{"id":2979,"date":"2020-01-05T15:19:56","date_gmt":"2020-01-05T14:19:56","guid":{"rendered":"http:\/\/countermelodypodcast.com\/?p=2979"},"modified":"2020-03-03T05:20:33","modified_gmt":"2020-03-03T04:20:33","slug":"episode-16-souvenirs","status":"publish","type":"post","link":"https:\/\/countermelodypodcast.com\/index.php\/2020\/01\/05\/episode-16-souvenirs\/","title":{"rendered":"Episode 16. Elly Ameling &#038; Dalton Baldwin (Needle Drop II)"},"content":{"rendered":"<div id=\"mega-menu-wrap-primary\" class=\"mega-menu-wrap\"><div class=\"mega-menu-toggle\"><div class=\"mega-toggle-blocks-left\"><\/div><div class=\"mega-toggle-blocks-center\"><\/div><div class=\"mega-toggle-blocks-right\"><div class='mega-toggle-block mega-menu-toggle-animated-block mega-toggle-block-1' id='mega-toggle-block-1'><button aria-label=\"Menu\" class=\"mega-toggle-animated mega-toggle-animated-slider\" type=\"button\" aria-haspopup=\"true\" aria-expanded=\"false\" aria-controls=\"mega-menu-primary\">\n                  <span class=\"mega-toggle-animated-box\">\n                    <span class=\"mega-toggle-animated-inner\"><\/span>\n                  <\/span>\n                <\/button><\/div><\/div><\/div><ul id=\"mega-menu-primary\" class=\"mega-menu max-mega-menu mega-menu-horizontal mega-no-js\" data-event=\"hover_intent\" data-effect=\"slide\" data-effect-speed=\"200\" data-effect-mobile=\"slide\" data-effect-speed-mobile=\"200\" data-mobile-force-width=\"body\" data-second-click=\"go\" data-document-click=\"collapse\" data-vertical-behaviour=\"standard\" data-breakpoint=\"600\" data-unbind=\"true\" data-mobile-state=\"collapse_all\" data-mobile-direction=\"vertical\" data-hover-intent-timeout=\"300\" data-hover-intent-interval=\"100\"><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-menu-item-home mega-align-bottom-left mega-menu-flyout mega-menu-item-19160\" id=\"mega-menu-item-19160\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/\">Home<\/a><\/li><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-align-bottom-left mega-menu-flyout mega-menu-item-19161\" id=\"mega-menu-item-19161\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/index.php\/about-daniel\/\">About Daniel<\/a><\/li><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-current_page_parent mega-align-bottom-left mega-menu-flyout mega-menu-item-19171\" id=\"mega-menu-item-19171\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/index.php\/all-episodes\/\">All Episodes<\/a><\/li><\/ul><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">Episode 16.  Elly Ameling and Dalton Baldwin: <em>Souvenirs<\/em> (Needle Drop II)<\/h2>\n\n\n\n<iframe loading=\"lazy\" width=\"340\" height=\"50\" src=\"https:\/\/countermelody.blubrry.net\/?powerpress_embed=66-podcast&amp;powerpress_player=mediaelement-audio\" frameborder=\"0\" scrolling=\"no\"><\/iframe>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p><strong>SOCIAL SHARE<\/strong><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"has-text-align-right\"><strong>SUBSCRIPTION PLATFORM<\/strong><\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<div class=\"wp-block-coblocks-buttons\"><div class=\"wp-block-coblocks-buttons__inner flex-align-left\">\n<div class=\"wp-block-button alignright\"><a class=\"wp-block-button__link no-border-radius\" href=\"https:\/\/countermelody.blubrry.net\/\">SUBSCRIBE VIA YOUR FAVORITE PODCAST PLATFORM<\/a><\/div>\n<\/div><\/div>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>We begin 2020 with a new series of episodes. For the next eight weeks, I will present selections dubbed exclusively from LPs, few if any of which have ever been re-released on CD and which remain barely available on any listening platform for today&#8217;s audience. Today&#8217;s entry in the Needle Drop series is the marvelously engaging and entertaining 1979 Columbia Masterworks release <em>Souvenirs<\/em> (M 35119), which features the Dutch soprano Elly Ameling, renowned for her peerless work as an art song recitalist, and the late American pianist Dalton Baldwin (19 December 1931 \u2013 12 December 2019), whose life and legacy we particularly celebrate today. This episode also serves as an early birthday tribute to Elly Ameling, who turns 87 on 8 February 2020.<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"628\" height=\"639\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/01\/Jelly-Souvenirs5-2.jpg\" alt=\"\" class=\"wp-image-3131\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/01\/Jelly-Souvenirs5-2.jpg 628w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/01\/Jelly-Souvenirs5-2-295x300.jpg 295w\" sizes=\"auto, (max-width: 628px) 100vw, 628px\" \/><figcaption>Today&#8217;s featured Needle Drop see-leckshun.<\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:43px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>N.B. During her career, Elly Ameling was noted for her extreme thrift. I saw her appear at least twice in concert or recital wearing this exact same gown (along with the exact same necklace); the same <em>ensemble <\/em>is featured on at least three of her album covers (see below)! The eternal question of Who Looks Good In Orange remains unanswered. That said, I think the B&amp;W <em>Think On Me<\/em> cover is perhaps my favorite of her album covers.