\" alt=\"\" class=\"wp-image-6601\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Mabel.jpg 444w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Mabel-242x300.jpg 242w\" sizes=\"auto, (max-width: 444px) 100vw, 444px\" \/><\/figure><\/div>\n\n\n\n<p>Alec Wilder: Did You Ever Cross Over to Sneden\u2019s? [aka Sneden\u2019s Landing]. Mabel Mercer; Stan Freeman, Cy Walter [1954]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"601\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Jane-Bathori-young-601x1024.jpg\" alt=\"\" class=\"wp-image-6599\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Jane-Bathori-young-601x1024.jpg 601w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Jane-Bathori-young-176x300.jpg 176w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Jane-Bathori-young-768x1309.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Jane-Bathori-young.jpg 880w\" sizes=\"auto, (max-width: 601px) 100vw, 601px\" \/><\/figure><\/div>\n\n\n\n<p>Claude Debussy, Paul Verlaine: Colloque sentimental (F\u00eates galantes II, L.114, No. 3). Jane Bathori [1929]<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"679\" height=\"890\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Jane-Bathori.jpg\" alt=\"\" class=\"wp-image-6600\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Jane-Bathori.jpg 679w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Jane-Bathori-229x300.jpg 229w\" sizes=\"auto, (max-width: 679px) 100vw, 679px\" \/><\/figure><\/div>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"635\" height=\"357\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Barbara-au-piano.jpg\" alt=\"\" class=\"wp-image-6597\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Barbara-au-piano.jpg 635w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Barbara-au-piano-300x169.jpg 300w\" sizes=\"auto, (max-width: 635px) 100vw, 635px\" \/><\/figure><\/div>\n\n\n\n<p>Barbara [n\u00e9e Monique Andr\u00e9e Serf]: L\u2019aigle noir [1970]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Billie-1024x683.jpg\" alt=\"\" class=\"wp-image-6598\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Billie-1024x683.jpg 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Billie-300x200.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Billie-768x512.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Billie.jpg 1200w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure><\/div>\n\n\n\n<p>Abel Meeropol: Strange Fruit. Billie Holiday [<em>Chelsea at Nine<\/em> television broadcast, 18 March 1959]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"438\" height=\"600\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Helmut-Krebs.jpg\" alt=\"\" class=\"wp-image-6596\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Helmut-Krebs.jpg 438w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Helmut-Krebs-219x300.jpg 219w\" sizes=\"auto, (max-width: 438px) 100vw, 438px\" \/><\/figure><\/div>\n\n\n\n<p>Johann Sebastian Bach: Ich will an den Himmel denken (Wo gehest du hin?, BWV 166). Helmut Krebs; Helmuth Barbe, Bachorchester Berlin [1960]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"574\" height=\"367\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Marlene-Sag-Mir.png\" alt=\"\" class=\"wp-image-6594\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Marlene-Sag-Mir.png 574w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Marlene-Sag-Mir-300x192.png 300w\" sizes=\"auto, (max-width: 574px) 100vw, 574px\" \/><\/figure><\/div>\n\n\n\n<p>Pete Seeger, Max Colpet (German words), arr. Burt Bacharach: Sag mir, wo die Blumen sind [Where Have All the Flowers Gone?]. Marlene Dietrich; Orchester Max Greger [live UNICEF Gala, D\u00fcsseldorf 6 October 1962]<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Dietrich-Blumen.png\" alt=\"\" class=\"wp-image-6595\" width=\"422\" height=\"397\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Dietrich-Blumen.png 399w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Dietrich-Blumen-300x283.png 300w\" sizes=\"auto, (max-width: 422px) 100vw, 422px\" \/><\/figure><\/div>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"676\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Josephine-Bobino-676x1024.jpg\" alt=\"\" class=\"wp-image-6604\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Josephine-Bobino-676x1024.jpg 676w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Josephine-Bobino-198x300.jpg 198w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Josephine-Bobino-768x1164.