{"id":3216,"date":"2020-02-17T00:29:48","date_gmt":"2020-02-16T23:29:48","guid":{"rendered":"http:\/\/countermelodypodcast.com\/?p=3216"},"modified":"2024-02-16T10:55:35","modified_gmt":"2024-02-16T09:55:35","slug":"episode-22-gloria-davy-black-history-month-iii","status":"publish","type":"post","link":"https:\/\/countermelodypodcast.com\/index.php\/2020\/02\/17\/episode-22-gloria-davy-black-history-month-iii\/","title":{"rendered":"Episode 22. Gloria Davy (Black History Month III)"},"content":{"rendered":"<div id=\"mega-menu-wrap-primary\" class=\"mega-menu-wrap\"><div class=\"mega-menu-toggle\"><div class=\"mega-toggle-blocks-left\"><\/div><div class=\"mega-toggle-blocks-center\"><\/div><div class=\"mega-toggle-blocks-right\"><div class='mega-toggle-block mega-menu-toggle-animated-block mega-toggle-block-1' id='mega-toggle-block-1'><button aria-label=\"Menu\" class=\"mega-toggle-animated mega-toggle-animated-slider\" type=\"button\" aria-haspopup=\"true\" aria-expanded=\"false\" aria-controls=\"mega-menu-primary\">\n                  <span class=\"mega-toggle-animated-box\">\n                    <span class=\"mega-toggle-animated-inner\"><\/span>\n                  <\/span>\n                <\/button><\/div><\/div><\/div><ul id=\"mega-menu-primary\" class=\"mega-menu max-mega-menu mega-menu-horizontal mega-no-js\" data-event=\"hover_intent\" data-effect=\"slide\" data-effect-speed=\"200\" data-effect-mobile=\"slide\" data-effect-speed-mobile=\"200\" data-mobile-force-width=\"body\" data-second-click=\"go\" data-document-click=\"collapse\" data-vertical-behaviour=\"standard\" data-breakpoint=\"600\" data-unbind=\"true\" data-mobile-state=\"collapse_all\" data-mobile-direction=\"vertical\" data-hover-intent-timeout=\"300\" data-hover-intent-interval=\"100\"><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-menu-item-home mega-align-bottom-left mega-menu-flyout mega-menu-item-19160\" id=\"mega-menu-item-19160\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/\">Home<\/a><\/li><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-align-bottom-left mega-menu-flyout mega-menu-item-19161\" id=\"mega-menu-item-19161\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/index.php\/about-daniel\/\">About Daniel<\/a><\/li><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-current_page_parent mega-align-bottom-left mega-menu-flyout mega-menu-item-19171\" id=\"mega-menu-item-19171\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/index.php\/all-episodes\/\">All Episodes<\/a><\/li><\/ul><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">Episode 22. Gloria Davy (Black History Month III)<\/h2>\n\n\n\n<iframe loading=\"lazy\" width=\"340\" height=\"50\" src=\"https:\/\/countermelody.blubrry.net\/?powerpress_embed=90-podcast&amp;powerpress_player=mediaelement-audio\" frameborder=\"0\" scrolling=\"no\"><\/iframe>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p><strong>SOCIAL SHARE<\/strong><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"has-text-align-right\"><strong>SUBSCRIPTION PLATFORM<\/strong><\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<ul class=\"wp-block-social-links has-normal-icon-size is-style-logos-only is-layout-flex wp-block-social-links-is-layout-flex\"><li class=\"wp-social-link wp-social-link-facebook  wp-block-social-link\"><a rel=\"noopener nofollow\" target=\"_blank\" href=\"https:\/\/facebook.com\/sharer\/sharer.php?u=http%3A%2F%2Fcountermelodypodcast.com%2Findex.php%2F2020%2F02%2F17%2Fepisode-22-gloria-davy-black-history-month-iii%2F&#038;title=Episode%2022.%20Gloria%20Davy%20(Black%20History%20Month%20III)\" class=\"wp-block-social-link-anchor\"><svg width=\"24\" height=\"24\" viewBox=\"0 0 24 24\" version=\"1.1\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" aria-hidden=\"true\" focusable=\"false\"><path d=\"M12 2C6.5 2 2 6.5 2 12c0 5 3.7 9.1 8.4 9.9v-7H7.9V12h2.5V9.8c0-2.5 1.5-3.9 3.8-3.9 1.1 0 2.2.2 2.2.2v2.5h-1.3c-1.2 0-1.6.8-1.6 1.6V12h2.8l-.4 2.9h-2.3v7C18.3 21.1 22 17 22 12c0-5.5-4.5-10-10-10z\"><\/path><\/svg><span class=\"wp-block-social-link-label screen-reader-text\">Share on Facebook<\/span><\/a><\/li>\n\n<li class=\"wp-social-link wp-social-link-twitter  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c-0.344,0.094-0.707,0.144-1.081,0.144c-0.264,0-0.521-0.026-0.772-0.074c0.522,1.63,2.038,2.816,3.833,2.85 c-1.404,1.1-3.174,1.756-5.096,1.756c-0.331,0-0.658-0.019-0.979-0.057c1.816,1.164,3.973,1.843,6.29,1.843 c7.547,0,11.675-6.252,11.675-11.675c0-0.178-0.004-0.355-0.012-0.531C20.985,7.47,21.68,6.747,22.23,5.924z\"><\/path><\/svg><span class=\"wp-block-social-link-label screen-reader-text\">Share on Twitter<\/span><\/a><\/li>\n\n<li class=\"wp-social-link wp-social-link-pinterest  wp-block-social-link\"><a rel=\"noopener nofollow\" target=\"_blank\" href=\"https:\/\/pinterest.com\/pin\/create\/button\/?url=http%3A%2F%2Fcountermelodypodcast.com%2Findex.php%2F2020%2F02%2F17%2Fepisode-22-gloria-davy-black-history-month-iii%2F&#038;description=Episode%2022.%20Gloria%20Davy%20(Black%20History%20Month%20III)\" class=\"wp-block-social-link-anchor\"><svg width=\"24\" height=\"24\" viewBox=\"0 0 24 24\" version=\"1.1\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" aria-hidden=\"true\" focusable=\"false\"><path d=\"M12.289,2C6.617,2,3.606,5.648,3.606,9.622c0,1.846,1.025,4.146,2.666,4.878c0.25,0.111,0.381,0.063,0.439-0.169 c0.044-0.175,0.267-1.029,0.365-1.428c0.032-0.128,0.017-0.237-0.091-0.362C6.445,11.911,6.01,10.75,6.01,9.668 c0-2.777,2.194-5.464,5.933-5.464c3.23,0,5.49,2.108,5.49,5.122c0,3.407-1.794,5.768-4.13,5.768c-1.291,0-2.257-1.021-1.948-2.277 c0.372-1.495,1.089-3.112,1.089-4.191c0-0.967-0.542-1.775-1.663-1.775c-1.319,0-2.379,1.309-2.379,3.059 c0,1.115,0.394,1.869,0.394,1.869s-1.302,5.279-1.54,6.261c-0.405,1.666,0.053,4.368,0.094,4.604 c0.021,0.126,0.167,0.169,0.25,0.063c0.129-0.165,1.699-2.419,2.142-4.051c0.158-0.59,0.817-2.995,0.817-2.995 c0.43,0.784,1.681,1.446,3.013,1.446c3.963,0,6.822-3.494,6.822-7.833C20.394,5.112,16.849,2,12.289,2\"><\/path><\/svg><span class=\"wp-block-social-link-label screen-reader-text\">Share on Pinterest<\/span><\/a><\/li>\n\n<li class=\"wp-social-link wp-social-link-email  wp-block-social-link\"><a rel=\"noopener nofollow\" 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href=\"https:\/\/reddit.com\/submit?url=http%3A%2F%2Fcountermelodypodcast.com%2Findex.php%2F2020%2F02%2F17%2Fepisode-22-gloria-davy-black-history-month-iii%2F&#038;title=Episode%2022.%20Gloria%20Davy%20(Black%20History%20Month%20III)\" class=\"wp-block-social-link-anchor\"><svg width=\"24\" height=\"24\" viewBox=\"0 0 24 24\" version=\"1.1\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" aria-hidden=\"true\" focusable=\"false\"><path d=\"M5.27 9.221A2.775 2.775 0 0 0 2.498 11.993a2.785 2.785 0 0 0 1.6 2.511 5.337 5.337 0 0 0 2.374 4.11 9.386 9.386 0 0 0 5.539 1.7 9.386 9.386 0 0 0 5.541-1.7 5.331 5.331 0 0 0 2.372-4.114 2.787 2.787 0 0 0 1.583-2.5 2.775 2.775 0 0 0-2.772-2.772 2.742 2.742 0 0 0-1.688.574 9.482 9.482 0 0 0-4.637-1.348v-.008a2.349 2.349 0 0 1 2.011-2.316 1.97 1.97 0 0 0 1.926 1.521 1.98 1.98 0 0 0 1.978-1.978 1.98 1.98 0 0 0-1.978-1.978 1.985 1.985 0 0 0-1.938 1.578 3.183 3.183 0 0 0-2.849 3.172v.011a9.463 9.463 0 0 0-4.59 1.35 2.741 2.741 0 0 0-1.688-.574Zm6.736 9.1a3.162 3.162 0 0 1-2.921-1.944.215.215 0 0 1 .014-.2.219.219 0 0 1 .168-.106 27.327 27.327 0 0 1 2.74-.133 27.357 27.357 0 0 1 2.74.133.219.219 0 0 1 .168.106.215.215 0 0 1 .014.2 3.158 3.158 0 0 1-2.921 1.944Zm3.743-3.157a1.265 1.265 0 0 1-1.4-1.371 1.954 1.954 0 0 1 .482-1.442 1.15 1.15 0 0 1 .842-.379 1.7 1.7 0 0 1 1.49 1.777 1.323 1.323 0 0 1-.325 1.015 1.476 1.476 0 0 1-1.089.4Zm-7.485 0a1.476 1.476 0 0 1-1.086-.4 1.323 1.323 0 0 1-.325-1.016 1.7 1.7 0 0 1 1.49-1.777 1.151 1.151 0 0 1 .843.379 1.951 1.951 0 0 1 .481 1.441 1.276 1.276 0 0 1-1.403 1.373Z\"><\/path><\/svg><span class=\"wp-block-social-link-label screen-reader-text\">Share on Reddit<\/span><\/a><\/li><\/ul>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<div class=\"wp-block-coblocks-buttons\"><div class=\"wp-block-coblocks-buttons__inner flex-align-left\">\n<div