{"id":4587,"date":"2020-05-24T23:15:35","date_gmt":"2020-05-24T21:15:35","guid":{"rendered":"http:\/\/countermelodypodcast.com\/?p=4587"},"modified":"2020-05-24T23:15:36","modified_gmt":"2020-05-24T21:15:36","slug":"episode-36-glamour","status":"publish","type":"post","link":"https:\/\/countermelodypodcast.com\/index.php\/2020\/05\/24\/episode-36-glamour\/","title":{"rendered":"Episode 36. Glamour"},"content":{"rendered":"<div id=\"mega-menu-wrap-primary\" class=\"mega-menu-wrap\"><div class=\"mega-menu-toggle\"><div class=\"mega-toggle-blocks-left\"><\/div><div class=\"mega-toggle-blocks-center\"><\/div><div class=\"mega-toggle-blocks-right\"><div class='mega-toggle-block mega-menu-toggle-animated-block mega-toggle-block-1' id='mega-toggle-block-1'><button aria-controls=\"mega-menu-primary\" aria-expanded=\"false\" aria-haspopup=\"true\" aria-label=\"Menu\" class=\"mega-toggle-animated mega-toggle-animated-slider\" type=\"button\">\n                  <span class=\"mega-toggle-animated-box\">\n                    <span class=\"mega-toggle-animated-inner\"><\/span>\n                  <\/span>\n                <\/button><\/div><\/div><\/div><ul id=\"mega-menu-primary\" class=\"mega-menu max-mega-menu mega-menu-horizontal mega-no-js\" data-event=\"hover_intent\" data-effect=\"slide\" data-effect-speed=\"200\" data-effect-mobile=\"slide\" data-effect-speed-mobile=\"200\" data-mobile-force-width=\"body\" data-second-click=\"go\" data-document-click=\"collapse\" data-vertical-behaviour=\"standard\" data-breakpoint=\"600\" data-unbind=\"true\" data-mobile-state=\"collapse_all\" data-mobile-direction=\"vertical\"><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-menu-item-home mega-menu-item-19160\" id=\"mega-menu-item-19160\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/\">Home<\/a><\/li><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-menu-item-19161\" id=\"mega-menu-item-19161\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/index.php\/about-daniel\/\">About Daniel<\/a><\/li><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-current_page_parent mega-menu-item-19171\" id=\"mega-menu-item-19171\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/index.php\/all-episodes\/\">All Episodes<\/a><\/li><\/ul><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">Episode 36.  Glamour (I Put a Spell on You)<\/h2>\n\n\n\n<iframe loading=\"lazy\" width=\"340\" height=\"50\" src=\"https:\/\/countermelody.blubrry.net\/?powerpress_embed=136-podcast&amp;powerpress_player=mediaelement-audio\" frameborder=\"0\" scrolling=\"no\"><\/iframe>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"wp-block-paragraph\"><strong>SOCIAL SHARE<\/strong><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"has-text-align-right wp-block-paragraph\"><strong>SUBSCRIPTION PLATFORM<\/strong><\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<div class=\"wp-block-buttons alignleft is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button alignright\"><a class=\"wp-block-button__link no-border-radius\" href=\"https:\/\/countermelody.blubrry.net\/\">SUBSCRIBE VIA YOUR FAVORITE PODCAST PLATFORM<\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Diahann-Carroll-1024x683.jpg\" alt=\"\" class=\"wp-image-4590\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Diahann-Carroll-1024x683.jpg 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Diahann-Carroll-300x200.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Diahann-Carroll-768x512.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Diahann-Carroll.jpg 1200w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption>Diahann Carroll<\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:38px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"wp-block-paragraph\">The Oxford English Dictionary defines \u201cglamour\u201d as \u201cmagic; enchantment; spell\u201d and \u201ca magical or fictitious beauty attaching to any person or object; a delusive or alluring charm.\u201d Further down in the entry are \u201ccharm; attractiveness; physical allure,\u201d certainly the definition we most closely associate with the term. And yet, it\u2019s fascinating to examine the concept of glamour from its spellbinding origins. In the first of my episodes on Glamour, I examine many singers both from the spell-binding sense of the term and the sense of vocal and personal allure. Among others, I examine such varied singers as Alice Faye, Eleanor Steber, Annie Lennox, Carol Neblett, Betty Carter, Diahann Carroll, Teresa \u017bylis-Gara, Liane Augustin, Dorothy Kirsten, Florence Quartararo, Hana Jank\u016f, Helen Traubel, Hilde G\u00fcden, Kiri Te Kanawa, Leontyne Price, Lisa Kirk, Lotte Lehmann, Anna Moffo, Maria Nemeth, Montserrat Caball\u00e9, Rosa Ponselle, Zarah Leander, and The Incomparable Hildegarde with an eye to what makes their work glamourous in all senses of the term. And the gentlemen are by no means excluded: I spend particular time on the seductive and dulcet tenor tones of Fritz Wunderlich, Jos\u00e9 Carreras, Karl Friedrich, and Miguel Fleta.