<\/p>\n\n\n\n<figure class=\"wp-block-gallery columns-2 is-cropped wp-block-gallery-1\"><ul class=\"blocks-gallery-grid\"><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"576\" height=\"600\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/01\/Jelly-Wolf.jpg\" alt=\"\" data-id=\"3177\" data-full-url=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/01\/Jelly-Wolf.jpg\" data-link=\"https:\/\/countermelodypodcast.com\/?attachment_id=3177\" class=\"wp-image-3177\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/01\/Jelly-Wolf.jpg 576w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/01\/Jelly-Wolf-288x300.jpg 288w\" sizes=\"auto, (max-width: 576px) 100vw, 576px\" \/><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"679\" height=\"690\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/01\/Jelly-Think-On-Me-2.jpg\" alt=\"\" data-id=\"3176\" data-full-url=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/01\/Jelly-Think-On-Me-2.jpg\" data-link=\"https:\/\/countermelodypodcast.com\/?attachment_id=3176\" class=\"wp-image-3176 is-layout-flex wp-block-gallery-is-layout-flex\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/01\/Jelly-Think-On-Me-2.jpg 679w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/01\/Jelly-Think-On-Me-2-295x300.jpg 295w\" sizes=\"auto, (max-width: 679px) 100vw, 679px\" \/><\/figure><\/li><\/ul><\/figure>\n\n\n\n<div style=\"height:45px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Incidentally, though she rarely gave interviews, engaging interviews with the soprano can be found on the <strong><a rel=\"noreferrer noopener\" aria-label=\"Opera News website (opens in a new tab)\" href=\"https:\/\/www.operanews.com\/Opera_News_Magazine\/2012\/7\/Features\/Reunion__Elly_Ameling.html\" target=\"_blank\"><em>Opera News<\/em> website<\/a><\/strong> (originally published in July 2012) and on <strong><a href=\"http:\/\/www.bruceduffie.com\/ameling.html\" target=\"_blank\" rel=\"noreferrer noopener\" aria-label=\"Bruce Duffie's invaluable and encyclopedic website (opens in a new tab)\">Bruce Duffie&#8217;s invaluable and encyclopedic website<\/a><\/strong> (this interview took place in 1982).<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"392\" height=\"390\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/01\/Jelly-Dalton-Liederabend-2.jpg\" alt=\"\" class=\"wp-image-3139\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/01\/Jelly-Dalton-Liederabend-2.jpg 392w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/01\/Jelly-Dalton-Liederabend-2-300x298.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/01\/Jelly-Dalton-Liederabend-2-150x150.jpg 150w\" sizes=\"auto, (max-width: 392px) 100vw, 392px\" \/><figcaption>Perhaps my favorite of this duo&#8217;s delicious potpourri collaborations<\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/01\/Baldwin-Ameling-2.jpg\" alt=\"\" class=\"wp-image-3129\" width=\"396\" height=\"450\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/01\/Baldwin-Ameling-2.jpg 366w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/01\/Baldwin-Ameling-2-264x300.jpg 264w\" sizes=\"auto, (max-width: 396px) 100vw, 396px\" \/><figcaption>Elly Ameling and Dalton Baldwin with canine friend (the soprano was often featured on album covers with her beloved whippets).<\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:21px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div style=\"height:25px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"500\" height=\"358\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/01\/Elly-and-Dalton.jpg\" alt=\"\" class=\"wp-image-3134\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/01\/Elly-and-Dalton.jpg 500w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/01\/Elly-and-Dalton-300x215.jpg 300w\" sizes=\"auto, (max-width: 500px) 100vw, 500px\" \/><\/figure><\/div>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p style=\"font-size:30px\" class=\"has-custom-size\"><strong>RECORDINGS HEARD IN THIS EPISODE<\/strong><\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/01\/Rossini-793x1024.jpg\" alt=\"\" class=\"wp-image-3143\" width=\"574\" height=\"740\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/01\/Rossini-793x1024.jpg 793w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/01\/Rossini-232x300.jpg 232w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/01\/Rossini-768x992.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/01\/Rossini.jpg 1239w\" sizes=\"auto, (max-width: 574px) 100vw, 574px\" \/><figcaption>A bemused Gioacchino Rossini<\/figcaption><\/figure><\/div>\n\n\n\n<p>Gioacchino Rossini (1792-1868): La Danza (from <em>Les soir\u00e9es musicales<\/em>)<\/p>\n\n\n\n<div style=\"height:41px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"400\" height=\"396\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/01\/Joseph-Canteloube.jpg\" alt=\"\" class=\"wp-image-3144\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/01\/Joseph-Canteloube.jpg 400w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/01\/Joseph-Canteloube-300x297.