{"id":6327,"date":"2020-12-27T17:33:45","date_gmt":"2020-12-27T16:33:45","guid":{"rendered":"http:\/\/countermelodypodcast.com\/?p=6327"},"modified":"2020-12-27T17:33:47","modified_gmt":"2020-12-27T16:33:47","slug":"episode-67-goodbye-2020-and-good-riddance","status":"publish","type":"post","link":"https:\/\/countermelodypodcast.com\/index.php\/2020\/12\/27\/episode-67-goodbye-2020-and-good-riddance\/","title":{"rendered":"Episode 67. Goodbye, 2020 (and Good Riddance!)"},"content":{"rendered":"<div id=\"mega-menu-wrap-primary\" class=\"mega-menu-wrap\"><div class=\"mega-menu-toggle\"><div class=\"mega-toggle-blocks-left\"><\/div><div class=\"mega-toggle-blocks-center\"><\/div><div class=\"mega-toggle-blocks-right\"><div class='mega-toggle-block mega-menu-toggle-animated-block mega-toggle-block-1' id='mega-toggle-block-1'><button aria-label=\"Menu\" class=\"mega-toggle-animated mega-toggle-animated-slider\" type=\"button\" aria-haspopup=\"true\" aria-expanded=\"false\" aria-controls=\"mega-menu-primary\">\n                  <span class=\"mega-toggle-animated-box\">\n                    <span class=\"mega-toggle-animated-inner\"><\/span>\n                  <\/span>\n                <\/button><\/div><\/div><\/div><ul id=\"mega-menu-primary\" class=\"mega-menu max-mega-menu mega-menu-horizontal mega-no-js\" data-event=\"hover_intent\" data-effect=\"slide\" data-effect-speed=\"200\" data-effect-mobile=\"slide\" data-effect-speed-mobile=\"200\" data-mobile-force-width=\"body\" data-second-click=\"go\" data-document-click=\"collapse\" data-vertical-behaviour=\"standard\" data-breakpoint=\"600\" data-unbind=\"true\" data-mobile-state=\"collapse_all\" data-mobile-direction=\"vertical\" data-hover-intent-timeout=\"300\" data-hover-intent-interval=\"100\"><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-menu-item-home mega-align-bottom-left mega-menu-flyout mega-menu-item-19160\" id=\"mega-menu-item-19160\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/\">Home<\/a><\/li><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-align-bottom-left mega-menu-flyout mega-menu-item-19161\" id=\"mega-menu-item-19161\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/index.php\/about-daniel\/\">About Daniel<\/a><\/li><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-current_page_parent mega-align-bottom-left mega-menu-flyout mega-menu-item-19171\" id=\"mega-menu-item-19171\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/index.php\/all-episodes\/\">All Episodes<\/a><\/li><\/ul><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">Episode 67.  Goodbye 2020 (and Good Riddance!)<\/h2>\n\n\n\n<iframe loading=\"lazy\" width=\"340\" height=\"50\" src=\"https:\/\/countermelody.blubrry.net\/?powerpress_embed=248-podcast&amp;powerpress_player=mediaelement-audio\" frameborder=\"0\" scrolling=\"no\"><\/iframe>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p><strong>SOCIAL SHARE<\/strong><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"has-text-align-right\"><strong>SUBSCRIPTION PLATFORM<\/strong><\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<div class=\"wp-block-buttons alignleft is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button alignright\"><a class=\"wp-block-button__link no-border-radius\" href=\"https:\/\/countermelody.blubrry.net\/\">SUBSCRIBE VIA YOUR FAVORITE PODCAST PLATFORM<\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"564\" height=\"564\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Freni-Pavarotti-Recording-Session.jpg\" alt=\"\" class=\"wp-image-6519\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Freni-Pavarotti-Recording-Session.jpg 564w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Freni-Pavarotti-Recording-Session-300x300.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Freni-Pavarotti-Recording-Session-150x150.jpg 150w\" sizes=\"auto, (max-width: 564px) 100vw, 564px\" \/><\/figure><\/div>\n\n\n\n<div style=\"height:38px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Is there anyone out there who will not be relieved to bid farewell to 2020, this <em>annus horribilis<\/em>? I know I\u2019ll be delighted to kick its ass out the door. How to make any sense of this year of pandemic, panic, political shenanigans, poverty, racial injustice, climate disaster and general global upheaval? I have no answers, except to return to music. The episode begins with a mini-tribute to Broadway great Rebecca Luker, who lost her hard-fought against ALS on December 23rd. Then I return to the year 1935, since, as I discovered as I was preparing my mom\u2019s birthday episode a couple weeks ago, so many interesting musicians were born in that year. Some of those artists are still with us, others died some time ago, while still others were among the many casualties of 2020. I take a journey through the composers (Arvo P\u00e4rt, Aulis Sallinen, Nicholas Maw, Peter Schat, Josep Soler, Giya Kancheli, and Peter Schickele [aka P.D.Q. Bach]) and singers (Helga Pilarczyk, Sherrill Milnes, Dominic Cossa, Arlene Saunders, Albert Remedios, and Teresa Berganza) born in that year, and conclude with those beloved artists Mirella Freni and Luciano Pavarotti (both of whom were also born in 1935) in an extended excerpt from a live 1975 performance of <em>La boh\u00e8me<\/em>, that exemplifies near-perfection, operatically speaking. Let\u2019s \u201ctak a cup o\u2019 kindness yet\u201d at the passing of this challenging year as we also look forward to a new year better in every imaginable way than its predecessor!