{"id":4778,"date":"2020-06-15T01:55:13","date_gmt":"2020-06-14T23:55:13","guid":{"rendered":"http:\/\/countermelodypodcast.com\/?p=4778"},"modified":"2025-07-29T11:04:46","modified_gmt":"2025-07-29T09:04:46","slug":"episode-39-pathos-a-la-cotrubas","status":"publish","type":"post","link":"https:\/\/countermelodypodcast.com\/index.php\/2020\/06\/15\/episode-39-pathos-a-la-cotrubas\/","title":{"rendered":"Episode 39. Pathos \u00e0 la Cotrubas"},"content":{"rendered":"<div id=\"mega-menu-wrap-primary\" class=\"mega-menu-wrap\"><div class=\"mega-menu-toggle\"><div class=\"mega-toggle-blocks-left\"><\/div><div class=\"mega-toggle-blocks-center\"><\/div><div class=\"mega-toggle-blocks-right\"><div class='mega-toggle-block mega-menu-toggle-animated-block mega-toggle-block-1' id='mega-toggle-block-1'><button aria-label=\"Menu\" class=\"mega-toggle-animated mega-toggle-animated-slider\" type=\"button\" aria-haspopup=\"true\" aria-expanded=\"false\" aria-controls=\"mega-menu-primary\">\n                  <span class=\"mega-toggle-animated-box\">\n                    <span class=\"mega-toggle-animated-inner\"><\/span>\n                  <\/span>\n                <\/button><\/div><\/div><\/div><ul id=\"mega-menu-primary\" class=\"mega-menu max-mega-menu mega-menu-horizontal mega-no-js\" data-event=\"hover_intent\" data-effect=\"slide\" data-effect-speed=\"200\" data-effect-mobile=\"slide\" data-effect-speed-mobile=\"200\" data-mobile-force-width=\"body\" data-second-click=\"go\" data-document-click=\"collapse\" data-vertical-behaviour=\"standard\" data-breakpoint=\"600\" data-unbind=\"true\" data-mobile-state=\"collapse_all\" data-mobile-direction=\"vertical\" data-hover-intent-timeout=\"300\" data-hover-intent-interval=\"100\"><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-menu-item-home mega-align-bottom-left mega-menu-flyout mega-menu-item-19160\" id=\"mega-menu-item-19160\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/\">Home<\/a><\/li><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-align-bottom-left mega-menu-flyout mega-menu-item-19161\" id=\"mega-menu-item-19161\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/index.php\/about-daniel\/\">About Daniel<\/a><\/li><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-current_page_parent mega-align-bottom-left mega-menu-flyout mega-menu-item-19171\" id=\"mega-menu-item-19171\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/index.php\/all-episodes\/\">All Episodes<\/a><\/li><\/ul><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">Episode 39.  Pathos \u00e0 la Cotrubas<\/h2>\n\n\n\n<iframe loading=\"lazy\" width=\"340\" height=\"50\" src=\"https:\/\/countermelody.blubrry.net\/?powerpress_embed=144-podcast&amp;powerpress_player=mediaelement-audio\" frameborder=\"0\" scrolling=\"no\"><\/iframe>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p><strong>SOCIAL SHARE<\/strong><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"has-text-align-right\"><strong>SUBSCRIPTION PLATFORM<\/strong><\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<div class=\"wp-block-buttons alignleft is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button alignright\"><a class=\"wp-block-button__link no-border-radius\" href=\"https:\/\/countermelody.blubrry.net\/\">SUBSCRIBE VIA YOUR FAVORITE PODCAST PLATFORM<\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"685\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/Cotrubas-Violetta-hands-685x1024.jpg\" alt=\"\" class=\"wp-image-4776\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/Cotrubas-Violetta-hands-685x1024.jpg 685w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/Cotrubas-Violetta-hands-201x300.jpg 201w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/Cotrubas-Violetta-hands-768x1148.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/Cotrubas-Violetta-hands.jpg 777w\" sizes=\"auto, (max-width: 685px) 100vw, 685px\" \/><figcaption>Ileana Cotrubas as Violetta in <em>La Traviata<\/em>.