{"id":22114,"date":"2026-10-03T22:18:21","date_gmt":"2026-10-03T20:18:21","guid":{"rendered":"https:\/\/countermelodypodcast.com\/?p=22114"},"modified":"2026-10-03T23:45:46","modified_gmt":"2026-10-03T21:45:46","slug":"episode-493-hanne-lore-kuhse-and-kurt-masur-deutsche-einheit-edition","status":"publish","type":"post","link":"https:\/\/countermelodypodcast.com\/index.php\/2026\/10\/03\/episode-493-hanne-lore-kuhse-and-kurt-masur-deutsche-einheit-edition\/","title":{"rendered":"Episode 493. Hanne-Lore Kuhse and Kurt Masur: Deutsche Einheit Edition"},"content":{"rendered":"<div id=\"mega-menu-wrap-primary\" class=\"mega-menu-wrap\"><div class=\"mega-menu-toggle\"><div class=\"mega-toggle-blocks-left\"><\/div><div class=\"mega-toggle-blocks-center\"><\/div><div class=\"mega-toggle-blocks-right\"><div class='mega-toggle-block mega-menu-toggle-animated-block mega-toggle-block-1' id='mega-toggle-block-1'><button aria-controls=\"mega-menu-primary\" aria-expanded=\"false\" aria-haspopup=\"true\" aria-label=\"Menu\" class=\"mega-toggle-animated mega-toggle-animated-slider\" type=\"button\">\n                  <span class=\"mega-toggle-animated-box\">\n                    <span class=\"mega-toggle-animated-inner\"><\/span>\n                  <\/span>\n                <\/button><\/div><\/div><\/div><ul id=\"mega-menu-primary\" class=\"mega-menu max-mega-menu mega-menu-horizontal mega-no-js\" data-event=\"hover_intent\" data-effect=\"slide\" data-effect-speed=\"200\" data-effect-mobile=\"slide\" data-effect-speed-mobile=\"200\" data-mobile-force-width=\"body\" data-second-click=\"go\" data-document-click=\"collapse\" data-vertical-behaviour=\"standard\" data-breakpoint=\"600\" data-unbind=\"true\" data-mobile-state=\"collapse_all\" data-mobile-direction=\"vertical\"><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-menu-item-home mega-menu-item-19160\" id=\"mega-menu-item-19160\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/\">Home<\/a><\/li><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-menu-item-19161\" id=\"mega-menu-item-19161\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/index.php\/about-daniel\/\">About Daniel<\/a><\/li><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-current_page_parent mega-menu-item-19171\" id=\"mega-menu-item-19171\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/index.php\/all-episodes\/\">All Episodes<\/a><\/li><\/ul><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">Episode 493. Hanne-Lore Kuhse and Kurt Masur: Deutsche Einheit Edition<\/h2>\n\n\n<p><iframe loading=\"lazy\" width=\"320\" height=\"30\" src=\"https:\/\/countermelody.blubrry.net\/?powerpress_embed=2095-podcast&amp;powerpress_player=mediaelement-audio\" title=\"Blubrry Podcast Player\" frameborder=\"0\" scrolling=\"no\"><\/iframe><\/p>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<div class=\"wp-block-buttons is-horizontal is-content-justification-left is-layout-flex wp-container-core-buttons-is-layout-39697d9b wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link no-border-radius wp-element-button\" href=\"https:\/\/countermelody.blubrry.net\/\">SUBSCRIBE VIA YOUR FAVORITE PODCAST PLATFORM<\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-gallery aligncenter has-nested-images columns-default is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"478\" height=\"645\" data-id=\"22382\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/10\/Kuhse-Eyebrows.jpg\" alt=\"\" class=\"wp-image-22382\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/10\/Kuhse-Eyebrows.jpg 478w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/10\/Kuhse-Eyebrows-222x300.jpg 222w\" sizes=\"auto, (max-width: 478px) 100vw, 478px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"546\" height=\"561\" data-id=\"22383\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/10\/Masur-folded.jpg\" alt=\"\" class=\"wp-image-22383\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/10\/Masur-folded.jpg 546w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/10\/Masur-folded-292x300.jpg 292w\" sizes=\"auto, (max-width: 546px) 100vw, 546px\" \/><\/figure>\n<\/figure>\n\n\n\n<div style=\"height:38px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"wp-block-paragraph\">Today, October 