{"id":21553,"date":"2026-07-11T21:16:34","date_gmt":"2026-07-11T19:16:34","guid":{"rendered":"https:\/\/countermelodypodcast.com\/?p=21553"},"modified":"2026-07-12T16:06:32","modified_gmt":"2026-07-12T14:06:32","slug":"episode-479-get-to-know-alain-vanzo","status":"publish","type":"post","link":"https:\/\/countermelodypodcast.com\/index.php\/2026\/07\/11\/episode-479-get-to-know-alain-vanzo\/","title":{"rendered":"Episode 479. Get to Know Alain Vanzo"},"content":{"rendered":"<div id=\"mega-menu-wrap-primary\" class=\"mega-menu-wrap\"><div class=\"mega-menu-toggle\"><div class=\"mega-toggle-blocks-left\"><\/div><div class=\"mega-toggle-blocks-center\"><\/div><div class=\"mega-toggle-blocks-right\"><div class='mega-toggle-block mega-menu-toggle-animated-block mega-toggle-block-1' id='mega-toggle-block-1'><button aria-controls=\"mega-menu-primary\" aria-expanded=\"false\" aria-haspopup=\"true\" aria-label=\"Menu\" class=\"mega-toggle-animated mega-toggle-animated-slider\" type=\"button\">\n                  <span class=\"mega-toggle-animated-box\">\n                    <span class=\"mega-toggle-animated-inner\"><\/span>\n                  <\/span>\n                <\/button><\/div><\/div><\/div><ul id=\"mega-menu-primary\" class=\"mega-menu max-mega-menu mega-menu-horizontal mega-no-js\" data-event=\"hover_intent\" data-effect=\"slide\" data-effect-speed=\"200\" data-effect-mobile=\"slide\" data-effect-speed-mobile=\"200\" data-mobile-force-width=\"body\" data-second-click=\"go\" data-document-click=\"collapse\" data-vertical-behaviour=\"standard\" data-breakpoint=\"600\" data-unbind=\"true\" data-mobile-state=\"collapse_all\" data-mobile-direction=\"vertical\"><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-menu-item-home mega-menu-item-19160\" id=\"mega-menu-item-19160\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/\">Home<\/a><\/li><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-menu-item-19161\" id=\"mega-menu-item-19161\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/index.php\/about-daniel\/\">About Daniel<\/a><\/li><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-current_page_parent mega-menu-item-19171\" id=\"mega-menu-item-19171\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/index.php\/all-episodes\/\">All Episodes<\/a><\/li><\/ul><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">Episode 479. Get to Know Alain Vanzo<\/h2>\n\n\n<p><iframe loading=\"lazy\" width=\"340\" height=\"50\" src=\"https:\/\/countermelody.blubrry.net\/?powerpress_embed=2037-podcast&amp;powerpress_player=mediaelement-audio\" title=\"Blubrry Podcast Player\" frameborder=\"0\" scrolling=\"no\"><\/iframe><\/p>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<div class=\"wp-block-buttons is-horizontal is-content-justification-left is-layout-flex wp-container-core-buttons-is-layout-39697d9b wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link no-border-radius wp-element-button\" href=\"https:\/\/countermelody.blubrry.net\/\">SUBSCRIBE VIA YOUR FAVORITE PODCAST PLATFORM<\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"367\" height=\"544\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/07\/Vanzo-color.jpg\" alt=\"\" class=\"wp-image-21815\" style=\"width:730px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/07\/Vanzo-color.jpg 367w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/07\/Vanzo-color-202x300.jpg 202w\" sizes=\"auto, (max-width: 367px) 100vw, 367px\" \/><\/figure>\n<\/div>\n\n\n<div style=\"height:38px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"wp-block-paragraph\">I return to the <em>Countermelody<\/em> Salut \u00e0 la France miniseries with a tribute to the Monaco-born French-naturalized tenor, Alain Vanzo (1923-2002). There was simply no more elegant a tenor (or any singer!) in the French operatic repertoire (and beyond) than Vanzo in his glory days in the 1960s and 1970s. I have chosen a setlist which presents him, in his core repertoire (Gounod, Massenet, Lalo), sounding truly <em>exquise<\/em>, but I also show him in music for which he was less-celebrated, but equally compelling, everything from Mozart, Rossini, and Puccini, to Mascagni and even Giordano, with even more delicious surprises along the way. Special thanks to my friend Olivier, for specifically requesting this episode. In preparing it, I became a Vanzo admirer to an all-out raving Vanzo fan girl. In listening to this, you may well find yourself in the same place that I did!