{"id":22418,"date":"2026-11-13T22:33:44","date_gmt":"2026-11-13T21:33:44","guid":{"rendered":"https:\/\/countermelodypodcast.com\/?p=22418"},"modified":"2026-11-13T22:53:00","modified_gmt":"2026-11-13T21:53:00","slug":"episode-499-sweet-dreams","status":"publish","type":"post","link":"https:\/\/countermelodypodcast.com\/index.php\/2026\/11\/13\/episode-499-sweet-dreams\/","title":{"rendered":"Episode 499. Sweet Dreams"},"content":{"rendered":"<div id=\"mega-menu-wrap-primary\" class=\"mega-menu-wrap\"><div class=\"mega-menu-toggle\"><div class=\"mega-toggle-blocks-left\"><\/div><div class=\"mega-toggle-blocks-center\"><\/div><div class=\"mega-toggle-blocks-right\"><div class='mega-toggle-block mega-menu-toggle-animated-block mega-toggle-block-1' id='mega-toggle-block-1'><button aria-controls=\"mega-menu-primary\" aria-expanded=\"false\" aria-haspopup=\"true\" aria-label=\"Menu\" class=\"mega-toggle-animated mega-toggle-animated-slider\" type=\"button\">\n                  <span class=\"mega-toggle-animated-box\">\n                    <span class=\"mega-toggle-animated-inner\"><\/span>\n                  <\/span>\n                <\/button><\/div><\/div><\/div><ul id=\"mega-menu-primary\" class=\"mega-menu max-mega-menu mega-menu-horizontal mega-no-js\" data-event=\"hover_intent\" data-effect=\"slide\" data-effect-speed=\"200\" data-effect-mobile=\"slide\" data-effect-speed-mobile=\"200\" data-mobile-force-width=\"body\" data-second-click=\"go\" data-document-click=\"collapse\" data-vertical-behaviour=\"standard\" data-breakpoint=\"600\" data-unbind=\"true\" data-mobile-state=\"collapse_all\" data-mobile-direction=\"vertical\"><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-menu-item-home mega-menu-item-19160\" id=\"mega-menu-item-19160\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/\">Home<\/a><\/li><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-menu-item-19161\" id=\"mega-menu-item-19161\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/index.php\/about-daniel\/\">About Daniel<\/a><\/li><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-current_page_parent mega-menu-item-19171\" id=\"mega-menu-item-19171\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/index.php\/all-episodes\/\">All Episodes<\/a><\/li><\/ul><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">Episode 499. Sweet Dreams<\/h2>\n\n\n<p><iframe loading=\"lazy\" width=\"340\" height=\"50\" src=\"https:\/\/countermelody.blubrry.net\/?powerpress_embed=2127-podcast&amp;powerpress_player=mediaelement-audio\" title=\"Blubrry Podcast Player\" frameborder=\"0\" scrolling=\"no\"><\/iframe><\/p>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<div class=\"wp-block-buttons is-horizontal is-content-justification-left is-layout-flex wp-container-core-buttons-is-layout-39697d9b wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link no-border-radius wp-element-button\" href=\"https:\/\/countermelody.blubrry.net\/\">SUBSCRIBE VIA YOUR FAVORITE PODCAST PLATFORM<\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"565\" height=\"543\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/11\/Celestial-Seasonings-Sleepytime-Bear.jpg\" alt=\"\" class=\"wp-image-22533\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/11\/Celestial-Seasonings-Sleepytime-Bear.jpg 565w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/11\/Celestial-Seasonings-Sleepytime-Bear-300x288.jpg 300w\" sizes=\"auto, (max-width: 565px) 100vw, 565px\" \/><\/figure>\n<\/div>\n\n\n<div style=\"height:38px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"wp-block-paragraph\">We\u2019re one step closer to Episode 500 of <em>Countermelody<\/em>, and this week, I am doing another preview for Season Eight of the podcast, which will begin in January. Though I did not plan this intentionally when creating my setlist, so much of the music that we are hearing today concerns itself with evening, with night, with the moon, and with dreams. We hear excerpts from operas and operettas like Franz Leh\u00e1r\u2019s <em>Eva<\/em>, Eugen d\u2019Albert\u2019s <em>Die toten Augen<\/em>, Tchaikovsky\u2019s <em>Pique-Dame<\/em>, Carl Orff\u2019s <em>Antigonae<\/em>, and Siegfried Wagner\u2019s <em>Schwarzschwanenreich<\/em> performed by Melitta Muszely, Martha M\u00f6dl, Manfred Jung, Wies\u0142aw Ochman, Sabine Hass, Yolanda Marcoulescou, and Stefka Evstatieva. We also hear concert music ranging from an Irish folk song sung by Bernadette Greevy; to <em>m\u00e9lodies<\/em> sung by Maggie Teyte and Colette Herzog; and songs by intrepid 20th century composers such as Henze, Szymanowski, Shostakovich, Messiaen, and Dallapiccola, performed by Frederick Fuller, Philip Langridge, Galina Pisarenko, and Stefania Woytowicz. Other singers heard on the episode are Fran\u00e7oise Pollet, Aafje Heynis, Erland Hageg\u00e5rd, Janine Micheau, and even your very own intrepid podcast host, in anticipation of next week\u2019s milestone episode, which will feature live archival recordings highlighting my life in music.