<\/p>\n\n\n\n<p>Links to related Countermelody episodes:<\/p>\n\n\n\n<p>Episode 64: Jorma Hynninen in Opera (Features the baritone in several operas by Aulis Sallinen): <a href=\"http:\/\/www.countermelodypodcast.com\/episode-64-jorma-hynninen-in-opera\/\">www.countermelodypodcast.com\/episode-64-jorma-hynninen-in-opera<\/a><\/p>\n\n\n\n<p>Two episodes in memory of Mirella Freni:<\/p>\n\n\n\n<p>Episode 25: Freni on the Fringe (Freni sings unexpected repertoire): <a href=\"http:\/\/www.countermelodypodcast.com\/episode-25-freni-on-the-fringe-mirella-in-memoriam-ii\">www.countermelodypodcast.com\/episode-25-freni-on-the-fringe-mirella-in-memoriam-ii<\/a><\/p>\n\n\n\n<p>Episode 24: Freni in Duet (Freni with various distinguished partners): <a href=\"http:\/\/www.countermelodypodcast.com\/episode-24-freni-in-duet\">www.countermelodypodcast.com\/episode-24-freni-in-duet<\/a><\/p>\n\n\n\n<p>And three episodes devoted to great artists that we have lost recently:<\/p>\n\n\n\n<p>Episode 59: In Memoriam Rosanna Carteri: <a href=\"http:\/\/www.countermelodypodcast.com\/episode-59-rosanna-carteri\">www.countermelodypodcast.com\/episode-59-rosanna-carteri<\/a><\/p>\n\n\n\n<p>Bonus Episode 5: In Memoriam Christiane Eda-Pierre (available to my Patreon subscribers at any level of support): <a href=\"http:\/\/www.patreon.com\/posts\/42459803\">www.patreon.com\/posts\/42459803<\/a><\/p>\n\n\n\n<p>Episode 15: Hail and Farewell (a tribute to all the great musicians who died in 2019): <a href=\"http:\/\/www.countermelodypodcast.com\/episode-15-hail-and-farewell\">www.countermelodypodcast.com\/episode-15-hail-and-farewell<\/a><\/p>\n\n\n\n<div style=\"height:47px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-custom-size\" style=\"font-size:30px\"><strong> RECORDINGS HEARD IN THIS EPISODE<\/strong><\/p>\n\n\n\n<div style=\"height:55px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"601\" height=\"820\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Muzio-as-Mimi.jpg\" alt=\"\" class=\"wp-image-6479\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Muzio-as-Mimi.jpg 601w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Muzio-as-Mimi-220x300.jpg 220w\" sizes=\"auto, (max-width: 601px) 100vw, 601px\" \/><\/figure><\/div>\n\n\n\n<p>Licinio Refice, Emidio Mucci: Ombra di nube. Claudia Muzio; Orchestra conducted by Licinio Refice [1935]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"970\" height=\"546\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Luker-and-John-Babcock-in-Secret-Garden.jpg\" alt=\"\" class=\"wp-image-6480\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Luker-and-John-Babcock-in-Secret-Garden.jpg 970w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Luker-and-John-Babcock-in-Secret-Garden-300x169.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Luker-and-John-Babcock-in-Secret-Garden-768x432.jpg 768w\" sizes=\"auto, (max-width: 970px) 100vw, 970px\" \/><figcaption>Rebecca Luker and John Babcock in <em>The Secret Garden<\/em><\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Lucy Simon, Marsha Norman: How Could I Ever Know? (<em>The Secret Garden<\/em>). Rebecca Luker; Orchestra conducted by Michael Kosarin [1991]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Luker-as-Maria.jpg\" alt=\"\" class=\"wp-image-6517\" width=\"369\" height=\"515\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Luker-as-Maria.jpg 322w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Luker-as-Maria-215x300.jpg 215w\" sizes=\"auto, (max-width: 369px) 100vw, 369px\" \/><figcaption>Rebecca Luker (17 April 1961 \u2013 23 December 2020)<\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Jerome Kern, Anne Caldwell: Once in a Blue Moon (<em>Stepping Stones<\/em>). Rebecca Luker; Joseph Thalken [2013]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"675\" height=\"450\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Luker-in-Fun-Home.jpg\" alt=\"\" class=\"wp-image-6482\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Luker-in-Fun-Home.jpg 675w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Luker-in-Fun-Home-300x200.jpg 300w\" sizes=\"auto, (max-width: 675px) 100vw, 675px\" \/><figcaption>Rebecca Luker in <em>Fun Home <\/em>(2016), her final Broadway appearance<\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Jeanine Tesori, Lisa Kron: Days and Days (<em>Fun Home<\/em>). Rebecca Luker; Chris Fenwick [2016]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"401\" height=\"450\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Luker-in-Phantom.jpg\" alt=\"\" class=\"wp-image-6483\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Luker-in-Phantom.jpg 401w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Luker-in-Phantom-267x300.jpg 267w\" sizes=\"auto, (max-width: 401px) 100vw, 401px\" \/><figcaption>After you, who, indeed?<\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Cole Porter: After You, Who? (<em>Gay Divorce<\/em>). Rebecca Luker; Orchestra conducted by Patrick Brady [1996]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"400\" height=\"552\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Helga.jpg\" alt=\"\" class=\"wp-image-6484\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Helga.jpg 400w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Helga-217x300.jpg 217w\" sizes=\"auto, (max-width: 400px) 100vw, 400px\" \/><figcaption>Helga Pilarczyk (12 March 1925 \u2013 15 September 2011)<\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Arnold Schoenberg, Marie Pappenheim: Liebster, Liebster, der Morgen kommt (<em>Erwartung<\/em>, Op. 17). Helga Pilarczyk; Robert Craft, The Washington Opera Society Orchestra [1962]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Josep-Soler.jpg\" alt=\"\" class=\"wp-image-6485\" width=\"396\" height=\"442\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Josep-Soler.