{"id":3667,"date":"2020-06-22T00:25:08","date_gmt":"2020-06-21T22:25:08","guid":{"rendered":"http:\/\/countermelodypodcast.com\/?p=3667"},"modified":"2020-06-27T16:05:43","modified_gmt":"2020-06-27T14:05:43","slug":"episode-40-sisters-in-sapho","status":"publish","type":"post","link":"https:\/\/countermelodypodcast.com\/index.php\/2020\/06\/22\/episode-40-sisters-in-sapho\/","title":{"rendered":"Episode 40. Sisters in Sappho"},"content":{"rendered":"<div id=\"mega-menu-wrap-primary\" class=\"mega-menu-wrap\"><div class=\"mega-menu-toggle\"><div class=\"mega-toggle-blocks-left\"><\/div><div class=\"mega-toggle-blocks-center\"><\/div><div class=\"mega-toggle-blocks-right\"><div class='mega-toggle-block mega-menu-toggle-animated-block mega-toggle-block-1' id='mega-toggle-block-1'><button aria-label=\"Menu\" class=\"mega-toggle-animated mega-toggle-animated-slider\" type=\"button\" aria-haspopup=\"true\" aria-expanded=\"false\" aria-controls=\"mega-menu-primary\">\n                  <span class=\"mega-toggle-animated-box\">\n                    <span class=\"mega-toggle-animated-inner\"><\/span>\n                  <\/span>\n                <\/button><\/div><\/div><\/div><ul id=\"mega-menu-primary\" class=\"mega-menu max-mega-menu mega-menu-horizontal mega-no-js\" data-event=\"hover_intent\" data-effect=\"slide\" data-effect-speed=\"200\" data-effect-mobile=\"slide\" data-effect-speed-mobile=\"200\" data-mobile-force-width=\"body\" data-second-click=\"go\" data-document-click=\"collapse\" data-vertical-behaviour=\"standard\" data-breakpoint=\"600\" data-unbind=\"true\" data-mobile-state=\"collapse_all\" data-mobile-direction=\"vertical\" data-hover-intent-timeout=\"300\" data-hover-intent-interval=\"100\"><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-menu-item-home mega-align-bottom-left mega-menu-flyout mega-menu-item-19160\" id=\"mega-menu-item-19160\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/\">Home<\/a><\/li><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-align-bottom-left mega-menu-flyout mega-menu-item-19161\" id=\"mega-menu-item-19161\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/index.php\/about-daniel\/\">About Daniel<\/a><\/li><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-current_page_parent mega-align-bottom-left mega-menu-flyout mega-menu-item-19171\" id=\"mega-menu-item-19171\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/index.php\/all-episodes\/\">All Episodes<\/a><\/li><\/ul><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">Episode 40. Sisters in Sappho<\/h2>\n\n\n\n<iframe loading=\"lazy\" width=\"340\" height=\"50\" src=\"https:\/\/countermelody.blubrry.net\/?powerpress_embed=147-podcast&amp;powerpress_player=mediaelement-audio\" frameborder=\"0\" scrolling=\"no\"><\/iframe>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p><strong>SOCIAL SHARE<\/strong><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"has-text-align-right\"><strong>SUBSCRIPTION PLATFORM<\/strong><\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<div class=\"wp-block-buttons alignleft is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button alignright\"><a class=\"wp-block-button__link no-border-radius\" href=\"https:\/\/countermelody.blubrry.net\/\">SUBSCRIBE VIA YOUR FAVORITE PODCAST PLATFORM<\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"518\" height=\"350\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/Tatiana-as-Octavian.jpg\" alt=\"\" class=\"wp-image-4859\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/Tatiana-as-Octavian.jpg 518w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/Tatiana-as-Octavian-300x203.jpg 300w\" sizes=\"auto, (max-width: 518px) 100vw, 518px\" \/><\/figure><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"572\" height=\"800\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/The-Perfect-Octavian.jpg\" alt=\"\" class=\"wp-image-4857\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/The-Perfect-Octavian.jpg 572w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/The-Perfect-Octavian-215x300.jpg 215w\" sizes=\"auto, (max-width: 572px) 100vw, 572px\" \/><figcaption><br>The Perfect Octavian(s)<\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:38px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>The first of my two Queer Pride episodes is devoted to a group of pioneering lesbians in the 1970s and beyond, in both classical and pop music. Two iconic mezzo-sopranos whose careers began in the 1960s and extended through the 1990s are the Greek-American Tatiana Troyanos and Brigitte Fassbaender, daughter of the German baritone Willi Domgraf-Fassbaender. I explore the similarities and differences in the repertoire and career paths of these two unique artists, and share examples of them singing repertoire from Handel to Weill, Scarlatti to Penderecki, with particular focus on Fassbaender\u2019s <em>Lieder<\/em> performances and Troyanos\u2019s work in <em>bel canto<\/em>. Then I turn to key figures in the Women\u2019s Music Movement of the 1970s, including Meg Christian, Cris Williamson, Margie Adam, Holly Near, and Deidre McCalla, while also paying tribute to those who, in turn, paved the way for them, including Janis Ian, Dusty Springfield, and Ronnie Gilbert. We also acknowledge the work of queer African American singers, including Deidre McCalla, Meshell Ndegeocello, and Toshi Reagon. We all owe an enormous debt of gratitude to these extraordinary artists, who paved the way for us, their musical and artistic descendants, at the same time setting standards that will stand the test of time. Vocal guest stars include Janet Baker, Ileana Cotrubas, Cecilia Gasdia, Nicolai Gedda, Margaret Price, Gundula Janowitz, Arleen Aug\u00e9r, and Reri Grist.