{"id":4457,"date":"2020-05-17T19:57:48","date_gmt":"2020-05-17T17:57:48","guid":{"rendered":"http:\/\/countermelodypodcast.com\/?p=4457"},"modified":"2020-05-18T23:21:05","modified_gmt":"2020-05-18T21:21:05","slug":"episode-35-charm-a-second-helping","status":"publish","type":"post","link":"https:\/\/countermelodypodcast.com\/index.php\/2020\/05\/17\/episode-35-charm-a-second-helping\/","title":{"rendered":"Episode 35. Charm: A Second Helping"},"content":{"rendered":"<div id=\"mega-menu-wrap-primary\" class=\"mega-menu-wrap\"><div class=\"mega-menu-toggle\"><div class=\"mega-toggle-blocks-left\"><\/div><div class=\"mega-toggle-blocks-center\"><\/div><div class=\"mega-toggle-blocks-right\"><div class='mega-toggle-block mega-menu-toggle-animated-block mega-toggle-block-1' id='mega-toggle-block-1'><button aria-controls=\"mega-menu-primary\" aria-expanded=\"false\" aria-haspopup=\"true\" aria-label=\"Menu\" class=\"mega-toggle-animated mega-toggle-animated-slider\" type=\"button\">\n                  <span class=\"mega-toggle-animated-box\">\n                    <span class=\"mega-toggle-animated-inner\"><\/span>\n                  <\/span>\n                <\/button><\/div><\/div><\/div><ul id=\"mega-menu-primary\" class=\"mega-menu max-mega-menu mega-menu-horizontal mega-no-js\" data-event=\"hover_intent\" data-effect=\"slide\" data-effect-speed=\"200\" data-effect-mobile=\"slide\" data-effect-speed-mobile=\"200\" data-mobile-force-width=\"body\" data-second-click=\"go\" data-document-click=\"collapse\" data-vertical-behaviour=\"standard\" data-breakpoint=\"600\" data-unbind=\"true\" data-mobile-state=\"collapse_all\" data-mobile-direction=\"vertical\"><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-menu-item-home mega-align-bottom-left mega-menu-flyout mega-menu-item-19160\" id=\"mega-menu-item-19160\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/\">Home<\/a><\/li><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-align-bottom-left mega-menu-flyout mega-menu-item-19161\" id=\"mega-menu-item-19161\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/index.php\/about-daniel\/\">About Daniel<\/a><\/li><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-current_page_parent mega-align-bottom-left mega-menu-flyout mega-menu-item-19171\" id=\"mega-menu-item-19171\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/index.php\/all-episodes\/\">All Episodes<\/a><\/li><\/ul><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">Episode 35.  Charm: A Second Helping<\/h2>\n\n\n\n<iframe loading=\"lazy\" width=\"340\" height=\"50\" src=\"https:\/\/countermelody.blubrry.net\/?powerpress_embed=131-podcast&amp;powerpress_player=mediaelement-audio\" frameborder=\"0\" scrolling=\"no\"><\/iframe>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p><strong>SOCIAL SHARE<\/strong><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"has-text-align-right\"><strong>SUBSCRIPTION PLATFORM<\/strong><\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<div class=\"wp-block-buttons alignleft is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button alignright\"><a class=\"wp-block-button__link no-border-radius\" href=\"https:\/\/countermelody.blubrry.net\/\">SUBSCRIBE VIA YOUR FAVORITE PODCAST PLATFORM<\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"630\" height=\"626\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Bacquier.jpg\" alt=\"\" class=\"wp-image-4511\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Bacquier.jpg 630w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Bacquier-300x298.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Bacquier-150x150.jpg 150w\" sizes=\"auto, (max-width: 630px) 100vw, 630px\" \/><figcaption>Gabriel Bacquier<br><\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:38px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Last week we had such an overflowing of vocal, artistic, and personal charm that I was compelled to produce a second episode on the subject with a fresh batch of charmers. We begin the episode with a tribute to Gabriel Bacquier, the iconic French (bass-)baritone who died this past week just four days short of his 96th birthday. I feature him in three rare selections that represent him in repertoire which is a far cry from his operatic roles. I then resume the survey of charm as demonstrated by artists as varied as Conchita Supervia, Jos\u00e9phine Baker, Hilde G\u00fcden, Ella Fitzgerald, Yvonne Printemps, John McCormack, Lois Marshall, Charles Trenet, Lucrezia Bori, Lily Pons, Hermann Prey, Dusolina Giannini, Tito Schipa, Richard Tauber, Julie Andrews, Julius Patzak, Maria Kurenko, Judith Blegen, Danny Kaye, Marta Eggerth, Elisabeth Schumann, Fritzi Massary, Maxine Sullivan, Magda Kalm\u00e1r, Ella Logan, Dorothy Warenskjold, Aksel Schi\u00f8tz, Erich Kunz, and Lucia Popp. Repertoire ranges from operetta (including Franz Leh\u00e1r in three different languages), folk song arrangements, musicals, art song, pop music, and children\u2019s songs. Amazingly, opera is nowhere to be seen in this episode, but that will certainly change in the next week, when we take up consideration of Charm\u2019s cousin, Glamour.<\/p>\n\n\n\n<div style=\"height:47px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p style=\"font-size:30px\" class=\"has-custom-size\"><strong> RECORDINGS HEARD IN THIS EPISODE<\/strong><\/p>\n\n\n\n<div style=\"height:55px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"629\" height=\"354\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Gabriel-Bacquier.jpg\" alt=\"\" class=\"wp-image-4513\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Gabriel-Bacquier.jpg 629w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Gabriel-Bacquier-300x169.jpg 300w\" sizes=\"auto, (max-width: 629px) 100vw, 629px\" \/><figcaption><br><\/figcaption><\/figure><\/div>\n\n\n\n<p>Marc Berthomieu, Daniel Schmitt: Parc Monceau (<em>Jardins de Paris<\/em>). Gabriel Bacquier, Marc Berthomieu and instrumental ensemble<\/p>\n\n\n\n<figure class=\"wp-block-gallery columns-2 is-cropped wp-block-gallery-1\"><ul class=\"blocks-gallery-grid\"><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"225\" height=\"225\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Marc-Berthomieu.jpg\" alt=\"\" data-id=\"4577\" data-full-url=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Marc-Berthomieu.jpg\" data-link=\"https:\/\/countermelodypodcast.com\/episode-35-charm-a-second-helping\/marc-berthomieu\/\" class=\"wp-image-4577\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Marc-Berthomieu.jpg 