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/01\/Joseph-Canteloube-150x150.jpg 150w\" sizes=\"auto, (max-width: 400px) 100vw, 400px\" \/><figcaption> Marie-Joseph Canteloube de Malaret<\/figcaption><\/figure><\/div>\n\n\n\n<p>Joseph Canteloube (1879-1957): Brezairola (from <em>Chants d&#8217;auvergne<\/em>, Third Series)<\/p>\n\n\n\n<div style=\"height:43px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"441\" height=\"720\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/01\/Joaquin-Rodrigo.jpg\" alt=\"\" class=\"wp-image-3145\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/01\/Joaquin-Rodrigo.jpg 441w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/01\/Joaquin-Rodrigo-184x300.jpg 184w\" sizes=\"auto, (max-width: 441px) 100vw, 441px\" \/><figcaption> Joaqu\u00edn&nbsp;Rodrigo<\/figcaption><\/figure><\/div>\n\n\n\n<p>Joaqu\u00edn&nbsp;Rodrigo (1902-1999): De los \u00e1lamos vengo, madre (from <em>Cuatro madrigales amatorios<\/em>)<\/p>\n\n\n\n<div style=\"height:33px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"400\" height=\"250\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/01\/Emile-Vuillermoz.gif\" alt=\"\" class=\"wp-image-3146\"\/><figcaption>The unrelated French music critic \u00c9mile&nbsp;Vuillermoz (1878-1960);<br>see essay below!<\/figcaption><\/figure><\/div>\n\n\n\n<p>Jean Vuillermoz (1906-1940): Jardin d&#8217;amour (from <em>Chansons populaires fran\u00e7aises et canadiennes<\/em>). I could find no photos of the tragically short-lived composer Vuillermoz, but I did find <strong><a rel=\"noreferrer noopener\" aria-label=\"this short essay (opens in a new tab)\" href=\"http:\/\/www.musimem.com\/prix-rome-1930-1939.htm\" target=\"_blank\">this short essay<\/a><\/strong> on a website about the <em>Prix de Rome<\/em>, in which Vuillermoz was awarded the second prize in 1932: <\/p>\n\n\n\n<p>Il est des fatalit\u00e9s tragiques qui transforment l\u2019homme en h\u00e9ros et le font se rapprocher des destin\u00e9es des divinit\u00e9s antiques. La guerre est une de ces circonstances qui le d\u00e9voile dans toute sa r\u00e9alit\u00e9 et le met \u00e0 nu, seul face \u00e0 lui-m\u00eame&nbsp;: on y croise aussi bien le fourbe que le demi-dieu &#8230; Parmi ces \u00eatres au destin magnifique, tel Jehan Alain ou Jean-Claude Touche en ce qui concerne le monde des musiciens, se tient \u00e9galement Jean Vuillermoz&nbsp;: en 1940, \u00e0 quelques heures \u00e0 peine de la signature de l\u2019armistice franco-allemande, il est tu\u00e9 alors qu\u2019il effectue une patrouille dans les rues de Lobsann, une petite bourgade alsacienne peupl\u00e9e de quelques \u00e2mes seulement&nbsp;; il n\u2019avait pas encore atteint sa trente-troisi\u00e8me ann\u00e9e. Sa courte vie ne lui a pas laiss\u00e9 le temps de marquer de son sceau l\u2019histoire de la musique, m\u00eame s\u2019il est certain qu\u2019un brillant avenir se faisait jour au fil des ann\u00e9es.<\/p>\n\n\n\n<p>Son p\u00e8re Louis-Edouard Vuillermoz est n\u00e9 le 13 f\u00e9vrier 1869 \u00e0 Quingey, non loin de Besan\u00e7on (Doubs). Dou\u00e9 pour la musique, il entra bient\u00f4t au Conservatoire de musique et de d\u00e9clamation de Paris, o\u00f9 il suivit la classe de cor de Jean Mohr et obtint un 1<sup>er<\/sup>&nbsp;Prix en 1889. Soci\u00e9taire des Concerts du Conservatoire \u00e0 partir de juin 1894, il fera une carri\u00e8re de corniste solo aux Concerts du Ch\u00e2telet et \u00e0 l\u2019Orchestre de l\u2019Op\u00e9ra, et enseignera au CNSM. Mort en 1939, il s\u2019\u00e9tait install\u00e9 en 1904 pour plusieurs ann\u00e9es avec sa famille \u00e0 Monte Carlo. A cette \u00e9poque Raoul Gunsbourg assurait la direction du Casino, et l\u2019orchestre \u00e9tait conduit par L\u00e9on Jehin. C\u2019est l\u00e0 que na\u00eet le 29 d\u00e9cembre 1906 Jean Vuillermoz. Le lendemain L\u00e9on Jehin donne en premi\u00e8re audition&nbsp;<em>Apr\u00e8s l\u2019Et\u00e9<\/em>&nbsp;pour cordes de Florent Schmitt et la&nbsp;<em>F\u00eate Napolitaine<\/em>&nbsp;d\u2019Alexandre Pom\u00e9. Revenu \u00e0 Paris en 1925, Jean Vuillermoz ne tarde pas \u00e0 int\u00e9grer le CNSM o\u00f9 l\u2019avait pr\u00e9c\u00e9d\u00e9 son p\u00e8re quarante ans auparavant&nbsp;! El\u00e8ve de composition d\u2019Henri B\u00fcsser, et d\u2019Henri Rabaud, qui assure \u00e9galement la direction de cet \u00e9tablissement depuis 1920, il se pr\u00e9sente pour la premi\u00e8re fois au Concours de Rome en 1930, mais \u00e9choue. Deux ann\u00e9es plus tard, il tente \u00e0 nouveau cette \u00e9preuve&nbsp;; le sujet impos\u00e9 de la cantate&nbsp;<em>Le Pardon<\/em>&nbsp;lui permet d\u2019\u00eatre r\u00e9compens\u00e9 par un deuxi\u00e8me Second Prix. Il essaye bien une derni\u00e8re fois en 1933 de d\u00e9crocher le Grand Prix, mais cette tentative s\u2019av\u00e8re vaine&#8230;<\/p>\n\n\n\n<p>Sa passion pour le chant le fait nommer second chef des F\u00eates du Peuple organis\u00e9es en 1935. C\u2019est lui qui fonde en 1938 la Chorale Universitaire, mais il doit vite en abandonner la direction l\u2019ann\u00e9e suivante pour assurer la d\u00e9fense de son pays en guerre. Il meurt au champ d\u2019honneur le 21 juin 1940, tu\u00e9 par l\u2019ennemi, laissant une veuve, Madeleine Corbin, qui enseignera plus tard le solf\u00e8ge (chant) au CNSM (1947).