{"id":5190,"date":"2020-09-13T18:00:46","date_gmt":"2020-09-13T16:00:46","guid":{"rendered":"http:\/\/countermelodypodcast.com\/?p=5190"},"modified":"2024-02-16T10:53:18","modified_gmt":"2024-02-16T09:53:18","slug":"episode-52-operaish-broadway-crossover-classics-viii","status":"publish","type":"post","link":"https:\/\/countermelodypodcast.com\/index.php\/2020\/09\/13\/episode-52-operaish-broadway-crossover-classics-viii\/","title":{"rendered":"Episode 52. Operaish Broadway (Crossover Classics VIII)"},"content":{"rendered":"<div id=\"mega-menu-wrap-primary\" class=\"mega-menu-wrap\"><div class=\"mega-menu-toggle\"><div class=\"mega-toggle-blocks-left\"><\/div><div class=\"mega-toggle-blocks-center\"><\/div><div class=\"mega-toggle-blocks-right\"><div class='mega-toggle-block mega-menu-toggle-animated-block mega-toggle-block-1' id='mega-toggle-block-1'><button aria-label=\"Menu\" class=\"mega-toggle-animated mega-toggle-animated-slider\" type=\"button\" aria-haspopup=\"true\" aria-expanded=\"false\" aria-controls=\"mega-menu-primary\">\n                  <span class=\"mega-toggle-animated-box\">\n                    <span class=\"mega-toggle-animated-inner\"><\/span>\n                  <\/span>\n                <\/button><\/div><\/div><\/div><ul id=\"mega-menu-primary\" class=\"mega-menu max-mega-menu mega-menu-horizontal mega-no-js\" data-event=\"hover_intent\" data-effect=\"slide\" data-effect-speed=\"200\" data-effect-mobile=\"slide\" data-effect-speed-mobile=\"200\" data-mobile-force-width=\"body\" data-second-click=\"go\" data-document-click=\"collapse\" data-vertical-behaviour=\"standard\" data-breakpoint=\"600\" data-unbind=\"true\" data-mobile-state=\"collapse_all\" data-mobile-direction=\"vertical\" data-hover-intent-timeout=\"300\" data-hover-intent-interval=\"100\"><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-menu-item-home mega-align-bottom-left mega-menu-flyout mega-menu-item-19160\" id=\"mega-menu-item-19160\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/\">Home<\/a><\/li><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-align-bottom-left mega-menu-flyout mega-menu-item-19161\" id=\"mega-menu-item-19161\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/index.php\/about-daniel\/\">About Daniel<\/a><\/li><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-current_page_parent mega-align-bottom-left mega-menu-flyout mega-menu-item-19171\" id=\"mega-menu-item-19171\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/index.php\/all-episodes\/\">All Episodes<\/a><\/li><\/ul><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">Episode 52.  Operaish Broadway (Crossover Classics VIII)<\/h2>\n\n\n\n<iframe loading=\"lazy\" width=\"340\" height=\"50\" src=\"https:\/\/countermelody.blubrry.net\/?powerpress_embed=187-podcast&amp;powerpress_player=mediaelement-audio\" frameborder=\"0\" scrolling=\"no\"><\/iframe>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p><strong>SOCIAL SHARE<\/strong><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"has-text-align-right\"><strong>SUBSCRIPTION PLATFORM<\/strong><\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<div class=\"wp-block-buttons alignleft is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button alignright\"><a class=\"wp-block-button__link no-border-radius\" href=\"https:\/\/countermelody.blubrry.net\/\">SUBSCRIBE VIA YOUR FAVORITE PODCAST PLATFORM<\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"419\" height=\"543\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/John-Raitt.png\" alt=\"\" class=\"wp-image-5640\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/John-Raitt.png 419w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/John-Raitt-231x300.png 231w\" sizes=\"auto, (max-width: 419px) 100vw, 419px\" \/><figcaption>John Raitt<\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:72px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Today\u2019s episode (in celebration of <em>Countermelody<\/em>\u2019s first birthday!) picks up where the last one left off: more musicals, more opera (and operaish) singers! Excerpts from cast recordings, radio broadcasts, telecasts, and live performances highlight the work of singers who divided their time, to a greater or lesser extent, between the Broadway stage and the operatic stage. We begin with the great bass-baritones (Ezio Pinza, Cesare Siepi, Giorgio Tozzi, and Jos\u00e9 Van Dam) and move through the great Broadway (and sometime opera) baritones (Alfred Drake, John Raitt, Bruce Yarnell, Robert Trehy, Leslie Scott, Lawrence Winters, and John Reardon) with a nod to other opera singers who have also graced the Broadway stage (Helen Traubel, Shirley Verrett, Mona Paulee, Dorothy Sarnoff, Ris\u00eb Stevens, Lee Venora, Camilla Williams, and Carol Brice). We then consider singers whose vocal abilities could easily have put them on the opera stage, had they chosen to so devote themselves (Alice Ghostley, Madeline Kahn, Barbara Cook, Florence Henderson, Judy Kaye, Lisa Vroman, Audra McDonald, Victoria Clark, Rebecca Luker, and the late Marin Mazzie). The episode also features tributes to two recently deceased divas (Gabriella Tucci and Christiane Eda-Pierre) as well as a spotlight on the gorgeous soprano Margaret Tynes, who just celebrated her 101st birthday.<\/p>\n\n\n\n<div style=\"height:47px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-custom-size\" style=\"font-size:30px\"><strong> RECORDINGS HEARD IN THIS EPISODE<\/strong><\/p>\n\n\n\n<div style=\"height:55px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"784\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/La-Verrett-1-784x1024.jpg\" alt=\"\" class=\"wp-image-5593\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/La-Verrett-1-784x1024.jpg 784w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/La-Verrett-1-230x300.jpg 230w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/La-Verrett-1-768x1003.