<\/p>\n\n\n\n<div style=\"height:47px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-custom-size wp-block-paragraph\" style=\"font-size:30px\"><strong> RECORDINGS HEARD IN THIS EPISODE<\/strong><\/p>\n\n\n\n<div style=\"height:55px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"461\" height=\"644\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/11\/Marcoulescou.jpg\" alt=\"\" class=\"wp-image-22534\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/11\/Marcoulescou.jpg 461w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/11\/Marcoulescou-215x300.jpg 215w\" sizes=\"auto, (max-width: 461px) 100vw, 461px\" \/><\/figure>\n<\/div>\n\n\n<p class=\"wp-block-paragraph\">Franz Leh\u00e1r, Alfred Maria Willner, Robert Bodanzky: Numai o clip\u0103 de-ar tr\u0103i [In heimlichen D\u00e4mmer&#8230; W\u00e4r es denn nichts als ein Augenblick] (<em>Eva<\/em>) [sung in Romanian]. Yolanda Marcoulescou, Carol Litvin, Orchestra simfonic\u0103 a Radioteleviziunii [1958]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"567\" height=\"825\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Bernadette-Greevy.png\" alt=\"\" class=\"wp-image-15331\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Bernadette-Greevy.png 567w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Bernadette-Greevy-206x300.png 206w\" sizes=\"auto, (max-width: 567px) 100vw, 567px\" \/><\/figure>\n<\/div>\n\n\n<p class=\"wp-block-paragraph\">Traditional Irish, arranged Herbert Hughes, adapted James Bolger: She moved throu\u2019 the fair. Bernadette Greevy, Sextet from Radio Eireann Light Orchestra [1966]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"571\" height=\"872\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/11\/Micheau-Pearls.png\" alt=\"\" class=\"wp-image-22536\" style=\"width:496px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/11\/Micheau-Pearls.png 571w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/11\/Micheau-Pearls-196x300.png 196w\" sizes=\"auto, (max-width: 571px) 100vw, 571px\" \/><\/figure>\n<\/div>\n\n\n<p class=\"wp-block-paragraph\">Georges Auric, Jacques Larue [arranged Paul Bonneau]: Moulin des amours (<em>Moulin Rouge<\/em>). Janine Micheau, Paul Bonneau, Orchestre symphonique Raymond Saint-Paul [1958]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"540\" height=\"768\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/11\/Teyte.png\" alt=\"\" class=\"wp-image-22537\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/11\/Teyte.png 540w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/11\/Teyte-211x300.png 211w\" sizes=\"auto, (max-width: 540px) 100vw, 540px\" \/><\/figure>\n<\/div>\n\n\n<p class=\"wp-block-paragraph\">\u00c9mile Paladilhe, Pierre Corneille: Psych\u00e9. Maggie Teyte, Frederick Stone [BBC radio recording 02.VI.1950]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"776\" height=\"929\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/04\/Muszely-sideeye.png\" alt=\"\" class=\"wp-image-12170\" style=\"width:631px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/04\/Muszely-sideeye.png 776w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/04\/Muszely-sideeye-251x300.png 251w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/04\/Muszely-sideeye-768x919.png 768w\" sizes=\"auto, (max-width: 776px) 100vw, 776px\" \/><\/figure>\n<\/div>\n\n\n<p class=\"wp-block-paragraph\">Eugen d\u2019Albert, Hanns Heinz Ewers, Marc Henry [after Marc Henry]: Psyche wandelt durch S\u00e4ulenhallen (<em>Die toten Augen<\/em>). Melitta Muszely, orchestra conducted by Wilhelm Sch\u00fcchter [1959]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"650\" height=\"506\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/11\/Pollet.jpg\" alt=\"\" class=\"wp-image-22556\" style=\"aspect-ratio:1.284629294755877;width:637px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/11\/Pollet.jpg 650w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/11\/Pollet-300x234.jpg 300w\" sizes=\"auto, (max-width: 650px) 100vw, 650px\" \/><\/figure>\n<\/div>\n\n\n<p class=\"wp-block-paragraph\">Jules Massenet, Louis Gallet: \u00d4 bien aim\u00e9 (<em>Marie-Magdeleine<\/em>). Fran\u00e7oise Pollet, Jacques Mercier, Orchestre National de l\u2019\u00cele de France [1996]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"399\" height=\"501\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/11\/Modl-Antigonae.jpg\" alt=\"\" class=\"wp-image-22538\" style=\"width:531px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/11\/Modl-Antigonae.jpg 399w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/11\/Modl-Antigonae-239x300.jpg 239w\" sizes=\"auto, (max-width: 399px) 100vw, 399px\" \/><\/figure>\n<\/div>\n\n\n<p class=\"wp-block-paragraph\">Carl Orff, Friedrich H\u00f6lderlin [after Sophocles]: O Grab, o Brautbett (<em>Antigonae<\/em>). Martha M\u00f6dl, Wolfgang Sawallisch, Sinfonieorchester des Bayerischen Rundfunks M\u00fcnchen [1953]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"596\" height=\"934\" data-id=\"12253\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/04\/Ochman.png\" alt=\"\" class=\"wp-image-12253\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/04\/Ochman.png 596w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/04\/Ochman-191x300.png 191w\" sizes=\"auto, (max-width: 596px) 100vw, 596px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"616\" height=\"812\" data-id=\"20104\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/01\/Evstatieva.png\" alt=\"\" class=\"wp-image-20104\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/01\/Evstatieva.png 616w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/01\/Evstatieva-228x300.png 228w\" sizes=\"auto, (max-width: 616px) 100vw, 616px\" \/><\/figure>\n<\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Pyotr Il\u2019yich Tchaikovsky, Modest Tchaikovsky [after Alexander Pushkin]: \u041e \u0434\u0430, \u043c\u0438\u043d\u043e\u0432\u0430\u043b\u0438 \u0441\u0442\u0440\u0430\u0434\u0430\u043d\u044c\u044f [Oh, yes, the suffering is over] (<em>\u041f\u0438\u043a\u043e\u0432\u0430\u044f \u0434\u0430\u043c\u0430<\/em> [<em>Pique-Dame<\/em>]). Stefka Evstatieva, Wies\u0142aw Ochman, Emil Tchakarov, Sofia Festival Orchestra [1990]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-2 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"425\" height=\"598\" data-id=\"22550\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/11\/Sabine-Hass-in-Feuersnot.jpg\" alt=\"\" class=\"wp-image-22550\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/11\/Sabine-Hass-in-Feuersnot.jpg 