{"id":21808,"date":"2026-07-25T00:26:44","date_gmt":"2026-07-24T22:26:44","guid":{"rendered":"https:\/\/countermelodypodcast.com\/?p=21808"},"modified":"2026-07-25T00:26:47","modified_gmt":"2026-07-24T22:26:47","slug":"episode-483-adele-addison-101","status":"publish","type":"post","link":"https:\/\/countermelodypodcast.com\/index.php\/2026\/07\/25\/episode-483-adele-addison-101\/","title":{"rendered":"Episode 483. Adele Addison @ 101"},"content":{"rendered":"<div id=\"mega-menu-wrap-primary\" class=\"mega-menu-wrap\"><div class=\"mega-menu-toggle\"><div class=\"mega-toggle-blocks-left\"><\/div><div class=\"mega-toggle-blocks-center\"><\/div><div class=\"mega-toggle-blocks-right\"><div class='mega-toggle-block mega-menu-toggle-animated-block mega-toggle-block-1' id='mega-toggle-block-1'><button aria-controls=\"mega-menu-primary\" aria-expanded=\"false\" aria-haspopup=\"true\" aria-label=\"Menu\" class=\"mega-toggle-animated mega-toggle-animated-slider\" type=\"button\">\n                  <span class=\"mega-toggle-animated-box\">\n                    <span class=\"mega-toggle-animated-inner\"><\/span>\n                  <\/span>\n                <\/button><\/div><\/div><\/div><ul id=\"mega-menu-primary\" class=\"mega-menu max-mega-menu mega-menu-horizontal mega-no-js\" data-event=\"hover_intent\" data-effect=\"slide\" data-effect-speed=\"200\" data-effect-mobile=\"slide\" data-effect-speed-mobile=\"200\" data-mobile-force-width=\"body\" data-second-click=\"go\" data-document-click=\"collapse\" data-vertical-behaviour=\"standard\" data-breakpoint=\"600\" data-unbind=\"true\" data-mobile-state=\"collapse_all\" data-mobile-direction=\"vertical\"><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-menu-item-home mega-menu-item-19160\" id=\"mega-menu-item-19160\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/\">Home<\/a><\/li><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-menu-item-19161\" id=\"mega-menu-item-19161\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/index.php\/about-daniel\/\">About Daniel<\/a><\/li><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-current_page_parent mega-menu-item-19171\" id=\"mega-menu-item-19171\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/index.php\/all-episodes\/\">All Episodes<\/a><\/li><\/ul><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">Episode 483. Adele Addison @ 101<\/h2>\n\n\n<p><iframe loading=\"lazy\" width=\"340\" height=\"50\" src=\"https:\/\/countermelody.blubrry.net\/?powerpress_embed=2051-podcast&amp;powerpress_player=mediaelement-audio\" title=\"Blubrry Podcast Player\" frameborder=\"0\" scrolling=\"no\"><\/iframe><\/p>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<div class=\"wp-block-buttons is-horizontal is-content-justification-left is-layout-flex wp-container-core-buttons-is-layout-39697d9b wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link no-border-radius wp-element-button\" href=\"https:\/\/countermelody.blubrry.net\/\">SUBSCRIBE VIA YOUR FAVORITE PODCAST PLATFORM<\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"369\" height=\"542\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/07\/Adele-Van-Vechten.jpg\" alt=\"\" class=\"wp-image-21969\" style=\"width:565px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/07\/Adele-Van-Vechten.jpg 369w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/07\/Adele-Van-Vechten-204x300.jpg 204w\" sizes=\"auto, (max-width: 369px) 100vw, 369px\" \/><\/figure>\n<\/div>\n\n\n<div style=\"height:38px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"wp-block-paragraph\">Today beloved African American soprano Adele Addison, still \u201csharp as a tack\u201d according to one of her close friends, celebrates her 101st birthday. And today, just as I did four years ago in honor of her 97th birthday, I celebrate this trailblazing icon with a wide-ranging program which focuses on her specialties: baroque and contemporary music, with a few additional surprises along the way. Thus alongside key works by Bach, Vivaldi, and Handel, we also hear work that Addison pioneered and recorded by composers such as No\u00ebl Lee, Harold Schramm, Lester Trimble, Richard Donovan, Benjamin Lees, Paul Hindemith, Marc Bucci, Aaron Copland, Francis Poulenc (whose <em>Gloria <\/em>she sang in its Boston world premi\u00e8re), and Lukas Foss, assisted by conductors Charles Munch, Leonard Bernstein, Robert Shaw, Milton Katims and Frederic Waldman, fellow soprano Saramae Endich, and a plethora of the greatest instrumentalists of the era. Throughout Addison displays her bright, clear timbre, subtle text pointing, and radiant connection to whatever style of music she was singing. I am particularly honored to present to you once again a singer who I encountered over and over in my early listening experience and who continues to provide a glowing inspiration through her legendary recordings.