<\/p>\n\n\n\n<div style=\"height:47px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-custom-size wp-block-paragraph\" style=\"font-size:30px\"><strong> RECORDINGS HEARD IN THIS EPISODE<\/strong><\/p>\n\n\n\n<div style=\"height:55px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"589\" height=\"584\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/07\/Vanzo-Album-Cover.jpg\" alt=\"\" class=\"wp-image-21811\" style=\"width:721px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/07\/Vanzo-Album-Cover.jpg 589w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/07\/Vanzo-Album-Cover-300x297.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/07\/Vanzo-Album-Cover-150x150.jpg 150w\" sizes=\"auto, (max-width: 589px) 100vw, 589px\" \/><\/figure>\n<\/div>\n\n\n<p class=\"wp-block-paragraph\">All tracks feature tenor Alain Vanzo.<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"640\" height=\"640\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/07\/Vanzo-Smiling.jpg\" alt=\"\" class=\"wp-image-21834\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/07\/Vanzo-Smiling.jpg 640w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/07\/Vanzo-Smiling-300x300.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/07\/Vanzo-Smiling-150x150.jpg 150w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/figure>\n<\/div>\n\n\n<p class=\"wp-block-paragraph\">\u00c9douard Lalo, \u00c9douard Blau [n\u00e9 Stanislaus Viateur]: Puisqu\u2019on ne peut fl\u00e9chir&#8230; Vainement, ma bien-aim\u00e9e (<em>Le Roi d\u2019Ys<\/em>). J\u00e9sus Etcheverry, Orchestre Lyrique de l\u2019ORTF [radio broacdcast 14.XI.1968]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"551\" height=\"613\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/07\/Vanzo-costume.png\" alt=\"\" class=\"wp-image-21825\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/07\/Vanzo-costume.png 551w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/07\/Vanzo-costume-270x300.png 270w\" sizes=\"auto, (max-width: 551px) 100vw, 551px\" \/><\/figure>\n<\/div>\n\n\n<p class=\"wp-block-paragraph\">Charles Gounod, Jules Barbier, Michel Carr\u00e9 [after Johann Wolfgang von Goethe]: Quel trouble inconnu&#8230; Salut, demeure chaste et pure (<em>Faust<\/em>). Gustave Clo\u00ebz, Orchestre Radio-Lyrique [radio recording 15.XII.1958]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"398\" height=\"680\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/07\/Doria-Vanzo.png\" alt=\"\" class=\"wp-image-21838\" style=\"width:491px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/07\/Doria-Vanzo.png 398w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/07\/Doria-Vanzo-176x300.png 176w\" sizes=\"auto, (max-width: 398px) 100vw, 398px\" \/><figcaption class=\"wp-element-caption\">Vanzo and Ren\u00e9e Doria<\/figcaption><\/figure>\n<\/div>\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Giuseppe Verdi, Francesco Maria Piave [after Victor Hugo; French version by \u00c9douard Duprez]: Vois \u00e0 tes pieds celui qui te demande [\u00c8 il sol dell\u2019anima] (<em>Rigoletto<\/em>). Ren\u00e9e Doria, Orchestra conducted by J\u00e9sus Etcheverry [1961]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"400\" height=\"394\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/07\/Andree-Esposito.jpg\" alt=\"\" class=\"wp-image-21818\" style=\"width:546px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/07\/Andree-Esposito.jpg 400w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/07\/Andree-Esposito-300x296.jpg 300w\" sizes=\"auto, (max-width: 400px) 100vw, 400px\" \/><figcaption class=\"wp-element-caption\">Andr\u00e9e Esposito<\/figcaption><\/figure>\n<\/div>\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Charles Gounod, Michel Carr\u00e9 [after Fr\u00e9d\u00e9ric Mistral]: La brise est douce (<em>Mireille<\/em>). Andr\u00e9e Esposito, Jules Gressier, Orchestre Radio-Lyrique et Choeurs de la RTF [radio recording 13.VIII.1959]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"467\" height=\"619\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/07\/alain-vanzo-pays-du-sourire.png\" alt=\"\" class=\"wp-image-21837\" style=\"width:555px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/07\/alain-vanzo-pays-du-sourire.png 