{"id":6074,"date":"2020-12-06T20:50:44","date_gmt":"2020-12-06T19:50:44","guid":{"rendered":"http:\/\/countermelodypodcast.com\/?p=6074"},"modified":"2023-12-08T03:22:39","modified_gmt":"2023-12-08T02:22:39","slug":"episode-64-jorma-hynninen-in-opera","status":"publish","type":"post","link":"https:\/\/countermelodypodcast.com\/index.php\/2020\/12\/06\/episode-64-jorma-hynninen-in-opera\/","title":{"rendered":"Episode 64. Jorma Hynninen in Opera"},"content":{"rendered":"<div id=\"mega-menu-wrap-primary\" class=\"mega-menu-wrap\"><div class=\"mega-menu-toggle\"><div class=\"mega-toggle-blocks-left\"><\/div><div class=\"mega-toggle-blocks-center\"><\/div><div class=\"mega-toggle-blocks-right\"><div class='mega-toggle-block mega-menu-toggle-animated-block mega-toggle-block-1' id='mega-toggle-block-1'><button aria-label=\"Menu\" class=\"mega-toggle-animated mega-toggle-animated-slider\" type=\"button\" aria-haspopup=\"true\" aria-expanded=\"false\" aria-controls=\"mega-menu-primary\">\n                  <span class=\"mega-toggle-animated-box\">\n                    <span class=\"mega-toggle-animated-inner\"><\/span>\n                  <\/span>\n                <\/button><\/div><\/div><\/div><ul id=\"mega-menu-primary\" class=\"mega-menu max-mega-menu mega-menu-horizontal mega-no-js\" data-event=\"hover_intent\" data-effect=\"slide\" data-effect-speed=\"200\" data-effect-mobile=\"slide\" data-effect-speed-mobile=\"200\" data-mobile-force-width=\"body\" data-second-click=\"go\" data-document-click=\"collapse\" data-vertical-behaviour=\"standard\" data-breakpoint=\"600\" data-unbind=\"true\" data-mobile-state=\"collapse_all\" data-mobile-direction=\"vertical\" data-hover-intent-timeout=\"300\" data-hover-intent-interval=\"100\"><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-menu-item-home mega-align-bottom-left mega-menu-flyout mega-menu-item-19160\" id=\"mega-menu-item-19160\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/\">Home<\/a><\/li><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-align-bottom-left mega-menu-flyout mega-menu-item-19161\" id=\"mega-menu-item-19161\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/index.php\/about-daniel\/\">About Daniel<\/a><\/li><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-current_page_parent mega-align-bottom-left mega-menu-flyout mega-menu-item-19171\" id=\"mega-menu-item-19171\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/index.php\/all-episodes\/\">All Episodes<\/a><\/li><\/ul><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">Episode 64.  Jorma Hynninen in Opera (Great Baritones I)<\/h2>\n\n\n\n<iframe loading=\"lazy\" width=\"340\" height=\"50\" src=\"https:\/\/countermelody.blubrry.net\/?powerpress_embed=234-podcast&amp;powerpress_player=mediaelement-audio\" frameborder=\"0\" scrolling=\"no\"><\/iframe>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p><strong>SOCIAL SHARE<\/strong><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"has-text-align-right\"><strong>SUBSCRIPTION PLATFORM<\/strong><\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<div class=\"wp-block-buttons is-content-justification-left is-layout-flex wp-container-core-buttons-is-layout-fdcfc74e wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button alignright\"><a class=\"wp-block-button__link wp-element-button\" href=\"https:\/\/countermelody.blubrry.net\/\">SUBSCRIBE VIA YOUR FAVORITE PODCAST PLATFORM<\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"960\" height=\"540\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Hynninen-at-Savonlinna.jpg\" alt=\"\" class=\"wp-image-6253\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Hynninen-at-Savonlinna.jpg 960w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Hynninen-at-Savonlinna-300x169.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Hynninen-at-Savonlinna-768x432.jpg 768w\" sizes=\"auto, (max-width: 960px) 100vw, 960px\" \/><\/figure>\n<\/div>\n\n\n<div style=\"height:38px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>This is the first of two episodes I have planned in honor of the great Finnish baritone Jorma Hynninen, who turns 80 in 2021. The focus today is on his work in opera. His stylistic range was unusually large: during the years in which he appeared internationally he triumphed in roles ranging from Mozart to Verdi to the title role in <em>Eugene Onegin<\/em> in opera houses around the world. What is perhaps less well-remembered is that he also was a phenomenal Pell\u00e9as and also a distinguished Wagnerian, singing Wolfram, Amfortas, and Kurwenal, among other parts. All of these are featured in today\u2019s episode, as well as arias and scenes from operas by Strauss, Dallapiccola, and Hindemith. Jorma Hynninen made his greatest contribution to the field, however, in his legendary creations in the world of Finnish opera. The second portion of the program features excerpts of his performances in works by pioneers Leevi Madetoja and Aarre Merikanto and continues with roles he created in operas by Aulis Sallinen and Einojuhani Rautavaara. Though he retired from opera in 2012, he continues to concertize in Finland; in the fall of 2019 he embarked on a brief concert tour with a voice nearly untouched by the years. Mirella Freni, Hildegard Behrens, and Victoria de los \u00c1ngeles are also featured in the episode. Join me in an exploration of the operatic career of this extraordinary singer.