<\/p>\n\n\n\n<div style=\"height:47px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p style=\"font-size:30px\" class=\"has-custom-size wp-block-paragraph\"><strong> RECORDINGS HEARD IN THIS EPISODE<\/strong><\/p>\n\n\n\n<div style=\"height:55px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"564\" height=\"876\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Annie-Lennox.jpg\" alt=\"\" class=\"wp-image-4593\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Annie-Lennox.jpg 564w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Annie-Lennox-193x300.jpg 193w\" sizes=\"auto, (max-width: 564px) 100vw, 564px\" \/><\/figure><\/div>\n\n\n\n<p class=\"wp-block-paragraph\">Jalacy &#8220;Screamin&#8217; Jay&#8221; Hawkins: I Put a Spell on You. Annie Lennox (from her <em>Nostalgia<\/em> album)<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"290\" height=\"450\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Rosa-Ponselle.jpg\" alt=\"\" class=\"wp-image-4594\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Rosa-Ponselle.jpg 290w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Rosa-Ponselle-193x300.jpg 193w\" sizes=\"auto, (max-width: 290px) 100vw, 290px\" \/><\/figure><\/div>\n\n\n\n<p class=\"wp-block-paragraph\">Hercule Gilles de Fontenailles, Jeanne Dortzal [Jeanne-Fran\u00e7oise Thomasset]: \u00c0 l&#8217;aim\u00e9. Rosa Ponselle; Rosario Bourdon<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"407\" height=\"558\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Zylis-Gara.jpg\" alt=\"\" class=\"wp-image-4595\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Zylis-Gara.jpg 407w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Zylis-Gara-219x300.jpg 219w\" sizes=\"auto, (max-width: 407px) 100vw, 407px\" \/><\/figure><\/div>\n\n\n\n<p class=\"wp-block-paragraph\">Richard Strauss: Fr\u00fchling (<em>Vier letzte Lieder<\/em>). Teresa \u017bylis-Gara, Zubin Mehta, Los Angeles Philharmonic [live, November 1977]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"800\" height=\"589\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Carol-Neblett-1.png\" alt=\"\" class=\"wp-image-4597\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Carol-Neblett-1.png 800w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Carol-Neblett-1-300x221.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Carol-Neblett-1-768x565.png 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><\/figure><\/div>\n\n\n\n<p class=\"wp-block-paragraph\">Jules Massenet: Dis-moi que je suis belle (<em>Tha\u00efs<\/em>). Carol Neblett, Knut Andersson, New Orleans Opera Association Orchestra [live, 1973]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-gallery columns-2 is-cropped wp-block-gallery-1\"><ul class=\"blocks-gallery-grid\"><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"285\" height=\"400\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Leontyne-Van-Vechten.jpg\" alt=\"\" data-id=\"4599\" data-full-url=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Leontyne-Van-Vechten.jpg\" data-link=\"https:\/\/countermelodypodcast.com\/?attachment_id=4599\" class=\"wp-image-4599\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Leontyne-Van-Vechten.jpg 285w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Leontyne-Van-Vechten-214x300.jpg 214w\" sizes=\"auto, (max-width: 285px) 100vw, 285px\" \/><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"363\" height=\"444\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Leontyne-Turban.jpg\" alt=\"\" data-id=\"4598\" data-full-url=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Leontyne-Turban.jpg\" data-link=\"https:\/\/countermelodypodcast.com\/?attachment_id=4598\" class=\"wp-image-4598 is-layout-flex wp-block-gallery-is-layout-flex\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Leontyne-Turban.jpg 363w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Leontyne-Turban-245x300.jpg 245w\" sizes=\"auto, (max-width: 363px) 100vw, 363px\" \/><\/figure><\/li><\/ul><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Ned Rorem, Orlando Gibbons: The Silver Swan. Leontyne Price, David Garvey [live from the White House, 8 October 1978]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"401\" height=\"487\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Quartararo.jpg\" alt=\"\" class=\"wp-image-4600\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Quartararo.jpg 401w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Quartararo-247x300.jpg 247w\" sizes=\"auto, (max-width: 401px) 100vw, 401px\" \/><\/figure><\/div>\n\n\n\n<p class=\"wp-block-paragraph\">Landon Ronald, Harold Simpson: Prelude (<em>A Cycle of Life<\/em>). Florence Quartararo [live radio broadcast, 1945]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"671\" height=\"800\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Eleanor-Steber.jpg\" alt=\"\" class=\"wp-image-4601\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Eleanor-Steber.jpg 671w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Eleanor-Steber-252x300.jpg 252w\" sizes=\"auto, (max-width: 671px) 100vw, 671px\" \/><\/figure><\/div>\n\n\n\n<p class=\"wp-block-paragraph\">James Bland: Carry Me Back to Old Virginny. Eleanor Steber [live <em>Voice of Firestone<\/em> telecast, 1952]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"300\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Kiri-Te-Kanawa-Arch.png\" alt=\"\" class=\"wp-image-4602\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Kiri-Te-Kanawa-Arch.