class=\"wp-block-button alignright advgb-dyn-70f127be\"><a class=\"wp-block-button__link wp-element-button\" href=\"https:\/\/countermelody.blubrry.net\/\">SUBSCRIBE VIA YOUR FAVORITE PODCAST PLATFORM<\/a><\/div>\n<\/div><\/div>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div style=\"height:38px\" aria-hidden=\"true\" class=\"wp-block-spacer advgb-dyn-5a996784\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large advgb-dyn-2abf384c\"><img loading=\"lazy\" decoding=\"async\" width=\"443\" height=\"572\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/02\/Screenshot-118.png\" alt=\"\" class=\"wp-image-3828\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/02\/Screenshot-118.png 443w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/02\/Screenshot-118-232x300.png 232w\" sizes=\"auto, (max-width: 443px) 100vw, 443px\" \/><\/figure>\n<\/div>\n\n\n<div style=\"height:33px\" aria-hidden=\"true\" class=\"wp-block-spacer advgb-dyn-58c5e9c9\"><\/div>\n\n\n\n<p>Today we examine the fascinating and somewhat frustrating career of Gloria Davy (1931-2012). Yet another African American singer who found greater opportunity abroad than in the United States, Davy has the distinction of being the first Black singer to perform the title role of Verdi&#8217;s <em>Aida<\/em> at the Metropolitan Opera, which role served as her debut in 1958.  Another early career success came when she replaced Leontyne Price as Bess in an international tour of <em>Porgy and Bess. <\/em> Her earliest recordings, both live and studio, reveal a voice of uncommon beauty with an interpretive sensitivity to match. A superb musician, Davy also sang contemporary music throughout her career, including important premieres by Hans Werner Henze and Karlheinz Stockhausen. One must ask the question, however, if her voice would have been better served had she not turned to sung Bess and Aida so early in her career, but had instead had access to roles such as Anna Bolena, which she sang brilliantly at Town Hall in New York in 1957. The episode includes a rare airing of Davy&#8217;s 1956 album of Spirituals, in arrangements by the lesser-known African American composer Julia Perry and excerpts from her recordings of Shulamit Ran&#8217;s <em>O the Chimneys<\/em>, on poems by Nelly Sachs, and the 1972 revision of Stockhausen&#8217;s momentous <em>Momente<\/em>.<\/p>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer advgb-dyn-af21a01c\"><\/div>\n\n\n\n<p class=\"has-custom-size\" style=\"font-size:30px\"><strong> RECORDINGS HEARD IN THIS EPISODE<\/strong><\/p>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer advgb-dyn-af21a01c\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large advgb-dyn-c0329dec\"><img loading=\"lazy\" decoding=\"async\" width=\"500\" height=\"495\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/02\/Gloria-Davy-Spirituals-1.jpg\" alt=\"\" class=\"wp-image-3750\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/02\/Gloria-Davy-Spirituals-1.jpg 500w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/02\/Gloria-Davy-Spirituals-1-300x297.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/02\/Gloria-Davy-Spirituals-1-150x150.jpg 150w\" sizes=\"auto, (max-width: 500px) 100vw, 500px\" \/><figcaption class=\"wp-element-caption\">Gloria Davy Sings Spirituals in arrangements by Julia Perry<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer advgb-dyn-af21a01c\"><\/div>\n\n\n\n<p>Traditional Spiritual, arr. Julia Perry: On My Journey.\nGloria Davy, soprano; Julia Perry leading an instrumental ensemble. Decca\nRecords LW 5215 (1956).<\/p>\n\n\n\n<div style=\"height:32px\" aria-hidden=\"true\" class=\"wp-block-spacer advgb-dyn-4c545ac8\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large advgb-dyn-16610df9\"><img loading=\"lazy\" decoding=\"async\" width=\"800\" height=\"627\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/02\/Freni-and-Zeffirelli.jpg\" alt=\"\" class=\"wp-image-3772\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/02\/Freni-and-Zeffirelli.jpg 800w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/02\/Freni-and-Zeffirelli-300x235.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/02\/Freni-and-Zeffirelli-768x602.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><figcaption class=\"wp-element-caption\">Mirella Freni and Franco Zeffirelli at Covent Garden, 1962<br>(Photo by Erich Auerbach\/Getty Images)<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer advgb-dyn-af21a01c\"><\/div>\n\n\n\n<p>Giacomo Puccini: Butterfly&#8217;s Entrance (<em>Madama Butterfly<\/em>). Mirella Freni (Butterfly); Herbert von Karajan, Wiener Philharmoniker. Decca Records  SET 584\/6 (1974).<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large advgb-dyn-a5bb008b\"><img loading=\"lazy\" decoding=\"async\" width=\"276\" height=\"400\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/02\/Freni-Butterfly.jpg\" alt=\"\" class=\"wp-image-3803\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/02\/Freni-Butterfly.jpg 276w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/02\/Freni-Butterfly-207x300.jpg 207w\" sizes=\"auto, (max-width: 276px) 100vw, 276px\" \/><figcaption class=\"wp-element-caption\">Mirella Freni in the Jean-Pierre Ponnelle film of <em>Madama Butterfly.<\/em><\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:27px\" aria-hidden=\"true\" class=\"wp-block-spacer advgb-dyn-b08273c2\"><\/div>\n\n\n\n<div style=\"height:26px\" aria-hidden=\"true\" class=\"wp-block-spacer advgb-dyn-5e6d8bb3\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large advgb-dyn-e1a2ae47\"><img loading=\"lazy\" decoding=\"async\" width=\"379\" height=\"400\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/02\/Leontyne-and-Konya-in-Butterfly.jpg\" alt=\"\" class=\"wp-image-3785\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/02\/Leontyne-and-Konya-in-Butterfly.jpg 379w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/02\/Leontyne-and-Konya-in-Butterfly-284x300.jpg 284w\" sizes=\"auto, (max-width: 379px) 100vw, 379px\" \/><figcaption class=\"wp-element-caption\"> S\u00e1ndor K\u00f3nya and Leontyne Price in <em>Madama Butterfly<\/em>,<br>San Francisco Opera, 1961.<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer advgb-dyn-af21a01c\"><\/div>\n\n\n\n<p>George Frideric Handel: Care selve (Atalanta). Leontyne Price, soprano; Francesco Molinari-Pradelli, RCA Italiana Opera Orchestra. From <em>Prima Donna Volume 2<\/em>, RCA Records LM \/ LSC-2968 (1966).<\/p>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer advgb-dyn-af21a01c\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large advgb-dyn-8d5ccdd3\"><img loading=\"lazy\" decoding=\"async\" width=\"309\" height=\"480\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/02\/Leontyne-Price-by-Carl-Van-Vechten.jpg\" alt=\"\" class=\"wp-image-3774\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/02\/Leontyne-Price-by-Carl-Van-Vechten.jpg 309w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/02\/Leontyne-Price-by-Carl-Van-Vechten-193x300.jpg 193w\" sizes=\"auto, (max-width: 309px) 100vw, 309px\" \/><figcaption class=\"wp-element-caption\">Leontyne Price photographed by Carl Van Vechten.<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:33px\" aria-hidden=\"true\" class=\"wp-block-spacer advgb-dyn-58c5e9c9\"><\/div>\n\n\n\n<div style=\"height:48px\" aria-hidden=\"true\" class=\"wp-block-spacer advgb-dyn-0ed47367\"><\/div>\n\n\n\n<figure class=\"wp-block-gallery aligncenter has-nested-images columns-default is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex advgb-dyn-93b129e4\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"411\" height=\"618\" data-id=\"3782\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/02\/Gold-and-Fizdale-2.jpg\" alt=\"\" class=\"wp-image-3782\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/02\/Gold-and-Fizdale-2.jpg 411w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/02\/Gold-and-Fizdale-2-200x300.jpg 200w\" sizes=\"auto, (max-width: 411px) 100vw, 411px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"777\" data-id=\"3783\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/02\/Gold-and-Fizdale.jpg\" alt=\"\" class=\"wp-image-3783\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/02\/Gold-and-Fizdale.jpg 600w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/02\/Gold-and-Fizdale-232x300.jpg 232w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/figure>\n<figcaption class=\"blocks-gallery-caption wp-element-caption\">Gold (L and Bottom) and Fizdale (R and Top) (<em><strong>Homo Alert!