{"id":6072,"date":"2020-11-22T18:28:10","date_gmt":"2020-11-22T17:28:10","guid":{"rendered":"http:\/\/countermelodypodcast.com\/?p=6072"},"modified":"2024-02-16T10:52:32","modified_gmt":"2024-02-16T09:52:32","slug":"episode-62-gustav-mahlers-des-knaben-wunderhorn","status":"publish","type":"post","link":"https:\/\/countermelodypodcast.com\/index.php\/2020\/11\/22\/episode-62-gustav-mahlers-des-knaben-wunderhorn\/","title":{"rendered":"Episode 62. Gustav Mahler\u2019s Des Knaben Wunderhorn"},"content":{"rendered":"<div id=\"mega-menu-wrap-primary\" class=\"mega-menu-wrap\"><div class=\"mega-menu-toggle\"><div class=\"mega-toggle-blocks-left\"><\/div><div class=\"mega-toggle-blocks-center\"><\/div><div class=\"mega-toggle-blocks-right\"><div class='mega-toggle-block mega-menu-toggle-animated-block mega-toggle-block-1' id='mega-toggle-block-1'><button aria-label=\"Menu\" class=\"mega-toggle-animated mega-toggle-animated-slider\" type=\"button\" aria-haspopup=\"true\" aria-expanded=\"false\" aria-controls=\"mega-menu-primary\">\n                  <span class=\"mega-toggle-animated-box\">\n                    <span class=\"mega-toggle-animated-inner\"><\/span>\n                  <\/span>\n                <\/button><\/div><\/div><\/div><ul id=\"mega-menu-primary\" class=\"mega-menu max-mega-menu mega-menu-horizontal mega-no-js\" data-event=\"hover_intent\" data-effect=\"slide\" data-effect-speed=\"200\" data-effect-mobile=\"slide\" data-effect-speed-mobile=\"200\" data-mobile-force-width=\"body\" data-second-click=\"go\" data-document-click=\"collapse\" data-vertical-behaviour=\"standard\" data-breakpoint=\"600\" data-unbind=\"true\" data-mobile-state=\"collapse_all\" data-mobile-direction=\"vertical\" data-hover-intent-timeout=\"300\" data-hover-intent-interval=\"100\"><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-menu-item-home mega-align-bottom-left mega-menu-flyout mega-menu-item-19160\" id=\"mega-menu-item-19160\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/\">Home<\/a><\/li><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-align-bottom-left mega-menu-flyout mega-menu-item-19161\" id=\"mega-menu-item-19161\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/index.php\/about-daniel\/\">About Daniel<\/a><\/li><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-current_page_parent mega-align-bottom-left mega-menu-flyout mega-menu-item-19171\" id=\"mega-menu-item-19171\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/index.php\/all-episodes\/\">All Episodes<\/a><\/li><\/ul><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">Episode 62.  Gustav Mahler\u2019s <em>Des Knaben Wunderhorn<\/em> (Music for a World in Crisis VI)<\/h2>\n\n\n\n<iframe loading=\"lazy\" width=\"340\" height=\"50\" src=\"https:\/\/countermelody.blubrry.net\/?powerpress_embed=227-podcast&amp;powerpress_player=mediaelement-audio\" frameborder=\"0\" scrolling=\"no\"><\/iframe>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p><strong>SOCIAL SHARE<\/strong><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"has-text-align-right\"><strong>SUBSCRIPTION PLATFORM<\/strong><\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<div class=\"wp-block-buttons alignleft is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button alignright\"><a class=\"wp-block-button__link no-border-radius\" href=\"https:\/\/countermelody.blubrry.net\/\">SUBSCRIBE VIA YOUR FAVORITE PODCAST PLATFORM<\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image is-style-default\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"640\" height=\"360\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/11\/Mahler.jpg\" alt=\"\" class=\"wp-image-6114\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/11\/Mahler.jpg 640w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/11\/Mahler-300x169.jpg 300w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/figure><\/div>\n\n\n\n<div style=\"height:38px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>This week I turn to the music of Gustav Mahler, specifically his orchestral settings of poems from the influential collection of folk poetry, <em>Des Knaben Wunderhorn<\/em>, collected by Achim von Arnim and Clemens Brentano and published in three separate volumes between 1805 and 1808. The themes of war, death, and humor, the latter often of the grimmest variety, pervades the texts that Mahler set. I present recordings of each of the fifteen orchestrated songs (several of which form movements of three of his symphonies) by such singers as Janet Baker, Christa Ludwig, Maureen Forrester, Lucia Popp, Brigitte Fassbaender, Irmgard Seefried, Bernd Weikl, Geraint Evans, Walter Berry, and many others, in performances conducted by Leonard Bernstein, Klaus Tennstedt, Wyn Morris, Bernard Haitink, and Adrian Boult. I also include a tribute to the Hungarian baritone Istv\u00e1n G\u00e1ti on the occasion of his 72nd birthday and a commemoration of the Dutch contralto Aafje Heynis on the fifth anniversary of her death. From chaos to transfiguration, Mahler conjures and depicts a world perhaps not far-removed from our own.