{"id":5739,"date":"2020-11-15T18:08:37","date_gmt":"2020-11-15T17:08:37","guid":{"rendered":"http:\/\/countermelodypodcast.com\/?p=5739"},"modified":"2020-11-16T07:31:25","modified_gmt":"2020-11-16T06:31:25","slug":"episode-61-margaret-price-the-voice-of-consolation","status":"publish","type":"post","link":"https:\/\/countermelodypodcast.com\/index.php\/2020\/11\/15\/episode-61-margaret-price-the-voice-of-consolation\/","title":{"rendered":"Episode 61. Margaret Price: The Voice of Consolation"},"content":{"rendered":"<div id=\"mega-menu-wrap-primary\" class=\"mega-menu-wrap\"><div class=\"mega-menu-toggle\"><div class=\"mega-toggle-blocks-left\"><\/div><div class=\"mega-toggle-blocks-center\"><\/div><div class=\"mega-toggle-blocks-right\"><div class='mega-toggle-block mega-menu-toggle-animated-block mega-toggle-block-1' id='mega-toggle-block-1'><button aria-label=\"Menu\" class=\"mega-toggle-animated mega-toggle-animated-slider\" type=\"button\" aria-haspopup=\"true\" aria-expanded=\"false\" aria-controls=\"mega-menu-primary\">\n                  <span class=\"mega-toggle-animated-box\">\n                    <span class=\"mega-toggle-animated-inner\"><\/span>\n                  <\/span>\n                <\/button><\/div><\/div><\/div><ul id=\"mega-menu-primary\" class=\"mega-menu max-mega-menu mega-menu-horizontal mega-no-js\" data-event=\"hover_intent\" data-effect=\"slide\" data-effect-speed=\"200\" data-effect-mobile=\"slide\" data-effect-speed-mobile=\"200\" data-mobile-force-width=\"body\" data-second-click=\"go\" data-document-click=\"collapse\" data-vertical-behaviour=\"standard\" data-breakpoint=\"600\" data-unbind=\"true\" data-mobile-state=\"collapse_all\" data-mobile-direction=\"vertical\" data-hover-intent-timeout=\"300\" data-hover-intent-interval=\"100\"><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-menu-item-home mega-align-bottom-left mega-menu-flyout mega-menu-item-19160\" id=\"mega-menu-item-19160\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/\">Home<\/a><\/li><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-align-bottom-left mega-menu-flyout mega-menu-item-19161\" id=\"mega-menu-item-19161\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/index.php\/about-daniel\/\">About Daniel<\/a><\/li><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-current_page_parent mega-align-bottom-left mega-menu-flyout mega-menu-item-19171\" id=\"mega-menu-item-19171\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/index.php\/all-episodes\/\">All Episodes<\/a><\/li><\/ul><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">Episode 61.  Margaret Price I: The Voice of Consolation (Music for a World in Crisis V)<\/h2>\n\n\n\n<iframe loading=\"lazy\" width=\"340\" height=\"50\" src=\"https:\/\/countermelody.blubrry.net\/?powerpress_embed=223-podcast&amp;powerpress_player=mediaelement-audio\" frameborder=\"0\" scrolling=\"no\"><\/iframe>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p><strong>SOCIAL SHARE<\/strong><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"has-text-align-right\"><strong>SUBSCRIPTION PLATFORM<\/strong><\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<div class=\"wp-block-buttons alignleft is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button alignright\"><a class=\"wp-block-button__link no-border-radius\" href=\"https:\/\/countermelody.blubrry.net\/\">SUBSCRIBE VIA YOUR FAVORITE PODCAST PLATFORM<\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"650\" height=\"650\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/10\/Madge-P.jpeg\" alt=\"\" class=\"wp-image-5915\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/10\/Madge-P.jpeg 650w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/10\/Madge-P-300x300.jpeg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/10\/Madge-P-150x150.jpeg 150w\" sizes=\"auto, (max-width: 650px) 100vw, 650px\" \/><\/figure><\/div>\n\n\n\n<div style=\"height:38px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Our world seems to be falling apart, both in the personal and in the global sense. I sustained an enormous personal loss this week when my dear friend Fred Berndt, the great German stage director, died suddenly on Friday. But we are all feeling an enormous sense of despair, of hopelessness, even of rage. Even before Fred\u2019s death, I recognized that this episode needed to offer a message of hope to those who are finding it difficult to