<br><\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:38px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Several weeks ago I began a series on particular vocal and artistic qualities that I find most important in a singer\u2019s artistic profile. I had already done episodes on Charm and Glamour. Then the BLM protests intervened and I felt impelled to respond with two episodes examining Protest in Music. Today I resume my previous series with that all-important artistic trait Pathos. And who better exemplifies Pathos than the great Romanian soprano Ileana Cotrubas, who celebrated her 81st birthday this past week? Cotrubas was a deeply expressive and communicative artist who gained heights and plumbed depths that (in my estimation) no other artist of her generation was able to achieve. In this episode, I examine the earliest projects that brought her to international prominence, including the Glyndebourne production of Cavalli\u2019s <em>La Calisto<\/em>, in which she sang the title role. I devote ample time to her traversals of Mozart operas, including her surprising (and surprisingly effective) assumption of Konstanze in <em>Die Entf\u00fchrung aus dem Serail<\/em>. Pausing briefly to acknowledge her work in the French repertoire and the <em>bel canto <\/em>soubrette parts, I then turn to her two greatest assumptions, Mim\u00ec in <em>La boh\u00e8me<\/em> and Violetta in <em>La Traviata<\/em>. In relation to these I offer excerpts from live performances with Carlos Kleiber and Bruno Bartoletti. I conclude with a discussion of how her vocal flaws revealed her humanity in a way that an artist with a more perfect voice and technique might not have achieved, while never compromising musical values. The episode begins with a brief tribute to another singer of a different stripe who also exemplified Pathos: Judy Garland, who celebrated her 99th birthday this past week, and the 51st anniversary of whose death we commemorate next week.<\/p>\n\n\n\n<p>\u201c<em>Of course it is right for people to bring something new to a production but when somebody does it without really knowing the music and the text then it is very bad for everyone. I mean, all of us love what we do in our profession and if we have to work with someone with whom we have no rapport, when you see he doesn&#8217;t love music and doesn&#8217;t trust it, then you say he can be a good producer for the theater, not for the opera.<\/em>\u201d \u2013 Ileana Cotrubas, quoted in a <em>New York Times <\/em>article by George Movshon, 10 April 1977<\/p>\n\n\n\n<div style=\"height:47px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p style=\"font-size:30px\" class=\"has-custom-size\"><strong> RECORDINGS HEARD IN THIS EPISODE<\/strong><\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"484\" height=\"656\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/Judy-in-Copenhagen-March-1969.jpg\" alt=\"\" class=\"wp-image-4780\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/Judy-in-Copenhagen-March-1969.jpg 484w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/Judy-in-Copenhagen-March-1969-221x300.jpg 221w\" sizes=\"auto, (max-width: 484px) 100vw, 484px\" \/><figcaption>Judy Garland onstage with her feathers, Copenhagen 25 March 1969<br><\/figcaption><\/figure><\/div>\n\n\n\n<p>Harold Arlen, Yip Harburg: Over the Rainbow (<em>The Wizard of Oz<\/em>). Judy Garland [final live performance, Copenhagen, 25 March 1969]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"530\" height=\"326\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/Ileana-Glamorous.jpg\" alt=\"\" class=\"wp-image-4785\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/Ileana-Glamorous.jpg 530w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/Ileana-Glamorous-300x185.jpg 300w\" sizes=\"auto, (max-width: 530px) 100vw, 530px\" \/><\/figure><\/div>\n\n\n\n<p>Wolfgang Amadeus Mozart: Et incarnatus est (<em>Mass in c minor<\/em>). Ileana Cotrubas; Raymond Leppard, New Philharmonia Orchestra<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-gallery columns-3 is-cropped wp-block-gallery-1\"><ul class=\"blocks-gallery-grid\"><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"662\" height=\"446\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/Calisto-1.png\" alt=\"\" data-id=\"4786\" data-full-url=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/Calisto-1.png\" data-link=\"https:\/\/countermelodypodcast.com\/?attachment_id=4786\" class=\"wp-image-4786\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/Calisto-1.png 