3, is probably the most significant of all German holidays, the <em>Tage der Deutschen Einheit<\/em>, the day on which we celebrate \u201cDie Wende,\u201d German reunification. Though the country in some ways is more divided than it has ever been (shades of my own home country!), we somehow must continue to hold on to hope and love as the forces that drive us on. It just so happens that the episode I was planning for today fits in quite nicely with today\u2019s theme of German reunification, as it presents two significant East German musicians, the <em>jugendlich dramatisch<\/em> soprano Hanne-Lore Kuhse, and the conductor Kurt Masur. The latter figure, in fact, played a significant part in Germany\u2019s coming back together. The two of them were collaborators from the beginning of their respective careers, as they both performed at the Mecklenburgisches Staatsoper in Schwerin in the 1950s. The trajectory of Masur\u2019s later career is well known; after Schwerin, Kuhse herself was a leading soprano first in Leipzig and then at the Staatsoper Unter den Linden in Berlin, finding her greatest personal success during a surprising yet brief sojourn to the United States in 1966, where she performed in Boston, New York, Philadelphia, and Los Angeles in particular, just missing out (thanks to the machinery of the East German bureaucracy) on a Metropolitan Opera debut as Isolde, probably her greatest role. Today\u2019s episode presents, nearly in its entirety, a 1968 release for the East German Eterna label which brought Kuhse and Masur back together. Another in the label\u2019s <em>Ein Opernabend mit\u2026<\/em> series, this installment features Kuhse and Masur collaborating on arias from <em>Don Giovanni<\/em>, <em>Fidelio<\/em>, <em>Macbeth<\/em>, and several Wagner operas, including <em>Tannh\u00e4user<\/em>, <em>Lohengrin<\/em>, and <em>Tristan<\/em>. I supplement these with additional recordings of Kuhse, both live and studio, in <em>Turandot<\/em>, <em>Iphigenia auf Tauris<\/em>, <em>Don Carlos<\/em>, <em>Radamisto<\/em> of Handel, <em>Tiefland<\/em> by Eugen d\u2019Albert, and <em>Der Friedensengel<\/em> of Siegfried Wagner. Still remembered by aficionados of great singing, Kuhse is revealed once again (or for the first time) as one of the most important German sopranos of the mid-twentieth century.<\/p>\n\n\n\n<div style=\"height:47px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-custom-size wp-block-paragraph\" style=\"font-size:30px\"><strong> RECORDINGS HEARD IN THIS EPISODE<\/strong><\/p>\n\n\n\n<div style=\"height:55px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"599\" height=\"599\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/10\/AlbumArtSmall.jpg\" alt=\"\" class=\"wp-image-22384\" style=\"width:701px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/10\/AlbumArtSmall.jpg 599w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/10\/AlbumArtSmall-300x300.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/10\/AlbumArtSmall-150x150.jpg 150w\" sizes=\"auto, (max-width: 599px) 100vw, 599px\" \/><\/figure>\n<\/div>\n\n\n<p class=\"wp-block-paragraph\">All tracks feature soprano Hanne-Lore Kuhse and, unless otherwise notated, Kurt Masur leading the Dresdener Philharmonie.<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"522\" height=\"712\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/10\/Young-Kuhse-with-Necklace.jpg\" alt=\"\" class=\"wp-image-22406\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/10\/Young-Kuhse-with-Necklace.jpg 522w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/10\/Young-Kuhse-with-Necklace-220x300.jpg 220w\" sizes=\"auto, (max-width: 522px) 100vw, 522px\" \/><\/figure>\n<\/div>\n\n\n<p class=\"wp-block-paragraph\">Ludwig Van Beethoven, Joseph Sonnleithner [after Jean-Nicolas Bouilly]: So leuchtet mir ein Farbenbogen (<em>Fidelio<\/em>). Karl Egon Gl\u00fcckselig, Orchester des Mecklenburgischen Staatstheaters Schwerin [live Schwerin 1953]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"421\" height=\"600\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/10\/masurmedal.jpg\" alt=\"\" class=\"wp-image-22405\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/10\/masurmedal.jpg 