<\/p>\n\n\n\n<div style=\"height:47px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-custom-size\" style=\"font-size:30px\"><strong> RECORDINGS HEARD IN THIS EPISODE<\/strong><\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"318\" height=\"558\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/11\/Wunderhorn.jpg\" alt=\"\" class=\"wp-image-6115\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/11\/Wunderhorn.jpg 318w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/11\/Wunderhorn-171x300.jpg 171w\" sizes=\"auto, (max-width: 318px) 100vw, 318px\" \/><figcaption>Frontispiece of the second volume of <em>Des Knaben Wunderhorn<\/em>, 1808.<\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:36px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>All songs composed by Gustav Mahler; all texts from <em>Des Knaben Wunderhorn<\/em> (1805, 1808), ed. Achim von Arnim and Clemens Brentano<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/11\/Stuckgold.jpg\" alt=\"\" class=\"wp-image-6116\" width=\"308\" height=\"391\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/11\/Stuckgold.jpg 276w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/11\/Stuckgold-237x300.jpg 237w\" sizes=\"auto, (max-width: 308px) 100vw, 308px\" \/><\/figure><\/div>\n\n\n\n<p>Wer hat dies Liedlein erdacht? Grete St\u00fcckgold; Unknown conductor and orchestra [rec. 1915]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"913\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/11\/Raskin-Schick-913x1024.jpg\" alt=\"\" class=\"wp-image-6117\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/11\/Raskin-Schick-913x1024.jpg 913w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/11\/Raskin-Schick-268x300.jpg 268w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/11\/Raskin-Schick-768x861.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/11\/Raskin-Schick-1370x1536.jpg 1370w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/11\/Raskin-Schick-1600x1794.jpg 1600w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/11\/Raskin-Schick.jpg 1800w\" sizes=\"auto, (max-width: 913px) 100vw, 913px\" \/><figcaption>Judith Raskin, George Schick<\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Abl\u00f6sung im Sommer. Judith Raskin; George Schick<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"395\" height=\"555\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/11\/AnnyFelbermayer.jpg\" alt=\"\" class=\"wp-image-6160\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/11\/AnnyFelbermayer.jpg 395w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/11\/AnnyFelbermayer-214x300.jpg 214w\" sizes=\"auto, (max-width: 395px) 100vw, 395px\" \/><\/figure><\/div>\n\n\n\n<p>Es sungen drei Engel [solo version]. Anny Felbermayer; Felix Prohaska, Orchester der Wiener Staatsoper<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"261\" height=\"400\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/11\/Felix-Prohaska.jpg\" alt=\"\" class=\"wp-image-6126\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/11\/Felix-Prohaska.jpg 261w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/11\/Felix-Prohaska-196x300.jpg 196w\" sizes=\"auto, (max-width: 261px) 100vw, 261px\" \/><figcaption>Felix Prohaska<\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"560\" height=\"444\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/11\/Kathleen-Ferrier.jpg\" alt=\"\" class=\"wp-image-6118\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/11\/Kathleen-Ferrier.jpg 560w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/11\/Kathleen-Ferrier-300x238.jpg 300w\" sizes=\"auto, (max-width: 560px) 100vw, 560px\" \/><\/figure><\/div>\n\n\n\n<p>Es sungen drei Engel (Symphony No. 3, Fourth Movement). Kathleen Ferrier; Adrian Boult, BBC Symphony Orchestra, Chesham Ladies Choir, Boys of the London Choir School [Radio broadcast, 21 November 1947]<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"228\" height=\"300\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/11\/Adrian-Boult.jpg\" alt=\"\" class=\"wp-image-6119\"\/><figcaption>Adrian Boult<\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"776\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/11\/Tourel-Bernstein-Recording-Session-1024x776.jpg\" alt=\"\" class=\"wp-image-6120\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/11\/Tourel-Bernstein-Recording-Session-1024x776.jpg 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/11\/Tourel-Bernstein-Recording-Session-300x227.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/11\/Tourel-Bernstein-Recording-Session-768x582.