{"id":2976,"date":"2019-12-30T15:19:06","date_gmt":"2019-12-30T14:19:06","guid":{"rendered":"http:\/\/countermelodypodcast.com\/?p=2976"},"modified":"2024-02-16T10:56:06","modified_gmt":"2024-02-16T09:56:06","slug":"episode-15-hail-and-farewell","status":"publish","type":"post","link":"https:\/\/countermelodypodcast.com\/index.php\/2019\/12\/30\/episode-15-hail-and-farewell\/","title":{"rendered":"Episode 15. Hail and Farewell"},"content":{"rendered":"<div id=\"mega-menu-wrap-primary\" class=\"mega-menu-wrap\"><div class=\"mega-menu-toggle\"><div class=\"mega-toggle-blocks-left\"><\/div><div class=\"mega-toggle-blocks-center\"><\/div><div class=\"mega-toggle-blocks-right\"><div class='mega-toggle-block mega-menu-toggle-animated-block mega-toggle-block-1' id='mega-toggle-block-1'><button aria-label=\"Menu\" class=\"mega-toggle-animated mega-toggle-animated-slider\" type=\"button\" aria-haspopup=\"true\" aria-expanded=\"false\" aria-controls=\"mega-menu-primary\">\n                  <span class=\"mega-toggle-animated-box\">\n                    <span class=\"mega-toggle-animated-inner\"><\/span>\n                  <\/span>\n                <\/button><\/div><\/div><\/div><ul id=\"mega-menu-primary\" class=\"mega-menu max-mega-menu mega-menu-horizontal mega-no-js\" data-event=\"hover_intent\" data-effect=\"slide\" data-effect-speed=\"200\" data-effect-mobile=\"slide\" data-effect-speed-mobile=\"200\" data-mobile-force-width=\"body\" data-second-click=\"go\" data-document-click=\"collapse\" data-vertical-behaviour=\"standard\" data-breakpoint=\"600\" data-unbind=\"true\" data-mobile-state=\"collapse_all\" data-mobile-direction=\"vertical\" data-hover-intent-timeout=\"300\" data-hover-intent-interval=\"100\"><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-menu-item-home mega-align-bottom-left mega-menu-flyout mega-menu-item-19160\" id=\"mega-menu-item-19160\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/\">Home<\/a><\/li><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-align-bottom-left mega-menu-flyout mega-menu-item-19161\" id=\"mega-menu-item-19161\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/index.php\/about-daniel\/\">About Daniel<\/a><\/li><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-current_page_parent mega-align-bottom-left mega-menu-flyout mega-menu-item-19171\" id=\"mega-menu-item-19171\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/index.php\/all-episodes\/\">All Episodes<\/a><\/li><\/ul><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">Episode 15.   Hail and Farewell: 2019 Departures<\/h2>\n\n\n\n<iframe loading=\"lazy\" width=\"340\" height=\"50\" src=\"https:\/\/countermelody.blubrry.net\/?powerpress_embed=64-podcast&amp;powerpress_player=mediaelement-audio\" frameborder=\"0\" scrolling=\"no\"><\/iframe>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p><strong>SOCIAL SHARE<\/strong><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"has-text-align-right\"><strong>SUBSCRIPTION PLATFORM<\/strong><\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<div class=\"wp-block-coblocks-buttons\"><div class=\"wp-block-coblocks-buttons__inner flex-align-left\">\n<div class=\"wp-block-button alignright\"><a class=\"wp-block-button__link no-border-radius\" href=\"https:\/\/countermelody.blubrry.net\/\">SUBSCRIBE VIA YOUR FAVORITE PODCAST PLATFORM<\/a><\/div>\n<\/div><\/div>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"940\" height=\"528\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Peter-Schreier.jpg\" alt=\"\" class=\"wp-image-2992\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Peter-Schreier.jpg 940w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Peter-Schreier-300x169.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Peter-Schreier-768x431.jpg 768w\" sizes=\"auto, (max-width: 940px) 100vw, 940px\" \/><figcaption>Peter Schreier<\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"height:38px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>We set our sights on the New Year, at the same time giving a backward glance, in mostly reverse chronological order, to those singers and other musicians, whose contributions have immeasurably enhanced our lives. I&#8217;ve prepared a whopper of an episode that traverses many genres and styles, but&nbsp;which, as always, remains faithful to the mission of the podcast: to bring you the most interesting and communicative singers. From Jo\u00e3o Gilberto to Marcello Giordani, from Sanford Sylvan to Rolando Panerai, from Heather Harper to Ann Crumb: they&#8217;re all here, with a few surprises sprinkled along the way. Three last-minute entries to the Hail and Farewell sequence are Peter Schreier, Allee Willis, and Jerry Herman, all of whom died in the last week.<\/p>\n\n\n\n<div style=\"height:47px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p style=\"font-size:30px\" class=\"has-custom-size\"><strong> RECORDINGS HEARD IN THIS EPISODE<\/strong><\/p>\n\n\n\n<div style=\"height:40px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"410\" height=\"230\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Peter-Schreier-2-1.jpg\" alt=\"\" class=\"wp-image-3041\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Peter-Schreier-2-1.jpg 410w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Peter-Schreier-2-1-300x168.jpg 300w\" sizes=\"auto, (max-width: 410px) 100vw, 410px\" \/><figcaption>Peter Schreier<\/figcaption><\/figure><\/div>\n\n\n\n<p><strong><a rel=\"noreferrer noopener\" aria-label=\"Gioacchino Rossini: Sieh, schon die Morgenr\u00f6te (Der Barbier von Sevilla (opens in a new tab)\" href=\"https:\/\/www.youtube.com\/watch?v=X7rLe3j2SH4\" target=\"_blank\">Gioacchino Rossini: Sieh, schon die Morgenr\u00f6te (<em>Der Barbier von Sevilla<\/em>)<\/a><\/strong>. Peter Schreier, tenor (1935-2019);  Otmar Suitner conducting the Berliner Staatskapelle and the Solistenvereinigung des Berliner Rundfunks. From <em>Der Barbier von Sevilla: Opernquerschnitt<\/em>, Eterna Records 8 20 575 (1965). The cast includes Hermann Prey, Ruth-Margret P\u00fctz, Franz Crass, Fritz Oldendorff, and Annelies Burmeister. <\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"366\" height=\"416\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Baldwin-Ameling-2.jpg\" alt=\"\" class=\"wp-image-3042\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Baldwin-Ameling-2.jpg 366w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Baldwin-Ameling-2-264x300.jpg 264w\" sizes=\"auto, (max-width: 366px) 100vw, 366px\" \/><figcaption>Dalton Baldwin, Elly Ameling, and one of her whippets<\/figcaption><\/figure><\/div>\n\n\n\n<p><strong><a rel=\"noreferrer noopener\" aria-label=\"Reynaldo Hahn: La derni\u00e8re Valse (opens in a new tab)\" href=\"https:\/\/www.youtube.com\/watch?v=jQ-P4guCCBc\" target=\"_blank\">Reynaldo Hahn: La derni\u00e8re Valse<\/a><\/strong>. Dalton Baldwin, piano (1931-2019), accompanying Elly Ameling, soprano. From <em>Souvenirs<\/em>, Columbia Masterworks M 35119, 1979. The version I have linked to is a live version from 1980 posted on YouTube. The studio version of this recording is not currently available on YouTube. The first episode of the New Year will be of the entire <em>Souvenirs<\/em> album, which has never been reissued in any form in the past forty years and which was one of my favorite records growing up.<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Jackie-Moore-859x1024.jpg\" alt=\"\" class=\"wp-image-3043\" width=\"390\" height=\"464\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Jackie-Moore-859x1024.jpg 859w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Jackie-Moore-252x300.jpg 252w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Jackie-Moore-768x916.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Jackie-Moore-1288x1536.jpg 1288w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Jackie-Moore-1717x2048.jpg 1717w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Jackie-Moore-1600x1908.jpg 1600w\" sizes=\"auto, (max-width: 390px) 100vw, 390px\" \/><figcaption>Jackie Moore<\/figcaption><\/figure><\/div>\n\n\n\n<p><strong><a rel=\"noreferrer noopener\" aria-label=\"Dave Crawford, Brad Shapiro, Jackie Moore: It Ain't Who You Know (opens in a new tab)\" href=\"https:\/\/www.youtube.com\/watch?v=ZMzBMVfn_Cs\" target=\"_blank\">Dave Crawford, Brad Shapiro, Jackie Moore: It Ain&#8217;t Who You Know<\/a><\/strong>. Jackie Moore (1946-2019), Atlantic single 2902, recorded 1972.