421w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/10\/masurmedal-211x300.jpg 211w\" sizes=\"auto, (max-width: 421px) 100vw, 421px\" \/><\/figure>\n<\/div>\n\n\n<p class=\"wp-block-paragraph\">Richard Wagner: Dich, teure Halle, gr\u00fc\u00df\u2019 ich wieder (<em>Tannh\u00e4user<\/em>) [1968]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"595\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/10\/Kuhse-in-the-Dark-595x1024.jpg\" alt=\"\" class=\"wp-image-22391\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/10\/Kuhse-in-the-Dark-595x1024.jpg 595w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/10\/Kuhse-in-the-Dark-174x300.jpg 174w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/10\/Kuhse-in-the-Dark.jpg 720w\" sizes=\"auto, (max-width: 595px) 100vw, 595px\" \/><\/figure>\n<\/div>\n\n\n<p class=\"wp-block-paragraph\">Giacomo Puccini, Giuseppe Adami, Renato Simoni [after Carlo Gozzi, German translation by Alfred Br\u00fcggemann]: Eis, das dich entflammt [Gelo che ti d\u00e0 foco] (<em>Turandot<\/em>). Kurt Masur, Orchester des Mecklenburgischen Staatstheaters Schwerin [live Schwerin ca. 1958]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"535\" height=\"811\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/10\/Kuhse-with-Scarf.jpg\" alt=\"\" class=\"wp-image-22396\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/10\/Kuhse-with-Scarf.jpg 535w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/10\/Kuhse-with-Scarf-198x300.jpg 198w\" sizes=\"auto, (max-width: 535px) 100vw, 535px\" \/><\/figure>\n<\/div>\n\n\n<p class=\"wp-block-paragraph\">Christoph Willibald Gluck, Nicolas-Fran\u00e7ois Guillard [after Euripides, German translation by Johann Daniel Sander]: O du, die mir das Leben gab [O toi, qui prolongeas mes jours] (<em>Iphigenia auf Tauris<\/em>). Heinz R\u00f6gner, Gro\u00dfes Rundfunk-Orchester Leipzig [Leipzig radio studio recording, 10.IV.60]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"wp-block-paragraph\">George Frideric Handel, Nicola Haym [German translation by Heinz R\u00fcckert]: Wer kennt des Menschen Herz [Fatemi, o ciel, almen] (<em>Radamisto<\/em>). Horst-Tanu Margraf, H\u00e4ndel-Festspielorchester Halle [1962]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"228\" height=\"300\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/10\/Kuhse-White-Fur.jpg\" alt=\"\" class=\"wp-image-22394\" style=\"width:607px;height:auto\"\/><\/figure>\n<\/div>\n\n\n<p class=\"wp-block-paragraph\">Wolfgang Amadeus Mozart, Lorenzo da Ponte [German translation by Hermann Levi]: Ich grausam? O nein, Geliebter!&#8230; Sag mir nicht, o mein Geliebter [Crudele? Ah, no, mio bene&#8230; Non mi dir, bell\u2019idol mio (<em>Don Giovanni<\/em>) [1968]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"425\" height=\"558\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/10\/masur9.jpg\" alt=\"\" class=\"wp-image-22404\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/10\/masur9.jpg 425w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/10\/masur9-228x300.jpg 228w\" sizes=\"auto, (max-width: 425px) 100vw, 425px\" \/><\/figure>\n<\/div>\n\n\n<p class=\"wp-block-paragraph\">Ludwig Van Beethoven, Joseph Sonnleithner [after Jean-Nicolas Bouilly]: Abscheulicher! Wo eilst du hin&#8230; Komm, Hoffnung&#8230; Ich folg\u2019 dem innern Triebe (<em>Fidelio<\/em>) [1968]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"720\" height=\"399\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/10\/Masur-conducting.jpg\" alt=\"\" class=\"wp-image-22397\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/10\/Masur-conducting.jpg 720w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/10\/Masur-conducting-300x166.jpg 300w\" sizes=\"auto, (max-width: 720px) 100vw, 720px\" \/><\/figure>\n<\/div>\n\n\n<p class=\"wp-block-paragraph\">Giuseppe Verdi, Francesco Maria Piave, Andrea Maffei [after William Shakespeare; German translation by Georg G\u00f6hler]: Dieser Flecken kommt immer wieder [Una macchia \u00e8 qui tutt\u2019ora] (<em>Macbeth<\/em>) [1968]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"720\" height=\"488\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/10\/Kuhse-and-Leinsdorf.jpg\" alt=\"\" class=\"wp-image-22388\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/10\/Kuhse-and-Leinsdorf.jpg 