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/11\/Tourel-Bernstein-Recording-Session-1536x1165.jpg 1536w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/11\/Tourel-Bernstein-Recording-Session-1600x1213.jpg 1600w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/11\/Tourel-Bernstein-Recording-Session.jpg 1894w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption>Jennie Tourel and Leonard Bernstein in a recording session.<\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Das irdische Leben. Jennie Tourel; Leonard Bernstein, New York Philharmonic<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"637\" height=\"417\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/11\/Irmgard-Seefried.png\" alt=\"\" class=\"wp-image-6122\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/11\/Irmgard-Seefried.png 637w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/11\/Irmgard-Seefried-300x196.png 300w\" sizes=\"auto, (max-width: 637px) 100vw, 637px\" \/><\/figure><\/div>\n\n\n\n<p>Das himmlische Leben (Symphony No. 4, Fourth Movement). Irmgard Seefried; Bruno Walter, Wiener Philharmoniker [Salzburg 24 August 1950]<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"306\" height=\"403\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/11\/Bruno-Walter.jpg\" alt=\"\" class=\"wp-image-6123\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/11\/Bruno-Walter.jpg 306w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/11\/Bruno-Walter-228x300.jpg 228w\" sizes=\"auto, (max-width: 306px) 100vw, 306px\" \/><figcaption>Bruno Walter<\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/11\/Maureen-Forrester-1.jpg\" alt=\"\" class=\"wp-image-6125\" width=\"576\" height=\"388\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/11\/Maureen-Forrester-1.jpg 472w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/11\/Maureen-Forrester-1-300x202.jpg 300w\" sizes=\"auto, (max-width: 576px) 100vw, 576px\" \/><\/figure><\/div>\n\n\n\n<p>Verlor\u2019ne M\u00fch. Maureen Forrester; Felix Prohaska, Wiener Festwochenorchester<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-gallery columns-1 is-cropped wp-block-gallery-1\"><ul class=\"blocks-gallery-grid\"><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"655\" height=\"469\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/11\/Berry-Ludwig-3.png\" alt=\"\" data-id=\"6130\" data-full-url=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/11\/Berry-Ludwig-3.png\" data-link=\"https:\/\/countermelodypodcast.com\/?attachment_id=6130\" class=\"wp-image-6130\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/11\/Berry-Ludwig-3.png 655w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/11\/Berry-Ludwig-3-300x215.png 300w\" sizes=\"auto, (max-width: 655px) 100vw, 655px\" \/><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"645\" height=\"467\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/11\/Berry-Ludwig-1.png\" alt=\"\" data-id=\"6127\" data-full-url=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/11\/Berry-Ludwig-1.png\" data-link=\"https:\/\/countermelodypodcast.com\/?attachment_id=6127\" class=\"wp-image-6127\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/11\/Berry-Ludwig-1.png 645w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/11\/Berry-Ludwig-1-300x217.png 300w\" sizes=\"auto, (max-width: 645px) 100vw, 645px\" \/><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"662\" height=\"470\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/11\/Berry-Ludwig-2.png\" alt=\"\" data-id=\"6128\" data-full-url=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/11\/Berry-Ludwig-2.png\" data-link=\"https:\/\/countermelodypodcast.com\/?attachment_id=6128\" class=\"wp-image-6128 is-layout-flex wp-block-gallery-is-layout-flex\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/11\/Berry-Ludwig-2.png 662w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/11\/Berry-Ludwig-2-300x213.png 300w\" sizes=\"auto, (max-width: 662px) 100vw, 662px\" \/><\/figure><\/li><\/ul><\/figure>\n\n\n\n<p>Lied des Verfolgten im Turm. Christa Ludwig, Walter Berry; Leonard Bernstein, New York Philharmonic (The above screenshots are from a 1967 television appearance of Ludwig and Berry singing the <em>Wunderhorn <\/em>songs with Bernstein and the New York Phil.)<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"800\" height=\"446\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/11\/Leonard-Bernstein-1.jpg\" alt=\"\" class=\"wp-image-6131\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/11\/Leonard-Bernstein-1.jpg 800w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/11\/Leonard-Bernstein-1-300x167.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/11\/Leonard-Bernstein-1-768x428.