<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"390\" height=\"470\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Pendant.png\" alt=\"\" class=\"wp-image-6315\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Pendant.png 390w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Pendant-249x300.png 249w\" sizes=\"auto, (max-width: 390px) 100vw, 390px\" \/><\/figure>\n<\/div>\n\n\n<div style=\"height:47px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-custom-size\" style=\"font-size:30px\"><strong> RECORDINGS HEARD IN THIS EPISODE<\/strong><\/p>\n\n\n\n<div style=\"height:55px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"621\" height=\"429\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Savonlinna.png\" alt=\"\" class=\"wp-image-6259\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Savonlinna.png 621w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Savonlinna-300x207.png 300w\" sizes=\"auto, (max-width: 621px) 100vw, 621px\" \/><\/figure>\n<\/div>\n\n\n<p>Ruggero Leoncavallo: Si pu\u00f2? [Prologo] (<em>Pagliacci<\/em>). Jorma Hynninen; Eri Klas, Estonian Symphony Orchestra [1989] ; Miguel G\u00f3mez Mart\u00ednez, Savonlinna Festival Orchestra [July 1988]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"485\" height=\"483\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Hynninen-Marcello-1970.png\" alt=\"\" class=\"wp-image-6308\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Hynninen-Marcello-1970.png 485w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Hynninen-Marcello-1970-300x300.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Hynninen-Marcello-1970-150x150.png 150w\" sizes=\"auto, (max-width: 485px) 100vw, 485px\" \/><figcaption class=\"wp-element-caption\">Jorma Hynninen as Marcello in <em>La boh\u00e8me<\/em> (1970)<\/figcaption><\/figure>\n<\/div>\n\n\n<p>Ruggero Leoncavallo: T\u00e4lla ista el\u00e4m\u00e4\u00e4 miten jataka [Decidi il mio destin] (<em>Pagliacci<\/em>). Jorma Hynninen; Orchestra of the Finnish National Opera [1969]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1018\" height=\"818\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Hynninen-and-His-Wife-in-a-Boat.jpg\" alt=\"\" class=\"wp-image-6257\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Hynninen-and-His-Wife-in-a-Boat.jpg 1018w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Hynninen-and-His-Wife-in-a-Boat-300x241.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Hynninen-and-His-Wife-in-a-Boat-768x617.jpg 768w\" sizes=\"auto, (max-width: 1018px) 100vw, 1018px\" \/><figcaption class=\"wp-element-caption\">A young Hynninen and his then wife-to-be Reetta (1942-2017), whom he married in 1961<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Giuseppe Verdi: O dolcezze perdute (<em>Un ballo in maschera<\/em>). Jorma Hynninen; Unknown pianist [1969]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"298\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Hynninen-Old-with-Mustache.jpg\" alt=\"\" class=\"wp-image-6254\" style=\"width:362px;height:360px\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Hynninen-Old-with-Mustache.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Hynninen-Old-with-Mustache-150x150.jpg 150w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/figure>\n<\/div>\n\n\n<p>Jean Sibelius: Illalle, Op. 17\/6. Jorma Hynninen; Kalevi Kiviniemi [2017]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"482\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Opera-Arias-Cover-482x1024.jpg\" alt=\"\" class=\"wp-image-6258\" style=\"width:414px;height:880px\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Opera-Arias-Cover-482x1024.jpg 482w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Opera-Arias-Cover-141x300.jpg 141w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Opera-Arias-Cover.jpg 602w\" sizes=\"auto, (max-width: 482px) 100vw, 482px\" \/><\/figure>\n<\/div>\n\n\n<p>Giuseppe Verdi: Il balen del suo sorriso (<em>Il trovatore<\/em>). Jorma Hynninen; Eri Klas, Estonian Symphony Orchestra [1989]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"483\" height=\"442\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Hynninen-as-the-Count.png\" alt=\"\" class=\"wp-image-6289\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Hynninen-as-the-Count.png 483w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Hynninen-as-the-Count-300x275.png 300w\" sizes=\"auto, (max-width: 483px) 100vw, 483px\" \/><figcaption class=\"wp-element-caption\">Hynninen as Count Almaviva<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Wolfgang Amadeus Mozart: Hai gi\u00e0 vinta la causa!&#8230; Vedr\u00f2, mentr\u2019io sospiro (<em>Le Nozze di Figaro<\/em>). Jorma Hynninen; Riccardo Muti, Wiener Philharmoniker<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"379\" height=\"541\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/With-Sticks.png\" alt=\"\" class=\"wp-image-6260\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/With-Sticks.png 379w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/With-Sticks-210x300.png 210w\" sizes=\"auto, (max-width: 379px) 100vw, 379px\" \/><\/figure>\n<\/div>\n\n\n<p>Wolfgang Amadeus Mozart: Deh, vieni alla finestra (<em>Don Giovanni<\/em>). Jorma Hynninen; Eri Klas, Estonian Symphony Orchestra<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"824\" height=\"575\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/JH-VdlA-Pelleas.png\" alt=\"\" class=\"wp-image-6264\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/JH-VdlA-Pelleas.png 824w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/JH-VdlA-Pelleas-300x209.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/JH-VdlA-Pelleas-768x536.png 768w\" sizes=\"auto, (max-width: 824px) 100vw, 824px\" \/><figcaption class=\"wp-element-caption\">A very grainy screenshot of Hynninen and de los \u00c1ngeles in the 1980<em> Pell\u00e9as<\/em> telecast from Madrid<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Claude Debussy: Je ne te donne pas ma main si tu pars [Excerpt from Tower Scene] (<em>Pell\u00e9as et M\u00e9lisande<\/em>). Jorma Hynninen, Victoria de los \u00c1ngeles; Antonio Ros Marb\u00e1, Orquesta Nacional de Espa\u00f1a [live Madrid July 1980]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"575\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Freni-Ghiaurov-Onegin-1024x575.jpg\" alt=\"\" class=\"wp-image-6265\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Freni-Ghiaurov-Onegin-1024x575.jpg 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Freni-Ghiaurov-Onegin-300x169.