662w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/Calisto-1-300x202.png 300w\" sizes=\"auto, (max-width: 662px) 100vw, 662px\" \/><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"654\" height=\"450\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/Calisto-2.png\" alt=\"\" data-id=\"4787\" data-full-url=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/Calisto-2.png\" data-link=\"https:\/\/countermelodypodcast.com\/?attachment_id=4787\" class=\"wp-image-4787\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/Calisto-2.png 654w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/Calisto-2-300x206.png 300w\" sizes=\"auto, (max-width: 654px) 100vw, 654px\" \/><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"659\" height=\"456\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/Calisto-4.png\" alt=\"\" data-id=\"4789\" data-full-url=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/Calisto-4.png\" data-link=\"https:\/\/countermelodypodcast.com\/?attachment_id=4789\" class=\"wp-image-4789\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/Calisto-4.png 659w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/Calisto-4-300x208.png 300w\" sizes=\"auto, (max-width: 659px) 100vw, 659px\" \/><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"660\" height=\"451\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/Calisto-5.png\" alt=\"\" data-id=\"4790\" data-full-url=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/Calisto-5.png\" data-link=\"https:\/\/countermelodypodcast.com\/?attachment_id=4790\" class=\"wp-image-4790\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/Calisto-5.png 660w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/Calisto-5-300x205.png 300w\" sizes=\"auto, (max-width: 660px) 100vw, 660px\" \/><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"654\" height=\"454\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/Calisto-6.png\" alt=\"\" data-id=\"4791\" data-full-url=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/Calisto-6.png\" data-link=\"https:\/\/countermelodypodcast.com\/?attachment_id=4791\" class=\"wp-image-4791\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/Calisto-6.png 654w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/Calisto-6-300x208.png 300w\" sizes=\"auto, (max-width: 654px) 100vw, 654px\" \/><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"655\" height=\"451\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/Calisto-7.png\" alt=\"\" data-id=\"4792\" data-full-url=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/Calisto-7.png\" data-link=\"https:\/\/countermelodypodcast.com\/?attachment_id=4792\" class=\"wp-image-4792\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/Calisto-7.png 655w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/Calisto-7-300x207.png 300w\" sizes=\"auto, (max-width: 655px) 100vw, 655px\" \/><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"650\" height=\"453\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/Calisto-8.png\" alt=\"\" data-id=\"4793\" data-full-url=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/Calisto-8.png\" data-link=\"https:\/\/countermelodypodcast.com\/?attachment_id=4793\" class=\"wp-image-4793\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/Calisto-8.png 650w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/Calisto-8-300x209.png 300w\" sizes=\"auto, (max-width: 650px) 100vw, 650px\" \/><\/figure><\/li><\/ul><figcaption class=\"blocks-gallery-caption is-layout-flex wp-block-gallery-is-layout-flex\">Several screenshots from the filmed Glyndebourne production of <em>La Calisto<\/em>.