<\/p>\n\n\n\n<div style=\"height:47px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-custom-size wp-block-paragraph\" style=\"font-size:30px\"><strong> RECORDINGS HEARD IN THIS EPISODE<\/strong><\/p>\n\n\n\n<div style=\"height:55px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"551\" height=\"768\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/07\/Addison-Radiant.png\" alt=\"\" class=\"wp-image-21968\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/07\/Addison-Radiant.png 551w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/07\/Addison-Radiant-215x300.png 215w\" sizes=\"auto, (max-width: 551px) 100vw, 551px\" \/><\/figure>\n<\/div>\n\n\n<p class=\"wp-block-paragraph\">George Frideric Handel, Charles Jennens (after John Milton): Straight mine eye hath caught new pleasures (<em>L\u2019Allegro ed il Penseroso<\/em>). Adele Addison, Frederic Waldman, Musica \u00c6terna Orchestra [1960]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"528\" height=\"580\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/07\/Copland.jpg\" alt=\"\" class=\"wp-image-21757\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/07\/Copland.jpg 528w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/07\/Copland-273x300.jpg 273w\" sizes=\"auto, (max-width: 528px) 100vw, 528px\" \/><figcaption class=\"wp-element-caption\">Aaron Copland<\/figcaption><\/figure>\n<\/div>\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Aaron Copland, Emily Dickinson: Nature, the gentlest mother (<em>Twelve Poems of Emily Dickinson<\/em>, No. 1). Adele Addison, Aaron Copland [1967]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"342\" height=\"435\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/07\/Addison-Young.jpg\" alt=\"\" class=\"wp-image-21978\" style=\"width:435px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/07\/Addison-Young.jpg 342w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/07\/Addison-Young-236x300.jpg 236w\" sizes=\"auto, (max-width: 342px) 100vw, 342px\" \/><\/figure>\n<\/div>\n\n\n<p class=\"wp-block-paragraph\">George Frideric Handel, Charles Jennens (after John Milton): There held in holy passion still (<em>L\u2019Allegro ed il Penseroso<\/em>). Adele Addison, Frederic Waldman, Musica \u00c6terna Orchestra and Chorus [1960]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"414\" height=\"490\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/07\/Lukas-Foss-handsome-1.jpg\" alt=\"\" class=\"wp-image-21970\" style=\"width:488px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/07\/Lukas-Foss-handsome-1.jpg 414w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/07\/Lukas-Foss-handsome-1-253x300.jpg 253w\" sizes=\"auto, (max-width: 414px) 100vw, 414px\" \/><\/figure>\n<\/div>\n\n\n<p class=\"wp-block-paragraph\">Lukas Foss, W.H. Auden: We\u2019re Late (<em>Time Cycle<\/em>, No. 1). Adele Addison, Leonard Bernstein, Columbia Symphony Orchestra [1961]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"768\" height=\"381\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/07\/Adele-and-Poulenc.png\" alt=\"\" class=\"wp-image-21971\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/07\/Adele-and-Poulenc.png 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/07\/Adele-and-Poulenc-300x149.png 300w\" sizes=\"auto, (max-width: 768px) 100vw, 768px\" \/><figcaption class=\"wp-element-caption\">Francis Poulenc and Adele Addison after the world premiere of his <em>Gloria<\/em><\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Francis Poulenc: Domine Deus. Agnus Dei (<em>Gloria<\/em>, FP 177\/5). Adele Addison, Charles Munch, Boston Symphony Orchestra, Chorus Pro Musica [world premiere performance Boston 21.I.61]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"335\" height=\"420\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/07\/Saramae-Endich.jpg\" alt=\"\" class=\"wp-image-21972\" style=\"width:445px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/07\/Saramae-Endich.jpg 335w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/07\/Saramae-Endich-239x300.jpg 239w\" sizes=\"auto, (max-width: 335px) 100vw, 335px\" \/><figcaption class=\"wp-element-caption\">Saramae Endich<\/figcaption><\/figure>\n<\/div>\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Antonio