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Josep-Soler-269x300.jpg 269w\" sizes=\"auto, (max-width: 396px) 100vw, 396px\" \/><figcaption>Josep Soler&nbsp;i Sard\u00e0 (born 25 March 1935)<\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Josep Soler, Rainer Maria Rilke: Geburt Mari\u00e4 (<em>Das Marienleben<\/em>, 1979-2006 version, No. 1). Elena Gragera; Josep Soler, Jaime Rodr\u00edguez Roa, Josep Colom\u00e9, Josep Maria Ferrando, Marika Kobayashi [2008]<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"860\" height=\"500\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Elena-Gragera.jpg\" alt=\"\" class=\"wp-image-6495\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Elena-Gragera.jpg 860w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Elena-Gragera-300x174.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Elena-Gragera-768x447.jpg 768w\" sizes=\"auto, (max-width: 860px) 100vw, 860px\" \/><figcaption>Elena Gragera<\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"544\" height=\"800\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Cossa.jpg\" alt=\"\" class=\"wp-image-6486\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Cossa.jpg 544w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Cossa-204x300.jpg 204w\" sizes=\"auto, (max-width: 544px) 100vw, 544px\" \/><figcaption>Dominic Cossa&nbsp;(born 13 May 1935)<\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Roger Sessions, Walt Whitman: Sing on! sing on, you gray-brown bird (<em>When Lilacs Last in the Dooryard Bloom\u2019d<\/em>). Dominic Cossa, Esther Hinds; Seiji Ozawa, Boston Symphony Orchestra, Tanglewood Festival Chorus [1977]<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"544\" height=\"512\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Ozawa.jpg\" alt=\"\" class=\"wp-image-6487\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Ozawa.jpg 544w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Ozawa-300x282.jpg 300w\" sizes=\"auto, (max-width: 544px) 100vw, 544px\" \/><figcaption>Seiji Ozawa (born 1 September 1935)<\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"700\" height=\"464\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Remedios.jpg\" alt=\"\" class=\"wp-image-6488\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Remedios.jpg 700w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Remedios-300x199.jpg 300w\" sizes=\"auto, (max-width: 700px) 100vw, 700px\" \/><figcaption>Alberto Remedios&nbsp; (27 February 1935 \u2013 11 June 2016)<\/figcaption><\/figure>\n\n\n\n<div style=\"height:11px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Michael Tippett: I don\u2019t know who they really are [Mark\u2019s Aria] (<em>The Midsummer Marriage<\/em>). Alberto Remedios (Mark), Elizabeth Vaughan (Jenifer); Colin Davis, Orchestra and Chorus of the Royal Opera House, Covent Garden [1971]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"751\" height=\"496\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Maw.jpg\" alt=\"\" class=\"wp-image-6489\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Maw.jpg 751w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Maw-300x198.jpg 300w\" sizes=\"auto, (max-width: 751px) 100vw, 751px\" \/><figcaption>Nicholas Maw (5 November 1935 \u2013 19 May  2009)<\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Nicholas Maw, Anonymous [ca. 1300]: Vous estes ma morte et ma vye (<em>Scenes<\/em> <em>and Arias<\/em>) Jane Manning, Anne Howells, Norma Procter; Norman Del Mar, BBC Symphony Orchestra [1969]<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"707\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Norma-Procter-707x1024.jpg\" alt=\"\" class=\"wp-image-6498\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Norma-Procter-707x1024.jpg 707w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Norma-Procter-207x300.jpg 207w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Norma-Procter-768x1113.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Norma-Procter.jpg 908w\" sizes=\"auto, (max-width: 707px) 100vw, 707px\" \/><figcaption>Norma Procter<\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"574\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Sallinen-1-1024x574.jpg\" alt=\"\" class=\"wp-image-6496\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Sallinen-1-1024x574.jpg 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Sallinen-1-300x168.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Sallinen-1-768x431.