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><figcaption>Leonard Bernstein<\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-gallery columns-2 is-cropped wp-block-gallery-2\"><ul class=\"blocks-gallery-grid\"><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"480\" height=\"582\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/11\/Lucia-Popp.jpg\" alt=\"\" data-id=\"6133\" data-full-url=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/11\/Lucia-Popp.jpg\" data-link=\"https:\/\/countermelodypodcast.com\/?attachment_id=6133\" class=\"wp-image-6133\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/11\/Lucia-Popp.jpg 480w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/11\/Lucia-Popp-247x300.jpg 247w\" sizes=\"auto, (max-width: 480px) 100vw, 480px\" \/><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"844\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/11\/Bernd-Weikl.jpg\" alt=\"\" data-id=\"6132\" data-full-url=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/11\/Bernd-Weikl.jpg\" data-link=\"https:\/\/countermelodypodcast.com\/?attachment_id=6132\" class=\"wp-image-6132 is-layout-flex wp-block-gallery-is-layout-flex\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/11\/Bernd-Weikl.jpg 600w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/11\/Bernd-Weikl-213x300.jpg 213w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/figure><\/li><\/ul><\/figure>\n\n\n\n<p>Trost im Ungl\u00fcck. Lucia Popp, Bernd Weikl; Klaus Tennstedt, London Philharmonic Orchestra<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"500\" height=\"700\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/11\/Tennstedt.jpg\" alt=\"\" class=\"wp-image-6134\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/11\/Tennstedt.jpg 500w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/11\/Tennstedt-214x300.jpg 214w\" sizes=\"auto, (max-width: 500px) 100vw, 500px\" \/><figcaption>Klaus Tennstedt<\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-gallery columns-1 is-cropped wp-block-gallery-3\"><ul class=\"blocks-gallery-grid\"><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"168\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/11\/Geraint-Evans.jpg\" alt=\"\" data-id=\"6135\" data-full-url=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/11\/Geraint-Evans.jpg\" data-link=\"https:\/\/countermelodypodcast.com\/?attachment_id=6135\" class=\"wp-image-6135\"\/><figcaption class=\"blocks-gallery-item__caption is-layout-flex wp-block-gallery-is-layout-flex\">Geraint Evans<\/figcaption><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"563\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/11\/JB.png\" alt=\"\" data-id=\"6136\" data-full-url=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/11\/JB.png\" data-link=\"https:\/\/countermelodypodcast.com\/?attachment_id=6136\" class=\"wp-image-6136\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/11\/JB.png 1000w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/11\/JB-300x169.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/11\/JB-768x432.png 768w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><figcaption class=\"blocks-gallery-item__caption\">Janet Baker<\/figcaption><\/figure><\/li><\/ul><\/figure>\n\n\n\n<p>Der Schildwache Nachtlied. Geraint Evans, Janet Baker; Wyn Morris, London Philharmonic Orchestra<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"460\" height=\"276\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/11\/Wyn-Morris.jpg\" alt=\"\" class=\"wp-image-6137\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/11\/Wyn-Morris.jpg 460w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/11\/Wyn-Morris-300x180.jpg 300w\" sizes=\"auto, (max-width: 460px) 100vw, 460px\" \/><figcaption>Wyn Morris<\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"898\" height=\"443\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/11\/Fassbaender-Happy-Dyke.jpg\" alt=\"\" class=\"wp-image-6138\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/11\/Fassbaender-Happy-Dyke.jpg 898w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/11\/Fassbaender-Happy-Dyke-300x148.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/11\/Fassbaender-Happy-Dyke-768x379.jpg 768w\" sizes=\"auto, (max-width: 898px) 100vw, 898px\" \/><\/figure><\/div>\n\n\n\n<p>Rheinenlegendchen. Brigitte Fassbaender, Hans Zender, Rundfunk-Sinfonieorchester Saarbr\u00fccken [live April 1979]<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"960\" height=\"430\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/11\/Hans-Zender.jpg\" alt=\"\" class=\"wp-image-6139\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/11\/Hans-Zender.jpg 960w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/11\/Hans-Zender-300x134.