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/La-Verrett-1-1176x1536.jpg 1176w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/La-Verrett-1.jpg 1568w\" sizes=\"auto, (max-width: 784px) 100vw, 784px\" \/><\/figure>\n\n\n\n<p>Richard Rodgers, Oscar Hammerstein II: You\u2019ll Never Walk Alone (<em>Carousel<\/em>). Shirley Verrett. Farewell recital, Th\u00e9\u00e2tre du Ch\u00e2telet (1995)<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"337\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/CEP.jpg\" alt=\"\" class=\"wp-image-5642\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/CEP.jpg 600w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/CEP-300x169.jpg 300w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/figure><\/div>\n\n\n\n<p>George Bizet: \u00d4 Dieu Brahma (<em>Les P\u00eacheurs de perles<\/em>). Christiane Eda-Pierre, Nicolai Gedda, Eve Queler, Opera Orchestra of New York [Carnegie Hall 20 January 1974]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"987\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Tucci-in-Italia-1024x987.jpg\" alt=\"\" class=\"wp-image-5594\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Tucci-in-Italia-1024x987.jpg 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Tucci-in-Italia-300x289.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Tucci-in-Italia-768x740.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Tucci-in-Italia.jpg 1432w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure><\/div>\n\n\n\n<p>Giuseppe Verdi: O terra addio (<em>Aida<\/em>). Gabriella Tucci, Franco Corelli, Irene Dalis; Orchestra conducted by George Schick [live 03 March 1962]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"732\" height=\"550\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Pinza-at-Fanny-Recording-Session.jpg\" alt=\"\" class=\"wp-image-5595\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Pinza-at-Fanny-Recording-Session.jpg 732w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Pinza-at-Fanny-Recording-Session-300x225.jpg 300w\" sizes=\"auto, (max-width: 732px) 100vw, 732px\" \/><figcaption>Ezio Pinza at the recording session for <em>Fanny<\/em>.<\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Harold Rome: Welcome Home (<em>Fanny<\/em>). Ezio Pinza; Orchestra conducted by Lehman Engel<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"986\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Bravo-Giovanni-Program-1024x986.jpg\" alt=\"\" class=\"wp-image-5597\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Bravo-Giovanni-Program-1024x986.jpg 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Bravo-Giovanni-Program-300x289.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Bravo-Giovanni-Program-768x740.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Bravo-Giovanni-Program-1536x1479.jpg 1536w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Bravo-Giovanni-Program.jpg 1600w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Milton Schafer, Ronny Graham: Miranda (<em>Bravo Giovanni<\/em>). Cesare Siepi; Orchestra conducted by Anton Coppola<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"332\" height=\"499\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Van-Dam-as-Don-Quixote.jpg\" alt=\"\" class=\"wp-image-5596\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Van-Dam-as-Don-Quixote.jpg 332w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Van-Dam-as-Don-Quixote-200x300.jpg 200w\" sizes=\"auto, (max-width: 332px) 100vw, 332px\" \/><\/figure><\/div>\n\n\n\n<p>Mitch Leigh, Joe Darion, Jacques Brel (French lyrics): Dulcin\u00e9a (<em>L\u2019Homme<\/em> <em>de la Mancha<\/em>). Jos\u00e9 Van Dam, Patrick Baton, Orchestre de l\u2019Op\u00e9ra Royal de Wallonie [live 1988 recording]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"454\" height=\"578\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Tozzi-Henderson.jpg\" alt=\"\" class=\"wp-image-5599\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Tozzi-Henderson.jpg 454w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Tozzi-Henderson-236x300.jpg 236w\" sizes=\"auto, (max-width: 454px) 100vw, 454px\" \/><\/figure><\/div>\n\n\n\n<p>Richard Rodgers, Oscar Hammerstein II: Twin Soliloquies (South Pacific). Florence Henderson, Giorgio Tozzi; Orchestra conducted by Franz Allers<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"419\" height=\"594\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Traubel-Pipe-Dream.jpg\" alt=\"\" class=\"wp-image-5600\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Traubel-Pipe-Dream.jpg 419w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Traubel-Pipe-Dream-212x300.jpg 212w\" sizes=\"auto, (max-width: 419px) 100vw, 419px\" \/><\/figure><\/div>\n\n\n\n<p>Richard Rodgers, Oscar Hammerstein II: All at Once You Love Her (<em>Pipe<\/em> <em>Dream<\/em>). Helen Traubel; Orchestra conducted by Salvatore Dell\u2019Isola<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"650\" height=\"442\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Dorothy-Sarnoff-on-cam.jpg\" alt=\"\" class=\"wp-image-5601\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Dorothy-Sarnoff-on-cam.jpg 650w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Dorothy-Sarnoff-on-cam-300x204.jpg 300w\" sizes=\"auto, (max-width: 650px) 100vw, 650px\" \/><figcaption>Dorothy Sarnoff: Lifestyle consultant in the 1970s<\/figcaption><\/figure>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Richard Rodgers, Oscar Hammerstein II: Something Wonderful (<em>The King and<\/em> <em>I<\/em>). Dorothy Sarnoff; Orchestra conducted by Frederick Dvonch<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Rise-Stevens-and-Darren-McGavin.jpg\" alt=\"\" class=\"wp-image-5602\" width=\"512\" height=\"646\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Rise-Stevens-and-Darren-McGavin.jpg 422w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Rise-Stevens-and-Darren-McGavin-238x300.jpg 238w\" sizes=\"auto, (max-width: 512px) 100vw, 512px\" \/><figcaption>Ris\u00eb Stevens and Darren McGavin in the 1964 Lincoln Center