467w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/07\/alain-vanzo-pays-du-sourire-226x300.png 226w\" sizes=\"auto, (max-width: 467px) 100vw, 467px\" \/><\/figure>\n<\/div>\n\n\n<p class=\"wp-block-paragraph\">Franz Leh\u00e1r, Ludwig Herzer, Fritz L\u00f6hner-Beda [after Victor L\u00e9on; French version by Andr\u00e9 Mauprey, Jean Marietti]: Dans l\u2019ombre blanche des pommiers en fleurs [Von Apfelbl\u00fcten einen Kranz] (<em>Le pays du sourire<\/em> [<em>Das Land des L\u00e4chelns<\/em>]). Orchestre Raymond Chevreux [1957]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"969\" height=\"768\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/07\/Vanzo-in-the-Studio-1.png\" alt=\"\" class=\"wp-image-21841\" style=\"aspect-ratio:1.2617348854675179;width:574px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/07\/Vanzo-in-the-Studio-1.png 969w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/07\/Vanzo-in-the-Studio-1-300x238.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/07\/Vanzo-in-the-Studio-1-768x609.png 768w\" sizes=\"auto, (max-width: 969px) 100vw, 969px\" \/><\/figure>\n<\/div>\n\n\n<p class=\"wp-block-paragraph\">Wolfgang Amadeus Mozart, Lorenzo da Ponte: Dalla sua pace (<em>Don Giovanni<\/em>). Georges Pr\u00eatre, Orchestre Radio-Lyrique [radio recording 08.X.1962]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"397\" height=\"573\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/07\/Vanzo-Nadir.png\" alt=\"\" class=\"wp-image-21832\" style=\"aspect-ratio:0.6928505921288728;width:626px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/07\/Vanzo-Nadir.png 397w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/07\/Vanzo-Nadir-208x300.png 208w\" sizes=\"auto, (max-width: 397px) 100vw, 397px\" \/><figcaption class=\"wp-element-caption\">As Nadir in Les P\u00eacheurs de perles<\/figcaption><\/figure>\n<\/div>\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Gioachino Rossini, Angelo Anelli: Languir pour une belle [Languir per una bella] (<em>L\u2019Italienne \u00e0 Alger<\/em> [<em>L\u2019Italiana in Algeri<\/em>]). Orchestra conducted by Giancarlo Amati [1962]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"776\" height=\"465\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/07\/Young-Mady-TRIMMED.jpg\" alt=\"\" class=\"wp-image-21842\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/07\/Young-Mady-TRIMMED.jpg 776w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/07\/Young-Mady-TRIMMED-300x180.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/07\/Young-Mady-TRIMMED-768x460.jpg 768w\" sizes=\"auto, (max-width: 776px) 100vw, 776px\" \/><figcaption class=\"wp-element-caption\">Mady Mespl\u00e9<\/figcaption><\/figure>\n<\/div>\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Georges Bizet, L\u00e9on Battu, Ludovic Hal\u00e9vy: Sulle piume dell\u2019amore [S\u00e9r\u00e9nade en duo] (Don Procopio). Mady Mespl\u00e9, Bruno Amaducci, Orchestre Lyric de Radio France [radio recording 06.VII.1975]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"506\" height=\"798\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/07\/Vanzo-as-Rodolphe.jpg\" alt=\"\" class=\"wp-image-21840\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/07\/Vanzo-as-Rodolphe.jpg 506w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/07\/Vanzo-as-Rodolphe-190x300.jpg 190w\" sizes=\"auto, (max-width: 506px) 100vw, 506px\" \/><\/figure>\n<\/div>\n\n\n<p class=\"wp-block-paragraph\">Giacomo Puccini, Giuseppe Giacosa, Luigi Illica [after Henri Murger; French version by Paul Ferrier]: Que cette main est froide [Che gelida manina] (<em>La Boh\u00e8me<\/em>). Orchestra conducted by Erasmo Ghiglia [1960]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"670\" height=\"603\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/07\/Vanzo-autographed.png\" alt=\"\" class=\"wp-image-21823\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/07\/Vanzo-autographed.png 670w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/07\/Vanzo-autographed-300x270.png 300w\" sizes=\"auto, (max-width: 670px) 100vw, 670px\" \/><\/figure>\n<\/div>\n\n\n<p class=\"wp-block-paragraph\">Ruggero Leoncavallo [after Henri Murger]: Io non ho