{"id":5178,"date":"2020-08-02T22:34:26","date_gmt":"2020-08-02T20:34:26","guid":{"rendered":"http:\/\/countermelodypodcast.com\/?p=5178"},"modified":"2020-08-02T22:36:44","modified_gmt":"2020-08-02T20:36:44","slug":"episode-46-julia-migenes-crossover-classics-ii","status":"publish","type":"post","link":"https:\/\/countermelodypodcast.com\/index.php\/2020\/08\/02\/episode-46-julia-migenes-crossover-classics-ii\/","title":{"rendered":"Episode 46. Julia Migenes (Crossover Classics II)"},"content":{"rendered":"<div id=\"mega-menu-wrap-primary\" class=\"mega-menu-wrap\"><div class=\"mega-menu-toggle\"><div class=\"mega-toggle-blocks-left\"><\/div><div class=\"mega-toggle-blocks-center\"><\/div><div class=\"mega-toggle-blocks-right\"><div class='mega-toggle-block mega-menu-toggle-animated-block mega-toggle-block-1' id='mega-toggle-block-1'><button aria-label=\"Menu\" class=\"mega-toggle-animated mega-toggle-animated-slider\" type=\"button\" aria-haspopup=\"true\" aria-expanded=\"false\" aria-controls=\"mega-menu-primary\">\n                  <span class=\"mega-toggle-animated-box\">\n                    <span class=\"mega-toggle-animated-inner\"><\/span>\n                  <\/span>\n                <\/button><\/div><\/div><\/div><ul id=\"mega-menu-primary\" class=\"mega-menu max-mega-menu mega-menu-horizontal mega-no-js\" data-event=\"hover_intent\" data-effect=\"slide\" data-effect-speed=\"200\" data-effect-mobile=\"slide\" data-effect-speed-mobile=\"200\" data-mobile-force-width=\"body\" data-second-click=\"go\" data-document-click=\"collapse\" data-vertical-behaviour=\"standard\" data-breakpoint=\"600\" data-unbind=\"true\" data-mobile-state=\"collapse_all\" data-mobile-direction=\"vertical\" data-hover-intent-timeout=\"300\" data-hover-intent-interval=\"100\"><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-menu-item-home mega-align-bottom-left mega-menu-flyout mega-menu-item-19160\" id=\"mega-menu-item-19160\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/\">Home<\/a><\/li><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-align-bottom-left mega-menu-flyout mega-menu-item-19161\" id=\"mega-menu-item-19161\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/index.php\/about-daniel\/\">About Daniel<\/a><\/li><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-current_page_parent mega-align-bottom-left mega-menu-flyout mega-menu-item-19171\" id=\"mega-menu-item-19171\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/index.php\/all-episodes\/\">All Episodes<\/a><\/li><\/ul><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">Episode 46.  Julia Migenes (Crossover Classics II)<\/h2>\n\n\n\n<iframe loading=\"lazy\" width=\"340\" height=\"50\" src=\"https:\/\/countermelody.blubrry.net\/?powerpress_embed=169-podcast&amp;powerpress_player=mediaelement-audio\" frameborder=\"0\" scrolling=\"no\"><\/iframe>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p><strong>SOCIAL SHARE<\/strong><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"has-text-align-right\"><strong>SUBSCRIPTION PLATFORM<\/strong><\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<div class=\"wp-block-buttons alignleft is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button alignright\"><a class=\"wp-block-button__link no-border-radius\" href=\"https:\/\/countermelody.blubrry.net\/\">SUBSCRIBE VIA YOUR FAVORITE PODCAST PLATFORM<\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Migenes-Smile.jpg\" alt=\"\" class=\"wp-image-5270\" width=\"580\" height=\"384\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Migenes-Smile.jpg 480w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Migenes-Smile-300x199.jpg 300w\" sizes=\"auto, (max-width: 580px) 100vw, 580px\" \/><\/figure><\/div>\n\n\n\n<div style=\"height:38px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Today\u2019s featured artist, the cosmopolitan yet earthy Julia Migenes, is certainly one of the most compelling and successful of all \u201ccrossover artists.\u201d Beginning early in her career, she assumed roles in musicals, operetta, opera, and beyond that showcased her versatility and contributed to her worldwide eminence. Her multilingual facility and fascinating cultural background rendered her a true artistic chameleon. I explore in particular her success in the European market, particularly Germany and France. This episode features Migenes in live and studio recordings over the course of her entire career (showcasing in particular her 1980 release, <em>Latin Lady<\/em>) in shows ranging from <em>West Side Story<\/em> to <em>Salome<\/em>, and composers from Astor Piazzolla to Richard Strauss. A celebration of a peripatetic, treasurable, idiosyncratic artist who never was afraid to be anything but herself.