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Josephine-Bobino.jpg 990w\" sizes=\"auto, (max-width: 676px) 100vw, 676px\" \/><\/figure>\n\n\n\n<p>Bob Dylan: The Times They Are A-Changin\u2019. Jos\u00e9phine Baker [live Carnegie Hall 5 June 1973]<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Josephine-1024x683.jpg\" alt=\"\" class=\"wp-image-6593\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Josephine-1024x683.jpg 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Josephine-300x200.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Josephine-768x512.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Josephine-1536x1024.jpg 1536w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Josephine-2048x1366.jpg 2048w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Josephine-1600x1067.jpg 1600w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure><\/div>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"408\" height=\"576\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Karl-Erb.jpg\" alt=\"\" class=\"wp-image-6592\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Karl-Erb.jpg 408w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Karl-Erb-213x300.jpg 213w\" sizes=\"auto, (max-width: 408px) 100vw, 408px\" \/><\/figure><\/div>\n\n\n\n<p>Franz Schubert, Johann Wolfgang von Goethe: Wanderers Nachtlied II, D.764. Karl Erb; Bruno Seidler-Winkler [1936]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Episode 69. Voiceless Wonders: An Introduction SOCIAL SHARE SUBSCRIPTION PLATFORM Some of the greatest singers in history are not necessarily&hellip;<\/p>\n","protected":false},"author":1,"featured_media":6653,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"advgb_blocks_editor_width":"","advgb_blocks_columns_visual_guide":"","footnotes":""},"categories":[1626,1075,2109,5823,2261,1625,2399,8033,1263,2260,808,2550],"tags":[2574,2553,2575,2479,1961,1769,2593,2581,2576,2554,2578,278,1558,2570,2591,583,2595,440,2592,501,1364,2569,2559,1443,2565,2498,2087,2585,544,101,2499,2174,1609,1772,1396,2563,2564,2561,2571,2555,2580,2583,1853,1380,1397,98,2556,298,2175,1971,2560,1426,2573,2572,1433,2594,580,1040,2566,2228,2106,2590,2557,2584,2587,469,545,1652,2588,2562,2579,2582,2589,1527,1549,536,442,2558,2586,2567,1710,1543,2577,2551,2552,861],"class_list":["post-6583","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-african-american-singers","category-art-song","category-broadway-and-musicals","category-forgotten-divas","category-full-figured-baroque","category-gay-pride","category-great-baritones","category-johann-sebastian-bach","category-mezzo-madness","category-music-for-a-world-in-crisis","category-needle-drop","category-voiceless-wonders","tag-a-little-night-music-sondheim","tag-abel-meeropol","tag-adele-astaire","tag-alberta-hunter","tag-alec-wilder","tag-andre-cluytens","tag-andy-razaf","tag-audrey-hepburn","tag-aufstieg-und-fall-der-stadt-mahagonny","tag-barbara","tag-bertolt-brecht","tag-billie-holiday","tag-bob-dylan","tag-bourvil","tag-breakfast-at-tiffanys","tag-bruno-seidler-winkler","tag-bud-mccreery","tag-celius-dougherty","tag-chita-rivera","tag-claude-debussy","tag-divine","tag-dody-goodman","tag-emmerich-zillner","tag-erich-kunz","tag-eugen-jochum","tag-fats-waller","tag-follies-sondheim","tag-frances-gershwin","tag-francis-poulenc","tag-franz-schubert","tag-fred-astaire","tag-fred-ebb","tag-geoffrey-parsons","tag-george-bizet","tag-george-gershwin","tag-georges-tzipine","tag-gerhard-stolze","tag-hans-werner","tag-harry-plunket-greene","tag-helmut-krebs","tag-henry-mancini","tag-hildegard-knef","tag-hoagy-carmichael","tag-hugues-cuenod","tag-ira-gershwin","tag-jacques-offenbach","tag-jane-bathori","tag-johann-sebastian-bach","tag-john-kander","tag-johnny-mercer","tag-josef-hochmuth","tag-josephine-baker","tag-judi-dench","tag-julie-wilson","tag-julius-patzak","tag-kander-and-ebb","tag-karl-erb","tag-kurt-weill","tag-laigle-noir","tag-les-contes-dhoffmann","tag-lotte-lenya","tag-lou-reed","tag-mabel-mercer","tag-madeleine-grey","tag-manos-hadzidakis","tag-marlene-dietrich","tag-maurice-ravel","tag-meg-christian","tag-melina-mercouri","tag-michel-senechal","tag-mildred-bailey","tag-moon-river","tag-never-on-sunday","tag-noel-coward","tag-pete-seeger","tag-pierre-bernac","tag-povla-frijsh","tag-randall-thompson","tag-rudolf-sieczynski","tag-shoot-your-shot","tag-stephen-sondheim","tag-strange-fruit","tag-the-fugs","tag-the-times-they-are-a-changin","tag-where-have-all-the-flowers-gone","tag-winterreise"],"author_meta":{"display_name":"admin","author_link":"https:\/\/countermelodypodcast.com\/index.php\/author\/admin\/"},"featured_img":"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Billie-Aitch-TRIMMED-300x133.png","coauthors":[],"tax_additional":{"categories":{"linked":["<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/african-american-singers\/\" class=\"advgb-post-tax-term\">African American Singers<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/art-song\/\" class=\"advgb-post-tax-term\">Art