Vivaldi: Laudamus te (<em>Gloria<\/em> in D Major, RV 589). Adele Addison, Saramae Endich, Robert Shaw, The Robert Shaw Orchestra [1966]<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Harold Schramm, Tayumanavar: Song of Tayumanavar. Adele Addison, Samuel Baron [1971]<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Richard Donovan, Thomas Howell: When as the mildest month (<em>Five Elizabethan Lyrics<\/em>, No. 3). Adele Addison, Galimir String Quartet [Felix Galimir, Gino Sambuco, Samuel Rhodes, Pierre Basseux] [1967]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"768\" height=\"617\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/07\/Bernstein-Addison-Eunice-Alberts-James-Pease-David-Lloyd.jpg\" alt=\"\" class=\"wp-image-21977\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/07\/Bernstein-Addison-Eunice-Alberts-James-Pease-David-Lloyd.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/07\/Bernstein-Addison-Eunice-Alberts-James-Pease-David-Lloyd-300x241.jpg 300w\" sizes=\"auto, (max-width: 768px) 100vw, 768px\" \/><figcaption class=\"wp-element-caption\">Leonard Bernstein fake-rehearses Adele Addison, Eunice Alberts, James Pease and David Lloyd at Tanglewood<\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">George Frideric Handel, John Dryden: Orpheus could lead the savage race (<em>Ode for St. Cecilia\u2019s Day<\/em>, HWV 76\/9). Adele Addison, Leonard Bernstein, New York Philharmonic [1960]<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Paul Hindemith, Wilhelm Meinhold: Der Wurm am Meer (<em>Die Serenaden<\/em>, Op. 35, Part II, No. 6). Adele Addison, New York Chamber Soloists [Ynez Lynch, Melvin Kaplan, Alexander Kouguell] [1967]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"513\" height=\"640\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/07\/Adele-in-Operatic-Role.jpg\" alt=\"\" class=\"wp-image-21973\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/07\/Adele-in-Operatic-Role.jpg 513w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/07\/Adele-in-Operatic-Role-240x300.jpg 240w\" sizes=\"auto, (max-width: 513px) 100vw, 513px\" \/><\/figure>\n<\/div>\n\n\n<p class=\"wp-block-paragraph\">Gustave Charpentier: Depuis le jour (<em>Louise<\/em>). Adele Addison, Brooks Smith [live New York 27.III.1957]<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Marc Bucci, text after Elizabeth Enright: Spring Aria (<em>Tale for a Deaf Ear<\/em>). Adele Addison, James Payne [1962]<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">George Frideric Handel: Thou didst blow with the wind (<em>Israel in Egypt<\/em>). Adele Addison, Frederic Waldman, Musica \u00c6terna Orchestra [1963]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"733\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/07\/Noel-Lee-voor-poster-1024x733.jpeg\" alt=\"\" class=\"wp-image-21974\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/07\/Noel-Lee-voor-poster-1024x733.jpeg 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/07\/Noel-Lee-voor-poster-300x215.jpeg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/07\/Noel-Lee-voor-poster-768x549.jpeg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/07\/Noel-Lee-voor-poster-1536x1099.jpeg 1536w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/07\/Noel-Lee-voor-poster-2048x1465.jpeg 2048w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/07\/Noel-Lee-voor-poster-1600x1145.jpeg 1600w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">No\u00ebl Lee<\/figcaption><\/figure>\n<\/div>\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">No\u00ebl Lee, Federico Garcia Lorca: Mort au petit matin (<em>Five Songs on Poems by Federico Garcia Lorca<\/em>, No. 5). Adele Addison, Samuel Baron, Rey De La Torre [1962]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"563\" height=\"607\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/12\/Robert-Shaw.jpg\" alt=\"\" class=\"wp-image-13574\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/12\/Robert-Shaw.jpg 563w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/12\/Robert-Shaw-278x300.jpg 278w\" sizes=\"auto, (max-width: 563px) 100vw, 563px\" \/><figcaption class=\"wp-element-caption\">Robert Shaw<\/figcaption><\/figure>\n<\/div>\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Johann Sebastian Bach: Laudamus te (<em>Mass in b minor<\/em>, BWV 232). Adele Addison, Oscar Shumsky, Robert Shaw, The Robert Shaw Orchestra [1960]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"405\" height=\"571\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/07\/Lester-Trimble.jpg\" alt=\"\" class=\"wp-image-21975\" style=\"width:515px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/07\/Lester-Trimble.jpg 405w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/07\/Lester-Trimble-213x300.jpg 213w\" sizes=\"auto, (max-width: 405px) 100vw, 405px\" \/><figcaption class=\"wp-element-caption\">Lester Trimble<\/figcaption><\/figure>\n<\/div>\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Lester Trimble, Geoffrey Chaucer: IV. The Wyf of Biside Bathe (<em>Four Fragments from The Caunterbury Tales<\/em>). Adele Addison, Robert Conant, Martin Orenstein, Charles Russo [1961]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"485\" height=\"612\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/07\/BLees.png\" alt=\"\" class=\"wp-image-21976\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/07\/BLees.png 485w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/07\/BLees-238x300.png 238w\" sizes=\"auto, (max-width: 485px) 100vw, 485px\" \/><figcaption class=\"wp-element-caption\">Benjamin Lees<\/figcaption><\/figure>\n<\/div>\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Benjamin Lees, Walt Whitman: Cushion me soft, rock me in billowy drowse (<em>Visions of Poets<\/em>). Adele Addison, Milton Katims, Seattle Symphony Orchestra [world premiere Seattle 15.V.1962]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"399\" height=\"501\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/07\/Adele-Carl.jpg\" alt=\"\" class=\"wp-image-21980\" style=\"width:525px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/07\/Adele-Carl.jpg 399w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/07\/Adele-Carl-239x300.jpg 239w\" sizes=\"auto, (max-width: 399px) 100vw, 399px\" \/><\/figure>\n<\/div>\n\n\n<p class=\"wp-block-paragraph\">George Frideric Handel: Come unto Him, all ye that labour (<em>Messiah<\/em>). Adele Addison, Thompson Stone, The Handel and Haydn Society of Boston, The Zembler Sinfonietta [1955]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"476\" height=\"670\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/07\/Addison-Van-Vechten-seated.png\" alt=\"\" class=\"wp-image-21979\" style=\"width:511px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/07\/Addison-Van-Vechten-seated.png 476w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/07\/Addison-Van-Vechten-seated-213x300.png 213w\" sizes=\"auto, (max-width: 476px) 100vw, 476px\" \/><\/figure>\n<\/div>\n\n\n<p class=\"wp-block-paragraph\">Traditional Spiritual: Were You There. Adele Addison [1959]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Episode 483. Adele Addison @ 101 Today beloved African American soprano Adele Addison, still \u201csharp as a tack\u201d according to&hellip;<\/p>\n","protected":false},"author":1,"featured_media":5674,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"advgb_blocks_editor_width":"","advgb_blocks_columns_visual_guide":"","footnotes":""},"categories":[420,1626,1075,7296,9102,5823,3273,2261,1074,7698,5806,6486,2260,808,4510,3272,6119,2806],"tags":[2684,1055,9445,1326,4275,3114,3851,4006,9457,9441,9439,3740,3345,9451,9459,9458,544,4285,4282,280,9452,9446,9447,1728,9448,6492,4274,298,3581,8306,9438,972,4281,4892,2737,4273,9456,7358,9444,572,4276,2415,9460,9436,2394,9454,9437,9449,4284,567,2278,9453,4674,9440,9450,3853,9364,9455,2733,2466,9442,9443],"class_list":["post-21808","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-african-american-opera-singers","category-african-american-singers","category-art-song","category-black-history-month","category-black-history-month-2026","category-forgotten-divas","category-french-opera","category-full-figured-baroque","category-happy-birthday","category-honor-your-mentors","category-listeners-favorites","category-melodie","category-music-for-a-world-in-crisis","category-needle-drop","category-nyco-divas","category-singers-of-color","category-spirituals","category-twentieth-century-music","tag-aaron-copland","tag-adele-addison","tag-alexander-kouguell","tag-antonio-vivaldi","tag-benjamin-lees","tag-brooks-smith","tag-charles-jennens","tag-charles-munch","tag-charles-russo","tag-die-serenaden-hindemith","tag-elizabeth-enright","tag-emily-dickinson","tag-federico-garcia-lorca","tag-felix-galimir","tag-five-elizabethan-lyrics-donovan","tag-four-fragments-from-the-caunterbury-tales-trimble","tag-francis-poulenc","tag-frederic-waldman","tag-geoffrey-chaucer","tag-george-frideric-handel","tag-gino-sambuco","tag-gloria-poulenc","tag-gloria-vivaldi","tag-gustave-charpentier","tag-harold