<\/p>\n\n\n\n<div style=\"height:47px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p style=\"font-size:30px\" class=\"has-custom-size\"><strong> RECORDINGS HEARD IN THIS EPISODE<\/strong><\/p>\n\n\n\n<div style=\"height:55px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"739\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/WSS-at-the-Volksoper-1-739x1024.jpg\" alt=\"\" class=\"wp-image-5273\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/WSS-at-the-Volksoper-1-739x1024.jpg 739w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/WSS-at-the-Volksoper-1-217x300.jpg 217w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/WSS-at-the-Volksoper-1-768x1064.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/WSS-at-the-Volksoper-1-1109x1536.jpg 1109w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/WSS-at-the-Volksoper-1-1479x2048.jpg 1479w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/WSS-at-the-Volksoper-1-1600x2216.jpg 1600w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/WSS-at-the-Volksoper-1-scaled.jpg 1848w\" sizes=\"auto, (max-width: 739px) 100vw, 739px\" \/><\/figure><\/div>\n\n\n\n<p>Leonard Bernstein, Marcel Prawy (after Stephen Sondheim): Heut\u2019 Nacht [Tonight] (<em>West<\/em> <em>Side Story<\/em>). Adolf Dallapozza (Tony); Lawrence Leonard, Orchester der Wiener Volksoper<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"386\" height=\"468\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Migenes-Lulu.jpg\" alt=\"\" class=\"wp-image-5274\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Migenes-Lulu.jpg 386w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Migenes-Lulu-247x300.jpg 247w\" sizes=\"auto, (max-width: 386px) 100vw, 386px\" \/><figcaption>As Lulu at the Met (Photo by James Hefferman)<br><\/figcaption><\/figure><\/div>\n\n\n\n<p>Alban Berg: Wenn sich der Menschen (<em>Lulu<\/em>). Lorin Maazel; Orchester der Wiener Staatsoper [live 24 October 1983]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"508\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Julia-with-Mic-508x1024.jpg\" alt=\"\" class=\"wp-image-5275\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Julia-with-Mic-508x1024.jpg 508w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Julia-with-Mic-149x300.jpg 149w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Julia-with-Mic.jpg 600w\" sizes=\"auto, (max-width: 508px) 100vw, 508px\" \/><\/figure><\/div>\n\n\n\n<p>Bill Withers: Use Me. from <em>Alter<\/em> <em>Ego<\/em> (released 2006)<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Folder.jpg\" alt=\"\" class=\"wp-image-5276\" width=\"468\" height=\"462\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Folder.jpg 364w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Folder-300x297.jpg 300w\" sizes=\"auto, (max-width: 468px) 100vw, 468px\" \/><\/figure><\/div>\n\n\n\n<p>Leonard Bernstein, Marcel Prawy (after Stephen Sondheim): Ein Kerl wie der [A Boy Like That]&#8230; Lieb\u2019 hab ich ihm [I Have a Love] (<em>West Side Story<\/em>). Arline Woods (Anita); Lawrence Leonard, Orchester der Wiener Volksoper<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"710\" height=\"960\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Julia-Migenes.jpg\" alt=\"\" class=\"wp-image-5277\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Julia-Migenes.jpg 710w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Julia-Migenes-222x300.jpg 222w\" sizes=\"auto, (max-width: 710px) 100vw, 710px\" \/><\/figure><\/div>\n\n\n\n<p>Eduard K\u00fcnneke: Strahlender Mond (<em>Der Vetter aus<\/em> <em>Dingsda<\/em>). Curt Cremer; K\u00f6lner Rundfunk-Orchester<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Julia-looking-like-Leigh.jpg\" alt=\"\" class=\"wp-image-5278\" width=\"461\" height=\"569\"\/><\/figure><\/div>\n\n\n\n<p>Franz Leh\u00e1r: Warum hast du mich wachgek\u00fcsst (<em>Friederike<\/em>). Curt Cremer; K\u00f6lner