{"id":5589,"date":"2020-09-26T00:19:35","date_gmt":"2020-09-25T22:19:35","guid":{"rendered":"http:\/\/countermelodypodcast.com\/?p=5589"},"modified":"2023-11-09T17:53:45","modified_gmt":"2023-11-09T16:53:45","slug":"episode-54-transatlantic-crossover-crossover-classics-ix","status":"publish","type":"post","link":"https:\/\/countermelodypodcast.com\/index.php\/2020\/09\/26\/episode-54-transatlantic-crossover-crossover-classics-ix\/","title":{"rendered":"Episode 54. Transatlantic Crossover (Crossover Classics IX)"},"content":{"rendered":"<div id=\"mega-menu-wrap-primary\" class=\"mega-menu-wrap\"><div class=\"mega-menu-toggle\"><div class=\"mega-toggle-blocks-left\"><\/div><div class=\"mega-toggle-blocks-center\"><\/div><div class=\"mega-toggle-blocks-right\"><div class='mega-toggle-block mega-menu-toggle-animated-block mega-toggle-block-1' id='mega-toggle-block-1'><button aria-label=\"Menu\" class=\"mega-toggle-animated mega-toggle-animated-slider\" type=\"button\" aria-haspopup=\"true\" aria-expanded=\"false\" aria-controls=\"mega-menu-primary\">\n                  <span class=\"mega-toggle-animated-box\">\n                    <span class=\"mega-toggle-animated-inner\"><\/span>\n                  <\/span>\n                <\/button><\/div><\/div><\/div><ul id=\"mega-menu-primary\" class=\"mega-menu max-mega-menu mega-menu-horizontal mega-no-js\" data-event=\"hover_intent\" data-effect=\"slide\" data-effect-speed=\"200\" data-effect-mobile=\"slide\" data-effect-speed-mobile=\"200\" data-mobile-force-width=\"body\" data-second-click=\"go\" data-document-click=\"collapse\" data-vertical-behaviour=\"standard\" data-breakpoint=\"600\" data-unbind=\"true\" data-mobile-state=\"collapse_all\" data-mobile-direction=\"vertical\" data-hover-intent-timeout=\"300\" data-hover-intent-interval=\"100\"><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-menu-item-home mega-align-bottom-left mega-menu-flyout mega-menu-item-19160\" id=\"mega-menu-item-19160\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/\">Home<\/a><\/li><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-align-bottom-left mega-menu-flyout mega-menu-item-19161\" id=\"mega-menu-item-19161\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/index.php\/about-daniel\/\">About Daniel<\/a><\/li><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-current_page_parent mega-align-bottom-left mega-menu-flyout mega-menu-item-19171\" id=\"mega-menu-item-19171\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/index.php\/all-episodes\/\">All Episodes<\/a><\/li><\/ul><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">Episode 54.  Transatlantic Crossover (Crossover Classics IX)<\/h2>\n\n\n\n<iframe loading=\"lazy\" width=\"340\" height=\"50\" src=\"https:\/\/countermelody.blubrry.net\/?powerpress_embed=192-podcast&amp;powerpress_player=mediaelement-audio\" frameborder=\"0\" scrolling=\"no\"><\/iframe>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p><strong>SOCIAL SHARE<\/strong><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"has-text-align-right\"><strong>SUBSCRIPTION PLATFORM<\/strong><\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<div class=\"wp-block-buttons alignleft is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button alignright\"><a class=\"wp-block-button__link no-border-radius\" href=\"https:\/\/countermelody.blubrry.net\/\">SUBSCRIBE VIA YOUR FAVORITE PODCAST PLATFORM<\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"596\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Bumbry-in-Helmet-1024x596.jpg\" alt=\"\" class=\"wp-image-5672\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Bumbry-in-Helmet-1024x596.jpg 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Bumbry-in-Helmet-300x175.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Bumbry-in-Helmet-768x447.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Bumbry-in-Helmet.jpg 1200w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption>Grace Bumbry<\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:38px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Today is the final episode of the Crossover Classics series and the final episode of Season One of <em>Countermelody<\/em>. The subject is US-American singers who spent significant portions of their lives and careers in Europe. I begin with an historical survey of early Twentieth Century singers who emigrated from the US to Europe (Geraldine Farrar, Mary Lewis) as well as from Europe to the US (Jarmila Novotn\u00e1, Lotte Lehmann). Singers are featured in operetta (Barry McDaniel, Donald Grobe, Arlene Saunders), musicals (Reri Grist, Tatiana Troyanos, Wilbur Evans, Robert Trehy, Maria Ewing), jazz (Margaret Tynes, Charles Holland, Shirley Verrett), and pop, soul, and <em>schlager<\/em> (Lawrence Winters, Anna Moffo, Kenneth Spencer, Grace Bumbry, Felicia Weathers). The range of composers represented is enormous, from Cole Porter to Carrie Jacobs-Bond to Jimmy Webb to Rodgers and Hammerstein to ABBA to Duke Ellington to Gilbert B\u00e9caud to J.B. Lenoir to Franz Leh\u00e1r. The tone ranges from tongue in cheek to dead serious, from the quasi-<em>bel canto<\/em> pop vocalism of Muriel Smith to the intimate, <em>Lieder<\/em>-like shadings of Roberta Alexander to the raw blues stylings of Barbara Hendricks. Tune in next week for an sneak preview of Season Two.<\/p>\n\n\n\n<div style=\"height:47px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-custom-size\" style=\"font-size:30px\"><strong> RECORDINGS HEARD IN THIS EPISODE<\/strong><\/p>\n\n\n\n<div style=\"height:55px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"599\" height=\"481\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Weathersova.png\" alt=\"\" class=\"wp-image-5675\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Weathersova.png 599w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Weathersova-300x241.png 300w\" sizes=\"auto, (max-width: 599px) 100vw, 599px\" \/><\/figure><\/div>\n\n\n\n<p>Jimmy Webb: Up, Up and Away. Felicia Weathers; Harold M. Kirchstein und sein Orchester (from <em>Wunderbar ist die Welt<\/em>, 1969).