production of <em>The King and I<\/em><\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Richard Rodgers, Oscar Hammerstein II: Shall I Tell You What I Think of You? (<em>The King and I<\/em>). Ris\u00eb Stevens; Orchestra conducted by Franz Allers<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Porretta-Venora.jpg\" alt=\"\" class=\"wp-image-5603\" width=\"491\" height=\"603\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Porretta-Venora.jpg 448w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Porretta-Venora-244x300.jpg 244w\" sizes=\"auto, (max-width: 491px) 100vw, 491px\" \/><figcaption>Lee Venora and Frank Porretta in the 1964 Lincoln Center production of <em>The King and I<\/em><\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Richard Rodgers, Oscar Hammerstein II: We Kiss in a Shadow (<em>The King and<\/em> <em>I<\/em>). Frank Porretta, Lee Venora; Orchestra conducted by Franz Allers<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"744\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Drake-Venora-744x1024.jpg\" alt=\"\" class=\"wp-image-5604\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Drake-Venora-744x1024.jpg 744w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Drake-Venora-218x300.jpg 218w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Drake-Venora-768x1057.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Drake-Venora.jpg 785w\" sizes=\"auto, (max-width: 744px) 100vw, 744px\" \/><figcaption>Alfred Drake and Lee Venora in the 1961 Broadway production of <em>Kean<\/em>.<\/figcaption><\/figure>\n\n\n\n<div style=\"height:21px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Robert Wright, George Forrest (after Camille Saint-Sa\u00ebns): Willow, Willow, Willow (<em>Kean<\/em>). Lee Venora; Orchestra conducted by Pembroke Davenport<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Heatherton-Green-Drake-Babes-1935.jpg\" alt=\"\" class=\"wp-image-5605\" width=\"571\" height=\"429\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Heatherton-Green-Drake-Babes-1935.jpg 504w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Heatherton-Green-Drake-Babes-1935-300x226.jpg 300w\" sizes=\"auto, (max-width: 571px) 100vw, 571px\" \/><figcaption>(L to R) Ray Heatherton (Joey&#8217;s dad!), Mitzi Green, and Alfred Drake<br>in the 1935 Broadway production of <em>Babes in Arms<\/em><\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Richard Rodgers, Lorenz Hart: Where or When (<em>Babes in Arms<\/em>). Alfred Drake; Orchestra conducted by Mitchell Ayres [<em>Guest Star <\/em>radio program, broadcast 02 June 1957]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"564\" height=\"693\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/John-Raitt-and-Rosie-Clooney.jpg\" alt=\"\" class=\"wp-image-5606\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/John-Raitt-and-Rosie-Clooney.jpg 564w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/John-Raitt-and-Rosie-Clooney-244x300.jpg 244w\" sizes=\"auto, (max-width: 564px) 100vw, 564px\" \/><figcaption>Hey, There!<\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Richard Adler, Jerry Ross: Hey There (<em>The Pajama Game<\/em>). Rosemary Clooney, John Raitt; Orchestra conducted by Frank De Vol [<em>The Lux Hour<\/em>, telecast 5 June 1958]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"576\" height=\"469\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/John-Reardon.png\" alt=\"\" class=\"wp-image-5609\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/John-Reardon.png 576w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/John-Reardon-300x244.png 300w\" sizes=\"auto, (max-width: 576px) 100vw, 576px\" \/><\/figure><\/div>\n\n\n\n<p>Jule Styne, Betty Comden, Adolph Green: Make Someone Happy (<em>Do Re Mi<\/em>). John Reardon; Orchestra conducted by Lehman Engel<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"397\" height=\"536\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Robert-Trehy-autograph.jpg\" alt=\"\" class=\"wp-image-5614\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Robert-Trehy-autograph.jpg 397w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Robert-Trehy-autograph-222x300.jpg 222w\" sizes=\"auto, (max-width: 397px) 100vw, 397px\" \/><\/figure><\/div>\n\n\n\n<p>Irving Berlin, Robert Gilbert (German lyrics): Ich bin wehrlos vor ihr [My Defenses Are Down] (<em>Annie schiess los!<\/em> [<em>Annie Get Your Gun<\/em>]). Robert Trehy, Franz Allers, Orchester des Theater des Westens<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"811\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Yarnell-Merman-1024x811.jpg\" alt=\"\" class=\"wp-image-5615\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Yarnell-Merman-1024x811.jpg 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Yarnell-Merman-300x238.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Yarnell-Merman-768x608.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Yarnell-Merman.jpg 1500w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure><\/div>\n\n\n\n<p>Irving Berlin: An Old Fashioned Wedding (<em>Annie Get Your Gun<\/em>). Bruce Yarnell, Ethel Merman; Orchestra conducted by Franz Allers<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"768\" height=\"907\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Mona-Paulee.jpg\" alt=\"\" class=\"wp-image-5616\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Mona-Paulee.