Song<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/broadway-and-musicals\/\" class=\"advgb-post-tax-term\">Broadway and Musicals<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/forgotten-divas\/\" class=\"advgb-post-tax-term\">Forgotten Divas<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/full-figured-baroque\/\" class=\"advgb-post-tax-term\">Full-Figured Baroque<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/gay-pride\/\" class=\"advgb-post-tax-term\">Gay Pride<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/great-baritones\/\" class=\"advgb-post-tax-term\">Great Baritones<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/johann-sebastian-bach\/\" class=\"advgb-post-tax-term\">Johann Sebastian Bach<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/mezzo-madness\/\" class=\"advgb-post-tax-term\">Mezzo Madness<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/music-for-a-world-in-crisis\/\" class=\"advgb-post-tax-term\">Music for a World in Crisis<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Needle Drop<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Voiceless Wonders<\/a>"],"unlinked":["<span class=\"advgb-post-tax-term\">African American Singers<\/span>","<span class=\"advgb-post-tax-term\">Art Song<\/span>","<span class=\"advgb-post-tax-term\">Broadway and Musicals<\/span>","<span class=\"advgb-post-tax-term\">Forgotten Divas<\/span>","<span class=\"advgb-post-tax-term\">Full-Figured Baroque<\/span>","<span class=\"advgb-post-tax-term\">Gay Pride<\/span>","<span class=\"advgb-post-tax-term\">Great Baritones<\/span>","<span class=\"advgb-post-tax-term\">Johann Sebastian Bach<\/span>","<span class=\"advgb-post-tax-term\">Mezzo Madness<\/span>","<span class=\"advgb-post-tax-term\">Music for a World in Crisis<\/span>","<span class=\"advgb-post-tax-term\">Needle Drop<\/span>","<span class=\"advgb-post-tax-term\">Voiceless Wonders<\/span>"]},"tags":{"linked":["<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">A Little Night Music (Sondheim)<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Abel Meeropol<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Adele Astaire<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Alberta Hunter<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Alec Wilder<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Andr\u00e9 Cluytens<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Andy Razaf<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Audrey Hepburn<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Aufstieg und Fall der Stadt Mahagonny<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Barbara<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Bertolt Brecht<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Billie Holiday<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Bob Dylan<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Bourvil<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Breakfast at Tiffany\u2019s<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Bruno Seidler-Winkler<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Bud McCreery<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Celius Dougherty<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Chita Rivera<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Claude Debussy<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Divine<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Dody Goodman<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Emmerich Zillner<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Erich Kunz<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Eugen Jochum<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Fats Waller<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Follies (Sondheim)<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Frances Gershwin<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Francis Poulenc<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Franz Schubert<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Fred Astaire<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Fred Ebb<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Geoffrey Parsons<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">George Bizet<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">George Gershwin<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Georges Tzipine<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Gerhard Stolze<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Hans Werner<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Harry Plunket Greene<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Helmut Krebs<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Henry