{"id":5189,"date":"2020-08-23T18:21:37","date_gmt":"2020-08-23T16:21:37","guid":{"rendered":"http:\/\/countermelodypodcast.com\/?p=5189"},"modified":"2020-08-23T21:18:39","modified_gmt":"2020-08-23T19:18:39","slug":"episode-49-eileen-farrell-crossover-classics-v","status":"publish","type":"post","link":"https:\/\/countermelodypodcast.com\/index.php\/2020\/08\/23\/episode-49-eileen-farrell-crossover-classics-v\/","title":{"rendered":"Episode 49. Eileen Farrell (Crossover Classics V)"},"content":{"rendered":"<div id=\"mega-menu-wrap-primary\" class=\"mega-menu-wrap\"><div class=\"mega-menu-toggle\"><div class=\"mega-toggle-blocks-left\"><\/div><div class=\"mega-toggle-blocks-center\"><\/div><div class=\"mega-toggle-blocks-right\"><div class='mega-toggle-block mega-menu-toggle-animated-block mega-toggle-block-1' id='mega-toggle-block-1'><button aria-label=\"Menu\" class=\"mega-toggle-animated mega-toggle-animated-slider\" type=\"button\" aria-haspopup=\"true\" aria-expanded=\"false\" aria-controls=\"mega-menu-primary\">\n                  <span class=\"mega-toggle-animated-box\">\n                    <span class=\"mega-toggle-animated-inner\"><\/span>\n                  <\/span>\n                <\/button><\/div><\/div><\/div><ul id=\"mega-menu-primary\" class=\"mega-menu max-mega-menu mega-menu-horizontal mega-no-js\" data-event=\"hover_intent\" data-effect=\"slide\" data-effect-speed=\"200\" data-effect-mobile=\"slide\" data-effect-speed-mobile=\"200\" data-mobile-force-width=\"body\" data-second-click=\"go\" data-document-click=\"collapse\" data-vertical-behaviour=\"standard\" data-breakpoint=\"600\" data-unbind=\"true\" data-mobile-state=\"collapse_all\" data-mobile-direction=\"vertical\" data-hover-intent-timeout=\"300\" data-hover-intent-interval=\"100\"><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-menu-item-home mega-align-bottom-left mega-menu-flyout mega-menu-item-19160\" id=\"mega-menu-item-19160\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/\">Home<\/a><\/li><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-align-bottom-left mega-menu-flyout mega-menu-item-19161\" id=\"mega-menu-item-19161\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/index.php\/about-daniel\/\">About Daniel<\/a><\/li><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-current_page_parent mega-align-bottom-left mega-menu-flyout mega-menu-item-19171\" id=\"mega-menu-item-19171\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/index.php\/all-episodes\/\">All Episodes<\/a><\/li><\/ul><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">Episode 49.  Eileen Farrell: Queen of Crossover (Crossover Classics V)<\/h2>\n\n\n\n<iframe loading=\"lazy\" width=\"340\" height=\"50\" src=\"https:\/\/countermelody.blubrry.net\/?powerpress_embed=179-podcast&amp;powerpress_player=mediaelement-audio\" frameborder=\"0\" scrolling=\"no\"><\/iframe>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p><strong>SOCIAL SHARE<\/strong><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"has-text-align-right\"><strong>SUBSCRIPTION PLATFORM<\/strong><\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<div class=\"wp-block-buttons alignleft is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button alignright\"><a class=\"wp-block-button__link no-border-radius\" href=\"https:\/\/countermelody.blubrry.net\/\">SUBSCRIBE VIA YOUR FAVORITE PODCAST PLATFORM<\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1007\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Standard-Photo-1007x1024.jpg\" alt=\"\" class=\"wp-image-5436\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Standard-Photo-1007x1024.jpg 1007w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Standard-Photo-295x300.jpg 295w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Standard-Photo-768x781.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Standard-Photo.jpg 1259w\" sizes=\"auto, (max-width: 1007px) 100vw, 1007px\" \/><\/figure><\/div>\n\n\n\n<div style=\"height:38px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>The American dramatic soprano Eileen Farrell (1920\u20132002) was one of the finest and most versatile singers the United States has ever produced. Her singing career lasted more than fifty years, and this episode covers the entire chronological range of that career, from her early work as a radio singer in the 1940s to her final pop albums in the 1990s. While the episode focuses on her crossover work (and includes work by, among others, Harold Arlen, Jule Styne, Alec Wilder, George Gershwin, Rodgers and Hart, as heard on two of her lesser-known pop albums with Percy Faith and the late Andr\u00e9 Previn), we also sample her opera and concert work, with examples from Verdi and Wagner, to Debussy and Charpentier, to Barber and Menotti. A late reunion with her frequent collaborator Leonard Bernstein caps the episode. In all her singing Farrell combines ease of delivery and a relaxed, insouciant response to the words and music with a vocal and interpretive precision that inevitably strikes a bullseye. Bow down to the Queen of Crossover, nay, the Queen of Song!<\/p>\n\n\n\n<div style=\"height:60px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-gallery columns-3 is-cropped wp-block-gallery-1\"><ul class=\"blocks-gallery-grid\"><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"480\" height=\"276\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Alceste.jpg\" alt=\"\" data-id=\"5477\" data-full-url=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Alceste.jpg\" data-link=\"https:\/\/countermelodypodcast.com\/?attachment_id=5477\" class=\"wp-image-5477\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Alceste.jpg 480w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Alceste-300x173.jpg 300w\" sizes=\"auto, (max-width: 480px) 100vw, 