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Mona-Paulee-254x300.jpg 254w\" sizes=\"auto, (max-width: 768px) 100vw, 768px\" \/><\/figure>\n\n\n\n<p>Harold Arlen, Yip Harburg: Right as the Rain (<em>Bloomer Girl<\/em>). Mona Paulee; Andr\u00e9 Kostelanetz and His Orchestra [<em>Music by Kostelanetz<\/em> radio program, ca. 1944]<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"336\" height=\"456\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Leslie-Scott.png\" alt=\"\" class=\"wp-image-5617\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Leslie-Scott.png 336w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Leslie-Scott-221x300.png 221w\" sizes=\"auto, (max-width: 336px) 100vw, 336px\" \/><\/figure><\/div>\n\n\n\n<p>George Gershwin, Ira Gershwin, DuBose Heyward: I Got Plenty o\u2019 Nuttin\u2019 (<em>Porgy and Bess<\/em>). Leslie Scott; Orchestra conducted by Jay Blackton<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Williams-and-Winters.jpg\" alt=\"\" class=\"wp-image-5618\" width=\"443\" height=\"574\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Williams-and-Winters.jpg 341w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Williams-and-Winters-231x300.jpg 231w\" sizes=\"auto, (max-width: 443px) 100vw, 443px\" \/><\/figure><\/div>\n\n\n\n<p>George Gershwin, Ira Gershwin, DuBose Heyward: Bess, You Is My Woman Now (<em>Porgy and Bess<\/em>). Lawrence Winters, Camilla Williams; Charles Sanford\u2019s Orchestra [<em>Max Liebman Spectaculars<\/em>, \u201cThe Music of Gershwin\u201d episode, aired 12 May 1956]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"633\" height=\"915\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/La-Tynes.jpg\" alt=\"\" class=\"wp-image-5619\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/La-Tynes.jpg 633w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/La-Tynes-208x300.jpg 208w\" sizes=\"auto, (max-width: 633px) 100vw, 633px\" \/><figcaption>Happy 101st Birthday, Ms. Tynes!<\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>George Gershwin, Ira Gershwin, Du Bose Heyward: What You Want Wid Bess (<em>Porgy and<\/em> <em>Bess<\/em>). Margaret Tynes, William Dillard; Paul Belanger, The Opera Society Orchestra<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"369\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Carol-Brice-1.jpg\" alt=\"\" class=\"wp-image-5620\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Carol-Brice-1.jpg 600w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Carol-Brice-1-300x185.jpg 300w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/figure><\/div>\n\n\n\n<p>Claibe Richardson, Kenward Elmslie: Marry with Me (<em>The Grass Harp<\/em>). Carol Brice; Orchestra conducted by Theodore Seidenberg<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"402\" height=\"512\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Alice-Ghostley.jpg\" alt=\"\" class=\"wp-image-5621\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Alice-Ghostley.jpg 402w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Alice-Ghostley-236x300.jpg 236w\" sizes=\"auto, (max-width: 402px) 100vw, 402px\" \/><\/figure><\/div>\n\n\n\n<p>Sheldon Harnick: Boston Beguine (<em>New Faces of 1952<\/em>). Alice Ghostley; Orchestra conducted by Anton Coppola<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"422\" height=\"488\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Routledge.jpg\" alt=\"\" class=\"wp-image-5623\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Routledge.jpg 422w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Routledge-259x300.jpg 259w\" sizes=\"auto, (max-width: 422px) 100vw, 422px\" \/><figcaption>Patricia Routledge, Ken Howard and an unidentified child actor in <em>1600 Pennsylvania Avenue<\/em><\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Leonard Bernstein, Alan Jay Lerner: Duet for One (<em>1600 Pennsylvania<\/em> <em>Avenue<\/em>). Patricia Routledge; Orchestra conducted by Roland Gagnon [live performance May 1976]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"361\" height=\"484\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Kahn2.jpg\" alt=\"\" class=\"wp-image-5625\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Kahn2.jpg 361w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Kahn2-224x300.jpg 224w\" sizes=\"auto, (max-width: 361px) 100vw, 361px\" \/><\/figure><\/div>\n\n\n\n<p>Leonard Bernstein, Richard Wilbur: Glitter and Be Gay (<em>Candide<\/em>). Madeline Kahn; Orchestra conducted by Maurice Peress [live performance 10 November 1968]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"743\" height=\"580\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Madeline-Kahn.jpg\" alt=\"\" class=\"wp-image-5624\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Madeline-Kahn.jpg 743w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Madeline-Kahn-300x234.jpg 300w\" sizes=\"auto, (max-width: 743px) 100vw, 743px\" \/><\/figure><\/div>\n\n\n\n<p>Irving Berlin: You\u2019d Be Surprised (<em>Ziegfeld Follies of 1919<\/em>). Madeline Kahn; Orchestra conducted by Elliot Lawrence [<em>Irving Berlin\u2019s 100th Birthday Celebration<\/em>, aired 27 May 1988]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"573\" height=\"392\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Judy-Kaye.jpg\" alt=\"\" class=\"wp-image-5626\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Judy-Kaye.jpg 573w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Judy-Kaye-300x205.jpg 300w\" sizes=\"auto, (max-width: 573px) 100vw, 573px\" \/><\/figure><\/div>\n\n\n\n<p>Cy Coleman, Betty Comden, Adolph Green: Never (<em>On the Twentieth Century<\/em>). Judy Kaye; Orchestra conducted by Paul Gemignani [live 1978 performance]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"900\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Lisa-Vroman.jpg\" alt=\"\" class=\"wp-image-5627\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Lisa-Vroman.jpg 600w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Lisa-Vroman-200x300.jpg 200w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/figure><\/div>\n\n\n\n<p>Andrew Lloyd Webber, Richard Stilgoe, Charles Hart: Wishing You Were Somehow Here Again (<em>The Phantom of the Opera<\/em>). Lisa Vroman; Gualtiero Negrini; San Francisco Radio Orchestra<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"791\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Audra-791x1024.jpg\" alt=\"\" class=\"wp-image-5628\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Audra-791x1024.jpg 791w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Audra-232x300.jpg 232w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Audra-768x994.