Rundfunk-Orchester<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Migenes-Eyes-Closed.jpg\" alt=\"\" class=\"wp-image-5279\" width=\"436\" height=\"471\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Migenes-Eyes-Closed.jpg 370w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Migenes-Eyes-Closed-278x300.jpg 278w\" sizes=\"auto, (max-width: 436px) 100vw, 436px\" \/><\/figure><\/div>\n\n\n\n<p>Robert Stolz: Im Prater bl\u00fch\u2019n wieder die B\u00e4ume, Op. 247. Iain Sutherland; BBC Concert Orchestra<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Migenes-Shoulder.jpg\" alt=\"\" class=\"wp-image-5280\" width=\"434\" height=\"362\"\/><\/figure><\/div>\n\n\n\n<p>Isaac Alb\u00e9niz, Gerhard Bronner, Peter Wehle (arr. Hans Salomon): Sehnsucht nach vergang\u2019nen Zeit (arranged from Tango [<em>Espa\u00f1a<\/em>, Op. 165]. Johannes Fehring, ORF-Big-Band<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"433\" height=\"467\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Olympia-1.png\" alt=\"\" class=\"wp-image-5282\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Olympia-1.png 433w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Olympia-1-278x300.png 278w\" sizes=\"auto, (max-width: 433px) 100vw, 433px\" \/><\/figure><\/div>\n\n\n\n<p>Michel Legrand, Eddy Marnay (after Marilyn and Alan Bergman): Les moulins de mon coeur [The Windmills of Your Mind]. Bruno Fontaine [Paris Olympia 1989]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"654\" height=\"986\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Migenes-Weill.jpg\" alt=\"\" class=\"wp-image-5283\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Migenes-Weill.jpg 654w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Migenes-Weill-199x300.jpg 199w\" sizes=\"auto, (max-width: 654px) 100vw, 654px\" \/><\/figure><\/div>\n\n\n\n<p>Kurt Weill, Ira Gershwin: My Ship (<em>Lady in the Dark<\/em>). Werner Eisbrenner, M\u00fcnchener Rundfunkorchester [31 October 1970]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"683\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Migenes-Mirror-1-683x1024.jpg\" alt=\"\" class=\"wp-image-5285\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Migenes-Mirror-1-683x1024.jpg 683w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Migenes-Mirror-1-200x300.jpg 200w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Migenes-Mirror-1-768x1152.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Migenes-Mirror-1-1024x1536.jpg 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Migenes-Mirror-1-1365x2048.jpg 1365w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Migenes-Mirror-1.jpg 1411w\" sizes=\"auto, (max-width: 683px) 100vw, 683px\" \/><\/figure><\/div>\n\n\n\n<p>Jule Styne, Bob Merrill: People (<em>Funny Girl<\/em>). Orchester Hans Hammerschmid<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"415\" height=\"530\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Migenes-point.jpg\" alt=\"\" class=\"wp-image-5286\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Migenes-point.jpg 415w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Migenes-point-235x300.jpg 235w\" sizes=\"auto, (max-width: 415px) 100vw, 415px\" \/><\/figure><\/div>\n\n\n\n<p>George Gershwin, Buddy DeSylva, Ballard MacDonald: Somebody Loves Me (<em>George White&#8217;s Scandals<\/em>). Gershon Kingsley, Bigband und Gro\u00dfes Rundfunkorchester des WDR K\u00f6ln<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"370\" height=\"400\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Migenes-with-Poppy.jpg\" alt=\"\" class=\"wp-image-5287\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Migenes-with-Poppy.jpg 370w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Migenes-with-Poppy-278x300.jpg 278w\" sizes=\"auto, (max-width: 370px) 100vw, 370px\" \/><\/figure><\/div>\n\n\n\n<p>George Gershwin, Du Bose Heyward, Ira Gershwin: I Got Plenty o\u2019 Nuttin\u2019 (<em>Porgy and Bess<\/em>). Gershon Kingsley, Bigband und Gro\u00dfes Rundfunkorchester des WDR K\u00f6ln<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"591\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Folder-1.jpg\" alt=\"\" class=\"wp-image-5288\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Folder-1.jpg 600w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Folder-1-300x296.jpg 300w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/figure><\/div>\n\n\n\n<p>Heitor Villa-Lobos: Bachianas Brasileiras No. 5. Arranged and conducted Gershon Kingsley<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Latin-Lady-Back-Cover.jpg\" alt=\"\" class=\"wp-image-5289\" width=\"436\" height=\"565\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Latin-Lady-Back-Cover.jpg 373w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Latin-Lady-Back-Cover-232x300.jpg 232w\" sizes=\"auto, (max-width: 436px) 100vw, 436px\" \/><\/figure><\/div>\n\n\n\n<p>Ant\u00f4nio Carlos Jobim, Gene Lees: Desafinado. Arranged and conducted Michael Gibson<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Migenes-Shoulders-1.jpg\" alt=\"\" class=\"wp-image-5291\" width=\"442\" height=\"477\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Migenes-Shoulders-1.jpg 400w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Migenes-Shoulders-1-278x300.jpg 278w\" sizes=\"auto, (max-width: 442px) 100vw, 442px\" \/><\/figure><\/div>\n\n\n\n<p>Ant\u00f4nio Carlos Jobim, Norman Gimbel (after Vinicius de Moraes): Garota de Ipanema [done as The Boy from Ipanema]. Arranged and conducted Gershon Kingsley<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"960\" height=\"640\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Migenes-Reaching-Up.jpg\" alt=\"\" class=\"wp-image-5292\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Migenes-Reaching-Up.jpg 960w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Migenes-Reaching-Up-300x200.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Migenes-Reaching-Up-768x512.jpg 768w\" sizes=\"auto, (max-width: 960px) 100vw, 960px\" \/><\/figure><\/div>\n\n\n\n<p>Luiz Bonf\u00e1, Normal Gimbel (after Ant\u00f4nio Maria): A Day in the Life of a Fool [Manh\u00e3 de Carnaval] (<em>Orfeu<\/em> <em>Negro<\/em>). Arranged and conducted by Michael Gibson<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"678\" height=\"381\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Migenes-Olivier-Borde.jpg\" alt=\"\" class=\"wp-image-5293\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Migenes-Olivier-Borde.jpg 678w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Migenes-Olivier-Borde-300x169.jpg 300w\" sizes=\"auto, (max-width: 678px) 100vw, 678px\" \/><\/figure><\/div>\n\n\n\n<p>Morris Albert (stolen from Loulou Gast\u00e9): Feelings. Arranged and conducted by Gershon Kingsley<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"960\" height=\"640\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Migenes-in-La-vie-en-rose.jpg\" alt=\"\" class=\"wp-image-5294\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Migenes-in-La-vie-en-rose.jpg 960w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Migenes-in-La-vie-en-rose-300x200.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Migenes-in-La-vie-en-rose-768x512.jpg 768w\" sizes=\"auto, (max-width: 960px) 100vw, 960px\" \/><\/figure><\/div>\n\n\n\n<p>Ernesto Lecuona, Al Stillman: The Breeze and I (adapted from Andaluc\u00eda). Arranged and conducted by Gershon Kingsley<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1010\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Migenes-USA-Apple-1010x1024.jpg\" alt=\"\" class=\"wp-image-5295\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Migenes-USA-Apple-1010x1024.jpg 1010w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Migenes-USA-Apple-296x300.jpg 296w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Migenes-USA-Apple-768x778.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Migenes-USA-Apple.jpg 1256w\" sizes=\"auto, (max-width: 1010px) 100vw, 1010px\" \/><\/figure><\/div>\n\n\n\n<p>Andrew Lloyd Webber, Tim Rice: Don\u2019t Cry for Me Argentina (<em>Evita<\/em>). Arranged and conducted by Gershon Kingsley<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"481\" height=\"600\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Migenes-Tango.jpg\" alt=\"\" class=\"wp-image-5297\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Migenes-Tango.jpg 481w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Migenes-Tango-241x300.jpg 241w\" sizes=\"auto, (max-width: 481px) 100vw, 481px\" \/><\/figure><\/div>\n\n\n\n<p>Astor Piazzolla, Horacio Ferrer: Preludio para el a\u00f1o 3001. Le Quintet Tiempo Sur [Osvaldo Calo, Mauricio Angarita, S\u00e9bastien Couranjou, Alejandro Schwarz, Victor