<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-gallery columns-2 is-cropped wp-block-gallery-1\"><ul class=\"blocks-gallery-grid\"><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"960\" height=\"960\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Francisco-Casanova.jpg\" alt=\"\" data-id=\"3044\" data-full-url=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Francisco-Casanova.jpg\" data-link=\"https:\/\/countermelodypodcast.com\/?attachment_id=3044\" class=\"wp-image-3044\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Francisco-Casanova.jpg 960w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Francisco-Casanova-300x300.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Francisco-Casanova-150x150.jpg 150w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Francisco-Casanova-768x768.jpg 768w\" sizes=\"auto, (max-width: 960px) 100vw, 960px\" \/><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"232\" height=\"300\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Friedemann-Layer.jpg\" alt=\"\" data-id=\"3045\" data-full-url=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Friedemann-Layer.jpg\" data-link=\"https:\/\/countermelodypodcast.com\/?attachment_id=3045\" class=\"wp-image-3045\"\/><\/figure><\/li><\/ul><figcaption class=\"blocks-gallery-caption is-layout-flex wp-block-gallery-is-layout-flex\">Francisco Casanova (L); Friedemann Layer (R)<\/figcaption><\/figure>\n\n\n\n<p><strong><a rel=\"noreferrer noopener\" aria-label=\"Amilcare Ponchielli: Silenzio e tenebre (Marion Delorme). (opens in a new tab)\" href=\"https:\/\/www.youtube.com\/watch?v=9TtDmO7j8T4\" target=\"_blank\">Amilcare Ponchielli: Silenzio e tenebre (<em>Marion Delorme<\/em>).<\/a><\/strong> Francisco Casanova, tenor (1957-2019); Friedemann Layer (1941-2019) conducting the Orchestre National de Montpellier. From a live 2001 performance, Accord Records  472 613-2.<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"800\" height=\"639\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Ann-Crumb.jpg\" alt=\"\" class=\"wp-image-3047\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Ann-Crumb.jpg 800w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Ann-Crumb-300x240.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Ann-Crumb-768x613.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><figcaption>Ann Crumb<\/figcaption><\/figure><\/div>\n\n\n\n<p><strong><a rel=\"noreferrer noopener\" aria-label=\"Traditional American, arr. George Crumb. All the Pretty Little Horses from Unto the Hills: American Songbook III) (opens in a new tab)\" href=\"https:\/\/www.youtube.com\/watch?v=w5xnq_wDXFE\" target=\"_blank\">Traditional American, arr. George Crumb. All the Pretty Little Horses from <em>Unto the Hills: American Songbook III<\/em>)<\/a><\/strong>. Ann Crumb (1950-2019); James Freeman conducting the Orchestra 2001. Bridge Records 9218A\/B.<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-gallery aligncenter columns-3 is-cropped wp-block-gallery-2\"><ul class=\"blocks-gallery-grid\"><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"800\" height=\"599\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Leppard.jpg\" alt=\"\" data-id=\"3048\" data-link=\"https:\/\/countermelodypodcast.com\/?attachment_id=3048\" class=\"wp-image-3048\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Leppard.jpg 800w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Leppard-300x225.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Leppard-768x575.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><figcaption class=\"blocks-gallery-item__caption is-layout-flex wp-block-gallery-is-layout-flex\">Raymond Leppard<\/figcaption><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"700\" height=\"1000\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Gerald-English-2.jpg\" alt=\"\" data-id=\"3049\" data-full-url=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Gerald-English-2.jpg\" data-link=\"https:\/\/countermelodypodcast.com\/?attachment_id=3049\" class=\"wp-image-3049\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Gerald-English-2.jpg 700w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Gerald-English-2-210x300.jpg 210w\" sizes=\"auto, (max-width: 700px) 100vw, 700px\" \/><figcaption class=\"blocks-gallery-item__caption\">Gerald English<\/figcaption><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"400\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Heather-Harper.jpg\" alt=\"\" data-id=\"3050\" data-full-url=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Heather-Harper.jpg\" data-link=\"https:\/\/countermelodypodcast.com\/?attachment_id=3050\" class=\"wp-image-3050\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Heather-Harper.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Heather-Harper-225x300.jpg 225w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><figcaption class=\"blocks-gallery-item__caption\">Heather Harper<\/figcaption><\/figure><\/li><\/ul><\/figure>\n\n\n\n<p>Francesco Cavalli: Mio core respira (<em>La virt\u00f9 degli strali d&#8217;amore<\/em>). Heather Harper, soprano (1930-2019); Gerald English, tenor (1925-2019); Raymond Leppard (1927-2019) conducting the Bath Festival Ensemble. <strong><a href=\"https:\/\/www.discogs.com\/Monteverdi-Cavalli-17th-Century-Venetian-Opera\/release\/3819503\" target=\"_blank\" rel=\"noreferrer noopener\" aria-label=\"From Seventeenth Century Venetian Opera: Music by Monteverdi and Cavalli, Angel Records S-36431 (1967) (opens in a new tab)\">From <em>Seventeenth Century Venetian Opera: Music by Monteverdi and Cavalli<\/em>, Angel Records S-36431 (1967)<\/a><\/strong>.<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Panerai.jpg\" alt=\"\" class=\"wp-image-3052\" width=\"358\" height=\"519\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Panerai.jpg 600w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Panerai-207x300.jpg 207w\" sizes=\"auto, (max-width: 358px) 100vw, 358px\" \/><figcaption>Rolando Panerai<\/figcaption><\/figure><\/div>\n\n\n\n<p><strong><a rel=\"noreferrer noopener\" aria-label=\" (opens in a new tab)\" href=\"https:\/\/www.youtube.com\/watch?v=5qjLf-Rdc_0\" target=\"_blank\">Ruggero Leoncavallo: E allor perche, d\u00ec (<em>Pagliacci<\/em>)<\/a><\/strong>. Rolando Panerai, baritone (1924-2019); Joan Carlyle, soprano; Herbert von Karajan conducting the Orchestra del Teatro alla Scala. Deutsche Grammophon  2709 020 (1966).<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"400\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Giordani.jpg\" alt=\"\" class=\"wp-image-3053\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Giordani.jpg 600w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Giordani-300x200.jpg 300w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><figcaption>Marcello Giordani<\/figcaption><\/figure><\/div>\n\n\n\n<p><strong><a rel=\"noreferrer noopener\" aria-label=\"Jules Massenet: \u00d4 souverain, \u00f4 juge, \u00f4 p\u00e8re (Le Cid).  (opens in a new tab)\" href=\"https:\/\/www.youtube.com\/watch?v=2mQCmSBRwAo\" target=\"_blank\">Jules Massenet: \u00d4 souverain, \u00f4 juge, \u00f4 p\u00e8re (<em>Le Cid<\/em>). <\/a><\/strong>Marcello Giordani, tenor (1965-2019); Julius Rudel conducting members of the Metropolitan Opera Orchestra and the New York Choral Society. Live performance, 2 November 1997.<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"550\" height=\"550\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Diahann.jpg\" alt=\"\" class=\"wp-image-3055\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Diahann.jpg 550w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Diahann-300x300.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Diahann-150x150.jpg 150w\" sizes=\"auto, (max-width: 550px) 100vw, 550px\" \/><figcaption>Diahann Carroll<\/figcaption><\/figure><\/div>\n\n\n\n<p><strong><a href=\"https:\/\/www.youtube.com\/watch?v=dr1aJZofJng\" target=\"_blank\" rel=\"noreferrer noopener\" aria-label=\"Jule Styne, Bob Merrill: The Music that Makes Me Dance (Funny Girl) (opens in a new tab)\">Jule Styne, Bob Merrill: The Music that Makes Me Dance (<em>Funny Girl<\/em>)<\/a><\/strong>. Diahann Carroll (1935-2019). Live television performance, ca. 1968.