480px\" \/><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"630\" height=\"785\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/EF-Melancon-Alceste.jpeg\" alt=\"\" data-id=\"5479\" data-full-url=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/EF-Melancon-Alceste.jpeg\" data-link=\"https:\/\/countermelodypodcast.com\/?attachment_id=5479\" class=\"wp-image-5479\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/EF-Melancon-Alceste.jpeg 630w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/EF-Melancon-Alceste-241x300.jpeg 241w\" sizes=\"auto, (max-width: 630px) 100vw, 630px\" \/><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"311\" height=\"369\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Dark-Headshot.png\" alt=\"\" data-id=\"5478\" data-full-url=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Dark-Headshot.png\" data-link=\"https:\/\/countermelodypodcast.com\/?attachment_id=5478\" class=\"wp-image-5478\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Dark-Headshot.png 311w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Dark-Headshot-253x300.png 253w\" sizes=\"auto, (max-width: 311px) 100vw, 311px\" \/><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"253\" height=\"293\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Farrell-Young.jpg\" alt=\"\" data-id=\"5482\" data-full-url=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Farrell-Young.jpg\" data-link=\"https:\/\/countermelodypodcast.com\/?attachment_id=5482\" class=\"wp-image-5482\"\/><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"729\" height=\"942\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Farrell-full-length.jpg\" alt=\"\" data-id=\"5481\" data-full-url=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Farrell-full-length.jpg\" data-link=\"https:\/\/countermelodypodcast.com\/?attachment_id=5481\" class=\"wp-image-5481\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Farrell-full-length.jpg 729w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Farrell-full-length-232x300.jpg 232w\" sizes=\"auto, (max-width: 729px) 100vw, 729px\" \/><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"572\" height=\"705\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Farrell-again.jpg\" alt=\"\" data-id=\"5480\" data-full-url=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Farrell-again.jpg\" data-link=\"https:\/\/countermelodypodcast.com\/?attachment_id=5480\" class=\"wp-image-5480\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Farrell-again.jpg 572w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Farrell-again-243x300.jpg 243w\" sizes=\"auto, (max-width: 572px) 100vw, 572px\" \/><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"406\" height=\"432\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Young-Eileen.png\" alt=\"\" data-id=\"5486\" data-full-url=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Young-Eileen.png\" data-link=\"https:\/\/countermelodypodcast.com\/?attachment_id=5486\" class=\"wp-image-5486\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Young-Eileen.png 406w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Young-Eileen-282x300.png 282w\" sizes=\"auto, (max-width: 406px) 100vw, 406px\" \/><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"250\" height=\"313\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Farrell.jpg\" alt=\"\" data-id=\"5483\" data-full-url=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Farrell.jpg\" data-link=\"https:\/\/countermelodypodcast.com\/?attachment_id=5483\" class=\"wp-image-5483\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Farrell.jpg 250w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Farrell-240x300.jpg 240w\" sizes=\"auto, (max-width: 250px) 100vw, 250px\" \/><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"517\" height=\"717\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Radio-Singer.jpg\" alt=\"\" data-id=\"5485\" data-full-url=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Radio-Singer.jpg\" data-link=\"https:\/\/countermelodypodcast.com\/?attachment_id=5485\" class=\"wp-image-5485\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Radio-Singer.jpg 517w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Radio-Singer-216x300.jpg 216w\" sizes=\"auto, (max-width: 517px) 100vw, 517px\" \/><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"681\" height=\"642\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Needlepoint.png\" alt=\"\" data-id=\"5484\" data-full-url=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Needlepoint.png\" data-link=\"https:\/\/countermelodypodcast.com\/?attachment_id=5484\" class=\"wp-image-5484 is-layout-flex wp-block-gallery-is-layout-flex\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Needlepoint.png 681w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Needlepoint-300x283.png 300w\" sizes=\"auto, (max-width: 681px) 100vw, 681px\" \/><\/figure><\/li><\/ul><\/figure>\n\n\n\n<div style=\"height:47px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-custom-size\" style=\"font-size:30px\"><strong> RECORDINGS HEARD IN THIS EPISODE<\/strong><\/p>\n\n\n\n<figure class=\"wp-block-gallery columns-2 is-cropped wp-block-gallery-2\"><ul class=\"blocks-gallery-grid\"><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Folder-2-1024x1024.jpg\" alt=\"\" data-id=\"5434\" data-link=\"https:\/\/countermelodypodcast.com\/?attachment_id=5434\" class=\"wp-image-5434\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Folder-2-1024x1024.jpg 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Folder-2-300x300.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Folder-2-150x150.jpg 150w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Folder-2-768x768.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Folder-2.jpg 1080w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Folder-3-1024x1024.jpg\" alt=\"\" data-id=\"5435\" data-full-url=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Folder-3.jpg\" data-link=\"https:\/\/countermelodypodcast.com\/?attachment_id=5435\" class=\"wp-image-5435 is-layout-flex wp-block-gallery-is-layout-flex\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Folder-3-1024x1024.jpg 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Folder-3-300x300.