Mancini<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Hildegard Knef<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Hoagy Carmichael<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Hugues Cuenod<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Ira Gershwin<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Jacques Offenbach<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Jane Bathori<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Johann Sebastian Bach<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">John Kander<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Johnny Mercer<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Josef Hochmuth<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Jos\u00e9phine Baker<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Judi Dench<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Julie Wilson<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Julius Patzak<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Kander and Ebb<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Karl Erb<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Kurt Weill<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">L\u2019aigle noir<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Les Contes d\u2019Hoffmann<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Lotte Lenya<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Lou Reed<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Mabel Mercer<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Madeleine Grey<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Manos Hadzidakis<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Marlene Dietrich<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Maurice Ravel<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Meg Christian<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Melina Mercouri<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Michel S\u00e9n\u00e9chal<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Mildred Bailey<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Moon River<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Never On Sunday<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">No\u00ebl Coward<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Pete Seeger<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Pierre Bernac<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Povla Frijsh<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Randall Thompson<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Rudolf Sieczy\u0144ski<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Shoot Your Shot<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Stephen Sondheim<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Strange Fruit<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">The Fugs<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">The Times They Are A-Changin\u2019<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Where Have All the Flowers Gone<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Winterreise<\/a>"],"unlinked":["<span class=\"advgb-post-tax-term\">A Little Night Music (Sondheim)<\/span>","<span class=\"advgb-post-tax-term\">Abel Meeropol<\/span>","<span class=\"advgb-post-tax-term\">Adele Astaire<\/span>","<span class=\"advgb-post-tax-term\">Alberta Hunter<\/span>","<span class=\"advgb-post-tax-term\">Alec Wilder<\/span>","<span class=\"advgb-post-tax-term\">Andr\u00e9 Cluytens<\/span>","<span class=\"advgb-post-tax-term\">Andy Razaf<\/span>","<span class=\"advgb-post-tax-term\">Audrey Hepburn<\/span>","<span class=\"advgb-post-tax-term\">Aufstieg und Fall der Stadt Mahagonny<\/span>","<span class=\"advgb-post-tax-term\">Barbara<\/span>","<span class=\"advgb-post-tax-term\">Bertolt Brecht<\/span>","<span class=\"advgb-post-tax-term\">Billie Holiday<\/span>","<span class=\"advgb-post-tax-term\">Bob Dylan<\/span>","<span class=\"advgb-post-tax-term\">Bourvil<\/span>","<span class=\"advgb-post-tax-term\">Breakfast at Tiffany\u2019s<\/span>","<span class=\"advgb-post-tax-term\">Bruno Seidler-Winkler<\/span>","<span class=\"advgb-post-tax-term\">Bud McCreery<\/span>","<span class=\"advgb-post-tax-term\">Celius Dougherty<\/span>","<span class=\"advgb-post-tax-term\">Chita Rivera<\/span>","<span class=\"advgb-post-tax-term\">Claude Debussy<\/span>","<span class=\"advgb-post-tax-term\">Divine<\/span>","<span class=\"advgb-post-tax-term\">Dody Goodman<\/span>","<span class=\"advgb-post-tax-term\">Emmerich Zillner<\/span>","<span class=\"advgb-post-tax-term\">Erich Kunz<\/span>","<span class=\"advgb-post-tax-term\">Eugen Jochum<\/span>","<span class=\"advgb-post-tax-term\">Fats Waller<\/span>","<span