<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Jessye-Norman-in-Flag.jpg\" alt=\"\" class=\"wp-image-3056\" width=\"560\" height=\"392\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Jessye-Norman-in-Flag.jpg 530w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Jessye-Norman-in-Flag-300x210.jpg 300w\" sizes=\"auto, (max-width: 560px) 100vw, 560px\" \/><figcaption>July 1989, Paris, France &#8212; French choreographer Jean-Paul Goude (R), in charge of the organistaion of the great parade for the 200th anniversary of the French Revolution, and Fashion designer Azzedine Alaia working on Jessye Norman&#8217;s costume before the show. &#8212; Image by \u00a9 Pierre Perrin\/Sygma\/Corbis<\/figcaption><\/figure><\/div>\n\n\n\n<p><strong><a href=\"https:\/\/www.youtube.com\/watch?v=RdRq7ynfkHs&amp;t=14s\" target=\"_blank\" rel=\"noreferrer noopener\" aria-label=\"Richard Strauss: Beim Schlafengehen (Vier letzte Lieder) (opens in a new tab)\">Richard Strauss: Beim Schlafengehen (<em>Vier letzte Lieder<\/em>)<\/a><\/strong>. Jessye Norman, soprano (1945-2019); Wolfgang Sawallisch conducting . Live performance, Geneva, 19 November 1979.<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Badura-Skoda-696x1024.jpg\" alt=\"\" class=\"wp-image-3058\" width=\"501\" height=\"736\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Badura-Skoda-696x1024.jpg 696w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Badura-Skoda-204x300.jpg 204w\" sizes=\"auto, (max-width: 501px) 100vw, 501px\" \/><figcaption>Paul Badura-Skoda<\/figcaption><\/figure><\/div>\n\n\n\n<p><strong><a rel=\"noreferrer noopener\" aria-label=\"Franz Schubert: Erlk\u00f6nig, D. 328. (opens in a new tab)\" href=\"https:\/\/www.youtube.com\/watch?v=5fwt8XJjcNQ\" target=\"_blank\">Franz Schubert: Erlk\u00f6nig, D. 328.<\/a><\/strong> Paul Badura-Skoda, pianist (1927-2019) accompanying Elisabeth S\u00f6derstr\u00f6m (1927-2009), soprano.  Astr\u00e9e&nbsp;\u200eRecords AS 87, 1984.<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-gallery aligncenter columns-2 is-cropped wp-block-gallery-3\"><ul class=\"blocks-gallery-grid\"><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"182\" height=\"262\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Andre-Previn.jpg\" alt=\"\" data-id=\"3060\" data-full-url=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Andre-Previn.jpg\" data-link=\"https:\/\/countermelodypodcast.com\/?attachment_id=3060\" class=\"wp-image-3060\"\/><figcaption class=\"blocks-gallery-item__caption is-layout-flex wp-block-gallery-is-layout-flex\"> Andr\u00e9&nbsp; Previn<\/figcaption><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"194\" height=\"260\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Toni-Morrison.jpg\" alt=\"\" data-id=\"3061\" data-full-url=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Toni-Morrison.jpg\" data-link=\"https:\/\/countermelodypodcast.com\/?attachment_id=3061\" class=\"wp-image-3061\"\/><figcaption class=\"blocks-gallery-item__caption\">Toni Morrison<\/figcaption><\/figure><\/li><\/ul><\/figure>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p><strong><a rel=\"noreferrer noopener\" aria-label=\"Andr\u00e9&nbsp;Previn, Toni Morrison: I am not seaworthy (Honey and Rue) (opens in a new tab)\" href=\"https:\/\/www.youtube.com\/watch?v=7DA6fFFvo8U\" target=\"_blank\">Andr\u00e9&nbsp;Previn, Toni Morrison: I am not seaworthy (<em>Honey and Rue<\/em>)<\/a><\/strong>.   Andr\u00e9&nbsp;Previn (1929-2019) conducting the Orchestra of St. Luke&#8217;s; , Toni Morrison (1931-2019), poetry; Kathleen Battle, soprano. Deutsche Grammophon Records,  437 7872 5 (1995).<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-gallery aligncenter columns-2 is-cropped wp-block-gallery-4\"><ul class=\"blocks-gallery-grid\"><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"928\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Rouleau.jpg\" alt=\"\" data-id=\"3065\" data-link=\"https:\/\/countermelodypodcast.com\/?attachment_id=3065\" class=\"wp-image-3065\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Rouleau.jpg 600w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Rouleau-194x300.jpg 194w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"531\" height=\"800\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Rouleau2.jpg\" alt=\"\" data-id=\"3066\" data-full-url=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Rouleau2.jpg\" data-link=\"https:\/\/countermelodypodcast.com\/?attachment_id=3066\" class=\"wp-image-3066 is-layout-flex wp-block-gallery-is-layout-flex\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Rouleau2.jpg 531w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Rouleau2-199x300.jpg 199w\" sizes=\"auto, (max-width: 531px) 100vw, 531px\" \/><\/figure><\/li><\/ul><\/figure>\n\n\n\n<p><strong><a rel=\"noreferrer noopener\" aria-label=\"Henri Sauguet, Max Jacob: Exhortation (Visions infernales) (opens in a new tab)\" href=\"https:\/\/www.youtube.com\/watch?v=L1FRtkQzOnE\" target=\"_blank\">Henri Sauguet, Max Jacob: Exhortation (<em>Visions infernales<\/em>)<\/a><\/strong>. Joseph Rouleau, bass (1929-2019); Claude Savard, piano. Recorded 1971.<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"648\" height=\"471\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Gilberto.jpeg\" alt=\"\" class=\"wp-image-3068\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Gilberto.jpeg 648w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Gilberto-300x218.jpeg 300w\" sizes=\"auto, (max-width: 648px) 100vw, 648px\" \/><figcaption> Jo\u00e3o Gilberto<\/figcaption><\/figure><\/div>\n\n\n\n<p> <strong><a rel=\"noreferrer noopener\" aria-label=\" (opens in a new tab)\" href=\"https:\/\/www.youtube.com\/watch?v=yUuJrpP0Mak\" target=\"_blank\">Antonio Carlos Jobim, Vinicius de Moraes: Chego de saudade<\/a><\/strong>. Jo\u00e3o Gilberto (1931-2019). From <em>Chego de saudade<\/em>, Odeon Records (Brazil) MOFB &#8211; 3073 (1959).<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"768\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Sid-Ramin.jpg\" alt=\"\" class=\"wp-image-3069\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Sid-Ramin.jpg 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Sid-Ramin-300x225.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Sid-Ramin-768x576.jpg 768w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption>Sid Ramin<\/figcaption><\/figure><\/div>\n\n\n\n<p><strong><a rel=\"noreferrer noopener\" aria-label=\"Sid Ramin (1919-2019): Music to Watch Girls By (opens in a new tab)\" href=\"https:\/\/www.youtube.com\/watch?v=cOK6YJmT5_w\" target=\"_blank\">Sid Ramin (1919-2019), Tony Velona: Music to Watch Girls By<\/a><\/strong>. Andy Williams. Columbia Records  4-44065 (1967 single).<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"563\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Redbone.jpg\" alt=\"\" class=\"wp-image-3070\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Redbone.jpg 1000w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Redbone-300x169.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Redbone-768x432.jpg 768w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><figcaption>Leon Redbone<\/figcaption><\/figure><\/div>\n\n\n\n<p> <strong><a rel=\"noreferrer noopener\" aria-label=\"am H. Stept, Sidney Clare: Please Don't Talk About Me When I'm Gone (opens in a new tab)\" href=\"https:\/\/www.youtube.com\/watch?v=GNXFyrQ6smU\" target=\"_blank\">Sam H. Stept, Sidney Clare: Please Don&#8217;t Talk About Me When I&#8217;m Gone<\/a><\/strong>. Leon Redbone (1949-2019). From <em>Champagne Charlie<\/em>, Warner Bros. Records BSK 3165 (1978).