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Kiri-Te-Kanawa-Arch-150x150.png 150w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/figure><\/div>\n\n\n\n<p class=\"wp-block-paragraph\">Bernard Herrmann: Aria from &#8220;Salammbo&#8221; (<em>Citizen Kane<\/em>). Kiri Te Kanawa; Charles Gerhardt, National Philharmonic Orchestra<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"804\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Lotte-Lehmann-1-804x1024.jpg\" alt=\"\" class=\"wp-image-4604\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Lotte-Lehmann-1-804x1024.jpg 804w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Lotte-Lehmann-1-236x300.jpg 236w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Lotte-Lehmann-1-768x978.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Lotte-Lehmann-1.jpg 1043w\" sizes=\"auto, (max-width: 804px) 100vw, 804px\" \/><\/figure><\/div>\n\n\n\n<p class=\"wp-block-paragraph\">Erich Wolfgang Korngold: Ich ging zu ihm (<em>Das Wunder der Heliane<\/em>). Lotte Lehmann; Manfred Gurlitt, Berlin Staatsopernorchester<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"301\" height=\"412\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Maria-Nemeth.jpg\" alt=\"\" class=\"wp-image-4605\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Maria-Nemeth.jpg 301w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Maria-Nemeth-219x300.jpg 219w\" sizes=\"auto, (max-width: 301px) 100vw, 301px\" \/><\/figure><\/div>\n\n\n\n<p class=\"wp-block-paragraph\">Erich Wolfgang Korngold: Gl\u00fcck, das mir verblieb (<em>Die tote<\/em> <em>Stadt<\/em>). Maria Nemeth<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"330\" height=\"485\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Hana-Janku.jpg\" alt=\"\" class=\"wp-image-4606\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Hana-Janku.jpg 330w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Hana-Janku-204x300.jpg 204w\" sizes=\"auto, (max-width: 330px) 100vw, 330px\" \/><\/figure><\/div>\n\n\n\n<p class=\"wp-block-paragraph\">Giuseppe Verdi: D&#8217;amor sull&#8217;ali rosee (<em>Il trovatore<\/em>). Hana Jank\u016f; Jan \u0160tych, Brno State Theatre Opera Orchestra<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"698\" height=\"376\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Montserrat-Caballe.png\" alt=\"\" class=\"wp-image-4607\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Montserrat-Caballe.png 698w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Montserrat-Caballe-300x162.png 300w\" sizes=\"auto, (max-width: 698px) 100vw, 698px\" \/><\/figure><\/div>\n\n\n\n<p class=\"wp-block-paragraph\">Giacomo Puccini: Chi il bel sogno di Doretta (<em>La rondine<\/em>). Montserrat Caball\u00e9; Charles Mackerras, London Symphony Orchestra<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"452\" height=\"452\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Anna-Moffo.jpg\" alt=\"\" class=\"wp-image-4608\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Anna-Moffo.jpg 452w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Anna-Moffo-300x300.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Anna-Moffo-150x150.jpg 150w\" sizes=\"auto, (max-width: 452px) 100vw, 452px\" \/><\/figure><\/div>\n\n\n\n<p class=\"wp-block-paragraph\">Victor Herbert: Italian Street Song (<em>Naughty Marietta<\/em>). Anna Moffo; Lehman Engel, RCA Victor Symphony Orchestra<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-gallery columns-2 is-cropped wp-block-gallery-2\"><ul class=\"blocks-gallery-grid\"><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"768\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Hilde-Gueden-1-768x1024.jpg\" alt=\"\" data-id=\"4609\" data-full-url=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Hilde-Gueden-1.jpg\" data-link=\"https:\/\/countermelodypodcast.com\/?attachment_id=4609\" class=\"wp-image-4609\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Hilde-Gueden-1-768x1024.