425w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/11\/Sabine-Hass-in-Feuersnot-213x300.jpg 213w\" sizes=\"auto, (max-width: 425px) 100vw, 425px\" \/><figcaption class=\"wp-element-caption\">Hass<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"322\" height=\"448\" data-id=\"22549\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/11\/Manfred-Jung.jpg\" alt=\"\" class=\"wp-image-22549\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/11\/Manfred-Jung.jpg 322w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/11\/Manfred-Jung-216x300.jpg 216w\" sizes=\"auto, (max-width: 322px) 100vw, 322px\" \/><figcaption class=\"wp-element-caption\">Jung<\/figcaption><\/figure>\n<\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Siegfried Wagner: Weil\u2019 hier! Weile, Nacht (<em>Schwarzschwanenreich<\/em>). Sabine Hass, Manfred Jung, Heinz Wallberg, M\u00fcnchener Rundfunkorchester [live M\u00fcnchen 16.V.1980]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"364\" height=\"549\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/11\/Siegfried-Wagner.jpg\" alt=\"\" class=\"wp-image-22554\" style=\"width:448px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/11\/Siegfried-Wagner.jpg 364w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/11\/Siegfried-Wagner-199x300.jpg 199w\" sizes=\"auto, (max-width: 364px) 100vw, 364px\" \/><\/figure>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-gallery aligncenter has-nested-images columns-default is-cropped wp-block-gallery-3 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"531\" height=\"779\" data-id=\"20100\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/01\/Woytowicz.png\" alt=\"\" class=\"wp-image-20100\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/01\/Woytowicz.png 531w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/01\/Woytowicz-204x300.png 204w\" sizes=\"auto, (max-width: 531px) 100vw, 531px\" \/><figcaption class=\"wp-element-caption\">Woytowicz<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image\"><img loading=\"lazy\" decoding=\"async\" width=\"480\" height=\"501\" data-id=\"19480\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Szymanowski.jpg\" alt=\"\" class=\"wp-image-19480\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Szymanowski.jpg 480w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Szymanowski-287x300.jpg 287w\" sizes=\"auto, (max-width: 480px) 100vw, 480px\" \/><figcaption class=\"wp-element-caption\">Szymanowski<\/figcaption><\/figure>\n<\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Karol Szymanowski, Friedrich Bodenstedt [after Mirza Shafi Vazeh; Polish translation by Stanis\u0142aw Bar\u0105cz]: Zulejka, Op. 13\/4. Stefania Woytowicz, Witold Rowicki, Orkiestra Symfoniczna Filharmonii Narodowej w Warszawie [Warsaw Philharmonic Symphony Orchestra] [1960]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-4 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"939\" data-id=\"15257\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Henze-1024x939.jpg\" alt=\"\" class=\"wp-image-15257\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Henze-1024x939.jpg 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Henze-300x275.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Henze-768x704.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Henze.jpg 1168w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Henze<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"510\" height=\"638\" data-id=\"22539\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/11\/Langridge.png\" alt=\"\" class=\"wp-image-22539\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/11\/Langridge.png 510w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/11\/Langridge-240x300.png 240w\" sizes=\"auto, (max-width: 510px) 100vw, 510px\" \/><figcaption class=\"wp-element-caption\">Langridge<\/figcaption><\/figure>\n<\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Hans Werner Henze, Friedrich H\u00f6lderlin: Wenn einer in den Spiegel siehet (<em>Kammermusik<\/em>). Philip Langridge, Timothy Walker [1973]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-5 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"198\" height=\"258\" data-id=\"22541\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/11\/Dallapiccola.jpg\" alt=\"\" class=\"wp-image-22541\"\/><figcaption class=\"wp-element-caption\">Dallapiccola<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"392\" height=\"600\" data-id=\"22542\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/11\/Fuller.jpg\" alt=\"\" class=\"wp-image-22542\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/11\/Fuller.jpg 392w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/11\/Fuller-196x300.jpg 196w\" sizes=\"auto, (max-width: 392px) 100vw, 392px\" \/><figcaption class=\"wp-element-caption\">Fuller<\/figcaption><\/figure>\n<\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Luigi Dallapiccola, Alcman [Italian translation by Salvatore Quasimodo]: Dormono le cime dei monti (<em>Cinque canti<\/em>, No. 4). Frederick Fuller, instrumental ensemble conducted by Frederick Prausnitz [1960]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-6 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"306\" height=\"432\" data-id=\"22540\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/11\/Messiaen.jpg\" alt=\"\" class=\"wp-image-22540\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/11\/Messiaen.jpg 306w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/11\/Messiaen-213x300.jpg 213w\" sizes=\"auto, (max-width: 306px) 100vw, 306px\" \/><figcaption class=\"wp-element-caption\">Messiaen<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"527\" height=\"528\" data-id=\"19335\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/10\/Colette-Herzog.png\" alt=\"\" class=\"wp-image-19335\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/10\/Colette-Herzog.png 527w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/10\/Colette-Herzog-300x300.