<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-gallery aligncenter columns-2 is-cropped wp-block-gallery-5\"><ul class=\"blocks-gallery-grid\"><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"599\" height=\"614\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Boulez-Berg.jpg\" alt=\"\" data-id=\"3072\" class=\"wp-image-3072\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Boulez-Berg.jpg 599w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Boulez-Berg-293x300.jpg 293w\" sizes=\"auto, (max-width: 599px) 100vw, 599px\" \/><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"650\" height=\"864\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Heather-Harper2.jpg\" alt=\"\" data-id=\"3117\" data-full-url=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Heather-Harper2.jpg\" data-link=\"https:\/\/countermelodypodcast.com\/?attachment_id=3117\" class=\"wp-image-3117\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Heather-Harper2.jpg 650w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Heather-Harper2-226x300.jpg 226w\" sizes=\"auto, (max-width: 650px) 100vw, 650px\" \/><figcaption class=\"blocks-gallery-item__caption is-layout-flex wp-block-gallery-is-layout-flex\">The glorious Heather Harper<\/figcaption><\/figure><\/li><\/ul><\/figure>\n\n\n\n<p><strong><a rel=\"noreferrer noopener\" aria-label=\"an Berg: Die Nachtigall (Sieben fr\u00fche&nbsp;Lieder) (opens in a new tab)\" href=\"https:\/\/www.youtube.com\/watch?v=GRcm0GczOXI\" target=\"_blank\">Alban Berg: Die Nachtigall (<em>Sieben fr\u00fche&nbsp;Lieder<\/em>)<\/a><\/strong>. Heather Harper, soprano (1930-2019); Pierre Boulez (1925-2016) conducting the London Symphony Orchestra. From <em>Boulez Conducts Berg<\/em>, Columbia Masterworks Records  M 32162 (1973).<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-gallery columns-2 is-cropped wp-block-gallery-6\"><ul class=\"blocks-gallery-grid\"><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"248\" height=\"357\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Demus-2.jpg\" alt=\"\" data-id=\"3073\" data-full-url=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Demus-2.jpg\" data-link=\"https:\/\/countermelodypodcast.com\/?attachment_id=3073\" class=\"wp-image-3073\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Demus-2.jpg 248w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Demus-2-208x300.jpg 208w\" sizes=\"auto, (max-width: 248px) 100vw, 248px\" \/><figcaption class=\"blocks-gallery-item__caption is-layout-flex wp-block-gallery-is-layout-flex\"> J\u00f6rg  Demus<\/figcaption><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"380\" height=\"677\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Theo-Adam-2.jpg\" alt=\"\" data-id=\"3074\" data-full-url=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Theo-Adam-2.jpg\" data-link=\"https:\/\/countermelodypodcast.com\/?attachment_id=3074\" class=\"wp-image-3074\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Theo-Adam-2.jpg 380w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Theo-Adam-2-168x300.jpg 168w\" sizes=\"auto, (max-width: 380px) 100vw, 380px\" \/><figcaption class=\"blocks-gallery-item__caption\">Theo Adam<\/figcaption><\/figure><\/li><\/ul><\/figure>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p><strong><a rel=\"noreferrer noopener\" aria-label=\"Hugo Wolf. Eduard M\u00f6rike: Fu\u00dfreise (opens in a new tab)\" href=\"https:\/\/www.youtube.com\/watch?v=FeQXwIPhczQ\" target=\"_blank\">Hugo Wolf. Eduard M\u00f6rike: Fu\u00dfreise<\/a><\/strong>. Theo Adam, bass-baritone (1926-2019);  J\u00f6rg Demus, pianist (1928-2019). Eterna Records  8 27 396 (1980).<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"583\" height=\"437\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Margaret-Lewis.png\" alt=\"\" class=\"wp-image-3076\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Margaret-Lewis.png 583w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Margaret-Lewis-300x225.png 300w\" sizes=\"auto, (max-width: 583px) 100vw, 583px\" \/><figcaption>Margaret Lewis<\/figcaption><\/figure><\/div>\n\n\n\n<p><strong><a href=\"https:\/\/www.youtube.com\/watch?v=1R0Ip5wiOzE\">Margaret Lewis, Mira Smith: Reconsider Me.<\/a><\/strong> Margaret Lewis [AKA Maggie Warwick (1941-1929)].  Recorded ca. 1969, reissued on <a rel=\"noreferrer noopener\" aria-label=\"ACE Records CDCHD1557 as Reconsider Me: The RAM Singles &amp; More Southern Gems (opens in a new tab)\" href=\"https:\/\/acerecords.co.uk\/reconsider-me-the-ram-singles-more-southern-gems\" target=\"_blank\"><strong>ACE Records CDCHD1557 as <em>Reconsider Me: The RAM Singles &amp; More Southern Gems<\/em><\/strong><\/a><em>.<\/em><\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-gallery columns-2 is-cropped wp-block-gallery-7\"><ul class=\"blocks-gallery-grid\"><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"422\" height=\"624\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Joshua-Hecht-1.jpg\" alt=\"\" data-id=\"3079\" data-full-url=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Joshua-Hecht-1.jpg\" data-link=\"https:\/\/countermelodypodcast.com\/?attachment_id=3079\" class=\"wp-image-3079\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Joshua-Hecht-1.jpg 422w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Joshua-Hecht-1-203x300.jpg 203w\" sizes=\"auto, (max-width: 422px) 100vw, 422px\" \/><figcaption class=\"blocks-gallery-item__caption is-layout-flex wp-block-gallery-is-layout-flex\">Joshua Hecht<\/figcaption><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"476\" height=\"545\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Brenda-Lewis.jpg\" alt=\"\" data-id=\"3078\" data-full-url=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Brenda-Lewis.jpg\" data-link=\"https:\/\/countermelodypodcast.com\/?attachment_id=3078\" class=\"wp-image-3078\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Brenda-Lewis.jpg 476w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Brenda-Lewis-262x300.jpg 262w\" sizes=\"auto, (max-width: 476px) 100vw, 476px\" \/><figcaption class=\"blocks-gallery-item__caption\">Brenda Lewis<\/figcaption><\/figure><\/li><\/ul><\/figure>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p><strong><a rel=\"noreferrer noopener\" aria-label=\"Marc Blitzstein: I'm sick of you, I'm sick of this house (Regina) (opens in a new tab)\" href=\"https:\/\/www.youtube.com\/watch?v=UuJZBs45QDM&amp;list=PLbErGl4lzUwNR9_leWNujio7MKRrybg81&amp;index=10&amp;t=0s\" target=\"_blank\">Marc Blitzstein: I&#8217;m sick of you, I&#8217;m sick of this house (<em>Regina<\/em>)<\/a><\/strong>. Joshua Hecht, bass-baritone (1928-2019); Brenda Lewis, soprano (1921-2017), Samuel Krachmalnick conducting the New York City Opera Orchestra. From the complete recording on Columbia Records O3S 202 (1958).<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"620\" height=\"372\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Scott-Walker.jpg\" alt=\"\" class=\"wp-image-3081\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Scott-Walker.jpg 620w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Scott-Walker-300x180.jpg 300w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/><figcaption>Scott Walker<\/figcaption><\/figure><\/div>\n\n\n\n<p><strong><a rel=\"noreferrer noopener\" aria-label=\"Scott Walker: The Old Man's Back Again (Dedicated to the Neo-Stalinist Regime). (opens in a new tab)\" href=\"https:\/\/youtu.be\/skh2fuwrmqU\" target=\"_blank\">Scott Walker: The Old Man&#8217;s Back Again (Dedicated to the Neo-Stalinist Regime).<\/a><\/strong> From <em>Scott 4<\/em>, Philip&#8217;s SBL 7913 (1969).<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Benoit.jpg\" alt=\"\" class=\"wp-image-3082\" width=\"471\" height=\"572\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Benoit.jpg 581w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Benoit-247x300.jpg 247w\" sizes=\"auto, (max-width: 471px) 100vw, 471px\" \/><figcaption> Jean-Christophe Beno\u00eet<\/figcaption><\/figure><\/div>\n\n\n\n<p>Maurice Ravel, St\u00e9phane Mallarm\u00e9: Sainte. Jean-Christophe Beno\u00eet, baritone (1925-2019), Aldo Ciccolini, pianist (1925-2015). From <em>Maurice Ravel <\/em> <em>M\u00e9lodies<\/em>,  HMV\/La voix de son ma\u00eetre  CVB 2175 (1969). Reissued on the mammoth <strong><a href=\"https:\/\/www.discogs.com\/Aldo-Ciccolini-Enregistrements-EMI-1950-1991\/release\/13366326\" target=\"_blank\" rel=\"noreferrer noopener\" aria-label=\"Aldo Ciccolini: Enregistrements EMI 1950-1991 box of 56 CDs (50999 685824 2 5, 2009) (opens in a new tab)\"><em>Aldo Ciccolini: Enregistrements EMI 1950-1991<\/em> box of 56 CDs (50999 685824 2 5, 2009)<\/a><\/strong>.