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Folder-3-150x150.jpg 150w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Folder-3-768x768.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Folder-3.jpg 1080w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure><\/li><\/ul><\/figure>\n\n\n\n<div style=\"height:55px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"878\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Farrell-Henderson-1024x878.jpg\" alt=\"\" class=\"wp-image-5433\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Farrell-Henderson-1024x878.jpg 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Farrell-Henderson-300x257.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Farrell-Henderson-768x659.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Farrell-Henderson.jpg 1280w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption>Eileen Farrell and Luther Henderson<\/figcaption><\/figure>\n\n\n\n<p><\/p>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Richard Rodgers, Lorenz Hart: My Funny Valentine (<em>Babes in Arms<\/em>). Luther Henderson and His Orchestra [1961 studio recording]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"852\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/LBEF-1024x852.jpg\" alt=\"\" class=\"wp-image-5437\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/LBEF-1024x852.jpg 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/LBEF-300x250.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/LBEF-768x639.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/LBEF.jpg 1280w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption>Leonard Bernstein and Eileen Farrell<\/figcaption><\/figure><\/div>\n\n\n\n<p><\/p>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Richard Wagner: Du bist der Lenz (<em>Die Walk\u00fcre<\/em>). Leonard Bernstein, New York Philharmonic. [live performance 23 May 1968]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"794\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Helen-Traubel-794x1024.jpg\" alt=\"\" class=\"wp-image-5438\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Helen-Traubel-794x1024.jpg 794w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Helen-Traubel-233x300.jpg 233w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Helen-Traubel-768x990.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Helen-Traubel.jpg 993w\" sizes=\"auto, (max-width: 794px) 100vw, 794px\" \/><figcaption>Helen Traubel<\/figcaption><\/figure>\n\n\n\n<p><\/p>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Robert Katscher, Buddy DeSylva: When Day Is Done. Helen Traubel; Orchestra and Chorus conducted by Milton Rogers [1957 studio recording]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"475\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Farrell-Faith.jpg\" alt=\"\" class=\"wp-image-5439\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Farrell-Faith.jpg 1000w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Farrell-Faith-300x143.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Farrell-Faith-768x365.jpg 768w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><figcaption>Eileen Farrell and Percy Faith<\/figcaption><\/figure>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Richard Rodgers, Oscar Hammerstein II: Hello, Young Lovers (<em>The King and I<\/em>). Percy Faith and His Orchestra [1961 studio recording]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"678\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Kostelanetz-Pons.jpg\" alt=\"\" class=\"wp-image-5440\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Kostelanetz-Pons.jpg 900w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Kostelanetz-Pons-300x226.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Kostelanetz-Pons-768x579.jpg 768w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><figcaption>Andr\u00e9 Kostelanetz and his wife Lily Pons<\/figcaption><\/figure><\/div>\n\n\n\n<p><\/p>\n\n\n\n<p>Victor Herbert, Henry Blossom: Kiss Me Again (<em>Mlle. Modiste<\/em>). Andr\u00e9 Kostelanetz and His Orchestra [radio broadcast ca. 1943]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"320\" height=\"503\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Farnon.png\" alt=\"\" class=\"wp-image-5441\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Farnon.png 320w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Farnon-191x300.png 191w\" sizes=\"auto, (max-width: 320px) 100vw, 320px\" \/><figcaption>Robert Farnon (1917-2005)<\/figcaption><\/figure><\/div>\n\n\n\n<p><\/p>\n\n\n\n<p>Peter DeRose (after Maurice Ravel); Mitchell Parish: The Lamp Is Low. Arranged and conducted by Robert Farnon [1993 studio recording]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Folder-4-1024x1024.jpg\" alt=\"\" class=\"wp-image-5442\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Folder-4-1024x1024.jpg 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Folder-4-300x300.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Folder-4-150x150.jpg 150w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Folder-4-768x768.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Folder-4.jpg 1080w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure><\/div>\n\n\n\n<p>Claude Debussy: Beau soir. George Trovillo, piano [1960 studio recording]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"512\" height=\"449\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Arlen-Mercer-1.jpg\" alt=\"\" class=\"wp-image-5444\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Arlen-Mercer-1.jpg 512w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Arlen-Mercer-1-300x263.jpg 300w\" sizes=\"auto, (max-width: 512px) 100vw, 512px\" \/><figcaption>Harold Arlen (L) and Johnny Mercer<\/figcaption><\/figure><\/div>\n\n\n\n<p>Harold Arlen, Johnny Mercer: Out of this World. Percy Faith and His Orchestra [1961 studio recording]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Carroll-Van-vechten.jpg\" alt=\"\" class=\"wp-image-5445\" width=\"544\" height=\"798\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Carroll-Van-vechten.jpg 