<\/p>\n\n\n\n<p>Jean Vuillermoz n\u2019a gu\u00e8re eu le temps de produire une \u0153uvre marquante, cependant les quelques compositions qu\u2019il a laiss\u00e9es d\u00e9montrent une \u00e9criture habile et une imagination fertile&nbsp;: un&nbsp;<em>Triptyque<\/em>&nbsp;pour orchestre, donn\u00e9 \u00e0 Paris en mai 1932, un&nbsp;<em>Concerto<\/em>&nbsp;pour cor et orchestre, cr\u00e9\u00e9 \u00e9galement \u00e0 Paris le 11 mars 1934, un ballet intitul\u00e9&nbsp;<em>Veglione<\/em>&nbsp;(1937), un autre&nbsp;<em>Concerto<\/em>&nbsp;pour violoncelle, des&nbsp;<em>Trio<\/em>&nbsp;avec piano ou \u00e0 cordes, une&nbsp;<em>Promenade zoologique<\/em>&nbsp;pour orchestre de chambre&#8230;<\/p>\n\n\n\n<p>Fr\u00e8re de Louis Vuillermoz, corniste \u00e0 l\u2019Op\u00e9ra-Comique, Jean Vuillermoz semble n\u2019avoir aucun lien de parent\u00e9 avec  \u00c9mile Vuillermoz, le c\u00e9l\u00e8bre musicographe, compositeur et conf\u00e9rencier. Celui-ci, n\u00e9 \u00e0 Lyon le 23 mai 1878, mort \u00e0 Paris le 2 mars 1960, est en effet le fils d\u2019un banquier de Lons-le-Saulnier (Jura).<\/p>\n\n\n\n<p>And here is the unretouched translation via Google Translate:<\/p>\n\n\n\n<p>[There are tragic fatalities which transform man into a hero and bring him closer to the destinies of ancient deities. War is one of those circumstances which reveals it in all its reality and puts it bare, alone in front of itself: we come across both the wicked and the demigod \u2026 Among these beings with magnificent destinies, such Jehan Alain or Jean-Claude Touche as regards the world of musicians, Jean Vuillermoz also stands: in 1940, barely a few hours before the signing of the Franco-German armistice, he is killed while carrying out a patrol the streets of Lobsann, a small Alsatian village populated by only a few souls; he had not yet reached his thirty-third year. His short life did not leave him time to mark the history of music, even if it is certain that a bright future was emerging over the years.<\/p>\n\n\n\n<p>His father Louis-Edouard Vuillermoz was born on February 13, 1869 in Quingey, not far from Besan\u00e7on (Doubs). Gifted for music, he soon entered the Conservatory of Music and Declamation in Paris, where he followed the horn class of Jean Mohr and obtained a 1st Prize in 1889. Member of the Concerts of the Conservatory from June 1894, he will make a career as a solo horn player at the Ch\u00e2telet Concerts and the Opera Orchestra, and will teach at the CNSM. Died in 1939, he settled in 1904 for several years with his family in Monte Carlo. At that time Raoul Gunsbourg was in charge of the Casino, and the orchestra was led by L\u00e9on Jehin. It was there that Jean Vuillermoz was born on December 29, 1906. The next day L\u00e9on Jehin gives his first audition After the Summer for strings by Florent Schmitt and the F\u00eate Napolitaine by Alexandre Pom\u00e9. Returning to Paris in 1925, Jean Vuillermoz soon joined the CNSM where his father had preceded him forty years earlier! A composition pupil of Henri B\u00fcsser, and of Henri Rabaud, who has also run this establishment since 1920, he appears for the first time at the Rome Competition in 1930, but fails. Two years later, he tried this test again; the imposed subject of cantata Le Pardon allowed him to be awarded a second Second Prize. He did try one last time in 1933 to win the Grand Prix, but this attempt proved in vain\u2026<\/p>\n\n\n\n<p>His passion for singing made him the second chief of the People&#8217;s Feasts organized in 1935. He was the one who founded the University Choir in 1938, but he quickly had to give up the direction the following year to ensure the defense of his country by war. He died on the field of honor on June 21, 1940, killed by the enemy, leaving a widow, Madeleine Corbin, who would later teach music theory (singing) at the CNSM (1947).<\/p>\n\n\n\n<p>Jean Vuillermoz hardly had time to produce a striking work, however the few compositions he left demonstrate skillful writing and a fertile imagination: a <em>Triptych<\/em> for orchestra, given in Paris in May 1932, a <em>Concerto<\/em> for horn and orchestra, also created in Paris on March 11, 1934, a ballet entitled <em>Veglione <\/em>(1937), another <em>Concerto<\/em> for cello, Trios with piano or strings, a <em>Zoological Walk<\/em> for chamber orchestra\u2026<\/p>\n\n\n\n<p>Brother of Louis Vuillermoz, horn player at the Op\u00e9ra-Comique, Jean Vuillermoz seems to be unrelated to  \u00c9mile Vuillermoz, the famous musicographer, composer and lecturer. The latter, born in Lyon on May 23, 1878, died in Paris on March 2, 1960, is in fact the son of a banker from Lons-le-Saulnier (Jura).]<\/p>\n\n\n\n<p>More information about Vuillermoz&#8217;s compositional output is <strong><a href=\"https:\/\/data.bnf.fr\/en\/16441540\/jean_vuillermoz\/\" target=\"_blank\" rel=\"noreferrer noopener\" aria-label=\"available here (opens in a new tab)\">available here<\/a><\/strong>.<\/p>\n\n\n\n<div style=\"height:46px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"700\" height=\"394\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/01\/Sergei-Rachmaninoff.jpg\" alt=\"\" class=\"wp-image-3147\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/01\/Sergei-Rachmaninoff.jpg 700w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/01\/Sergei-Rachmaninoff-300x169.jpg 300w\" sizes=\"auto, (max-width: 700px) 100vw, 700px\" \/><figcaption>Sergei Rachmaninoff<\/figcaption><\/figure><\/div>\n\n\n\n<p>Sergei Rachmaninoff (1873-1943): Spring Waters [\u0412\u0435\u0441\u0435\u043d\u043d\u0438\u0435 \u0432\u043e\u0434\u044b], Op. 14\/11<\/p>\n\n\n\n<div style=\"height:39px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"800\" height=\"600\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/01\/Hahn.jpg\" alt=\"\" class=\"wp-image-3148\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/01\/Hahn.jpg 800w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/01\/Hahn-300x225.