che una povera stanzetta (<em>La Boh\u00e8me<\/em>). Anita Terzian, Nino Bonavolont\u00e0, Orchestre Lyrique de Radio-France [radio recording 27.III.1975]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"585\" height=\"736\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/07\/Cotrubas-Glam-Shot-Young.png\" alt=\"\" class=\"wp-image-21843\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/07\/Cotrubas-Glam-Shot-Young.png 585w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/07\/Cotrubas-Glam-Shot-Young-238x300.png 238w\" sizes=\"auto, (max-width: 585px) 100vw, 585px\" \/><figcaption class=\"wp-element-caption\">Ileana Cotruba\u015f<\/figcaption><\/figure>\n<\/div>\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Jules Massenet, Henri Meilhac, Philippe Gille [after Abb\u00e9 Pr\u00e9vost]: Ah! parlez moi&#8230; Nous vivrons \u00e0 Paris (<em>Manon<\/em>). Ileana Cotruba\u015f, Serge Baudo, Orchestre de l\u2019Op\u00e9ra National de Paris [live Paris 05.VII.1974]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"440\" height=\"768\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/07\/Vanzo-bearded-costume.png\" alt=\"\" class=\"wp-image-21824\" style=\"width:515px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/07\/Vanzo-bearded-costume.png 440w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/07\/Vanzo-bearded-costume-172x300.png 172w\" sizes=\"auto, (max-width: 440px) 100vw, 440px\" \/><\/figure>\n<\/div>\n\n\n<p class=\"wp-block-paragraph\">Hector Berlioz, L\u00e9on de Wailly, Auguste Barbier: Sur les monts les plus sauvages (<em>Benvenuto Cellini<\/em>). Pierre-Michel Leconte, Orchestre Lyrique de l\u2019ORTF [radio recording 24.IV.1969]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"726\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/07\/Sarroca-as-Tosca.jpg\" alt=\"\" class=\"wp-image-21844\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/07\/Sarroca-as-Tosca.jpg 726w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/07\/Sarroca-as-Tosca-213x300.jpg 213w\" sizes=\"auto, (max-width: 726px) 100vw, 726px\" \/><\/figure>\n<\/div>\n\n\n<p class=\"wp-block-paragraph\">Pietro Mascagni, Giovanni Targioni-Tozzetti, Guido Menasci [after Giovanni Verga; French version by Paul Milliet]: Ah! tu vois, qu\u2019as tu fait&#8230; Mais non, Torido, je n\u2019ai que toi sur la terre (<em>Cavalleria rusticana<\/em>). Suzanne Sarroca, Orchestra conducted by Reynald Giovaninetti [1965]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"668\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/07\/Daniel-Lesur-1.jpg\" alt=\"\" class=\"wp-image-21845\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/07\/Daniel-Lesur-1.jpg 668w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/07\/Daniel-Lesur-1-196x300.jpg 196w\" sizes=\"auto, (max-width: 668px) 100vw, 668px\" \/><\/figure>\n<\/div>\n\n\n<p class=\"wp-block-paragraph\">[Jean-Yves] Daniel-Lesur [after Alfred de Musset]: Lucr\u00e8ce! Lucr\u00e8ce! Que ne m\u2019accablais tu de te tes rigueurs (<em>Andrea del Sarto<\/em>). Manuel Rosenthal, Orchestre National de l\u2019ORTF [1974]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"390\" height=\"584\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/07\/Le-Bris-as-Tosca.png\" alt=\"\" class=\"wp-image-21822\" style=\"width:556px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/07\/Le-Bris-as-Tosca.png 390w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/07\/Le-Bris-as-Tosca-200x300.png 200w\" sizes=\"auto, (max-width: 390px) 100vw, 390px\" \/><\/figure>\n<\/div>\n\n\n<p class=\"wp-block-paragraph\">Umberto Giordano, Luigi Illica: Vedi? La luce incerta del crepuscolo&#8230; La nostra morte \u00e8 il trionfo dell\u2019amore (<em>Andrea Ch\u00e9nier<\/em>). Mich\u00e8le le Bris, Georges S\u00e9bastien, Orchestre Lyrique de l\u2019ORTF [live recording Paris 24.IX.1970]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"524\" height=\"664\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/07\/Vanzo-Opera-Backdrop.png\" alt=\"\" class=\"wp-image-21833\" style=\"width:609px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/07\/Vanzo-Opera-Backdrop.png 524w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/07\/Vanzo-Opera-Backdrop-237x300.png 237w\" sizes=\"auto, (max-width: 524px) 100vw, 