500w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Carroll-Van-vechten-204x300.jpg 204w\" sizes=\"auto, (max-width: 544px) 100vw, 544px\" \/><figcaption>Diahann Carroll, who starred in the original production of <em>House of Flowers<\/em>,<br>photographed by Carl Van Vechten, New York, 1954<\/figcaption><\/figure><\/div>\n\n\n\n<p><\/p>\n\n\n\n<p>Harold Arlen, Truman Capote: A Sleepin\u2019 Bee (<em>House of Flowers<\/em>). Arranged, conducted, and played by Andr\u00e9 Previn [1962 studio recording]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"826\" height=\"800\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Young-Capote.jpeg\" alt=\"\" class=\"wp-image-5446\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Young-Capote.jpeg 826w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Young-Capote-300x291.jpeg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Young-Capote-768x744.jpeg 768w\" sizes=\"auto, (max-width: 826px) 100vw, 826px\" \/><figcaption>Truman Capote and his dog, 1950<br> <\/figcaption><\/figure><\/div>\n\n\n\n<p>Harold Arlen, Truman Capote: I Never Has Seen Snow (<em>House of Flowers<\/em>). Percy Faith and His Orchestra [1961 studio recording]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"753\" height=\"1000\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Farrell-Fiedler.jpeg\" alt=\"\" class=\"wp-image-5447\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Farrell-Fiedler.jpeg 753w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Farrell-Fiedler-226x300.jpeg 226w\" sizes=\"auto, (max-width: 753px) 100vw, 753px\" \/><figcaption>Eileen Farrell and Arthur Fiedler<\/figcaption><\/figure><\/div>\n\n\n\n<p>Edvard Grieg: Solveig\u2019s Song (<em>Peer Gynt<\/em>). Arthur Fiedler, Boston Pops Orchestra [1957 studio recording]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"778\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/DV19031989-778x1024.jpg\" alt=\"\" class=\"wp-image-5448\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/DV19031989-778x1024.jpg 778w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/DV19031989-228x300.jpg 228w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/DV19031989-768x1011.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/DV19031989.jpg 1112w\" sizes=\"auto, (max-width: 778px) 100vw, 778px\" \/><figcaption>Donald Voorhees (1903-1989)<\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Gustave Charpentier: Depuis le jour (<em>Louise<\/em>). Donald Voorhees, Bell Telephone Hour Orchestra [radio broadcast 28 June 1953]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-gallery columns-2 is-cropped wp-block-gallery-3\"><ul class=\"blocks-gallery-grid\"><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"250\" height=\"281\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Barber-Menotti.jpg\" alt=\"\" data-id=\"5452\" data-full-url=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Barber-Menotti.jpg\" data-link=\"https:\/\/countermelodypodcast.com\/?attachment_id=5452\" class=\"wp-image-5452\"\/><figcaption class=\"blocks-gallery-item__caption is-layout-flex wp-block-gallery-is-layout-flex\">Samuel Barber and Gian Carlo Menotti<\/figcaption><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"810\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Herrmann-810x1024.jpg\" alt=\"\" data-id=\"5453\" data-full-url=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Herrmann.jpg\" data-link=\"https:\/\/countermelodypodcast.com\/?attachment_id=5453\" class=\"wp-image-5453\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Herrmann-810x1024.jpg 810w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Herrmann-237x300.jpg 237w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Herrmann-768x971.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Herrmann.jpg 1024w\" sizes=\"auto, (max-width: 810px) 100vw, 810px\" \/><figcaption class=\"blocks-gallery-item__caption\">Bernard Herrmann<\/figcaption><\/figure><\/li><\/ul><\/figure>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Samuel Barber, James Agee: Knoxville: Summer of 1915 [original version for full orchestra]. Bernard Herrmann, CBS Symphony Orchestra [radio broadcast 19 June 1949]<\/p>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-gallery columns-3 is-cropped wp-block-gallery-4\"><ul class=\"blocks-gallery-grid\"><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"437\" height=\"628\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Young-Agee.png\" alt=\"\" data-id=\"5456\" data-full-url=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Young-Agee.png\" data-link=\"https:\/\/countermelodypodcast.com\/?attachment_id=5456\" class=\"wp-image-5456\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Young-Agee.png 437w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Young-Agee-209x300.png 209w\" sizes=\"auto, (max-width: 437px) 100vw, 437px\" \/><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"592\" height=\"740\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Agee.jpg\" alt=\"\" data-id=\"5455\" data-full-url=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Agee.jpg\" data-link=\"https:\/\/countermelodypodcast.com\/?attachment_id=5455\" class=\"wp-image-5455\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Agee.jpg 592w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Agee-240x300.jpg 240w\" sizes=\"auto, (max-width: 592px) 100vw, 592px\" \/><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"551\" height=\"555\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Agee-Tendencies.png\" alt=\"\" data-id=\"5454\" data-full-url=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Agee-Tendencies.png\" data-link=\"https:\/\/countermelodypodcast.com\/?attachment_id=5454\" class=\"wp-image-5454\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Agee-Tendencies.png 551w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Agee-Tendencies-298x300.png 