<\/strong><\/em>)<\/figcaption><\/figure>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer advgb-dyn-afe3be10\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large advgb-dyn-5c510fbf\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"595\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/02\/Picnic-Cantata-Cover.jpg\" alt=\"\" class=\"wp-image-3777\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/02\/Picnic-Cantata-Cover.jpg 600w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/02\/Picnic-Cantata-Cover-300x298.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/02\/Picnic-Cantata-Cover-150x150.jpg 150w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><figcaption class=\"wp-element-caption\">The cutest record cover <em>ever<\/em>!<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer advgb-dyn-af21a01c\"><\/div>\n\n\n\n<p>Paul Bowles, James Schuyler: <em>A Picnic Cantata<\/em>\n(excerpts). Martha Flowers, Gloria Davy (sopranos); Mareda Gaither\n(mezzo-soprano); Gloria Wynder (contralto); Arthur Gold and Robert Fizdale,\npianos); Al Howard (drums). Columbia Records ML 5068 (1954)<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large advgb-dyn-77b8d112\"><img loading=\"lazy\" decoding=\"async\" width=\"423\" height=\"251\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/02\/Paul-Bowles.jpg\" alt=\"\" class=\"wp-image-3776\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/02\/Paul-Bowles.jpg 423w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/02\/Paul-Bowles-300x178.jpg 300w\" sizes=\"auto, (max-width: 423px) 100vw, 423px\" \/><figcaption class=\"wp-element-caption\">Paul Bowles<\/figcaption><\/figure>\n<\/div>\n\n\n<figure class=\"wp-block-image size-large advgb-dyn-2ab8ad1b\"><img loading=\"lazy\" decoding=\"async\" width=\"624\" height=\"348\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/02\/OHara-John-Button-Schuyler-Joe-LeSueur.jpg\" alt=\"\" class=\"wp-image-3778\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/02\/OHara-John-Button-Schuyler-Joe-LeSueur.jpg 624w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/02\/OHara-John-Button-Schuyler-Joe-LeSueur-300x167.jpg 300w\" sizes=\"auto, (max-width: 624px) 100vw, 624px\" \/><figcaption class=\"wp-element-caption\">(L to R) John O&#8217;Hara, John Button, James Schuyler, Joe LeSueur (1960).<\/figcaption><\/figure>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer advgb-dyn-af21a01c\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large is-resized advgb-dyn-b131641a\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/02\/James-Schuyler-by-Fairfield-Porter.jpg\" alt=\"\" class=\"wp-image-3784\" width=\"485\" height=\"366\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/02\/James-Schuyler-by-Fairfield-Porter.jpg 450w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/02\/James-Schuyler-by-Fairfield-Porter-300x227.jpg 300w\" sizes=\"auto, (max-width: 485px) 100vw, 485px\" \/><figcaption class=\"wp-element-caption\"><em>James Schuyler<\/em> by Fairfield Porter<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:32px\" aria-hidden=\"true\" class=\"wp-block-spacer advgb-dyn-4c545ac8\"><\/div>\n\n\n\n<figure class=\"wp-block-gallery aligncenter has-nested-images columns-default is-cropped wp-block-gallery-2 is-layout-flex wp-block-gallery-is-layout-flex advgb-dyn-ca27adc3\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"279\" height=\"365\" data-id=\"3780\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/02\/Martha-Flowers.jpg\" alt=\"\" class=\"wp-image-3780\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/02\/Martha-Flowers.jpg 279w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/02\/Martha-Flowers-229x300.jpg 229w\" sizes=\"auto, (max-width: 279px) 100vw, 279px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"402\" height=\"639\" data-id=\"3781\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/02\/Martha-Flowers2.jpg\" alt=\"\" class=\"wp-image-3781\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/02\/Martha-Flowers2.jpg 402w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/02\/Martha-Flowers2-189x300.jpg 189w\" sizes=\"auto, (max-width: 402px) 100vw, 402px\" \/><\/figure>\n<figcaption class=\"blocks-gallery-caption wp-element-caption\">The exquisite Martha Flowers photographed by Carl Van Vechten<\/figcaption><\/figure>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large advgb-dyn-a5126012\"><img loading=\"lazy\" decoding=\"async\" width=\"289\" height=\"267\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/02\/Davy-and-Celibidache.jpg\" alt=\"\" class=\"wp-image-3779\"\/><figcaption class=\"wp-element-caption\">Sergiu Celibidache and Gloria Davy<\/figcaption><\/figure>\n<\/div>\n\n\n<p>Benjamin Britten: Fanfare; Marine (<em>Les Illuminations<\/em>)\nGloria Davy, soprano; Sergiu Celibidache, Orchestra Sinfonica della Rai di Roma.\n(30.03.57)<\/p>\n\n\n\n<figure class=\"wp-block-image size-large advgb-dyn-daf16b13\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"787\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/02\/Rimbaud-Illuminations-1024x787.jpg\" alt=\"\" class=\"wp-image-3796\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/02\/Rimbaud-Illuminations-1024x787.jpg 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/02\/Rimbaud-Illuminations-300x231.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/02\/Rimbaud-Illuminations-768x590.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/02\/Rimbaud-Illuminations.jpg 1522w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">A deluxe edition of Arthur Rimbaud&#8217;s <em>Les Illuminations<\/em><br>with original lithographs by  Fernand L\u00e9ger and an introduction by Henry Miller<\/figcaption><\/figure>\n\n\n\n<div style=\"height:36px\" aria-hidden=\"true\" class=\"wp-block-spacer advgb-dyn-86a1343a\"><\/div>\n\n\n\n<figure class=\"wp-block-image size-large advgb-dyn-ac408a71\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"400\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/02\/Mary-Hartman-Gals.jpg\" alt=\"\" class=\"wp-image-3797\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/02\/Mary-Hartman-Gals.jpg 600w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/02\/Mary-Hartman-Gals-300x200.jpg 300w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><figcaption class=\"wp-element-caption\">(L to R) Louise Lasser,  Mary Kay Place, Debralee Scott and Dody Goodman in <em>Mary Hartman, Mary Hartman<\/em><\/figcaption><\/figure>\n\n\n\n<p>Theme Music to <em>Mary Hartman, Mary Hartman<\/em>. Dody Goodman, voice<\/p>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer advgb-dyn-af21a01c\"><\/div>\n\n\n\n<figure class=\"wp-block-image size-large advgb-dyn-9a313b49\"><img loading=\"lazy\" decoding=\"async\" width=\"939\" height=\"714\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/02\/Dody-Goodman-as-Martha-Shumway.jpg\" alt=\"\" class=\"wp-image-3798\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/02\/Dody-Goodman-as-Martha-Shumway.jpg 939w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/02\/Dody-Goodman-as-Martha-Shumway-300x228.