<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"579\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Folder-Copy.jpg\" alt=\"\" class=\"wp-image-5729\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Folder-Copy.jpg 600w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Folder-Copy-300x290.jpg 300w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/figure><\/div>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"420\" height=\"536\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Hendricks.jpg\" alt=\"\" class=\"wp-image-5676\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Hendricks.jpg 420w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Hendricks-235x300.jpg 235w\" sizes=\"auto, (max-width: 420px) 100vw, 420px\" \/><\/figure><\/div>\n\n\n\n<p>Benny Andersson; Bj\u00f6rn Ulvaeus: I Have a Dream. Barbara Hendricks<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"392\" height=\"605\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Spencer-Head-Shot2.jpg\" alt=\"\" class=\"wp-image-5677\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Spencer-Head-Shot2.jpg 392w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Spencer-Head-Shot2-194x300.jpg 194w\" sizes=\"auto, (max-width: 392px) 100vw, 392px\" \/><\/figure><\/div>\n\n\n\n<p>J. Fred Coots, Charles Kenny, Nick Kenny; Ralph Maria Siegel (German lyrics): Komm zu mir, wenn du einsam bist [Love Letters in the Sand]. Kenneth Spencer, Herbert Beckh und das Tanzorchester des Bayerischen Rundfunks<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"448\" height=\"587\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Farrar-as-Juliet.png\" alt=\"\" class=\"wp-image-5678\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Farrar-as-Juliet.png 448w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Farrar-as-Juliet-229x300.png 229w\" sizes=\"auto, (max-width: 448px) 100vw, 448px\" \/><\/figure><\/div>\n\n\n\n<p>Tino Mattei, G. Clifton Bingham: Dear Heart. Geraldine Farrar<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"250\" height=\"332\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Mary-Lewis.png\" alt=\"\" class=\"wp-image-5679\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Mary-Lewis.png 250w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Mary-Lewis-226x300.png 226w\" sizes=\"auto, (max-width: 250px) 100vw, 250px\" \/><\/figure><\/div>\n\n\n\n<p>Carrie Jacobs-Bond: The Hand of You. Mary Lewis<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"640\" height=\"360\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Lehmann-Radio.jpg\" alt=\"\" class=\"wp-image-5680\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Lehmann-Radio.jpg 640w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Lehmann-Radio-300x169.jpg 300w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/figure><\/div>\n\n\n\n<p>Hans May: Der Duft, der eine sch\u00f6ne Frau begleitet. Lotte Lehmann; Frieder Weissmann, Members of the Berlin State Opera Orchestra<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"451\" height=\"500\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Bumbry-Lehmann.jpg\" alt=\"\" class=\"wp-image-5681\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Bumbry-Lehmann.jpg 451w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Bumbry-Lehmann-271x300.jpg 271w\" sizes=\"auto, (max-width: 451px) 100vw, 451px\" \/><figcaption>Lotte Lehmann and Grace Bumbry<\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"564\" height=\"376\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Bumblebee-in-Pearls.jpg\" alt=\"\" class=\"wp-image-5682\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Bumblebee-in-Pearls.jpg 564w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Bumblebee-in-Pearls-300x200.jpg 300w\" sizes=\"auto, (max-width: 564px) 100vw, 564px\" \/><\/figure><\/div>\n\n\n\n<p>Sergio Bardotti, Dario Baldan Bembo, Norman Newell: Born to Lose. Grace Bumbry<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"815\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Tynes-on-Divan-1-815x1024.jpg\" alt=\"\" class=\"wp-image-5684\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Tynes-on-Divan-1-815x1024.jpg 815w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Tynes-on-Divan-1-239x300.jpg 239w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Tynes-on-Divan-1-768x965.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Tynes-on-Divan-1.jpg 1119w\" sizes=\"auto, (max-width: 815px) 100vw, 815px\" \/><\/figure><\/div>\n\n\n\n<p>Duke Ellington, Billy Strayhorn: A Drum Is a Woman. Margaret Tynes; Duke Ellington and His Orchestra<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"618\" height=\"471\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/A-Drum-Is-a-Woman.png\" alt=\"\" class=\"wp-image-5731\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/A-Drum-Is-a-Woman.png 618w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/A-Drum-Is-a-Woman-300x229.png 300w\" sizes=\"auto, (max-width: 618px) 100vw, 618px\" \/><figcaption>Joya Sherrill, Duke Ellington, and Margaret Tynes in a still from the telecast of <em>A Drum Is a Woman<\/em> (1957).<\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"255\" height=\"364\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Charles-Holland.jpg\" alt=\"\" class=\"wp-image-5685\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Charles-Holland.jpg 255w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Charles-Holland-210x300.jpg 210w\" sizes=\"auto, (max-width: 255px) 100vw, 255px\" \/><\/figure><\/div>\n\n\n\n<p>Fletcher Henderson, Irving Mills, Ned Williams: Harlem Madness. Charles Holland; Fletcher Henderson and His Orchestra<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"358\" height=\"465\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Charles-Holland-in-Hullabaloo-1940.png\" alt=\"\" class=\"wp-image-5686\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Charles-Holland-in-Hullabaloo-1940.png 358w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Charles-Holland-in-Hullabaloo-1940-231x300.png 231w\" sizes=\"auto, (max-width: 358px) 100vw, 358px\" \/><\/figure><\/div>\n\n\n\n<p>Traditional Spiritual, arr. William H. Dawson: Talk about a Child. Charles Holland; Ralph Linsley<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"887\" height=\"887\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/La-Hendricks.jpg\" alt=\"\" class=\"wp-image-5687\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/La-Hendricks.jpg 887w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/La-Hendricks-300x300.