298w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Agee-Tendencies-150x150.png 150w\" sizes=\"auto, (max-width: 551px) 100vw, 551px\" \/><\/figure><\/li><\/ul><figcaption class=\"blocks-gallery-caption is-layout-flex wp-block-gallery-is-layout-flex\">James Agee (1909-1955). Apparently a man of certain proclivities&#8230;<\/figcaption><\/figure>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-gallery aligncenter columns-2 is-cropped wp-block-gallery-5\"><ul class=\"blocks-gallery-grid\"><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"320\" height=\"399\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Menotti-Barber.jpg\" alt=\"\" data-id=\"5449\" class=\"wp-image-5449\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Menotti-Barber.jpg 320w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Menotti-Barber-241x300.jpg 241w\" sizes=\"auto, (max-width: 320px) 100vw, 320px\" \/><figcaption class=\"blocks-gallery-item__caption\">Gian Carlo Menotti and Samuel Barber<\/figcaption><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"518\" height=\"350\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Thomas-Schippers.jpg\" alt=\"\" data-id=\"5450\" data-full-url=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Thomas-Schippers.jpg\" data-link=\"https:\/\/countermelodypodcast.com\/?attachment_id=5450\" class=\"wp-image-5450\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Thomas-Schippers.jpg 518w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Thomas-Schippers-300x203.jpg 300w\" sizes=\"auto, (max-width: 518px) 100vw, 518px\" \/><figcaption class=\"blocks-gallery-item__caption\">Thomas Schippers<\/figcaption><\/figure><\/li><\/ul><figcaption class=\"blocks-gallery-caption is-layout-flex wp-block-gallery-is-layout-flex\">So many homos; so little time!<\/figcaption><\/figure>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Gian Carlo Menotti: To this we\u2019ve come (<em>The Consul<\/em>). Thomas Schippers, The Philharmonia Orchestra [1958 studio recording]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"561\" height=\"712\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Cellini.jpg\" alt=\"\" class=\"wp-image-5457\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Cellini.jpg 561w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Cellini-236x300.jpg 236w\" sizes=\"auto, (max-width: 561px) 100vw, 561px\" \/><figcaption>Renato Cellini (1912-1967)<\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Giuseppe Verdi: La vergine degli angeli (<em>La forza del destino<\/em>). Renato Cellini, Orchestra and Chorus of the New Orleans Opera [live performance 16 November 1963]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"599\" height=\"447\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Farrell-Irish.jpg\" alt=\"\" class=\"wp-image-5458\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Farrell-Irish.jpg 599w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Farrell-Irish-300x224.jpg 300w\" sizes=\"auto, (max-width: 599px) 100vw, 599px\" \/><\/figure><\/div>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Traditional Irish, arr. Frederick B. Weatherly: Danny Boy. Charles Lichter, Columbia Concert Orchestra [1946 studio recording]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"536\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Judy-Bells-1024x536.jpg\" alt=\"\" class=\"wp-image-5459\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Judy-Bells-1024x536.jpg 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Judy-Bells-300x157.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Judy-Bells-768x402.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Judy-Bells-1536x803.jpg 1536w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Judy-Bells-2048x1071.jpg 2048w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Judy-Bells-1600x837.jpg 1600w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption>Judy Holliday (1921-1965), for whom <em>Bells Are Ringing<\/em> was written,<br>in a still from the 1960 film version of the musical<\/figcaption><\/figure>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Jule Styne, Betty Comden, Adolph Green: The Party\u2019s Over (<em>Bells Are Ringing<\/em>). Percy Faith and His Orchestra [1961 studio recording]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/GI.jpg\" alt=\"\" class=\"wp-image-5460\" width=\"550\" height=\"399\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/GI.jpg 512w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/GI-300x217.jpg 300w\" sizes=\"auto, (max-width: 550px) 100vw, 550px\" \/><figcaption>The Gershwin Brothers, George (1898-1937) and Ira (1896-1983)<\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>George Gershwin, Ira Gershwin: But Not for Me (<em>Girl Crazy<\/em>). Arranged, conducted, and played by Andr\u00e9 Previn [1962 studio recording]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"475\" height=\"604\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Rodgers-and-Hart.jpg\" alt=\"\" class=\"wp-image-5461\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Rodgers-and-Hart.jpg 475w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Rodgers-and-Hart-236x300.jpg 236w\" sizes=\"auto, (max-width: 475px) 100vw, 475px\" \/><figcaption>Richard Rodgers (1902-1979) and Lorenz Hart (1895-1943)<\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Richard Rodgers, Lorenz Hart: Where or When (<em>Babes in Arms<\/em>). Percy Faith and His Orchestra [1961 studio recording]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-gallery columns-2 is-cropped wp-block-gallery-6\"><ul class=\"blocks-gallery-grid\"><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"500\" height=\"332\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/ADP.jpg\" alt=\"\" data-id=\"5462\" data-full-url=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/ADP.jpg\" data-link=\"https:\/\/countermelodypodcast.com\/?attachment_id=5462\" class=\"wp-image-5462\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/ADP.jpg 