225w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Marc-Berthomieu-150x150.jpg 150w\" sizes=\"auto, (max-width: 225px) 100vw, 225px\" \/><figcaption class=\"blocks-gallery-item__caption is-layout-flex wp-block-gallery-is-layout-flex\">Marc Berthomieu<\/figcaption><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"250\" height=\"326\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Daniel-Schmitt.jpg\" alt=\"\" data-id=\"4576\" data-full-url=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Daniel-Schmitt.jpg\" data-link=\"https:\/\/countermelodypodcast.com\/episode-35-charm-a-second-helping\/daniel-schmitt\/\" class=\"wp-image-4576\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Daniel-Schmitt.jpg 250w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Daniel-Schmitt-230x300.jpg 230w\" sizes=\"auto, (max-width: 250px) 100vw, 250px\" \/><figcaption class=\"blocks-gallery-item__caption\">Daniel Schmitt<\/figcaption><\/figure><\/li><\/ul><\/figure>\n\n\n\n<div style=\"height:23px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div style=\"height:55px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"800\" height=\"627\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Bacquier-as-Giovanni-in-Seattle2.jpg\" alt=\"\" class=\"wp-image-4514\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Bacquier-as-Giovanni-in-Seattle2.jpg 800w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Bacquier-as-Giovanni-in-Seattle2-300x235.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Bacquier-as-Giovanni-in-Seattle2-768x602.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><figcaption>Bacquier in the title role of <em>Don Giovanni<\/em>, Seattle 1968<br><\/figcaption><\/figure>\n\n\n\n<p>Maurice Ravel: Chanson \u00e9pique (<em>Don Quichotte \u00e0 Dulcin\u00e9e<\/em>). Gabriel Bacquier, Jean Laforge<\/p>\n\n\n\n<div style=\"height:41px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"487\" height=\"487\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Bacquier2.jpg\" alt=\"\" class=\"wp-image-4515\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Bacquier2.jpg 487w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Bacquier2-300x300.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Bacquier2-150x150.jpg 150w\" sizes=\"auto, (max-width: 487px) 100vw, 487px\" \/><figcaption><br><\/figcaption><\/figure><\/div>\n\n\n\n<p>Franz Leh\u00e1r: C\u2019est la valse, \u00e9coutez [O kommet doch, o kommt, ihr Ballsirenen] (<em>Die lustige Witwe<\/em>). Gabriel Bacquier, Colette Riedinger; Richard Blareau, conductor<\/p>\n\n\n\n<div style=\"height:54px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"599\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Magda-Kalmar.jpg\" alt=\"\" class=\"wp-image-4516\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Magda-Kalmar.jpg 600w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Magda-Kalmar-300x300.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Magda-Kalmar-150x150.jpg 150w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/figure><\/div>\n\n\n\n<p>Franz Leh\u00e1r: Sz\u00e9p \u00e1lom sz\u00e1llj a sz\u00edvemre [Liebe, du Himmel auf Erden] (<em>Paganini<\/em>). Magda Kalm\u00e1r; J\u00e1nos Br\u00f3dy, Hungarian Radio Symphony Orchestra<\/p>\n\n\n\n<div style=\"height:39px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Conchita-Supervia-as-Frasquita-by-Leonetto-Cappiello-1-736x1024.jpg\" alt=\"\" class=\"wp-image-4518\" width=\"454\" height=\"631\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Conchita-Supervia-as-Frasquita-by-Leonetto-Cappiello-1-736x1024.jpg 736w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Conchita-Supervia-as-Frasquita-by-Leonetto-Cappiello-1-216x300.jpg 216w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Conchita-Supervia-as-Frasquita-by-Leonetto-Cappiello-1-768x1068.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Conchita-Supervia-as-Frasquita-by-Leonetto-Cappiello-1.jpg 935w\" sizes=\"auto, (max-width: 454px) 100vw, 454px\" \/><figcaption>A poster of Conchita Supervia as Frasquita by Leonetto Cappiello<br><\/figcaption><\/figure><\/div>\n\n\n\n<p>Franz Leh\u00e1r: Ce que c\u2019est l\u2019amour [Fragst mich, was Liebe ist?] (<em>Frasquita<\/em>). Conchita Supervia; Paul Bastide, Orchestre de l\u2019Op\u00e9ra-Comique<\/p>\n\n\n\n<div style=\"height:51px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"825\" height=\"545\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Yvonne-Printemps-Pierre-Fresnay-1.png\" alt=\"\" class=\"wp-image-4520\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Yvonne-Printemps-Pierre-Fresnay-1.png 825w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Yvonne-Printemps-Pierre-Fresnay-1-300x198.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Yvonne-Printemps-Pierre-Fresnay-1-768x507.png 768w\" sizes=\"auto, (max-width: 825px) 100vw, 825px\" \/><figcaption>Yvonne Printemps with her husband and co-star, Pierre Fresnay<br><\/figcaption><\/figure><\/div>\n\n\n\n<p>Oscar Straus: Je t\u2019aime quand m\u00eame (<em>Les Trois Valses<\/em>). Yvonne Printemps; Marcel Cariven<\/p>\n\n\n\n<div style=\"height:42px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"576\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Charles-Trenet-1024x576.jpg\" alt=\"\" class=\"wp-image-4521\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Charles-Trenet-1024x576.jpg 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Charles-Trenet-300x169.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Charles-Trenet-768x432.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Charles-Trenet-1536x864.jpg 1536w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Charles-Trenet-1600x900.jpg 1600w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Charles-Trenet.jpg 1920w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption>Charles Trenet: <em>Le fou chantant<\/em><br><\/figcaption><\/figure>\n\n\n\n<p>Charles Trenet: Boum! Charles Trenet<\/p>\n\n\n\n<div style=\"height:55px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"474\" height=\"474\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Baker-Record-Cover.jpg\" alt=\"\" class=\"wp-image-4522\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Baker-Record-Cover.jpg 474w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Baker-Record-Cover-300x300.