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/La-Hendricks-150x150.jpg 150w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/La-Hendricks-768x768.jpg 768w\" sizes=\"auto, (max-width: 887px) 100vw, 887px\" \/><\/figure><\/div>\n\n\n\n<p>J. B. Lenoir: Down in Mississippi. Barbara Hendricks and Her Blues Band<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"714\" height=\"468\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Novotna.jpg\" alt=\"\" class=\"wp-image-5688\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Novotna.jpg 714w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Novotna-300x197.jpg 300w\" sizes=\"auto, (max-width: 714px) 100vw, 714px\" \/><\/figure><\/div>\n\n\n\n<p>Franz Leh\u00e1r: Wei\u00dft du noch was ein Herz voller Sehnsucht begehrt (<em>Frasquita<\/em>). Jarmila Novotn\u00e1; Orchestra conducted by Franz Leh\u00e1r<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"435\" height=\"604\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Donald-Grobe.jpg\" alt=\"\" class=\"wp-image-5689\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Donald-Grobe.jpg 435w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Donald-Grobe-216x300.jpg 216w\" sizes=\"auto, (max-width: 435px) 100vw, 435px\" \/><\/figure><\/div>\n\n\n\n<p>Johann Strauss II: Komm in die Gondel (<em>Eine Nacht in Venedig<\/em>). Donald Grobe; Richard M\u00fcller-Lampertz, Orchester der Hamburgischen Staatsoper<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-gallery columns-2 is-cropped wp-block-gallery-1\"><ul class=\"blocks-gallery-grid\"><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"620\" height=\"436\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Arlene-Saunders-in-Gasparone.png\" alt=\"\" data-id=\"5690\" data-full-url=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Arlene-Saunders-in-Gasparone.png\" data-link=\"https:\/\/countermelodypodcast.com\/?attachment_id=5690\" class=\"wp-image-5690\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Arlene-Saunders-in-Gasparone.png 620w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Arlene-Saunders-in-Gasparone-300x211.png 300w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"622\" height=\"444\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Barry-McDaniel-in-Gasparone.png\" alt=\"\" data-id=\"5691\" data-full-url=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Barry-McDaniel-in-Gasparone.png\" data-link=\"https:\/\/countermelodypodcast.com\/?attachment_id=5691\" class=\"wp-image-5691\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Barry-McDaniel-in-Gasparone.png 622w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Barry-McDaniel-in-Gasparone-300x214.png 300w\" sizes=\"auto, (max-width: 622px) 100vw, 622px\" \/><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"612\" height=\"437\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/McDaniel-Saunders-in-Gasparone-2.png\" alt=\"\" data-id=\"5692\" data-full-url=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/McDaniel-Saunders-in-Gasparone-2.png\" data-link=\"https:\/\/countermelodypodcast.com\/?attachment_id=5692\" class=\"wp-image-5692\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/McDaniel-Saunders-in-Gasparone-2.png 612w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/McDaniel-Saunders-in-Gasparone-2-300x214.png 300w\" sizes=\"auto, (max-width: 612px) 100vw, 612px\" \/><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"610\" height=\"436\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/McDaniel-Saunders-in-Gasparone.png\" alt=\"\" data-id=\"5693\" data-full-url=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/McDaniel-Saunders-in-Gasparone.png\" data-link=\"https:\/\/countermelodypodcast.com\/?attachment_id=5693\" class=\"wp-image-5693\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/McDaniel-Saunders-in-Gasparone.png 610w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/McDaniel-Saunders-in-Gasparone-300x214.png 300w\" sizes=\"auto, (max-width: 610px) 100vw, 610px\" \/><\/figure><\/li><\/ul><figcaption class=\"blocks-gallery-caption is-layout-flex wp-block-gallery-is-layout-flex\">Stills from the 1972 <em>Gasparone<\/em> film<\/figcaption><\/figure>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Carl Mill\u00f6cker: Wird erf\u00fcllt mein Verlangen (<em>Gasparone<\/em>). Arlene Saunders, Barry McDaniel; Heinz Wallberg, Mitglieder des M\u00fcnchner Philharmonischen Orchesters<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-gallery columns-1 is-cropped wp-block-gallery-2\"><ul class=\"blocks-gallery-grid\"><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"273\" height=\"184\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Tatiana-and-Tree.jpg\" alt=\"\" data-id=\"5695\" data-full-url=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Tatiana-and-Tree.jpg\" data-link=\"https:\/\/countermelodypodcast.com\/?attachment_id=5695\" class=\"wp-image-5695\"\/><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"603\" height=\"444\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Kiri-on-Harley.png\" alt=\"\" data-id=\"5694\" data-full-url=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Kiri-on-Harley.png\" data-link=\"https:\/\/countermelodypodcast.com\/?attachment_id=5694\" class=\"wp-image-5694 is-layout-flex wp-block-gallery-is-layout-flex\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Kiri-on-Harley.png 603w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Kiri-on-Harley-300x221.png 300w\" sizes=\"auto, (max-width: 603px) 100vw, 603px\" \/><\/figure><\/li><\/ul><\/figure>\n\n\n\n<p>Leonard Bernstein, Stephen Sondheim: A Boy Like That (<em>West Side Story<\/em>). Tatiana Troyanos, Kiri Te Kanawa; Orchestra conducted by Leonard Bernstein<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-gallery columns-3 is-cropped wp-block-gallery-3\"><ul class=\"blocks-gallery-grid\"><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"637\" height=\"473\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Reri-Grist-Gypsy.png\" alt=\"\" data-id=\"5697\" data-full-url=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Reri-Grist-Gypsy.png\" data-link=\"https:\/\/countermelodypodcast.com\/?attachment_id=5697\" class=\"wp-image-5697\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Reri-Grist-Gypsy.png 