{"id":21204,"date":"2026-06-02T01:30:29","date_gmt":"2026-06-01T23:30:29","guid":{"rendered":"https:\/\/countermelodypodcast.com\/?p=21204"},"modified":"2026-06-02T10:56:46","modified_gmt":"2026-06-02T08:56:46","slug":"episode-468-german-orchestral-song-beyond-mahler-and-strauss","status":"publish","type":"post","link":"https:\/\/countermelodypodcast.com\/index.php\/2026\/06\/02\/episode-468-german-orchestral-song-beyond-mahler-and-strauss\/","title":{"rendered":"Episode 468. Deutsche Orchesterlieder: Beyond Mahler and Strauss"},"content":{"rendered":"<div id=\"mega-menu-wrap-primary\" class=\"mega-menu-wrap\"><div class=\"mega-menu-toggle\"><div class=\"mega-toggle-blocks-left\"><\/div><div class=\"mega-toggle-blocks-center\"><\/div><div class=\"mega-toggle-blocks-right\"><div class='mega-toggle-block mega-menu-toggle-animated-block mega-toggle-block-1' id='mega-toggle-block-1'><button aria-controls=\"mega-menu-primary\" aria-expanded=\"false\" aria-haspopup=\"true\" aria-label=\"Menu\" class=\"mega-toggle-animated mega-toggle-animated-slider\" type=\"button\">\n                  <span class=\"mega-toggle-animated-box\">\n                    <span class=\"mega-toggle-animated-inner\"><\/span>\n                  <\/span>\n                <\/button><\/div><\/div><\/div><ul id=\"mega-menu-primary\" class=\"mega-menu max-mega-menu mega-menu-horizontal mega-no-js\" data-event=\"hover_intent\" data-effect=\"slide\" data-effect-speed=\"200\" data-effect-mobile=\"slide\" data-effect-speed-mobile=\"200\" data-mobile-force-width=\"body\" data-second-click=\"go\" data-document-click=\"collapse\" data-vertical-behaviour=\"standard\" data-breakpoint=\"600\" data-unbind=\"true\" data-mobile-state=\"collapse_all\" data-mobile-direction=\"vertical\"><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-menu-item-home mega-menu-item-19160\" id=\"mega-menu-item-19160\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/\">Home<\/a><\/li><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-menu-item-19161\" id=\"mega-menu-item-19161\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/index.php\/about-daniel\/\">About Daniel<\/a><\/li><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-current_page_parent mega-menu-item-19171\" id=\"mega-menu-item-19171\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/index.php\/all-episodes\/\">All Episodes<\/a><\/li><\/ul><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">Episode 468. Deutsche Orchesterlieder: Beyond Mahler and Strauss<\/h2>\n\n\n<p><iframe loading=\"lazy\" width=\"340\" height=\"50\" src=\"https:\/\/countermelody.blubrry.net\/?powerpress_embed=1996-podcast&amp;powerpress_player=mediaelement-audio\" title=\"Blubrry Podcast Player\" frameborder=\"0\" scrolling=\"no\"><\/iframe><\/p>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"wp-block-paragraph\"><strong>SOCIAL SHARE<\/strong><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"has-text-align-right wp-block-paragraph\"><strong>SUBSCRIPTION PLATFORM<\/strong><\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<div class=\"wp-block-buttons is-horizontal is-content-justification-left is-layout-flex wp-container-core-buttons-is-layout-39697d9b wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link no-border-radius wp-element-button\" href=\"https:\/\/countermelody.blubrry.net\/\">SUBSCRIBE VIA YOUR FAVORITE PODCAST PLATFORM<\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div style=\"height:38px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"754\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/06\/Berg-1-1024x754.png\" alt=\"\" class=\"wp-image-21340\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/06\/Berg-1-1024x754.png 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/06\/Berg-1-300x221.