negotiate the world right now. The voice that has spoken to me most in my sadness is the Welsh soprano Margaret Price (1941-2011), whose distinctively cool yet engaged timbre, scrupulous musicianship, and communicative gifts prove unfailingly capable of conveying comfort and consolation to those who are distressed or grieving. I offer a survey of the career of this exemplary singer, a personal favorite of mine, in a wide range of repertoire including opera, oratorio, and art song. Composers include her specialties Mozart and Verdi, as well as Brahms, Strauss, Schumann, Schubert, Weber, Elgar, and the undervalued British composer Phyllis Tate. Collaborators include Otto Klemperer, Claudio Abbado, John Pritchard, Alain Lombard, Adrian Boult, and her mentor, the pianist and conductor James Lockhart, among many others. I hope that Margaret Price and her voice of consolation bring you much solace.<\/p>\n\n\n\n<div style=\"height:47px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-custom-size\" style=\"font-size:30px\"><strong> RECORDINGS HEARD IN THIS EPISODE<\/strong><\/p>\n\n\n\n<div style=\"height:55px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"427\" height=\"600\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/11\/Price-in-Scotland.jpg\" alt=\"\" class=\"wp-image-6078\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/11\/Price-in-Scotland.jpg 427w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/11\/Price-in-Scotland-214x300.jpg 214w\" sizes=\"auto, (max-width: 427px) 100vw, 427px\" \/><\/figure><\/div>\n\n\n\n<p>Johannes Brahms: Ihr habt nun Traurigkeit (<em>Ein deutsches Requiem<\/em>, Op. 45). Margaret Price; Andr\u00e9 Previn, Royal Philharmonic Orchestra, Ambrosian Singers<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"557\" height=\"336\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/11\/Gorgeous-Price.jpg\" alt=\"\" class=\"wp-image-6079\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/11\/Gorgeous-Price.jpg 557w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/11\/Gorgeous-Price-300x181.jpg 300w\" sizes=\"auto, (max-width: 557px) 100vw, 557px\" \/><\/figure><\/div>\n\n\n\n<p>Wolfgang Amadeus Mozart: Porgi, amor (<em>Le nozze di Figaro<\/em>). Margaret Price; Riccardo Muti, Wiener Philharmoniker<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"488\" height=\"289\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/11\/Constanze.jpg\" alt=\"\" class=\"wp-image-6080\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/11\/Constanze.jpg 488w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/11\/Constanze-300x178.jpg 300w\" sizes=\"auto, (max-width: 488px) 100vw, 488px\" \/><figcaption>Ryland Davies and Margaret Price as Belmonte and Konstanze<\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Wolfgang Amadeus Mozart: Ach ich liebte, war so gl\u00fccklich (<em>Die Entf\u00fchrung aus dem Serail<\/em>). Margaret Price; John Pritchard, London Philharmonic Orchestra<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"620\" height=\"413\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/11\/Fiordiligi.jpg\" alt=\"\" class=\"wp-image-6081\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/11\/Fiordiligi.jpg 620w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/11\/Fiordiligi-300x200.jpg 300w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/><\/figure><\/div>\n\n\n\n<p>Wolfgang Amadeus Mozart: Soave sia il vento (<em>Cos\u00ec fan tutte<\/em>). Margaret Price, Yvonne Minton, Hans Sotin; Otto Klemperer, New Philharmonia Orchestra<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"226\" height=\"439\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/11\/Elisabetta.jpg\" alt=\"\" class=\"wp-image-6082\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/11\/Elisabetta.jpg 226w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/11\/Elisabetta-154x300.jpg 154w\" sizes=\"auto, (max-width: 226px) 100vw, 226px\" \/><\/figure><\/div>\n\n\n\n<p>Giuseppe Verdi: Non pianger, mia compagna (<em>Don Carlo<\/em>). Margaret Price; Claudio Abbado, Orchestra e Coro del Teatro alla Scala [La Scala 07 January 1978]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"553\" height=\"800\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/11\/Bruson.jpg\" alt=\"\" class=\"wp-image-6083\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/11\/Bruson.jpg 553w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/11\/Bruson-207x300.jpg 