637w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Reri-Grist-Gypsy-300x223.png 300w\" sizes=\"auto, (max-width: 637px) 100vw, 637px\" \/><figcaption class=\"blocks-gallery-item__caption is-layout-flex wp-block-gallery-is-layout-flex\">Reri Grist at the 2007 Broadway Gypsy competition<\/figcaption><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"500\" height=\"716\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Reri-Grist-Carl-Van-Vechten.jpg\" alt=\"\" data-id=\"5696\" data-full-url=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Reri-Grist-Carl-Van-Vechten.jpg\" data-link=\"https:\/\/countermelodypodcast.com\/?attachment_id=5696\" class=\"wp-image-5696\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Reri-Grist-Carl-Van-Vechten.jpg 500w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Reri-Grist-Carl-Van-Vechten-209x300.jpg 209w\" sizes=\"auto, (max-width: 500px) 100vw, 500px\" \/><figcaption class=\"blocks-gallery-item__caption\">Reri Grist photographed by<br>Carl Van Vechten<\/figcaption><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"648\" height=\"470\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Reri-Grist-in-2007.png\" alt=\"\" data-id=\"5698\" data-full-url=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Reri-Grist-in-2007.png\" data-link=\"https:\/\/countermelodypodcast.com\/?attachment_id=5698\" class=\"wp-image-5698\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Reri-Grist-in-2007.png 648w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Reri-Grist-in-2007-300x218.png 300w\" sizes=\"auto, (max-width: 648px) 100vw, 648px\" \/><figcaption class=\"blocks-gallery-item__caption\">Reri Grist at the 2007 Broadway Gypsy compeition<\/figcaption><\/figure><\/li><\/ul><\/figure>\n\n\n\n<p>Leonard Bernstein, Stephen Sondheim: Somewhere (<em>West Side Story<\/em>); Reri Grist introduced by Chita Rivera [Live, 2007 Gypsy of the Year]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"353\" height=\"500\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Muriel-as-Carmen.jpg\" alt=\"\" class=\"wp-image-5699\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Muriel-as-Carmen.jpg 353w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Muriel-as-Carmen-212x300.jpg 212w\" sizes=\"auto, (max-width: 353px) 100vw, 353px\" \/><\/figure><\/div>\n\n\n\n<p>Richard Rodgers, Oscar Hammerstein II: Happy Talk (<em>South Pacific<\/em>). Muriel Smith; Reginald Burston, The Drury Lane Theater Orchestra [Live 6 May 1952]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"884\" height=\"600\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Muriel-Closeup.png\" alt=\"\" class=\"wp-image-5700\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Muriel-Closeup.png 884w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Muriel-Closeup-300x204.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Muriel-Closeup-768x521.png 768w\" sizes=\"auto, (max-width: 884px) 100vw, 884px\" \/><\/figure><\/div>\n\n\n\n<p>Bennie Benjamin, George David Weiss: How Important Can It Be. Muriel Smith; Angela Morley and Her Orchestra<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"817\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Wilbur-Evans-817x1024.jpg\" alt=\"\" class=\"wp-image-5701\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Wilbur-Evans-817x1024.jpg 817w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Wilbur-Evans-239x300.jpg 239w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Wilbur-Evans-768x962.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Wilbur-Evans.jpg 1127w\" sizes=\"auto, (max-width: 817px) 100vw, 817px\" \/><\/figure><\/div>\n\n\n\n<p>Cole Porter: I Love You (<em>Mexican Hayride<\/em>). Wilbur Evans; Harry Sosnik, Mexican Hayride Orchestra<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"614\" height=\"757\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Robert-Trehy.jpg\" alt=\"\" class=\"wp-image-5702\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Robert-Trehy.jpg 614w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Robert-Trehy-243x300.jpg 243w\" sizes=\"auto, (max-width: 614px) 100vw, 614px\" \/><\/figure><\/div>\n\n\n\n<p>Richard Rodgers, Oscar Hammerstein II, Eberhard Storch (German lyrics): Wundervoll ist dieser Morgen (<em>Oklahoma<\/em>). Robert Trehy; Alexander Rumpf, Orchester des Theater des Westens, Berlin<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"400\" height=\"400\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Lawrence-Winters-fixing-tie-1954.jpg\" alt=\"\" class=\"wp-image-5703\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Lawrence-Winters-fixing-tie-1954.jpg 400w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Lawrence-Winters-fixing-tie-1954-300x300.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Lawrence-Winters-fixing-tie-1954-150x150.jpg 150w\" sizes=\"auto, (max-width: 400px) 100vw, 400px\" \/><\/figure><\/div>\n\n\n\n<p>Hans-Arno Simon: Wenn im Dunkel der Nacht. Lawrence Winters; Orchestra conducted by Hans-Arno Simon<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"351\" height=\"436\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Winters-4.png\" alt=\"\" class=\"wp-image-5704\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Winters-4.png 351w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Winters-4-242x300.png 242w\" sizes=\"auto, (max-width: 351px) 100vw, 351px\" \/><\/figure><\/div>\n\n\n\n<p>Hans-Arno Simon: Eine z\u00e4rtliche Melodie. Lawrence Winters; Orchestra conducted by Hans-Arno Simon<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"450\" height=\"712\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Spencer-Head-Shot1.jpg\" alt=\"\" class=\"wp-image-5713\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Spencer-Head-Shot1.jpg 450w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Spencer-Head-Shot1-190x300.jpg 190w\" sizes=\"auto, (max-width: 450px) 100vw, 450px\" \/><\/figure><\/div>\n\n\n\n<p>Gerhard Winkler, Fred Rauch, Frank Weingarten: B\u00e4renjagd in Alaska. Kenneth Spencer; Adalbert Luczkowski mit seinem Orchester, Bernd Hansen-Chor;<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"277\" height=\"435\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Spencer-Head-Shot6.jpg\" alt=\"\" class=\"wp-image-5714\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Spencer-Head-Shot6.jpg 277w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Spencer-Head-Shot6-191x300.jpg 191w\" sizes=\"auto, (max-width: 277px) 100vw, 277px\" \/><\/figure><\/div>\n\n\n\n<p>Jupp Schmitz, Fritz Weber: Layana Lu. Kenneth Spencer<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"599\" height=\"596\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/KS-Go-Man-Go.jpg\" alt=\"\" class=\"wp-image-5712\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/KS-Go-Man-Go.jpg 599w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/KS-Go-Man-Go-300x298.