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/01\/Hahn-768x576.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><figcaption>Whatever did Marcel Proust see in him?<\/figcaption><\/figure><\/div>\n\n\n\n<p>Reynaldo Hahn (1875-1947): La derni\u00e8re valse<\/p>\n\n\n\n<div style=\"height:51px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/01\/Charles-Ives.jpg\" alt=\"\" class=\"wp-image-3149\" width=\"237\" height=\"314\"\/><figcaption>Charles Ives, fresh out of  Yale 1898<\/figcaption><\/figure><\/div>\n\n\n\n<p>Charles Ives (1874-1954): Memories (A. Very Pleasant; B. Rather Sad)<\/p>\n\n\n\n<div style=\"height:51px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/01\/Schoenberg-Smirking.jpg\" alt=\"\" class=\"wp-image-3151\" width=\"294\" height=\"415\"\/><figcaption>I&#8217;ve never seen Schoenberg smirk before, have you?<\/figcaption><\/figure><\/div>\n\n\n\n<p>Arnold Schoenberg (1874-1951): Gigerlette (from <em>Brettl-Lieder<\/em>)<\/p>\n\n\n\n<div style=\"height:56px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"473\" height=\"558\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/01\/Yoshinao-Nakada.jpg\" alt=\"\" class=\"wp-image-3152\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/01\/Yoshinao-Nakada.jpg 473w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/01\/Yoshinao-Nakada-254x300.jpg 254w\" sizes=\"auto, (max-width: 473px) 100vw, 473px\" \/><figcaption>Yoshinao Nakada<\/figcaption><\/figure><\/div>\n\n\n\n<p>Yoshinao Nakada (1923-2000): Oyasumi na sai (from <em>Eight Songs for Children<\/em>, Op. 8)<\/p>\n\n\n\n<div style=\"height:52px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"640\" height=\"360\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/01\/Henry-Purcell-1.jpg\" alt=\"\" class=\"wp-image-3154\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/01\/Henry-Purcell-1.jpg 640w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/01\/Henry-Purcell-1-300x169.jpg 300w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><figcaption>Henry Purcell<\/figcaption><\/figure><\/div>\n\n\n\n<p>Henry Purcell (ca. 1659-1695): Music for a While (from <em>Oedipus<\/em>)<\/p>\n\n\n\n<div style=\"height:63px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"288\" height=\"400\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/01\/John-Weldon.jpg\" alt=\"\" class=\"wp-image-3155\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/01\/John-Weldon.jpg 288w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/01\/John-Weldon-216x300.jpg 216w\" sizes=\"auto, (max-width: 288px) 100vw, 288px\" \/><figcaption>The rough and ready John Weldon<\/figcaption><\/figure><\/div>\n\n\n\n<p>John Weldon (1676-1736): The Wakeful Nightingale<\/p>\n\n\n\n<div style=\"height:45px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-gallery aligncenter columns-3 is-cropped wp-block-gallery-2\"><ul class=\"blocks-gallery-grid\"><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"800\" height=\"578\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/01\/Britten-and-Pears.jpg\" alt=\"\" data-id=\"3156\" class=\"wp-image-3156\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/01\/Britten-and-Pears.jpg 800w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/01\/Britten-and-Pears-300x217.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/01\/Britten-and-Pears-768x555.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"337\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/01\/Dalton-Souzay.jpg\" alt=\"\" data-id=\"3180\" data-link=\"https:\/\/countermelodypodcast.com\/?attachment_id=3180\" class=\"wp-image-3180\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/01\/Dalton-Souzay.jpg 600w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/01\/Dalton-Souzay-300x169.jpg 300w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"564\" height=\"422\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/01\/Poulenc-Bernac-2.png\" alt=\"\" data-id=\"3181\" data-full-url=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/01\/Poulenc-Bernac-2.png\" data-link=\"https:\/\/countermelodypodcast.com\/?attachment_id=3181\" class=\"wp-image-3181\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/01\/Poulenc-Bernac-2.png 564w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/01\/Poulenc-Bernac-2-300x224.png 300w\" sizes=\"auto, (max-width: 564px) 100vw, 564px\" \/><\/figure><\/li><\/ul><figcaption class=\"blocks-gallery-caption is-layout-flex wp-block-gallery-is-layout-flex\">Benjamin Britten and Peter Pears; Dalton Baldwin and G\u00e9rard Souzay; Pierre Bernac and Francis Poulenc:<br>three of the greatest gay musical partnerships of the 20th Century.