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Freni-Ghiaurov-Onegin-768x432.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Freni-Ghiaurov-Onegin.jpg 1180w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">The late Mirella Freni and her husband Nicolai Ghiaurov as Tatyana and Prince Gremin in <em>Yevgeny Onegin<\/em><\/figcaption><\/figure>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Pyotr Il\u2019yich Tchaikovsky: Final Scene [excerpt] (<em>Yevgeny Onegin<\/em>). Jorma Hynninen, Mirella Freni [live March 1989]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"573\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Hynninen-Amfortas-TRIMMED-1024x573.jpg\" alt=\"\" class=\"wp-image-6266\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Hynninen-Amfortas-TRIMMED-1024x573.jpg 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Hynninen-Amfortas-TRIMMED-300x168.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Hynninen-Amfortas-TRIMMED-768x430.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Hynninen-Amfortas-TRIMMED.jpg 1350w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Jorma Hynninen as Amfortas in <em>Parsifal<\/em><\/figcaption><\/figure>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Richard Wagner: O Wonne! Freude! (<em>Tristan und Isolde<\/em>). Jorma Hynninen, Pekka Nuotio; Okko Kamu, Finnish Radio Symphony Orchestra [1976]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"334\" height=\"453\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Pekka-Nuotio.png\" alt=\"\" class=\"wp-image-6267\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Pekka-Nuotio.png 334w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Pekka-Nuotio-221x300.png 221w\" sizes=\"auto, (max-width: 334px) 100vw, 334px\" \/><figcaption class=\"wp-element-caption\">Pekka Nuotio<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"649\" height=\"800\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Behrens-as-Elektra.jpg\" alt=\"\" class=\"wp-image-6268\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Behrens-as-Elektra.jpg 649w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Behrens-as-Elektra-243x300.jpg 243w\" sizes=\"auto, (max-width: 649px) 100vw, 649px\" \/><figcaption class=\"wp-element-caption\">Hildegard Behrens as Elektra<\/figcaption><\/figure>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Richard Strauss: Lass den Orest [excerpt from Recognition Scene] (<em>Elektra<\/em>). Jorma Hynninen, Hildegard Behrens; Seiji Ozawa, Boston Symphony Orchestra [live Boston November 1988]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"474\" height=\"440\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Hynninen-in-Mathis.png\" alt=\"\" class=\"wp-image-6269\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Hynninen-in-Mathis.png 474w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Hynninen-in-Mathis-300x278.png 300w\" sizes=\"auto, (max-width: 474px) 100vw, 474px\" \/><figcaption class=\"wp-element-caption\">Jorma Hynninen as Mathis der Maler and Merja Wirkkala as Regina<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Paul Hindemith: Auf denn zum letzen St\u00fcck des Wegs (<em>Mathis der Maler<\/em>). Jorma Hynninen; Esa-Pekka Salonen, Swedish Radio Symphony Orchestra [live Stockholm September 1995]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"630\" height=\"354\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/EPS.jpg\" alt=\"\" class=\"wp-image-6271\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/EPS.jpg 630w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/EPS-300x169.jpg 300w\" sizes=\"auto, (max-width: 630px) 100vw, 630px\" \/><figcaption class=\"wp-element-caption\">Esa-Pekka Salonen<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Luigi Dallapiccola: Quegli occhi mi guaradavano (<em>Il Prigioniero<\/em>). Jorma Hynninen; Esa-Pekka Salonen, Swedish Radio Symphony Orchestra [live Stockholm March 1995]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"562\" height=\"444\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Luigi-Dalla.png\" alt=\"\" class=\"wp-image-6290\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Luigi-Dalla.png 562w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Luigi-Dalla-300x237.png 300w\" sizes=\"auto, (max-width: 562px) 100vw, 562px\" \/><figcaption class=\"wp-element-caption\">Luigi Dallapiccola (1904-1975)<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"467\" height=\"459\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Hynninen-in-Vapauden-vanki-by-Ilkka-Kuusisto.png\" alt=\"\" class=\"wp-image-6270\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Hynninen-in-Vapauden-vanki-by-Ilkka-Kuusisto.png 467w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Hynninen-in-Vapauden-vanki-by-Ilkka-Kuusisto-300x295.png 300w\" sizes=\"auto, (max-width: 467px) 100vw, 467px\" \/><figcaption class=\"wp-element-caption\">Jorma Hynninen in Ilkka Kuusisto&#8217;s 2006 opera <em>Vapauden vanki<\/em>  (Prisoner of Freedom)<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Jean Sibelius: En etsi valtaa loistoa [Give me neither power nor splendor] (<em>Viisi joululaulua<\/em> [<em>Five Yuletide Songs<\/em>], Op.1\/4). Jorma Hynninen; Orchestrated and conducted Ilkka Kuusisto [1976]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"965\" height=\"704\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Ilkka-Kuusisto.png\" alt=\"\" class=\"wp-image-6311\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Ilkka-Kuusisto.png 965w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Ilkka-Kuusisto-300x219.