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/02\/Dody-Goodman-as-Martha-Shumway-768x584.jpg 768w\" sizes=\"auto, (max-width: 939px) 100vw, 939px\" \/><figcaption class=\"wp-element-caption\">Dody Goodman as Martha Shumway in <em>Mary Hartman, Mary Hartman<\/em><\/figcaption><\/figure>\n\n\n\n<div style=\"height:52px\" aria-hidden=\"true\" class=\"wp-block-spacer advgb-dyn-4c6f868a\"><\/div>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-1 is-cropped wp-block-gallery-3 is-layout-flex wp-block-gallery-is-layout-flex advgb-dyn-ea586cfc\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"833\" height=\"1024\" data-id=\"3795\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/02\/Gloria-Davy-Pamina-1-833x1024.jpg\" alt=\"\" class=\"wp-image-3795\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/02\/Gloria-Davy-Pamina-1-833x1024.jpg 833w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/02\/Gloria-Davy-Pamina-1-244x300.jpg 244w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/02\/Gloria-Davy-Pamina-1-768x945.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/02\/Gloria-Davy-Pamina-1.jpg 1140w\" sizes=\"auto, (max-width: 833px) 100vw, 833px\" \/><figcaption class=\"wp-element-caption\">Gloria Davy as Pamina in <em>The Magic Flute. <\/em>Photo by Louis Melancon.<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"412\" height=\"500\" data-id=\"3794\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/02\/Davy-and-Gedda.jpg\" alt=\"\" class=\"wp-image-3794\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/02\/Davy-and-Gedda.jpg 412w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/02\/Davy-and-Gedda-247x300.jpg 247w\" sizes=\"auto, (max-width: 412px) 100vw, 412px\" \/><figcaption class=\"wp-element-caption\">Gloria Davy and Nicolai Gedda in <em>The Magic Flute<\/em>; Metropolitan Opera 1958.<\/figcaption><\/figure>\n<\/figure>\n\n\n\n<p>Wolfgang Amadeus Mozart: So must we two forever part? (<em>The Magic Flute<\/em>). Gloria Davy (Pamina); Nicolai Gedda (Tamino); Giorgio Tozzi (Sarastro); Erich Leinsdorf conducting the Metropolitan Opera Orchestra (06.12.58)<\/p>\n\n\n\n<div style=\"height:27px\" aria-hidden=\"true\" class=\"wp-block-spacer advgb-dyn-b08273c2\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large advgb-dyn-ff0f1ade\"><img loading=\"lazy\" decoding=\"async\" width=\"468\" height=\"468\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/02\/Davy-London-Recital.jpg\" alt=\"\" class=\"wp-image-3730\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/02\/Davy-London-Recital.jpg 468w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/02\/Davy-London-Recital-300x300.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/02\/Davy-London-Recital-150x150.jpg 150w\" sizes=\"auto, (max-width: 468px) 100vw, 468px\" \/><figcaption class=\"wp-element-caption\">An autographed copy of Gloria Davy&#8217;s 1957 London\/Decca <em>Concert Recital<\/em>.<\/figcaption><\/figure>\n<\/div>\n\n\n<p>Henry Purcell: Man is for the Woman Made Gloria Davy,\nsoprano; Giorgio Favaretto, piano. London Records 5395 (1957)<\/p>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-2 is-cropped wp-block-gallery-4 is-layout-flex wp-block-gallery-is-layout-flex advgb-dyn-7e3c3194\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"600\" data-id=\"3792\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/02\/Favaretto-Tebaldi.jpg\" alt=\"\" class=\"wp-image-3792\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/02\/Favaretto-Tebaldi.jpg 600w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/02\/Favaretto-Tebaldi-300x300.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/02\/Favaretto-Tebaldi-150x150.jpg 150w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"593\" data-id=\"3790\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/02\/Luisa-Perlotti-Favaretto.jpg\" alt=\"\" class=\"wp-image-3790\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/02\/Luisa-Perlotti-Favaretto.jpg 600w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/02\/Luisa-Perlotti-Favaretto-300x297.jpg 300w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"617\" data-id=\"3791\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/02\/Zareska-Favaretto.jpg\" alt=\"\" class=\"wp-image-3791\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/02\/Zareska-Favaretto.jpg 600w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/02\/Zareska-Favaretto-292x300.jpg 292w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"599\" height=\"599\" data-id=\"3793\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/02\/Giorgio-Favaretto-and-Miwako-Matsumoto.jpg\" alt=\"\" class=\"wp-image-3793\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/02\/Giorgio-Favaretto-and-Miwako-Matsumoto.jpg 599w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/02\/Giorgio-Favaretto-and-Miwako-Matsumoto-300x300.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/02\/Giorgio-Favaretto-and-Miwako-Matsumoto-150x150.jpg 150w\" sizes=\"auto, (max-width: 599px) 100vw, 599px\" \/><\/figure>\n<figcaption class=\"blocks-gallery-caption wp-element-caption\">Some of Giorgio Favaretto&#8217;s recordings<\/figcaption><\/figure>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer advgb-dyn-af21a01c\"><\/div>\n\n\n\n<p>Johannes Brahms: Auf dem Kirchhofe, Op. 105\/4 Gloria Davy,\nsoprano; Giorgio Favaretto, piano. London Records 5395 (1957)<\/p>\n\n\n\n<div style=\"height:47px\" aria-hidden=\"true\" class=\"wp-block-spacer advgb-dyn-3c7bf8da\"><\/div>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-5 is-layout-flex wp-block-gallery-is-layout-flex advgb-dyn-6abfd4a0\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"811\" height=\"1024\" data-id=\"3806\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/02\/Gloria-Davy-Aida-1-811x1024.jpg\" alt=\"\" class=\"wp-image-3806\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/02\/Gloria-Davy-Aida-1-811x1024.jpg 811w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/02\/Gloria-Davy-Aida-1-238x300.jpg 238w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/02\/Gloria-Davy-Aida-1-768x970.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/02\/Gloria-Davy-Aida-1.jpg 1179w\" sizes=\"auto, (max-width: 811px) 100vw, 811px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"363\" height=\"608\" data-id=\"3807\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/02\/Screenshot-117.png\" alt=\"\" class=\"wp-image-3807\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/02\/Screenshot-117.png 363w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/02\/Screenshot-117-179x300.png 179w\" sizes=\"auto, (max-width: 363px) 100vw, 363px\" \/><\/figure>\n<figcaption class=\"blocks-gallery-caption wp-element-caption\">Gloria Davy as Aida (with Arthur Sergi, right, as Radames).<\/figcaption><\/figure>\n\n\n\n<p>Giuseppe Verdi: La tra i foreste vergini [auf Deutsch] (<em>Aida<\/em>).\nGloria Davy (Aida); Jess Thomas (Radames); Karl B\u00f6hm, Orchester der Deutschen\nOper Berlin (Live 1961)<\/p>\n\n\n\n<div style=\"height:25px\" aria-hidden=\"true\" class=\"wp-block-spacer advgb-dyn-90a12b08\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large is-resized advgb-dyn-774bae8a\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/02\/Cav-Pag-cover-1024x998.jpg\" alt=\"\" class=\"wp-image-3801\" width=\"607\" height=\"592\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/02\/Cav-Pag-cover-1024x998.jpg 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/02\/Cav-Pag-cover-300x292.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/02\/Cav-Pag-cover-768x748.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/02\/Cav-Pag-cover.jpg 1200w\" sizes=\"auto, (max-width: 607px) 100vw, 607px\" \/><figcaption class=\"wp-element-caption\">The exquisite cover of Deutsche Grammophon&#8217;s <em>Cai\/Pag<\/em> excerpts in German, 1961.<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:31px\" aria-hidden=\"true\" class=\"wp-block-spacer advgb-dyn-1aac33ff\"><\/div>\n\n\n\n<p>Pietro Mascagni: <em>Cavalleria Rusticana<\/em> duet (excerpt) [auf Deutsch]. Gloria Davy (Santuzza);  S\u00e1ndor K\u00f3nya (Turiddu); Jonas Kulka, Orchester der Deutschen Oper Berlin. Deutsche Grammophon 139 413 (1961) <\/p>\n\n\n\n<figure class=\"wp-block-image size-large advgb-dyn-2c07a0a4\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"745\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/02\/Konya-as-Lohengrin-1024x745.jpg\" alt=\"\" class=\"wp-image-3799\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/02\/Konya-as-Lohengrin-1024x745.jpg 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/02\/Konya-as-Lohengrin-300x218.