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Baker-Record-Cover-150x150.jpg 150w\" sizes=\"auto, (max-width: 474px) 100vw, 474px\" \/><\/figure><\/div>\n\n\n\n<p>Orlando de la Rosa, Jos\u00e9 Carbo y Menendez, Babby Callazo Henri Lemarchand: C\u2019est \u00e7a le vrai bonheur. Jos\u00e9phine Baker<\/p>\n\n\n\n<div style=\"height:60px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"581\" height=\"364\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Conchita-Supervia-in-a-garden-1.jpg\" alt=\"\" class=\"wp-image-4524\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Conchita-Supervia-in-a-garden-1.jpg 581w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Conchita-Supervia-in-a-garden-1-300x188.jpg 300w\" sizes=\"auto, (max-width: 581px) 100vw, 581px\" \/><\/figure><\/div>\n\n\n\n<p>Vicente Moro, Tom\u00e1s de Aquino, L. Mu\u00f1oz Arenillas: Sentir gitano. Conchita Supervia; Pedro Vallribera, piano<\/p>\n\n\n\n<div style=\"height:42px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"431\" height=\"377\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Lucrezia-Bori.jpg\" alt=\"\" class=\"wp-image-4525\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Lucrezia-Bori.jpg 431w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Lucrezia-Bori-300x262.jpg 300w\" sizes=\"auto, (max-width: 431px) 100vw, 431px\" \/><\/figure><\/div>\n\n\n\n<p>Enrique Granados: El majo discreto. Lucrezia Bori<\/p>\n\n\n\n<div style=\"height:60px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-gallery aligncenter columns-2 is-cropped wp-block-gallery-2\"><ul class=\"blocks-gallery-grid\"><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"393\" height=\"480\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Giannini2.jpg\" alt=\"\" data-id=\"4526\" class=\"wp-image-4526\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Giannini2.jpg 393w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Giannini2-246x300.jpg 246w\" sizes=\"auto, (max-width: 393px) 100vw, 393px\" \/><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"436\" height=\"599\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Dusolina-Giannini.jpg\" alt=\"\" data-id=\"4527\" data-full-url=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Dusolina-Giannini.jpg\" data-link=\"https:\/\/countermelodypodcast.com\/?attachment_id=4527\" class=\"wp-image-4527 is-layout-flex wp-block-gallery-is-layout-flex\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Dusolina-Giannini.jpg 436w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Dusolina-Giannini-218x300.jpg 218w\" sizes=\"auto, (max-width: 436px) 100vw, 436px\" \/><\/figure><\/li><\/ul><\/figure>\n\n\n\n<p>Eduardo di Capua: O sole mio. Dusolina Giannini; George Byng<\/p>\n\n\n\n<div style=\"height:53px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-gallery columns-2 is-cropped wp-block-gallery-3\"><ul class=\"blocks-gallery-grid\"><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"686\" height=\"900\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Tito-Schipa.jpg\" alt=\"\" data-id=\"4529\" data-full-url=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Tito-Schipa.jpg\" data-link=\"https:\/\/countermelodypodcast.com\/?attachment_id=4529\" class=\"wp-image-4529\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Tito-Schipa.jpg 686w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Tito-Schipa-229x300.jpg 229w\" sizes=\"auto, (max-width: 686px) 100vw, 686px\" \/><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"448\" height=\"612\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Schipa-and-monkeys.jpg\" alt=\"\" data-id=\"4528\" data-full-url=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Schipa-and-monkeys.jpg\" data-link=\"https:\/\/countermelodypodcast.com\/?attachment_id=4528\" class=\"wp-image-4528 is-layout-flex wp-block-gallery-is-layout-flex\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Schipa-and-monkeys.jpg 448w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Schipa-and-monkeys-220x300.jpg 220w\" sizes=\"auto, (max-width: 448px) 100vw, 448px\" \/><\/figure><\/li><\/ul><\/figure>\n\n\n\n<p>Julian Huarte, Tito Schipa: Cubanita. Tito Schipa<\/p>\n\n\n\n<div style=\"height:67px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"710\" height=\"450\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/crop-0-0-710-450-0-McCormack.jpg\" alt=\"\" class=\"wp-image-4531\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/crop-0-0-710-450-0-McCormack.jpg 710w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/crop-0-0-710-450-0-McCormack-300x190.jpg 300w\" sizes=\"auto, (max-width: 710px) 100vw, 710px\" \/><\/figure><\/div>\n\n\n\n<p>Charles Marshall, Harold Lake: I Hear You Calling Me. John McCormack; Edwin Schneider, piano<\/p>\n\n\n\n<div style=\"height:49px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"484\" height=\"316\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Tauber-as-Paganini.jpg\" alt=\"\" class=\"wp-image-4532\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Tauber-as-Paganini.jpg 484w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Tauber-as-Paganini-300x196.jpg 300w\" sizes=\"auto, (max-width: 484px) 100vw, 484px\" \/><figcaption>Richard Tauber in the title role of Leh\u00e1r&#8217;s <em>Paganini<\/em><br><\/figcaption><\/figure><\/div>\n\n\n\n<p>Emmerich K\u00e1lm\u00e1n: Gr\u00fc\u00df mir mein Wien (<em>Gr\u00e4fin Mariza<\/em>). Richard Tauber; Frieder Weissmann<\/p>\n\n\n\n<div style=\"height:71px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"512\" height=\"512\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Hilde-Gueden.jpg\" alt=\"\" class=\"wp-image-4533\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Hilde-Gueden.jpg 512w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Hilde-Gueden-300x300.