<\/p>\n\n\n\n<div style=\"height:47px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p style=\"font-size:30px\" class=\"has-custom-size\"><strong> RECORDINGS HEARD IN THIS EPISODE<\/strong><\/p>\n\n\n\n<div style=\"height:55px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"679\" height=\"404\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/Baker-and-Cotrubas-in-Calisto-1.png\" alt=\"\" class=\"wp-image-4863\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/Baker-and-Cotrubas-in-Calisto-1.png 679w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/Baker-and-Cotrubas-in-Calisto-1-300x178.png 300w\" sizes=\"auto, (max-width: 679px) 100vw, 679px\" \/><\/figure><\/div>\n\n\n\n<p>Francesco Cavalli: O decoro del mio coro (<em>La Calisto<\/em>). Janet Baker, Ileana Cotrubas; Raymond Leppard, London Philharmonic Orchestra<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"885\" height=\"767\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/Holly-Near.png\" alt=\"\" class=\"wp-image-4850\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/Holly-Near.png 885w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/Holly-Near-300x260.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/Holly-Near-768x666.png 768w\" sizes=\"auto, (max-width: 885px) 100vw, 885px\" \/><\/figure><\/div>\n\n\n\n<p>Holly Near: Imagine My Surprise [from <em>Journeys<\/em>, 1983]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"709\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/Reri-Grist-1-709x1024.jpg\" alt=\"\" class=\"wp-image-4865\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/Reri-Grist-1-709x1024.jpg 709w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/Reri-Grist-1-208x300.jpg 208w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/Reri-Grist-1-768x1110.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/Reri-Grist-1.jpg 1038w\" sizes=\"auto, (max-width: 709px) 100vw, 709px\" \/><figcaption>Reri Grist photographed by Carl Van Vechten<br><\/figcaption><\/figure><\/div>\n\n\n\n<p>Alessandro Scarlatti: Del tuo ciglio vezzoso (<em>Endimione e Cintia<\/em>). Tatiana Troyanos, Reri Grist; Carl Mathieu Lange, Philharmonisches Staatsorchester Hamburg<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"985\" height=\"737\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/Tatiana-as-Mother-Jeanne-4.png\" alt=\"\" class=\"wp-image-4866\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/Tatiana-as-Mother-Jeanne-4.png 985w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/Tatiana-as-Mother-Jeanne-4-300x224.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/Tatiana-as-Mother-Jeanne-4-768x575.png 768w\" sizes=\"auto, (max-width: 985px) 100vw, 985px\" \/><\/figure><\/div>\n\n\n\n<p>Krzysztof Penderecki: Ich will einen Weg finden (<em>Die Teufel von Loudun<\/em>). Tatiana Troyanos, Andrzej Hiolski; Marek Janowski, Orchester der Hamburgischen Staatsoper<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"500\" height=\"266\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/Gedda.jpg\" alt=\"\" class=\"wp-image-4869\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/Gedda.jpg 500w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/Gedda-300x160.jpg 300w\" sizes=\"auto, (max-width: 500px) 100vw, 500px\" \/><figcaption>Nicolai Gedda<br><\/figcaption><\/figure><\/div>\n\n\n\n<p>Richard Heuberger: Geh\u2019n wir ins Chambre s\u00e9par\u00e9e (<em>Der Opernball<\/em>). Brigitte Fassbaender, Nicolai Gedda; Willy Mattes, Symphonie-Orchester Graunke<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/BF-Rakish-Gentleman.jpg\" alt=\"\" class=\"wp-image-4871\" width=\"334\" height=\"446\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/BF-Rakish-Gentleman.jpg 283w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/BF-Rakish-Gentleman-225x300.jpg 225w\" sizes=\"auto, (max-width: 334px) 100vw, 334px\" \/><\/figure><\/div>\n\n\n\n<p>Alban Berg: Lulu, mein Engel (<em>Lulu<\/em>). Brigitte Fassbaender, Friedrich Cerha, Orchester der Bayerischen Staatsoper [live, M\u00fcnchen 06 July 1985];&nbsp;<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"580\" height=\"693\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/Price-Fassbaender-1.jpg\" alt=\"\" class=\"wp-image-4873\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/Price-Fassbaender-1.jpg 580w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/Price-Fassbaender-1-251x300.jpg 251w\" sizes=\"auto, (max-width: 580px) 100vw, 580px\" \/><figcaption>Brigitte Fassbaender and Margaret Price<br><\/figcaption><\/figure><\/div>\n\n\n\n<p>Wolfgang Amadeus Mozart: Ah, guarda, sorella (<em>Cos\u00ec fan tutte<\/em>). Brigitte Fassbaender, Margaret Price; Wolfgang Sawallisch, Bayerisches Staatsorchester [live M\u00fcnchen 28 February 1978]<\/p>\n\n\n\n<div style=\"height:68px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"480\" height=\"360\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/Tatiana-as-Sesto.jpg\" alt=\"\" class=\"wp-image-4874\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/Tatiana-as-Sesto.jpg 480w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/Tatiana-as-Sesto-300x225.jpg 300w\" sizes=\"auto, (max-width: 480px) 100vw, 480px\" \/><\/figure><\/div>\n\n\n\n<p>Wolfgang Amadeus Mozart: Parto, parto (<em>La Clemenza di Tito<\/em>). Tatyana Troyanos; James Levine, Wiener Philharmoniker [live, Salzburg 1976]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-gallery columns-2 is-cropped wp-block-gallery-1\"><ul class=\"blocks-gallery-grid\"><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"433\" height=\"604\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/Fassbaender-as-Octavian.jpg\" alt=\"\" data-id=\"4875\" data-link=\"https:\/\/countermelodypodcast.com\/episode-40-sisters-in-sapho\/fassbaender-as-octavian\/\" class=\"wp-image-4875\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/Fassbaender-as-Octavian.jpg 433w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/Fassbaender-as-Octavian-215x300.jpg 215w\" sizes=\"auto, (max-width: 433px) 100vw, 433px\" \/><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"504\" height=\"800\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/Cotrubas-Sophie-1.jpg\" alt=\"\" data-id=\"4876\" data-full-url=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/Cotrubas-Sophie-1.jpg\" data-link=\"https:\/\/countermelodypodcast.com\/episode-40-sisters-in-sapho\/cotrubas-sophie-1\/\" class=\"wp-image-4876 is-layout-flex wp-block-gallery-is-layout-flex\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/Cotrubas-Sophie-1.jpg 504w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/Cotrubas-Sophie-1-189x300.jpg 189w\" sizes=\"auto, (max-width: 504px) 100vw, 504px\" \/><\/figure><\/li><\/ul><\/figure>\n\n\n\n<p>Richard Strauss: Mir ist die Ehre (<em>Der Rosenkavalier<\/em>). Brigitte Fassbaender, Ileana Cotrubas; Georges Pr\u00eatre, Orchestra del RAI di Napoli [live, Napoli 16 October 1971]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-gallery columns-1 is-cropped wp-block-gallery-2\"><ul class=\"blocks-gallery-grid\"><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"635\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/Janowitz-1024x635.jpg\" alt=\"\" data-id=\"4878\" data-link=\"https:\/\/countermelodypodcast.com\/episode-40-sisters-in-sapho\/janowitz-3\/\" class=\"wp-image-4878\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/Janowitz-1024x635.jpg 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/Janowitz-300x186.