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Sallinen-1.jpg 1164w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption>Aulis Sallinen (born 9 April 1935)<\/figcaption><\/figure>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Aulis Sallinen, Paavo Haavikko: Kehtolaulu kuolleelle ratsumiehille [Cradle Song for a Dead Horseman] (<em>Nelj\u00e4 laulua unesta<\/em> [Four Dream Songs], No. 2). Soile Isokoski; Esa-Pekka Salonen, Finnish Radio Symphony Orchestra<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Soile.jpg\" alt=\"\" class=\"wp-image-6497\" width=\"447\" height=\"670\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Soile.jpg 683w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Soile-200x300.jpg 200w\" sizes=\"auto, (max-width: 447px) 100vw, 447px\" \/><figcaption>Soile Isokoski<\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"750\" height=\"599\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Peter-Schat.jpg\" alt=\"\" class=\"wp-image-6499\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Peter-Schat.jpg 750w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Peter-Schat-300x240.jpg 300w\" sizes=\"auto, (max-width: 750px) 100vw, 750px\" \/><figcaption>Peter Schat (5 June 1935 \u2013 3 February 2003)<\/figcaption><\/figure>\n\n\n\n<div style=\"height:9px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Peter Schat, Harry Mulisch: Vertrek (<em>Kind en kraai<\/em> [Child and Crow], Op. 26, No. 3). Ellen Schuring, H\u00e5kon Austb\u00f8 [1992]<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"898\" height=\"900\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Ellen-Schuring.jpg\" alt=\"\" class=\"wp-image-6500\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Ellen-Schuring.jpg 898w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Ellen-Schuring-300x300.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Ellen-Schuring-150x150.jpg 150w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Ellen-Schuring-768x770.jpg 768w\" sizes=\"auto, (max-width: 898px) 100vw, 898px\" \/><figcaption>Ellen Schuring<\/figcaption><\/figure>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"640\" height=\"400\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Arvo-Part.jpg\" alt=\"\" class=\"wp-image-6501\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Arvo-Part.jpg 640w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Arvo-Part-300x188.jpg 300w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><figcaption>Arvo P\u00e4rt (born 11 September 1935)<\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Arvo P\u00e4rt, Clemens Brentano: Es sang vor langen Jahren. Bernhard Landauer; Romana Rauscher, Rupert Birsak Peter Ewald&nbsp; [live Salzburg 6 June 2014]<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Bernhard-Landauer-681x1024.jpg\" alt=\"\" class=\"wp-image-6502\" width=\"480\" height=\"721\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Bernhard-Landauer-681x1024.jpg 681w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Bernhard-Landauer-200x300.jpg 200w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Bernhard-Landauer-768x1154.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Bernhard-Landauer-1022x1536.jpg 1022w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Bernhard-Landauer-1363x2048.jpg 1363w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Bernhard-Landauer-1600x2405.jpg 1600w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Bernhard-Landauer-scaled.jpg 1703w\" sizes=\"auto, (max-width: 480px) 100vw, 480px\" \/><figcaption>Bernhard Landauer<\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Kancheli-2-661x1024.jpg\" alt=\"\" class=\"wp-image-6505\" width=\"550\" height=\"851\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Kancheli-2-661x1024.jpg 661w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Kancheli-2-194x300.jpg 194w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Kancheli-2-768x1190.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Kancheli-2.jpg 900w\" sizes=\"auto, (max-width: 550px) 100vw, 550px\" \/><figcaption>Giya Kancheli (10 August 1935 \u2013 2 October 2019)<\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Giya Kancheli, William Shakespeare: <em>And Farewell Goes Out Sighing\u2026<\/em> [excerpt]. Derek Lee Ragin, Gidon Kremer; Kurt Masur, New York Philharmonic [live New York November 1999]<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"921\" height=\"614\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Derek.jpg\" alt=\"\" class=\"wp-image-6506\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Derek.jpg 921w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Derek-300x200.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Derek-768x512.jpg 768w\" sizes=\"auto, (max-width: 921px) 100vw, 921px\" \/><figcaption>Derek Lee Ragin<\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"400\" height=\"526\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Peter-Schickele.jpg\" alt=\"\" class=\"wp-image-6507\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Peter-Schickele.jpg 400w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Peter-Schickele-228x300.jpg 228w\" sizes=\"auto, (max-width: 400px) 100vw, 400px\" \/><figcaption>Peter Schickele (born 17 July 1935)<\/figcaption><\/figure><\/div>\n\n\n\n<p>PDQ Bach [aka Peter Schickele]: Dying, and yet in death alive (<em>Iphigenia<\/em> <em>in Brooklyn<\/em>, S. 53162). John Ferrante; Leonid Hambro, Seymour Platt, Peter Schickele, Chamber Orchestra conducted by Jorge Mester [live 1965]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"693\" height=\"469\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Arlene-Saunders-closeup.png\" alt=\"\" class=\"wp-image-6494\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Arlene-Saunders-closeup.png 693w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Arlene-Saunders-closeup-300x203.png 300w\" sizes=\"auto, (max-width: 693px) 100vw, 693px\" \/><figcaption>Arlene Saunders (5 October 1930 \u2013 17 April 2020)<\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Richard Strauss, Joseph Gregor [after Hugo von Hoffmansthal]: Wie umgibst du mich mit Frieden (<em>Die Liebe der Danae<\/em>). Arlene Saunders (Danae); Charles Mackerras, BBC Symphony Orchestra [live 20 April 