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Hilde-Gueden-150x150.jpg 150w\" sizes=\"auto, (max-width: 512px) 100vw, 512px\" \/><\/figure><\/div>\n\n\n\n<p>Robert Stolz: Du sollst der Kaiser meiner Seele sein (<em>Der Favorit<\/em>). Hilde G\u00fcden, Hans May, The New Promenade Orchestra<\/p>\n\n\n\n<div style=\"height:42px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"518\" height=\"351\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Blegen.jpg\" alt=\"\" class=\"wp-image-4534\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Blegen.jpg 518w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Blegen-300x203.jpg 300w\" sizes=\"auto, (max-width: 518px) 100vw, 518px\" \/><\/figure><\/div>\n\n\n\n<p>Johann Strauss II: O sch\u00f6ner Mai (<em>Prinz Methusalem<\/em>). Judith Blegen, Anton Paulik, Wiener Symphoniker<\/p>\n\n\n\n<div style=\"height:45px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"379\" height=\"479\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Elisabeth-Schumann.jpg\" alt=\"\" class=\"wp-image-4539\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Elisabeth-Schumann.jpg 379w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Elisabeth-Schumann-237x300.jpg 237w\" sizes=\"auto, (max-width: 379px) 100vw, 379px\" \/><\/figure><\/div>\n\n\n\n<p>Carl Zeller: Wie mein Ahn\u2019l zwanzig Jahr (<em>Der Vogelh\u00e4ndler<\/em>). Elisabeth Schumann, Karl Alwin, Wiener Staatsopernorchester<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"470\" height=\"600\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Fritzi-Massary.jpg\" alt=\"\" class=\"wp-image-4540\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Fritzi-Massary.jpg 470w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Fritzi-Massary-235x300.jpg 235w\" sizes=\"auto, (max-width: 470px) 100vw, 470px\" \/><\/figure><\/div>\n\n\n\n<p>Emmerich K\u00e1lm\u00e1n: Der Frauen Reize (<em>Die Faschingsfee<\/em>). Fritzi Massary; Bruno Seidler-Winkler<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-gallery columns-2 is-cropped wp-block-gallery-4\"><ul class=\"blocks-gallery-grid\"><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"556\" height=\"717\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Marta-Eggerth.jpg\" alt=\"\" data-id=\"4538\" data-full-url=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Marta-Eggerth.jpg\" data-link=\"https:\/\/countermelodypodcast.com\/?attachment_id=4538\" class=\"wp-image-4538\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Marta-Eggerth.jpg 556w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Marta-Eggerth-233x300.jpg 233w\" sizes=\"auto, (max-width: 556px) 100vw, 556px\" \/><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"522\" height=\"674\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Eggerth2.jpg\" alt=\"\" data-id=\"4536\" data-full-url=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Eggerth2.jpg\" data-link=\"https:\/\/countermelodypodcast.com\/?attachment_id=4536\" class=\"wp-image-4536\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Eggerth2.jpg 522w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Eggerth2-232x300.jpg 232w\" sizes=\"auto, (max-width: 522px) 100vw, 522px\" \/><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"500\" height=\"806\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Eggerth3.jpg\" alt=\"\" data-id=\"4537\" data-full-url=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Eggerth3.jpg\" data-link=\"https:\/\/countermelodypodcast.com\/?attachment_id=4537\" class=\"wp-image-4537\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Eggerth3.jpg 500w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Eggerth3-186x300.jpg 186w\" sizes=\"auto, (max-width: 500px) 100vw, 500px\" \/><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"420\" height=\"279\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Eggerth-Elderly.jpg\" alt=\"\" data-id=\"4535\" data-full-url=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Eggerth-Elderly.jpg\" data-link=\"https:\/\/countermelodypodcast.com\/?attachment_id=4535\" class=\"wp-image-4535\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Eggerth-Elderly.jpg 420w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Eggerth-Elderly-300x199.jpg 300w\" sizes=\"auto, (max-width: 420px) 100vw, 420px\" \/><\/figure><\/li><\/ul><figcaption class=\"blocks-gallery-caption is-layout-flex wp-block-gallery-is-layout-flex\">The endlessly beguiling Marta Eggerth.<br><\/figcaption><\/figure>\n\n\n\n<p>Franz Leh\u00e1r: Es gibt noch M\u00e4rchen auf dieser Welt (<em>Es war einmal ein Walzer<\/em>). Marta Eggerth; Otto Dobrindt<\/p>\n\n\n\n<div style=\"height:87px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-gallery columns-2 is-cropped wp-block-gallery-5\"><ul class=\"blocks-gallery-grid\"><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"614\" height=\"466\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Hit-a-New-High.png\" alt=\"\" data-id=\"4542\" data-full-url=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Hit-a-New-High.png\" data-link=\"https:\/\/countermelodypodcast.com\/?attachment_id=4542\" class=\"wp-image-4542\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Hit-a-New-High.png 614w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Hit-a-New-High-300x228.png 300w\" sizes=\"auto, (max-width: 614px) 100vw, 614px\" \/><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"633\" height=\"440\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Screenshot-354.png\" alt=\"\" data-id=\"4541\" class=\"wp-image-4541\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Screenshot-354.png 633w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Screenshot-354-300x209.png 300w\" sizes=\"auto, (max-width: 633px) 100vw, 633px\" \/><\/figure><\/li><\/ul><figcaption class=\"blocks-gallery-caption is-layout-flex wp-block-gallery-is-layout-flex\">Two stills from <em>Hitting a New High <\/em>(1937).<br><\/figcaption><\/figure>\n\n\n\n<p>Jimmy McHugh, Harold Adamson: I Hit a New High (<em>Hitting a New High<\/em>). Lily Pons<\/p>\n\n\n\n<div style=\"height:45px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-gallery aligncenter columns-2 is-cropped wp-block-gallery-6\"><ul class=\"blocks-gallery-grid\"><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"338\" height=\"450\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Danny-Kaye.jpg\" alt=\"\" data-id=\"4543\" class=\"wp-image-4543\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Danny-Kaye.jpg 338w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Danny-Kaye-225x300.jpg 225w\" sizes=\"auto, (max-width: 338px) 100vw, 338px\" \/><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"817\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Danny-Kaye-young-817x1024.jpg\" alt=\"\" data-id=\"4585\" data-full-url=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Danny-Kaye-young.jpg\" data-link=\"https:\/\/countermelodypodcast.com\/episode-35-charm-a-second-helping\/danny-kaye-young\/\" class=\"wp-image-4585 is-layout-flex wp-block-gallery-is-layout-flex\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Danny-Kaye-young-817x1024.jpg 817w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Danny-Kaye-young-239x300.jpg 239w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Danny-Kaye-young-768x963.