524px\" \/><\/figure>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>Episode 479. Get to Know Alain Vanzo I return to the Countermelody Salut \u00e0 la France miniseries with a tribute&hellip;<\/p>\n","protected":false},"author":1,"featured_media":21812,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"advgb_blocks_editor_width":"","advgb_blocks_columns_visual_guide":"","footnotes":""},"categories":[1701,5823,2476,2398,5137,1603,5806,808,2329,1470,4980,427,5138],"tags":[4009,3871,6481,4481,216,8799,1720,8142,9394,6541,4459,4107,1023,296,4734,4483,1068,4106,5667,7393,1813,3872,319,4535,1448,5690,835,350,390,500,94,9392,6156,5680,5682,4759,207,5681,1760,310,3672,6022,448,4482,4154,1137,4020,4571,433,1257,418,6376,1817,9393,6540,870,3673,3389,4758,481,434,3864,4021,3877,5689,9395,5683,4008,9396,59,4480,1722,5684,325,70,1341,475,150,3735,7161,34],"class_list":["post-21553","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-bel-canto","category-forgotten-divas","category-giacomo-puccini","category-giuseppe-verdi","category-great-tenors","category-ileana-cotrubas","category-listeners-favorites","category-needle-drop","category-opera-in-translation","category-operetta","category-twentieth-century-opera","category-verismo","category-wolfgang-amadeus-mozart","tag-abbe-prevost","tag-alain-vanzo","tag-alfred-de-musset","tag-andre-mauprey","tag-andrea-chenier","tag-andrea-del-sarto","tag-andree-esposito","tag-angelo-anelli","tag-anita-terzian","tag-auguste-barbier","tag-benvenuto-cellini","tag-bruno-amaducci","tag-cavalleria-rusticana","tag-charles-gounod","tag-daniel-lesur","tag-das-land-des-lachelns","tag-don-giovanni","tag-don-procopio","tag-edouard-blau","tag-edouard-duprez","tag-edouard-lalo","tag-erasmo-ghiglia","tag-faust","tag-francesco-maria-piave","tag-franz-lehar","tag-frederic-mistral","tag-fritz-lohner-beda","tag-georges-bizet","tag-georges-pretre","tag-georges-sebastien","tag-giacomo-puccini","tag-giancarlo-amati","tag-gioachino-rossini","tag-giovanni-targioni-tozzetti","tag-giovanni-verga","tag-giuseppe-giacosa","tag-giuseppe-verdi","tag-guido-menasci","tag-gustave-cloez","tag-hector-berlioz","tag-henri-meilhac","tag-henri-murger","tag-ileana-cotrubas","tag-jean-marietti","tag-jesus-etcheverry","tag-johann-wolfgang-von-goethe","tag-jules-barbier","tag-jules-gressier","tag-jules-massenet","tag-litaliana-in-algeri","tag-la-boheme","tag-le-pays-du-sourire","tag-le-roi-dys-2","tag-leon-battu","tag-leon-de-wailly","tag-lorenzo-da-ponte","tag-ludovic-halevy","tag-ludwig-herzer","tag-luigi-illica","tag-mady-mesple","tag-manon","tag-manuel-rosenthal","tag-michel-carre","tag-michele-le-bris","tag-mireille","tag-nino-bonavolonta","tag-paul-milliet","tag-philippe-gille","tag-pierre-michel-leconte","tag-pietro-mascagni","tag-raymond-chevreux","tag-renee-doria","tag-reynald-giovaninetti","tag-rigoletto","tag-ruggero-leoncavallo","tag-serge-baudo","tag-suzanne-sarroca","tag-umberto-giordano","tag-victor-hugo","tag-victor-leon","tag-wolfgang-amadeus-mozart"],"author_meta":{"display_name":"admin","author_link":"https:\/\/countermelodypodcast.com\/index.php\/author\/admin\/"},"featured_img":"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/07\/Vanzo-Grands-Airs-TRIMMED-300x178.jpg","coauthors":[],"tax_additional":{"categories":{"linked":["<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/bel-canto\/\" class=\"advgb-post-tax-term\">Bel Canto<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/forgotten-divas\/\" class=\"advgb-post-tax-term\">Forgotten Divas<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/giacomo-puccini\/\" class=\"advgb-post-tax-term\">Giacomo Puccini<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/giuseppe-verdi\/\" class=\"advgb-post-tax-term\">Giuseppe Verdi<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/great-tenors\/\" class=\"advgb-post-tax-term\">Great Tenors<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/ileana-cotrubas\/\" class=\"advgb-post-tax-term\">Ileana Cotrubas<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/listeners-favorites\/\" class=\"advgb-post-tax-term\">Listeners&#039; Favorites<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Needle Drop<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/opera-in-translation\/\" class=\"advgb-post-tax-term\">Opera in