1980]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Milnes.jpg\" alt=\"\" class=\"wp-image-6508\" width=\"579\" height=\"829\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Milnes.jpg 640w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Milnes-210x300.jpg 210w\" sizes=\"auto, (max-width: 579px) 100vw, 579px\" \/><figcaption>Sherill Milnes (born 10 January 1935)<\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Charles Tomlinson Griffes, Nikolaus Lenau: Auf geheimen Waldespfade. Sherrill Milnes; Jon Spong [1976]<\/p>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Griffes.png\" alt=\"\" class=\"wp-image-6510\" width=\"432\" height=\"652\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Griffes.png 330w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Griffes-198x300.png 198w\" sizes=\"auto, (max-width: 432px) 100vw, 432px\" \/><figcaption>Charles Tomlinson Griffes (17 September 1884 \u2013 8 April 1920),<br>one of our Gay brethren<\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"350\" height=\"456\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Berganza-1.jpg\" alt=\"\" class=\"wp-image-6513\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Berganza-1.jpg 350w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Berganza-1-230x300.jpg 230w\" sizes=\"auto, (max-width: 350px) 100vw, 350px\" \/><\/figure><\/div>\n\n\n\n<p>Joaqu\u00edn Rodrigo, Victoria Kamhi de Rodrigo: Coplillas de Bel\u00e9n (<em>Tres<\/em> <em>villancicos<\/em>, No. 2). Teresa Berganza; Felix Lavilla [live Aix-en-Provence, 26 July 1961]<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"856\" height=\"496\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/TBerganza-1.png\" alt=\"\" class=\"wp-image-6514\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/TBerganza-1.png 856w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/TBerganza-1-300x174.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/TBerganza-1-768x445.png 768w\" sizes=\"auto, (max-width: 856px) 100vw, 856px\" \/><\/figure>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"822\" height=\"521\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Freni-Berganza-1.png\" alt=\"\" class=\"wp-image-6493\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Freni-Berganza-1.png 822w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Freni-Berganza-1-300x190.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Freni-Berganza-1-768x487.png 768w\" sizes=\"auto, (max-width: 822px) 100vw, 822px\" \/><figcaption>Mirella Freni (27 February 1935 \u2013 9 February 2020) and Teresa Berganza (born 16 March 1935)<\/figcaption><\/figure>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Giacomo Puccini, Giuseppe Giacosa &amp; Luigi Illica: Scuoti quella fronda di ciliegio (<em>Madama Butterfly<\/em>). Mirella Freni (Butterfly), Teresa Berganza (Suzuki); Giuseppe Sinopoli, Philharmonia Orchestra [1988]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"924\" height=\"615\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Pav-Wust.jpg\" alt=\"\" class=\"wp-image-6492\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Pav-Wust.jpg 924w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Pav-Wust-300x200.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Pav-Wust-768x511.jpg 768w\" sizes=\"auto, (max-width: 924px) 100vw, 924px\" \/><figcaption>Luciano Pavarotti (12 October 1935 \u2013 6 September 2007) and John Wustman (born 25 December 1925)<\/figcaption><\/figure>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Paolo Tosti, Carmelo Errico: Ideale. Luciano Pavarotti; John Wustman [NDR (Germany) live studio recital, 1978]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Pavarotti-Freni-Boheme-1969.jpg\" alt=\"\" class=\"wp-image-6490\" width=\"640\" height=\"553\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Pavarotti-Freni-Boheme-1969.jpg 1000w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Pavarotti-Freni-Boheme-1969-300x260.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Pavarotti-Freni-Boheme-1969-768x664.jpg 768w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><figcaption>Luciano Pavarotti and Mirella Freni as Rodolfo and Mim\u00ec, La Scala 1969<\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Giacomo Puccini, Giuseppe Giacosa &amp; Luigi Illica: Che gelida manina&#8230; S\u00ec, mi chiamano Mim\u00ec&#8230; O soave fanciulla (<em>La boh\u00e8me<\/em>). Luciano Pavarotti (Rodolfo), Mirella Freni (Mim\u00ec), Rolando Panerai (Marcello); Herbert von Karajan, Wiener Philharmoniker [live Salzburg 22 March 1975]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Episode 67. Goodbye 2020 (and Good Riddance!) SOCIAL SHARE SUBSCRIPTION PLATFORM Is there anyone out there who will not be&hellip;<\/p>\n","protected":false},"author":1,"featured_media":6516,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"advgb_blocks_editor_width":"","advgb_blocks_columns_visual_guide":"","footnotes":""},"categories":[420,1626,1075,2109,426,424,2397,2476,2399,1074,1073,1072,1263,2260,808,2257],"tags":[2460,2456,1330,786,2451,2363,2452,2443,2442,24,1937,1614,2467,2450,1331,2463,2470,2454,2471,2392,2465,2474,94,2448,2477,2449,2453,2473,1242,2445,2457,1389,2401,2446,461,2468,1884,58,354,135,2459,1000,2455,2458,2425,1943,2447,2444,2469,2062,329,2472,2462,2464,2441,2251,1384,2461,2475,2466],"class_list":["post-6327","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-african-american-opera-singers","category-african-american-singers","category-art-song","category-broadway-and-musicals","category-claudia-muzio","category-countertenors","category