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Danny-Kaye-young.jpg 875w\" sizes=\"auto, (max-width: 817px) 100vw, 817px\" \/><\/figure><\/li><\/ul><\/figure>\n\n\n\n<p>Arthur Sullivan, W.S. Gilbert: The Moon and I (<em>The Mikado<\/em>). Danny Kaye; Johnny Green. <a href=\"https:\/\/awiderbridge.org\/the-hidden-queer-and-jewish-career-of-danny-kaye\/\" target=\"_blank\" rel=\"noreferrer noopener\">This article features an interesting discussion of Danny Kaye&#8217;s queerness<\/a>.<\/p>\n\n\n\n<div style=\"height:53px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-gallery columns-2 is-cropped wp-block-gallery-7\"><ul class=\"blocks-gallery-grid\"><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"566\" height=\"700\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Maxine-with-guitar.jpg\" alt=\"\" data-id=\"4551\" data-full-url=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Maxine-with-guitar.jpg\" data-link=\"https:\/\/countermelodypodcast.com\/?attachment_id=4551\" class=\"wp-image-4551\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Maxine-with-guitar.jpg 566w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Maxine-with-guitar-243x300.jpg 243w\" sizes=\"auto, (max-width: 566px) 100vw, 566px\" \/><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"500\" height=\"704\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Maxine-Sullivan-4.jpg\" alt=\"\" data-id=\"4550\" data-full-url=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Maxine-Sullivan-4.jpg\" data-link=\"https:\/\/countermelodypodcast.com\/?attachment_id=4550\" class=\"wp-image-4550 is-layout-flex wp-block-gallery-is-layout-flex\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Maxine-Sullivan-4.jpg 500w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Maxine-Sullivan-4-213x300.jpg 213w\" sizes=\"auto, (max-width: 500px) 100vw, 500px\" \/><\/figure><\/li><\/ul><\/figure>\n\n\n\n<p>Traditional Scottish: Loch Lomond. Maxine Sullivan; Claude Thornhill and His Orchestra<\/p>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Ella-Fitzgerald-1.jpg\" alt=\"\" class=\"wp-image-4548\" width=\"567\" height=\"716\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Ella-Fitzgerald-1.jpg 634w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Ella-Fitzgerald-1-238x300.jpg 238w\" sizes=\"auto, (max-width: 567px) 100vw, 567px\" \/><\/figure><\/div>\n\n\n\n<p>Traditional Nursery Rhyme, arr. Van Alexander and Ella Fitzgerald: A Tisket, a Tasket. Ella Fitzgerald; Lou Levy, Jim Hall, Wilfred Middlebrooks, Gus Johnson. [recorded live, May 1961]<\/p>\n\n\n\n<div style=\"height:48px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"763\" height=\"598\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Ella-Logan.jpg\" alt=\"\" class=\"wp-image-4552\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Ella-Logan.jpg 763w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Ella-Logan-300x235.jpg 300w\" sizes=\"auto, (max-width: 763px) 100vw, 763px\" \/><\/figure><\/div>\n\n\n\n<p>Burton Lane, Yip Harburg: Something Sort of Grandish (<em>Finian\u2019s Rainbow<\/em>). Ella Logan; George Creeley<\/p>\n\n\n\n<div style=\"height:63px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"576\" height=\"584\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Julie-Album-Cover.jpg\" alt=\"\" class=\"wp-image-4569\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Julie-Album-Cover.jpg 576w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Julie-Album-Cover-296x300.jpg 296w\" sizes=\"auto, (max-width: 576px) 100vw, 576px\" \/><\/figure><\/div>\n\n\n\n<p>Frederick Loewe, Alan Jay Lerner: Come to Me, Bend to Me (<em>Brigadoon<\/em>). Julie Andrews; Irwin Kostal and His Orchestra<\/p>\n\n\n\n<div style=\"height:47px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Dorothy-Warenskjold-1-652x1024.png\" alt=\"\" class=\"wp-image-4554\" width=\"520\" height=\"817\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Dorothy-Warenskjold-1-652x1024.png 652w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Dorothy-Warenskjold-1-191x300.png 191w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Dorothy-Warenskjold-1.png 660w\" sizes=\"auto, (max-width: 520px) 100vw, 520px\" \/><\/figure><\/div>\n\n\n\n<p>Frederick John Easthope Martin: Come to the Fair. Dorothy Warenskjold; Howard Barlow, Firestone Orchestra and Chorus [Voice of Firestone live radio broadcast, 11 June 1951]<\/p>\n\n\n\n<div style=\"height:44px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Lois-Marshall.jpg\" alt=\"\" class=\"wp-image-4555\" width=\"611\" height=\"757\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Lois-Marshall.jpg 742w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Lois-Marshall-242x300.jpg 242w\" sizes=\"auto, (max-width: 611px) 100vw, 611px\" \/><\/figure><\/div>\n\n\n\n<p>Traditional American, arr. Aaron Copland: I Bought Me a Cat. Lois Marshall; Weldon Kilburn<\/p>\n\n\n\n<div style=\"height:67px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"344\" height=\"350\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Schiotz-and-wife-Gerd.jpg\" alt=\"\" class=\"wp-image-4556\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Schiotz-and-wife-Gerd.jpg 344w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Schiotz-and-wife-Gerd-295x300.jpg 295w\" sizes=\"auto, (max-width: 344px) 100vw, 344px\" \/><figcaption>Aksel Schi\u00f8tz with his wife Gerd.