720w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/10\/Kuhse-and-Leinsdorf-300x203.jpg 300w\" sizes=\"auto, (max-width: 720px) 100vw, 720px\" \/><figcaption class=\"wp-element-caption\">Erich Leinsdorf and Kanne-Lore Kuhse<\/figcaption><\/figure>\n<\/div>\n\n\n<p class=\"wp-block-paragraph\">Giuseppe Verdi, Joseph M\u00e9ry, Camille du Locle [after Friedrich Schiller; German translation by Max Kalbeck]: Du, im irdischen Wahn einst befangen [Tu, che le vanit\u00e0] (<em>Don Carlos<\/em>). Heinz Fricke, Staatskapelle Berlin [1965]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"350\" height=\"328\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/10\/masur1.jpg\" alt=\"\" class=\"wp-image-22402\" style=\"width:471px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/10\/masur1.jpg 350w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/10\/masur1-300x281.jpg 300w\" sizes=\"auto, (max-width: 350px) 100vw, 350px\" \/><\/figure>\n<\/div>\n\n\n<p class=\"wp-block-paragraph\">Richard Wagner: Johohoe! Traft ihr das Schiff im Meere an (<em>Der fliegende Holl\u00e4nder<\/em>) [1968]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"469\" height=\"602\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/10\/Kuhse-Portrait.jpg\" alt=\"\" class=\"wp-image-22410\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/10\/Kuhse-Portrait.jpg 469w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/10\/Kuhse-Portrait-234x300.jpg 234w\" sizes=\"auto, (max-width: 469px) 100vw, 469px\" \/><\/figure>\n<\/div>\n\n\n<p class=\"wp-block-paragraph\">Richard Wagner: Einsam in tr\u00fcben Tagen hab\u2019 ich zu Gott gefleht (<em>Lohengrin<\/em>) [1968]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"720\" height=\"417\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/10\/Masur-salute.jpg\" alt=\"\" class=\"wp-image-22400\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/10\/Masur-salute.jpg 720w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/10\/Masur-salute-300x174.jpg 300w\" sizes=\"auto, (max-width: 720px) 100vw, 720px\" \/><\/figure>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"680\" height=\"720\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/10\/Kuhse-Santuzza-or-such.jpg\" alt=\"\" class=\"wp-image-22393\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/10\/Kuhse-Santuzza-or-such.jpg 680w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/10\/Kuhse-Santuzza-or-such-283x300.jpg 283w\" sizes=\"auto, (max-width: 680px) 100vw, 680px\" \/><\/figure>\n<\/div>\n\n\n<p class=\"wp-block-paragraph\">Eugen d\u2019Albert, Rudolf Lothar [after \u00c0ngel Guimer\u00e0]: Ich wei\u00df nicht, wer mein Vater war (<em>Tiefland<\/em>). Theo Adam, Paul Schmitz, Staatskapelle Dresden [1963]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"461\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/10\/Kuhse-same-as-dark-photo-461x1024.jpg\" alt=\"\" class=\"wp-image-22392\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/10\/Kuhse-same-as-dark-photo-461x1024.jpg 461w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/10\/Kuhse-same-as-dark-photo-135x300.jpg 135w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/10\/Kuhse-same-as-dark-photo-691x1536.jpg 691w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/10\/Kuhse-same-as-dark-photo.jpg 720w\" sizes=\"auto, (max-width: 461px) 100vw, 461px\" \/><\/figure>\n<\/div>\n\n\n<p class=\"wp-block-paragraph\">Siegfried Wagner: Nicht sein Tod! Wie konnt\u2019 ich solches Ende ahnen? (<em>Der Friedensengel<\/em>). Leslie Head, Pro Opera Orchestra and Chorus [live London 23.XI.75]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"373\" height=\"536\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/10\/Kuhse-as-Isolde.jpg\" alt=\"\" class=\"wp-image-22390\" style=\"width:505px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/10\/Kuhse-as-Isolde.jpg 373w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/10\/Kuhse-as-Isolde-209x300.jpg 209w\" sizes=\"auto, (max-width: 373px) 100vw, 373px\" \/><\/figure>\n<\/div>\n\n\n<p class=\"wp-block-paragraph\">Richard Wagner: Mild und leise wie er l\u00e4chelt (<em>Tristan und Isolde<\/em>) [1968]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Episode 