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/Janowitz-768x476.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/Janowitz.jpg 1200w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"blocks-gallery-item__caption is-layout-flex wp-block-gallery-is-layout-flex\">Gundula Janowitz<\/figcaption><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"530\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/Auger-1.jpg\" alt=\"\" data-id=\"4879\" data-full-url=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/Auger-1.jpg\" data-link=\"https:\/\/countermelodypodcast.com\/episode-40-sisters-in-sapho\/auger-1\/\" class=\"wp-image-4879\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/Auger-1.jpg 600w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/Auger-1-300x265.jpg 300w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><figcaption class=\"blocks-gallery-item__caption\">Arleen Aug\u00e9r<\/figcaption><\/figure><\/li><\/ul><\/figure>\n\n\n\n<p>Richard Strauss: Hab mir\u2019s gelobt (<em>Der Rosenkavalier<\/em>). Tatiana Troyanos, Gundula Janowitz, Arleen Aug\u00e9r, Kurt Eichhorn, M\u00fcnchner Rundfunkorchester [live concert performance, M\u00fcnchen 1968 or 1969]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"471\" height=\"600\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/Fassbaender-Wagner-I-Think.jpg\" alt=\"\" class=\"wp-image-4896\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/Fassbaender-Wagner-I-Think.jpg 471w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/Fassbaender-Wagner-I-Think-236x300.jpg 236w\" sizes=\"auto, (max-width: 471px) 100vw, 471px\" \/><\/figure><\/div>\n\n\n\n<p>Giuseppe Verdi: Judgment Scene [excerpt](<em>Aida<\/em>). Brigitte Fassbaender, Robert Lloyd; Riccardo Muti, Orchester und Chor des Bayerischen Staatsoper [live, M\u00fcnchen 22 March 1979]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"550\" height=\"810\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/Troyanos-Eboli-1.jpg\" alt=\"\" class=\"wp-image-4894\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/Troyanos-Eboli-1.jpg 550w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/Troyanos-Eboli-1-204x300.jpg 204w\" sizes=\"auto, (max-width: 550px) 100vw, 550px\" \/><\/figure><\/div>\n\n\n\n<p>Giuseppe Verdi: O don fatale (<em>Don Carlo<\/em>). Tatiana Troyanos; James Levine [live New York, 21 February 1980]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/TT-Frilly.jpg\" alt=\"\" class=\"wp-image-4891\" width=\"323\" height=\"433\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/TT-Frilly.jpg 276w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/TT-Frilly-224x300.jpg 224w\" sizes=\"auto, (max-width: 323px) 100vw, 323px\" \/><\/figure><\/div>\n\n\n\n<p>George Frideric Handel: Scherza infida (<em>Ariodante<\/em>). Tatiana Troyanos; Raymond Leppard, Orchestra of St. Lukes [live, New York 27 January 1985]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"456\" height=\"654\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/Gasdia.jpg\" alt=\"\" class=\"wp-image-4892\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/Gasdia.jpg 456w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/Gasdia-209x300.jpg 209w\" sizes=\"auto, (max-width: 456px) 100vw, 456px\" \/><figcaption>Cecilia Gasdia<br><\/figcaption><\/figure><\/div>\n\n\n\n<p>Vincenzo Bellini: Ah, crudel, d\u2019onor ragioni (<em>I Capuleti e i Montecchi<\/em>). Tatiana Troyanos, Cecilia Gasdia, Donato Renzetti [live, Chicago 15 November 1985]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"414\" height=\"603\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/Young-Tatiana.jpg\" alt=\"\" class=\"wp-image-4890\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/Young-Tatiana.jpg 414w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/Young-Tatiana-206x300.jpg 206w\" sizes=\"auto, (max-width: 414px) 100vw, 414px\" \/><\/figure><\/div>\n\n\n\n<p>Serge Rachmaninov: \u041e\u0441\u0442\u0440\u043e\u0432\u043e\u043a [The Island], Op. 14\/2. Tatiana Troyanos; James Levine [live, New York 1985]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"518\" height=\"350\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/Tatiana-and-Tree.jpg\" alt=\"\" class=\"wp-image-4889\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/Tatiana-and-Tree.jpg 518w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/Tatiana-and-Tree-300x203.jpg 300w\" sizes=\"auto, (max-width: 518px) 100vw, 518px\" \/><\/figure><\/div>\n\n\n\n<p>Maurice Ravel, arr.: Tout gai (<em>Cinq m\u00e9lodies populaires grecques<\/em>) [sung in Greek]. Tatiana Troyanos; James Levine [live, New York 1985]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"605\" height=\"580\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/Brigitte-outdoors.jpg\" alt=\"\" class=\"wp-image-4880\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/Brigitte-outdoors.jpg 605w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/Brigitte-outdoors-300x288.jpg 300w\" sizes=\"auto, (max-width: 605px) 100vw, 605px\" \/><\/figure><\/div>\n\n\n\n<p>Felix Mendelssohn: Neue Liebe, Op. 19a\/4. Brigitte Fassbaender; Erik Werba<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-gallery columns-2 is-cropped wp-block-gallery-3\"><ul