<br><\/figcaption><\/figure>\n\n\n\n<p>Francesco Cavalli: Restino imbalsamate (<em>La Calisto<\/em>). Ileana Cotrubas, Isla Brodie; Raymond Leppard, London Philharmonic Orchestra<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/Cotrubas-Hair.jpg\" alt=\"\" class=\"wp-image-4794\" width=\"230\" height=\"325\"\/><\/figure><\/div>\n\n\n\n<p>Johann Sebastian Bach: So hat Gott die Welt geliebt (<em>Erh\u00f6tes Fleisch und Blut<\/em>, BWV 173). Ileana Cotrubas, Hermann Prey, Helmut Winschermann, Deutsche Bachsolisten<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/Cotrubas-beautiful.jpg\" alt=\"\" class=\"wp-image-4795\" width=\"290\" height=\"383\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/Cotrubas-beautiful.jpg 310w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/Cotrubas-beautiful-227x300.jpg 227w\" sizes=\"auto, (max-width: 290px) 100vw, 290px\" \/><\/figure><\/div>\n\n\n\n<p>George Frideric Handel: Lascia ch&#8217;io piango (<em>Rinaldo<\/em>). Ileana Cotrubas; Jean-Claude Malgoire, La Grande \u00c9curie et la Chambre du Roy<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"560\" height=\"558\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/The-Classic-Cosi.jpg\" alt=\"\" class=\"wp-image-4796\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/The-Classic-Cosi.jpg 560w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/The-Classic-Cosi-300x300.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/The-Classic-Cosi-150x150.jpg 150w\" sizes=\"auto, (max-width: 560px) 100vw, 560px\" \/><\/figure><\/div>\n\n\n\n<p>Wolfgang Amadeus Mozart: In uomini, in soldati (<em>Cos\u00ec fan tutte<\/em>). Ileana Cotrubas; Colin Davis, Orchestra of the Royal Opera, Covent Garden<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"449\" height=\"575\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/ATS.jpg\" alt=\"\" class=\"wp-image-4797\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/ATS.jpg 449w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/ATS-234x300.jpg 234w\" sizes=\"auto, (max-width: 449px) 100vw, 449px\" \/><figcaption>Anna Tomowa-Sintow<br><\/figcaption><\/figure><\/div>\n\n\n\n<p>Wolfgang Amadeus Mozart: Cosa mi narri&#8230; Che soave zeffiretto (<em>Le nozze di Figaro<\/em>). Ileana Cotrubas, Anna Tomowa-Sintow; Herbert von Karajan, Orchester der Wiener Staatsoper [10 May 1977]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"470\" height=\"342\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/Cotrubas-as-Ilia.jpg\" alt=\"\" class=\"wp-image-4798\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/Cotrubas-as-Ilia.jpg 470w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/Cotrubas-as-Ilia-300x218.jpg 300w\" sizes=\"auto, (max-width: 470px) 100vw, 470px\" \/><figcaption>As Ilia in <em>Idomeneo<\/em>.<br><\/figcaption><\/figure><\/div>\n\n\n\n<p>Wolfgang Amadeus Mozart: Se il padre perdei (<em>Idomeneo<\/em>). Ileana Cotrubas; James Levine, Metropolitan Opera Orchestra [live 6 November 1982]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-gallery aligncenter columns-3 is-cropped wp-block-gallery-2\"><ul class=\"blocks-gallery-grid\"><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"451\" height=\"383\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/Pamina-2.png\" alt=\"\" data-id=\"4839\" data-full-url=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/Pamina-2.png\" data-link=\"https:\/\/countermelodypodcast.com\/?attachment_id=4839\" class=\"wp-image-4839\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/Pamina-2.png 451w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/Pamina-2-300x255.png 300w\" sizes=\"auto, (max-width: 451px) 100vw, 451px\" \/><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"397\" height=\"378\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/Pamina-3.png\" alt=\"\" data-id=\"4840\" data-full-url=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/Pamina-3.png\" data-link=\"https:\/\/countermelodypodcast.com\/?attachment_id=4840\" class=\"wp-image-4840\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/Pamina-3.png 397w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/Pamina-3-300x286.png 300w\" sizes=\"auto, (max-width: 397px) 100vw, 397px\" \/><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"518\" height=\"387\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/Pamina.png\" alt=\"\" data-id=\"4841\" data-full-url=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/Pamina.png\" data-link=\"https:\/\/countermelodypodcast.com\/?attachment_id=4841\" class=\"wp-image-4841\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/Pamina.png 518w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/Pamina-300x224.png 300w\" sizes=\"auto, (max-width: 518px) 100vw, 518px\" \/><\/figure><\/li><\/ul><figcaption class=\"blocks-gallery-caption is-layout-flex wp-block-gallery-is-layout-flex\">As Pamina in <em>Die Zauberfl\u00f6te<\/em>.