500w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/ADP-300x199.jpg 300w\" sizes=\"auto, (max-width: 500px) 100vw, 500px\" \/><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"620\" height=\"413\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Previn-Previn.jpg\" alt=\"\" data-id=\"5463\" data-full-url=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Previn-Previn.jpg\" data-link=\"https:\/\/countermelodypodcast.com\/?attachment_id=5463\" class=\"wp-image-5463\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Previn-Previn.jpg 620w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Previn-Previn-300x200.jpg 300w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/><\/figure><\/li><\/ul><figcaption class=\"blocks-gallery-caption is-layout-flex wp-block-gallery-is-layout-flex\">Andr\u00e9 (1929-2019) and Dory Langdon Previn (1925-2012)<\/figcaption><\/figure>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Andr\u00e9 Previn, Dory Langdon Previn: Where, I Wonder. Arranged, conducted, and played by Andr\u00e9 Previn [1962 studio recording]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"441\" height=\"500\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Dory-Previn.jpg\" alt=\"\" class=\"wp-image-5464\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Dory-Previn.jpg 441w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Dory-Previn-265x300.jpg 265w\" sizes=\"auto, (max-width: 441px) 100vw, 441px\" \/><figcaption>Dory Langdon Previn<\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Andr\u00e9 Previn, Dory Langdon Previn: The Faraway Part of Town (<em>Pepe<\/em>). Percy Faith and His Orchestra [1961 studio recording]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"460\" height=\"371\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Engvick-Wilder.jpg\" alt=\"\" class=\"wp-image-5466\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Engvick-Wilder.jpg 460w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Engvick-Wilder-300x242.jpg 300w\" sizes=\"auto, (max-width: 460px) 100vw, 460px\" \/><figcaption>William Engvick (1914-2012) and Alec Wilder (1907-1980)<\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Alec Wilder, William Engvick: Everywhere I Look. Arranged, conducted, and played by Andr\u00e9 Previn [1962 studio recording]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-gallery aligncenter columns-2 is-cropped wp-block-gallery-7\"><ul class=\"blocks-gallery-grid\"><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"811\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/AWilder-811x1024.jpg\" alt=\"\" data-id=\"5465\" class=\"wp-image-5465\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/AWilder-811x1024.jpg 811w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/AWilder-238x300.jpg 238w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/AWilder-768x970.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/AWilder-1217x1536.jpg 1217w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/AWilder.jpg 1440w\" sizes=\"auto, (max-width: 811px) 100vw, 811px\" \/><figcaption class=\"blocks-gallery-item__caption is-layout-flex wp-block-gallery-is-layout-flex\">Alec Wilder (1907-1980)<\/figcaption><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"713\" height=\"1023\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Loonis.jpg\" alt=\"\" data-id=\"5467\" data-full-url=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Loonis.jpg\" data-link=\"https:\/\/countermelodypodcast.com\/?attachment_id=5467\" class=\"wp-image-5467\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Loonis.jpg 713w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Loonis-209x300.jpg 209w\" sizes=\"auto, (max-width: 713px) 100vw, 713px\" \/><figcaption class=\"blocks-gallery-item__caption\">Loonis McGlohon (1921-2002)<\/figcaption><\/figure><\/li><\/ul><\/figure>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Alec Wilder, Loonis McGlohon: \u2019s Gonna Be a Cold, Cold Day. Loonis McGlohan, piano; Joe Wilder, trumpet; Terry Peoples, bass; Greg Hyslop, guitar; Bill Stowe, drums [1989 studio recording]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-gallery columns-2 is-cropped wp-block-gallery-8\"><ul class=\"blocks-gallery-grid\"><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"625\" height=\"760\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Hart-and-Rodgers.jpeg\" alt=\"\" data-id=\"5468\" class=\"wp-image-5468\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Hart-and-Rodgers.jpeg 625w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Hart-and-Rodgers-247x300.jpeg 247w\" sizes=\"auto, (max-width: 625px) 100vw, 625px\" \/><figcaption class=\"blocks-gallery-item__caption is-layout-flex wp-block-gallery-is-layout-flex\">Lorenz Hart (L) and Richard Rodgers<\/figcaption><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"346\" height=\"434\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Hart.jpg\" alt=\"\" data-id=\"5469\" data-full-url=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Hart.jpg\" data-link=\"https:\/\/countermelodypodcast.com\/?attachment_id=5469\" class=\"wp-image-5469\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Hart.jpg 346w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Hart-239x300.jpg 239w\" sizes=\"auto, (max-width: 346px) 100vw, 346px\" \/><figcaption class=\"blocks-gallery-item__caption\">Larry Hart<\/figcaption><\/figure><\/li><\/ul><\/figure>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Richard Rodgers, Lorenz Hart: Spring Is Here (<em>I Married an Angel<\/em>). Arranged, conducted, and played by Andr\u00e9 Previn [1962 studio recording]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"489\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/EFLB.jpg\" alt=\"\" class=\"wp-image-5471\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/EFLB.jpg 600w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/EFLB-300x245.jpg 300w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/figure><\/div>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Leonard