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Ilkka-Kuusisto-768x560.png 768w\" sizes=\"auto, (max-width: 965px) 100vw, 965px\" \/><figcaption class=\"wp-element-caption\">Ilkka Kuusisto (b. 1933)<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"851\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Ostrobothnians-851x1024.jpg\" alt=\"\" class=\"wp-image-6272\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Ostrobothnians-851x1024.jpg 851w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Ostrobothnians-249x300.jpg 249w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Ostrobothnians-768x924.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Ostrobothnians.jpg 1064w\" sizes=\"auto, (max-width: 851px) 100vw, 851px\" \/><figcaption class=\"wp-element-caption\">Jorma Hynninen and Raita Karpo in <em>Pohjalaisia <\/em>(<em>The Ostrobothnians<\/em>)<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Leevi Madetoja: K\u00e4rsi\u00e4! Ainako vain k\u00e4rsi\u00e4 [To suffer! Always to suffer!] (<em>Pohjalaisia<\/em> [<em>The Ostrobothnians<\/em>]). Jorma Hynninen; Jorma Panula, Finnish National Opera Orchestra [1975] &amp; Jukka-Pekka Saraste, Finnish Radio Symphony Orchestra [live Helsinki August 1997]<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"621\" height=\"459\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Ostrobothnians-Screen-Shot.png\" alt=\"\" class=\"wp-image-6288\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Ostrobothnians-Screen-Shot.png 621w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Ostrobothnians-Screen-Shot-300x222.png 300w\" sizes=\"auto, (max-width: 621px) 100vw, 621px\" \/><figcaption class=\"wp-element-caption\">Jorma Hynninen as Jussi Harri in the 1981 filmed version of <em>Pohjalaisia<\/em><\/figcaption><\/figure>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"530\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Juho-Shot-530x1024.jpg\" alt=\"\" class=\"wp-image-6273\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Juho-Shot-530x1024.jpg 530w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Juho-Shot-155x300.jpg 155w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Juho-Shot.jpg 663w\" sizes=\"auto, (max-width: 530px) 100vw, 530px\" \/><figcaption class=\"wp-element-caption\">Hynninen in the title role of <em>Juha<\/em> in the 1979 film of Madetoja&#8217;s opera<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Leevi Madetoja: Marja! Sovitaan pois [Marja! Let\u2019s make peace] (<em>Juha<\/em>). Jorma Hynninen, Maija Lokka; Jussi Jalas, Finnish Radio Symphony Orchestra [1977]<\/p>\n\n\n\n<figure class=\"wp-block-image size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"638\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Madetoja-638x1024.jpg\" alt=\"\" class=\"wp-image-6275\" style=\"width:555px;height:891px\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Madetoja-638x1024.jpg 638w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Madetoja-187x300.jpg 187w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Madetoja-768x1234.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Madetoja.jpg 800w\" sizes=\"auto, (max-width: 638px) 100vw, 638px\" \/><figcaption class=\"wp-element-caption\">Leevi Madetoja (1887-1947)<\/figcaption><\/figure>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"416\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Hynninen-in-Doorway.jpg\" alt=\"\" class=\"wp-image-6276\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Hynninen-in-Doorway.jpg 600w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Hynninen-in-Doorway-300x208.jpg 300w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/figure>\n<\/div>\n\n\n<p>Aarre Merikanto: Ett\u00e4 saatoit sen minulle [She said it so bitterly] (<em>Juha<\/em>). Jorma Hynninen; Jukka-Pekka Saraste, Finnish Radio Symphony Orchestra [1995]<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"662\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Merikanto-Aarre-662x1024.jpg\" alt=\"\" class=\"wp-image-6277\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Merikanto-Aarre-662x1024.jpg 662w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Merikanto-Aarre-194x300.jpg 194w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Merikanto-Aarre-768x1188.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Merikanto-Aarre-993x1536.jpg 993w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Merikanto-Aarre.jpg 1080w\" sizes=\"auto, (max-width: 662px) 100vw, 662px\" \/><figcaption class=\"wp-element-caption\">Aarre Merikanto (1893-1958)<\/figcaption><\/figure>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"475\" height=\"474\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Hynninen-in-The-Red-Line.png\" alt=\"\" class=\"wp-image-6278\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Hynninen-in-The-Red-Line.png 475w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Hynninen-in-The-Red-Line-300x300.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Hynninen-in-The-Red-Line-150x150.png 150w\" sizes=\"auto, (max-width: 475px) 100vw, 475px\" \/><figcaption class=\"wp-element-caption\">Hynninen as Topi in <em>Punainen viiva <\/em>(<em>The Red Line<\/em>)<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Aulis Sallinen: Piirret\u00e4\u00e4n! Hyv\u00e4h\u00e4n se on sanoa [Draw! That\u2019s easy to say!] (<em>Punainen viiva<\/em> [The Red Line]). Jorma Hynninen; Okko Kamu, Finnish National Opera Orchestra [1978]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"720\" height=\"405\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Sallinen-Young.jpg\" alt=\"\" class=\"wp-image-6279\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Sallinen-Young.jpg 720w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Sallinen-Young-300x169.jpg 300w\" sizes=\"auto, (max-width: 720px) 100vw, 720px\" \/><figcaption class=\"wp-element-caption\">Aulis Sallinen (b. 1935) in the 1950s<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"735\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Kullervo-1024x735.jpg\" alt=\"\" class=\"wp-image-6319\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Kullervo-1024x735.jpg 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Kullervo-300x215.