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/11\/Hans-Zender-768x344.jpg 768w\" sizes=\"auto, (max-width: 960px) 100vw, 960px\" \/><figcaption>Hans Zender<\/figcaption><\/figure>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"316\" height=\"500\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/11\/Walter-Berry.jpg\" alt=\"\" class=\"wp-image-6140\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/11\/Walter-Berry.jpg 316w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/11\/Walter-Berry-190x300.jpg 190w\" sizes=\"auto, (max-width: 316px) 100vw, 316px\" \/><\/figure><\/div>\n\n\n\n<p>Lob des hohen Verstandes. Walter Berry; Leonard Bernstein, New York Philharmonic<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"614\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/11\/Bernstein-Points-1024x614.jpg\" alt=\"\" class=\"wp-image-6141\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/11\/Bernstein-Points-1024x614.jpg 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/11\/Bernstein-Points-300x180.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/11\/Bernstein-Points-768x461.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/11\/Bernstein-Points.jpg 1200w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption>Leonard Bernstein<\/figcaption><\/figure>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"328\" height=\"447\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/11\/John-Shirley-Quirk.png\" alt=\"\" class=\"wp-image-6142\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/11\/John-Shirley-Quirk.png 328w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/11\/John-Shirley-Quirk-220x300.png 220w\" sizes=\"auto, (max-width: 328px) 100vw, 328px\" \/><\/figure><\/div>\n\n\n\n<p>Der Tamboursg\u2019sell. John Shirley-Quirk; Bernard Haitink, Royal Concertgebouw Orchestra<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/11\/Bernard-Haitink2-768x1024.jpg\" alt=\"\" class=\"wp-image-6143\" width=\"459\" height=\"612\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/11\/Bernard-Haitink2-768x1024.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/11\/Bernard-Haitink2-225x300.jpg 225w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/11\/Bernard-Haitink2.jpg 1094w\" sizes=\"auto, (max-width: 459px) 100vw, 459px\" \/><figcaption>Bernard Haitink<\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"412\" height=\"418\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/11\/Winbergh-album.jpg\" alt=\"\" class=\"wp-image-6144\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/11\/Winbergh-album.jpg 412w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/11\/Winbergh-album-296x300.jpg 296w\" sizes=\"auto, (max-width: 412px) 100vw, 412px\" \/><\/figure><\/div>\n\n\n\n<p>Revelge. G\u00f6sta Winbergh; Riccardo Chailly, Royal Concertgebouw Orchestra<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"800\" height=\"450\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/11\/Riccardo-Chailly-1.jpg\" alt=\"\" class=\"wp-image-6146\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/11\/Riccardo-Chailly-1.jpg 800w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/11\/Riccardo-Chailly-1-300x169.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/11\/Riccardo-Chailly-1-768x432.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><figcaption>Riccardo Chailly<\/figcaption><\/figure>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"546\" height=\"549\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/11\/Margaret-Smiling-on-White-Background-1.jpg\" alt=\"\" class=\"wp-image-6152\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/11\/Margaret-Smiling-on-White-Background-1.jpg 546w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/11\/Margaret-Smiling-on-White-Background-1-298x300.jpg 298w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/11\/Margaret-Smiling-on-White-Background-1-150x150.jpg 150w\" sizes=\"auto, (max-width: 546px) 100vw, 546px\" \/><\/figure><\/div>\n\n\n\n<p>Wo die sch\u00f6nen Trompeten blasen. Margaret Price; Claudio Abbado, Chicago Symphony Orchestra [live October 1981]<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/11\/Claudio-Abbado-727x1024.jpg\" alt=\"\" class=\"wp-image-6150\" width=\"556\" height=\"783\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/11\/Claudio-Abbado-727x1024.jpg 727w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/11\/Claudio-Abbado-213x300.jpg 213w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/11\/Claudio-Abbado-768x1082.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/11\/Claudio-Abbado-1090x1536.jpg 1090w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/11\/Claudio-Abbado-1454x2048.jpg 1454w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/11\/Claudio-Abbado-1600x2254.jpg 1600w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/11\/Claudio-Abbado-scaled.jpg 1817w\" sizes=\"auto, (max-width: 556px) 100vw, 556px\" \/><figcaption>A very young Claudio Abbado<\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"526\" height=\"662\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/11\/Istvan-Gati.jpg\" alt=\"\" class=\"wp-image-6147\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/11\/Istvan-Gati.jpg 526w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/11\/Istvan-Gati-238x300.jpg 