Villena]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"604\" height=\"432\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/On-TV.png\" alt=\"\" class=\"wp-image-5298\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/On-TV.png 604w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/On-TV-300x215.png 300w\" sizes=\"auto, (max-width: 604px) 100vw, 604px\" \/><\/figure><\/div>\n\n\n\n<p>Giacomo Puccini: Quando m\u2019en vo (<em>La Boh\u00e8me<\/em>). Ileana Cotrubas (Mim\u00ec), Federico Davi\u00e0 (Alcindoro); Silvio Varviso, San Francisco Opera Orchestra [10 November 1978]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"562\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Pretre.jpg\" alt=\"\" class=\"wp-image-5299\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Pretre.jpg 600w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Pretre-300x281.jpg 300w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><figcaption>Georges Pr\u00eatre<br><br><\/figcaption><\/figure>\n\n\n\n<p>Francis Poulenc, Jean Cocteau: Voil\u00e0 deux jours qu\u2019il ne quitte pas l\u2019antichambre (<em>La voix humaine<\/em>). Georges Pr\u00eatre, Orchestre National de France<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"1016\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Opern-Gala-1-1024x1016.jpg\" alt=\"\" class=\"wp-image-5301\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Opern-Gala-1-1024x1016.jpg 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Opern-Gala-1-300x298.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Opern-Gala-1-150x150.jpg 150w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Opern-Gala-1-768x762.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Opern-Gala-1.jpg 1365w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure><\/div>\n\n\n\n<p>Richard Strauss, Oscar Wilde: Final Scene (<em>Salome<\/em>) [excerpt]. Maximiano Valdes, Orchestre Philharmonique de Monte-Carlo<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"489\" height=\"479\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Weltstar.jpg\" alt=\"\" class=\"wp-image-5302\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Weltstar.jpg 489w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Weltstar-300x294.jpg 300w\" sizes=\"auto, (max-width: 489px) 100vw, 489px\" \/><\/figure><\/div>\n\n\n\n<p>Francis Lai, Kurt Feltz (after Carl Sigman) : Schicksalsmelodie [Theme from <em>Love Story<\/em>]. Johannes Fehring, ORF-Big-Band<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"620\" height=\"372\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Primrose.jpg\" alt=\"\" class=\"wp-image-5303\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Primrose.jpg 620w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Primrose-300x180.jpg 300w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/><figcaption>Anthony Perkins and Charmian Carr in the 1966 ABC-TV musical <em>Evening Primrose<\/em>.<br><br><\/figcaption><\/figure>\n\n\n\n<p>Stephen Sondheim: I Remember (<em>Evening Primrose<\/em>). David Firman [live from the Barbican Centre, London 17 May 1998]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"404\" height=\"640\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Rags-Poster.jpg\" alt=\"\" class=\"wp-image-5304\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Rags-Poster.jpg 404w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Rags-Poster-189x300.jpg 189w\" sizes=\"auto, (max-width: 404px) 100vw, 404px\" \/><\/figure><\/div>\n\n\n\n<p>Charles Strouse, Stephen Schwartz: Children of the Wind (<em>Rags<\/em>). Eric Stern<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"691\" height=\"550\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Migenes-and-Mostel.jpg\" alt=\"\" class=\"wp-image-5305\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Migenes-and-Mostel.jpg 691w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Migenes-and-Mostel-300x239.jpg 300w\" sizes=\"auto, (max-width: 691px) 100vw, 691px\" \/><figcaption>Julia Migenes and Zero Mostel in <em>Fiddler on the Roof<\/em>, Broadway 1964.