<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Zadek.jpg\" alt=\"\" class=\"wp-image-3084\" width=\"336\" height=\"446\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Zadek.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Zadek-226x300.jpg 226w\" sizes=\"auto, (max-width: 336px) 100vw, 336px\" \/><figcaption>Hilde Zadek<\/figcaption><\/figure><\/div>\n\n\n\n<p> <strong><a rel=\"noreferrer noopener\" aria-label=\"Ludwig Van Beethoven: Komm, Hoffnung (Leonore).  (opens in a new tab)\" href=\"https:\/\/youtu.be\/4sQhdQ4Arqw\" target=\"_blank\">Ludwig Van Beethoven: Komm, Hoffnung (<em>Leonore<\/em>). <\/a><\/strong>Hilde Zadek, soprano (1917-2019), Ferdinand Leitner conducting the Wiener Symphoniker. Live recording, Bregenz Festival 14 July 1960. Cast includes Anton Dermota, Paul Sch\u00f6ffler, Otto von Rohr, Gerda Scheyrer and Alfred Poell.<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Wlaschiha-as-Pizarro.jpg\" alt=\"\" class=\"wp-image-3088\" width=\"400\" height=\"350\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Wlaschiha-as-Pizarro.jpg 320w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Wlaschiha-as-Pizarro-300x263.jpg 300w\" sizes=\"auto, (max-width: 400px) 100vw, 400px\" \/><figcaption>Ekkehard Wlaschiha as Don Pizarro in <em>Fidelio<\/em><\/figcaption><\/figure><\/div>\n\n\n\n<p><strong><a href=\"https:\/\/youtu.be\/IX4i3AbAxf0\" target=\"_blank\" rel=\"noreferrer noopener\" aria-label=\"Giueeppe Verdi: Credo (Otello) (opens in a new tab)\">Giueeppe Verdi: Credo (<em>Otello<\/em>)<\/a><\/strong>. Ekkehard Wlaschiha, bass-baritone (1938-2019); Wolfgang Rennert conducting the Orchester der Berliner Staatsoper. Live performance 25 December 1982. Cast includes Spas Wenkoff and Celestina Casapietra.<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-gallery aligncenter columns-2 is-cropped wp-block-gallery-8\"><ul class=\"blocks-gallery-grid\"><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"584\" height=\"440\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Argento.jpg\" alt=\"\" data-id=\"3090\" class=\"wp-image-3090\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Argento.jpg 584w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Argento-300x226.jpg 300w\" sizes=\"auto, (max-width: 584px) 100vw, 584px\" \/><figcaption class=\"blocks-gallery-item__caption is-layout-flex wp-block-gallery-is-layout-flex\">Dominick Argento<\/figcaption><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"641\" height=\"800\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Janet-Baker-1.jpg\" alt=\"\" data-id=\"3092\" data-full-url=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Janet-Baker-1.jpg\" data-link=\"https:\/\/countermelodypodcast.com\/?attachment_id=3092\" class=\"wp-image-3092\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Janet-Baker-1.jpg 641w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Janet-Baker-1-240x300.jpg 240w\" sizes=\"auto, (max-width: 641px) 100vw, 641px\" \/><figcaption class=\"blocks-gallery-item__caption\">Janet Baker: My goddess<\/figcaption><\/figure><\/li><\/ul><\/figure>\n\n\n\n<p><strong><a rel=\"noreferrer noopener\" aria-label=\"Dominick Argento, Virginia Woolf: Parents (The Diary of Virginia Woolf).  (opens in a new tab)\" href=\"https:\/\/youtu.be\/VmUgvQJXfbs\" target=\"_blank\">Dominick Argento, Virginia Woolf: Parents (<em>The Diary of Virginia Woolf<\/em>). <\/a><\/strong>Janet Baker, mezzo-soprano; Martin Isepp, pianist. World premiere performance, Minneapolis, 05 January 1975. Issued on d&#8217;Note Classics Records 1019.<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"550\" height=\"437\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Ethel-Ennis.jpg\" alt=\"\" class=\"wp-image-3094\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Ethel-Ennis.jpg 550w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Ethel-Ennis-300x238.jpg 300w\" sizes=\"auto, (max-width: 550px) 100vw, 550px\" \/><figcaption>Ethel Ennis<\/figcaption><\/figure><\/div>\n\n\n\n<p><strong><a rel=\"noreferrer noopener\" aria-label=\"Fred E. Alert, Edgar Leslie: The Moon Was Yellow.  (opens in a new tab)\" href=\"https:\/\/youtu.be\/F2uWNTDNfEU\" target=\"_blank\">Fred E. Alert, Edgar Leslie: The Moon Was Yellow. <\/a><\/strong>Ethel Ennis (1932-2019), Arranged and conducted by Sid Bass. From <em>This Is Ethel Ennis, <\/em>RCA Records LPM\/LSC-2786 (1964).<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"768\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Sylvan-1024x768.jpg\" alt=\"\" class=\"wp-image-3095\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Sylvan-1024x768.jpg 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Sylvan-300x225.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Sylvan-768x576.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Sylvan-1536x1152.jpg 1536w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Sylvan-1600x1200.jpg 1600w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Sylvan.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption>Sanford Sylvan<\/figcaption><\/figure>\n\n\n\n<p><strong><a href=\"https:\/\/youtu.be\/Du134kH3WK4\" target=\"_blank\" rel=\"noreferrer noopener\" aria-label=\"Samuel Barber: The Crucifixion (Hermit Songs)  (opens in a new tab)\">Samuel Barber: The Crucifixion (<em>Hermit Songs<\/em>) <\/a><\/strong>Sanford Sylvan, baritone (1953-2019); David Breitman, pianist. From <em>Beloved That Pilgrimage<\/em> [Chanler, Barber, Copland song cycles] Nonesuch Records 9 79259-2 (1991).<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/MLegrand.jpg\" alt=\"\" class=\"wp-image-3097\" width=\"480\" height=\"600\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/MLegrand.jpg 614w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/MLegrand-240x300.jpg 240w\" sizes=\"auto, (max-width: 480px) 100vw, 480px\" \/><figcaption>Michel Legrand and friend<\/figcaption><\/figure><\/div>\n\n\n\n<p><strong><a rel=\"noreferrer noopener\" aria-label=\"Michel Legrand (1932-2019), Marilyn and Alan Bergman: What Are You Doing the Rest of Your Lif (opens in a new tab)\" href=\"https:\/\/youtu.be\/QgXOsoub92M\" target=\"_blank\">Michel Legrand (1932-2019), Marilyn and Alan Bergman: What Are You Doing the Rest of Your Life?<\/a> <\/strong>Daniel Gundlach, countertenor; Sean Barker, pianist. Live recording, Berlin, 2 November 2014.<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"640\" height=\"359\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/CChanning.jpg\" alt=\"\" class=\"wp-image-3099\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/CChanning.jpg 640w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/CChanning-300x168.jpg 300w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><figcaption>Carol Channing<\/figcaption><\/figure>\n\n\n\n<p><strong><a href=\"https:\/\/youtu.be\/AELeGRQ82GI\" target=\"_blank\" rel=\"noreferrer noopener\" aria-label=\"Charles Gaynor: The Inside Story (opens in a new tab)\">Charles Gaynor: The Inside Story<\/a><\/strong>. Carol Channing (1921-2019). From <em>Show Girl<\/em> (Original Cast Recording). Roulette Records S\/R 80001 (1961).<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Clydie-King.jpg\" alt=\"\" class=\"wp-image-3101\" width=\"480\" height=\"320\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Clydie-King.jpg 450w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Clydie-King-300x200.jpg 300w\" sizes=\"auto, (max-width: 480px) 100vw, 480px\" \/><figcaption>Clydie King<\/figcaption><\/figure><\/div>\n\n\n\n<p><strong><a rel=\"noreferrer noopener\" aria-label=\"Bobbie Gentry: Ode to Billie Joe (opens in a new tab)\" href=\"https:\/\/youtu.be\/uuVIxSx5Fqk\" target=\"_blank\">Bobbie Gentry: Ode to Billie Joe<\/a><\/strong>. Clyde King (1943-2019). 1968 recording for Capitol Records, belatedly issued in 2007 on Stateside Records 5099950958122 as <strong><a href=\"https:\/\/www.discogs.com\/Clydie-King-The-Imperial-Minit-Years\/release\/2900578\" target=\"_blank\" rel=\"noreferrer noopener\" aria-label=\"Clydie King: The Imperial and Minit Years. (opens in a new tab)\">Clydie King: The Imperial and Minit Years.