<br><\/figcaption><\/figure><\/div>\n\n\n\n<p>Carl Nielsen: Den milde dag [The gentle day] (<em>Fynsk For\u00e5r<\/em>) [Springime in Funen]. Aksel Schi\u00f8tz, Svend Christian Felumb, Copenhagen Philharmonic<\/p>\n\n\n\n<div style=\"height:48px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-gallery columns-2 is-cropped wp-block-gallery-8\"><ul class=\"blocks-gallery-grid\"><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"564\" height=\"868\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Erich-Kunz-as-Papageno.jpg\" alt=\"\" data-id=\"4557\" data-full-url=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Erich-Kunz-as-Papageno.jpg\" data-link=\"https:\/\/countermelodypodcast.com\/?attachment_id=4557\" class=\"wp-image-4557\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Erich-Kunz-as-Papageno.jpg 564w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Erich-Kunz-as-Papageno-195x300.jpg 195w\" sizes=\"auto, (max-width: 564px) 100vw, 564px\" \/><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"264\" height=\"360\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Erich-Kunz-handsome.jpeg\" alt=\"\" data-id=\"4558\" data-full-url=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Erich-Kunz-handsome.jpeg\" data-link=\"https:\/\/countermelodypodcast.com\/?attachment_id=4558\" class=\"wp-image-4558 is-layout-flex wp-block-gallery-is-layout-flex\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Erich-Kunz-handsome.jpeg 264w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Erich-Kunz-handsome-220x300.jpeg 220w\" sizes=\"auto, (max-width: 264px) 100vw, 264px\" \/><\/figure><\/li><\/ul><\/figure>\n\n\n\n<p>Traditional German Folk Song: Treue Liebe. Erich Kunz; Anton Paulik, Wiener Volksopernorchester<\/p>\n\n\n\n<div style=\"height:74px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"484\" height=\"599\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Julius-Patzak.jpg\" alt=\"\" class=\"wp-image-4559\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Julius-Patzak.jpg 484w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Julius-Patzak-242x300.jpg 242w\" sizes=\"auto, (max-width: 484px) 100vw, 484px\" \/><figcaption>Julius Patzak looking positively spiffy in his <em>Lederhosen<\/em>.<br><\/figcaption><\/figure><\/div>\n\n\n\n<p>Robert Stolz: Im Prater bl\u00fch\u2019n wieder die B\u00e4ume. Julius Patzak; Dietrich Schrammel-Quartett<\/p>\n\n\n\n<div style=\"height:94px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-gallery columns-2 is-cropped wp-block-gallery-9\"><ul class=\"blocks-gallery-grid\"><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"222\" height=\"293\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Maria-Kurenko.jpg\" alt=\"\" data-id=\"4561\" data-full-url=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Maria-Kurenko.jpg\" data-link=\"https:\/\/countermelodypodcast.com\/?attachment_id=4561\" class=\"wp-image-4561\"\/><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"369\" height=\"494\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Kurenko.jpg\" alt=\"\" data-id=\"4560\" data-full-url=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Kurenko.jpg\" data-link=\"https:\/\/countermelodypodcast.com\/?attachment_id=4560\" class=\"wp-image-4560 is-layout-flex wp-block-gallery-is-layout-flex\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Kurenko.jpg 369w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Kurenko-224x300.jpg 224w\" sizes=\"auto, (max-width: 369px) 100vw, 369px\" \/><\/figure><\/li><\/ul><\/figure>\n\n\n\n<p>Traditional Irish, arr. Thomas Moore: The Last Rose of Summer. Maria Kurenko<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"500\" height=\"448\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Hermann-Prey.jpg\" alt=\"\" class=\"wp-image-4562\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Hermann-Prey.jpg 500w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Hermann-Prey-300x269.jpg 300w\" sizes=\"auto, (max-width: 500px) 100vw, 500px\" \/><figcaption>Photo of Hermann Prey by Jack Robinson.<br><\/figcaption><\/figure><\/div>\n\n\n\n<p>Traditional German, text by Wilhelm Hey, arr. Fried Walter: Wei\u00dft Du, wieviel Sternlein stehen? Hermann Prey; Fried Walter<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"739\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Wilhelm-Hey-739x1024.jpg\" alt=\"\" class=\"wp-image-4581\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Wilhelm-Hey-739x1024.jpg 739w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Wilhelm-Hey-216x300.jpg 216w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Wilhelm-Hey-768x1065.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Wilhelm-Hey.jpg 800w\" sizes=\"auto, (max-width: 739px) 100vw, 739px\" \/><figcaption>Wilhelm Hey (1789\u20131854)<\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:73px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-gallery columns-2 is-cropped wp-block-gallery-10\"><ul class=\"blocks-gallery-grid\"><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"323\" height=\"350\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Lucia-Popp2.jpg\" alt=\"\" data-id=\"4564\" data-full-url=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Lucia-Popp2.jpg\" data-link=\"https:\/\/countermelodypodcast.com\/?attachment_id=4564\" class=\"wp-image-4564\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Lucia-Popp2.jpg 323w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Lucia-Popp2-277x300.jpg 277w\" sizes=\"auto, (max-width: 323px) 100vw, 323px\" \/><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"454\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Lucia-Popp.jpg\" alt=\"\" data-id=\"4563\" data-full-url=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Lucia-Popp.jpg\" data-link=\"https:\/\/countermelodypodcast.com\/?attachment_id=4563\" class=\"wp-image-4563 is-layout-flex wp-block-gallery-is-layout-flex\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Lucia-Popp.jpg 600w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Lucia-Popp-300x227.jpg 300w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/figure><\/li><\/ul><\/figure>\n\n\n\n<p>Traditional German, text by Luise Hensel, arr. Reinhard Seifried: M\u00fcde bin ich, geh\u2019 zur Ruh. Lucia Popp; Reinhard Seifried &amp; Instrumental Ensemble<\/p>\n\n\n\n<p><a rel=\"noreferrer noopener\" href=\"https:\/\/uwaterloo.ca\/grebel\/publications\/conrad-grebel-review\/issues\/spring-2009\/mude-bin-ich-geh-zur-ruh-story-childrens-prayer\" target=\"_blank\">Here is the link<\/a> to the very interesting article by scholar Margaret Loewen Reimer on the German children&#8217;s evening hymn &#8220;M\u00fcde bin ich, geh\u2019 zur Ruh,&#8221; including the provenance of the tune and the words by Luise Hensel (1798-1876), whose brother was married to Fanny Mendelssohn.