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/KS-Go-Man-Go-150x150.jpg 150w\" sizes=\"auto, (max-width: 599px) 100vw, 599px\" \/><\/figure><\/div>\n\n\n\n<p>Heinz Gietz, Kurt Feltz: Go Man, Go. Kenneth Spencer<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-gallery columns-2 is-cropped wp-block-gallery-4\"><ul class=\"blocks-gallery-grid\"><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"320\" height=\"240\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Spencer-and-Wife.jpg\" alt=\"\" data-id=\"5710\" class=\"wp-image-5710\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Spencer-and-Wife.jpg 320w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Spencer-and-Wife-300x225.jpg 300w\" sizes=\"auto, (max-width: 320px) 100vw, 320px\" \/><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"320\" height=\"240\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Spencer-and-Family-1.jpg\" alt=\"\" data-id=\"5711\" data-full-url=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Spencer-and-Family-1.jpg\" data-link=\"https:\/\/countermelodypodcast.com\/?attachment_id=5711\" class=\"wp-image-5711 is-layout-flex wp-block-gallery-is-layout-flex\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Spencer-and-Family-1.jpg 320w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Spencer-and-Family-1-300x225.jpg 300w\" sizes=\"auto, (max-width: 320px) 100vw, 320px\" \/><\/figure><\/li><\/ul><\/figure>\n\n\n\n<p>German Folk Song: Schwesterchen, komm\u2019 tanz\u2019 mit mir. Kenneth Spencer; Orchestra conducted by Adalbert Lutter<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"900\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Spencer-en-francais.jpg\" alt=\"\" class=\"wp-image-5708\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Spencer-en-francais.jpg 900w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Spencer-en-francais-300x300.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Spencer-en-francais-150x150.jpg 150w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Spencer-en-francais-768x768.jpg 768w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><\/figure><\/div>\n\n\n\n<p>Daniel White, P. Maritain: Partir. Kenneth Spencer; Orchestra conducted by Daniel White<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Bruder.jpg\" alt=\"\" class=\"wp-image-5707\" width=\"314\" height=\"447\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Bruder.jpg 272w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Bruder-211x300.jpg 211w\" sizes=\"auto, (max-width: 314px) 100vw, 314px\" \/><\/figure><\/div>\n\n\n\n<p>Willy Mattes, G\u00fcnther Schwenn: Baby! Sonnenschein (<em>Mein Bruder Josua<\/em>). Kenneth Spencer; Hans Conzelmann und sein Orchester<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"337\" height=\"481\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Bumbry-Jag.png\" alt=\"\" class=\"wp-image-5705\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Bumbry-Jag.png 337w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Bumbry-Jag-210x300.png 210w\" sizes=\"auto, (max-width: 337px) 100vw, 337px\" \/><\/figure><\/div>\n\n\n\n<p>Claude Fran\u00e7ois, Jacques Revaux; Paul Anka (English lyrics): My Way. Grace Bumbry; produced by Andrew White<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"452\" height=\"452\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Anna-Moffo-on-her-Italian-TV-show.jpg\" alt=\"\" class=\"wp-image-5715\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Anna-Moffo-on-her-Italian-TV-show.jpg 452w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Anna-Moffo-on-her-Italian-TV-show-300x300.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Anna-Moffo-on-her-Italian-TV-show-150x150.jpg 150w\" sizes=\"auto, (max-width: 452px) 100vw, 452px\" \/><\/figure><\/div>\n\n\n\n<p>Jerome Kern, Otto Harbach: Smoke Gets in Your Eyes (<em>Roberta<\/em>). Anna Moffo; Lehman Engel, RCA Victor Orchestra<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"369\" height=\"480\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Moffo-Sultry.jpg\" alt=\"\" class=\"wp-image-5716\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Moffo-Sultry.jpg 369w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Moffo-Sultry-231x300.jpg 231w\" sizes=\"auto, (max-width: 369px) 100vw, 369px\" \/><\/figure><\/div>\n\n\n\n<p>Unknown Composer: Buon viaggio a te, che te ne vai. Anna Moffo<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"305\" height=\"399\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/La-Moffo.jpg\" alt=\"\" class=\"wp-image-5718\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/La-Moffo.jpg 305w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/La-Moffo-229x300.jpg 229w\" sizes=\"auto, (max-width: 305px) 100vw, 305px\" \/><\/figure><\/div>\n\n\n\n<p>Gino Paolo, Sergio Berdotti: Un fiore \u00e8 nato (<em>Menage all\u2019italiana<\/em>). Anna Moffo; Ennio Morricone e la sua orchestra<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"599\" height=\"590\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Liebe.jpg\" alt=\"\" class=\"wp-image-5719\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Liebe.jpg 599w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Liebe-300x295.jpg 300w\" sizes=\"auto, (max-width: 599px) 100vw, 599px\" \/><\/figure><\/div>\n\n\n\n<p>Nicolas Roubanis, Fred Wise, Bob Russell, Milton Leeds: Misirlou. Felicia Weathers; Harold M. Kirchstein und sein Orchester<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"479\" height=\"587\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Weathers-Fur.png\" alt=\"\" class=\"wp-image-5720\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Weathers-Fur.png 