238w\" sizes=\"auto, (max-width: 526px) 100vw, 526px\" \/><\/figure><\/div>\n\n\n\n<p>Des Antonius von Padua Fischpredigt. Istv\u00e1n G\u00e1ti; Gy\u00f6rgy Lehel, Budapest Symphony Orchestra<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/11\/Gyorgy-Lehel-1.jpg\" alt=\"\" class=\"wp-image-6153\" width=\"509\" height=\"752\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/11\/Gyorgy-Lehel-1.jpg 600w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/11\/Gyorgy-Lehel-1-203x300.jpg 203w\" sizes=\"auto, (max-width: 509px) 100vw, 509px\" \/><figcaption>Gy\u00f6rgy Lehel<\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/11\/Aafje-Heynis.jpg\" alt=\"\" class=\"wp-image-6149\" width=\"580\" height=\"722\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/11\/Aafje-Heynis.jpg 736w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/11\/Aafje-Heynis-241x300.jpg 241w\" sizes=\"auto, (max-width: 580px) 100vw, 580px\" \/><\/figure><\/div>\n\n\n\n<p>Urlicht (Symphony No. 2, Fourth Movement). Aafje Heynis; Bernard Haitink, Royal Concertgebouw Orchestra<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"675\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/11\/Bernard-Haitink-1024x675.jpg\" alt=\"\" class=\"wp-image-6151\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/11\/Bernard-Haitink-1024x675.jpg 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/11\/Bernard-Haitink-300x198.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/11\/Bernard-Haitink-768x506.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/11\/Bernard-Haitink.jpg 1280w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption>Bernard Haitink<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>Episode 62. Gustav Mahler\u2019s Des Knaben Wunderhorn (Music for a World in Crisis VI) SOCIAL SHARE SUBSCRIPTION PLATFORM This week&hellip;<\/p>\n","protected":false},"author":1,"featured_media":6155,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"advgb_blocks_editor_width":"","advgb_blocks_columns_visual_guide":"","footnotes":""},"categories":[1075,5823,2314,1074,1072,2294,1263,808],"tags":[2317,2315,2312,2327,2150,2322,470,1192,344,2316,1646,1170,2321,2326,1297,2319,2320,1160,2318,304,893,1178,1169,2325,2323,972,473,2267,1161,2324],"class_list":["post-6072","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-art-song","category-forgotten-divas","category-gustav-mahler","category-happy-birthday","category-in-memoriam","category-margaret-price","category-mezzo-madness","category-needle-drop","tag-aafje-heynis","tag-achim-von-arnim","tag-adrian-boult","tag-anny-felbermayer","tag-bernard-haitink","tag-bernd-weikl","tag-brigitte-fassbaender","tag-bruno-walter","tag-christa-ludwig","tag-clemens-brentano","tag-des-knaben-wunderhorn","tag-george-schick","tag-geraint-evans","tag-grete-stuckgold","tag-gustav-mahler","tag-gyorgy-lehel","tag-hans-zender","tag-irmgard-seefried","tag-istvan-gati","tag-janet-baker","tag-jennie-tourel","tag-john-shirley-quirk","tag-judith-raskin","tag-kathleen-ferrier","tag-klaus-tennstedt","tag-leonard-bernstein","tag-lucia-popp","tag-maureen-forrester","tag-walter-berry","tag-wyn-morris"],"author_meta":{"display_name":"admin","author_link":"https:\/\/countermelodypodcast.com\/index.php\/author\/admin\/"},"featured_img":"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/11\/Knabe-Tree-TRIMMED-300x156.jpg","coauthors":[],"tax_additional":{"categories":{"linked":["<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/art-song\/\" class=\"advgb-post-tax-term\">Art Song<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/forgotten-divas\/\" class=\"advgb-post-tax-term\">Forgotten Divas<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/gustav-mahler\/\" class=\"advgb-post-tax-term\">Gustav Mahler<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/happy-birthday\/\" class=\"advgb-post-tax-term\">Happy Birthday<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/in-memoriam\/\" class=\"advgb-post-tax-term\">In Memoriam<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/margaret-price\/\" class=\"advgb-post-tax-term\">Margaret Price<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/mezzo-madness\/\" class=\"advgb-post-tax-term\">Mezzo Madness<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Needle Drop<\/a>"],"unlinked":["<span class=\"advgb-post-tax-term\">Art Song<\/span>","<span class=\"advgb-post-tax-term\">Forgotten Divas<\/span>","<span class=\"advgb-post-tax-term\">Gustav Mahler<\/span>","<span class=\"advgb-post-tax-term\">Happy Birthday<\/span>","<span class=\"advgb-post-tax-term\">In Memoriam<\/span>","<span class=\"advgb-post-tax-term\">Margaret Price<\/span>","<span class=\"advgb-post-tax-term\">Mezzo Madness<\/span>","<span class=\"advgb-post-tax-term\">Needle Drop<\/span>"]},"tags":{"linked":["<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Aafje