class=\"blocks-gallery-grid\"><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"576\" height=\"453\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/Fassbaender-and-Aribert-Reimann.jpg\" alt=\"\" data-id=\"4881\" data-full-url=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/Fassbaender-and-Aribert-Reimann.jpg\" data-link=\"https:\/\/countermelodypodcast.com\/episode-40-sisters-in-sapho\/fassbaender-and-aribert-reimann\/\" class=\"wp-image-4881\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/Fassbaender-and-Aribert-Reimann.jpg 576w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/Fassbaender-and-Aribert-Reimann-300x236.jpg 300w\" sizes=\"auto, (max-width: 576px) 100vw, 576px\" \/><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"655\" height=\"439\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/Fassbaender-Reimann-2.jpg\" alt=\"\" data-id=\"4882\" data-full-url=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/Fassbaender-Reimann-2.jpg\" data-link=\"https:\/\/countermelodypodcast.com\/episode-40-sisters-in-sapho\/fassbaender-reimann-2\/\" class=\"wp-image-4882 is-layout-flex wp-block-gallery-is-layout-flex\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/Fassbaender-Reimann-2.jpg 655w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/Fassbaender-Reimann-2-300x201.jpg 300w\" sizes=\"auto, (max-width: 655px) 100vw, 655px\" \/><\/figure><\/li><\/ul><\/figure>\n\n\n\n<p>Franz Schubert: Der Wanderer an den Mond, D.870. Brigitte Fassbaender; Aribert Reimann<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/Fassbaender-Wustman-LP.jpg\" alt=\"\" class=\"wp-image-4883\" width=\"601\" height=\"596\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/Fassbaender-Wustman-LP.jpg 763w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/Fassbaender-Wustman-LP-300x298.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/Fassbaender-Wustman-LP-150x150.jpg 150w\" sizes=\"auto, (max-width: 601px) 100vw, 601px\" \/><\/figure><\/div>\n\n\n\n<p>Gustav Mahler: Rheinenlegendchen (<em>Des Knaben Wunderhorn<\/em>). Brigitte Fassbaender; John Wustman<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"585\" height=\"900\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/Wustman.jpg\" alt=\"\" class=\"wp-image-4884\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/Wustman.jpg 585w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/Wustman-195x300.jpg 195w\" sizes=\"auto, (max-width: 585px) 100vw, 585px\" \/><figcaption>John Wustman<br><\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-gallery aligncenter columns-3 is-cropped wp-block-gallery-4\"><ul class=\"blocks-gallery-grid\"><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"454\" height=\"479\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/Fuck-You-Turban.jpg\" alt=\"\" data-id=\"4885\" class=\"wp-image-4885\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/Fuck-You-Turban.jpg 454w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/Fuck-You-Turban-284x300.jpg 284w\" sizes=\"auto, (max-width: 454px) 100vw, 454px\" \/><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"670\" height=\"960\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/BF-with-earrings.jpg\" alt=\"\" data-id=\"4897\" data-full-url=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/BF-with-earrings.jpg\" data-link=\"https:\/\/countermelodypodcast.com\/episode-40-sisters-in-sapho\/bf-with-earrings\/\" class=\"wp-image-4897\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/BF-with-earrings.jpg 670w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/BF-with-earrings-209x300.jpg 209w\" sizes=\"auto, (max-width: 670px) 100vw, 670px\" \/><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"640\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/BF-Young-Lighting-1024x640.jpg\" alt=\"\" data-id=\"4898\" data-full-url=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/BF-Young-Lighting.jpg\" data-link=\"https:\/\/countermelodypodcast.com\/episode-40-sisters-in-sapho\/bf-young-lighting\/\" class=\"wp-image-4898\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/BF-Young-Lighting-1024x640.jpg 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/BF-Young-Lighting-300x188.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/BF-Young-Lighting-768x480.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/BF-Young-Lighting.jpg 1280w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"800\" height=\"570\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/BF-Young-Scarf.jpg\" alt=\"\" data-id=\"4899\" data-full-url=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/BF-Young-Scarf.jpg\" data-link=\"https:\/\/countermelodypodcast.com\/episode-40-sisters-in-sapho\/bf-young-scarf\/\" class=\"wp-image-4899\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/BF-Young-Scarf.jpg 800w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/BF-Young-Scarf-300x214.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/BF-Young-Scarf-768x547.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"374\" height=\"551\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/BF-Zigeuner.jpg\" alt=\"\" data-id=\"4900\" data-full-url=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/BF-Zigeuner.jpg\" data-link=\"https:\/\/countermelodypodcast.com\/episode-40-sisters-in-sapho\/bf-zigeuner\/\" class=\"wp-image-4900\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/BF-Zigeuner.jpg 374w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/BF-Zigeuner-204x300.jpg 204w\" sizes=\"auto, (max-width: 374px) 100vw, 374px\" \/><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"448\" height=\"330\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/Fassbaender-with-Bricks.jpg\" alt=\"\" data-id=\"4901\" data-full-url=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/Fassbaender-with-Bricks.jpg\" data-link=\"https:\/\/countermelodypodcast.com\/episode-40-sisters-in-sapho\/fassbaender-with-bricks\/\" class=\"wp-image-4901\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/Fassbaender-with-Bricks.jpg 448w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/Fassbaender-with-Bricks-300x221.jpg 300w\" sizes=\"auto, (max-width: 448px) 100vw, 