207w\" sizes=\"auto, (max-width: 553px) 100vw, 553px\" \/><figcaption>Renato Bruson<\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Giuseppe Verdi: Nell&#8217;ora soave&#8230; Plebe, patrizi (<em>Simon Boccanegra<\/em>). Margaret Price, Renato Bruson, Giorgio Lamberti, Cesare Siepi, Frederick Burchinal, Kevin Langan; Lamberto Gardelli, San Francisco Opera Orchestra and Chorus [San Francisco Opera 26 September 1980]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"460\" height=\"276\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/11\/Margaret-Desdemona-SF.jpg\" alt=\"\" class=\"wp-image-6084\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/11\/Margaret-Desdemona-SF.jpg 460w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/11\/Margaret-Desdemona-SF-300x180.jpg 300w\" sizes=\"auto, (max-width: 460px) 100vw, 460px\" \/><\/figure><\/div>\n\n\n\n<p>Giuseppe Verdi: Ave Maria (<em>Otello<\/em>). Margaret Price; Alain Lombard, Orchestre National de Bordeaux Aquitaine<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"349\" height=\"500\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/11\/Poetic-Price.jpg\" alt=\"\" class=\"wp-image-6093\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/11\/Poetic-Price.jpg 349w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/11\/Poetic-Price-209x300.jpg 209w\" sizes=\"auto, (max-width: 349px) 100vw, 349px\" \/><\/figure><\/div>\n\n\n\n<p>Carl Maria von Weber: Und ob die Wolke sie verh\u00fclle (<em>Der Freisch\u00fctz<\/em>). Margaret Price; Heinz Wallberg, M\u00fcnchener Rundfunkorchester<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"607\" height=\"329\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/11\/Margaret-looking-like-Marguerite.jpeg\" alt=\"\" class=\"wp-image-6099\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/11\/Margaret-looking-like-Marguerite.jpeg 607w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/11\/Margaret-looking-like-Marguerite-300x163.jpeg 300w\" sizes=\"auto, (max-width: 607px) 100vw, 607px\" \/><\/figure>\n\n\n\n<p>Edward Elgar: Rejoice, ye partakers of His suffering (<em>The Kingdom<\/em>). Margaret Price; Adrian Boult, London Philharmonic Orchestra<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"438\" height=\"295\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/11\/Wigmore-Concert-Cover.jpg\" alt=\"\" class=\"wp-image-6085\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/11\/Wigmore-Concert-Cover.jpg 438w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/11\/Wigmore-Concert-Cover-300x202.jpg 300w\" sizes=\"auto, (max-width: 438px) 100vw, 438px\" \/><figcaption>James Lockhart and Margaret Price<\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Johannes Brahms: Immer leiser wird mein Schlummer, Op. 105\/2. Margaret Price; James Lockhart<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"489\" height=\"423\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/11\/Margaret-and-Tree.jpg\" alt=\"\" class=\"wp-image-6086\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/11\/Margaret-and-Tree.jpg 489w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/11\/Margaret-and-Tree-300x260.jpg 300w\" sizes=\"auto, (max-width: 489px) 100vw, 489px\" \/><\/figure><\/div>\n\n\n\n<p>Enrique Granados: Elegia eterna. Margaret Price; James Lockhart<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"620\" height=\"413\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/11\/Price-and-Lockhart.jpg\" alt=\"\" class=\"wp-image-6087\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/11\/Price-and-Lockhart.jpg 620w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/11\/Price-and-Lockhart-300x200.jpg 300w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/><figcaption>James Lockhart and Margaret Price<\/figcaption><\/figure>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Phyllis Tate: Hush Song (No. 3 of <em>Three Gaelic Ballads<\/em>). Margaret Price; James Lockhart<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"694\" height=\"609\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/11\/Margaret-Price-at-Night.jpg\" alt=\"\" class=\"wp-image-6088\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/11\/Margaret-Price-at-Night.jpg 694w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/11\/Margaret-Price-at-Night-300x263.jpg 300w\" sizes=\"auto, (max-width: 694px) 100vw, 