<\/figcaption><\/figure>\n\n\n\n<div style=\"height:42px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Benjamin Britten (1913-1976): O Waly, Waly (from <em>Folk Song Arrangements Volume 3: The British Isles<\/em>)<\/p>\n\n\n\n<div style=\"height:57px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-gallery aligncenter columns-2 is-cropped wp-block-gallery-3\"><ul class=\"blocks-gallery-grid\"><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"216\" height=\"300\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/01\/Frank-Martin-1.jpg\" alt=\"\" data-id=\"3158\" data-full-url=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/01\/Frank-Martin-1.jpg\" data-link=\"https:\/\/countermelodypodcast.com\/?attachment_id=3158\" class=\"wp-image-3158\"\/><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"362\" height=\"501\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/01\/Frank-Martin-2.jpg\" alt=\"\" data-id=\"3159\" data-full-url=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/01\/Frank-Martin-2.jpg\" data-link=\"https:\/\/countermelodypodcast.com\/?attachment_id=3159\" class=\"wp-image-3159\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/01\/Frank-Martin-2.jpg 362w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/01\/Frank-Martin-2-217x300.jpg 217w\" sizes=\"auto, (max-width: 362px) 100vw, 362px\" \/><\/figure><\/li><\/ul><figcaption class=\"blocks-gallery-caption is-layout-flex wp-block-gallery-is-layout-flex\">Frank Martin<\/figcaption><\/figure>\n\n\n\n<div style=\"height:21px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Frank Martin (1890-1974): Unter den Linden (from <em>Drey Minnelieder<\/em>)<\/p>\n\n\n\n<div style=\"height:49px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/01\/Liszt-Young-and-Beautiful-739x1024.jpg\" alt=\"\" class=\"wp-image-3160\" width=\"452\" height=\"626\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/01\/Liszt-Young-and-Beautiful-739x1024.jpg 739w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/01\/Liszt-Young-and-Beautiful-216x300.jpg 216w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/01\/Liszt-Young-and-Beautiful-768x1064.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/01\/Liszt-Young-and-Beautiful-1108x1536.jpg 1108w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/01\/Liszt-Young-and-Beautiful-1478x2048.jpg 1478w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/01\/Liszt-Young-and-Beautiful-1600x2218.jpg 1600w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/01\/Liszt-Young-and-Beautiful-scaled.jpg 1847w\" sizes=\"auto, (max-width: 452px) 100vw, 452px\" \/><figcaption>You kinda see why they all went crazy for him&#8230;<\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:21px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Franz Liszt (1811-1886): O Lieb, so lang du lieben kannst<\/p>\n\n\n\n<div style=\"height:56px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"620\" height=\"460\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/01\/Jean-Sibelius.gif\" alt=\"\" class=\"wp-image-3161\"\/><figcaption>Jean Sibelius<\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:24px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Jean Sibelius (1865-1957): V\u00e5ren flyktar hastigt, Op. 13\/4<\/p>\n\n\n\n<div style=\"height:58px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/01\/Wilhelmina-759x1024.jpg\" alt=\"\" class=\"wp-image-3168\" width=\"441\" height=\"595\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/01\/Wilhelmina-759x1024.jpg 759w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/01\/Wilhelmina-222x300.jpg 222w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/01\/Wilhelmina-768x1036.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/01\/Wilhelmina.jpg 800w\" sizes=\"auto, (max-width: 441px) 100vw, 441px\" \/><figcaption>Queen Wilhelmina of The Netherlands(1880-1962).<br>I hope she was not like the mercenary mother in the song <em>Moeke<\/em>!<\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:37px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Dutch Folk Song: Moeke<\/p>\n\n\n\n<div style=\"height:62px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-gallery columns-3 is-cropped wp-block-gallery-4\"><ul class=\"blocks-gallery-grid\"><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"224\" height=\"350\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/01\/Hullebroeck-over-the-shoulder.jpg\" alt=\"\" data-id=\"3166\" data-link=\"https:\/\/countermelodypodcast.com\/?attachment_id=3166\" class=\"wp-image-3166\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/01\/Hullebroeck-over-the-shoulder.jpg 224w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/01\/Hullebroeck-over-the-shoulder-192x300.jpg 192w\" sizes=\"auto, (max-width: 224px) 100vw, 224px\" \/><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"410\" height=\"468\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/01\/Hullebroeck-2-2.jpg\" alt=\"\" data-id=\"3163\" data-link=\"https:\/\/countermelodypodcast.com\/?attachment_id=3163\" class=\"wp-image-3163\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/01\/Hullebroeck-2-2.jpg 410w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/01\/Hullebroeck-2-2-263x300.jpg 263w\" sizes=\"auto, (max-width: 410px) 100vw, 410px\" \/><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"350\" height=\"502\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/01\/Hullebroeck-3.gif\" alt=\"\" data-id=\"3162\" data-link=\"https:\/\/countermelodypodcast.com\/?attachment_id=3162\" class=\"wp-image-3162\"\/><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"812\" height=\"639\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/01\/Hullebroeck-3.jpg\" alt=\"\" data-id=\"3171\" data-full-url=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/01\/Hullebroeck-3.jpg\" data-link=\"https:\/\/countermelodypodcast.com\/?attachment_id=3171\" class=\"wp-image-3171\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/01\/Hullebroeck-3.jpg 812w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/01\/Hullebroeck-3-300x236.