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/02\/Konya-as-Lohengrin-768x559.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/02\/Konya-as-Lohengrin-1536x1118.jpg 1536w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/02\/Konya-as-Lohengrin-2048x1490.jpg 2048w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/02\/Konya-as-Lohengrin-1600x1164.jpg 1600w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\"> S\u00e1ndor K\u00f3nya as Lohengrin, his most celebrated role, Bayreuth 1958<\/figcaption><\/figure>\n\n\n\n<div style=\"height:37px\" aria-hidden=\"true\" class=\"wp-block-spacer advgb-dyn-b0d4ecf9\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large advgb-dyn-6b93d735\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"585\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/02\/Folder-2.jpg\" alt=\"\" class=\"wp-image-3805\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/02\/Folder-2.jpg 600w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/02\/Folder-2-300x293.jpg 300w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><figcaption class=\"wp-element-caption\">The hokey cover of Deutsche Grammophon&#8217;s excerpts from <em>Der Troubadour <\/em>(auf Deutsch,  nat\u00fcrlich!)<\/figcaption><\/figure>\n<\/div>\n\n\n<p>Giuseppe Verdi: <em>Il Trovatore<\/em> Final Scene (excerpt)  [auf Deutsch]. Gloria Davy (Leonora);  S\u00e1ndor K\u00f3nya (Manrico); Raymond Wolansky (Conte di Luna); Jonas Kulka, Orchester der W\u00fcrttembergischen Staatstheater Stuttgart. Deutsche Grammophon 136 405. <\/p>\n\n\n\n<div style=\"height:29px\" aria-hidden=\"true\" class=\"wp-block-spacer advgb-dyn-f2e1cee8\"><\/div>\n\n\n\n<figure class=\"wp-block-gallery alignwide has-nested-images columns-1 is-cropped wp-block-gallery-6 is-layout-flex wp-block-gallery-is-layout-flex advgb-dyn-5c127b37\">\n<figure class=\"wp-block-image\"><img loading=\"lazy\" decoding=\"async\" width=\"800\" height=\"643\" data-id=\"3759\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/02\/Rebecca-and-Eliezer.jpg\" alt=\"\" class=\"wp-image-3759\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/02\/Rebecca-and-Eliezer.jpg 800w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/02\/Rebecca-and-Eliezer-300x241.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/02\/Rebecca-and-Eliezer-768x617.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><figcaption class=\"wp-element-caption\"> <em>Isaac&#8217;s Servant Tying the Bracelet on Rebecca&#8217;s Arm<\/em> by Benjamin West<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"775\" data-id=\"3760\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/02\/Carlo-Maratta-Rebecca-1024x775.jpg\" alt=\"\" class=\"wp-image-3760\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/02\/Carlo-Maratta-Rebecca-1024x775.jpg 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/02\/Carlo-Maratta-Rebecca-300x227.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/02\/Carlo-Maratta-Rebecca-768x581.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/02\/Carlo-Maratta-Rebecca-1536x1162.jpg 1536w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/02\/Carlo-Maratta-Rebecca-2048x1550.jpg 2048w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/02\/Carlo-Maratta-Rebecca-1600x1211.jpg 1600w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\"> <em>Rebecca and Eliezer at the Well<\/em> by Carlo Maratta<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image\"><img loading=\"lazy\" decoding=\"async\" width=\"800\" height=\"569\" data-id=\"3761\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/02\/Rebecca-Bartolom\u00e9_Esteban_Murillo.jpg\" alt=\"\" class=\"wp-image-3761\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/02\/Rebecca-Bartolom\u00e9_Esteban_Murillo.jpg 800w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/02\/Rebecca-Bartolom\u00e9_Esteban_Murillo-300x213.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/02\/Rebecca-Bartolom\u00e9_Esteban_Murillo-768x546.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><figcaption class=\"wp-element-caption\"> <em>Rebecca and Eliezer<\/em>&nbsp;by&nbsp;Bartolom\u00e9 Esteban Murillo<\/figcaption><\/figure>\n<\/figure>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer advgb-dyn-af21a01c\"><\/div>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer advgb-dyn-af21a01c\"><\/div>\n\n\n\n<p>C\u00e9sar Franck; <em>R\u00e9becca<\/em> Duet (excerpt). Gloria Davy\n(Rebecca); Pierre Mollet (Eleazar). Mario Rossi, Orchestra Sinfonica e Coro di\nTorino della RAI. 30 April 1959<\/p>\n\n\n\n<figure class=\"wp-block-gallery aligncenter has-nested-images columns-default is-cropped wp-block-gallery-7 is-layout-flex wp-block-gallery-is-layout-flex advgb-dyn-0e854182\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"275\" height=\"358\" data-id=\"3810\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/02\/Pierre-Mollet2-1.jpg\" alt=\"\" class=\"wp-image-3810\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/02\/Pierre-Mollet2-1.jpg 275w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/02\/Pierre-Mollet2-1-230x300.jpg 230w\" sizes=\"auto, (max-width: 275px) 100vw, 275px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"652\" height=\"652\" data-id=\"3769\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/02\/Mollet-Danco-Pelleas.jpg\" alt=\"\" class=\"wp-image-3769\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/02\/Mollet-Danco-Pelleas.jpg 652w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/02\/Mollet-Danco-Pelleas-300x300.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/02\/Mollet-Danco-Pelleas-150x150.jpg 150w\" sizes=\"auto, (max-width: 652px) 100vw, 652px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"236\" height=\"359\" data-id=\"3770\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/02\/Pierre-Mollet.jpg\" alt=\"\" class=\"wp-image-3770\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/02\/Pierre-Mollet.jpg 236w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/02\/Pierre-Mollet-197x300.jpg 197w\" sizes=\"auto, (max-width: 236px) 100vw, 236px\" \/><\/figure>\n<figcaption class=\"blocks-gallery-caption wp-element-caption\">(L and R) Pierre Mollet; (C) the first Ansermet  Pell\u00e9as recording with Suzanne Danco as M\u00e9lisande <\/figcaption><\/figure>\n\n\n\n<div style=\"height:88px\" aria-hidden=\"true\" class=\"wp-block-spacer advgb-dyn-ec2b2888\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large is-resized advgb-dyn-4325e3d8\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/02\/Davy-as-Bolena-perhaps.jpg\" alt=\"\" class=\"wp-image-3727\" width=\"332\" height=\"426\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/02\/Davy-as-Bolena-perhaps.jpg 273w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/02\/Davy-as-Bolena-perhaps-234x300.jpg 234w\" sizes=\"auto, (max-width: 332px) 100vw, 332px\" \/><figcaption class=\"wp-element-caption\">Gloria Davy in the title role of Donizetti&#8217;s <em>Anna Bolena<\/em><\/figcaption><\/figure>\n<\/div>\n\n\n<p>Gaetano Donizetti: Coppia iniqua (<em>Anna Bolena<\/em>), Gloria Davy (Anna); Arnold Gamson, conductor;  New York, Town Hall 10 October 1957. Cast included Richard Cassilly and Giulietta Simionato.<\/p>\n\n\n\n<div style=\"height:37px\" aria-hidden=\"true\" class=\"wp-block-spacer advgb-dyn-b0d4ecf9\"><\/div>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-1 is-cropped wp-block-gallery-8 is-layout-flex wp-block-gallery-is-layout-flex advgb-dyn-ea586cfc\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"599\" height=\"607\" data-id=\"3767\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/02\/O-the-Chimneys.jpg\" alt=\"\" class=\"wp-image-3767\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/02\/O-the-Chimneys.jpg 599w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/02\/O-the-Chimneys-296x300.jpg 296w\" sizes=\"auto, (max-width: 599px) 100vw, 599px\" \/><figcaption class=\"wp-element-caption\">The original album cover on Turnabout\/Vox Records, 1973.