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/10\/Colette-Herzog-150x150.png 150w\" sizes=\"auto, (max-width: 527px) 100vw, 527px\" \/><figcaption class=\"wp-element-caption\">Herzog<\/figcaption><\/figure>\n<\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Olivier Messiaen: Bail avec Mi (pour ma femme) (<em>Chants de terre et de ciel<\/em>, No. 1). Colette Herzog, Jean Laforge [1971]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-7 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"399\" height=\"501\" data-id=\"22544\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/11\/Leonskaja.jpg\" alt=\"\" class=\"wp-image-22544\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/11\/Leonskaja.jpg 399w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/11\/Leonskaja-239x300.jpg 239w\" sizes=\"auto, (max-width: 399px) 100vw, 399px\" \/><figcaption class=\"wp-element-caption\">Leonskaja<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"245\" height=\"323\" data-id=\"22543\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/11\/Pisarenko.jpg\" alt=\"\" class=\"wp-image-22543\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/11\/Pisarenko.jpg 245w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/11\/Pisarenko-228x300.jpg 228w\" sizes=\"auto, (max-width: 245px) 100vw, 245px\" \/><figcaption class=\"wp-element-caption\">Pisarenko<\/figcaption><\/figure>\n<\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Dmitri Shostakovich, Alexander Blok: The city is asleep [\u0413\u043e\u0440\u043e\u0434 \u0421\u043f\u0438\u0442] (<em>Seven Romances on Poems of Alexander Blok<\/em>, Op. 127\/4). Galina Pisarenko, Dmitri Ferschtman, Elisabeth Leonskaja&nbsp; [1975]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-8 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"718\" height=\"1024\" data-id=\"15329\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Aafje-Heynis-718x1024.jpg\" alt=\"\" class=\"wp-image-15329\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Aafje-Heynis-718x1024.jpg 718w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Aafje-Heynis-210x300.jpg 210w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Aafje-Heynis.jpg 750w\" sizes=\"auto, (max-width: 718px) 100vw, 718px\" \/><figcaption class=\"wp-element-caption\">Heynis<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"250\" height=\"333\" data-id=\"22545\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/11\/Jan_Mul.jpg\" alt=\"\" class=\"wp-image-22545\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/11\/Jan_Mul.jpg 250w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/11\/Jan_Mul-225x300.jpg 225w\" sizes=\"auto, (max-width: 250px) 100vw, 250px\" \/><figcaption class=\"wp-element-caption\">Mul<\/figcaption><\/figure>\n<\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Jan Mul, Prosper Van Langendonck: O pure nacht (<em>Four Songs on Texts by Prosper Van Langendonck<\/em>). Aafje Heynis, Johan van den Boogert [1965]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"381\" height=\"609\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/04\/Haefliger-Glasses.png\" alt=\"\" class=\"wp-image-9737\" style=\"width:519px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/04\/Haefliger-Glasses.png 381w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2022\/04\/Haefliger-Glasses-188x300.png 188w\" sizes=\"auto, (max-width: 381px) 100vw, 381px\" \/><\/figure>\n<\/div>\n\n\n<p class=\"wp-block-paragraph\">Johann Sebastian Bach, Johann Christian Rube: Der Tag ist hin, die Sonne gehet nieder, BWV 447. Ernst Haefliger, Hedwig Bilgram, Johannes Fink, Reinhard T\u00fcting [1974]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"835\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/11\/Erland-835x1024.jpg\" alt=\"\" class=\"wp-image-22547\" style=\"width:593px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/11\/Erland-835x1024.jpg 835w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/11\/Erland-245x300.jpg 245w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/11\/Erland-768x942.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/11\/Erland-1252x1536.jpg 1252w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/11\/Erland.jpg 1325w\" sizes=\"auto, (max-width: 835px) 100vw, 835px\" \/><\/figure>\n<\/div>\n\n\n<p class=\"wp-block-paragraph\">Franz Schubert, Johann Mayrhofer: Schlummerlied, D 527. Erland Hageg\u00e5rd, Jan Eyron [1969]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"720\" height=\"540\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/11\/HB2DG.jpg\" alt=\"\" class=\"wp-image-22548\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/11\/HB2DG.jpg 720w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/11\/HB2DG-300x225.jpg 300w\" sizes=\"auto, (max-width: 720px) 100vw, 720px\" \/><\/figure>\n<\/div>\n\n\n<p class=\"wp-block-paragraph\">Charles Gounod, Alphonse de Lamartine: Le soir, CG 441. Daniel Gundlach, Scott Gilmore [live NYC 05.2002]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Episode 499. Sweet Dreams We\u2019re one step closer to Episode 500 of Countermelody, and this week, I am doing