Bernstein, Betty Comden, Adolph Green: Some Other Time (<em>On the Town<\/em>). Leonard Bernstein, piano [live performance, AMFAR Benefit, Public Theater (New York) 7 December 1986]<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"420\" height=\"431\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Farrell-Bernstein.jpg\" alt=\"\" class=\"wp-image-5473\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Farrell-Bernstein.jpg 420w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Farrell-Bernstein-292x300.jpg 292w\" sizes=\"auto, (max-width: 420px) 100vw, 420px\" \/><\/figure><\/div>\n\n\n\n<div style=\"height:38px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-gallery columns-2 is-cropped wp-block-gallery-9\"><ul class=\"blocks-gallery-grid\"><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"631\" height=\"800\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/AMFAR-Cover.jpg\" alt=\"\" data-id=\"5492\" data-full-url=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/AMFAR-Cover.jpg\" data-link=\"https:\/\/countermelodypodcast.com\/?attachment_id=5492\" class=\"wp-image-5492\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/AMFAR-Cover.jpg 631w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/AMFAR-Cover-237x300.jpg 237w\" sizes=\"auto, (max-width: 631px) 100vw, 631px\" \/><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"624\" height=\"800\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/AMFAR-Program.jpg\" alt=\"\" data-id=\"5490\" class=\"wp-image-5490 is-layout-flex wp-block-gallery-is-layout-flex\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/AMFAR-Program.jpg 624w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/AMFAR-Program-234x300.jpg 234w\" sizes=\"auto, (max-width: 624px) 100vw, 624px\" \/><\/figure><\/li><\/ul><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>Episode 49. Eileen Farrell: Queen of Crossover (Crossover Classics V) SOCIAL SHARE SUBSCRIPTION PLATFORM The American dramatic soprano Eileen Farrell&hellip;<\/p>\n","protected":false},"author":1,"featured_media":5472,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"advgb_blocks_editor_width":"","advgb_blocks_columns_visual_guide":"","footnotes":""},"categories":[1075,1076,1955,808,1470],"tags":[1958,1961,1976,709,1957,501,1729,1977,1964,1965,1963,330,663,1396,1968,207,1728,1531,1513,1533,1397,1971,1872,1128,1110,972,1966,1960,1524,1978,545,1973,1525,1959,927,1970,1956,1972,1967,928,486,1975,745,1969,1974,1532,1417,1962],"class_list":["post-5189","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-art-song","category-crossover","category-eileen-farrell","category-needle-drop","category-operetta","tag-adolph-green","tag-alec-wilder","tag-andre-kostelanetz","tag-andre-previn","tag-betty-comden","tag-claude-debussy","tag-depuis-le-jour","tag-die-walkure","tag-dory-langdon","tag-dory-langdon-previn","tag-dory-previn","tag-edvard-grieg","tag-eileen-farrell","tag-george-gershwin","tag-gian-carlo-menotti","tag-giuseppe-verdi","tag-gustave-charpentier","tag-harold-arlen","tag-helen-traubel","tag-house-of-flowers","tag-ira-gershwin","tag-johnny-mercer","tag-jule-styne","tag-knoxville-summer-of-1915","tag-la-forza-del-destino","tag-leonard-bernstein","tag-londonderry-air-danny-boy","tag-loonis-mcglohon","tag-lorenz-hart","tag-luther-henderson","tag-maurice-ravel","tag-mitchell-parish","tag-my-funny-valentine","tag-on-the-town","tag-oscar-hammerstein-ii","tag-peer-gynt","tag-percy-faith","tag-peter-derose","tag-renato-cellini","tag-richard-rodgers","tag-richard-wagner","tag-robert-farnon","tag-samuel-barber","tag-the-consul","tag-the-lamp-is-low","tag-truman-capote","tag-victor-herbert","tag-william-engvick"],"author_meta":{"display_name":"admin","author_link":"https:\/\/countermelodypodcast.com\/index.php\/author\/admin\/"},"featured_img":"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/07\/Song-Recital-TRIMMED-300x161.jpg","coauthors":[],"tax_additional":{"categories":{"linked":["<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/art-song\/\" class=\"advgb-post-tax-term\">Art Song<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/crossover\/\" class=\"advgb-post-tax-term\">Crossover<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/eileen-farrell\/\" class=\"advgb-post-tax-term\">Eileen Farrell<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Needle Drop<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Operetta<\/a>"],"unlinked":["<span class=\"advgb-post-tax-term\">Art Song<\/span>","<span class=\"advgb-post-tax-term\">Crossover<\/span>","<span class=\"advgb-post-tax-term\">Eileen Farrell<\/span>","<span class=\"advgb-post-tax-term\">Needle Drop<\/span>","<span class=\"advgb-post-tax-term\">Operetta<\/span>"]},"tags":{"linked":["<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Adolph Green<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Alec Wilder<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Andr\u00e9 Kostelanetz<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Andre Previn<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Betty Comden<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Claude Debussy<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Depuis le jour<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Die Walk\u00fcre<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Dory Langdon<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Dory Langdon Previn<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Dory Previn<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Edvard Grieg<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Eileen Farrell<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">George Gershwin<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Gian Carlo Menotti<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Giuseppe Verdi<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Gustave Charpentier<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Harold Arlen<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Helen