<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"415\" height=\"618\" data-id=\"3768\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/02\/Shulamit-Ran.jpg\" alt=\"\" class=\"wp-image-3768\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/02\/Shulamit-Ran.jpg 415w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/02\/Shulamit-Ran-201x300.jpg 201w\" sizes=\"auto, (max-width: 415px) 100vw, 415px\" \/><figcaption class=\"wp-element-caption\">Shulamit Ran<\/figcaption><\/figure>\n<\/figure>\n\n\n\n<p>Shulamit Ran, Nelly Sachs: Three excerpts from <em>O the Chimneys<\/em>. Gloria Davy, soprano; The New York Philomusica Chamber Ensemble (Paige Brook, flute; Joseph Rabbai, clarinet and bass clarinet; Gerald K. Appleman, cello; Gordon Gottlieb, percussion); A. Robert Johnson, conductor. Turnabout&nbsp;TV-S 34492 (1973)<\/p>\n\n\n\n<div style=\"height:45px\" aria-hidden=\"true\" class=\"wp-block-spacer advgb-dyn-4e0e1caf\"><\/div>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-9 is-layout-flex wp-block-gallery-is-layout-flex advgb-dyn-707d3666\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"576\" height=\"576\" data-id=\"3787\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/02\/Momente.jpg\" alt=\"\" class=\"wp-image-3787\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/02\/Momente.jpg 576w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/02\/Momente-300x300.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/02\/Momente-150x150.jpg 150w\" sizes=\"auto, (max-width: 576px) 100vw, 576px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"354\" height=\"300\" data-id=\"3788\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/02\/Stockhausen-Momente.jpg\" alt=\"\" class=\"wp-image-3788\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/02\/Stockhausen-Momente.jpg 354w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/02\/Stockhausen-Momente-300x254.jpg 300w\" sizes=\"auto, (max-width: 354px) 100vw, 354px\" \/><\/figure>\n<figcaption class=\"blocks-gallery-caption wp-element-caption\">(L) The original LP issue of the 1972 version of <em>Momente<\/em> on Deutsche Grammophon;<br>(R) The CD reissue of the same recording.<\/figcaption><\/figure>\n\n\n\n<p>Karlheinz Stockhausen: <em>Momente<\/em> (excerpts: sound collage). Gloria Davy (soprano); Chor des Westdeutschen Rundfunks K\u00f6ln; Ensemble Musique Vivante K\u00f6ln, Deutsche Grammophon 2709 055 (1976).<\/p>\n\n\n\n<div style=\"height:55px\" aria-hidden=\"true\" class=\"wp-block-spacer advgb-dyn-13857eb0\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large advgb-dyn-6b4fda2b\"><img loading=\"lazy\" decoding=\"async\" width=\"303\" height=\"350\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/02\/Julia-Perry-1924-1979.jpg\" alt=\"\" class=\"wp-image-3789\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/02\/Julia-Perry-1924-1979.jpg 303w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/02\/Julia-Perry-1924-1979-260x300.jpg 260w\" sizes=\"auto, (max-width: 303px) 100vw, 303px\" \/><figcaption class=\"wp-element-caption\">Julia Perry (1924-1979)<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:33px\" aria-hidden=\"true\" class=\"wp-block-spacer advgb-dyn-58c5e9c9\"><\/div>\n\n\n\n<p>Traditional Spirituals, arr. Julia Perry: Let Us Break Bread Together; Sister Mary Had-a But One Child; Hold the Wind; Eagle\u2019s Wings; You Must Have that True Religion. Gloria Davy, soprano; Julia Perry leading an instrumental ensemble. Decca Records LW 5215 (1956).<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Relevant Links<\/h3>\n\n\n\n<p><strong><a rel=\"noreferrer noopener\" aria-label=\"The NYFOS blog page about A Picnic Cantata by Paul Bowles and James Schuyler, commissioned by Arthur Gold and Robert Fizdale. (opens in a new tab)\" href=\"http:\/\/blog.nyfos.org\/picnic-cantata-dinner-eight\" target=\"_blank\">The NYFOS blog page about <em>A Picnic Cantata<\/em> by Paul Bowles and James Schuyler, commissioned by Arthur Gold and Robert Fizdale.<\/a><\/strong><\/p>\n\n\n\n<p><strong><a rel=\"noreferrer noopener\" aria-label=\"Audio links to Gloria Davy's student performances at Juilliard, 1953-54. (opens in a new tab)\" href=\"http:\/\/jmedia.juilliard.edu\/digital\/search\/searchterm\/Gloria%20Davy%20\/field\/all\/mode\/all\/conn\/and\/page\/1\" target=\"_blank\">Audio links to Gloria Davy&#8217;s student performances at Juilliard, 1953-54.<\/a><\/strong><\/p>\n\n\n\n<p><strong><a rel=\"noreferrer noopener\" aria-label=\"Karlheinz Stockhausen's Momente: A history and analysis. (opens in a new tab)\" href=\"http:\/\/www.sonoloco.com\/rev\/stockhausen\/07.html\" target=\"_blank\">Karlheinz Stockhausen&#8217;s <em>Momente<\/em>: A history and analysis.<\/a><\/strong><\/p>\n\n\n\n<p><strong><a rel=\"noreferrer noopener\" aria-label=\"Julia Perry biographical sketch. (opens in a new tab)\" href=\"https:\/\/www.blackpast.org\/african-american-history\/perry-julia-amanda-1924-1979\/\" target=\"_blank\">Julia Perry biographical sketch.<\/a><\/strong><\/p>\n\n\n\n<p><strong><a rel=\"noreferrer noopener\" aria-label=\"Julia Perry: Stabat Mater (opens in a new tab)\" href=\"https:\/\/www.youtube.com\/watch?v=qjQ4xzT0XB0\" target=\"_blank\">Julia Perry: Stabat Mater<\/a><\/strong> (1951).  Makiko Asakura (mezzo-soprano); William Strickland leading the Japan Philharmonic Orchestra.<\/p>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-10 is-layout-flex wp-block-gallery-is-layout-flex advgb-dyn-f0d8fa33\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"569\" height=\"578\" data-id=\"3814\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/02\/Perry-Stabat-Mater.jpg\" alt=\"\" class=\"wp-image-3814\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/02\/Perry-Stabat-Mater.jpg 569w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/02\/Perry-Stabat-Mater-295x300.jpg 295w\" sizes=\"auto, (max-width: 569px) 100vw, 569px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"597\" height=\"574\" data-id=\"3813\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/02\/Perry-Stabat-Mater-alt.jpg\" alt=\"\" class=\"wp-image-3813\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/02\/Perry-Stabat-Mater-alt.jpg 597w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/02\/Perry-Stabat-Mater-alt-300x288.jpg 300w\" sizes=\"auto, (max-width: 597px) 100vw, 597px\" \/><\/figure>\n<\/figure>\n\n\n\n<div style=\"height:42px\" aria-hidden=\"true\" class=\"wp-block-spacer advgb-dyn-6f06b070\"><\/div>\n\n\n\n<h3 class=\"wp-block-heading\">A cornucopia of Gloria Davy photos, articles, and press materials<\/h3>\n\n\n\n<div style=\"height:33px\" aria-hidden=\"true\" class=\"wp-block-spacer advgb-dyn-58c5e9c9\"><\/div>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-11 is-layout-flex wp-block-gallery-is-layout-flex advgb-dyn-518cddad\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"610\" data-id=\"3818\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/02\/Davy-DG-45-1.jpg\" alt=\"\" class=\"wp-image-3818\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/02\/Davy-DG-45-1.jpg 600w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/02\/Davy-DG-45-1-295x300.jpg 295w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"443\" data-id=\"3819\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/02\/Davy-in-Zagreb.jpg\" alt=\"\" class=\"wp-image-3819\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/02\/Davy-in-Zagreb.jpg 600w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/02\/Davy-in-Zagreb-300x222.jpg 300w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"676\" height=\"1024\" data-id=\"3820\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/02\/Davy-Recording.jpg\" alt=\"\" class=\"wp-image-3820\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/02\/Davy-Recording.jpg 676w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/02\/Davy-Recording-198x300.jpg 198w\" sizes=\"auto, (max-width: 676px) 100vw, 676px\" \/><figcaption class=\"wp-element-caption\">American operatic soprano Gloria Davy, circa 1965. (Photo by Erich Auerbach\/Hulton Archive\/Getty