another&hellip;<\/p>\n","protected":false},"author":1,"featured_media":22552,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"advgb_blocks_editor_width":"","advgb_blocks_columns_visual_guide":"","footnotes":""},"categories":[1075,3207,1076,5823,3132,3273,1625,2399,6551,5137,7698,8033,6486,1263,808,2329,1470,4722,1],"tags":[2317,9699,5279,7829,9686,9680,2672,3193,9698,296,9697,4716,36,9684,9702,2955,9318,9688,1766,7207,578,6513,9679,1723,1448,101,9226,9227,6155,9692,8185,9701,952,9682,2720,9706,2227,6146,6360,7433,9681,4876,3286,1447,9704,9705,1229,298,9707,433,9695,3209,5662,2391,4084,9691,9683,9685,4296,5095,9693,9687,3248,3439,3255,8162,4794,9703,1913,9708,5280,9690,6460,9689,9633,9700,9590,6511,9694,8661,5647,9696,5121,6107,8765,698,3477],"class_list":["post-22418","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-art-song","category-behind-the-iron-curtain","category-crossover","category-forgotten-divas","category-franz-schubert","category-french-opera","category-gay-pride","category-great-baritones","category-great-contraltos","category-great-tenors","category-honor-your-mentors","category-johann-sebastian-bach","category-melodie","category-mezzo-madness","category-needle-drop","category-opera-in-translation","category-operetta","category-orchestral-songs","category-uncategorized","tag-aafje-heynis","tag-alexander-blok","tag-alfred-maria-willner","tag-alphonse-de-lamartine","tag-antigonae-orff","tag-bernadette-greevy","tag-carl-orff","tag-carol-litvin","tag-chants-de-terre-et-de-ciel","tag-charles-gounod","tag-cinque-canti-dallapiccola","tag-colette-herzog","tag-daniel-gundlach","tag-die-toten-augen","tag-dmitri-ferschtman","tag-dmitri-shostakovich","tag-elisabeth-leonskaja","tag-emil-tchakarov","tag-emile-paladilhe","tag-erland-hagegard","tag-ernst-haefliger","tag-eugen-dalbert","tag-eva-lehar","tag-francoise-pollet","tag-franz-lehar","tag-franz-schubert","tag-frederick-fuller","tag-frederick-prausnitz","tag-frederick-stone","tag-friedrich-bodenstedt","tag-friedrich-holderlin","tag-galina-pisarenko","tag-georges-auric","tag-hanns-heinz-ewers","tag-hans-werner-henze","tag-hedwig-bilgram","tag-heinz-wallberg","tag-herbert-hughes","tag-jacques-larue","tag-jacques-mercier","tag-james-bolger","tag-jan-eyron","tag-jan-mul","tag-jean-laforge","tag-johan-van-den-boogert","tag-johann-christian-rube","tag-johann-mayrhofer","tag-johann-sebastian-bach","tag-johannes-fink","tag-jules-massenet","tag-kammermusik","tag-karol-szymanowski","tag-louis-gallet","tag-luigi-dallapiccola","tag-maggie-teyte","tag-manfred-jung","tag-marc","tag-marie-magdeleine","tag-martha-modl","tag-melitta-muszely","tag-mirza-shafi-vazeh","tag-modest-tchaikovsky-after-alexander-pushkin","tag-olivier-messiaen","tag-paul-bonneau","tag-philip-langridge","tag-pierre-corneille","tag-pique-dame","tag-prosper-van-langendonck","tag-pyotr-ilyich-tchaikovsky-2","tag-reinhard-tuting","tag-robert-bodanzky","tag-sabine-hass","tag-salvatore-quasimodo","tag-schwarzschwanenreich","tag-scott-gilmore","tag-seven-romances-on-poems-of-alexander-blok","tag-siegfried-wagner","tag-sophocles","tag-stanislaw-baracz","tag-stefania-woytowicz","tag-stefka-evstatieva","tag-timothy-walker","tag-wieslaw-ochman","tag-wilhelm-schuchter","tag-witold-rowicki","tag-wolfgang-sawallisch","tag-yolanda-marcoulescou"],"author_meta":{"display_name":"admin","author_link":"https:\/\/countermelodypodcast.com\/index.php\/author\/admin\/"},"featured_img":"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/11\/Sleepyhead-300x157.jpg","coauthors":[],"tax_additional":{"categories":{"linked":["<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/art-song\/\" class=\"advgb-post-tax-term\">Art Song<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/behind-the-iron-curtain\/\" class=\"advgb-post-tax-term\">Behind the Iron Curtain<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/crossover\/\" class=\"advgb-post-tax-term\">Crossover<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/forgotten-divas\/\" class=\"advgb-post-tax-term\">Forgotten Divas<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/franz-schubert\/\" class=\"advgb-post-tax-term\">Franz Schubert<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/french-opera\/\" class=\"advgb-post-tax-term\">French Opera<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/gay-pride\/\" class=\"advgb-post-tax-term\">Gay Pride<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/great-baritones\/\" class=\"advgb-post-tax-term\">Great Baritones<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/great-contraltos\/\" class=\"advgb-post-tax-term\">Great Contraltos<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/great-tenors\/\" class=\"advgb-post-tax-term\">Great Tenors<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/honor-your-mentors\/\" class=\"advgb-post-tax-term\">Honor Your Mentors<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/johann-sebastian-bach\/\" class=\"advgb-post-tax-term\">Johann Sebastian Bach<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/melodie\/\" class=\"advgb-post-tax-term\">M\u00e9lodie<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/mezzo-madness\/\" class=\"advgb-post-tax-term\">Mezzo Madness<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Needle Drop<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/opera-in-translation\/\" class=\"advgb-post-tax-term\">Opera in Translation<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Operetta<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/orchestral-songs\/\" class=\"advgb-post-tax-term\">Orchestral Songs<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/uncategorized\/\" class=\"advgb-post-tax-term\">Uncategorized<\/a>"],"unlinked":["<span class=\"advgb-post-tax-term\">Art Song<\/span>","<span class=\"advgb-post-tax-term\">Behind the Iron Curtain<\/span>","<span class=\"advgb-post-tax-term\">Crossover<\/span>","<span class=\"advgb-post-tax-term\">Forgotten