<br><br><\/figcaption><\/figure>\n\n\n\n<p>Jerry Bock, Sheldon Harnick: Far from the Home I Love (<em>Fiddler on the Roof<\/em>). Zero Mostel (Tevye); Milton Greene<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"467\" height=\"600\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Migenes-Michael-Childers.jpg\" alt=\"\" class=\"wp-image-5306\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Migenes-Michael-Childers.jpg 467w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/08\/Migenes-Michael-Childers-234x300.jpg 234w\" sizes=\"auto, (max-width: 467px) 100vw, 467px\" \/><\/figure><\/div>\n\n\n\n<p>Leigh Harline, Ned Washington: When You Wish upon a Star (<em>Pinocchio<\/em>). Michael Kamen, London Metropolitan Orchestra<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Episode 46. Julia Migenes (Crossover Classics II) SOCIAL SHARE SUBSCRIPTION PLATFORM Today\u2019s featured artist, the cosmopolitan yet earthy Julia Migenes,&hellip;<\/p>\n","protected":false},"author":1,"featured_media":5268,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"advgb_blocks_editor_width":"","advgb_blocks_columns_visual_guide":"","footnotes":""},"categories":[1076,808,1470],"tags":[1862,1635,1880,1410,1865,1883,1861,1864,1873,1885,1894,1867,1866,1878,1892,1897,1889,544,1448,697,390,1339,94,1875,1893,448,1465,1397,1869,911,1898,1872,1860,1040,418,1738,1879,1868,1900,972,839,1876,1877,1888,1902,750,836,1119,1874,1896,329,1453,1890,1899,1886,1373,1710,1887,1870,1891,1881,1871,1863,1901],"class_list":["post-5178","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-crossover","category-needle-drop","category-operetta","tag-adolf-dallapozza","tag-alban-berg","tag-andrew-lloyd-webber","tag-antonio-carlos-jobim","tag-arline-woods","tag-astor-piazzolla","tag-berg-lulu","tag-bill-withers","tag-bob-merrill","tag-brent-ellis","tag-charles-strouse","tag-der-vetter-aus-dingsda","tag-eduard-kunneke","tag-ernesto-lecuona","tag-evening-primrose","tag-fiddler-on-the-roof","tag-francis-lai","tag-francis-poulenc","tag-franz-lehar","tag-funny-girl","tag-georges-pretre","tag-giacomo-aragall","tag-giacomo-puccini","tag-heitor-villa-lobos","tag-i-remember-evening-primrose","tag-ileana-cotrubas","tag-im-prater-bluhn-wieder-die-baume","tag-ira-gershwin","tag-isaac-albeniz","tag-jean-cocteau","tag-jerry-bock","tag-jule-styne","tag-julia-migenes","tag-kurt-weill","tag-la-boheme","tag-la-voix-humaine","tag-lecuona-the-breeze-and-i","tag-lehar-friederike","tag-leigh-harline","tag-leonard-bernstein","tag-loulou-gaste","tag-luiz-bonfa","tag-manha-de-carnaval","tag-maximiano-valdes","tag-michael-kamen","tag-michel-legrand","tag-morris-albert","tag-ned-washington","tag-people-funny-girl","tag-rags-strouse-schwartz","tag-richard-strauss","tag-robert-stolz","tag-schicksalsmelodie","tag-sheldon-harnick","tag-silvio-varviso","tag-stephen-schwartz","tag-stephen-sondheim","tag-strauss-salome","tag-the-windmills-of-your-mind","tag-theme-from-love-story","tag-tim-rice","tag-weill-lady-in-the-dark","tag-west-side-story","tag-when-you-wish-upon-a-star-pinocchio"],"author_meta":{"display_name":"admin","author_link":"https:\/\/countermelodypodcast.com\/index.php\/author\/admin\/"},"featured_img":"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/07\/Migenes-USA-Apple-TRIMMED-300x176.jpg","coauthors":[],"tax_additional":{"categories":{"linked":["<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/crossover\/\" class=\"advgb-post-tax-term\">Crossover<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Needle Drop<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Operetta<\/a>"],"unlinked":["<span class=\"advgb-post-tax-term\">Crossover<\/span>","<span class=\"advgb-post-tax-term\">Needle Drop<\/span>","<span class=\"advgb-post-tax-term\">Operetta<\/span>"]},"tags":{"linked":["<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Adolf Dallapozza<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Alban Berg<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Andrew Lloyd Webber<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Ant\u00f4nio Carlos Jobim<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Arline Woods<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Astor Piazzolla<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Berg Lulu<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Bill Withers<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Bob Merrill<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Brent Ellis<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Charles Strouse<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Der Vetter aus Dingsda<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Eduard