448px\" \/><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"499\" height=\"382\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/Fassbaender-Young-again.jpg\" alt=\"\" data-id=\"4902\" data-full-url=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/Fassbaender-Young-again.jpg\" data-link=\"https:\/\/countermelodypodcast.com\/episode-40-sisters-in-sapho\/fassbaender-young-again\/\" class=\"wp-image-4902\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/Fassbaender-Young-again.jpg 499w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/Fassbaender-Young-again-300x230.jpg 300w\" sizes=\"auto, (max-width: 499px) 100vw, 499px\" \/><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"285\" height=\"177\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/Young-Fassbaender.jpg\" alt=\"\" data-id=\"4904\" data-full-url=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/Young-Fassbaender.jpg\" data-link=\"https:\/\/countermelodypodcast.com\/episode-40-sisters-in-sapho\/young-fassbaender\/\" class=\"wp-image-4904\"\/><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"195\" height=\"258\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/Younger-Fassbaender.jpg\" alt=\"\" data-id=\"4905\" data-full-url=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/Younger-Fassbaender.jpg\" data-link=\"https:\/\/countermelodypodcast.com\/episode-40-sisters-in-sapho\/younger-fassbaender\/\" class=\"wp-image-4905 is-layout-flex wp-block-gallery-is-layout-flex\"\/><\/figure><\/li><\/ul><\/figure>\n\n\n\n<p>Kurt Weill: Wie lange noch?. Brigitte Fassbaender; Cord Garben<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"600\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/Janis-Ian-Aftertones.jpg\" alt=\"\" class=\"wp-image-4886\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/Janis-Ian-Aftertones.jpg 600w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/Janis-Ian-Aftertones-300x300.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/Janis-Ian-Aftertones-150x150.jpg 150w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/figure><\/div>\n\n\n\n<p>Janis Ian: Roses [from <em>Aftertones<\/em>, 1975]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"844\" height=\"461\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/Dusty-Lipstick-Lesbian-1.png\" alt=\"\" class=\"wp-image-4888\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/Dusty-Lipstick-Lesbian-1.png 844w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/Dusty-Lipstick-Lesbian-1-300x164.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/Dusty-Lipstick-Lesbian-1-768x419.png 768w\" sizes=\"auto, (max-width: 844px) 100vw, 844px\" \/><\/figure><\/div>\n\n\n\n<p>Margie Adam: Beautiful Soul. Dusty Springfield [from the unreleased album <em>Longing<\/em>, 1974]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"480\" height=\"600\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/Margie-Adam.jpg\" alt=\"\" class=\"wp-image-4906\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/Margie-Adam.jpg 480w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/Margie-Adam-240x300.jpg 240w\" sizes=\"auto, (max-width: 480px) 100vw, 480px\" \/><\/figure><\/div>\n\n\n\n<p>Margie Adam: Best Friend (The Unicorn Song) (from <em>Songwriter<\/em>, 1976]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"576\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/Meg-Christian-and-Cris-Williamson-1024x576.jpg\" alt=\"\" class=\"wp-image-4907\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/Meg-Christian-and-Cris-Williamson-1024x576.jpg 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/Meg-Christian-and-Cris-Williamson-300x169.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/Meg-Christian-and-Cris-Williamson-768x432.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/Meg-Christian-and-Cris-Williamson.jpg 1280w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption>Meg Christian and Cris Williamson<br><\/figcaption><\/figure><\/div>\n\n\n\n<p>Meg Christian: Joanna. Cris Williamson [from the self-titled album, <em>Cris<\/em> <em>Williamson<\/em>, 1971]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"600\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/Meg-Christian-I-Know-You-Know.jpg\" alt=\"\" class=\"wp-image-4908\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/Meg-Christian-I-Know-You-Know.jpg 600w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/Meg-Christian-I-Know-You-Know-300x300.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/Meg-Christian-I-Know-You-Know-150x150.jpg 150w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/figure><\/div>\n\n\n\n<p>Meg Christian: Song to My Mama. [from <em>I Know You Know<\/em>, 1974]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"877\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/Ferron-1-877x1024.jpg\" alt=\"\" class=\"wp-image-4910\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/Ferron-1-877x1024.jpg 877w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/Ferron-1-257x300.jpg 257w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/Ferron-1-768x897.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/Ferron-1.jpg 1000w\" sizes=\"auto, (max-width: 877px) 100vw, 877px\" \/><\/figure><\/div>\n\n\n\n<p>Ferron: It Won\u2019t Take Long [from <em>Shadows on a Dime<\/em>, 1984]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-gallery aligncenter columns-2 is-cropped wp-block-gallery-5\"><ul class=\"blocks-gallery-grid\"><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"700\" height=\"456\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/Deidre-McCalla-Young.jpg\" alt=\"\" data-id=\"4912\" data-full-url=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/Deidre-McCalla-Young.jpg\" data-link=\"https:\/\/countermelodypodcast.com\/episode-40-sisters-in-sapho\/deidre-mccalla-young\/\" class=\"wp-image-4912\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/Deidre-McCalla-Young.jpg 700w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/Deidre-McCalla-Young-300x195.jpg 300w\" sizes=\"auto, (max-width: 700px) 100vw, 700px\" \/><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"500\" height=\"697\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/Deidre-McCalla.jpg\" alt=\"\" data-id=\"4911\" class=\"wp-image-4911 is-layout-flex wp-block-gallery-is-layout-flex\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/Deidre-McCalla.jpg 500w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/Deidre-McCalla-215x300.jpg 215w\" sizes=\"auto, (max-width: 500px) 100vw, 500px\" \/><\/figure><\/li><\/ul><\/figure>\n\n\n\n<p>Deidre McCalla: Oh the Earth [from <em>Don\u2019t Doubt It<\/em>, 1985]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"636\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/Meshell-1-1024x636.jpg\" alt=\"\" class=\"wp-image-4914\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/Meshell-1-1024x636.jpg 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/Meshell-1-300x186.