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Kullervo-768x551.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Kullervo-1536x1102.jpg 1536w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Kullervo-1600x1148.jpg 1600w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Kullervo.jpg 1742w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">In the title role of <em>Kullervo<\/em><\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Aulis Sallinen: Tapasin h\u00e4net mets\u00e4ss\u00e4 [I met her in the forest] (<em>Kullervo<\/em>). Jorma Hynninen, Eeva-Liisa Saarinen, Matti Salminen, Satu Vihavainen, Ulf S\u00f6derblom, Finnish National Opera Orchestra [1991]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"577\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Sallinen-1024x577.jpg\" alt=\"\" class=\"wp-image-6281\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Sallinen-1024x577.jpg 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Sallinen-300x169.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Sallinen-768x433.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Sallinen.jpg 1200w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Aulis Sallinen<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"842\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Thomas-1024x842.jpg\" alt=\"\" class=\"wp-image-6282\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Thomas-1024x842.jpg 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Thomas-300x247.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Thomas-768x631.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Thomas.jpg 1280w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Hynninen in the title role of <em>Thomas<\/em><\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Einojuhani Rautavaara: Quis est&#8230;? Menk\u00e4\u00e4! [Who is&#8230;? Get away!] (<em>Thomas<\/em>). Jorma Hynninen, Sini Rautavaara; Pekka Haapasalo, Joensuu City Orchestra, Savonlinna Opera Festival Chorus [1986]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"962\" height=\"541\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Rautavaara-Old.jpg\" alt=\"\" class=\"wp-image-6283\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Rautavaara-Old.jpg 962w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Rautavaara-Old-300x169.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Rautavaara-Old-768x432.jpg 768w\" sizes=\"auto, (max-width: 962px) 100vw, 962px\" \/><figcaption class=\"wp-element-caption\">Einojuhani Rautavaara (1928-2016)<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"478\" height=\"455\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Hynninen-as-Vincent.png\" alt=\"\" class=\"wp-image-6284\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Hynninen-as-Vincent.png 478w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Hynninen-as-Vincent-300x286.png 300w\" sizes=\"auto, (max-width: 478px) 100vw, 478px\" \/><figcaption class=\"wp-element-caption\">Hynninen in the title role of <em>Vincent<\/em><\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Einojuhani Rautavaara: Kuuntele, Vincent! Kuuntele! [Listen, Vincent! Listen!] (<em>Vincent<\/em>). Jorma Hynninen, Sini Rautavaara, Marianne Harju, Marjatta Airas; Fuat Manchurov, Finnish National Opera Orchestra and Chorus [1990]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"775\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Rautavaara-Young-775x1024.jpg\" alt=\"\" class=\"wp-image-6285\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Rautavaara-Young-775x1024.jpg 775w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Rautavaara-Young-227x300.jpg 227w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Rautavaara-Young-768x1015.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Rautavaara-Young-1162x1536.jpg 1162w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Rautavaara-Young-1550x2048.jpg 1550w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Rautavaara-Young-1600x2114.jpg 1600w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Rautavaara-Young-scaled.jpg 1937w\" sizes=\"auto, (max-width: 775px) 100vw, 775px\" \/><figcaption class=\"wp-element-caption\">Rautavaara in the 1950s<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"477\" height=\"474\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Hynninen-Aleksis.png\" alt=\"\" class=\"wp-image-6286\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Hynninen-Aleksis.png 477w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Hynninen-Aleksis-300x298.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Hynninen-Aleksis-150x150.png 150w\" sizes=\"auto, (max-width: 477px) 100vw, 477px\" \/><figcaption class=\"wp-element-caption\">Hynninen in the title role of <em>Aleksis Kivi<\/em><\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Einojuhani Rautavaara: Epilogi. Voi, en l\u00f6yd\u00e4 kotiani [Epilogue: I can\u2019t find my way home] (<em>Aleksis Kivi<\/em>). Jorma Hynninen, Gabriel Suovanen, Eeva-Liisa Saarinen; Markus Lehtinen, Jyv\u00e4skyl\u00e4 Sinfonia [2002]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"930\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Aleksis-Kivi-Shot-1024x930.jpg\" alt=\"\" class=\"wp-image-6287\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Aleksis-Kivi-Shot-1024x930.jpg 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Aleksis-Kivi-Shot-300x273.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Aleksis-Kivi-Shot-768x698.