K\u00fcnneke<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Ernesto Lecuona<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Evening Primrose<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Fiddler on the Roof<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Francis Lai<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Francis Poulenc<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Franz Leh\u00e1r<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Funny Girl<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Georges Pretre<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Giacomo Aragall<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Giacomo Puccini<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Heitor Villa-Lobos<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">I Remember (Evening Primrose)<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Ileana Cotrubas<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Im Prater bl\u00fch\u2019n wieder die B\u00e4ume<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Ira Gershwin<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Isaac Alb\u00e9niz<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Jean Cocteau<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Jerry Bock<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Jule Styne<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Julia Migenes<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Kurt Weill<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">La Boheme<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">La voix humaine<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Lecuona The Breeze and I<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Leh\u00e1r Friederike<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Leigh Harline<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Leonard Bernstein<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Loulou Gast\u00e9<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Luiz Bonf\u00e1<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Manh\u00e3 de Carnaval<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Maximiano Valdes<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Michael Kamen<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Michel Legrand<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Morris Albert<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Ned Washington<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">People (Funny Girl)<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Rags (Strouse &amp; Schwartz)<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Richard Strauss<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Robert Stolz<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Schicksalsmelodie<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Sheldon Harnick<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Silvio Varviso<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Stephen Schwartz<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Stephen Sondheim<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Strauss Salome<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">The Windmills of Your Mind<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Theme from Love Story<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Tim Rice<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Weill Lady in the Dark<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">West Side Story<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">When You Wish upon a Star (Pinocchio)<\/a>"],"unlinked":["<span class=\"advgb-post-tax-term\">Adolf Dallapozza<\/span>","<span class=\"advgb-post-tax-term\">Alban Berg<\/span>","<span class=\"advgb-post-tax-term\">Andrew Lloyd Webber<\/span>","<span class=\"advgb-post-tax-term\">Ant\u00f4nio Carlos Jobim<\/span>","<span class=\"advgb-post-tax-term\">Arline Woods<\/span>","<span class=\"advgb-post-tax-term\">Astor Piazzolla<\/span>","<span class=\"advgb-post-tax-term\">Berg Lulu<\/span>","<span class=\"advgb-post-tax-term\">Bill Withers<\/span>","<span class=\"advgb-post-tax-term\">Bob Merrill<\/span>","<span class=\"advgb-post-tax-term\">Brent Ellis<\/span>","<span class=\"advgb-post-tax-term\">Charles Strouse<\/span>","<span class=\"advgb-post-tax-term\">Der Vetter aus Dingsda<\/span>","<span