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/Meshell-1-768x477.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/Meshell-1.jpg 1040w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<p>Meshell Ndegeocello: Leviticus: Faggot [from <em>Peace Beyond Passion<\/em>, 1996]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"512\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/Toshi-1024x512.jpg\" alt=\"\" class=\"wp-image-4916\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/Toshi-1024x512.jpg 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/Toshi-300x150.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/Toshi-768x384.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/Toshi.jpg 1220w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure><\/div>\n\n\n\n<p>Toshi Reagon: Terrify Me. Toshi Reagon with BIGLovely and Bernice Johnson Reagon [live from Joe\u2019s Pub, 29 January 2012]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"400\" height=\"399\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/Ronnie-Gilbert-and-Holly-Near.jpg\" alt=\"\" class=\"wp-image-4915\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/Ronnie-Gilbert-and-Holly-Near.jpg 400w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/Ronnie-Gilbert-and-Holly-Near-300x300.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/Ronnie-Gilbert-and-Holly-Near-150x150.jpg 150w\" sizes=\"auto, (max-width: 400px) 100vw, 400px\" \/><\/figure><\/div>\n\n\n\n<p>Holly Near: Singing for Our Lives. Holly Near and Ronnie Gilbert [from <em>Lifeline<\/em>, 1983]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Episode 40. Sisters in Sappho SOCIAL SHARE SUBSCRIPTION PLATFORM The first of my two Queer Pride episodes is devoted to&hellip;<\/p>\n","protected":false},"author":1,"featured_media":4854,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"advgb_blocks_editor_width":"","advgb_blocks_columns_visual_guide":"","footnotes":""},"categories":[420,1626,1075,1625,1263,1540],"tags":[437,1635,1311,1632,1200,1640,1639,1650,1651,470,393,1643,1648,44,1653,1655,512,1646,1631,333,764,1628,1165,1644,1654,692,101,280,207,456,1297,1627,1245,448,304,1105,461,1630,1040,1618,1638,1636,1637,1649,545,1652,1656,1015,1239,691,524,1645,1633,329,1658,1641,1642,780,1629,1657,62,1647,34,698],"class_list":["post-3667","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-african-american-opera-singers","category-african-american-singers","category-art-song","category-gay-pride","category-mezzo-madness","category-protest-songs","tag-aida","tag-alban-berg","tag-alessandro-scarlatti","tag-andrzej-hiolski","tag-aribert-reimann","tag-ariodante","tag-arleen-auger","tag-beautiful-soul","tag-best-friend-the-unicorn-song","tag-brigitte-fassbaender","tag-cecilia-gasdia","tag-cinq-melodies-populaires-grecques","tag-cord-garben","tag-cosi-fan-tutte","tag-cris-williamson","tag-deidre-mccalla","tag-der-rosenkavalier","tag-des-knaben-wunderhorn","tag-die-teufel-von-loudun","tag-don-carlo","tag-dusty-springfield","tag-endimione-e-cintia","tag-erik-werba","tag-felix-mendelssohn","tag-ferron","tag-francesco-cavalli","tag-franz-schubert","tag-george-frideric-handel","tag-giuseppe-verdi","tag-gundula-janowitz","tag-gustav-mahler","tag-holly-near","tag-i-capuleti-e-i-montecchi","tag-ileana-cotrubas","tag-janet-baker","tag-janis-ian","tag-john-wustman","tag-krzysztof-penderecki","tag-kurt-weill","tag-la-calisto","tag-la-clemenza-di-tito","tag-lulu","tag-margaret-price","tag-margie-adam","tag-maurice-ravel","tag-meg-christian","tag-meshell-ndegeocello","tag-nicolai-gedda","tag-o-don-fatale","tag-raymond-leppard","tag-reri-grist","tag-rheinenlegendchen","tag-richard-heuberger","tag-richard-strauss","tag-ronnie-gilbert","tag-scherza-infida","tag-serge-rachmaninov","tag-sergei-rachmaninoff","tag-tatiana-troyanos","tag-toshi-reagon","tag-vincenzo-bellini","tag-wie-lange-noch","tag-wolfgang-amadeus-mozart","tag-wolfgang-sawallisch"],"author_meta":{"display_name":"admin","author_link":"https:\/\/countermelodypodcast.com\/index.php\/author\/admin\/"},"featured_img":"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/06\/Fassbaender-and-Kitty-TRIMMED-300x115.jpg","coauthors":[],"tax_additional":{"categories":{"linked":["<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/african-american-opera-singers\/\" class=\"advgb-post-tax-term\">African American Opera Singers<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/african-american-singers\/\" class=\"advgb-post-tax-term\">African American Singers<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/art-song\/\" class=\"advgb-post-tax-term\">Art Song<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/gay-pride\/\" class=\"advgb-post-tax-term\">Gay Pride<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/mezzo-madness\/\" class=\"advgb-post-tax-term\">Mezzo Madness<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/protest-songs\/\" class=\"advgb-post-tax-term\">Protest Songs<\/a>"],"unlinked":["<span class=\"advgb-post-tax-term\">African American Opera Singers<\/span>","<span class=\"advgb-post-tax-term\">African American Singers<\/span>","<span class=\"advgb-post-tax-term\">Art Song<\/span>","<span class=\"advgb-post-tax-term\">Gay Pride<\/span>","<span class=\"advgb-post-tax-term\">Mezzo Madness<\/span>","<span class=\"advgb-post-tax-term\">Protest Songs<\/span>"]},"tags":{"linked":["<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/protest-songs\/\" class=\"advgb-post-tax-term\">Aida<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/protest-songs\/\" class=\"advgb-post-tax-term\">Alban