<\/a><\/strong><\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Captain-and-Tennille-963x1024.jpg\" alt=\"\" class=\"wp-image-3103\" width=\"508\" height=\"539\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Captain-and-Tennille-963x1024.jpg 963w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Captain-and-Tennille-282x300.jpg 282w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Captain-and-Tennille-768x816.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Captain-and-Tennille-1445x1536.jpg 1445w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Captain-and-Tennille-1927x2048.jpg 1927w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Captain-and-Tennille-1600x1701.jpg 1600w\" sizes=\"auto, (max-width: 508px) 100vw, 508px\" \/><figcaption>The Captain and Tennille<\/figcaption><\/figure><\/div>\n\n\n\n<p><strong><a rel=\"noreferrer noopener\" aria-label=\"Neal Sedaka, Howard Greenfield: Love Will Keep Us Together. (opens in a new tab)\" href=\"https:\/\/youtu.be\/5m3q7M5zFwM\" target=\"_blank\">Neal Sedaka, Howard Greenfield: Love Will Keep Us Together.<\/a><\/strong> The Captain [Daryl Dragon (1942-2019)] and [Toni] Tennille. From <em>Love Will Keep Us Together<\/em> (A&amp;M Records SP-4552, 1975).<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"800\" height=\"613\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Wilma-Lipp.jpg\" alt=\"\" class=\"wp-image-3104\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Wilma-Lipp.jpg 800w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Wilma-Lipp-300x230.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Wilma-Lipp-768x588.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><figcaption>Wilma Lipp<\/figcaption><\/figure><\/div>\n\n\n\n<p><strong><a rel=\"noreferrer noopener\" aria-label=\"Johann Strauss II: Fr\u00fchlingsstimmen (opens in a new tab)\" href=\"https:\/\/youtu.be\/CV_-kSz1pV4\" target=\"_blank\">Johann Strauss II: Fr\u00fchlingsstimmen<\/a><\/strong>. Wilma Lipp, soprano (1925-2019); Ferenc Fricsay conducting the Berliner Philharmoniker. (1952 Deutsche Grammophon recording issued as <em>Strauss Waltzes Volume 2<\/em>  on American Decca DL 4041<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-gallery columns-2 is-cropped wp-block-gallery-9\"><ul class=\"blocks-gallery-grid\"><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"640\" height=\"540\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Allee-Willis.jpg\" alt=\"\" data-id=\"3105\" data-full-url=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Allee-Willis.jpg\" data-link=\"https:\/\/countermelodypodcast.com\/?attachment_id=3105\" class=\"wp-image-3105\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Allee-Willis.jpg 640w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Allee-Willis-300x253.jpg 300w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><figcaption class=\"blocks-gallery-item__caption is-layout-flex wp-block-gallery-is-layout-flex\">Allee Willis<\/figcaption><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"460\" height=\"276\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Dusty-PSB.jpg\" alt=\"\" data-id=\"3106\" data-full-url=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Dusty-PSB.jpg\" data-link=\"https:\/\/countermelodypodcast.com\/?attachment_id=3106\" class=\"wp-image-3106\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Dusty-PSB.jpg 460w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Dusty-PSB-300x180.jpg 300w\" sizes=\"auto, (max-width: 460px) 100vw, 460px\" \/><figcaption class=\"blocks-gallery-item__caption\">Dusty and the Pet Shop Boys<\/figcaption><\/figure><\/li><\/ul><\/figure>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p><strong><a href=\"https:\/\/youtu.be\/Wn9E5i7l-Eg\">Allee Willis (1947-2019), Neil Tennant, Chris Lowe: What Have I Done To Deserve This?<\/a><\/strong> Pet Shop Boys, Dusty Springfield. Parlophone Records R6163, 1987.<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-gallery columns-3 is-cropped wp-block-gallery-10\"><ul class=\"blocks-gallery-grid\"><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"636\" height=\"421\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Herman.jpg\" alt=\"\" data-id=\"3108\" data-full-url=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Herman.jpg\" data-link=\"https:\/\/countermelodypodcast.com\/?attachment_id=3108\" class=\"wp-image-3108\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Herman.jpg 636w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Herman-300x199.jpg 300w\" sizes=\"auto, (max-width: 636px) 100vw, 636px\" \/><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"410\" height=\"513\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Herman2.jpg\" alt=\"\" data-id=\"3109\" data-full-url=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Herman2.jpg\" data-link=\"https:\/\/countermelodypodcast.com\/?attachment_id=3109\" class=\"wp-image-3109\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Herman2.jpg 410w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Herman2-240x300.jpg 240w\" sizes=\"auto, (max-width: 410px) 100vw, 410px\" \/><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"286\" height=\"176\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Jerry-Herman-2.jpg\" alt=\"\" data-id=\"3112\" data-full-url=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Jerry-Herman-2.jpg\" data-link=\"https:\/\/countermelodypodcast.com\/?attachment_id=3112\" class=\"wp-image-3112\"\/><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"197\" height=\"256\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Jerry-Herman.jpg\" alt=\"\" data-id=\"3113\" data-full-url=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Jerry-Herman.jpg\" data-link=\"https:\/\/countermelodypodcast.com\/?attachment_id=3113\" class=\"wp-image-3113\"\/><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"500\" height=\"500\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Jerry-Herman2.jpg\" alt=\"\" data-id=\"3114\" data-full-url=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Jerry-Herman2.jpg\" data-link=\"https:\/\/countermelodypodcast.com\/?attachment_id=3114\" class=\"wp-image-3114\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Jerry-Herman2.jpg 500w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Jerry-Herman2-300x300.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Jerry-Herman2-150x150.jpg 150w\" sizes=\"auto, (max-width: 500px) 100vw, 500px\" \/><figcaption class=\"blocks-gallery-item__caption is-layout-flex wp-block-gallery-is-layout-flex\">Jerry Herman. Photo by Jack Robinson<\/figcaption><\/figure><\/li><\/ul><\/figure>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Jerry Herman (1931-2019): Before the Parade Passes By (<em>Hello, Dolly!<\/em>). Victoria Clark. From <em>Fifteen Seconds of Grace<\/em>, PS Classics, PS 755 (2007)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Episode 15. Hail and Farewell: 2019 Departures SOCIAL SHARE SUBSCRIPTION PLATFORM We set our sights on the New Year, at&hellip;<\/p>\n","protected":false},"author":1,"featured_media":3400,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"advgb_blocks_editor_width":"","advgb_blocks_columns_visual_guide":"","footnotes":""},"categories":[1075,1076,5823,1072,808],"tags":[730,763,197,709,723,689,762,699,752,753,719,768,755,531,36,757,747,695,717,737,764,743,653,736,294,702,740,692,687,101,742,686,739,697,690,693,694,714,746,733,710,648,713,685,304,729,760,335,705,718,749,725,712,433,363,450,735,707,734,328,706,726,688,738,545,715,750,722,767,756,704,701,766,49,691,720,329,703,731,745,744,727,754,721,732,758,741,696,724,708,759,761,700,716,751,765,748,698],"class_list":["post-2976","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-art-song","category-crossover","category-forgotten-divas","category-in-memoriam","category-needle-drop","tag-aldo-ciccolini","tag-allee-willis","tag-amilcare-ponchielli","tag-andre-previn","tag-andy-williams","tag-ann-crumb","tag-before-the-parade-passes-by","tag-beim-schlafengehen","tag-carol-channing","tag-cecilia-sisson","tag-chego-de-saudade","tag-chris-lowe","tag-clydie-king","tag-dalton-baldwin","tag-daniel-gundlach","tag-daryl-dragon","tag-david-breitman","tag-diahann-carroll","tag-doda-conrad","tag-dominick-argento","tag-dusty-springfield","tag-edgar-leslie","tag-eduard-morike","tag-ekkehard-wlaschiha","tag-elisabeth-soderstrom","tag-erlkonig","tag-ethel-ennis","tag-francesco-cavalli","tag-francisco-casanova","tag-franz-schubert","tag-fred-e-ahlert","tag-friedemann-layer","tag-from-the-diary-of-virginia-woolf","tag-funny-girl","tag-george-crumb","tag-gerald-english","tag-heather-harper","tag-henri-sauguet","tag-hermit-songs","tag-hilde-zadek","tag-honey-and-rue","tag-hugo-wolf","tag-i-am-not-seaworthy","tag-jackie-moore","tag-janet-baker","tag-jean-christophe-benoit","tag-jerry-herman","tag-jessye-norman","tag-joan-carlyle","tag-joao-gilberto","tag-johann-strauss-ii","tag-jorg-demus","tag-joseph-rouleau","tag-jules-massenet","tag-julius-rudel","tag-kathleen-battle","tag-komm-hoffnung","tag-le-cid","tag-leonore","tag-ludwig-van-beethoven","tag-marcello-giordani","tag-margaret-lewis","tag-marion-delorme","tag-martin-isepp","tag-maurice-ravel","tag-max-jacob","tag-michel-legrand","tag-music-to-watch-girls-by","tag-neil-tennant","tag-ode-to-billie-joe","tag-pagliacci","tag-paul-badura-skoda","tag-pet-shot-boys","tag-peter-schreier","tag-raymond-leppard","tag-reconsider-me","tag-richard-strauss","tag-rolando-panerai","tag-sainte","tag-samuel-barber","tag-sanford-sylvan","tag-scott-baker","tag-show-girl-revue","tag-sid-ramin","tag-stephane-mallarme","tag-the-captain-and-tennille","tag-the-moon-was-yellow","tag-the-music-that-makes-me-dance","tag-theo-adam","tag-toni-morrison","tag-toni-tennille","tag-victoria-clark","tag-vier-letzte-lieder","tag-visions-infernales","tag-what-are-you-doing-the-rest-of-your-life","tag-what-have-i-done-to-deserve-this","tag-wilma-lipp","tag-wolfgang-sawallisch"],"author_meta":{"display_name":"admin","author_link":"https:\/\/countermelodypodcast.com\/index.php\/author\/admin\/"},"featured_img":"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Screenshot-322-300x149.png","coauthors":[],"tax_additional":{"categories":{"linked":["<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/art-song\/\" class=\"advgb-post-tax-term\">Art Song<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/crossover\/\" class=\"advgb-post-tax-term\">Crossover<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/forgotten-divas\/\" class=\"advgb-post-tax-term\">Forgotten Divas<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/in-memoriam\/\" class=\"advgb-post-tax-term\">In Memoriam<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Needle Drop<\/a>"],"unlinked":["<span class=\"advgb-post-tax-term\">Art Song<\/span>","<span class=\"advgb-post-tax-term\">Crossover<\/span>","<span class=\"advgb-post-tax-term\">Forgotten Divas<\/span>","<span class=\"advgb-post-tax-term\">In Memoriam<\/span>","<span class=\"advgb-post-tax-term\">Needle Drop<\/span>"]},"tags":{"linked":["<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Aldo Ciccolini<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Allee Willis<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Amilcare Ponchielli<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Andre Previn<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Andy Williams<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Ann Crumb<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Before the Parade Passes By<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Beim Schlafengehen<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Carol Channing<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Cecilia Sisson<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Chego de saudade<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Chris Lowe<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Clydie King<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Dalton Baldwin<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Daniel Gundlach<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Daryl Dragon<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">David Breitman<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Diahann Carroll<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Doda Conrad<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Dominick Argento<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Dusty Springfield<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Edgar Leslie<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Eduard M\u00f6rike<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Ekkehard Wlaschiha<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Elisabeth Soderstrom<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Erlk\u00f6nig<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Ethel Ennis<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Francesco Cavalli<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Francisco Casanova<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Franz Schubert<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Fred E. Ahlert<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Friedemann Layer<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">From the Diary of Virginia Woolf<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Funny Girl<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">George Crumb<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Gerald English<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Heather Harper<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Henri Sauguet<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Hermit Songs<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Hilde Zadek<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Honey and Rue<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Hugo Wolf<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">I am not seaworthy<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Jackie Moore<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Janet Baker<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Jean-Christophe Beno\u00eet<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Jerry Herman<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Jessye Norman<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Joan Carlyle<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Jo\u00e3o Gilberto<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Johann Strauss II<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">J\u00f6rg Demus<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Joseph Rouleau<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Jules Massenet<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Julius Rudel<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Kathleen Battle<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Komm Hoffnung<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Le Cid<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Leonore<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Ludwig van Beethoven<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Marcello Giordani<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Margaret Lewis<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Marion Delorme<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Martin Isepp<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Maurice Ravel<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Max Jacob<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Michel Legrand<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Music to Watch Girls By<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Neil Tennant<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Ode to Billie Joe<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Pagliacci<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Paul Badura-Skoda<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Pet Shot Boys<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Peter Schreier<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Raymond Leppard<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Reconsider Me<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Richard Strauss<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Rolando Panerai<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Sainte<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Samuel Barber<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Sanford Sylvan<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Scott Baker<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Show Girl (revue)<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Sid Ramin<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">St\u00e9phane Mallarm\u00e9<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">The Captain and Tennille<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">The Moon Was Yellow<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">The Music that Makes Me Dance<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Theo Adam<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Toni Morrison<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Toni Tennille<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Victoria Clark<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Vier letzte Lieder<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Visions infernales<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">What Are You Doing the Rest of Your Life?