Translation<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Operetta<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-opera\/\" class=\"advgb-post-tax-term\">Twentieth Century Opera<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Verismo<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Wolfgang Amadeus Mozart<\/a>"],"unlinked":["<span class=\"advgb-post-tax-term\">Bel Canto<\/span>","<span class=\"advgb-post-tax-term\">Forgotten Divas<\/span>","<span class=\"advgb-post-tax-term\">Giacomo Puccini<\/span>","<span class=\"advgb-post-tax-term\">Giuseppe Verdi<\/span>","<span class=\"advgb-post-tax-term\">Great Tenors<\/span>","<span class=\"advgb-post-tax-term\">Ileana Cotrubas<\/span>","<span class=\"advgb-post-tax-term\">Listeners&#039; Favorites<\/span>","<span class=\"advgb-post-tax-term\">Needle Drop<\/span>","<span class=\"advgb-post-tax-term\">Opera in Translation<\/span>","<span class=\"advgb-post-tax-term\">Operetta<\/span>","<span class=\"advgb-post-tax-term\">Twentieth Century Opera<\/span>","<span class=\"advgb-post-tax-term\">Verismo<\/span>","<span class=\"advgb-post-tax-term\">Wolfgang Amadeus Mozart<\/span>"]},"tags":{"linked":["<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Abb\u00e9 Prevost<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Alain Vanzo<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Alfred de Musset<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Andr\u00e9 Mauprey<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Andrea Ch\u00e9nier<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Andrea del Sarto<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Andr\u00e9e Esposito<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Angelo Anelli<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Anita Terzian<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Auguste Barbier<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Benvenuto Cellini<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Bruno Amaducci<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Cavalleria Rusticana<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Charles Gounod<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Daniel Lesur<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Das Land des L\u00e4chelns<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Don Giovanni<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Don Procopio<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">\u00c9douard Blau<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">\u00c9douard Duprez<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">\u00c9douard Lalo<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Erasmo Ghiglia<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Faust<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Francesco Maria Piave<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Franz Leh\u00e1r<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Fr\u00e9d\u00e9ric Mistral<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Fritz L\u00f6hner-Beda<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Georges Bizet<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Georges Pretre<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Georges S\u00e9bastien<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Giacomo Puccini<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Giancarlo Amati<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Gioachino Rossini<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Giovanni Targioni-Tozzetti<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Giovanni Verga<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Giuseppe Giacosa<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Giuseppe Verdi<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Guido Menasci<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Gustave Clo\u00ebz<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Hector Berlioz<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Henri Meilhac<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Henri Murger<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Ileana Cotrubas<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Jean Marietti<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">J\u00e9sus Etch\u00e9verry<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Johann