Heynis<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Achim von Arnim<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Adrian Boult<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Anny Felbermayer<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Bernard Haitink<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Bernd Weikl<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Brigitte Fassbaender<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Bruno Walter<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Christa Ludwig<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Clemens Brentano<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Des Knaben Wunderhorn<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">George Schick<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Geraint Evans<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Grete St\u00fcckgold<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Gustav Mahler<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Gy\u00f6rgy Lehel<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Hans Zender<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Irmgard Seefried<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Istv\u00e1n G\u00e1ti<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Janet Baker<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Jennie Tourel<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">John Shirley-Quirk<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Judith Raskin<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Kathleen Ferrier<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Klaus Tennstedt<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Leonard Bernstein<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Lucia Popp<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Maureen Forrester<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Walter Berry<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Wyn Morris<\/a>"],"unlinked":["<span class=\"advgb-post-tax-term\">Aafje Heynis<\/span>","<span class=\"advgb-post-tax-term\">Achim von Arnim<\/span>","<span class=\"advgb-post-tax-term\">Adrian Boult<\/span>","<span class=\"advgb-post-tax-term\">Anny Felbermayer<\/span>","<span class=\"advgb-post-tax-term\">Bernard Haitink<\/span>","<span class=\"advgb-post-tax-term\">Bernd Weikl<\/span>","<span class=\"advgb-post-tax-term\">Brigitte Fassbaender<\/span>","<span class=\"advgb-post-tax-term\">Bruno Walter<\/span>","<span class=\"advgb-post-tax-term\">Christa Ludwig<\/span>","<span class=\"advgb-post-tax-term\">Clemens Brentano<\/span>","<span class=\"advgb-post-tax-term\">Des Knaben Wunderhorn<\/span>","<span class=\"advgb-post-tax-term\">George Schick<\/span>","<span class=\"advgb-post-tax-term\">Geraint Evans<\/span>","<span class=\"advgb-post-tax-term\">Grete St\u00fcckgold<\/span>","<span class=\"advgb-post-tax-term\">Gustav Mahler<\/span>","<span class=\"advgb-post-tax-term\">Gy\u00f6rgy Lehel<\/span>","<span class=\"advgb-post-tax-term\">Hans Zender<\/span>","<span class=\"advgb-post-tax-term\">Irmgard Seefried<\/span>","<span class=\"advgb-post-tax-term\">Istv\u00e1n G\u00e1ti<\/span>","<span class=\"advgb-post-tax-term\">Janet Baker<\/span>","<span class=\"advgb-post-tax-term\">Jennie Tourel<\/span>","<span class=\"advgb-post-tax-term\">John Shirley-Quirk<\/span>","<span class=\"advgb-post-tax-term\">Judith Raskin<\/span>","<span class=\"advgb-post-tax-term\">Kathleen Ferrier<\/span>","<span class=\"advgb-post-tax-term\">Klaus Tennstedt<\/span>","<span class=\"advgb-post-tax-term\">Leonard Bernstein<\/span>","<span class=\"advgb-post-tax-term\">Lucia Popp<\/span>","<span class=\"advgb-post-tax-term\">Maureen Forrester<\/span>","<span class=\"advgb-post-tax-term\">Walter Berry<\/span>","<span class=\"advgb-post-tax-term\">Wyn Morris<\/span>"]}},"comment_count":"0","relative_dates":{"created":"Posted 5 years ago","modified":"Updated 2 years ago"},"absolute_dates":{"created":"Posted on 22\/11\/2020","modified":"Updated on 16\/02\/2024"},"absolute_dates_time":{"created":"Posted on 22\/11\/2020 18:28","modified":"Updated on 16\/02\/2024 10:52"},"featured_img_caption":"","series_order":"","_links":{"self":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/6072","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/comments?post=6072"}],"version-history":[{"count":11,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/6072\/revisions"}],"predecessor-version":[{"id":6167,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/6072\/revisions\/6167"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/media\/6155"}],"wp:attachment":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/media?parent=6072"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/categories?post=6072"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/tags?post=6072"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}