Berg<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/protest-songs\/\" class=\"advgb-post-tax-term\">Alessandro Scarlatti<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/protest-songs\/\" class=\"advgb-post-tax-term\">Andrzej Hiolski<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/protest-songs\/\" class=\"advgb-post-tax-term\">Aribert Reimann<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/protest-songs\/\" class=\"advgb-post-tax-term\">Ariodante<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/protest-songs\/\" class=\"advgb-post-tax-term\">Arleen Aug\u00e9r<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/protest-songs\/\" class=\"advgb-post-tax-term\">Beautiful Soul<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/protest-songs\/\" class=\"advgb-post-tax-term\">Best Friend (The Unicorn Song)<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/protest-songs\/\" class=\"advgb-post-tax-term\">Brigitte Fassbaender<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/protest-songs\/\" class=\"advgb-post-tax-term\">Cecilia Gasdia<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/protest-songs\/\" class=\"advgb-post-tax-term\">Cinq m\u00e9lodies populaires grecques<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/protest-songs\/\" class=\"advgb-post-tax-term\">Cord Garben<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/protest-songs\/\" class=\"advgb-post-tax-term\">Cosi fan tutte<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/protest-songs\/\" class=\"advgb-post-tax-term\">Cris Williamson<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/protest-songs\/\" class=\"advgb-post-tax-term\">Deidre McCalla<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/protest-songs\/\" class=\"advgb-post-tax-term\">Der Rosenkavalier<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/protest-songs\/\" class=\"advgb-post-tax-term\">Des Knaben Wunderhorn<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/protest-songs\/\" class=\"advgb-post-tax-term\">Die Teufel von Loudun<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/protest-songs\/\" class=\"advgb-post-tax-term\">Don Carlo<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/protest-songs\/\" class=\"advgb-post-tax-term\">Dusty Springfield<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/protest-songs\/\" class=\"advgb-post-tax-term\">Endimione e Cintia<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/protest-songs\/\" class=\"advgb-post-tax-term\">Erik Werba<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/protest-songs\/\" class=\"advgb-post-tax-term\">Felix Mendelssohn<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/protest-songs\/\" class=\"advgb-post-tax-term\">Ferron<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/protest-songs\/\" class=\"advgb-post-tax-term\">Francesco Cavalli<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/protest-songs\/\" class=\"advgb-post-tax-term\">Franz Schubert<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/protest-songs\/\" class=\"advgb-post-tax-term\">George Frideric Handel<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/protest-songs\/\" class=\"advgb-post-tax-term\">Giuseppe Verdi<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/protest-songs\/\" class=\"advgb-post-tax-term\">Gundula Janowitz<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/protest-songs\/\" class=\"advgb-post-tax-term\">Gustav Mahler<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/protest-songs\/\" class=\"advgb-post-tax-term\">Holly Near<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/protest-songs\/\" class=\"advgb-post-tax-term\">I Capuleti e i Montecchi<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/protest-songs\/\" class=\"advgb-post-tax-term\">Ileana Cotrubas<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/protest-songs\/\" class=\"advgb-post-tax-term\">Janet Baker<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/protest-songs\/\" class=\"advgb-post-tax-term\">Janis Ian<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/protest-songs\/\" class=\"advgb-post-tax-term\">John Wustman<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/protest-songs\/\" class=\"advgb-post-tax-term\">Krzysztof Penderecki<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/protest-songs\/\" class=\"advgb-post-tax-term\">Kurt Weill<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/protest-songs\/\" class=\"advgb-post-tax-term\">La Calisto<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/protest-songs\/\" class=\"advgb-post-tax-term\">La Clemenza di Tito<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/protest-songs\/\" class=\"advgb-post-tax-term\">Lulu<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/protest-songs\/\" class=\"advgb-post-tax-term\">Margaret Price<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/protest-songs\/\" class=\"advgb-post-tax-term\">Margie Adam<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/protest-songs\/\" class=\"advgb-post-tax-term\">Maurice Ravel<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/protest-songs\/\" class=\"advgb-post-tax-term\">Meg Christian<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/protest-songs\/\" class=\"advgb-post-tax-term\">Meshell Ndegeocello<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/protest-songs\/\" class=\"advgb-post-tax-term\">Nicolai Gedda<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/protest-songs\/\" class=\"advgb-post-tax-term\">O don fatale<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/protest-songs\/\" class=\"advgb-post-tax-term\">Raymond Leppard<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/protest-songs\/\" class=\"advgb-post-tax-term\">Reri Grist<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/protest-songs\/\" class=\"advgb-post-tax-term\">Rheinenlegendchen<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/protest-songs\/\" class=\"advgb-post-tax-term\">Richard Heuberger<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/protest-songs\/\" class=\"advgb-post-tax-term\">Richard