Images)<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"405\" height=\"584\" data-id=\"3821\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/02\/Gloria-Davy-and-Son-1.png\" alt=\"\" class=\"wp-image-3821\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/02\/Gloria-Davy-and-Son-1.png 405w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/02\/Gloria-Davy-and-Son-1-208x300.png 208w\" sizes=\"auto, (max-width: 405px) 100vw, 405px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"386\" height=\"542\" data-id=\"3822\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/02\/Gloria-Davy-as-Conchita-1.png\" alt=\"\" class=\"wp-image-3822\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/02\/Gloria-Davy-as-Conchita-1.png 386w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/02\/Gloria-Davy-as-Conchita-1-214x300.png 214w\" sizes=\"auto, (max-width: 386px) 100vw, 386px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"226\" height=\"290\" data-id=\"3825\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/02\/Gloria-Davy-Italian-magazine-1.jpg\" alt=\"\" class=\"wp-image-3825\"\/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"385\" height=\"542\" data-id=\"3823\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/02\/Gloria-Davy-CAMI-1961-1.jpg\" alt=\"\" class=\"wp-image-3823\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/02\/Gloria-Davy-CAMI-1961-1.jpg 385w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/02\/Gloria-Davy-CAMI-1961-1-213x300.jpg 213w\" sizes=\"auto, (max-width: 385px) 100vw, 385px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"305\" height=\"500\" data-id=\"3824\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/02\/Gloria-Davy-in-Karlsruhe-1967-1.jpg\" alt=\"\" class=\"wp-image-3824\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/02\/Gloria-Davy-in-Karlsruhe-1967-1.jpg 305w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/02\/Gloria-Davy-in-Karlsruhe-1967-1-183x300.jpg 183w\" sizes=\"auto, (max-width: 305px) 100vw, 305px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"374\" height=\"557\" data-id=\"3826\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/02\/Gloria-Davy-Musical-America-ad-1958-1.jpg\" alt=\"\" class=\"wp-image-3826\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/02\/Gloria-Davy-Musical-America-ad-1958-1.jpg 374w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/02\/Gloria-Davy-Musical-America-ad-1958-1-201x300.jpg 201w\" sizes=\"auto, (max-width: 374px) 100vw, 374px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"236\" height=\"296\" data-id=\"3827\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/02\/Gloria-Davy-1.jpg\" alt=\"\" class=\"wp-image-3827\"\/><\/figure>\n<\/figure>\n\n\n\n<div style=\"height:33px\" aria-hidden=\"true\" class=\"wp-block-spacer advgb-dyn-58c5e9c9\"><\/div>\n\n\n\n<h3 class=\"wp-block-heading\">Gloria Davy photographed by Carl Van Vechten<\/h3>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-12 is-layout-flex wp-block-gallery-is-layout-flex advgb-dyn-282f8d9f\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"437\" height=\"608\" data-id=\"3834\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/02\/Screenshot-119.png\" alt=\"\" class=\"wp-image-3834\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/02\/Screenshot-119.png 437w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/02\/Screenshot-119-216x300.png 216w\" sizes=\"auto, (max-width: 437px) 100vw, 437px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"522\" height=\"768\" data-id=\"3829\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/02\/Davy-Van-Vechten-color-1.jpg\" alt=\"\" class=\"wp-image-3829\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/02\/Davy-Van-Vechten-color-1.jpg 522w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/02\/Davy-Van-Vechten-color-1-204x300.jpg 204w\" sizes=\"auto, (max-width: 522px) 100vw, 522px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"702\" height=\"1024\" data-id=\"3831\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/02\/Davy-Van-Vechten2-702x1024.jpg\" alt=\"\" class=\"wp-image-3831\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/02\/Davy-Van-Vechten2-702x1024.jpg 702w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/02\/Davy-Van-Vechten2-206x300.jpg 206w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/02\/Davy-Van-Vechten2-768x1121.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/02\/Davy-Van-Vechten2.jpg 1028w\" sizes=\"auto, (max-width: 702px) 100vw, 702px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"700\" height=\"1024\" data-id=\"3832\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/02\/Davy-Van-Vechten3-700x1024.jpg\" alt=\"\" class=\"wp-image-3832\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/02\/Davy-Van-Vechten3-700x1024.jpg 700w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/02\/Davy-Van-Vechten3-205x300.jpg 205w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/02\/Davy-Van-Vechten3-768x1124.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/02\/Davy-Van-Vechten3.jpg 1025w\" sizes=\"auto, (max-width: 700px) 100vw, 700px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"282\" height=\"405\" data-id=\"3830\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/02\/Davy-Van-Vechten-1.jpg\" alt=\"\" class=\"wp-image-3830\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/02\/Davy-Van-Vechten-1.jpg 282w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/02\/Davy-Van-Vechten-1-209x300.jpg 209w\" sizes=\"auto, (max-width: 282px) 100vw, 282px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"523\" height=\"768\" data-id=\"3833\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/02\/Davy-Van-Vechten4.jpg\" alt=\"\" class=\"wp-image-3833\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/02\/Davy-Van-Vechten4.jpg 523w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/02\/Davy-Van-Vechten4-204x300.jpg 204w\" sizes=\"auto, (max-width: 523px) 100vw, 523px\" \/><\/figure>\n<\/figure>\n","protected":false},"excerpt":{"rendered":"<p>Episode 22. Gloria Davy (Black History Month III) SOCIAL SHARE SUBSCRIPTION PLATFORM Today we examine the fascinating and somewhat frustrating&hellip;<\/p>\n","protected":false},"author":1,"featured_media":3808,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"advgb_blocks_editor_width":"","advgb_blocks_columns_visual_guide":"","footnotes":""},"categories":[420,4894,5823,808],"tags":[1005,437,1011,1028,1029,1003,1019,305,1023,541,1022,1017,1013,1016,207,998,1010,255,348,1002,1020,863,1024,999,1021,1036,334,1006,1018,1009,1008,1012,1000,1035,1033,1032,1015,1034,1001,1026,1027,1004,1025,1007,1031,430,1014,1030],"class_list":["post-3216","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-african-american-opera-singers","category-bhm-2023-wk-1","category-forgotten-divas","category-needle-drop","tag-a-picnic-cantata","tag-aida","tag-al-howard","tag-anna-bolena","tag-arnold-gamson","tag-arthur-gold","tag-auf-dem-kirchhofe","tag-benjamin-britten","tag-cavalleria-rusticana","tag-cesar-franck","tag-deutsche-oper-berlin","tag-erich-leinsdorf","tag-giorgio-favaretto","tag-giorgio-tozzi","tag-giuseppe-verdi","tag-gloria-davy","tag-gloria-wynder","tag-henry-purcell","tag-il-trovatore","tag-james-schuyler","tag-jess-thomas","tag-johannes-brahms","tag-jonas-kulka","tag-julia-perry","tag-karl-bohm","tag-karlheinz-stockhausen","tag-leontyne-price","tag-les-illuminations","tag-man-is-for-the-woman-made","tag-mareda-gaither","tag-martha-flowers","tag-mary-hartman-mary-hartman","tag-mirella-freni","tag-momenten","tag-nelly-sachs","tag-new-york-philomusica-chamber-ensemble","tag-nicolai-gedda","tag-o-the-chimneys","tag-paul-bowles","tag-pierre-mollet","tag-rebecca-franck","tag-robert-fizdale","tag-sandor-konya","tag-sergiu-celibidache","tag-shulamit-ran","tag-spirituals","tag-the-magic-flute","tag-town-hall-new-york"],"author_meta":{"display_name":"admin","author_link":"https:\/\/countermelodypodcast.com\/index.php\/author\/admin\/"},"featured_img":"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/02\/Gloria-Davy-Aida-cropped-for-cover-300x113.jpg","coauthors":[],"tax_additional":{"categories":{"linked":["<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/african-american-opera-singers\/\" class=\"advgb-post-tax-term\">African