<br><\/figcaption><\/figure>\n\n\n\n<p>Wolfgang Amadeus Mozart: Bei M\u00e4nnern (<em>Die Zauberfl\u00f6te<\/em>). Ileana Cotrubas, Christian Boesch; James Levine, Wiener Philharmoniker [live Salzburg 26 August 1982]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"450\" height=\"358\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/Cotrubas-fur.jpg\" alt=\"\" class=\"wp-image-4817\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/Cotrubas-fur.jpg 450w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/Cotrubas-fur-300x239.jpg 300w\" sizes=\"auto, (max-width: 450px) 100vw, 450px\" \/><\/figure><\/div>\n\n\n\n<p>Wolfgang Amadeus Mozart: Martern aller Arten (<em>Die Entf\u00fchrung aus dem Serail<\/em>). Ileana Cotrubas; Lorin Maazel, Wiener Philharmoniker [live Salzburg 08.1980)<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"994\" height=\"558\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/Cotrubas-in-color.jpg\" alt=\"\" class=\"wp-image-4820\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/Cotrubas-in-color.jpg 994w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/Cotrubas-in-color-300x168.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/Cotrubas-in-color-768x431.jpg 768w\" sizes=\"auto, (max-width: 994px) 100vw, 994px\" \/><\/figure><\/div>\n\n\n\n<p>George Enescu: Changeons propos; Du confict en douleur (<em>Sept Chansons de Cl\u00e9ment Marot<\/em>, Op. 15). Ileana Cotrubas, Geoffrey Parsons [live London 12 December 1976]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/Cotrubas.jpg\" alt=\"\" class=\"wp-image-4828\" width=\"527\" height=\"725\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/Cotrubas.jpg 697w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/Cotrubas-218x300.jpg 218w\" sizes=\"auto, (max-width: 527px) 100vw, 527px\" \/><\/figure><\/div>\n\n\n\n<p>Georges Bizet: Comme autrefois (<em>Les P\u00eacheurs de Perles<\/em>). Ileana Cotrubas; Georges Pr\u00eatre, Orchestra of the Paris Opera<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-gallery columns-1 is-cropped wp-block-gallery-3\"><ul class=\"blocks-gallery-grid\"><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"640\" height=\"360\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/Cotrubas-as-Adina-with-Umbrella.jpg\" alt=\"\" data-id=\"4811\" data-full-url=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/Cotrubas-as-Adina-with-Umbrella.jpg\" data-link=\"https:\/\/countermelodypodcast.com\/?attachment_id=4811\" class=\"wp-image-4811 is-layout-flex wp-block-gallery-is-layout-flex\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/Cotrubas-as-Adina-with-Umbrella.jpg 640w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/Cotrubas-as-Adina-with-Umbrella-300x169.jpg 300w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/figure><\/li><\/ul><\/figure>\n\n\n\n<p>Gaetano Donizetti: Chiedi all&#8217;aura lusinghiera (<em>L&#8217;elisir d&#8217;amore<\/em>). Ileana Cotrubas, Luigi Alva; John Pritchard, Orchestra of the Royal Opera House Covent Garden [live 08 January 1977]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"329\" height=\"450\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/Cotrubas-Mimi.jpg\" alt=\"\" class=\"wp-image-4822\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/Cotrubas-Mimi.jpg 329w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/Cotrubas-Mimi-219x300.jpg 219w\" sizes=\"auto, (max-width: 329px) 100vw, 329px\" \/><\/figure><\/div>\n\n\n\n<p>Giacomo Puccini: Sono andati? (<em>La boh\u00e8me<\/em>). Ileana Cotrubas, Luciano Pavarotti, Lucia Popp, Piero Cappuccilli, Yevgeny Nesterenko, Giorgio Giorgetti, Carlos Kleiber, Orchestra del Teatro alla Scala di Milano [live 22 March 1979]<\/p>\n\n\n\n<p>P.S. I think Ileana Cotrubas uses her hands in the simplest yet most expressive way. Look at these screenshots of her Covent Garden Mimi.