Divas<\/span>","<span class=\"advgb-post-tax-term\">Franz Schubert<\/span>","<span class=\"advgb-post-tax-term\">French Opera<\/span>","<span class=\"advgb-post-tax-term\">Gay Pride<\/span>","<span class=\"advgb-post-tax-term\">Great Baritones<\/span>","<span class=\"advgb-post-tax-term\">Great Contraltos<\/span>","<span class=\"advgb-post-tax-term\">Great Tenors<\/span>","<span class=\"advgb-post-tax-term\">Honor Your Mentors<\/span>","<span class=\"advgb-post-tax-term\">Johann Sebastian Bach<\/span>","<span class=\"advgb-post-tax-term\">M\u00e9lodie<\/span>","<span class=\"advgb-post-tax-term\">Mezzo Madness<\/span>","<span class=\"advgb-post-tax-term\">Needle Drop<\/span>","<span class=\"advgb-post-tax-term\">Opera in Translation<\/span>","<span class=\"advgb-post-tax-term\">Operetta<\/span>","<span class=\"advgb-post-tax-term\">Orchestral Songs<\/span>","<span class=\"advgb-post-tax-term\">Uncategorized<\/span>"]},"tags":{"linked":["<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/uncategorized\/\" class=\"advgb-post-tax-term\">Aafje Heynis<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/uncategorized\/\" class=\"advgb-post-tax-term\">Alexander Blok<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/uncategorized\/\" class=\"advgb-post-tax-term\">Alfred Maria Willner<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/uncategorized\/\" class=\"advgb-post-tax-term\">Alphonse de Lamartine<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/uncategorized\/\" class=\"advgb-post-tax-term\">Antigonae (Orff)<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/uncategorized\/\" class=\"advgb-post-tax-term\">Bernadette Greevy<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/uncategorized\/\" class=\"advgb-post-tax-term\">Carl Orff<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/uncategorized\/\" class=\"advgb-post-tax-term\">Carol Litvin<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/uncategorized\/\" class=\"advgb-post-tax-term\">Chants de terre et de ciel<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/uncategorized\/\" class=\"advgb-post-tax-term\">Charles Gounod<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/uncategorized\/\" class=\"advgb-post-tax-term\">Cinque canti (Dallapiccola)<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/uncategorized\/\" class=\"advgb-post-tax-term\">Colette Herzog<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/uncategorized\/\" class=\"advgb-post-tax-term\">Daniel Gundlach<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/uncategorized\/\" class=\"advgb-post-tax-term\">Die toten Augen<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/uncategorized\/\" class=\"advgb-post-tax-term\">Dmitri Ferschtman<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/uncategorized\/\" class=\"advgb-post-tax-term\">Dmitri Shostakovich<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/uncategorized\/\" class=\"advgb-post-tax-term\">Elisabeth Leonskaja<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/uncategorized\/\" class=\"advgb-post-tax-term\">Emil Tchakarov<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/uncategorized\/\" class=\"advgb-post-tax-term\">Emile Paladilhe<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/uncategorized\/\" class=\"advgb-post-tax-term\">Erland Hageg\u00e5rd<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/uncategorized\/\" class=\"advgb-post-tax-term\">Ernst Haefliger<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/uncategorized\/\" class=\"advgb-post-tax-term\">Eugen d\u2019Albert<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/uncategorized\/\" class=\"advgb-post-tax-term\">Eva (Leh\u00e1r)<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/uncategorized\/\" class=\"advgb-post-tax-term\">Fran\u00e7oise Pollet<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/uncategorized\/\" class=\"advgb-post-tax-term\">Franz Leh\u00e1r<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/uncategorized\/\" class=\"advgb-post-tax-term\">Franz Schubert<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/uncategorized\/\" class=\"advgb-post-tax-term\">Frederick Fuller<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/uncategorized\/\" class=\"advgb-post-tax-term\">Frederick Prausnitz<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/uncategorized\/\" class=\"advgb-post-tax-term\">Frederick Stone<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/uncategorized\/\" class=\"advgb-post-tax-term\">Friedrich Bodenstedt<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/uncategorized\/\" class=\"advgb-post-tax-term\">Friedrich H\u00f6lderlin<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/uncategorized\/\" class=\"advgb-post-tax-term\">Galina Pisarenko<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/uncategorized\/\" class=\"advgb-post-tax-term\">Georges Auric<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/uncategorized\/\" class=\"advgb-post-tax-term\">Hanns Heinz Ewers<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/uncategorized\/\" class=\"advgb-post-tax-term\">Hans Werner Henze<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/uncategorized\/\" class=\"advgb-post-tax-term\">Hedwig Bilgram<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/uncategorized\/\" class=\"advgb-post-tax-term\">Heinz Wallberg<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/uncategorized\/\" class=\"advgb-post-tax-term\">Herbert Hughes<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/uncategorized\/\" class=\"advgb-post-tax-term\">Jacques Larue<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/uncategorized\/\" class=\"advgb-post-tax-term\">Jacques