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Hilde-Gueden-1-225x300.jpg 225w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Hilde-Gueden-1.jpg 856w\" sizes=\"auto, (max-width: 768px) 100vw, 768px\" \/><figcaption class=\"blocks-gallery-item__caption\">Operazangeres Hilde Gueden in ons land \n*1 maart 1962<\/figcaption><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"496\" height=\"642\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Karl-Friedrich.png\" alt=\"\" data-id=\"4610\" data-full-url=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Karl-Friedrich.png\" data-link=\"https:\/\/countermelodypodcast.com\/?attachment_id=4610\" class=\"wp-image-4610 is-layout-flex wp-block-gallery-is-layout-flex\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Karl-Friedrich.png 496w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Karl-Friedrich-232x300.png 232w\" sizes=\"auto, (max-width: 496px) 100vw, 496px\" \/><\/figure><\/li><\/ul><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Franz Leh\u00e1r: Sch\u00f6n wie die blaue Sommernacht (<em>Giuditta<\/em>). Hilde G\u00fcden, Karl Friedrich; Wilhelm Loibner, Wiener Staatsopernorchester<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"618\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Miguel-Fleta-1-618x1024.jpg\" alt=\"\" class=\"wp-image-4612\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Miguel-Fleta-1-618x1024.jpg 618w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Miguel-Fleta-1-181x300.jpg 181w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Miguel-Fleta-1-768x1273.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Miguel-Fleta-1-926x1536.jpg 926w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Miguel-Fleta-1.jpg 965w\" sizes=\"auto, (max-width: 618px) 100vw, 618px\" \/><\/figure><\/div>\n\n\n\n<p class=\"wp-block-paragraph\">Vincenzo Bellini: A te, o cara (<em>I Puritani<\/em>). Miguel Fleta<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"728\" height=\"489\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Jose-Carreras-1.png\" alt=\"\" class=\"wp-image-4614\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Jose-Carreras-1.png 728w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Jose-Carreras-1-300x202.png 300w\" sizes=\"auto, (max-width: 728px) 100vw, 728px\" \/><\/figure><\/div>\n\n\n\n<p class=\"wp-block-paragraph\">Giuseppe Verdi: Le mie letizie infondere (<em>I Lombardi<\/em>). Jos\u00e9 Carreras; Roberto Benzi, Royal Philharmonic Orchestra<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"750\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Fritz.jpg\" alt=\"\" class=\"wp-image-4615\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Fritz.jpg 1000w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Fritz-300x225.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Fritz-768x576.jpg 768w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><\/figure><\/div>\n\n\n\n<p class=\"wp-block-paragraph\">Hans Moltkau: Niemals lass ich dich allein. Fritz Wunderlich; Willi Stech, Das kleine Rundfunkorchester des SWF<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"436\" height=\"543\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Dorothy-Kirsten.jpg\" alt=\"\" class=\"wp-image-4616\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Dorothy-Kirsten.jpg 436w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Dorothy-Kirsten-241x300.jpg 241w\" sizes=\"auto, (max-width: 436px) 100vw, 436px\" \/><\/figure><\/div>\n\n\n\n<p class=\"wp-block-paragraph\">George Gershwin, Ira Gershwin: Do Do Do (<em>Oh, Kay!<\/em>). Dorothy Kirsten; Percy Faith &amp; His Orchestra and Chorus<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"595\" height=\"754\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Helen-Traubel.jpg\" alt=\"\" class=\"wp-image-4617\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Helen-Traubel.jpg 595w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Helen-Traubel-237x300.jpg 237w\" sizes=\"auto, (max-width: 595px) 100vw, 595px\" \/><\/figure><\/div>\n\n\n\n<p class=\"wp-block-paragraph\">Kurt Weill, Maxwell Anderson: September Song (<em>Knickerbocker Holiday<\/em>). Helen Traubel; Milton Rogers<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"550\" height=\"725\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Alice-Faye.jpg\" alt=\"\" class=\"wp-image-4618\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Alice-Faye.jpg 550w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Alice-Faye-228x300.jpg 228w\" sizes=\"auto, (max-width: 550px) 100vw, 550px\" \/><\/figure><\/div>\n\n\n\n<p class=\"wp-block-paragraph\">Mack Gordon, Harry Revel: There&#8217;s a Lull in My Life. Alice Faye; Cy Feuer<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"454\" height=\"363\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Zarah-Leander.jpg\" alt=\"\" class=\"wp-image-4619\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Zarah-Leander.jpg 454w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Zarah-Leander-300x240.jpg 300w\" sizes=\"auto, (max-width: 454px) 100vw, 454px\" \/><\/figure><\/div>\n\n\n\n<p class=\"wp-block-paragraph\">Cesare Andrea Bixio: Karleken \u00e4r ny varje dag [Parlami d&#8217;amore, Mari\u00f9] (<em>Gli uomini, che mascalzoni<\/em>). Zarah Leander; Arne Hulphers