<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"917\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Luise-Hensel-1-917x1024.jpg\" alt=\"\" class=\"wp-image-4580\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Luise-Hensel-1-917x1024.jpg 917w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Luise-Hensel-1-269x300.jpg 269w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Luise-Hensel-1-768x858.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Luise-Hensel-1.jpg 1200w\" sizes=\"auto, (max-width: 917px) 100vw, 917px\" \/><figcaption>Luise Hensel (1798-1876)<\/figcaption><\/figure><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Episode 35. Charm: A Second Helping SOCIAL SHARE SUBSCRIPTION PLATFORM Last week we had such an overflowing of vocal, artistic,&hellip;<\/p>\n","protected":false},"author":1,"featured_media":4573,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"advgb_blocks_editor_width":"","advgb_blocks_columns_visual_guide":"","footnotes":""},"categories":[420,1075,1076,808,1470],"tags":[1442,1473,1454,1472,1462,1464,1456,1428,1423,1435,1455,1446,1444,1431,843,1451,1437,1425,1440,1452,1449,1443,1448,1474,1438,1424,1460,1459,584,324,1457,1465,1447,1458,650,1426,525,1471,1433,1430,1427,473,1429,1475,1441,1445,1434,1436,545,1439,1469,809,606,1453,1466,1432,1468,1476,1463,504],"class_list":["post-4457","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-african-american-opera-singers","category-art-song","category-crossover","category-needle-drop","category-operetta","tag-aksel-schiotz-2","tag-alan-jay-lerner","tag-anton-paulik","tag-brigadoon","tag-burton-lane","tag-carl-nielsen","tag-carl-zeller","tag-charles-trenet","tag-conchita-supervia","tag-danny-kaye","tag-der-vogelhandler","tag-don-quichotte-a-dulcinee","tag-dorothy-warenskjold","tag-dusolina-giannini","tag-eduardo-di-capua","tag-edwin-schneider","tag-elisabeth-schumann","tag-ella-fitzgerald","tag-ella-logan","tag-emmerich-kalman","tag-enrique-granados","tag-erich-kunz","tag-franz-lehar","tag-frederick-loewe","tag-fritzi-massary","tag-gabriel-bacquier","tag-gilbert-sullivan","tag-harold-adamson","tag-hermann-prey","tag-hilde-guden","tag-hitting-a-new-high","tag-im-prater-bluhn-wieder-die-baume","tag-jean-laforge","tag-jimmy-mchugh","tag-john-mccormack","tag-josephine-baker","tag-judith-blegen","tag-julie-andrews","tag-julius-patzak","tag-lily-pons","tag-lois-marshall","tag-lucia-popp","tag-lucrezia-bori","tag-luise-hensel","tag-magda-kalmar","tag-marc-berthomieu","tag-maria-kurenko","tag-marta-eggerth","tag-maurice-ravel","tag-maxine-sullivan","tag-mude-bin-ich-geh-zur-ruh","tag-o-sole-mio","tag-richard-tauber","tag-robert-stolz","tag-the-last-rose-of-summer","tag-tito-schipa","tag-weist-du-wieviel-sternlein-stehen","tag-wilhelm-hey","tag-yip-harburg","tag-yvonne-printemps"],"author_meta":{"display_name":"admin","author_link":"https:\/\/countermelodypodcast.com\/index.php\/author\/admin\/"},"featured_img":"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/05\/Conchita-Supervia-as-Frasquita-CROPPED-300x145.jpg","coauthors":[],"tax_additional":{"categories":{"linked":["<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/african-american-opera-singers\/\" class=\"advgb-post-tax-term\">African American Opera Singers<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/art-song\/\" class=\"advgb-post-tax-term\">Art Song<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/crossover\/\" class=\"advgb-post-tax-term\">Crossover<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Needle Drop<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Operetta<\/a>"],"unlinked":["<span class=\"advgb-post-tax-term\">African American Opera Singers<\/span>","<span class=\"advgb-post-tax-term\">Art Song<\/span>","<span class=\"advgb-post-tax-term\">Crossover<\/span>","<span class=\"advgb-post-tax-term\">Needle Drop<\/span>","<span class=\"advgb-post-tax-term\">Operetta<\/span>"]},"tags":{"linked":["<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Aksel Schi\u00f8tz<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Alan Jay Lerner<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Anton Paulik<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Brigadoon<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Burton Lane<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Carl Nielsen<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Carl Zeller<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Charles Trenet<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Conchita Supervia<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Danny Kaye<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Der Vogelh\u00e4ndler<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Don Quichotte \u00e0 Dulcin\u00e9e<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Dorothy Warenskjold<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Dusolina Giannini<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Eduardo di Capua<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Edwin Schneider<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Elisabeth Schumann<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Ella Fitzgerald<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Ella Logan<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Emmerich K\u00e1lm\u00e1n<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Enrique Granados<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Erich Kunz<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Franz Leh\u00e1r<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Frederick Loewe<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Fritzi Massary<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Gabriel Bacquier<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Gilbert &amp; Sullivan<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Harold Adamson<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Hermann Prey<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Hilde G\u00fcden<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">HItting a New High<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Im Prater bl\u00fch\u2019n wieder die B\u00e4ume<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Jean Laforge<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Jimmy McHugh<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">John McCormack<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Jos\u00e9phine Baker<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Judith