Traubel<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">House of Flowers<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Ira Gershwin<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Johnny Mercer<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Jule Styne<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Knoxville Summer of 1915<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">La forza del destino<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Leonard Bernstein<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Londonderry Air (Danny Boy)<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Loonis McGlohon<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Lorenz Hart<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Luther Henderson<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Maurice Ravel<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Mitchell Parish<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">My Funny Valentine<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">On the Town<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Oscar Hammerstein II<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Peer Gynt<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Percy Faith<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Peter DeRose<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Renato Cellini<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Richard Rodgers<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Richard Wagner<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Robert Farnon<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Samuel Barber<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">The Consul<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">The Lamp Is Low<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Truman Capote<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Victor Herbert<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">William Engvick<\/a>"],"unlinked":["<span class=\"advgb-post-tax-term\">Adolph Green<\/span>","<span class=\"advgb-post-tax-term\">Alec Wilder<\/span>","<span class=\"advgb-post-tax-term\">Andr\u00e9 Kostelanetz<\/span>","<span class=\"advgb-post-tax-term\">Andre Previn<\/span>","<span class=\"advgb-post-tax-term\">Betty Comden<\/span>","<span class=\"advgb-post-tax-term\">Claude Debussy<\/span>","<span class=\"advgb-post-tax-term\">Depuis le jour<\/span>","<span class=\"advgb-post-tax-term\">Die Walk\u00fcre<\/span>","<span class=\"advgb-post-tax-term\">Dory Langdon<\/span>","<span class=\"advgb-post-tax-term\">Dory Langdon Previn<\/span>","<span class=\"advgb-post-tax-term\">Dory Previn<\/span>","<span class=\"advgb-post-tax-term\">Edvard Grieg<\/span>","<span class=\"advgb-post-tax-term\">Eileen Farrell<\/span>","<span class=\"advgb-post-tax-term\">George Gershwin<\/span>","<span class=\"advgb-post-tax-term\">Gian Carlo Menotti<\/span>","<span class=\"advgb-post-tax-term\">Giuseppe Verdi<\/span>","<span class=\"advgb-post-tax-term\">Gustave Charpentier<\/span>","<span class=\"advgb-post-tax-term\">Harold Arlen<\/span>","<span class=\"advgb-post-tax-term\">Helen Traubel<\/span>","<span class=\"advgb-post-tax-term\">House of Flowers<\/span>","<span class=\"advgb-post-tax-term\">Ira Gershwin<\/span>","<span class=\"advgb-post-tax-term\">Johnny Mercer<\/span>","<span class=\"advgb-post-tax-term\">Jule Styne<\/span>","<span class=\"advgb-post-tax-term\">Knoxville Summer of 1915<\/span>","<span class=\"advgb-post-tax-term\">La forza del destino<\/span>","<span class=\"advgb-post-tax-term\">Leonard Bernstein<\/span>","<span class=\"advgb-post-tax-term\">Londonderry Air (Danny Boy)<\/span>","<span class=\"advgb-post-tax-term\">Loonis McGlohon<\/span>","<span class=\"advgb-post-tax-term\">Lorenz Hart<\/span>","<span class=\"advgb-post-tax-term\">Luther Henderson<\/span>","<span class=\"advgb-post-tax-term\">Maurice Ravel<\/span>","<span class=\"advgb-post-tax-term\">Mitchell Parish<\/span>","<span class=\"advgb-post-tax-term\">My Funny Valentine<\/span>","<span class=\"advgb-post-tax-term\">On the Town<\/span>","<span class=\"advgb-post-tax-term\">Oscar Hammerstein II<\/span>","<span class=\"advgb-post-tax-term\">Peer Gynt<\/span>","<span class=\"advgb-post-tax-term\">Percy Faith<\/span>","<span class=\"advgb-post-tax-term\">Peter DeRose<\/span>","<span class=\"advgb-post-tax-term\">Renato Cellini<\/span>","<span class=\"advgb-post-tax-term\">Richard Rodgers<\/span>","<span class=\"advgb-post-tax-term\">Richard Wagner<\/span>","<span class=\"advgb-post-tax-term\">Robert Farnon<\/span>","<span class=\"advgb-post-tax-term\">Samuel Barber<\/span>","<span class=\"advgb-post-tax-term\">The Consul<\/span>","<span class=\"advgb-post-tax-term\">The Lamp Is Low<\/span>","<span class=\"advgb-post-tax-term\">Truman Capote<\/span>","<span class=\"advgb-post-tax-term\">Victor Herbert<\/span>","<span class=\"advgb-post-tax-term\">William Engvick<\/span>"]}},"comment_count":"0","relative_dates":{"created":"Posted 6 years ago","modified":"Updated 6 years ago"},"absolute_dates":{"created":"Posted on 23\/08\/2020","modified":"Updated on 23\/08\/2020"},"absolute_dates_time":{"created":"Posted on 23\/08\/2020 18:21","modified":"Updated on 23\/08\/2020 21:18"},"featured_img_caption":"","series_order":"","_links":{"self":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/5189","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/comments?post=5189"}],"version-history":[{"count":13,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/5189\/revisions"}],"predecessor-version":[{"id":5494,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/5189\/revisions\/5494"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/media\/5472"}],"wp:attachment":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/media?parent=5189"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/categories?post=5189"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/tags?post=5189"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}