Fenixorkester<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"250\" height=\"361\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Liane.jpeg\" alt=\"\" class=\"wp-image-4620\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Liane.jpeg 250w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Liane-208x300.jpeg 208w\" sizes=\"auto, (max-width: 250px) 100vw, 250px\" \/><\/figure><\/div>\n\n\n\n<p class=\"wp-block-paragraph\">Robert Stolz, Robert Gilbert: Tr\u00e4nen fallen im Herbst einer Liebe. Liane [Augustin]; Robert Stolz, Das gro\u00dfe Wiener Rundfunkorchester&nbsp;<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"719\" height=\"924\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Lisa-Kirk.jpg\" alt=\"\" class=\"wp-image-4621\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Lisa-Kirk.jpg 719w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Lisa-Kirk-233x300.jpg 233w\" sizes=\"auto, (max-width: 719px) 100vw, 719px\" \/><\/figure><\/div>\n\n\n\n<p class=\"wp-block-paragraph\">Richard Rodgers, Lorenz Hart: My Funny Valentine (<em>Babes in Arms<\/em>). Lisa Kirk<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"620\" height=\"765\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Hildegarde-1.jpg\" alt=\"\" class=\"wp-image-4623\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Hildegarde-1.jpg 620w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Hildegarde-1-243x300.jpg 243w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/><\/figure><\/div>\n\n\n\n<p class=\"wp-block-paragraph\">No\u00ebl Coward: I&#8217;ll See You Again (<em>Bitter Sweet<\/em>). Hildegarde; Ray Sinatra<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"400\" height=\"400\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Diahann-Carroll2.jpg\" alt=\"\" class=\"wp-image-4624\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Diahann-Carroll2.jpg 400w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Diahann-Carroll2-300x300.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Diahann-Carroll2-150x150.jpg 150w\" sizes=\"auto, (max-width: 400px) 100vw, 400px\" \/><\/figure><\/div>\n\n\n\n<p class=\"wp-block-paragraph\">Harold Arlen, Truman Capote: A Sleepin&#8217; Bee (<em>House of Flowers<\/em>). Diahann Carroll; Ralph Burns &amp; His Orchestra<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"537\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Betty-Carter-537x1024.jpg\" alt=\"\" class=\"wp-image-4625\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Betty-Carter-537x1024.jpg 537w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Betty-Carter-157x300.jpg 157w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Betty-Carter.jpg 564w\" sizes=\"auto, (max-width: 537px) 100vw, 537px\" \/><\/figure><\/div>\n\n\n\n<p class=\"wp-block-paragraph\">Karl Suessdorf, John Blackburn: Moonlight in Vermont. Betty Carter; Ray Bryant, Weldell Marshall, Jo Jones<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"551\" height=\"551\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Cassandra-Wilson.jpg\" alt=\"\" class=\"wp-image-4626\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Cassandra-Wilson.jpg 551w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Cassandra-Wilson-300x300.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Cassandra-Wilson-150x150.jpg 150w\" sizes=\"auto, (max-width: 551px) 100vw, 551px\" \/><\/figure><\/div>\n\n\n\n<p class=\"wp-block-paragraph\">Muddy Waters, Bumble Bee Slim: Honey Bee. Cassandra Wilson; Brandon Ross, Jeffrey Hanes, Harlin Riley, Calvin Jones (from her <em>Glamoured<\/em> album)<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"603\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Eurythmics-2-1024x603.jpg\" alt=\"\" class=\"wp-image-4629\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Eurythmics-2-1024x603.jpg 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Eurythmics-2-300x177.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Eurythmics-2-768x452.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Eurythmics-2.jpg 1496w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure><\/div>\n\n\n\n<p class=\"wp-block-paragraph\">Dave Stewart, Annie Lennox: There Must Be an Angel (Playing with My Heart). Eurythmics, Stevie Wonder (from their <em>Be Yourself Tonight<\/em> album)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Episode 36. Glamour (I Put a Spell on You) SOCIAL SHARE SUBSCRIPTION PLATFORM The Oxford English Dictionary defines \u201cglamour\u201d