493. Hanne-Lore Kuhse and Kurt Masur: Deutsche Einheit Edition Today, October 3, is probably the most significant of all&hellip;<\/p>\n","protected":false},"author":1,"featured_media":22386,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"advgb_blocks_editor_width":"","advgb_blocks_columns_visual_guide":"","footnotes":""},"categories":[1701,5823,2261,2476,2398,1073,2260,808,2329,2328,4980,427,5138],"tags":[5283,4547,9596,4550,6350,153,487,9594,6560,1068,6513,4631,4535,3222,9600,280,94,4610,207,9470,6529,9598,9473,9516,9474,9591,6435,9599,4549,5268,9601,3668,2345,870,328,4619,8664,5673,9597,9472,4611,486,9595,9590,2353,724,9592,9593,2330,1092,2600,34],"class_list":["post-22114","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-bel-canto","category-forgotten-divas","category-full-figured-baroque","category-giacomo-puccini","category-giuseppe-verdi","category-holiday-music","category-music-for-a-world-in-crisis","category-needle-drop","category-opera-in-translation","category-richard-wagner","category-twentieth-century-opera","category-verismo","category-wolfgang-amadeus-mozart","tag-alfred-bruggemann","tag-andrea-maffei","tag-angel-guimera","tag-camille-du-locle","tag-carlo-gozzi","tag-christoph-willibald-gluck","tag-der-fliegende-hollander","tag-der-friedensengel","tag-don-carlos","tag-don-giovanni","tag-eugen-dalbert","tag-euripides","tag-francesco-maria-piave","tag-friedrich-schiller","tag-georg-gohler","tag-george-frideric-handel","tag-giacomo-puccini","tag-giuseppe-adami","tag-giuseppe-verdi","tag-hanne-lore-kuhse","tag-heinz-fricke","tag-heinz-rogner","tag-heinz-ruckert","tag-hermann-levi","tag-horst-tanu-margraf","tag-iphigenia-auf-tauris","tag-jean-nicolas-bouilly","tag-johann-daniel-sander","tag-joseph-mery","tag-joseph-sonnleithner","tag-karl-egon-gluckselig","tag-kurt-masur","tag-lohengrin","tag-lorenzo-da-ponte","tag-ludwig-van-beethoven","tag-macbeth","tag-max-kalbeck","tag-nicolas-francois-guillard","tag-paul-schmitz","tag-radamisto","tag-renato-simoni","tag-richard-wagner","tag-rudolf-lothar","tag-siegfried-wagner","tag-tannhauser","tag-theo-adam","tag-tidelio","tag-tiefland","tag-tristan-und-isolde","tag-turandot","tag-william-shakespeare","tag-wolfgang-amadeus-mozart"],"author_meta":{"display_name":"admin","author_link":"https:\/\/countermelodypodcast.com\/index.php\/author\/admin\/"},"featured_img":"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/10\/Kuhse-in-Makeup-Chair-300x120.jpg","coauthors":[],"tax_additional":{"categories":{"linked":["<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/bel-canto\/\" class=\"advgb-post-tax-term\">Bel Canto<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/forgotten-divas\/\" class=\"advgb-post-tax-term\">Forgotten Divas<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/full-figured-baroque\/\" class=\"advgb-post-tax-term\">Full-Figured Baroque<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/giacomo-puccini\/\" class=\"advgb-post-tax-term\">Giacomo Puccini<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/giuseppe-verdi\/\" class=\"advgb-post-tax-term\">Giuseppe Verdi<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/holiday-music\/\" class=\"advgb-post-tax-term\">Holiday Music<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/music-for-a-world-in-crisis\/\" class=\"advgb-post-tax-term\">Music for a World in Crisis<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Needle Drop<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/opera-in-translation\/\" class=\"advgb-post-tax-term\">Opera in Translation<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/richard-wagner\/\" class=\"advgb-post-tax-term\">Richard Wagner<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-opera\/\" class=\"advgb-post-tax-term\">Twentieth Century Opera<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Verismo<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Wolfgang Amadeus Mozart<\/a>"],"unlinked":["<span class=\"advgb-post-tax-term\">Bel Canto<\/span>","<span class=\"advgb-post-tax-term\">Forgotten Divas<\/span>","<span class=\"advgb-post-tax-term\">Full-Figured Baroque<\/span>","<span class=\"advgb-post-tax-term\">Giacomo Puccini<\/span>","<span class=\"advgb-post-tax-term\">Giuseppe