American Opera Singers<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/bhm-2023-wk-1\/\" class=\"advgb-post-tax-term\">BHM 2023 Wk 1<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/forgotten-divas\/\" class=\"advgb-post-tax-term\">Forgotten Divas<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Needle Drop<\/a>"],"unlinked":["<span class=\"advgb-post-tax-term\">African American Opera Singers<\/span>","<span class=\"advgb-post-tax-term\">BHM 2023 Wk 1<\/span>","<span class=\"advgb-post-tax-term\">Forgotten Divas<\/span>","<span class=\"advgb-post-tax-term\">Needle Drop<\/span>"]},"tags":{"linked":["<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">A Picnic Cantata<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Aida<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Al Howard<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Anna Bolena<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Arnold Gamson<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Arthur Gold<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Auf dem Kirchhofe<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Benjamin Britten<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Cavalleria Rusticana<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Cesar Franck<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Deutsche Oper Berlin<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Erich Leinsdorf<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Giorgio Favaretto<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Giorgio Tozzi<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Giuseppe Verdi<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Gloria Davy<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Gloria Wynder<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Henry Purcell<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Il Trovatore<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">James Schuyler<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Jess Thomas<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Johannes Brahms<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Jonas Kulka<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Julia Perry<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Karl B\u00f6hm<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Karlheinz Stockhausen<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Leontyne Price<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Les Illuminations<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Man is for the Woman Made<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Mareda Gaither<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Martha Flowers<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Mary Hartman Mary Hartman<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Mirella Freni<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Momenten<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Nelly Sachs<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">New York Philomusica Chamber Ensemble<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Nicolai Gedda<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">O the Chimneys<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Paul Bowles<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Pierre Mollet<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">R\u00e9becca (Franck)<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Robert Fizdale<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">S\u00e1ndor K\u00f3nya<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Sergiu Celibidache<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Shulamit Ran<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Spirituals<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">The Magic Flute<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Town Hall New York<\/a>"],"unlinked":["<span class=\"advgb-post-tax-term\">A Picnic Cantata<\/span>","<span class=\"advgb-post-tax-term\">Aida<\/span>","<span class=\"advgb-post-tax-term\">Al Howard<\/span>","<span class=\"advgb-post-tax-term\">Anna Bolena<\/span>","<span class=\"advgb-post-tax-term\">Arnold Gamson<\/span>","<span class=\"advgb-post-tax-term\">Arthur Gold<\/span>","<span class=\"advgb-post-tax-term\">Auf dem Kirchhofe<\/span>","<span class=\"advgb-post-tax-term\">Benjamin Britten<\/span>","<span class=\"advgb-post-tax-term\">Cavalleria Rusticana<\/span>","<span class=\"advgb-post-tax-term\">Cesar Franck<\/span>","<span class=\"advgb-post-tax-term\">Deutsche Oper Berlin<\/span>","<span class=\"advgb-post-tax-term\">Erich Leinsdorf<\/span>","<span class=\"advgb-post-tax-term\">Giorgio Favaretto<\/span>","<span class=\"advgb-post-tax-term\">Giorgio Tozzi<\/span>","<span class=\"advgb-post-tax-term\">Giuseppe Verdi<\/span>","<span class=\"advgb-post-tax-term\">Gloria Davy<\/span>","<span class=\"advgb-post-tax-term\">Gloria Wynder<\/span>","<span class=\"advgb-post-tax-term\">Henry Purcell<\/span>","<span class=\"advgb-post-tax-term\">Il Trovatore<\/span>","<span class=\"advgb-post-tax-term\">James Schuyler<\/span>","<span class=\"advgb-post-tax-term\">Jess Thomas<\/span>","<span class=\"advgb-post-tax-term\">Johannes Brahms<\/span>","<span class=\"advgb-post-tax-term\">Jonas Kulka<\/span>","<span class=\"advgb-post-tax-term\">Julia Perry<\/span>","<span class=\"advgb-post-tax-term\">Karl B\u00f6hm<\/span>","<span class=\"advgb-post-tax-term\">Karlheinz Stockhausen<\/span>","<span class=\"advgb-post-tax-term\">Leontyne Price<\/span>","<span class=\"advgb-post-tax-term\">Les Illuminations<\/span>","<span class=\"advgb-post-tax-term\">Man is for the Woman Made<\/span>","<span class=\"advgb-post-tax-term\">Mareda Gaither<\/span>","<span class=\"advgb-post-tax-term\">Martha Flowers<\/span>","<span class=\"advgb-post-tax-term\">Mary Hartman Mary Hartman<\/span>","<span class=\"advgb-post-tax-term\">Mirella Freni<\/span>","<span class=\"advgb-post-tax-term\">Momenten<\/span>","<span class=\"advgb-post-tax-term\">Nelly Sachs<\/span>","<span class=\"advgb-post-tax-term\">New York Philomusica Chamber Ensemble<\/span>","<span class=\"advgb-post-tax-term\">Nicolai Gedda<\/span>","<span class=\"advgb-post-tax-term\">O the Chimneys<\/span>","<span class=\"advgb-post-tax-term\">Paul Bowles<\/span>","<span class=\"advgb-post-tax-term\">Pierre Mollet<\/span>","<span class=\"advgb-post-tax-term\">R\u00e9becca (Franck)<\/span>","<span class=\"advgb-post-tax-term\">Robert Fizdale<\/span>","<span class=\"advgb-post-tax-term\">S\u00e1ndor K\u00f3nya<\/span>","<span class=\"advgb-post-tax-term\">Sergiu Celibidache<\/span>","<span class=\"advgb-post-tax-term\">Shulamit Ran<\/span>","<span class=\"advgb-post-tax-term\">Spirituals<\/span>","<span class=\"advgb-post-tax-term\">The Magic Flute<\/span>","<span class=\"advgb-post-tax-term\">Town Hall New York<\/span>"]}},"comment_count":"2","relative_dates":{"created":"Posted 6 years ago","modified":"Updated 2 years ago"},"absolute_dates":{"created":"Posted on 17\/02\/2020","modified":"Updated on 16\/02\/2024"},"absolute_dates_time":{"created":"Posted on 17\/02\/2020 00:29","modified":"Updated on 16\/02\/2024 10:55"},"featured_img_caption":"","series_order":"","_links":{"self":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/3216","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/comments?post=3216"}],"version-history":[{"count":28,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/3216\/revisions"}],"predecessor-version":[{"id":11672,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/3216\/revisions\/11672"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/media\/3808"}],"wp:attachment":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/media?parent=3216"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/categories?post=3216"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/tags?post=3216"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}