-schramm","tag-israel-in-egypt","tag-james-payne","tag-johann-sebastian-bach","tag-john-dryden","tag-john-milton","tag-lallegro-ed-il-penseroso","tag-leonard-bernstein","tag-lester-trimble","tag-louise","tag-lukas-foss","tag-marc-bucci","tag-martin-orenstein","tag-mass-in-b-minor","tag-melvin-kaplan","tag-messiah","tag-milton-katims","tag-noel-lee","tag-ode-for-st-cecilias-day","tag-oscar-shumsky","tag-paul-hindemith","tag-pierre-basseux","tag-rey-de-la-torre","tag-richard-donovan","tag-robert-conant","tag-robert-shaw","tag-samuel-baron","tag-samuel-rhodes","tag-saramae-endich","tag-tale-for-a-deaf-ear","tag-thomas-howell","tag-thompson-stone","tag-time-cycle","tag-twelve-poems-of-emily-dickinson-copland","tag-w-h-auden","tag-walt-whitman","tag-wilhelm-meinhold","tag-ynez-lynch"],"author_meta":{"display_name":"admin","author_link":"https:\/\/countermelodypodcast.com\/index.php\/author\/admin\/"},"featured_img":"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Moffo-Negligee-TRIMMED-300x140.jpg","coauthors":[],"tax_additional":{"categories":{"linked":["<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/african-american-opera-singers\/\" class=\"advgb-post-tax-term\">African American Opera Singers<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/african-american-singers\/\" class=\"advgb-post-tax-term\">African American Singers<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/art-song\/\" class=\"advgb-post-tax-term\">Art Song<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/black-history-month\/\" class=\"advgb-post-tax-term\">Black History Month<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/black-history-month-2026\/\" class=\"advgb-post-tax-term\">Black History Month 2026<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/forgotten-divas\/\" class=\"advgb-post-tax-term\">Forgotten Divas<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/french-opera\/\" class=\"advgb-post-tax-term\">French Opera<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/full-figured-baroque\/\" class=\"advgb-post-tax-term\">Full-Figured Baroque<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/happy-birthday\/\" class=\"advgb-post-tax-term\">Happy Birthday<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/honor-your-mentors\/\" class=\"advgb-post-tax-term\">Honor Your Mentors<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/listeners-favorites\/\" class=\"advgb-post-tax-term\">Listeners&#039; Favorites<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/melodie\/\" class=\"advgb-post-tax-term\">M\u00e9lodie<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/music-for-a-world-in-crisis\/\" class=\"advgb-post-tax-term\">Music for a World in Crisis<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Needle Drop<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/nyco-divas\/\" class=\"advgb-post-tax-term\">NYCO Divas<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/singers-of-color\/\" class=\"advgb-post-tax-term\">Singers of Color<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/spirituals\/\" class=\"advgb-post-tax-term\">Spirituals<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Twentieth Century Music<\/a>"],"unlinked":["<span class=\"advgb-post-tax-term\">African American Opera Singers<\/span>","<span class=\"advgb-post-tax-term\">African American Singers<\/span>","<span class=\"advgb-post-tax-term\">Art Song<\/span>","<span class=\"advgb-post-tax-term\">Black History Month<\/span>","<span class=\"advgb-post-tax-term\">Black History Month 2026<\/span>","<span class=\"advgb-post-tax-term\">Forgotten Divas<\/span>","<span class=\"advgb-post-tax-term\">French Opera<\/span>","<span class=\"advgb-post-tax-term\">Full-Figured Baroque<\/span>","<span class=\"advgb-post-tax-term\">Happy Birthday<\/span>","<span class=\"advgb-post-tax-term\">Honor Your Mentors<\/span>","<span class=\"advgb-post-tax-term\">Listeners&#039; Favorites<\/span>","<span class=\"advgb-post-tax-term\">M\u00e9lodie<\/span>","<span class=\"advgb-post-tax-term\">Music for a World in Crisis<\/span>","<span class=\"advgb-post-tax-term\">Needle Drop<\/span>","<span class=\"advgb-post-tax-term\">NYCO Divas<\/span>","<span class=\"advgb-post-tax-term\">Singers of Color<\/span>","<span class=\"advgb-post-tax-term\">Spirituals<\/span>","<span class=\"advgb-post-tax-term\">Twentieth Century Music<\/span>"]},"tags":{"linked":["<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Aaron Copland<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Adele Addison<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Alexander