<\/p>\n\n\n\n<figure class=\"wp-block-gallery columns-3 is-cropped wp-block-gallery-4\"><ul class=\"blocks-gallery-grid\"><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"620\" height=\"468\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/Mimi3.png\" alt=\"\" data-id=\"4837\" data-full-url=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/Mimi3.png\" data-link=\"https:\/\/countermelodypodcast.com\/?attachment_id=4837\" class=\"wp-image-4837\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/Mimi3.png 620w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/Mimi3-300x226.png 300w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"613\" height=\"469\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/Mimi2.png\" alt=\"\" data-id=\"4836\" data-full-url=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/Mimi2.png\" data-link=\"https:\/\/countermelodypodcast.com\/?attachment_id=4836\" class=\"wp-image-4836\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/Mimi2.png 613w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/Mimi2-300x230.png 300w\" sizes=\"auto, (max-width: 613px) 100vw, 613px\" \/><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"619\" height=\"436\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/Mimi1.png\" alt=\"\" data-id=\"4835\" data-full-url=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/Mimi1.png\" data-link=\"https:\/\/countermelodypodcast.com\/?attachment_id=4835\" class=\"wp-image-4835 is-layout-flex wp-block-gallery-is-layout-flex\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/Mimi1.png 619w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/Mimi1-300x211.png 300w\" sizes=\"auto, (max-width: 619px) 100vw, 619px\" \/><\/figure><\/li><\/ul><\/figure>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"768\" height=\"576\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/Cotrubas-Kraus.jpg\" alt=\"\" class=\"wp-image-4821\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/Cotrubas-Kraus.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/Cotrubas-Kraus-300x225.jpg 300w\" sizes=\"auto, (max-width: 768px) 100vw, 768px\" \/><figcaption>With Alfredo Kraus<br><\/figcaption><\/figure>\n\n\n\n<p>Giuseppe Verdi: \u00c8 strano&#8230; Ah, fors&#8217;\u00e8 lui&#8230; Sempre libera (<em>La Traviata<\/em>). Ileana Cotrubas, Alfredo Kraus; Bruno Bartoletti, Orchestra of the Lyric Opera of Chicago [live 11 December 1983]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"564\" height=\"926\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/Cotrubas-probably-Violetta.jpg\" alt=\"\" class=\"wp-image-4775\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/Cotrubas-probably-Violetta.jpg 564w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/Cotrubas-probably-Violetta-183x300.jpg 183w\" sizes=\"auto, (max-width: 564px) 100vw, 564px\" \/><\/figure><\/div>\n\n\n\n<p>Giuseppe Verdi: Parigi, o cara&#8230; Gran Dio, morir si giovane (<em>La Traviata<\/em>). Ileana Cotrubas, Giacomo Aragall; Carlos Kleiber, Orchester der Bayerischen Staatsoper [M\u00fcnchen, April 1975]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/Cotrubas-as-Violetta-1.jpg\" alt=\"\" class=\"wp-image-4842\" width=\"438\" height=\"576\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/Cotrubas-as-Violetta-1.jpg 400w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/Cotrubas-as-Violetta-1-228x300.jpg 228w\" sizes=\"auto, (max-width: 438px) 100vw, 438px\" \/><\/figure><\/div>\n\n\n\n<p>Giuseppe Verdi: Prendi, quest&#8217;\u00e8 l&#8217;immagine (<em>La Traviata<\/em>). Ileana Cotrubas, Alfredo Kraus, Piero Cappuccilli, Arnold Voketaitis, Trudy Hines, Bruno Bartoletti, Orchestra of the Lyric Opera of Chicago [live 26 September 1975]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"504\" height=\"800\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/Cotrubas-Gilda-1.jpg\" alt=\"\" class=\"wp-image-4844\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/Cotrubas-Gilda-1.jpg 504w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/Cotrubas-Gilda-1-189x300.jpg 189w\" sizes=\"auto, (max-width: 504px) 100vw, 504px\" \/><\/figure><\/div>\n\n\n\n<p>Johannes Brahms: Ihr habt nun