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Aleksis-Kivi-Shot.jpg 1280w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Jorma Hynninen and Ville Rusanen as the older and younger Alexises <br>(in the recording this role is sung by Gabriel Suovanen)<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"475\" height=\"297\" data-id=\"6291\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Hynninen-Barn-1.jpg\" alt=\"\" class=\"wp-image-6291\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Hynninen-Barn-1.jpg 475w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Hynninen-Barn-1-300x188.jpg 300w\" sizes=\"auto, (max-width: 475px) 100vw, 475px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"563\" data-id=\"6292\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Hynninen-Craggy.jpg\" alt=\"\" class=\"wp-image-6292\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Hynninen-Craggy.jpg 1000w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Hynninen-Craggy-300x169.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Hynninen-Craggy-768x432.jpg 768w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"576\" data-id=\"6293\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Hynninen-Gbye-Opera-1024x576.jpg\" alt=\"\" class=\"wp-image-6293\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Hynninen-Gbye-Opera-1024x576.jpg 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Hynninen-Gbye-Opera-300x169.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Hynninen-Gbye-Opera-768x432.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Hynninen-Gbye-Opera.jpg 1198w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"684\" height=\"1024\" data-id=\"6300\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Stiff-Upper-Lip-684x1024.jpg\" alt=\"\" class=\"wp-image-6300\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Stiff-Upper-Lip-684x1024.jpg 684w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Stiff-Upper-Lip-200x300.jpg 200w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Stiff-Upper-Lip.jpg 720w\" sizes=\"auto, (max-width: 684px) 100vw, 684px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"722\" height=\"1024\" data-id=\"6296\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Hynninen.jpg\" alt=\"\" class=\"wp-image-6296\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Hynninen.jpg 722w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Hynninen-212x300.jpg 212w\" sizes=\"auto, (max-width: 722px) 100vw, 722px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"349\" height=\"512\" data-id=\"6316\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Fiori-1.png\" alt=\"\" class=\"wp-image-6316\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Fiori-1.png 349w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Fiori-1-204x300.png 204w\" sizes=\"auto, (max-width: 349px) 100vw, 349px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"512\" height=\"342\" data-id=\"6295\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Hynninen-Window.jpg\" alt=\"\" class=\"wp-image-6295\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Hynninen-Window.jpg 512w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Hynninen-Window-300x200.jpg 300w\" sizes=\"auto, (max-width: 512px) 100vw, 512px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"706\" height=\"431\" data-id=\"6298\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Operatic-Farewell.png\" alt=\"\" class=\"wp-image-6298\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Operatic-Farewell.png 706w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Operatic-Farewell-300x183.png 300w\" sizes=\"auto, (max-width: 706px) 100vw, 706px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1017\" height=\"570\" data-id=\"6297\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/In-Nature.png\" alt=\"\" class=\"wp-image-6297\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/In-Nature.png 1017w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/In-Nature-300x168.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/In-Nature-768x430.png 768w\" sizes=\"auto, (max-width: 1017px) 100vw, 1017px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"737\" height=\"467\" data-id=\"6302\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Upward-2.png\" alt=\"\" class=\"wp-image-6302\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Upward-2.png 737w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Upward-2-300x190.png 300w\" sizes=\"auto, (max-width: 737px) 100vw, 737px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"814\" height=\"508\" data-id=\"6299\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Smart-Outfit.png\" alt=\"\" class=\"wp-image-6299\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Smart-Outfit.png 814w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Smart-Outfit-300x187.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Smart-Outfit-768x479.png 768w\" sizes=\"auto, (max-width: 814px) 100vw, 814px\" \/><\/figure>\n<\/figure>\n","protected":false},"excerpt":{"rendered":"<p>Episode 64. Jorma Hynninen in Opera (Great Baritones I) SOCIAL SHARE SUBSCRIPTION PLATFORM This is the first of two episodes&hellip;<\/p>\n","protected":false},"author":1,"featured_media":6309,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"advgb_blocks_editor_width":"","advgb_blocks_columns_visual_guide":"","footnotes":""},"categories":[2397,2398,2399,2396,2257,2328,425,427],"tags":[2379,2373,2386,2363,501,1068,2364,2361,517,2389,2392,877,2370,2367,207,2384,2393,348,2388,104,103,2375,2376,308,2395,2387,2374,871,2378,2391,2366,2390,2362,1000,2368,704,2394,2369,2383,547,2380,1913,1704,329,486,70,2382,2381,2371,2377,2330,2365,332,1375,2385,2372,34,876],"class_list":["post-6074","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-finnish-opera","category-giuseppe-verdi","category-great-baritones","category-jorma-hynninen","category-richard-strauss","category-richard-wagner","category-ruggero-leoncavallo","category-verismo","tag-aarre-merikanto","tag-aleksis-kivi-rautavaara","tag-antonio-ros-marba","tag-aulis-sallinen","tag-claude-debussy","tag-don-giovanni","tag-eeva-liisa-saarinen","tag-einojuhani-rautavaara","tag-elektra","tag-eri-klas","tag-esa-pekka-salonen","tag-eugene-onegin","tag-fuat-manchurov","tag-gabriel-suovanen","tag-giuseppe-verdi","tag-hildegard-behrens","tag-il-prigioniero-dallapiccola","tag-il-trovatore","tag-ilkka-kuusisto","tag-jean-sibelius","tag-jorma-hynninen","tag-juha-madetoja","tag-juha-merikanto","tag-jukka-pekka-saraste","tag-jussi-jalas","tag-kalevi-kiviniemi","tag-kullervo-sallinen","tag-le-nozze-di-figaro","tag-leevi-madetoja","tag-luigi-dallapiccola","tag-markus-lehtinen","tag-mathis-der-maler","tag-matti-salminen","tag-mirella-freni","tag-okko-kamu","tag-pagliacci","tag-paul-hindemith","tag-pekka-haapasalo","tag-pekka-nuotio","tag-pelleas-et-melisande-2","tag-pohjalaisia-madetoja","tag-pyotr-ilyich-tchaikovsky-2","tag-riccardo-muti","tag-richard-strauss","tag-richard-wagner","tag-ruggero-leoncavallo","tag-savonlinna-opera-festival","tag-the-ostrobothnians-madetoja","tag-the-red-line-sallinen","tag-thomas-rautavaara","tag-tristan-und-isolde","tag-ulf-soderblom","tag-un-ballo-in-maschera","tag-victoria-de-los-angeles","tag-victoria-de-los-angeles-2","tag-vincent-rautavaara","tag-wolfgang-amadeus-mozart","tag-yevgeny-onegin"],"author_meta":{"display_name":"admin","author_link":"https:\/\/countermelodypodcast.com\/index.php\/author\/admin\/"},"featured_img":"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/12\/Hynninen-Young-and-Old-TRIMMED-300x171.jpg","coauthors":[],"tax_additional":{"categories":{"linked":["<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/finnish-opera\/\" class=\"advgb-post-tax-term\">Finnish Opera<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/giuseppe-verdi\/\" class=\"advgb-post-tax-term\">Giuseppe Verdi<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/great-baritones\/\" class=\"advgb-post-tax-term\">Great Baritones<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/jorma-hynninen\/\" class=\"advgb-post-tax-term\">Jorma Hynninen<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/richard-strauss\/\" class=\"advgb-post-tax-term\">Richard Strauss<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/richard-wagner\/\" class=\"advgb-post-tax-term\">Richard Wagner<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/ruggero-leoncavallo\/\" class=\"advgb-post-tax-term\">Ruggero Leoncavallo<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Verismo<\/a>"],"unlinked":["<span class=\"advgb-post-tax-term\">Finnish Opera<\/span>","<span class=\"advgb-post-tax-term\">Giuseppe Verdi<\/span>","<span class=\"advgb-post-tax-term\">Great Baritones<\/span>","<span class=\"advgb-post-tax-term\">Jorma Hynninen<\/span>","<span class=\"advgb-post-tax-term\">Richard Strauss<\/span>","<span class=\"advgb-post-tax-term\">Richard Wagner<\/span>","<span class=\"advgb-post-tax-term\">Ruggero Leoncavallo<\/span>","<span class=\"advgb-post-tax-term\">Verismo<\/span>"]},"tags":{"linked":["<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Aarre Merikanto<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Aleksis Kivi (Rautavaara)<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Antonio Ros Marb\u00e1<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Aulis Sallinen<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Claude Debussy<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Don Giovanni<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Eeva-Liisa Saarinen<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Einojuhani Rautavaara<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Elektra<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Eri Klas<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Esa-Pekka Salonen<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Eugene Onegin<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Fuat Manchurov<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Gabriel Suovanen<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Giuseppe Verdi<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Hildegard Behrens<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Il Prigioniero (Dallapiccola)<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Il Trovatore<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Ilkka Kuusisto<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Jean Sibelius<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Jorma Hynninen<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Juha (Madetoja)<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Juha (Merikanto)<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Jukka-Pekka Saraste<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Jussi Jalas<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Kalevi Kiviniemi<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Kullervo (Sallinen)<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Le nozze di Figaro<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Leevi Madetoja<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Luigi Dallapiccola<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Markus Lehtinen<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Mathis der Maler<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Matti Salminen<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Mirella Freni<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Okko Kamu<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Pagliacci<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Paul Hindemith<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Pekka Haapasalo<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Pekka Nuotio<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Pell\u00e9as et M\u00e9lisande<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Pohjalaisia (Madetoja)<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Pyotr Il\u2019yich Tchaikovsky<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Riccardo