-finnish-opera","category-giacomo-puccini","category-great-baritones","category-happy-birthday","category-holiday-music","category-in-memoriam","category-mezzo-madness","category-music-for-a-world-in-crisis","category-needle-drop","category-richard-strauss","tag-albert-remedios","tag-anne-howells","tag-arlene-saunders","tag-arnold-schoenberg","tag-arvo-part","tag-aulis-sallinen","tag-bernhard-landauer","tag-charles-mackerras","tag-charles-tomlinson-griffes","tag-claudia-muzio","tag-cole-porter","tag-colin-davis","tag-das-marienleben","tag-derek-lee-ragin","tag-die-liebe-der-danae","tag-dominic-cossa","tag-elena-gragera","tag-ellen-schuring","tag-erwartung","tag-esa-pekka-salonen","tag-esther-hinds","tag-fun-home","tag-giacomo-puccini","tag-gidon-kremer","tag-giuseppe-sinopoli","tag-giya-kancheli","tag-hakon-austbo-peter-schat","tag-helga-pilarczyk","tag-herbert-von-karajan","tag-iphigenia-in-brooklyn","tag-jane-manning","tag-jerome-kern","tag-joaquin-rodrigo-2","tag-john-ferrante","tag-john-wustman","tag-josep-soler","tag-la-boheme-2","tag-licinio-refice","tag-luciano-pavarotti","tag-madama-butterfly","tag-michael-tippett","tag-mirella-freni","tag-nicholas-maw","tag-norma-procter","tag-norman-del-mar","tag-paolo-tosti","tag-pdq-bach","tag-peter-schickele","tag-rainer-maria-rilke","tag-rebecca-luker","tag-richard-strauss","tag-robert-craft","tag-roger-sessions","tag-seiji-ozawa","tag-sherrill-milnes","tag-soile-isokoski","tag-teresa-berganza","tag-the-midsummer-marriage","tag-the-secret-garden","tag-walt-whitman"],"author_meta":{"display_name":"admin","author_link":"https:\/\/countermelodypodcast.com\/index.php\/author\/admin\/"},"featured_img":"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Luker-Fairy-TRIMMED-300x124.jpg","coauthors":[],"tax_additional":{"categories":{"linked":["<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/african-american-opera-singers\/\" class=\"advgb-post-tax-term\">African American Opera Singers<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/african-american-singers\/\" class=\"advgb-post-tax-term\">African American Singers<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/art-song\/\" class=\"advgb-post-tax-term\">Art Song<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/broadway-and-musicals\/\" class=\"advgb-post-tax-term\">Broadway and Musicals<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/claudia-muzio\/\" class=\"advgb-post-tax-term\">Claudia Muzio<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/countertenors\/\" class=\"advgb-post-tax-term\">Countertenors<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/finnish-opera\/\" class=\"advgb-post-tax-term\">Finnish Opera<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/giacomo-puccini\/\" class=\"advgb-post-tax-term\">Giacomo Puccini<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/great-baritones\/\" class=\"advgb-post-tax-term\">Great Baritones<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/happy-birthday\/\" class=\"advgb-post-tax-term\">Happy Birthday<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/holiday-music\/\" class=\"advgb-post-tax-term\">Holiday Music<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/in-memoriam\/\" class=\"advgb-post-tax-term\">In Memoriam<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/mezzo-madness\/\" class=\"advgb-post-tax-term\">Mezzo Madness<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/music-for-a-world-in-crisis\/\" class=\"advgb-post-tax-term\">Music for a World in Crisis<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Needle Drop<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/richard-strauss\/\" class=\"advgb-post-tax-term\">Richard Strauss<\/a>"],"unlinked":["<span class=\"advgb-post-tax-term\">African American Opera Singers<\/span>","<span class=\"advgb-post-tax-term\">African American Singers<\/span>","<span class=\"advgb-post-tax-term\">Art Song<\/span>","<span class=\"advgb-post-tax-term\">Broadway and Musicals<\/span>","<span class=\"advgb-post-tax-term\">Claudia Muzio<\/span>","<span class=\"advgb-post-tax-term\">Countertenors<\/span>","<span class=\"advgb-post-tax-term\">Finnish Opera<\/span>","<span class=\"advgb-post-tax-term\">Giacomo Puccini<\/span>","<span class=\"advgb-post-tax-term\">Great Baritones<\/span>","<span class=\"advgb-post-tax-term\">Happy Birthday<\/span>","<span class=\"advgb-post-tax-term\">Holiday Music<\/span>","<span class=\"advgb-post-tax-term\">In Memoriam<\/span>","<span class=\"advgb-post-tax-term\">Mezzo Madness<\/span>","<span class=\"advgb-post-tax-term\">Music for a World in Crisis<\/span>","<span class=\"advgb-post-tax-term\">Needle Drop<\/span>","<span class=\"advgb-post-tax-term\">Richard Strauss<\/span>"]},"tags":{"linked":["<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/richard-strauss\/\" class=\"advgb-post-tax-term\">Albert Remedios<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/richard-strauss\/\" class=\"advgb-post-tax-term\">Anne Howells<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/richard-strauss\/\" class=\"advgb-post-tax-term\">Arlene Saunders<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/richard-strauss\/\" class=\"advgb-post-tax-term\">Arnold Schoenberg<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/richard-strauss\/\" class=\"advgb-post-tax-term\">Arvo P\u00e4rt<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/richard-strauss\/\" class=\"advgb-post-tax-term\">Aulis Sallinen<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/richard-strauss\/\" class=\"advgb-post-tax-term\">Bernhard