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/01\/Hullebroeck-3-768x604.jpg 768w\" sizes=\"auto, (max-width: 812px) 100vw, 812px\" \/><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"364\" height=\"528\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/01\/Hullebroeck-7-2.jpg\" alt=\"\" data-id=\"3165\" data-link=\"https:\/\/countermelodypodcast.com\/?attachment_id=3165\" class=\"wp-image-3165\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/01\/Hullebroeck-7-2.jpg 364w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/01\/Hullebroeck-7-2-207x300.jpg 207w\" sizes=\"auto, (max-width: 364px) 100vw, 364px\" \/><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"413\" height=\"468\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/01\/Hullebroeck-6-2.jpg\" alt=\"\" data-id=\"3164\" data-link=\"https:\/\/countermelodypodcast.com\/?attachment_id=3164\" class=\"wp-image-3164\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/01\/Hullebroeck-6-2.jpg 413w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/01\/Hullebroeck-6-2-265x300.jpg 265w\" sizes=\"auto, (max-width: 413px) 100vw, 413px\" \/><\/figure><\/li><\/ul><figcaption class=\"blocks-gallery-caption is-layout-flex wp-block-gallery-is-layout-flex\">The many faces of Emile Hullebroeck<\/figcaption><\/figure>\n\n\n\n<div style=\"height:26px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Emiel Hullebroeck (1878-1965): Afrikaans Wiegeliedjie<\/p>\n\n\n\n<div style=\"height:55px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"458\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/01\/Jelly-Dalton.jpg\" alt=\"\" class=\"wp-image-3135\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/01\/Jelly-Dalton.jpg 600w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/01\/Jelly-Dalton-300x229.jpg 300w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><figcaption>Warming up for an appearance at the Aldeburgh Festival, late 1970s.<\/figcaption><\/figure><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Episode 16. Elly Ameling and Dalton Baldwin: Souvenirs (Needle Drop II) SOCIAL SHARE SUBSCRIPTION PLATFORM We begin 2020 with a&hellip;<\/p>\n","protected":false},"author":1,"featured_media":3184,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"advgb_blocks_editor_width":"","advgb_blocks_columns_visual_guide":"","footnotes":""},"categories":[1075,1072,808],"tags":[806,786,305,787,773,795,784,777,531,776,798,769,805,778,794,797,800,788,114,255,104,775,792,772,771,783,785,807,791,802,796,790,782,780,770,781,793,799,803,789],"class_list":["post-2979","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-art-song","category-in-memoriam","category-needle-drop","tag-afrikaans-wiegeliedjie","tag-arnold-schoenberg","tag-benjamin-britten","tag-brettl-lieder","tag-brezariola","tag-britten-folk-song-arrangements","tag-charles-ives","tag-cuatro-madrigales-amatorios","tag-dalton-baldwin","tag-de-los-alamos-vengo-madre","tag-drey-minnelieder","tag-elly-ameling","tag-emiel-hullebroeck","tag-emile-vuillermoz","tag-folk-song-arrangements","tag-frank-martin","tag-franz-liszt","tag-gigerlette","tag-gioacchino-rossini","tag-henry-purcell","tag-jean-sibelius","tag-joaquin-rodrigo","tag-john-weldon","tag-joseph-canteloube","tag-la-danza","tag-la-derniere-valse","tag-memories","tag-moeke-dutch-folk-song","tag-music-for-a-while","tag-o-lieb-solang-du-lieben-kannst","tag-o-waly-waly","tag-oyasumi-na-sai","tag-reynaldo-hahn","tag-sergei-rachmaninoff","tag-souvenirs","tag-spring-waters","tag-the-wakeful-nightingale","tag-unter-den-linden","tag-varen-flyktar-hastigt","tag-yoshinao-nakada"],"author_meta":{"display_name":"admin","author_link":"https:\/\/countermelodypodcast.com\/index.php\/author\/admin\/"},"featured_img":"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Screenshot-342-300x124.png","coauthors":[],"tax_additional":{"categories":{"linked":["<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/art-song\/\" class=\"advgb-post-tax-term\">Art Song<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/in-memoriam\/\" class=\"advgb-post-tax-term\">In Memoriam<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Needle Drop<\/a>"],"unlinked":["<span class=\"advgb-post-tax-term\">Art Song<\/span>","<span class=\"advgb-post-tax-term\">In Memoriam<\/span>","<span class=\"advgb-post-tax-term\">Needle Drop<\/span>"]},"tags":{"linked":["<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Afrikaans Wiegeliedjie<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Arnold Schoenberg<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Benjamin Britten<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Brettl-Lieder<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Brezariola<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Britten Folk Song Arrangements<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Charles Ives<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Cuatro madrigales amatorios<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Dalton Baldwin<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">De los alamos vengo madre<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Drey Minnelieder<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Elly Ameling<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Emiel Hullebroeck<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Emile