Verdi<\/span>","<span class=\"advgb-post-tax-term\">Holiday Music<\/span>","<span class=\"advgb-post-tax-term\">Music for a World in Crisis<\/span>","<span class=\"advgb-post-tax-term\">Needle Drop<\/span>","<span class=\"advgb-post-tax-term\">Opera in Translation<\/span>","<span class=\"advgb-post-tax-term\">Richard Wagner<\/span>","<span class=\"advgb-post-tax-term\">Twentieth Century Opera<\/span>","<span class=\"advgb-post-tax-term\">Verismo<\/span>","<span class=\"advgb-post-tax-term\">Wolfgang Amadeus Mozart<\/span>"]},"tags":{"linked":["<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Alfred Br\u00fcggemann<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Andrea Maffei<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">\u00c0ngel Guimer\u00e0<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Camille du Locle<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Carlo Gozzi<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Christoph Willibald Gluck<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Der fliegende Holl\u00e4nder<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Der Friedensengel<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Don Carlos<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Don Giovanni<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Eugen d\u2019Albert<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Euripides<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Francesco Maria Piave<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Friedrich Schiller<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Georg G\u00f6hler<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">George Frideric Handel<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Giacomo Puccini<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Giuseppe Adami<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Giuseppe Verdi<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Hanne-Lore Kuhse<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Heinz Fricke<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Heinz R\u00f6gner<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Heinz R\u00fcckert<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Hermann Levi<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Horst-Tanu Margraf<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Iphigenia auf Tauris<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Jean-Nicolas Bouilly<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Johann Daniel Sander<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Joseph M\u00e9ry<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Joseph Sonnleithner<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Karl Egon Gl\u00fcckselig<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Kurt Masur<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Lohengrin<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Lorenzo da Ponte<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Ludwig van Beethoven<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Macbeth<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Max Kalbeck<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Nicolas-Fran\u00e7ois Guillard<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Paul Schmitz<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Radamisto<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Renato Simoni<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Richard Wagner<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Rudolf Lothar<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Siegfried Wagner<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Tannh\u00e4user<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Theo Adam<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Tidelio<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Tiefland<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Tristan und Isolde<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Turandot<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">William Shakespeare<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Wolfgang Amadeus Mozart<\/a>"],"unlinked":["<span class=\"advgb-post-tax-term\">Alfred Br\u00fcggemann<\/span>","<span