479w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Weathers-Fur-245x300.png 245w\" sizes=\"auto, (max-width: 479px) 100vw, 479px\" \/><\/figure><\/div>\n\n\n\n<p>Gilbert B\u00e9caud, Louis Amade; Gisela Zimber (German lyrics): \u00dcberall bl\u00fchen Rosen [L\u2019important c\u2019est la rose]. Felicia Weathers; Harold M. Kirchstein und sein Orchester<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"602\" height=\"453\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Verrett-Positano.png\" alt=\"\" class=\"wp-image-5721\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Verrett-Positano.png 602w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Verrett-Positano-300x226.png 300w\" sizes=\"auto, (max-width: 602px) 100vw, 602px\" \/><\/figure><\/div>\n\n\n\n<p>George Gershwin, Ira Gershwin: Fascinating Rhythm (<em>Lady, Be Good<\/em>). Shirley Verrett; Ensemble conducted by Tzimon Barto<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"813\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Ewing-813x1024.jpg\" alt=\"\" class=\"wp-image-5722\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Ewing-813x1024.jpg 813w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Ewing-238x300.jpg 238w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Ewing-768x967.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Ewing.jpg 926w\" sizes=\"auto, (max-width: 813px) 100vw, 813px\" \/><\/figure><\/div>\n\n\n\n<p>Cole Porter: Anything Goes (<em>Anything Goes<\/em>). Maria Ewing; Neil Richardson, Royal Philharmonic Orchestra<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"518\" height=\"350\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Maria-Ewing.jpg\" alt=\"\" class=\"wp-image-5723\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Maria-Ewing.jpg 518w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Maria-Ewing-300x203.jpg 300w\" sizes=\"auto, (max-width: 518px) 100vw, 518px\" \/><\/figure><\/div>\n\n\n\n<p>Kurt Weill, Maxwell Anderson: It Never Was You (<em>Knickerbocker Holiday<\/em>). Maria Ewing; Richard Rodney Bennett<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"837\" height=\"747\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Roberta-Alexander.jpg\" alt=\"\" class=\"wp-image-5725\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Roberta-Alexander.jpg 837w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Roberta-Alexander-300x268.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Roberta-Alexander-768x685.jpg 768w\" sizes=\"auto, (max-width: 837px) 100vw, 837px\" \/><\/figure><\/div>\n\n\n\n<p>Jerry Bock, Sheldon Harnick: Dear Friend (<em>She Loves Me<\/em>). Roberta Alexander; David Triestram<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"814\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Alexander-Fro-1024x814.jpg\" alt=\"\" class=\"wp-image-5726\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Alexander-Fro-1024x814.jpg 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Alexander-Fro-300x238.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Alexander-Fro-768x610.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Alexander-Fro.jpg 1382w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure><\/div>\n\n\n\n<p>John Kander, Fred Ebb: I Don\u2019t Remember You (<em>The Happy Time<\/em>). Roberta Alexander; David Triestram<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"721\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/RAlexander-1024x721.jpg\" alt=\"\" class=\"wp-image-5724\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/RAlexander-1024x721.jpg 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/RAlexander-300x211.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/RAlexander-768x541.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/RAlexander.jpg 1259w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure><\/div>\n\n\n\n<p>David Shire, Richard Maltby, Jr.: With You (<em>Baby<\/em>). Roberta Alexander; David Triestram<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Episode 54. Transatlantic Crossover (Crossover Classics IX) SOCIAL SHARE SUBSCRIPTION PLATFORM Today is the final episode of the Crossover Classics&hellip;<\/p>\n","protected":false},"author":1,"featured_media":5674,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"advgb_blocks_editor_width":"","advgb_blocks_columns_visual_guide":"","footnotes":""},"categories":[420,1626,2109,1076,808,1470,1540,5691],"tags":[2170,411,1330,1715,1186,2173,2167,599,1937,865,664,2161,1592,2178,2165,969,1448,2174,1396,123,2171,341,2002,2180,1397,2172,2099,1389,1898,2168,749,2175,2176,2164,1038,972,87,2163,497,1713,925,2157,2158,524,2177,2116,2166,2169,2159,1899,337,929,1710,1629,1863,2162,2179],"class_list":["post-5589","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-african-american-opera-singers","category-african-american-singers","category-broadway-and-musicals","category-crossover","category-needle-drop","category-operetta","category-protest-songs","category-shirley-verrett","tag-abba","tag-anna-moffo","tag-arlene-saunders","tag-barbara-hendricks","tag-barry-mcdaniel","tag-carl-millocker","tag-carrie-jacobs-bond","tag-charles-holland","tag-cole-porter","tag-crossover","tag-david-shire","tag-donald-grobe","tag-duke-ellington","tag-ennio-morricone","tag-felicia-weathers","tag-fletcher-henderson","tag-franz-lehar","tag-fred-ebb","tag-george-gershwin","tag-geraldine-farrar","tag-gilbert-becaud","tag-grace-bumbry","tag-hans-may","tag-hans-arno-simon","tag-ira-gershwin","tag-j-b-lenoir","tag-jarmila-novotna","tag-jerome-kern","tag-jerry-bock","tag-jimmy-webb","tag-johann-strauss-ii","tag-john-kander","tag-jr","tag-kenneth-spencer","tag-lawrence-winters","tag-leonard-bernstein","tag-lotte-lehmann","tag-margaret-tynes","tag-maria-ewing","tag-mary-lewis","tag-muriel-smith","tag-musicals","tag-operetta","tag-reri-grist","tag-richard-maltby","tag-robert-trehy","tag-roberta-alexander","tag-rodgers-and-hammerstein","tag-schlager","tag-sheldon-harnick","tag-shirley-verrett","tag-south-pacific","tag-stephen-sondheim","tag-tatiana-troyanos","tag-west-side-story","tag-wilbur-evans","tag-willy-mattes"],"author_meta":{"display_name":"admin","author_link":"https:\/\/countermelodypodcast.com\/index.php\/author\/admin\/"},"featured_img":"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Moffo-Negligee-TRIMMED-300x140.jpg","coauthors":[],"tax_additional":{"categories":{"linked":["<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/african-american-opera-singers\/\" class=\"advgb-post-tax-term\">African