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Audra.jpg 800w\" sizes=\"auto, (max-width: 791px) 100vw, 791px\" \/><\/figure><\/div>\n\n\n\n<p>Adam Guettel: Dividing Day (<em>The Light in the Piazza<\/em>). Audra McDonald; Fred Hersch<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-gallery columns-1 is-cropped wp-block-gallery-1\"><ul class=\"blocks-gallery-grid\"><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"640\" height=\"360\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Adam-Guettel.jpeg\" alt=\"\" data-id=\"5629\" class=\"wp-image-5629\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Adam-Guettel.jpeg 640w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Adam-Guettel-300x169.jpeg 300w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><figcaption class=\"blocks-gallery-item__caption is-layout-flex wp-block-gallery-is-layout-flex\">Adam Guettel<\/figcaption><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"640\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Vicki-1024x640.jpg\" alt=\"\" data-id=\"5630\" data-full-url=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Vicki.jpg\" data-link=\"https:\/\/countermelodypodcast.com\/?attachment_id=5630\" class=\"wp-image-5630\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Vicki-1024x640.jpg 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Vicki-300x188.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Vicki-768x480.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Vicki.jpg 1500w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"blocks-gallery-item__caption\">Victoria Clark<\/figcaption><\/figure><\/li><\/ul><\/figure>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Adam Guettel: Fable (<em>The Light in the Piazza<\/em>). Victoria Clark; Ensemble conducted by Ted Sperling<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-gallery aligncenter columns-2 is-cropped wp-block-gallery-2\"><ul class=\"blocks-gallery-grid\"><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"487\" height=\"512\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Carolyn-Leigh.jpg\" alt=\"\" data-id=\"5634\" data-link=\"https:\/\/countermelodypodcast.com\/?attachment_id=5634\" class=\"wp-image-5634\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Carolyn-Leigh.jpg 487w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Carolyn-Leigh-285x300.jpg 285w\" sizes=\"auto, (max-width: 487px) 100vw, 487px\" \/><figcaption class=\"blocks-gallery-item__caption is-layout-flex wp-block-gallery-is-layout-flex\">Carolyn Leigh<\/figcaption><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"564\" height=\"760\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Styne.jpg\" alt=\"\" data-id=\"5635\" data-full-url=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Styne.jpg\" data-link=\"https:\/\/countermelodypodcast.com\/?attachment_id=5635\" class=\"wp-image-5635\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Styne.jpg 564w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Styne-223x300.jpg 223w\" sizes=\"auto, (max-width: 564px) 100vw, 564px\" \/><figcaption class=\"blocks-gallery-item__caption\">Jule Styne<\/figcaption><\/figure><\/li><\/ul><\/figure>\n\n\n\n<p>Jule Styne, Carolyn Leigh: Killing Time. Rebecca Luker<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"576\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Luker-Mirror-1024x576.jpg\" alt=\"\" class=\"wp-image-5644\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Luker-Mirror-1024x576.jpg 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Luker-Mirror-300x169.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Luker-Mirror-768x432.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Luker-Mirror.jpg 1400w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption>Rebecca Luker<\/figcaption><\/figure>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"850\" height=\"485\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Marin-Mazzie.png\" alt=\"\" class=\"wp-image-5632\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Marin-Mazzie.png 850w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Marin-Mazzie-300x171.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Marin-Mazzie-768x438.png 768w\" sizes=\"auto, (max-width: 850px) 100vw, 850px\" \/><\/figure><\/div>\n\n\n\n<p>Stephen Sondheim: Losing My Mind (<em>Follies<\/em>). Marin Mazzie; Paul Gemignani, New York Philharmonic [Sondheim 80th Birthday Celebration Concert, 15 March 2010]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"883\" height=\"585\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Barbara-Cook.jpg\" alt=\"\" class=\"wp-image-5631\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Barbara-Cook.jpg 883w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Barbara-Cook-300x199.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Barbara-Cook-768x509.jpg 768w\" sizes=\"auto, (max-width: 883px) 100vw, 883px\" \/><figcaption>Barbara Cook<\/figcaption><\/figure>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Jerome Kern, Oscar Hammerstein II: You Are Love (<em>Show Boat<\/em>). John Raitt, Barbara Cook; Orchestra conducted by Franz Allers<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Episode 52. Operaish Broadway (Crossover Classics VIII) SOCIAL SHARE SUBSCRIPTION PLATFORM Today\u2019s episode (in celebration of Countermelody\u2019s first