Vuillermoz<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Folk Song Arrangements<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Frank Martin<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Franz Liszt<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Gigerlette<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Gioacchino Rossini<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Henry Purcell<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Jean Sibelius<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Joaquin Rodrigo<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">John Weldon<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Joseph Canteloube<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">La Danza<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">La derniere valse<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Memories<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Moeke Dutch Folk Song<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Music for a while<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">O lieb solang du lieben kannst<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">O waly waly<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Oyasumi na sai<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Reynaldo Hahn<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Sergei Rachmaninoff<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Souvenirs<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Spring Waters<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">The Wakeful Nightingale<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Unter den Linden<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Varen flyktar hastigt<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Yoshinao Nakada<\/a>"],"unlinked":["<span class=\"advgb-post-tax-term\">Afrikaans Wiegeliedjie<\/span>","<span class=\"advgb-post-tax-term\">Arnold Schoenberg<\/span>","<span class=\"advgb-post-tax-term\">Benjamin Britten<\/span>","<span class=\"advgb-post-tax-term\">Brettl-Lieder<\/span>","<span class=\"advgb-post-tax-term\">Brezariola<\/span>","<span class=\"advgb-post-tax-term\">Britten Folk Song Arrangements<\/span>","<span class=\"advgb-post-tax-term\">Charles Ives<\/span>","<span class=\"advgb-post-tax-term\">Cuatro madrigales amatorios<\/span>","<span class=\"advgb-post-tax-term\">Dalton Baldwin<\/span>","<span class=\"advgb-post-tax-term\">De los alamos vengo madre<\/span>","<span class=\"advgb-post-tax-term\">Drey Minnelieder<\/span>","<span class=\"advgb-post-tax-term\">Elly Ameling<\/span>","<span class=\"advgb-post-tax-term\">Emiel Hullebroeck<\/span>","<span class=\"advgb-post-tax-term\">Emile Vuillermoz<\/span>","<span class=\"advgb-post-tax-term\">Folk Song Arrangements<\/span>","<span class=\"advgb-post-tax-term\">Frank Martin<\/span>","<span class=\"advgb-post-tax-term\">Franz Liszt<\/span>","<span class=\"advgb-post-tax-term\">Gigerlette<\/span>","<span class=\"advgb-post-tax-term\">Gioacchino Rossini<\/span>","<span class=\"advgb-post-tax-term\">Henry Purcell<\/span>","<span class=\"advgb-post-tax-term\">Jean Sibelius<\/span>","<span class=\"advgb-post-tax-term\">Joaquin Rodrigo<\/span>","<span class=\"advgb-post-tax-term\">John Weldon<\/span>","<span class=\"advgb-post-tax-term\">Joseph Canteloube<\/span>","<span class=\"advgb-post-tax-term\">La Danza<\/span>","<span class=\"advgb-post-tax-term\">La derniere valse<\/span>","<span class=\"advgb-post-tax-term\">Memories<\/span>","<span class=\"advgb-post-tax-term\">Moeke Dutch Folk Song<\/span>","<span class=\"advgb-post-tax-term\">Music for a while<\/span>","<span class=\"advgb-post-tax-term\">O lieb solang du lieben kannst<\/span>","<span class=\"advgb-post-tax-term\">O waly waly<\/span>","<span class=\"advgb-post-tax-term\">Oyasumi na sai<\/span>","<span class=\"advgb-post-tax-term\">Reynaldo Hahn<\/span>","<span class=\"advgb-post-tax-term\">Sergei Rachmaninoff<\/span>","<span class=\"advgb-post-tax-term\">Souvenirs<\/span>","<span class=\"advgb-post-tax-term\">Spring Waters<\/span>","<span class=\"advgb-post-tax-term\">The Wakeful Nightingale<\/span>","<span class=\"advgb-post-tax-term\">Unter den Linden<\/span>","<span class=\"advgb-post-tax-term\">Varen flyktar hastigt<\/span>","<span class=\"advgb-post-tax-term\">Yoshinao Nakada<\/span>"]}},"comment_count":"2","relative_dates":{"created":"Posted 6 years ago","modified":"Updated 6 years ago"},"absolute_dates":{"created":"Posted on 05\/01\/2020","modified":"Updated on 03\/03\/2020"},"absolute_dates_time":{"created":"Posted on 05\/01\/2020 15:19","modified":"Updated on 03\/03\/2020 05:20"},"featured_img_caption":"","series_order":"","_links":{"self":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/2979","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/comments?post=2979"}],"version-history":[{"count":25,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/2979\/revisions"}],"predecessor-version":[{"id":3397,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/2979\/revisions\/3397"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/media\/3184"}],"wp:attachment":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/media?parent=2979"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/categories?post=2979"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/tags?post=2979"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}