Blegen<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Julie Andrews<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Julius Patzak<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Lily Pons<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Lois Marshall<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Lucia Popp<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Lucrezia Bori<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Luise Hensel<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Magda Kalm\u00e1r<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Marc Berthomieu<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Maria Kurenko<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Marta Eggerth<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Maurice Ravel<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Maxine Sullivan<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">M\u00fcde bin ich geh\u2019 zur Ruh<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">O Sole Mio<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Richard Tauber<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Robert Stolz<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">The Last Rose of Summer<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Tito Schipa<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Wei\u00dft Du wieviel Sternlein stehen<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Wilhelm Hey<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Yip Harburg<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Yvonne Printemps<\/a>"],"unlinked":["<span class=\"advgb-post-tax-term\">Aksel Schi\u00f8tz<\/span>","<span class=\"advgb-post-tax-term\">Alan Jay Lerner<\/span>","<span class=\"advgb-post-tax-term\">Anton Paulik<\/span>","<span class=\"advgb-post-tax-term\">Brigadoon<\/span>","<span class=\"advgb-post-tax-term\">Burton Lane<\/span>","<span class=\"advgb-post-tax-term\">Carl Nielsen<\/span>","<span class=\"advgb-post-tax-term\">Carl Zeller<\/span>","<span class=\"advgb-post-tax-term\">Charles Trenet<\/span>","<span class=\"advgb-post-tax-term\">Conchita Supervia<\/span>","<span class=\"advgb-post-tax-term\">Danny Kaye<\/span>","<span class=\"advgb-post-tax-term\">Der Vogelh\u00e4ndler<\/span>","<span class=\"advgb-post-tax-term\">Don Quichotte \u00e0 Dulcin\u00e9e<\/span>","<span class=\"advgb-post-tax-term\">Dorothy Warenskjold<\/span>","<span class=\"advgb-post-tax-term\">Dusolina Giannini<\/span>","<span class=\"advgb-post-tax-term\">Eduardo di Capua<\/span>","<span class=\"advgb-post-tax-term\">Edwin Schneider<\/span>","<span class=\"advgb-post-tax-term\">Elisabeth Schumann<\/span>","<span class=\"advgb-post-tax-term\">Ella Fitzgerald<\/span>","<span class=\"advgb-post-tax-term\">Ella Logan<\/span>","<span class=\"advgb-post-tax-term\">Emmerich K\u00e1lm\u00e1n<\/span>","<span class=\"advgb-post-tax-term\">Enrique Granados<\/span>","<span class=\"advgb-post-tax-term\">Erich Kunz<\/span>","<span class=\"advgb-post-tax-term\">Franz Leh\u00e1r<\/span>","<span class=\"advgb-post-tax-term\">Frederick Loewe<\/span>","<span class=\"advgb-post-tax-term\">Fritzi Massary<\/span>","<span class=\"advgb-post-tax-term\">Gabriel Bacquier<\/span>","<span class=\"advgb-post-tax-term\">Gilbert &amp; Sullivan<\/span>","<span class=\"advgb-post-tax-term\">Harold Adamson<\/span>","<span class=\"advgb-post-tax-term\">Hermann Prey<\/span>","<span class=\"advgb-post-tax-term\">Hilde G\u00fcden<\/span>","<span class=\"advgb-post-tax-term\">HItting a New High<\/span>","<span class=\"advgb-post-tax-term\">Im Prater bl\u00fch\u2019n wieder die B\u00e4ume<\/span>","<span class=\"advgb-post-tax-term\">Jean Laforge<\/span>","<span class=\"advgb-post-tax-term\">Jimmy McHugh<\/span>","<span class=\"advgb-post-tax-term\">John McCormack<\/span>","<span class=\"advgb-post-tax-term\">Jos\u00e9phine Baker<\/span>","<span class=\"advgb-post-tax-term\">Judith Blegen<\/span>","<span class=\"advgb-post-tax-term\">Julie Andrews<\/span>","<span class=\"advgb-post-tax-term\">Julius Patzak<\/span>","<span class=\"advgb-post-tax-term\">Lily Pons<\/span>","<span class=\"advgb-post-tax-term\">Lois Marshall<\/span>","<span class=\"advgb-post-tax-term\">Lucia Popp<\/span>","<span class=\"advgb-post-tax-term\">Lucrezia Bori<\/span>","<span class=\"advgb-post-tax-term\">Luise Hensel<\/span>","<span class=\"advgb-post-tax-term\">Magda Kalm\u00e1r<\/span>","<span class=\"advgb-post-tax-term\">Marc Berthomieu<\/span>","<span class=\"advgb-post-tax-term\">Maria Kurenko<\/span>","<span class=\"advgb-post-tax-term\">Marta Eggerth<\/span>","<span class=\"advgb-post-tax-term\">Maurice Ravel<\/span>","<span class=\"advgb-post-tax-term\">Maxine Sullivan<\/span>","<span class=\"advgb-post-tax-term\">M\u00fcde bin ich geh\u2019 zur Ruh<\/span>","<span class=\"advgb-post-tax-term\">O Sole Mio<\/span>","<span class=\"advgb-post-tax-term\">Richard Tauber<\/span>","<span class=\"advgb-post-tax-term\">Robert Stolz<\/span>","<span class=\"advgb-post-tax-term\">The Last Rose of Summer<\/span>","<span class=\"advgb-post-tax-term\">Tito Schipa<\/span>","<span class=\"advgb-post-tax-term\">Wei\u00dft Du wieviel Sternlein stehen<\/span>","<span class=\"advgb-post-tax-term\">Wilhelm Hey<\/span>","<span class=\"advgb-post-tax-term\">Yip Harburg<\/span>","<span class=\"advgb-post-tax-term\">Yvonne Printemps<\/span>"]}},"comment_count":"3","relative_dates":{"created":"Posted 6 years ago","modified":"Updated 6 years ago"},"absolute_dates":{"created":"Posted on 17\/05\/2020","modified":"Updated on 18\/05\/2020"},"absolute_dates_time":{"created":"Posted on 17\/05\/2020 19:57","modified":"Updated on 18\/05\/2020 23:21"},"featured_img_caption":"","series_order":"","_links":{"self":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/4457","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/comments?post=4457"}],"version-history":[{"count":13,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/4457\/revisions"}],"predecessor-version":[{"id":4586,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/4457\/revisions\/4586"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/media\/4573"}],"wp:attachment":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/media?parent=4457"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/categories?post=4457"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/tags?post=4457"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}