Traurigkeit (<em>Ein deutsches Requiem<\/em>). Ileana Cotrubas; Carlo Maria Giulini, London Philharmonic Orchestra, Edinburgh International Festival Chorus [Edinburgh 26 August 1978]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Episode 39. Pathos \u00e0 la Cotrubas SOCIAL SHARE SUBSCRIPTION PLATFORM Several weeks ago I began a series on particular vocal&hellip;<\/p>\n","protected":false},"author":1,"featured_media":4782,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"advgb_blocks_editor_width":"","advgb_blocks_columns_visual_guide":"","footnotes":""},"categories":[1603,8033,808],"tags":[47,1619,1090,1622,472,1614,44,1611,1612,1623,376,1609,1607,280,350,390,1617,584,1613,1624,448,1616,298,863,1621,1618,1066,871,432,1610,354,1620,691,1608,34],"class_list":["post-4778","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-ileana-cotrubas","category-johann-sebastian-bach","category-needle-drop","tag-alfredo-kraus","tag-anna-tomowa-sintow","tag-bruno-bartoletti","tag-carlo-maria-giulini","tag-carlos-kleiber","tag-colin-davis","tag-cosi-fan-tutte","tag-die-entfuhrung-aus-dem-serail","tag-die-zauberflote","tag-ein-deutsches-requiem","tag-gaetano-donizetti","tag-geoffrey-parsons","tag-george-enescu","tag-george-frideric-handel","tag-georges-bizet","tag-georges-pretre","tag-helmut-winschermann","tag-hermann-prey","tag-idomeneo","tag-ihr-habt-nun-traurigkeit","tag-ileana-cotrubas","tag-jean-claude-malgoire","tag-johann-sebastian-bach","tag-johannes-brahms","tag-john-pritchard","tag-la-calisto","tag-la-traviata","tag-le-nozze-di-figaro","tag-les-pecheurs-de-perles","tag-lorin-maazel","tag-luciano-pavarotti","tag-luigi-alva","tag-raymond-leppard","tag-sept-chansons-de-clement-marot","tag-wolfgang-amadeus-mozart"],"author_meta":{"display_name":"admin","author_link":"https:\/\/countermelodypodcast.com\/index.php\/author\/admin\/"},"featured_img":"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/Cotrubas-probably-Violetta-TRIMMED-300x156.jpg","coauthors":[],"tax_additional":{"categories":{"linked":["<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/ileana-cotrubas\/\" class=\"advgb-post-tax-term\">Ileana Cotrubas<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/johann-sebastian-bach\/\" class=\"advgb-post-tax-term\">Johann Sebastian Bach<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Needle Drop<\/a>"],"unlinked":["<span class=\"advgb-post-tax-term\">Ileana Cotrubas<\/span>","<span class=\"advgb-post-tax-term\">Johann Sebastian Bach<\/span>","<span class=\"advgb-post-tax-term\">Needle Drop<\/span>"]},"tags":{"linked":["<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Alfredo Kraus<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Anna Tomowa-Sintow<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Bruno Bartoletti<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Carlo Maria Giulini<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Carlos Kleiber<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Colin Davis<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Cosi fan tutte<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Die Entf\u00fchrung aus dem Serail<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Die Zauberfl\u00f6te<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Ein deutsches Requiem<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Gaetano Donizetti<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Geoffrey Parsons<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">George Enescu<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">George Frideric Handel<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Georges Bizet<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Georges Pretre<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Helmut Winschermann<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Hermann Prey<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Idomeneo<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Ihr habt nun Traurigkeit<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Ileana Cotrubas<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Jean-Claude Malgoire<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Johann