birthday!) picks&hellip;<\/p>\n","protected":false},"author":1,"featured_media":5639,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"advgb_blocks_editor_width":"","advgb_blocks_columns_visual_guide":"","footnotes":""},"categories":[420,1626,2109,1076,5823,808,1470,5691],"tags":[2129,2133,1958,1473,2069,200,2114,1370,1957,2115,395,2041,1124,2136,321,2130,2135,2124,2128,343,1376,2123,142,2071,2072,1396,350,1016,207,1531,1043,1513,1397,608,2122,1389,2127,2120,2118,2084,2112,2111,1872,2132,1038,2068,1050,972,2117,2113,1524,2110,1580,2121,2119,1015,927,2137,414,2062,2126,928,2125,1522,2116,2074,1590,1899,337,2138,1710,2131,2134,761,1463],"class_list":["post-5190","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-african-american-opera-singers","category-african-american-singers","category-broadway-and-musicals","category-crossover","category-forgotten-divas","category-needle-drop","category-operetta","category-shirley-verrett","tag-1600-pennsylvania-avenue","tag-adam-guettel","tag-adolph-green","tag-alan-jay-lerner","tag-alfred-drake","tag-anton-coppola","tag-audra-mcdonald","tag-barbara-cook","tag-betty-comden","tag-bruce-yarnell","tag-camilla-williams","tag-candide","tag-carol-brice","tag-carolyn-leigh","tag-cesare-siepi","tag-claibe-richardson","tag-cy-coleman","tag-dorothy-sarnoff","tag-du-bose-heyward","tag-eve-queler","tag-ezio-pinza","tag-florence-henderson","tag-franco-corelli","tag-franz-allers","tag-george-forrest","tag-george-gershwin","tag-georges-bizet","tag-giorgio-tozzi","tag-giuseppe-verdi","tag-harold-arlen","tag-harold-rome","tag-helen-traubel","tag-ira-gershwin","tag-irving-berlin","tag-jacques-brel","tag-jerome-kern","tag-jerry-ross","tag-joe-darion","tag-john-raitt","tag-john-reardon","tag-jose-van-dam","tag-judy-kaye","tag-jule-styne","tag-kenward-elmslie","tag-lawrence-winters","tag-lee-venora","tag-lehman-engel","tag-leonard-bernstein","tag-leslie-scott","tag-lisa-vroman","tag-lorenz-hart","tag-madeline-kahn","tag-marin-mazzie","tag-mitch-leigh","tag-mona-paulee","tag-nicolai-gedda","tag-oscar-hammerstein-ii","tag-paul-gemignani","tag-porgy-and-bess","tag-rebecca-luker","tag-richard-adler","tag-richard-rodgers","tag-rise-stevens","tag-robert-gilbert","tag-robert-trehy","tag-robert-wright","tag-rosemary-clooney","tag-sheldon-harnick","tag-shirley-verrett","tag-show-boat","tag-stephen-sondheim","tag-the-grass-harp","tag-the-light-in-the-piazza","tag-victoria-clark","tag-yip-harburg"],"author_meta":{"display_name":"admin","author_link":"https:\/\/countermelodypodcast.com\/index.php\/author\/admin\/"},"featured_img":"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/07\/Stevens-Porretta-Venora-King-TRIMMED-300x165.jpg","coauthors":[],"tax_additional":{"categories":{"linked":["<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/african-american-opera-singers\/\" class=\"advgb-post-tax-term\">African American Opera Singers<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/african-american-singers\/\" class=\"advgb-post-tax-term\">African American Singers<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/broadway-and-musicals\/\" class=\"advgb-post-tax-term\">Broadway and Musicals<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/crossover\/\" class=\"advgb-post-tax-term\">Crossover<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/forgotten-divas\/\" class=\"advgb-post-tax-term\">Forgotten Divas<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Needle Drop<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Operetta<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/shirley-verrett\/\" class=\"advgb-post-tax-term\">Shirley Verrett<\/a>"],"unlinked":["<span class=\"advgb-post-tax-term\">African American Opera Singers<\/span>","<span class=\"advgb-post-tax-term\">African American Singers<\/span>","<span class=\"advgb-post-tax-term\">Broadway and Musicals<\/span>","<span class=\"advgb-post-tax-term\">Crossover<\/span>","<span class=\"advgb-post-tax-term\">Forgotten Divas<\/span>","<span class=\"advgb-post-tax-term\">Needle Drop<\/span>","<span class=\"advgb-post-tax-term\">Operetta<\/span>","<span class=\"advgb-post-tax-term\">Shirley Verrett<\/span>"]},"tags":{"linked":["<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/shirley-verrett\/\" class=\"advgb-post-tax-term\">1600 Pennsylvania Avenue<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/shirley-verrett\/\" class=\"advgb-post-tax-term\">Adam Guettel<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/shirley-verrett\/\" class=\"advgb-post-tax-term\">Adolph Green<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/shirley-verrett\/\" class=\"advgb-post-tax-term\">Alan Jay Lerner<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/shirley-verrett\/\" class=\"advgb-post-tax-term\">Alfred Drake<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/shirley-verrett\/\" class=\"advgb-post-tax-term\">Anton Coppola<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/shirley-verrett\/\" class=\"advgb-post-tax-term\">Audra McDonald<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/shirley-verrett\/\" class=\"advgb-post-tax-term\">Barbara Cook<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/shirley-verrett\/\" class=\"advgb-post-tax-term\">Betty Comden<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/shirley-verrett\/\" class=\"advgb-post-tax-term\">Bruce Yarnell<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/shirley-verrett\/\" class=\"advgb-post-tax-term\">Camilla Williams<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/shirley-verrett\/\" class=\"advgb-post-tax-term\">Candide<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/shirley-verrett\/\" class=\"advgb-post-tax-term\">Carol Brice<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/shirley-verrett\/\" class=\"advgb-post-tax-term\">Carolyn Leigh<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/shirley-verrett\/\" class=\"advgb-post-tax-term\">Cesare Siepi<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/shirley-verrett\/\" class=\"advgb-post-tax-term\">Claibe Richardson<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/shirley-verrett\/\" class=\"advgb-post-tax-term\">Cy Coleman<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/shirley-verrett\/\" class=\"advgb-post-tax-term\">Dorothy Sarnoff<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/shirley-verrett\/\" class=\"advgb-post-tax-term\">Du Bose Heyward<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/shirley-verrett\/\" class=\"advgb-post-tax-term\">Eve