Kouguell<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Antonio Vivaldi<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Benjamin Lees<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Brooks Smith<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Charles Jennens<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Charles Munch<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Charles Russo<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Die Serenaden (Hindemith)<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Elizabeth Enright<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Emily Dickinson<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Federico Garc\u00eda Lorca<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Felix Galimir<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Five Elizabethan Lyrics (Donovan)<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Four Fragments from the Caunterbury Tales (Trimble)<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Francis Poulenc<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Frederic Waldman<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Geoffrey Chaucer<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">George Frideric Handel<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Gino Sambuco<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Gloria (Poulenc)<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Gloria (Vivaldi)<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Gustave Charpentier<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Harold Schramm<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Israel in Egypt<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">James Payne<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Johann Sebastian Bach<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">John Dryden<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">John Milton<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">L\u2019Allegro ed il Penseroso<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Leonard Bernstein<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Lester Trimble<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Louise<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Lukas Foss<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Marc Bucci<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Martin Orenstein<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Mass in b minor<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Melvin Kaplan<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Messiah<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Milton Katims<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">No\u00ebl Lee<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Ode for St. Cecilia\u2019s Day<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Oscar Shumsky<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Paul Hindemith<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Pierre Basseux<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Rey De La Torre<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Richard Donovan<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Robert Conant<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Robert Shaw<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Samuel Baron<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Samuel Rhodes<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Saramae Endich<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Tale for a Deaf Ear<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Thomas Howell<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Thompson Stone<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Time Cycle<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Twelve Poems of Emily Dickinson (Copland)<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">W.H. Auden<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Walt Whitman<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Wilhelm Meinhold<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Ynez Lynch<\/a>"],"unlinked":["<span class=\"advgb-post-tax-term\">Aaron Copland<\/span>","<span class=\"advgb-post-tax-term\">Adele Addison<\/span>","<span class=\"advgb-post-tax-term\">Alexander Kouguell<\/span>","<span class=\"advgb-post-tax-term\">Antonio Vivaldi<\/span>","<span class=\"advgb-post-tax-term\">Benjamin Lees<\/span>","<span class=\"advgb-post-tax-term\">Brooks Smith<\/span>","<span class=\"advgb-post-tax-term\">Charles