class=\"advgb-post-tax-term\">Follies (Sondheim)<\/span>","<span class=\"advgb-post-tax-term\">Frances Gershwin<\/span>","<span class=\"advgb-post-tax-term\">Francis Poulenc<\/span>","<span class=\"advgb-post-tax-term\">Franz Schubert<\/span>","<span class=\"advgb-post-tax-term\">Fred Astaire<\/span>","<span class=\"advgb-post-tax-term\">Fred Ebb<\/span>","<span class=\"advgb-post-tax-term\">Geoffrey Parsons<\/span>","<span class=\"advgb-post-tax-term\">George Bizet<\/span>","<span class=\"advgb-post-tax-term\">George Gershwin<\/span>","<span class=\"advgb-post-tax-term\">Georges Tzipine<\/span>","<span class=\"advgb-post-tax-term\">Gerhard Stolze<\/span>","<span class=\"advgb-post-tax-term\">Hans Werner<\/span>","<span class=\"advgb-post-tax-term\">Harry Plunket Greene<\/span>","<span class=\"advgb-post-tax-term\">Helmut Krebs<\/span>","<span class=\"advgb-post-tax-term\">Henry Mancini<\/span>","<span class=\"advgb-post-tax-term\">Hildegard Knef<\/span>","<span class=\"advgb-post-tax-term\">Hoagy Carmichael<\/span>","<span class=\"advgb-post-tax-term\">Hugues Cuenod<\/span>","<span class=\"advgb-post-tax-term\">Ira Gershwin<\/span>","<span class=\"advgb-post-tax-term\">Jacques Offenbach<\/span>","<span class=\"advgb-post-tax-term\">Jane Bathori<\/span>","<span class=\"advgb-post-tax-term\">Johann Sebastian Bach<\/span>","<span class=\"advgb-post-tax-term\">John Kander<\/span>","<span class=\"advgb-post-tax-term\">Johnny Mercer<\/span>","<span class=\"advgb-post-tax-term\">Josef Hochmuth<\/span>","<span class=\"advgb-post-tax-term\">Jos\u00e9phine Baker<\/span>","<span class=\"advgb-post-tax-term\">Judi Dench<\/span>","<span class=\"advgb-post-tax-term\">Julie Wilson<\/span>","<span class=\"advgb-post-tax-term\">Julius Patzak<\/span>","<span class=\"advgb-post-tax-term\">Kander and Ebb<\/span>","<span class=\"advgb-post-tax-term\">Karl Erb<\/span>","<span class=\"advgb-post-tax-term\">Kurt Weill<\/span>","<span class=\"advgb-post-tax-term\">L\u2019aigle noir<\/span>","<span class=\"advgb-post-tax-term\">Les Contes d\u2019Hoffmann<\/span>","<span class=\"advgb-post-tax-term\">Lotte Lenya<\/span>","<span class=\"advgb-post-tax-term\">Lou Reed<\/span>","<span class=\"advgb-post-tax-term\">Mabel Mercer<\/span>","<span class=\"advgb-post-tax-term\">Madeleine Grey<\/span>","<span class=\"advgb-post-tax-term\">Manos Hadzidakis<\/span>","<span class=\"advgb-post-tax-term\">Marlene Dietrich<\/span>","<span class=\"advgb-post-tax-term\">Maurice Ravel<\/span>","<span class=\"advgb-post-tax-term\">Meg Christian<\/span>","<span class=\"advgb-post-tax-term\">Melina Mercouri<\/span>","<span class=\"advgb-post-tax-term\">Michel S\u00e9n\u00e9chal<\/span>","<span class=\"advgb-post-tax-term\">Mildred Bailey<\/span>","<span class=\"advgb-post-tax-term\">Moon River<\/span>","<span class=\"advgb-post-tax-term\">Never On Sunday<\/span>","<span class=\"advgb-post-tax-term\">No\u00ebl Coward<\/span>","<span class=\"advgb-post-tax-term\">Pete Seeger<\/span>","<span class=\"advgb-post-tax-term\">Pierre Bernac<\/span>","<span class=\"advgb-post-tax-term\">Povla Frijsh<\/span>","<span class=\"advgb-post-tax-term\">Randall Thompson<\/span>","<span class=\"advgb-post-tax-term\">Rudolf Sieczy\u0144ski<\/span>","<span class=\"advgb-post-tax-term\">Shoot Your Shot<\/span>","<span class=\"advgb-post-tax-term\">Stephen Sondheim<\/span>","<span class=\"advgb-post-tax-term\">Strange Fruit<\/span>","<span class=\"advgb-post-tax-term\">The Fugs<\/span>","<span class=\"advgb-post-tax-term\">The Times They Are A-Changin\u2019<\/span>","<span class=\"advgb-post-tax-term\">Where Have All the Flowers Gone<\/span>","<span class=\"advgb-post-tax-term\">Winterreise<\/span>"]}},"comment_count":"0","relative_dates":{"created":"Posted 5 years ago","modified":"Updated 8 months ago"},"absolute_dates":{"created":"Posted on 10\/01\/2021","modified":"Updated on 29\/07\/2025"},"absolute_dates_time":{"created":"Posted on 10\/01\/2021 15:12","modified":"Updated on 29\/07\/2025 11:03"},"featured_img_caption":"","series_order":"","_links":{"self":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/6583","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/comments?post=6583"}],"version-history":[{"count":3,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/6583\/revisions"}],"predecessor-version":[{"id":6656,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/6583\/revisions\/6656"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/media\/6653"}],"wp:attachment":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/media?parent=6583"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/categories?post=6583"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/tags?post=6583"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}