Muti<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Richard Strauss<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Richard Wagner<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Ruggero Leoncavallo<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Savonlinna Opera Festival<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">The Ostrobothnians (Madetoja)<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">The Red Line (Sallinen)<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Thomas (Rautavaara)<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Tristan und Isolde<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Ulf S\u00f6derblom<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Un ballo in maschera<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Victoria de los Angeles<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Victoria de los \u00c1ngeles<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Vincent (Rautavaara)<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Wolfgang Amadeus Mozart<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Yevgeny Onegin<\/a>"],"unlinked":["<span class=\"advgb-post-tax-term\">Aarre Merikanto<\/span>","<span class=\"advgb-post-tax-term\">Aleksis Kivi (Rautavaara)<\/span>","<span class=\"advgb-post-tax-term\">Antonio Ros Marb\u00e1<\/span>","<span class=\"advgb-post-tax-term\">Aulis Sallinen<\/span>","<span class=\"advgb-post-tax-term\">Claude Debussy<\/span>","<span class=\"advgb-post-tax-term\">Don Giovanni<\/span>","<span class=\"advgb-post-tax-term\">Eeva-Liisa Saarinen<\/span>","<span class=\"advgb-post-tax-term\">Einojuhani Rautavaara<\/span>","<span class=\"advgb-post-tax-term\">Elektra<\/span>","<span class=\"advgb-post-tax-term\">Eri Klas<\/span>","<span class=\"advgb-post-tax-term\">Esa-Pekka Salonen<\/span>","<span class=\"advgb-post-tax-term\">Eugene Onegin<\/span>","<span class=\"advgb-post-tax-term\">Fuat Manchurov<\/span>","<span class=\"advgb-post-tax-term\">Gabriel Suovanen<\/span>","<span class=\"advgb-post-tax-term\">Giuseppe Verdi<\/span>","<span class=\"advgb-post-tax-term\">Hildegard Behrens<\/span>","<span class=\"advgb-post-tax-term\">Il Prigioniero (Dallapiccola)<\/span>","<span class=\"advgb-post-tax-term\">Il Trovatore<\/span>","<span class=\"advgb-post-tax-term\">Ilkka Kuusisto<\/span>","<span class=\"advgb-post-tax-term\">Jean Sibelius<\/span>","<span class=\"advgb-post-tax-term\">Jorma Hynninen<\/span>","<span class=\"advgb-post-tax-term\">Juha (Madetoja)<\/span>","<span class=\"advgb-post-tax-term\">Juha (Merikanto)<\/span>","<span class=\"advgb-post-tax-term\">Jukka-Pekka Saraste<\/span>","<span class=\"advgb-post-tax-term\">Jussi Jalas<\/span>","<span class=\"advgb-post-tax-term\">Kalevi Kiviniemi<\/span>","<span class=\"advgb-post-tax-term\">Kullervo (Sallinen)<\/span>","<span class=\"advgb-post-tax-term\">Le nozze di Figaro<\/span>","<span class=\"advgb-post-tax-term\">Leevi Madetoja<\/span>","<span class=\"advgb-post-tax-term\">Luigi Dallapiccola<\/span>","<span class=\"advgb-post-tax-term\">Markus Lehtinen<\/span>","<span class=\"advgb-post-tax-term\">Mathis der Maler<\/span>","<span class=\"advgb-post-tax-term\">Matti Salminen<\/span>","<span class=\"advgb-post-tax-term\">Mirella Freni<\/span>","<span class=\"advgb-post-tax-term\">Okko Kamu<\/span>","<span class=\"advgb-post-tax-term\">Pagliacci<\/span>","<span class=\"advgb-post-tax-term\">Paul Hindemith<\/span>","<span class=\"advgb-post-tax-term\">Pekka Haapasalo<\/span>","<span class=\"advgb-post-tax-term\">Pekka Nuotio<\/span>","<span class=\"advgb-post-tax-term\">Pell\u00e9as et M\u00e9lisande<\/span>","<span class=\"advgb-post-tax-term\">Pohjalaisia (Madetoja)<\/span>","<span class=\"advgb-post-tax-term\">Pyotr Il\u2019yich Tchaikovsky<\/span>","<span class=\"advgb-post-tax-term\">Riccardo Muti<\/span>","<span class=\"advgb-post-tax-term\">Richard Strauss<\/span>","<span class=\"advgb-post-tax-term\">Richard Wagner<\/span>","<span class=\"advgb-post-tax-term\">Ruggero Leoncavallo<\/span>","<span class=\"advgb-post-tax-term\">Savonlinna Opera Festival<\/span>","<span class=\"advgb-post-tax-term\">The Ostrobothnians (Madetoja)<\/span>","<span class=\"advgb-post-tax-term\">The Red Line (Sallinen)<\/span>","<span class=\"advgb-post-tax-term\">Thomas (Rautavaara)<\/span>","<span class=\"advgb-post-tax-term\">Tristan und Isolde<\/span>","<span class=\"advgb-post-tax-term\">Ulf S\u00f6derblom<\/span>","<span class=\"advgb-post-tax-term\">Un ballo in maschera<\/span>","<span class=\"advgb-post-tax-term\">Victoria de los Angeles<\/span>","<span class=\"advgb-post-tax-term\">Victoria de los \u00c1ngeles<\/span>","<span class=\"advgb-post-tax-term\">Vincent (Rautavaara)<\/span>","<span class=\"advgb-post-tax-term\">Wolfgang Amadeus Mozart<\/span>","<span class=\"advgb-post-tax-term\">Yevgeny Onegin<\/span>"]}},"comment_count":"1","relative_dates":{"created":"Posted 5 years ago","modified":"Updated 2 years ago"},"absolute_dates":{"created":"Posted on 06\/12\/2020","modified":"Updated on 08\/12\/2023"},"absolute_dates_time":{"created":"Posted on 06\/12\/2020 20:50","modified":"Updated on 08\/12\/2023 03:22"},"featured_img_caption":"","series_order":"","_links":{"self":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/6074","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/comments?post=6074"}],"version-history":[{"count":15,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/6074\/revisions"}],"predecessor-version":[{"id":13537,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/6074\/revisions\/13537"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/media\/6309"}],"wp:attachment":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/media?parent=6074"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/categories?post=6074"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/tags?post=6074"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}