Queler<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/shirley-verrett\/\" class=\"advgb-post-tax-term\">Ezio Pinza<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/shirley-verrett\/\" class=\"advgb-post-tax-term\">Florence Henderson<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/shirley-verrett\/\" class=\"advgb-post-tax-term\">Franco Corelli<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/shirley-verrett\/\" class=\"advgb-post-tax-term\">Franz Allers<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/shirley-verrett\/\" class=\"advgb-post-tax-term\">George Forrest<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/shirley-verrett\/\" class=\"advgb-post-tax-term\">George Gershwin<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/shirley-verrett\/\" class=\"advgb-post-tax-term\">Georges Bizet<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/shirley-verrett\/\" class=\"advgb-post-tax-term\">Giorgio Tozzi<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/shirley-verrett\/\" class=\"advgb-post-tax-term\">Giuseppe Verdi<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/shirley-verrett\/\" class=\"advgb-post-tax-term\">Harold Arlen<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/shirley-verrett\/\" class=\"advgb-post-tax-term\">Harold Rome<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/shirley-verrett\/\" class=\"advgb-post-tax-term\">Helen Traubel<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/shirley-verrett\/\" class=\"advgb-post-tax-term\">Ira Gershwin<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/shirley-verrett\/\" class=\"advgb-post-tax-term\">Irving Berlin<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/shirley-verrett\/\" class=\"advgb-post-tax-term\">Jacques Brel<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/shirley-verrett\/\" class=\"advgb-post-tax-term\">Jerome Kern<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/shirley-verrett\/\" class=\"advgb-post-tax-term\">Jerry Ross<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/shirley-verrett\/\" class=\"advgb-post-tax-term\">Joe Darion<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/shirley-verrett\/\" class=\"advgb-post-tax-term\">John Raitt<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/shirley-verrett\/\" class=\"advgb-post-tax-term\">John Reardon<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/shirley-verrett\/\" class=\"advgb-post-tax-term\">Jos\u00e9 Van Dam<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/shirley-verrett\/\" class=\"advgb-post-tax-term\">Judy Kaye<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/shirley-verrett\/\" class=\"advgb-post-tax-term\">Jule Styne<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/shirley-verrett\/\" class=\"advgb-post-tax-term\">Kenward Elmslie<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/shirley-verrett\/\" class=\"advgb-post-tax-term\">Lawrence Winters<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/shirley-verrett\/\" class=\"advgb-post-tax-term\">Lee Venora<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/shirley-verrett\/\" class=\"advgb-post-tax-term\">Lehman Engel<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/shirley-verrett\/\" class=\"advgb-post-tax-term\">Leonard Bernstein<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/shirley-verrett\/\" class=\"advgb-post-tax-term\">Leslie Scott<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/shirley-verrett\/\" class=\"advgb-post-tax-term\">Lisa Vroman<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/shirley-verrett\/\" class=\"advgb-post-tax-term\">Lorenz Hart<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/shirley-verrett\/\" class=\"advgb-post-tax-term\">Madeline Kahn<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/shirley-verrett\/\" class=\"advgb-post-tax-term\">Marin Mazzie<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/shirley-verrett\/\" class=\"advgb-post-tax-term\">Mitch Leigh<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/shirley-verrett\/\" class=\"advgb-post-tax-term\">Mona Paulee<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/shirley-verrett\/\" class=\"advgb-post-tax-term\">Nicolai Gedda<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/shirley-verrett\/\" class=\"advgb-post-tax-term\">Oscar Hammerstein II<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/shirley-verrett\/\" class=\"advgb-post-tax-term\">Paul Gemignani<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/shirley-verrett\/\" class=\"advgb-post-tax-term\">Porgy and Bess<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/shirley-verrett\/\" class=\"advgb-post-tax-term\">Rebecca Luker<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/shirley-verrett\/\" class=\"advgb-post-tax-term\">Richard Adler<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/shirley-verrett\/\" class=\"advgb-post-tax-term\">Richard Rodgers<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/shirley-verrett\/\" class=\"advgb-post-tax-term\">Ris\u00eb Stevens<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/shirley-verrett\/\" class=\"advgb-post-tax-term\">Robert Gilbert<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/shirley-verrett\/\" class=\"advgb-post-tax-term\">Robert Trehy<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/shirley-verrett\/\" class=\"advgb-post-tax-term\">Robert Wright<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/shirley-verrett\/\" class=\"advgb-post-tax-term\">Rosemary Clooney<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/shirley-verrett\/\" class=\"advgb-post-tax-term\">Sheldon Harnick<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/shirley-verrett\/\" class=\"advgb-post-tax-term\">Shirley Verrett<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/shirley-verrett\/\" class=\"advgb-post-tax-term\">Show Boat<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/shirley-verrett\/\" class=\"advgb-post-tax-term\">Stephen