as&hellip;<\/p>\n","protected":false},"author":1,"featured_media":4592,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"advgb_blocks_editor_width":"","advgb_blocks_columns_visual_guide":"","footnotes":""},"categories":[420,1076,808,1470],"tags":[1517,411,1477,1507,1490,1535,1499,1484,1538,1518,1493,1492,1495,1539,1486,695,1496,1511,1125,1478,95,1503,1448,45,1396,1512,94,1504,207,1498,1497,1531,1488,1516,1513,1480,324,1529,1533,1508,1479,348,1397,1502,1489,1481,1509,1510,433,1505,1491,1514,1040,1500,1487,334,1523,1526,1524,87,1515,1494,1483,1506,1501,1536,1537,1525,1418,1485,1527,928,329,1522,1453,96,1482,1309,1530,1532,1417,700,62,1521],"class_list":["post-4587","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-african-american-opera-singers","category-crossover","category-needle-drop","category-operetta","tag-alice-faye","tag-anna-moffo","tag-annie-lennox","tag-bellini-i-puritani","tag-bernard-herrmann","tag-betty-carter","tag-canzone-di-doretta","tag-carol-neblett","tag-cassandra-wilson","tag-cesare-andrea-bixio","tag-charles-gerhardt","tag-citizen-kane","tag-das-wunder-der-heliane","tag-dave-stewart","tag-david-garvey","tag-diahann-carroll","tag-die-tote-stadt","tag-dorothy-kirsten","tag-eleanor-steber","tag-eurythmics","tag-florence-quartararo","tag-franz-lehar-2","tag-franz-lehar","tag-fritz-wunderlich","tag-george-gershwin","tag-gershwin-oh-kay","tag-giacomo-puccini","tag-giuditta-lehar","tag-giuseppe-verdi","tag-hana-janku-2","tag-hana-janku","tag-harold-arlen","tag-harold-simpson","tag-harry-revel","tag-helen-traubel","tag-hercule-gilles-de-fontenailles","tag-hilde-guden","tag-hildegarde","tag-house-of-flowers","tag-i-lombardi","tag-i-put-a-spell-on-you","tag-il-trovatore","tag-ira-gershwin","tag-italian-street-song-naughty-marietta","tag-james-bland","tag-jeanne-dortzal","tag-jose-carreras","tag-jose-carreras-2","tag-jules-massenet","tag-karl-friedrich","tag-kiri-te-kanawa","tag-knickerbocker-holiday","tag-kurt-weill","tag-la-rondine","tag-landon-ronald","tag-leontyne-price","tag-liane-augustin","tag-lisa-kirk","tag-lorenz-hart","tag-lotte-lehmann","tag-mack-gordon","tag-maria-nemeth","tag-massenet-thais","tag-miguel-fleta","tag-montserrat-caballe","tag-moonlight-in-vermont","tag-muddy-waters","tag-my-funny-valentine","tag-naughty-marietta","tag-ned-rorem","tag-noel-coward","tag-richard-rodgers","tag-richard-strauss","tag-robert-gilbert","tag-robert-stolz","tag-rosa-ponselle","tag-teresa-zylis-gara-2","tag-teresa-zylis-gara","tag-the-incomparable-hildegarde","tag-truman-capote","tag-victor-herbert","tag-vier-letzte-lieder","tag-vincenzo-bellini","tag-zarah-leander"],"author_meta":{"display_name":"admin","author_link":"https:\/\/countermelodypodcast.com\/index.php\/author\/admin\/"},"featured_img":"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Annie-Angel-TRIMMED-300x152.jpg","coauthors":[],"tax_additional":{"categories":{"linked":["<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/african-american-opera-singers\/\" class=\"advgb-post-tax-term\">African American Opera Singers<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/crossover\/\" class=\"advgb-post-tax-term\">Crossover<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Needle Drop<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Operetta<\/a>"],"unlinked":["<span class=\"advgb-post-tax-term\">African American Opera Singers<\/span>","<span class=\"advgb-post-tax-term\">Crossover<\/span>","<span class=\"advgb-post-tax-term\">Needle Drop<\/span>","<span class=\"advgb-post-tax-term\">Operetta<\/span>"]},"tags":{"linked":["<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Alice Faye<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Anna Moffo<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Annie Lennox<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Bellini I Puritani<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Bernard Herrmann<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Betty Carter<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Canzone di Doretta<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Carol Neblett<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Cassandra Wilson<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Cesare Andrea Bixio<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Charles Gerhardt<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Citizen Kane<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Das Wunder der Heliane<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Dave Stewart<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">David Garvey<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Diahann Carroll<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Die tote Stadt<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Dorothy Kirsten<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Eleanor Steber<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Eurythmics<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Florence Quartararo<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Franz Lehar<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Franz Leh\u00e1r<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Fritz Wunderlich<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">George Gershwin<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Gershwin Oh Kay!