Landauer<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/richard-strauss\/\" class=\"advgb-post-tax-term\">Charles Mackerras<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/richard-strauss\/\" class=\"advgb-post-tax-term\">Charles Tomlinson Griffes<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/richard-strauss\/\" class=\"advgb-post-tax-term\">Claudia Muzio<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/richard-strauss\/\" class=\"advgb-post-tax-term\">Cole Porter<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/richard-strauss\/\" class=\"advgb-post-tax-term\">Colin Davis<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/richard-strauss\/\" class=\"advgb-post-tax-term\">Das Marienleben<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/richard-strauss\/\" class=\"advgb-post-tax-term\">Derek Lee Ragin<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/richard-strauss\/\" class=\"advgb-post-tax-term\">Die Liebe der Danae<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/richard-strauss\/\" class=\"advgb-post-tax-term\">Dominic Cossa<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/richard-strauss\/\" class=\"advgb-post-tax-term\">Elena Gragera<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/richard-strauss\/\" class=\"advgb-post-tax-term\">Ellen Schuring<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/richard-strauss\/\" class=\"advgb-post-tax-term\">Erwartung<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/richard-strauss\/\" class=\"advgb-post-tax-term\">Esa-Pekka Salonen<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/richard-strauss\/\" class=\"advgb-post-tax-term\">Esther Hinds<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/richard-strauss\/\" class=\"advgb-post-tax-term\">Fun Home<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/richard-strauss\/\" class=\"advgb-post-tax-term\">Giacomo Puccini<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/richard-strauss\/\" class=\"advgb-post-tax-term\">Gidon Kremer<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/richard-strauss\/\" class=\"advgb-post-tax-term\">Giuseppe Sinopoli<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/richard-strauss\/\" class=\"advgb-post-tax-term\">Giya Kancheli<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/richard-strauss\/\" class=\"advgb-post-tax-term\">H\u00e5kon Austb\u00f8. Peter Schat<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/richard-strauss\/\" class=\"advgb-post-tax-term\">Helga Pilarczyk<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/richard-strauss\/\" class=\"advgb-post-tax-term\">Herbert von Karajan<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/richard-strauss\/\" class=\"advgb-post-tax-term\">Iphigenia in Brooklyn<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/richard-strauss\/\" class=\"advgb-post-tax-term\">Jane Manning<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/richard-strauss\/\" class=\"advgb-post-tax-term\">Jerome Kern<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/richard-strauss\/\" class=\"advgb-post-tax-term\">Joaqu\u00edn Rodrigo<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/richard-strauss\/\" class=\"advgb-post-tax-term\">John Ferrante<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/richard-strauss\/\" class=\"advgb-post-tax-term\">John Wustman<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/richard-strauss\/\" class=\"advgb-post-tax-term\">Josep Soler<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/richard-strauss\/\" class=\"advgb-post-tax-term\">La Boh\u00e8me<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/richard-strauss\/\" class=\"advgb-post-tax-term\">Licinio Refice<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/richard-strauss\/\" class=\"advgb-post-tax-term\">Luciano Pavarotti<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/richard-strauss\/\" class=\"advgb-post-tax-term\">Madama Butterfly<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/richard-strauss\/\" class=\"advgb-post-tax-term\">Michael Tippett<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/richard-strauss\/\" class=\"advgb-post-tax-term\">Mirella Freni<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/richard-strauss\/\" class=\"advgb-post-tax-term\">Nicholas Maw<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/richard-strauss\/\" class=\"advgb-post-tax-term\">Norma Procter<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/richard-strauss\/\" class=\"advgb-post-tax-term\">Norman Del Mar<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/richard-strauss\/\" class=\"advgb-post-tax-term\">Paolo Tosti<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/richard-strauss\/\" class=\"advgb-post-tax-term\">PDQ Bach<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/richard-strauss\/\" class=\"advgb-post-tax-term\">Peter Schickele<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/richard-strauss\/\" class=\"advgb-post-tax-term\">Rainer Maria Rilke<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/richard-strauss\/\" class=\"advgb-post-tax-term\">Rebecca Luker<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/richard-strauss\/\" class=\"advgb-post-tax-term\">Richard Strauss<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/richard-strauss\/\" class=\"advgb-post-tax-term\">Robert Craft<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/richard-strauss\/\" class=\"advgb-post-tax-term\">Roger