class=\"advgb-post-tax-term\">Andrea Maffei<\/span>","<span class=\"advgb-post-tax-term\">\u00c0ngel Guimer\u00e0<\/span>","<span class=\"advgb-post-tax-term\">Camille du Locle<\/span>","<span class=\"advgb-post-tax-term\">Carlo Gozzi<\/span>","<span class=\"advgb-post-tax-term\">Christoph Willibald Gluck<\/span>","<span class=\"advgb-post-tax-term\">Der fliegende Holl\u00e4nder<\/span>","<span class=\"advgb-post-tax-term\">Der Friedensengel<\/span>","<span class=\"advgb-post-tax-term\">Don Carlos<\/span>","<span class=\"advgb-post-tax-term\">Don Giovanni<\/span>","<span class=\"advgb-post-tax-term\">Eugen d\u2019Albert<\/span>","<span class=\"advgb-post-tax-term\">Euripides<\/span>","<span class=\"advgb-post-tax-term\">Francesco Maria Piave<\/span>","<span class=\"advgb-post-tax-term\">Friedrich Schiller<\/span>","<span class=\"advgb-post-tax-term\">Georg G\u00f6hler<\/span>","<span class=\"advgb-post-tax-term\">George Frideric Handel<\/span>","<span class=\"advgb-post-tax-term\">Giacomo Puccini<\/span>","<span class=\"advgb-post-tax-term\">Giuseppe Adami<\/span>","<span class=\"advgb-post-tax-term\">Giuseppe Verdi<\/span>","<span class=\"advgb-post-tax-term\">Hanne-Lore Kuhse<\/span>","<span class=\"advgb-post-tax-term\">Heinz Fricke<\/span>","<span class=\"advgb-post-tax-term\">Heinz R\u00f6gner<\/span>","<span class=\"advgb-post-tax-term\">Heinz R\u00fcckert<\/span>","<span class=\"advgb-post-tax-term\">Hermann Levi<\/span>","<span class=\"advgb-post-tax-term\">Horst-Tanu Margraf<\/span>","<span class=\"advgb-post-tax-term\">Iphigenia auf Tauris<\/span>","<span class=\"advgb-post-tax-term\">Jean-Nicolas Bouilly<\/span>","<span class=\"advgb-post-tax-term\">Johann Daniel Sander<\/span>","<span class=\"advgb-post-tax-term\">Joseph M\u00e9ry<\/span>","<span class=\"advgb-post-tax-term\">Joseph Sonnleithner<\/span>","<span class=\"advgb-post-tax-term\">Karl Egon Gl\u00fcckselig<\/span>","<span class=\"advgb-post-tax-term\">Kurt Masur<\/span>","<span class=\"advgb-post-tax-term\">Lohengrin<\/span>","<span class=\"advgb-post-tax-term\">Lorenzo da Ponte<\/span>","<span class=\"advgb-post-tax-term\">Ludwig van Beethoven<\/span>","<span class=\"advgb-post-tax-term\">Macbeth<\/span>","<span class=\"advgb-post-tax-term\">Max Kalbeck<\/span>","<span class=\"advgb-post-tax-term\">Nicolas-Fran\u00e7ois Guillard<\/span>","<span class=\"advgb-post-tax-term\">Paul Schmitz<\/span>","<span class=\"advgb-post-tax-term\">Radamisto<\/span>","<span class=\"advgb-post-tax-term\">Renato Simoni<\/span>","<span class=\"advgb-post-tax-term\">Richard Wagner<\/span>","<span class=\"advgb-post-tax-term\">Rudolf Lothar<\/span>","<span class=\"advgb-post-tax-term\">Siegfried Wagner<\/span>","<span class=\"advgb-post-tax-term\">Tannh\u00e4user<\/span>","<span class=\"advgb-post-tax-term\">Theo Adam<\/span>","<span class=\"advgb-post-tax-term\">Tidelio<\/span>","<span class=\"advgb-post-tax-term\">Tiefland<\/span>","<span class=\"advgb-post-tax-term\">Tristan und Isolde<\/span>","<span class=\"advgb-post-tax-term\">Turandot<\/span>","<span class=\"advgb-post-tax-term\">William Shakespeare<\/span>","<span class=\"advgb-post-tax-term\">Wolfgang Amadeus Mozart<\/span>"]}},"comment_count":"0","relative_dates":{"created":"Posted 1 hour ago","modified":"Updated 1 minute ago"},"absolute_dates":{"created":"Posted on 03\/10\/2026","modified":"Updated on 03\/10\/2026"},"absolute_dates_time":{"created":"Posted on 03\/10\/2026 22:18","modified":"Updated on 03\/10\/2026 23:45"},"featured_img_caption":"","series_order":"","_links":{"self":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/22114","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/comments?post=22114"}],"version-history":[{"count":6,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/22114\/revisions"}],"predecessor-version":[{"id":22412,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/22114\/revisions\/22412"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/media\/22386"}],"wp:attachment":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/media?parent=22114"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/categories?post=22114"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/tags?post=22114"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}