class=\"advgb-post-tax-term\">Eduard K\u00fcnneke<\/span>","<span class=\"advgb-post-tax-term\">Ernesto Lecuona<\/span>","<span class=\"advgb-post-tax-term\">Evening Primrose<\/span>","<span class=\"advgb-post-tax-term\">Fiddler on the Roof<\/span>","<span class=\"advgb-post-tax-term\">Francis Lai<\/span>","<span class=\"advgb-post-tax-term\">Francis Poulenc<\/span>","<span class=\"advgb-post-tax-term\">Franz Leh\u00e1r<\/span>","<span class=\"advgb-post-tax-term\">Funny Girl<\/span>","<span class=\"advgb-post-tax-term\">Georges Pretre<\/span>","<span class=\"advgb-post-tax-term\">Giacomo Aragall<\/span>","<span class=\"advgb-post-tax-term\">Giacomo Puccini<\/span>","<span class=\"advgb-post-tax-term\">Heitor Villa-Lobos<\/span>","<span class=\"advgb-post-tax-term\">I Remember (Evening Primrose)<\/span>","<span class=\"advgb-post-tax-term\">Ileana Cotrubas<\/span>","<span class=\"advgb-post-tax-term\">Im Prater bl\u00fch\u2019n wieder die B\u00e4ume<\/span>","<span class=\"advgb-post-tax-term\">Ira Gershwin<\/span>","<span class=\"advgb-post-tax-term\">Isaac Alb\u00e9niz<\/span>","<span class=\"advgb-post-tax-term\">Jean Cocteau<\/span>","<span class=\"advgb-post-tax-term\">Jerry Bock<\/span>","<span class=\"advgb-post-tax-term\">Jule Styne<\/span>","<span class=\"advgb-post-tax-term\">Julia Migenes<\/span>","<span class=\"advgb-post-tax-term\">Kurt Weill<\/span>","<span class=\"advgb-post-tax-term\">La Boheme<\/span>","<span class=\"advgb-post-tax-term\">La voix humaine<\/span>","<span class=\"advgb-post-tax-term\">Lecuona The Breeze and I<\/span>","<span class=\"advgb-post-tax-term\">Leh\u00e1r Friederike<\/span>","<span class=\"advgb-post-tax-term\">Leigh Harline<\/span>","<span class=\"advgb-post-tax-term\">Leonard Bernstein<\/span>","<span class=\"advgb-post-tax-term\">Loulou Gast\u00e9<\/span>","<span class=\"advgb-post-tax-term\">Luiz Bonf\u00e1<\/span>","<span class=\"advgb-post-tax-term\">Manh\u00e3 de Carnaval<\/span>","<span class=\"advgb-post-tax-term\">Maximiano Valdes<\/span>","<span class=\"advgb-post-tax-term\">Michael Kamen<\/span>","<span class=\"advgb-post-tax-term\">Michel Legrand<\/span>","<span class=\"advgb-post-tax-term\">Morris Albert<\/span>","<span class=\"advgb-post-tax-term\">Ned Washington<\/span>","<span class=\"advgb-post-tax-term\">People (Funny Girl)<\/span>","<span class=\"advgb-post-tax-term\">Rags (Strouse &amp; Schwartz)<\/span>","<span class=\"advgb-post-tax-term\">Richard Strauss<\/span>","<span class=\"advgb-post-tax-term\">Robert Stolz<\/span>","<span class=\"advgb-post-tax-term\">Schicksalsmelodie<\/span>","<span class=\"advgb-post-tax-term\">Sheldon Harnick<\/span>","<span class=\"advgb-post-tax-term\">Silvio Varviso<\/span>","<span class=\"advgb-post-tax-term\">Stephen Schwartz<\/span>","<span class=\"advgb-post-tax-term\">Stephen Sondheim<\/span>","<span class=\"advgb-post-tax-term\">Strauss Salome<\/span>","<span class=\"advgb-post-tax-term\">The Windmills of Your Mind<\/span>","<span class=\"advgb-post-tax-term\">Theme from Love Story<\/span>","<span class=\"advgb-post-tax-term\">Tim Rice<\/span>","<span class=\"advgb-post-tax-term\">Weill Lady in the Dark<\/span>","<span class=\"advgb-post-tax-term\">West Side Story<\/span>","<span class=\"advgb-post-tax-term\">When You Wish upon a Star (Pinocchio)<\/span>"]}},"comment_count":"2","relative_dates":{"created":"Posted 6 years ago","modified":"Updated 6 years ago"},"absolute_dates":{"created":"Posted on 02\/08\/2020","modified":"Updated on 02\/08\/2020"},"absolute_dates_time":{"created":"Posted on 02\/08\/2020 22:34","modified":"Updated on 02\/08\/2020 22:36"},"featured_img_caption":"","series_order":"","_links":{"self":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/5178","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/comments?post=5178"}],"version-history":[{"count":11,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/5178\/revisions"}],"predecessor-version":[{"id":5313,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/5178\/revisions\/5313"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/media\/5268"}],"wp:attachment":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/media?parent=5178"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/categories?post=5178"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/tags?post=5178"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}