<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">What Have I Done To Deserve This?<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Wilma Lipp<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Wolfgang Sawallisch<\/a>"],"unlinked":["<span class=\"advgb-post-tax-term\">Aldo Ciccolini<\/span>","<span class=\"advgb-post-tax-term\">Allee Willis<\/span>","<span class=\"advgb-post-tax-term\">Amilcare Ponchielli<\/span>","<span class=\"advgb-post-tax-term\">Andre Previn<\/span>","<span class=\"advgb-post-tax-term\">Andy Williams<\/span>","<span class=\"advgb-post-tax-term\">Ann Crumb<\/span>","<span class=\"advgb-post-tax-term\">Before the Parade Passes By<\/span>","<span class=\"advgb-post-tax-term\">Beim Schlafengehen<\/span>","<span class=\"advgb-post-tax-term\">Carol Channing<\/span>","<span class=\"advgb-post-tax-term\">Cecilia Sisson<\/span>","<span class=\"advgb-post-tax-term\">Chego de saudade<\/span>","<span class=\"advgb-post-tax-term\">Chris Lowe<\/span>","<span class=\"advgb-post-tax-term\">Clydie King<\/span>","<span class=\"advgb-post-tax-term\">Dalton Baldwin<\/span>","<span class=\"advgb-post-tax-term\">Daniel Gundlach<\/span>","<span class=\"advgb-post-tax-term\">Daryl Dragon<\/span>","<span class=\"advgb-post-tax-term\">David Breitman<\/span>","<span class=\"advgb-post-tax-term\">Diahann Carroll<\/span>","<span class=\"advgb-post-tax-term\">Doda Conrad<\/span>","<span class=\"advgb-post-tax-term\">Dominick Argento<\/span>","<span class=\"advgb-post-tax-term\">Dusty Springfield<\/span>","<span class=\"advgb-post-tax-term\">Edgar Leslie<\/span>","<span class=\"advgb-post-tax-term\">Eduard M\u00f6rike<\/span>","<span class=\"advgb-post-tax-term\">Ekkehard Wlaschiha<\/span>","<span class=\"advgb-post-tax-term\">Elisabeth Soderstrom<\/span>","<span class=\"advgb-post-tax-term\">Erlk\u00f6nig<\/span>","<span class=\"advgb-post-tax-term\">Ethel Ennis<\/span>","<span class=\"advgb-post-tax-term\">Francesco Cavalli<\/span>","<span class=\"advgb-post-tax-term\">Francisco Casanova<\/span>","<span class=\"advgb-post-tax-term\">Franz Schubert<\/span>","<span class=\"advgb-post-tax-term\">Fred E. Ahlert<\/span>","<span class=\"advgb-post-tax-term\">Friedemann Layer<\/span>","<span class=\"advgb-post-tax-term\">From the Diary of Virginia Woolf<\/span>","<span class=\"advgb-post-tax-term\">Funny Girl<\/span>","<span class=\"advgb-post-tax-term\">George Crumb<\/span>","<span class=\"advgb-post-tax-term\">Gerald English<\/span>","<span class=\"advgb-post-tax-term\">Heather Harper<\/span>","<span class=\"advgb-post-tax-term\">Henri Sauguet<\/span>","<span class=\"advgb-post-tax-term\">Hermit Songs<\/span>","<span class=\"advgb-post-tax-term\">Hilde Zadek<\/span>","<span class=\"advgb-post-tax-term\">Honey and Rue<\/span>","<span class=\"advgb-post-tax-term\">Hugo Wolf<\/span>","<span class=\"advgb-post-tax-term\">I am not seaworthy<\/span>","<span class=\"advgb-post-tax-term\">Jackie Moore<\/span>","<span class=\"advgb-post-tax-term\">Janet Baker<\/span>","<span class=\"advgb-post-tax-term\">Jean-Christophe Beno\u00eet<\/span>","<span class=\"advgb-post-tax-term\">Jerry Herman<\/span>","<span class=\"advgb-post-tax-term\">Jessye Norman<\/span>","<span class=\"advgb-post-tax-term\">Joan Carlyle<\/span>","<span class=\"advgb-post-tax-term\">Jo\u00e3o Gilberto<\/span>","<span class=\"advgb-post-tax-term\">Johann Strauss II<\/span>","<span class=\"advgb-post-tax-term\">J\u00f6rg Demus<\/span>","<span class=\"advgb-post-tax-term\">Joseph Rouleau<\/span>","<span class=\"advgb-post-tax-term\">Jules Massenet<\/span>","<span class=\"advgb-post-tax-term\">Julius Rudel<\/span>","<span class=\"advgb-post-tax-term\">Kathleen Battle<\/span>","<span class=\"advgb-post-tax-term\">Komm Hoffnung<\/span>","<span class=\"advgb-post-tax-term\">Le Cid<\/span>","<span class=\"advgb-post-tax-term\">Leonore<\/span>","<span class=\"advgb-post-tax-term\">Ludwig van Beethoven<\/span>","<span class=\"advgb-post-tax-term\">Marcello Giordani<\/span>","<span class=\"advgb-post-tax-term\">Margaret Lewis<\/span>","<span class=\"advgb-post-tax-term\">Marion Delorme<\/span>","<span class=\"advgb-post-tax-term\">Martin Isepp<\/span>","<span class=\"advgb-post-tax-term\">Maurice Ravel<\/span>","<span class=\"advgb-post-tax-term\">Max Jacob<\/span>","<span class=\"advgb-post-tax-term\">Michel Legrand<\/span>","<span class=\"advgb-post-tax-term\">Music to Watch Girls By<\/span>","<span class=\"advgb-post-tax-term\">Neil Tennant<\/span>","<span class=\"advgb-post-tax-term\">Ode to Billie Joe<\/span>","<span class=\"advgb-post-tax-term\">Pagliacci<\/span>","<span class=\"advgb-post-tax-term\">Paul Badura-Skoda<\/span>","<span class=\"advgb-post-tax-term\">Pet Shot Boys<\/span>","<span class=\"advgb-post-tax-term\">Peter Schreier<\/span>","<span class=\"advgb-post-tax-term\">Raymond Leppard<\/span>","<span class=\"advgb-post-tax-term\">Reconsider Me<\/span>","<span class=\"advgb-post-tax-term\">Richard Strauss<\/span>","<span class=\"advgb-post-tax-term\">Rolando Panerai<\/span>","<span class=\"advgb-post-tax-term\">Sainte<\/span>","<span class=\"advgb-post-tax-term\">Samuel Barber<\/span>","<span class=\"advgb-post-tax-term\">Sanford Sylvan<\/span>","<span class=\"advgb-post-tax-term\">Scott Baker<\/span>","<span class=\"advgb-post-tax-term\">Show Girl (revue)<\/span>","<span class=\"advgb-post-tax-term\">Sid Ramin<\/span>","<span class=\"advgb-post-tax-term\">St\u00e9phane Mallarm\u00e9<\/span>","<span class=\"advgb-post-tax-term\">The Captain and Tennille<\/span>","<span class=\"advgb-post-tax-term\">The Moon Was Yellow<\/span>","<span class=\"advgb-post-tax-term\">The Music that Makes Me Dance<\/span>","<span class=\"advgb-post-tax-term\">Theo Adam<\/span>","<span class=\"advgb-post-tax-term\">Toni Morrison<\/span>","<span class=\"advgb-post-tax-term\">Toni Tennille<\/span>","<span class=\"advgb-post-tax-term\">Victoria Clark<\/span>","<span class=\"advgb-post-tax-term\">Vier letzte Lieder<\/span>","<span class=\"advgb-post-tax-term\">Visions infernales<\/span>","<span class=\"advgb-post-tax-term\">What Are You Doing the Rest of Your Life?<\/span>","<span class=\"advgb-post-tax-term\">What Have I Done To Deserve This?<\/span>","<span class=\"advgb-post-tax-term\">Wilma Lipp<\/span>","<span class=\"advgb-post-tax-term\">Wolfgang Sawallisch<\/span>"]}},"comment_count":"0","relative_dates":{"created":"Posted 6 years ago","modified":"Updated 2 years ago"},"absolute_dates":{"created":"Posted on 30\/12\/2019","modified":"Updated on 16\/02\/2024"},"absolute_dates_time":{"created":"Posted on 30\/12\/2019 15:19","modified":"Updated on 16\/02\/2024 10:56"},"featured_img_caption":"","series_order":"","_links":{"self":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/2976","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/comments?post=2976"}],"version-history":[{"count":82,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/2976\/revisions"}],"predecessor-version":[{"id":3399,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/2976\/revisions\/3399"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/media\/3400"}],"wp:attachment":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/media?parent=2976"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/categories?post=2976"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/tags?post=2976"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}