Wolfgang von Goethe<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Jules Barbier<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Jules Gressier<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Jules Massenet<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">L&#039;Italiana in Algeri<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">La Boheme<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Le pays du sourire<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Le Roi d\u2019Ys<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">L\u00e9on Battu<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">L\u00e9on de Wailly<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Lorenzo da Ponte<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Ludovic Hal\u00e9vy<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Ludwig Herzer<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Luigi Illica<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Mady Mesple<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Manon<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Manuel Rosenthal<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Michel Carr\u00e9<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Mich\u00e8le Le Bris<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Mireille<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Nino Bonavolont\u00e0<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Paul Milliet<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Philippe Gille<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Pierre-Michel Leconte<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Pietro Mascagni<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Raymond Chevreux<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Ren\u00e9e Doria<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Reynald Giovaninetti<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Rigoletto<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Ruggero Leoncavallo<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Serge Baudo<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Suzanne Sarroca<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Umberto Giordano<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Victor Hugo<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Victor L\u00e9on<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Wolfgang Amadeus Mozart<\/a>"],"unlinked":["<span class=\"advgb-post-tax-term\">Abb\u00e9 Prevost<\/span>","<span class=\"advgb-post-tax-term\">Alain Vanzo<\/span>","<span class=\"advgb-post-tax-term\">Alfred de Musset<\/span>","<span class=\"advgb-post-tax-term\">Andr\u00e9 Mauprey<\/span>","<span class=\"advgb-post-tax-term\">Andrea Ch\u00e9nier<\/span>","<span class=\"advgb-post-tax-term\">Andrea del Sarto<\/span>","<span class=\"advgb-post-tax-term\">Andr\u00e9e Esposito<\/span>","<span class=\"advgb-post-tax-term\">Angelo Anelli<\/span>","<span class=\"advgb-post-tax-term\">Anita Terzian<\/span>","<span class=\"advgb-post-tax-term\">Auguste Barbier<\/span>","<span class=\"advgb-post-tax-term\">Benvenuto Cellini<\/span>","<span class=\"advgb-post-tax-term\">Bruno Amaducci<\/span>","<span class=\"advgb-post-tax-term\">Cavalleria Rusticana<\/span>","<span class=\"advgb-post-tax-term\">Charles Gounod<\/span>","<span class=\"advgb-post-tax-term\">Daniel Lesur<\/span>","<span class=\"advgb-post-tax-term\">Das Land des L\u00e4chelns<\/span>","<span class=\"advgb-post-tax-term\">Don Giovanni<\/span>","<span class=\"advgb-post-tax-term\">Don Procopio<\/span>","<span class=\"advgb-post-tax-term\">\u00c9douard Blau<\/span>","<span class=\"advgb-post-tax-term\">\u00c9douard Duprez<\/span>","<span class=\"advgb-post-tax-term\">\u00c9douard Lalo<\/span>","<span class=\"advgb-post-tax-term\">Erasmo Ghiglia<\/span>","<span class=\"advgb-post-tax-term\">Faust<\/span>","<span class=\"advgb-post-tax-term\">Francesco Maria Piave<\/span>","<span class=\"advgb-post-tax-term\">Franz Leh\u00e1r<\/span>","<span class=\"advgb-post-tax-term\">Fr\u00e9d\u00e9ric Mistral<\/span>","<span class=\"advgb-post-tax-term\">Fritz L\u00f6hner-Beda<\/span>","<span class=\"advgb-post-tax-term\">Georges Bizet<\/span>","<span class=\"advgb-post-tax-term\">Georges Pretre<\/span>","<span