<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Giacomo Puccini<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Giuditta (Leh\u00e1r)<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Giuseppe Verdi<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Hana Janku<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Hana Jank\u016f<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Harold Arlen<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Harold Simpson<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Harry Revel<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Helen Traubel<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Hercule Gilles de Fontenailles<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Hilde G\u00fcden<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Hildegarde<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">House of Flowers<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">I Lombardi<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">I Put a Spell on You<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Il Trovatore<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Ira Gershwin<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Italian Street Song (Naughty Marietta)<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">James Bland<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Jeanne Dortzal<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Jos\u00e9 Carreras<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Jose Carreras<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Jules Massenet<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Karl Friedrich<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Kiri Te Kanawa<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Knickerbocker Holiday<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Kurt Weill<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">La rondine<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Landon Ronald<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Leontyne Price<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Liane Augustin<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Lisa Kirk<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Lorenz Hart<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Lotte Lehmann<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Mack Gordon<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Maria Nemeth<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Massenet Tha\u00efs<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Miguel Fleta<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Montserrat Caball\u00e9<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Moonlight in Vermont<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Muddy Waters<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">My Funny Valentine<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Naughty Marietta<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Ned Rorem<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">No\u00ebl Coward<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Richard Rodgers<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Richard Strauss<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Robert Gilbert<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Robert Stolz<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Rosa Ponselle<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Teresa Zylis-Gara<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Teresa \u017bylis-Gara<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">The Incomparable Hildegarde<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Truman Capote<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Victor Herbert<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Vier letzte Lieder<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Vincenzo Bellini<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Zarah Leander<\/a>"],"unlinked":["<span class=\"advgb-post-tax-term\">Alice Faye<\/span>","<span class=\"advgb-post-tax-term\">Anna Moffo<\/span>","<span class=\"advgb-post-tax-term\">Annie Lennox<\/span>","<span class=\"advgb-post-tax-term\">Bellini I Puritani<\/span>","<span class=\"advgb-post-tax-term\">Bernard Herrmann<\/span>","<span class=\"advgb-post-tax-term\">Betty Carter<\/span>","<span class=\"advgb-post-tax-term\">Canzone di Doretta<\/span>","<span class=\"advgb-post-tax-term\">Carol Neblett<\/span>","<span class=\"advgb-post-tax-term\">Cassandra Wilson<\/span>","<span class=\"advgb-post-tax-term\">Cesare Andrea Bixio<\/span>","<span class=\"advgb-post-tax-term\">Charles Gerhardt<\/span>","<span class=\"advgb-post-tax-term\">Citizen Kane<\/span>","<span class=\"advgb-post-tax-term\">Das Wunder der Heliane<\/span>","<span class=\"advgb-post-tax-term\">Dave Stewart<\/span>","<span class=\"advgb-post-tax-term\">David Garvey<\/span>","<span class=\"advgb-post-tax-term\">Diahann Carroll<\/span>","<span class=\"advgb-post-tax-term\">Die tote Stadt<\/span>","<span class=\"advgb-post-tax-term\">Dorothy Kirsten<\/span>","<span class=\"advgb-post-tax-term\">Eleanor Steber<\/span>","<span class=\"advgb-post-tax-term\">Eurythmics<\/span>","<span class=\"advgb-post-tax-term\">Florence Quartararo<\/span>","<span class=\"advgb-post-tax-term\">Franz Lehar<\/span>","<span class=\"advgb-post-tax-term\">Franz Leh\u00e1r<\/span>","<span class=\"advgb-post-tax-term\">Fritz Wunderlich<\/span>","<span class=\"advgb-post-tax-term\">George Gershwin<\/span>","<span class=\"advgb-post-tax-term\">Gershwin Oh Kay!