Strauss<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/protest-songs\/\" class=\"advgb-post-tax-term\">Ronnie Gilbert<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/protest-songs\/\" class=\"advgb-post-tax-term\">Scherza infida<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/protest-songs\/\" class=\"advgb-post-tax-term\">Serge Rachmaninov<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/protest-songs\/\" class=\"advgb-post-tax-term\">Sergei Rachmaninoff<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/protest-songs\/\" class=\"advgb-post-tax-term\">Tatiana Troyanos<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/protest-songs\/\" class=\"advgb-post-tax-term\">Toshi Reagon<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/protest-songs\/\" class=\"advgb-post-tax-term\">Vincenzo Bellini<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/protest-songs\/\" class=\"advgb-post-tax-term\">Wie lange noch<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/protest-songs\/\" class=\"advgb-post-tax-term\">Wolfgang Amadeus Mozart<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/protest-songs\/\" class=\"advgb-post-tax-term\">Wolfgang Sawallisch<\/a>"],"unlinked":["<span class=\"advgb-post-tax-term\">Aida<\/span>","<span class=\"advgb-post-tax-term\">Alban Berg<\/span>","<span class=\"advgb-post-tax-term\">Alessandro Scarlatti<\/span>","<span class=\"advgb-post-tax-term\">Andrzej Hiolski<\/span>","<span class=\"advgb-post-tax-term\">Aribert Reimann<\/span>","<span class=\"advgb-post-tax-term\">Ariodante<\/span>","<span class=\"advgb-post-tax-term\">Arleen Aug\u00e9r<\/span>","<span class=\"advgb-post-tax-term\">Beautiful Soul<\/span>","<span class=\"advgb-post-tax-term\">Best Friend (The Unicorn Song)<\/span>","<span class=\"advgb-post-tax-term\">Brigitte Fassbaender<\/span>","<span class=\"advgb-post-tax-term\">Cecilia Gasdia<\/span>","<span class=\"advgb-post-tax-term\">Cinq m\u00e9lodies populaires grecques<\/span>","<span class=\"advgb-post-tax-term\">Cord Garben<\/span>","<span class=\"advgb-post-tax-term\">Cosi fan tutte<\/span>","<span class=\"advgb-post-tax-term\">Cris Williamson<\/span>","<span class=\"advgb-post-tax-term\">Deidre McCalla<\/span>","<span class=\"advgb-post-tax-term\">Der Rosenkavalier<\/span>","<span class=\"advgb-post-tax-term\">Des Knaben Wunderhorn<\/span>","<span class=\"advgb-post-tax-term\">Die Teufel von Loudun<\/span>","<span class=\"advgb-post-tax-term\">Don Carlo<\/span>","<span class=\"advgb-post-tax-term\">Dusty Springfield<\/span>","<span class=\"advgb-post-tax-term\">Endimione e Cintia<\/span>","<span class=\"advgb-post-tax-term\">Erik Werba<\/span>","<span class=\"advgb-post-tax-term\">Felix Mendelssohn<\/span>","<span class=\"advgb-post-tax-term\">Ferron<\/span>","<span class=\"advgb-post-tax-term\">Francesco Cavalli<\/span>","<span class=\"advgb-post-tax-term\">Franz Schubert<\/span>","<span class=\"advgb-post-tax-term\">George Frideric Handel<\/span>","<span class=\"advgb-post-tax-term\">Giuseppe Verdi<\/span>","<span class=\"advgb-post-tax-term\">Gundula Janowitz<\/span>","<span class=\"advgb-post-tax-term\">Gustav Mahler<\/span>","<span class=\"advgb-post-tax-term\">Holly Near<\/span>","<span class=\"advgb-post-tax-term\">I Capuleti e i Montecchi<\/span>","<span class=\"advgb-post-tax-term\">Ileana Cotrubas<\/span>","<span class=\"advgb-post-tax-term\">Janet Baker<\/span>","<span class=\"advgb-post-tax-term\">Janis Ian<\/span>","<span class=\"advgb-post-tax-term\">John Wustman<\/span>","<span class=\"advgb-post-tax-term\">Krzysztof Penderecki<\/span>","<span class=\"advgb-post-tax-term\">Kurt Weill<\/span>","<span class=\"advgb-post-tax-term\">La Calisto<\/span>","<span class=\"advgb-post-tax-term\">La Clemenza di Tito<\/span>","<span class=\"advgb-post-tax-term\">Lulu<\/span>","<span class=\"advgb-post-tax-term\">Margaret Price<\/span>","<span class=\"advgb-post-tax-term\">Margie Adam<\/span>","<span class=\"advgb-post-tax-term\">Maurice Ravel<\/span>","<span class=\"advgb-post-tax-term\">Meg Christian<\/span>","<span class=\"advgb-post-tax-term\">Meshell Ndegeocello<\/span>","<span class=\"advgb-post-tax-term\">Nicolai Gedda<\/span>","<span class=\"advgb-post-tax-term\">O don fatale<\/span>","<span class=\"advgb-post-tax-term\">Raymond Leppard<\/span>","<span class=\"advgb-post-tax-term\">Reri Grist<\/span>","<span class=\"advgb-post-tax-term\">Rheinenlegendchen<\/span>","<span class=\"advgb-post-tax-term\">Richard Heuberger<\/span>","<span class=\"advgb-post-tax-term\">Richard Strauss<\/span>","<span class=\"advgb-post-tax-term\">Ronnie Gilbert<\/span>","<span class=\"advgb-post-tax-term\">Scherza infida<\/span>","<span class=\"advgb-post-tax-term\">Serge Rachmaninov<\/span>","<span class=\"advgb-post-tax-term\">Sergei Rachmaninoff<\/span>","<span class=\"advgb-post-tax-term\">Tatiana Troyanos<\/span>","<span class=\"advgb-post-tax-term\">Toshi Reagon<\/span>","<span class=\"advgb-post-tax-term\">Vincenzo Bellini<\/span>","<span class=\"advgb-post-tax-term\">Wie lange noch<\/span>","<span class=\"advgb-post-tax-term\">Wolfgang Amadeus Mozart<\/span>","<span class=\"advgb-post-tax-term\">Wolfgang Sawallisch<\/span>"]}},"comment_count":"0","relative_dates":{"created":"Posted 6 years ago","modified":"Updated 6 years ago"},"absolute_dates":{"created":"Posted on 22\/06\/2020","modified":"Updated on 27\/06\/2020"},"absolute_dates_time":{"created":"Posted on 22\/06\/2020 00:25","modified":"Updated on 27\/06\/2020 16:05"},"featured_img_caption":"","series_order":"","_links":{"self":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/3667","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/comments?post=3667"}],"version-history":[{"count":11,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/3667\/revisions"}],"predecessor-version":[{"id":4922,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/3667\/revisions\/4922"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/media\/4854"}],"wp:attachment":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/media?parent=3667"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/categories?post=3667"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/tags?post=3667"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}