694px\" \/><\/figure><\/div>\n\n\n\n<p>Robert Schumann: Mondnacht (<em>Liederkreis<\/em>, Op. 39\/5). Margaret Price; James Lockhart<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"344\" height=\"451\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/11\/Price-Strauss-Cover.jpg\" alt=\"\" class=\"wp-image-6094\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/11\/Price-Strauss-Cover.jpg 344w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/11\/Price-Strauss-Cover-229x300.jpg 229w\" sizes=\"auto, (max-width: 344px) 100vw, 344px\" \/><\/figure><\/div>\n\n\n\n<p>Franz Schubert; Du bist die Ruh, D.776. Margaret Price; Geoffrey Parsons [Wigmore Hall 8 December 1987]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/11\/Price-Verdi-Cover-TRIMMED.jpg\" alt=\"\" class=\"wp-image-6106\" width=\"485\" height=\"445\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/11\/Price-Verdi-Cover-TRIMMED.jpg 327w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/11\/Price-Verdi-Cover-TRIMMED-300x275.jpg 300w\" sizes=\"auto, (max-width: 485px) 100vw, 485px\" \/><\/figure><\/div>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Episode 61. Margaret Price I: The Voice of Consolation (Music for a World in Crisis V) SOCIAL SHARE SUBSCRIPTION PLATFORM&hellip;<\/p>\n","protected":false},"author":1,"featured_media":6076,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"advgb_blocks_editor_width":"","advgb_blocks_columns_visual_guide":"","footnotes":""},"categories":[1075,1701,2294,2260,808],"tags":[2312,2300,711,2308,368,1615,2309,333,2311,2296,1449,101,1609,207,2298,2227,2302,863,1621,1067,1637,1063,2295,2303,2299,1704,548,2301,2313,34,2297],"class_list":["post-5739","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-art-song","category-bel-canto","category-margaret-price","category-music-for-a-world-in-crisis","category-needle-drop","tag-adrian-boult","tag-alain-lombard","tag-andre-previn-2","tag-carl-maria-von-weber","tag-claudio-abbado","tag-cosi-fan-tutte-2","tag-der-freischutz","tag-don-carlo","tag-edward-elgar","tag-ein-deutsches-requiem-a-german-requiem","tag-enrique-granados","tag-franz-schubert","tag-geoffrey-parsons","tag-giuseppe-verdi","tag-hans-sotin","tag-heinz-wallberg","tag-james-lockhart","tag-johannes-brahms","tag-john-pritchard","tag-lamberto-gardelli","tag-margaret-price","tag-otello","tag-otto-klemperer","tag-phyllis-tate","tag-renato-bruson","tag-riccardo-muti","tag-robert-schumann","tag-simon-boccanegra","tag-the-kingdom-elgar","tag-wolfgang-amadeus-mozart","tag-yvonne-minton"],"author_meta":{"display_name":"admin","author_link":"https:\/\/countermelodypodcast.com\/index.php\/author\/admin\/"},"featured_img":"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/11\/Use-this-one-for-banner-TRIMMED-300x162.jpg","coauthors":[],"tax_additional":{"categories":{"linked":["<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/art-song\/\" class=\"advgb-post-tax-term\">Art Song<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/bel-canto\/\" class=\"advgb-post-tax-term\">Bel Canto<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/margaret-price\/\" class=\"advgb-post-tax-term\">Margaret Price<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/music-for-a-world-in-crisis\/\" class=\"advgb-post-tax-term\">Music for a World in Crisis<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Needle Drop<\/a>"],"unlinked":["<span class=\"advgb-post-tax-term\">Art Song<\/span>","<span class=\"advgb-post-tax-term\">Bel Canto<\/span>","<span class=\"advgb-post-tax-term\">Margaret Price<\/span>","<span class=\"advgb-post-tax-term\">Music for a World in Crisis<\/span>","<span class=\"advgb-post-tax-term\">Needle Drop<\/span>"]},"tags":{"linked":["<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Adrian Boult<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Alain Lombard<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Andr\u00e9 Previn<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Carl Maria von Weber<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Claudio Abbado<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Cos\u00ec fan tutte<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Der Freisch\u00fctz<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Don Carlo<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Edward Elgar<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Ein deutsches Requiem [A German