class=\"advgb-post-tax-term\">Georges S\u00e9bastien<\/span>","<span class=\"advgb-post-tax-term\">Giacomo Puccini<\/span>","<span class=\"advgb-post-tax-term\">Giancarlo Amati<\/span>","<span class=\"advgb-post-tax-term\">Gioachino Rossini<\/span>","<span class=\"advgb-post-tax-term\">Giovanni Targioni-Tozzetti<\/span>","<span class=\"advgb-post-tax-term\">Giovanni Verga<\/span>","<span class=\"advgb-post-tax-term\">Giuseppe Giacosa<\/span>","<span class=\"advgb-post-tax-term\">Giuseppe Verdi<\/span>","<span class=\"advgb-post-tax-term\">Guido Menasci<\/span>","<span class=\"advgb-post-tax-term\">Gustave Clo\u00ebz<\/span>","<span class=\"advgb-post-tax-term\">Hector Berlioz<\/span>","<span class=\"advgb-post-tax-term\">Henri Meilhac<\/span>","<span class=\"advgb-post-tax-term\">Henri Murger<\/span>","<span class=\"advgb-post-tax-term\">Ileana Cotrubas<\/span>","<span class=\"advgb-post-tax-term\">Jean Marietti<\/span>","<span class=\"advgb-post-tax-term\">J\u00e9sus Etch\u00e9verry<\/span>","<span class=\"advgb-post-tax-term\">Johann Wolfgang von Goethe<\/span>","<span class=\"advgb-post-tax-term\">Jules Barbier<\/span>","<span class=\"advgb-post-tax-term\">Jules Gressier<\/span>","<span class=\"advgb-post-tax-term\">Jules Massenet<\/span>","<span class=\"advgb-post-tax-term\">L&#039;Italiana in Algeri<\/span>","<span class=\"advgb-post-tax-term\">La Boheme<\/span>","<span class=\"advgb-post-tax-term\">Le pays du sourire<\/span>","<span class=\"advgb-post-tax-term\">Le Roi d\u2019Ys<\/span>","<span class=\"advgb-post-tax-term\">L\u00e9on Battu<\/span>","<span class=\"advgb-post-tax-term\">L\u00e9on de Wailly<\/span>","<span class=\"advgb-post-tax-term\">Lorenzo da Ponte<\/span>","<span class=\"advgb-post-tax-term\">Ludovic Hal\u00e9vy<\/span>","<span class=\"advgb-post-tax-term\">Ludwig Herzer<\/span>","<span class=\"advgb-post-tax-term\">Luigi Illica<\/span>","<span class=\"advgb-post-tax-term\">Mady Mesple<\/span>","<span class=\"advgb-post-tax-term\">Manon<\/span>","<span class=\"advgb-post-tax-term\">Manuel Rosenthal<\/span>","<span class=\"advgb-post-tax-term\">Michel Carr\u00e9<\/span>","<span class=\"advgb-post-tax-term\">Mich\u00e8le Le Bris<\/span>","<span class=\"advgb-post-tax-term\">Mireille<\/span>","<span class=\"advgb-post-tax-term\">Nino Bonavolont\u00e0<\/span>","<span class=\"advgb-post-tax-term\">Paul Milliet<\/span>","<span class=\"advgb-post-tax-term\">Philippe Gille<\/span>","<span class=\"advgb-post-tax-term\">Pierre-Michel Leconte<\/span>","<span class=\"advgb-post-tax-term\">Pietro Mascagni<\/span>","<span class=\"advgb-post-tax-term\">Raymond Chevreux<\/span>","<span class=\"advgb-post-tax-term\">Ren\u00e9e Doria<\/span>","<span class=\"advgb-post-tax-term\">Reynald Giovaninetti<\/span>","<span class=\"advgb-post-tax-term\">Rigoletto<\/span>","<span class=\"advgb-post-tax-term\">Ruggero Leoncavallo<\/span>","<span class=\"advgb-post-tax-term\">Serge Baudo<\/span>","<span class=\"advgb-post-tax-term\">Suzanne Sarroca<\/span>","<span class=\"advgb-post-tax-term\">Umberto Giordano<\/span>","<span class=\"advgb-post-tax-term\">Victor Hugo<\/span>","<span class=\"advgb-post-tax-term\">Victor L\u00e9on<\/span>","<span class=\"advgb-post-tax-term\">Wolfgang Amadeus Mozart<\/span>"]}},"comment_count":"0","relative_dates":{"created":"Posted 22 hours ago","modified":"Updated 3 hours ago"},"absolute_dates":{"created":"Posted on 11\/07\/2026","modified":"Updated on 12\/07\/2026"},"absolute_dates_time":{"created":"Posted on 11\/07\/2026 21:16","modified":"Updated on 12\/07\/2026 16:06"},"featured_img_caption":"","series_order":"","_links":{"self":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/21553","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/comments?post=21553"}],"version-history":[{"count":4,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/21553\/revisions"}],"predecessor-version":[{"id":21846,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/21553\/revisions\/21846"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/media\/21812"}],"wp:attachment":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/media?parent=21553"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/categories?post=21553"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/tags?post=21553"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}