<\/span>","<span class=\"advgb-post-tax-term\">Giacomo Puccini<\/span>","<span class=\"advgb-post-tax-term\">Giuditta (Leh\u00e1r)<\/span>","<span class=\"advgb-post-tax-term\">Giuseppe Verdi<\/span>","<span class=\"advgb-post-tax-term\">Hana Janku<\/span>","<span class=\"advgb-post-tax-term\">Hana Jank\u016f<\/span>","<span class=\"advgb-post-tax-term\">Harold Arlen<\/span>","<span class=\"advgb-post-tax-term\">Harold Simpson<\/span>","<span class=\"advgb-post-tax-term\">Harry Revel<\/span>","<span class=\"advgb-post-tax-term\">Helen Traubel<\/span>","<span class=\"advgb-post-tax-term\">Hercule Gilles de Fontenailles<\/span>","<span class=\"advgb-post-tax-term\">Hilde G\u00fcden<\/span>","<span class=\"advgb-post-tax-term\">Hildegarde<\/span>","<span class=\"advgb-post-tax-term\">House of Flowers<\/span>","<span class=\"advgb-post-tax-term\">I Lombardi<\/span>","<span class=\"advgb-post-tax-term\">I Put a Spell on You<\/span>","<span class=\"advgb-post-tax-term\">Il Trovatore<\/span>","<span class=\"advgb-post-tax-term\">Ira Gershwin<\/span>","<span class=\"advgb-post-tax-term\">Italian Street Song (Naughty Marietta)<\/span>","<span class=\"advgb-post-tax-term\">James Bland<\/span>","<span class=\"advgb-post-tax-term\">Jeanne Dortzal<\/span>","<span class=\"advgb-post-tax-term\">Jos\u00e9 Carreras<\/span>","<span class=\"advgb-post-tax-term\">Jose Carreras<\/span>","<span class=\"advgb-post-tax-term\">Jules Massenet<\/span>","<span class=\"advgb-post-tax-term\">Karl Friedrich<\/span>","<span class=\"advgb-post-tax-term\">Kiri Te Kanawa<\/span>","<span class=\"advgb-post-tax-term\">Knickerbocker Holiday<\/span>","<span class=\"advgb-post-tax-term\">Kurt Weill<\/span>","<span class=\"advgb-post-tax-term\">La rondine<\/span>","<span class=\"advgb-post-tax-term\">Landon Ronald<\/span>","<span class=\"advgb-post-tax-term\">Leontyne Price<\/span>","<span class=\"advgb-post-tax-term\">Liane Augustin<\/span>","<span class=\"advgb-post-tax-term\">Lisa Kirk<\/span>","<span class=\"advgb-post-tax-term\">Lorenz Hart<\/span>","<span class=\"advgb-post-tax-term\">Lotte Lehmann<\/span>","<span class=\"advgb-post-tax-term\">Mack Gordon<\/span>","<span class=\"advgb-post-tax-term\">Maria Nemeth<\/span>","<span class=\"advgb-post-tax-term\">Massenet Tha\u00efs<\/span>","<span class=\"advgb-post-tax-term\">Miguel Fleta<\/span>","<span class=\"advgb-post-tax-term\">Montserrat Caball\u00e9<\/span>","<span class=\"advgb-post-tax-term\">Moonlight in Vermont<\/span>","<span class=\"advgb-post-tax-term\">Muddy Waters<\/span>","<span class=\"advgb-post-tax-term\">My Funny Valentine<\/span>","<span class=\"advgb-post-tax-term\">Naughty Marietta<\/span>","<span class=\"advgb-post-tax-term\">Ned Rorem<\/span>","<span class=\"advgb-post-tax-term\">No\u00ebl Coward<\/span>","<span class=\"advgb-post-tax-term\">Richard Rodgers<\/span>","<span class=\"advgb-post-tax-term\">Richard Strauss<\/span>","<span class=\"advgb-post-tax-term\">Robert Gilbert<\/span>","<span class=\"advgb-post-tax-term\">Robert Stolz<\/span>","<span class=\"advgb-post-tax-term\">Rosa Ponselle<\/span>","<span class=\"advgb-post-tax-term\">Teresa Zylis-Gara<\/span>","<span class=\"advgb-post-tax-term\">Teresa \u017bylis-Gara<\/span>","<span class=\"advgb-post-tax-term\">The Incomparable Hildegarde<\/span>","<span class=\"advgb-post-tax-term\">Truman Capote<\/span>","<span class=\"advgb-post-tax-term\">Victor Herbert<\/span>","<span class=\"advgb-post-tax-term\">Vier letzte Lieder<\/span>","<span class=\"advgb-post-tax-term\">Vincenzo Bellini<\/span>","<span class=\"advgb-post-tax-term\">Zarah Leander<\/span>"]}},"comment_count":"0","relative_dates":{"created":"Posted 6 years ago","modified":"Updated 6 years ago"},"absolute_dates":{"created":"Posted on 24\/05\/2020","modified":"Updated on 24\/05\/2020"},"absolute_dates_time":{"created":"Posted on 24\/05\/2020 23:15","modified":"Updated on 24\/05\/2020 23:15"},"featured_img_caption":"","series_order":"","_links":{"self":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/4587","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/comments?post=4587"}],"version-history":[{"count":5,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/4587\/revisions"}],"predecessor-version":[{"id":4632,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/4587\/revisions\/4632"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/media\/4592"}],"wp:attachment":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/media?parent=4587"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/categories?post=4587"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/tags?post=4587"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}