Sebastian Bach<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Johannes Brahms<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">John Pritchard<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">La Calisto<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">La Traviata<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Le nozze di Figaro<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Les pecheurs de perles<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Lorin Maazel<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Luciano Pavarotti<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Luigi Alva<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Raymond Leppard<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Sept Chansons de Cl\u00e9ment Marot<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Wolfgang Amadeus Mozart<\/a>"],"unlinked":["<span class=\"advgb-post-tax-term\">Alfredo Kraus<\/span>","<span class=\"advgb-post-tax-term\">Anna Tomowa-Sintow<\/span>","<span class=\"advgb-post-tax-term\">Bruno Bartoletti<\/span>","<span class=\"advgb-post-tax-term\">Carlo Maria Giulini<\/span>","<span class=\"advgb-post-tax-term\">Carlos Kleiber<\/span>","<span class=\"advgb-post-tax-term\">Colin Davis<\/span>","<span class=\"advgb-post-tax-term\">Cosi fan tutte<\/span>","<span class=\"advgb-post-tax-term\">Die Entf\u00fchrung aus dem Serail<\/span>","<span class=\"advgb-post-tax-term\">Die Zauberfl\u00f6te<\/span>","<span class=\"advgb-post-tax-term\">Ein deutsches Requiem<\/span>","<span class=\"advgb-post-tax-term\">Gaetano Donizetti<\/span>","<span class=\"advgb-post-tax-term\">Geoffrey Parsons<\/span>","<span class=\"advgb-post-tax-term\">George Enescu<\/span>","<span class=\"advgb-post-tax-term\">George Frideric Handel<\/span>","<span class=\"advgb-post-tax-term\">Georges Bizet<\/span>","<span class=\"advgb-post-tax-term\">Georges Pretre<\/span>","<span class=\"advgb-post-tax-term\">Helmut Winschermann<\/span>","<span class=\"advgb-post-tax-term\">Hermann Prey<\/span>","<span class=\"advgb-post-tax-term\">Idomeneo<\/span>","<span class=\"advgb-post-tax-term\">Ihr habt nun Traurigkeit<\/span>","<span class=\"advgb-post-tax-term\">Ileana Cotrubas<\/span>","<span class=\"advgb-post-tax-term\">Jean-Claude Malgoire<\/span>","<span class=\"advgb-post-tax-term\">Johann Sebastian Bach<\/span>","<span class=\"advgb-post-tax-term\">Johannes Brahms<\/span>","<span class=\"advgb-post-tax-term\">John Pritchard<\/span>","<span class=\"advgb-post-tax-term\">La Calisto<\/span>","<span class=\"advgb-post-tax-term\">La Traviata<\/span>","<span class=\"advgb-post-tax-term\">Le nozze di Figaro<\/span>","<span class=\"advgb-post-tax-term\">Les pecheurs de perles<\/span>","<span class=\"advgb-post-tax-term\">Lorin Maazel<\/span>","<span class=\"advgb-post-tax-term\">Luciano Pavarotti<\/span>","<span class=\"advgb-post-tax-term\">Luigi Alva<\/span>","<span class=\"advgb-post-tax-term\">Raymond Leppard<\/span>","<span class=\"advgb-post-tax-term\">Sept Chansons de Cl\u00e9ment Marot<\/span>","<span class=\"advgb-post-tax-term\">Wolfgang Amadeus Mozart<\/span>"]}},"comment_count":"3","relative_dates":{"created":"Posted 6 years ago","modified":"Updated 8 months ago"},"absolute_dates":{"created":"Posted on 15\/06\/2020","modified":"Updated on 29\/07\/2025"},"absolute_dates_time":{"created":"Posted on 15\/06\/2020 01:55","modified":"Updated on 29\/07\/2025 11:04"},"featured_img_caption":"","series_order":"","_links":{"self":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/4778","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/comments?post=4778"}],"version-history":[{"count":7,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/4778\/revisions"}],"predecessor-version":[{"id":4847,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/4778\/revisions\/4847"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/media\/4782"}],"wp:attachment":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/media?parent=4778"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/categories?post=4778"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/tags?post=4778"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}