American Opera Singers<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/african-american-singers\/\" class=\"advgb-post-tax-term\">African American Singers<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/broadway-and-musicals\/\" class=\"advgb-post-tax-term\">Broadway and Musicals<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/crossover\/\" class=\"advgb-post-tax-term\">Crossover<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Needle Drop<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Operetta<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/protest-songs\/\" class=\"advgb-post-tax-term\">Protest Songs<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/shirley-verrett\/\" class=\"advgb-post-tax-term\">Shirley Verrett<\/a>"],"unlinked":["<span class=\"advgb-post-tax-term\">African American Opera Singers<\/span>","<span class=\"advgb-post-tax-term\">African American Singers<\/span>","<span class=\"advgb-post-tax-term\">Broadway and Musicals<\/span>","<span class=\"advgb-post-tax-term\">Crossover<\/span>","<span class=\"advgb-post-tax-term\">Needle Drop<\/span>","<span class=\"advgb-post-tax-term\">Operetta<\/span>","<span class=\"advgb-post-tax-term\">Protest Songs<\/span>","<span class=\"advgb-post-tax-term\">Shirley Verrett<\/span>"]},"tags":{"linked":["<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/shirley-verrett\/\" class=\"advgb-post-tax-term\">ABBA<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/shirley-verrett\/\" class=\"advgb-post-tax-term\">Anna Moffo<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/shirley-verrett\/\" class=\"advgb-post-tax-term\">Arlene Saunders<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/shirley-verrett\/\" class=\"advgb-post-tax-term\">Barbara Hendricks<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/shirley-verrett\/\" class=\"advgb-post-tax-term\">Barry McDaniel<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/shirley-verrett\/\" class=\"advgb-post-tax-term\">Carl Mill\u00f6cker<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/shirley-verrett\/\" class=\"advgb-post-tax-term\">Carrie Jacobs-Bond<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/shirley-verrett\/\" class=\"advgb-post-tax-term\">Charles Holland<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/shirley-verrett\/\" class=\"advgb-post-tax-term\">Cole Porter<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/shirley-verrett\/\" class=\"advgb-post-tax-term\">crossover<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/shirley-verrett\/\" class=\"advgb-post-tax-term\">David Shire<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/shirley-verrett\/\" class=\"advgb-post-tax-term\">Donald Grobe<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/shirley-verrett\/\" class=\"advgb-post-tax-term\">Duke Ellington<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/shirley-verrett\/\" class=\"advgb-post-tax-term\">Ennio Morricone<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/shirley-verrett\/\" class=\"advgb-post-tax-term\">Felicia Weathers<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/shirley-verrett\/\" class=\"advgb-post-tax-term\">Fletcher Henderson<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/shirley-verrett\/\" class=\"advgb-post-tax-term\">Franz Leh\u00e1r<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/shirley-verrett\/\" class=\"advgb-post-tax-term\">Fred Ebb<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/shirley-verrett\/\" class=\"advgb-post-tax-term\">George Gershwin<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/shirley-verrett\/\" class=\"advgb-post-tax-term\">Geraldine Farrar<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/shirley-verrett\/\" class=\"advgb-post-tax-term\">Gilbert B\u00e9caud<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/shirley-verrett\/\" class=\"advgb-post-tax-term\">Grace Bumbry<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/shirley-verrett\/\" class=\"advgb-post-tax-term\">Hans May<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/shirley-verrett\/\" class=\"advgb-post-tax-term\">Hans-Arno Simon<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/shirley-verrett\/\" class=\"advgb-post-tax-term\">Ira Gershwin<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/shirley-verrett\/\" class=\"advgb-post-tax-term\">J.B. Lenoir<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/shirley-verrett\/\" class=\"advgb-post-tax-term\">Jarmila Novotna<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/shirley-verrett\/\" class=\"advgb-post-tax-term\">Jerome Kern<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/shirley-verrett\/\" class=\"advgb-post-tax-term\">Jerry Bock<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/shirley-verrett\/\" class=\"advgb-post-tax-term\">Jimmy Webb<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/shirley-verrett\/\" class=\"advgb-post-tax-term\">Johann Strauss II<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/shirley-verrett\/\" class=\"advgb-post-tax-term\">John Kander<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/shirley-verrett\/\" class=\"advgb-post-tax-term\">Jr.<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/shirley-verrett\/\" class=\"advgb-post-tax-term\">Kenneth Spencer<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/shirley-verrett\/\" class=\"advgb-post-tax-term\">Lawrence Winters<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/shirley-verrett\/\" class=\"advgb-post-tax-term\">Leonard Bernstein<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/shirley-verrett\/\" class=\"advgb-post-tax-term\">Lotte Lehmann<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/shirley-verrett\/\" class=\"advgb-post-tax-term\">Margaret Tynes<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/shirley-verrett\/\" class=\"advgb-post-tax-term\">Maria Ewing<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/shirley-verrett\/\" class=\"advgb-post-tax-term\">Mary Lewis<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/shirley-verrett\/\" class=\"advgb-post-tax-term\">Muriel