Mercier<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/uncategorized\/\" class=\"advgb-post-tax-term\">James Bolger<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/uncategorized\/\" class=\"advgb-post-tax-term\">Jan Eyron<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/uncategorized\/\" class=\"advgb-post-tax-term\">Jan Mul<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/uncategorized\/\" class=\"advgb-post-tax-term\">Jean Laforge<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/uncategorized\/\" class=\"advgb-post-tax-term\">Johan van den Boogert<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/uncategorized\/\" class=\"advgb-post-tax-term\">Johann Christian Rube<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/uncategorized\/\" class=\"advgb-post-tax-term\">Johann Mayrhofer<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/uncategorized\/\" class=\"advgb-post-tax-term\">Johann Sebastian Bach<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/uncategorized\/\" class=\"advgb-post-tax-term\">Johannes Fink<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/uncategorized\/\" class=\"advgb-post-tax-term\">Jules Massenet<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/uncategorized\/\" class=\"advgb-post-tax-term\">Kammermusik<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/uncategorized\/\" class=\"advgb-post-tax-term\">Karol Szymanowski<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/uncategorized\/\" class=\"advgb-post-tax-term\">Louis Gallet<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/uncategorized\/\" class=\"advgb-post-tax-term\">Luigi Dallapiccola<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/uncategorized\/\" class=\"advgb-post-tax-term\">Maggie Teyte<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/uncategorized\/\" class=\"advgb-post-tax-term\">Manfred Jung<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/uncategorized\/\" class=\"advgb-post-tax-term\">Marc<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/uncategorized\/\" class=\"advgb-post-tax-term\">Marie-Magdeleine<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/uncategorized\/\" class=\"advgb-post-tax-term\">Martha M\u00f6dl<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/uncategorized\/\" class=\"advgb-post-tax-term\">Melitta Muszely<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/uncategorized\/\" class=\"advgb-post-tax-term\">Mirza Shafi Vazeh<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/uncategorized\/\" class=\"advgb-post-tax-term\">Modest Tchaikovsky [after Alexander Pushkin<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/uncategorized\/\" class=\"advgb-post-tax-term\">Olivier Messiaen<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/uncategorized\/\" class=\"advgb-post-tax-term\">Paul Bonneau<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/uncategorized\/\" class=\"advgb-post-tax-term\">Philip Langridge<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/uncategorized\/\" class=\"advgb-post-tax-term\">Pierre Corneille<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/uncategorized\/\" class=\"advgb-post-tax-term\">Pique-Dame<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/uncategorized\/\" class=\"advgb-post-tax-term\">Prosper Van Langendonck<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/uncategorized\/\" class=\"advgb-post-tax-term\">Pyotr Il\u2019yich Tchaikovsky<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/uncategorized\/\" class=\"advgb-post-tax-term\">Reinhard T\u00fcting<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/uncategorized\/\" class=\"advgb-post-tax-term\">Robert Bodanzky<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/uncategorized\/\" class=\"advgb-post-tax-term\">Sabine Hass<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/uncategorized\/\" class=\"advgb-post-tax-term\">Salvatore Quasimodo<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/uncategorized\/\" class=\"advgb-post-tax-term\">Schwarzschwanenreich<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/uncategorized\/\" class=\"advgb-post-tax-term\">Scott Gilmore<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/uncategorized\/\" class=\"advgb-post-tax-term\">Seven Romances on Poems of Alexander Blok<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/uncategorized\/\" class=\"advgb-post-tax-term\">Siegfried Wagner<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/uncategorized\/\" class=\"advgb-post-tax-term\">Sophocles<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/uncategorized\/\" class=\"advgb-post-tax-term\">Stanis\u0142aw Bar\u0105cz<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/uncategorized\/\" class=\"advgb-post-tax-term\">Stefania Woytowicz<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/uncategorized\/\" class=\"advgb-post-tax-term\">Stefka Evstatieva<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/uncategorized\/\" class=\"advgb-post-tax-term\">Timothy Walker<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/uncategorized\/\" class=\"advgb-post-tax-term\">Wies\u0142aw Ochman<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/uncategorized\/\" class=\"advgb-post-tax-term\">Wilhelm Sch\u00fcchter<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/uncategorized\/\" class=\"advgb-post-tax-term\">Witold Rowicki<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/uncategorized\/\" class=\"advgb-post-tax-term\">Wolfgang Sawallisch<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/uncategorized\/\" class=\"advgb-post-tax-term\">Yolanda Marcoulescou<\/a>"],"unlinked":["<span class=\"advgb-post-tax-term\">Aafje Heynis<\/span>","<span class=\"advgb-post-tax-term\">Alexander Blok<\/span>","<span