Jennens<\/span>","<span class=\"advgb-post-tax-term\">Charles Munch<\/span>","<span class=\"advgb-post-tax-term\">Charles Russo<\/span>","<span class=\"advgb-post-tax-term\">Die Serenaden (Hindemith)<\/span>","<span class=\"advgb-post-tax-term\">Elizabeth Enright<\/span>","<span class=\"advgb-post-tax-term\">Emily Dickinson<\/span>","<span class=\"advgb-post-tax-term\">Federico Garc\u00eda Lorca<\/span>","<span class=\"advgb-post-tax-term\">Felix Galimir<\/span>","<span class=\"advgb-post-tax-term\">Five Elizabethan Lyrics (Donovan)<\/span>","<span class=\"advgb-post-tax-term\">Four Fragments from the Caunterbury Tales (Trimble)<\/span>","<span class=\"advgb-post-tax-term\">Francis Poulenc<\/span>","<span class=\"advgb-post-tax-term\">Frederic Waldman<\/span>","<span class=\"advgb-post-tax-term\">Geoffrey Chaucer<\/span>","<span class=\"advgb-post-tax-term\">George Frideric Handel<\/span>","<span class=\"advgb-post-tax-term\">Gino Sambuco<\/span>","<span class=\"advgb-post-tax-term\">Gloria (Poulenc)<\/span>","<span class=\"advgb-post-tax-term\">Gloria (Vivaldi)<\/span>","<span class=\"advgb-post-tax-term\">Gustave Charpentier<\/span>","<span class=\"advgb-post-tax-term\">Harold Schramm<\/span>","<span class=\"advgb-post-tax-term\">Israel in Egypt<\/span>","<span class=\"advgb-post-tax-term\">James Payne<\/span>","<span class=\"advgb-post-tax-term\">Johann Sebastian Bach<\/span>","<span class=\"advgb-post-tax-term\">John Dryden<\/span>","<span class=\"advgb-post-tax-term\">John Milton<\/span>","<span class=\"advgb-post-tax-term\">L\u2019Allegro ed il Penseroso<\/span>","<span class=\"advgb-post-tax-term\">Leonard Bernstein<\/span>","<span class=\"advgb-post-tax-term\">Lester Trimble<\/span>","<span class=\"advgb-post-tax-term\">Louise<\/span>","<span class=\"advgb-post-tax-term\">Lukas Foss<\/span>","<span class=\"advgb-post-tax-term\">Marc Bucci<\/span>","<span class=\"advgb-post-tax-term\">Martin Orenstein<\/span>","<span class=\"advgb-post-tax-term\">Mass in b minor<\/span>","<span class=\"advgb-post-tax-term\">Melvin Kaplan<\/span>","<span class=\"advgb-post-tax-term\">Messiah<\/span>","<span class=\"advgb-post-tax-term\">Milton Katims<\/span>","<span class=\"advgb-post-tax-term\">No\u00ebl Lee<\/span>","<span class=\"advgb-post-tax-term\">Ode for St. Cecilia\u2019s Day<\/span>","<span class=\"advgb-post-tax-term\">Oscar Shumsky<\/span>","<span class=\"advgb-post-tax-term\">Paul Hindemith<\/span>","<span class=\"advgb-post-tax-term\">Pierre Basseux<\/span>","<span class=\"advgb-post-tax-term\">Rey De La Torre<\/span>","<span class=\"advgb-post-tax-term\">Richard Donovan<\/span>","<span class=\"advgb-post-tax-term\">Robert Conant<\/span>","<span class=\"advgb-post-tax-term\">Robert Shaw<\/span>","<span class=\"advgb-post-tax-term\">Samuel Baron<\/span>","<span class=\"advgb-post-tax-term\">Samuel Rhodes<\/span>","<span class=\"advgb-post-tax-term\">Saramae Endich<\/span>","<span class=\"advgb-post-tax-term\">Tale for a Deaf Ear<\/span>","<span class=\"advgb-post-tax-term\">Thomas Howell<\/span>","<span class=\"advgb-post-tax-term\">Thompson Stone<\/span>","<span class=\"advgb-post-tax-term\">Time Cycle<\/span>","<span class=\"advgb-post-tax-term\">Twelve Poems of Emily Dickinson (Copland)<\/span>","<span class=\"advgb-post-tax-term\">W.H. Auden<\/span>","<span class=\"advgb-post-tax-term\">Walt Whitman<\/span>","<span class=\"advgb-post-tax-term\">Wilhelm Meinhold<\/span>","<span class=\"advgb-post-tax-term\">Ynez Lynch<\/span>"]}},"comment_count":"0","relative_dates":{"created":"Posted 15 minutes ago","modified":"Updated 15 minutes ago"},"absolute_dates":{"created":"Posted on 25\/07\/2026","modified":"Updated on 25\/07\/2026"},"absolute_dates_time":{"created":"Posted on 25\/07\/2026 00:26","modified":"Updated on 25\/07\/2026 00:26"},"featured_img_caption":"","series_order":"","_links":{"self":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/21808","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/comments?post=21808"}],"version-history":[{"count":3,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/21808\/revisions"}],"predecessor-version":[{"id":21982,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/21808\/revisions\/21982"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/media\/5674"}],"wp:attachment":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/media?parent=21808"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/categories?post=21808"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/tags?post=21808"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}