Sessions<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/richard-strauss\/\" class=\"advgb-post-tax-term\">Seiji Ozawa<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/richard-strauss\/\" class=\"advgb-post-tax-term\">Sherrill Milnes<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/richard-strauss\/\" class=\"advgb-post-tax-term\">Soile Isokoski<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/richard-strauss\/\" class=\"advgb-post-tax-term\">Teresa Berganza<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/richard-strauss\/\" class=\"advgb-post-tax-term\">The Midsummer Marriage<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/richard-strauss\/\" class=\"advgb-post-tax-term\">The Secret Garden<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/richard-strauss\/\" class=\"advgb-post-tax-term\">Walt Whitman<\/a>"],"unlinked":["<span class=\"advgb-post-tax-term\">Albert Remedios<\/span>","<span class=\"advgb-post-tax-term\">Anne Howells<\/span>","<span class=\"advgb-post-tax-term\">Arlene Saunders<\/span>","<span class=\"advgb-post-tax-term\">Arnold Schoenberg<\/span>","<span class=\"advgb-post-tax-term\">Arvo P\u00e4rt<\/span>","<span class=\"advgb-post-tax-term\">Aulis Sallinen<\/span>","<span class=\"advgb-post-tax-term\">Bernhard Landauer<\/span>","<span class=\"advgb-post-tax-term\">Charles Mackerras<\/span>","<span class=\"advgb-post-tax-term\">Charles Tomlinson Griffes<\/span>","<span class=\"advgb-post-tax-term\">Claudia Muzio<\/span>","<span class=\"advgb-post-tax-term\">Cole Porter<\/span>","<span class=\"advgb-post-tax-term\">Colin Davis<\/span>","<span class=\"advgb-post-tax-term\">Das Marienleben<\/span>","<span class=\"advgb-post-tax-term\">Derek Lee Ragin<\/span>","<span class=\"advgb-post-tax-term\">Die Liebe der Danae<\/span>","<span class=\"advgb-post-tax-term\">Dominic Cossa<\/span>","<span class=\"advgb-post-tax-term\">Elena Gragera<\/span>","<span class=\"advgb-post-tax-term\">Ellen Schuring<\/span>","<span class=\"advgb-post-tax-term\">Erwartung<\/span>","<span class=\"advgb-post-tax-term\">Esa-Pekka Salonen<\/span>","<span class=\"advgb-post-tax-term\">Esther Hinds<\/span>","<span class=\"advgb-post-tax-term\">Fun Home<\/span>","<span class=\"advgb-post-tax-term\">Giacomo Puccini<\/span>","<span class=\"advgb-post-tax-term\">Gidon Kremer<\/span>","<span class=\"advgb-post-tax-term\">Giuseppe Sinopoli<\/span>","<span class=\"advgb-post-tax-term\">Giya Kancheli<\/span>","<span class=\"advgb-post-tax-term\">H\u00e5kon Austb\u00f8. Peter Schat<\/span>","<span class=\"advgb-post-tax-term\">Helga Pilarczyk<\/span>","<span class=\"advgb-post-tax-term\">Herbert von Karajan<\/span>","<span class=\"advgb-post-tax-term\">Iphigenia in Brooklyn<\/span>","<span class=\"advgb-post-tax-term\">Jane Manning<\/span>","<span class=\"advgb-post-tax-term\">Jerome Kern<\/span>","<span class=\"advgb-post-tax-term\">Joaqu\u00edn Rodrigo<\/span>","<span class=\"advgb-post-tax-term\">John Ferrante<\/span>","<span class=\"advgb-post-tax-term\">John Wustman<\/span>","<span class=\"advgb-post-tax-term\">Josep Soler<\/span>","<span class=\"advgb-post-tax-term\">La Boh\u00e8me<\/span>","<span class=\"advgb-post-tax-term\">Licinio Refice<\/span>","<span class=\"advgb-post-tax-term\">Luciano Pavarotti<\/span>","<span class=\"advgb-post-tax-term\">Madama Butterfly<\/span>","<span class=\"advgb-post-tax-term\">Michael Tippett<\/span>","<span class=\"advgb-post-tax-term\">Mirella Freni<\/span>","<span class=\"advgb-post-tax-term\">Nicholas Maw<\/span>","<span class=\"advgb-post-tax-term\">Norma Procter<\/span>","<span class=\"advgb-post-tax-term\">Norman Del Mar<\/span>","<span class=\"advgb-post-tax-term\">Paolo Tosti<\/span>","<span class=\"advgb-post-tax-term\">PDQ Bach<\/span>","<span class=\"advgb-post-tax-term\">Peter Schickele<\/span>","<span class=\"advgb-post-tax-term\">Rainer Maria Rilke<\/span>","<span class=\"advgb-post-tax-term\">Rebecca Luker<\/span>","<span class=\"advgb-post-tax-term\">Richard Strauss<\/span>","<span class=\"advgb-post-tax-term\">Robert Craft<\/span>","<span class=\"advgb-post-tax-term\">Roger Sessions<\/span>","<span class=\"advgb-post-tax-term\">Seiji Ozawa<\/span>","<span class=\"advgb-post-tax-term\">Sherrill Milnes<\/span>","<span class=\"advgb-post-tax-term\">Soile Isokoski<\/span>","<span class=\"advgb-post-tax-term\">Teresa Berganza<\/span>","<span class=\"advgb-post-tax-term\">The Midsummer Marriage<\/span>","<span class=\"advgb-post-tax-term\">The Secret Garden<\/span>","<span class=\"advgb-post-tax-term\">Walt Whitman<\/span>"]}},"comment_count":"0","relative_dates":{"created":"Posted 5 years ago","modified":"Updated 5 years ago"},"absolute_dates":{"created":"Posted on 27\/12\/2020","modified":"Updated on 27\/12\/2020"},"absolute_dates_time":{"created":"Posted on 27\/12\/2020 17:33","modified":"Updated on 27\/12\/2020 17:33"},"featured_img_caption":"","series_order":"","_links":{"self":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/6327","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/comments?post=6327"}],"version-history":[{"count":6,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/6327\/revisions"}],"predecessor-version":[{"id":6523,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/6327\/revisions\/6523"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/media\/6516"}],"wp:attachment":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/media?parent=6327"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/categories?post=6327"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/tags?post=6327"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}