class=\"advgb-post-tax-term\">Alfred Maria Willner<\/span>","<span class=\"advgb-post-tax-term\">Alphonse de Lamartine<\/span>","<span class=\"advgb-post-tax-term\">Antigonae (Orff)<\/span>","<span class=\"advgb-post-tax-term\">Bernadette Greevy<\/span>","<span class=\"advgb-post-tax-term\">Carl Orff<\/span>","<span class=\"advgb-post-tax-term\">Carol Litvin<\/span>","<span class=\"advgb-post-tax-term\">Chants de terre et de ciel<\/span>","<span class=\"advgb-post-tax-term\">Charles Gounod<\/span>","<span class=\"advgb-post-tax-term\">Cinque canti (Dallapiccola)<\/span>","<span class=\"advgb-post-tax-term\">Colette Herzog<\/span>","<span class=\"advgb-post-tax-term\">Daniel Gundlach<\/span>","<span class=\"advgb-post-tax-term\">Die toten Augen<\/span>","<span class=\"advgb-post-tax-term\">Dmitri Ferschtman<\/span>","<span class=\"advgb-post-tax-term\">Dmitri Shostakovich<\/span>","<span class=\"advgb-post-tax-term\">Elisabeth Leonskaja<\/span>","<span class=\"advgb-post-tax-term\">Emil Tchakarov<\/span>","<span class=\"advgb-post-tax-term\">Emile Paladilhe<\/span>","<span class=\"advgb-post-tax-term\">Erland Hageg\u00e5rd<\/span>","<span class=\"advgb-post-tax-term\">Ernst Haefliger<\/span>","<span class=\"advgb-post-tax-term\">Eugen d\u2019Albert<\/span>","<span class=\"advgb-post-tax-term\">Eva (Leh\u00e1r)<\/span>","<span class=\"advgb-post-tax-term\">Fran\u00e7oise Pollet<\/span>","<span class=\"advgb-post-tax-term\">Franz Leh\u00e1r<\/span>","<span class=\"advgb-post-tax-term\">Franz Schubert<\/span>","<span class=\"advgb-post-tax-term\">Frederick Fuller<\/span>","<span class=\"advgb-post-tax-term\">Frederick Prausnitz<\/span>","<span class=\"advgb-post-tax-term\">Frederick Stone<\/span>","<span class=\"advgb-post-tax-term\">Friedrich Bodenstedt<\/span>","<span class=\"advgb-post-tax-term\">Friedrich H\u00f6lderlin<\/span>","<span class=\"advgb-post-tax-term\">Galina Pisarenko<\/span>","<span class=\"advgb-post-tax-term\">Georges Auric<\/span>","<span class=\"advgb-post-tax-term\">Hanns Heinz Ewers<\/span>","<span class=\"advgb-post-tax-term\">Hans Werner Henze<\/span>","<span class=\"advgb-post-tax-term\">Hedwig Bilgram<\/span>","<span class=\"advgb-post-tax-term\">Heinz Wallberg<\/span>","<span class=\"advgb-post-tax-term\">Herbert Hughes<\/span>","<span class=\"advgb-post-tax-term\">Jacques Larue<\/span>","<span class=\"advgb-post-tax-term\">Jacques Mercier<\/span>","<span class=\"advgb-post-tax-term\">James Bolger<\/span>","<span class=\"advgb-post-tax-term\">Jan Eyron<\/span>","<span class=\"advgb-post-tax-term\">Jan Mul<\/span>","<span class=\"advgb-post-tax-term\">Jean Laforge<\/span>","<span class=\"advgb-post-tax-term\">Johan van den Boogert<\/span>","<span class=\"advgb-post-tax-term\">Johann Christian Rube<\/span>","<span class=\"advgb-post-tax-term\">Johann Mayrhofer<\/span>","<span class=\"advgb-post-tax-term\">Johann Sebastian Bach<\/span>","<span class=\"advgb-post-tax-term\">Johannes Fink<\/span>","<span class=\"advgb-post-tax-term\">Jules Massenet<\/span>","<span class=\"advgb-post-tax-term\">Kammermusik<\/span>","<span class=\"advgb-post-tax-term\">Karol Szymanowski<\/span>","<span class=\"advgb-post-tax-term\">Louis Gallet<\/span>","<span class=\"advgb-post-tax-term\">Luigi Dallapiccola<\/span>","<span class=\"advgb-post-tax-term\">Maggie Teyte<\/span>","<span class=\"advgb-post-tax-term\">Manfred Jung<\/span>","<span class=\"advgb-post-tax-term\">Marc<\/span>","<span class=\"advgb-post-tax-term\">Marie-Magdeleine<\/span>","<span class=\"advgb-post-tax-term\">Martha M\u00f6dl<\/span>","<span class=\"advgb-post-tax-term\">Melitta Muszely<\/span>","<span class=\"advgb-post-tax-term\">Mirza Shafi Vazeh<\/span>","<span class=\"advgb-post-tax-term\">Modest Tchaikovsky [after Alexander Pushkin<\/span>","<span class=\"advgb-post-tax-term\">Olivier Messiaen<\/span>","<span class=\"advgb-post-tax-term\">Paul Bonneau<\/span>","<span class=\"advgb-post-tax-term\">Philip Langridge<\/span>","<span class=\"advgb-post-tax-term\">Pierre Corneille<\/span>","<span class=\"advgb-post-tax-term\">Pique-Dame<\/span>","<span class=\"advgb-post-tax-term\">Prosper Van Langendonck<\/span>","<span class=\"advgb-post-tax-term\">Pyotr Il\u2019yich Tchaikovsky<\/span>","<span class=\"advgb-post-tax-term\">Reinhard T\u00fcting<\/span>","<span class=\"advgb-post-tax-term\">Robert Bodanzky<\/span>","<span class=\"advgb-post-tax-term\">Sabine Hass<\/span>","<span class=\"advgb-post-tax-term\">Salvatore Quasimodo<\/span>","<span class=\"advgb-post-tax-term\">Schwarzschwanenreich<\/span>","<span class=\"advgb-post-tax-term\">Scott Gilmore<\/span>","<span class=\"advgb-post-tax-term\">Seven Romances on Poems of Alexander Blok<\/span>","<span class=\"advgb-post-tax-term\">Siegfried Wagner<\/span>","<span class=\"advgb-post-tax-term\">Sophocles<\/span>","<span class=\"advgb-post-tax-term\">Stanis\u0142aw Bar\u0105cz<\/span>","<span class=\"advgb-post-tax-term\">Stefania Woytowicz<\/span>","<span class=\"advgb-post-tax-term\">Stefka Evstatieva<\/span>","<span class=\"advgb-post-tax-term\">Timothy Walker<\/span>","<span class=\"advgb-post-tax-term\">Wies\u0142aw Ochman<\/span>","<span class=\"advgb-post-tax-term\">Wilhelm Sch\u00fcchter<\/span>","<span class=\"advgb-post-tax-term\">Witold Rowicki<\/span>","<span class=\"advgb-post-tax-term\">Wolfgang Sawallisch<\/span>","<span class=\"advgb-post-tax-term\">Yolanda Marcoulescou<\/span>"]}},"comment_count":"0","relative_dates":{"created":"Posted 2 hours ago","modified":"Updated 1 hour ago"},"absolute_dates":{"created":"Posted on 13\/11\/2026","modified":"Updated on 13\/11\/2026"},"absolute_dates_time":{"created":"Posted on 13\/11\/2026 22:33","modified":"Updated on 13\/11\/2026 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