Sondheim<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/shirley-verrett\/\" class=\"advgb-post-tax-term\">The Grass Harp<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/shirley-verrett\/\" class=\"advgb-post-tax-term\">The Light in the Piazza<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/shirley-verrett\/\" class=\"advgb-post-tax-term\">Victoria Clark<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/shirley-verrett\/\" class=\"advgb-post-tax-term\">Yip Harburg<\/a>"],"unlinked":["<span class=\"advgb-post-tax-term\">1600 Pennsylvania Avenue<\/span>","<span class=\"advgb-post-tax-term\">Adam Guettel<\/span>","<span class=\"advgb-post-tax-term\">Adolph Green<\/span>","<span class=\"advgb-post-tax-term\">Alan Jay Lerner<\/span>","<span class=\"advgb-post-tax-term\">Alfred Drake<\/span>","<span class=\"advgb-post-tax-term\">Anton Coppola<\/span>","<span class=\"advgb-post-tax-term\">Audra McDonald<\/span>","<span class=\"advgb-post-tax-term\">Barbara Cook<\/span>","<span class=\"advgb-post-tax-term\">Betty Comden<\/span>","<span class=\"advgb-post-tax-term\">Bruce Yarnell<\/span>","<span class=\"advgb-post-tax-term\">Camilla Williams<\/span>","<span class=\"advgb-post-tax-term\">Candide<\/span>","<span class=\"advgb-post-tax-term\">Carol Brice<\/span>","<span class=\"advgb-post-tax-term\">Carolyn Leigh<\/span>","<span class=\"advgb-post-tax-term\">Cesare Siepi<\/span>","<span class=\"advgb-post-tax-term\">Claibe Richardson<\/span>","<span class=\"advgb-post-tax-term\">Cy Coleman<\/span>","<span class=\"advgb-post-tax-term\">Dorothy Sarnoff<\/span>","<span class=\"advgb-post-tax-term\">Du Bose Heyward<\/span>","<span class=\"advgb-post-tax-term\">Eve Queler<\/span>","<span class=\"advgb-post-tax-term\">Ezio Pinza<\/span>","<span class=\"advgb-post-tax-term\">Florence Henderson<\/span>","<span class=\"advgb-post-tax-term\">Franco Corelli<\/span>","<span class=\"advgb-post-tax-term\">Franz Allers<\/span>","<span class=\"advgb-post-tax-term\">George Forrest<\/span>","<span class=\"advgb-post-tax-term\">George Gershwin<\/span>","<span class=\"advgb-post-tax-term\">Georges Bizet<\/span>","<span class=\"advgb-post-tax-term\">Giorgio Tozzi<\/span>","<span class=\"advgb-post-tax-term\">Giuseppe Verdi<\/span>","<span class=\"advgb-post-tax-term\">Harold Arlen<\/span>","<span class=\"advgb-post-tax-term\">Harold Rome<\/span>","<span class=\"advgb-post-tax-term\">Helen Traubel<\/span>","<span class=\"advgb-post-tax-term\">Ira Gershwin<\/span>","<span class=\"advgb-post-tax-term\">Irving Berlin<\/span>","<span class=\"advgb-post-tax-term\">Jacques Brel<\/span>","<span class=\"advgb-post-tax-term\">Jerome Kern<\/span>","<span class=\"advgb-post-tax-term\">Jerry Ross<\/span>","<span class=\"advgb-post-tax-term\">Joe Darion<\/span>","<span class=\"advgb-post-tax-term\">John Raitt<\/span>","<span class=\"advgb-post-tax-term\">John Reardon<\/span>","<span class=\"advgb-post-tax-term\">Jos\u00e9 Van Dam<\/span>","<span class=\"advgb-post-tax-term\">Judy Kaye<\/span>","<span class=\"advgb-post-tax-term\">Jule Styne<\/span>","<span class=\"advgb-post-tax-term\">Kenward Elmslie<\/span>","<span class=\"advgb-post-tax-term\">Lawrence Winters<\/span>","<span class=\"advgb-post-tax-term\">Lee Venora<\/span>","<span class=\"advgb-post-tax-term\">Lehman Engel<\/span>","<span class=\"advgb-post-tax-term\">Leonard Bernstein<\/span>","<span class=\"advgb-post-tax-term\">Leslie Scott<\/span>","<span class=\"advgb-post-tax-term\">Lisa Vroman<\/span>","<span class=\"advgb-post-tax-term\">Lorenz Hart<\/span>","<span class=\"advgb-post-tax-term\">Madeline Kahn<\/span>","<span class=\"advgb-post-tax-term\">Marin Mazzie<\/span>","<span class=\"advgb-post-tax-term\">Mitch Leigh<\/span>","<span class=\"advgb-post-tax-term\">Mona Paulee<\/span>","<span class=\"advgb-post-tax-term\">Nicolai Gedda<\/span>","<span class=\"advgb-post-tax-term\">Oscar Hammerstein II<\/span>","<span class=\"advgb-post-tax-term\">Paul Gemignani<\/span>","<span class=\"advgb-post-tax-term\">Porgy and Bess<\/span>","<span class=\"advgb-post-tax-term\">Rebecca Luker<\/span>","<span class=\"advgb-post-tax-term\">Richard Adler<\/span>","<span class=\"advgb-post-tax-term\">Richard Rodgers<\/span>","<span class=\"advgb-post-tax-term\">Ris\u00eb Stevens<\/span>","<span class=\"advgb-post-tax-term\">Robert Gilbert<\/span>","<span class=\"advgb-post-tax-term\">Robert Trehy<\/span>","<span class=\"advgb-post-tax-term\">Robert Wright<\/span>","<span class=\"advgb-post-tax-term\">Rosemary Clooney<\/span>","<span class=\"advgb-post-tax-term\">Sheldon Harnick<\/span>","<span class=\"advgb-post-tax-term\">Shirley Verrett<\/span>","<span class=\"advgb-post-tax-term\">Show Boat<\/span>","<span class=\"advgb-post-tax-term\">Stephen Sondheim<\/span>","<span class=\"advgb-post-tax-term\">The Grass Harp<\/span>","<span class=\"advgb-post-tax-term\">The Light in the Piazza<\/span>","<span class=\"advgb-post-tax-term\">Victoria Clark<\/span>","<span class=\"advgb-post-tax-term\">Yip Harburg<\/span>"]}},"comment_count":"0","relative_dates":{"created":"Posted 6 years ago","modified":"Updated 2 years ago"},"absolute_dates":{"created":"Posted on 13\/09\/2020","modified":"Updated on 16\/02\/2024"},"absolute_dates_time":{"created":"Posted on 13\/09\/2020 18:00","modified":"Updated on 16\/02\/2024 10:53"},"featured_img_caption":"","series_order":"","_links":{"self":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/5190","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/comments?post=5190"}],"version-history":[{"count":9,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/5190\/revisions"}],"predecessor-version":[{"id":5645,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/5190\/revisions\/5645"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/media\/5639"}],"wp:attachment":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/media?parent=5190"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/categories?post=5190"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/tags?post=5190"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}