Smith<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/shirley-verrett\/\" class=\"advgb-post-tax-term\">musicals<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/shirley-verrett\/\" class=\"advgb-post-tax-term\">operetta<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/shirley-verrett\/\" class=\"advgb-post-tax-term\">Reri Grist<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/shirley-verrett\/\" class=\"advgb-post-tax-term\">Richard Maltby<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/shirley-verrett\/\" class=\"advgb-post-tax-term\">Robert Trehy<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/shirley-verrett\/\" class=\"advgb-post-tax-term\">Roberta Alexander<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/shirley-verrett\/\" class=\"advgb-post-tax-term\">Rodgers and Hammerstein<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/shirley-verrett\/\" class=\"advgb-post-tax-term\">schlager<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/shirley-verrett\/\" class=\"advgb-post-tax-term\">Sheldon Harnick<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/shirley-verrett\/\" class=\"advgb-post-tax-term\">Shirley Verrett<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/shirley-verrett\/\" class=\"advgb-post-tax-term\">South Pacific<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/shirley-verrett\/\" class=\"advgb-post-tax-term\">Stephen Sondheim<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/shirley-verrett\/\" class=\"advgb-post-tax-term\">Tatiana Troyanos<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/shirley-verrett\/\" class=\"advgb-post-tax-term\">West Side Story<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/shirley-verrett\/\" class=\"advgb-post-tax-term\">Wilbur Evans<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/shirley-verrett\/\" class=\"advgb-post-tax-term\">Willy Mattes<\/a>"],"unlinked":["<span class=\"advgb-post-tax-term\">ABBA<\/span>","<span class=\"advgb-post-tax-term\">Anna Moffo<\/span>","<span class=\"advgb-post-tax-term\">Arlene Saunders<\/span>","<span class=\"advgb-post-tax-term\">Barbara Hendricks<\/span>","<span class=\"advgb-post-tax-term\">Barry McDaniel<\/span>","<span class=\"advgb-post-tax-term\">Carl Mill\u00f6cker<\/span>","<span class=\"advgb-post-tax-term\">Carrie Jacobs-Bond<\/span>","<span class=\"advgb-post-tax-term\">Charles Holland<\/span>","<span class=\"advgb-post-tax-term\">Cole Porter<\/span>","<span class=\"advgb-post-tax-term\">crossover<\/span>","<span class=\"advgb-post-tax-term\">David Shire<\/span>","<span class=\"advgb-post-tax-term\">Donald Grobe<\/span>","<span class=\"advgb-post-tax-term\">Duke Ellington<\/span>","<span class=\"advgb-post-tax-term\">Ennio Morricone<\/span>","<span class=\"advgb-post-tax-term\">Felicia Weathers<\/span>","<span class=\"advgb-post-tax-term\">Fletcher Henderson<\/span>","<span class=\"advgb-post-tax-term\">Franz Leh\u00e1r<\/span>","<span class=\"advgb-post-tax-term\">Fred Ebb<\/span>","<span class=\"advgb-post-tax-term\">George Gershwin<\/span>","<span class=\"advgb-post-tax-term\">Geraldine Farrar<\/span>","<span class=\"advgb-post-tax-term\">Gilbert B\u00e9caud<\/span>","<span class=\"advgb-post-tax-term\">Grace Bumbry<\/span>","<span class=\"advgb-post-tax-term\">Hans May<\/span>","<span class=\"advgb-post-tax-term\">Hans-Arno Simon<\/span>","<span class=\"advgb-post-tax-term\">Ira Gershwin<\/span>","<span class=\"advgb-post-tax-term\">J.B. Lenoir<\/span>","<span class=\"advgb-post-tax-term\">Jarmila Novotna<\/span>","<span class=\"advgb-post-tax-term\">Jerome Kern<\/span>","<span class=\"advgb-post-tax-term\">Jerry Bock<\/span>","<span class=\"advgb-post-tax-term\">Jimmy Webb<\/span>","<span class=\"advgb-post-tax-term\">Johann Strauss II<\/span>","<span class=\"advgb-post-tax-term\">John Kander<\/span>","<span class=\"advgb-post-tax-term\">Jr.<\/span>","<span class=\"advgb-post-tax-term\">Kenneth Spencer<\/span>","<span class=\"advgb-post-tax-term\">Lawrence Winters<\/span>","<span class=\"advgb-post-tax-term\">Leonard Bernstein<\/span>","<span class=\"advgb-post-tax-term\">Lotte Lehmann<\/span>","<span class=\"advgb-post-tax-term\">Margaret Tynes<\/span>","<span class=\"advgb-post-tax-term\">Maria Ewing<\/span>","<span class=\"advgb-post-tax-term\">Mary Lewis<\/span>","<span class=\"advgb-post-tax-term\">Muriel Smith<\/span>","<span class=\"advgb-post-tax-term\">musicals<\/span>","<span class=\"advgb-post-tax-term\">operetta<\/span>","<span class=\"advgb-post-tax-term\">Reri Grist<\/span>","<span class=\"advgb-post-tax-term\">Richard Maltby<\/span>","<span class=\"advgb-post-tax-term\">Robert Trehy<\/span>","<span class=\"advgb-post-tax-term\">Roberta Alexander<\/span>","<span class=\"advgb-post-tax-term\">Rodgers and Hammerstein<\/span>","<span class=\"advgb-post-tax-term\">schlager<\/span>","<span class=\"advgb-post-tax-term\">Sheldon Harnick<\/span>","<span class=\"advgb-post-tax-term\">Shirley Verrett<\/span>","<span class=\"advgb-post-tax-term\">South Pacific<\/span>","<span class=\"advgb-post-tax-term\">Stephen Sondheim<\/span>","<span class=\"advgb-post-tax-term\">Tatiana Troyanos<\/span>","<span class=\"advgb-post-tax-term\">West Side Story<\/span>","<span class=\"advgb-post-tax-term\">Wilbur Evans<\/span>","<span class=\"advgb-post-tax-term\">Willy Mattes<\/span>"]}},"comment_count":"0","relative_dates":{"created":"Posted 6 years ago","modified":"Updated 2 years ago"},"absolute_dates":{"created":"Posted on 26\/09\/2020","modified":"Updated on 09\/11\/2023"},"absolute_dates_time":{"created":"Posted on 26\/09\/2020 00:19","modified":"Updated on 09\/11\/2023 17:53"},"featured_img_caption":"","series_order":"","_links":{"self":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/5589","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/comments?post=5589"}],"version-history":[{"count":8,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/5589\/revisions"}],"predecessor-version":[{"id":5733,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/5589\/revisions\/5733"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/media\/5674"}],"wp:attachment":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/media?parent=5589"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/categories?post=5589"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/tags?post=5589"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}