Requiem]<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Enrique Granados<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Franz Schubert<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Geoffrey Parsons<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Giuseppe Verdi<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Hans Sotin<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Heinz Wallberg<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">James Lockhart<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Johannes Brahms<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">John Pritchard<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Lamberto Gardelli<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Margaret Price<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Otello<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Otto Klemperer<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Phyllis Tate<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Renato Bruson<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Riccardo Muti<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Robert Schumann<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Simon Boccanegra<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">The Kingdom (Elgar)<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Wolfgang Amadeus Mozart<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Yvonne Minton<\/a>"],"unlinked":["<span class=\"advgb-post-tax-term\">Adrian Boult<\/span>","<span class=\"advgb-post-tax-term\">Alain Lombard<\/span>","<span class=\"advgb-post-tax-term\">Andr\u00e9 Previn<\/span>","<span class=\"advgb-post-tax-term\">Carl Maria von Weber<\/span>","<span class=\"advgb-post-tax-term\">Claudio Abbado<\/span>","<span class=\"advgb-post-tax-term\">Cos\u00ec fan tutte<\/span>","<span class=\"advgb-post-tax-term\">Der Freisch\u00fctz<\/span>","<span class=\"advgb-post-tax-term\">Don Carlo<\/span>","<span class=\"advgb-post-tax-term\">Edward Elgar<\/span>","<span class=\"advgb-post-tax-term\">Ein deutsches Requiem [A German Requiem]<\/span>","<span class=\"advgb-post-tax-term\">Enrique Granados<\/span>","<span class=\"advgb-post-tax-term\">Franz Schubert<\/span>","<span class=\"advgb-post-tax-term\">Geoffrey Parsons<\/span>","<span class=\"advgb-post-tax-term\">Giuseppe Verdi<\/span>","<span class=\"advgb-post-tax-term\">Hans Sotin<\/span>","<span class=\"advgb-post-tax-term\">Heinz Wallberg<\/span>","<span class=\"advgb-post-tax-term\">James Lockhart<\/span>","<span class=\"advgb-post-tax-term\">Johannes Brahms<\/span>","<span class=\"advgb-post-tax-term\">John Pritchard<\/span>","<span class=\"advgb-post-tax-term\">Lamberto Gardelli<\/span>","<span class=\"advgb-post-tax-term\">Margaret Price<\/span>","<span class=\"advgb-post-tax-term\">Otello<\/span>","<span class=\"advgb-post-tax-term\">Otto Klemperer<\/span>","<span class=\"advgb-post-tax-term\">Phyllis Tate<\/span>","<span class=\"advgb-post-tax-term\">Renato Bruson<\/span>","<span class=\"advgb-post-tax-term\">Riccardo Muti<\/span>","<span class=\"advgb-post-tax-term\">Robert Schumann<\/span>","<span class=\"advgb-post-tax-term\">Simon Boccanegra<\/span>","<span class=\"advgb-post-tax-term\">The Kingdom (Elgar)<\/span>","<span class=\"advgb-post-tax-term\">Wolfgang Amadeus Mozart<\/span>","<span class=\"advgb-post-tax-term\">Yvonne Minton<\/span>"]}},"comment_count":"0","relative_dates":{"created":"Posted 5 years ago","modified":"Updated 5 years ago"},"absolute_dates":{"created":"Posted on 15\/11\/2020","modified":"Updated on 16\/11\/2020"},"absolute_dates_time":{"created":"Posted on 15\/11\/2020 18:08","modified":"Updated on 16\/11\/2020 07:31"},"featured_img_caption":"","series_order":"","_links":{"self":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/5739","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/comments?post=5739"}],"version-history":[{"count":7,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/5739\/revisions"}],"predecessor-version":[{"id":6112,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/5739\/revisions\/6112"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/media\/6076"}],"wp:attachment":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/media?parent=5739"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/categories?post=5739"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/tags?post=5739"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}