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/06\/Berg-1-768x566.png 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/06\/Berg-1.png 1066w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Today\u2019s episode is another devoted to orchestral song, in this case <em>Deutsche Orchesterlieder<\/em>. But, in a twist, you will not be hearing any music by either Mahler or Strauss today. (Their orchestral songs have already been amply represented on <em>Countermelody<\/em>. No, today I am featuring songs ranging from the late nineteenth century through the mid-twentieth century. Some of the composers presented \u2013 Alban Berg, Max Reger, Hugo Wolf, Arnold Schoenberg \u2013 will be familiar to listeners; others \u2013 Alexander Zemlinsky, Hans Pfitzner, Paul Hindemith, Hans Werner Henze, Franz Schreker \u2013 perhaps more as names familiar for musical historical reasons than for their actual compositions. Still others \u2013 Ernst Toch, Wolfgang Fortner, Joseph Marx \u2013 may be new discoveries altogether. What links them is that they are all fascinating composers whose works run the gamut from lush post-romanticism to exotic orientalism to <em>Neue Sachlichkeit <\/em>clarity. Texts include the great German lyric poets; anonymous Italian folk poetry; German translations of American poets such as Walt Whitman and major figures of the Harlem Renaissance; and translations of ancient Chinese poetry and the verse of Rabindranath Tagore. Similarly varied are the singers (Elisabeth S\u00f6derstr\u00f6m, Friedrich Schorr, Edith Mathis, Willard White, Elly Ameling, Irmgard Seefried, Roberta Alexander, Barry McDaniel, Christine Brewer, Christa Ludwig, Helen Donath) and conductors (Michael Tilson Thomas, Riccardo Chailly, Rafael Kubelik, Sergiu Celibidache, Erich Leinsdorf, Carl Schuricht, Hermann Scherchen), heard. Settle in for a ride across a varied, surprising, and always engaging musical landscape.<\/p>\n\n\n\n<div style=\"height:47px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-custom-size wp-block-paragraph\" style=\"font-size:30px\"><strong> RECORDINGS HEARD IN THIS EPISODE<\/strong><\/p>\n\n\n\n<div style=\"height:55px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"746\" height=\"775\" data-id=\"21322\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/06\/MTT.png\" alt=\"\" class=\"wp-image-21322\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/06\/MTT.png 746w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/06\/MTT-289x300.png 289w\" sizes=\"auto, (max-width: 746px) 100vw, 746px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"998\" height=\"856\" data-id=\"21321\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/06\/Roberta-in-White.jpg\" alt=\"\" class=\"wp-image-21321\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/06\/Roberta-in-White.jpg 998w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/06\/Roberta-in-White-300x257.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/06\/Roberta-in-White-768x659.jpg 768w\" sizes=\"auto, (max-width: 998px) 100vw, 998px\" \/><\/figure>\n<\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Alban Berg, Peter Altenberg: Seele, wie bist du sch\u00f6ner (<em>F\u00fcnf Orchesterlieder nach Ansichtskartentexten von Peter Altenberg <\/em>[<em>Altenberg-Lieder<\/em>], Op. 4\/1). Roberta Alexander, Michael Tilson Thomas, Boston Symphony Orchestra [live Boston 03.II.1987]<\/p>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-2 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"440\" height=\"396\" data-id=\"21343\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/06\/Alban-Berg-TRIMMED.jpg\" alt=\"\" class=\"wp-image-21343\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/06\/Alban-Berg-TRIMMED.jpg 440w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/06\/Alban-Berg-TRIMMED-300x270.jpg 300w\" sizes=\"auto, (max-width: 440px) 100vw, 440px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"623\" height=\"861\" data-id=\"21323\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/06\/Altenberg.png\" alt=\"\" class=\"wp-image-21323\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/06\/Altenberg.png 623w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/06\/Altenberg-217x300.png 217w\" sizes=\"auto, (max-width: 623px) 100vw, 623px\" \/><\/figure>\n<\/figure>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-3 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"654\" height=\"1011\" data-id=\"21326\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/06\/Friedrich-Schorr.jpg\" alt=\"\" class=\"wp-image-21326\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/06\/Friedrich-Schorr.jpg 654w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/06\/Friedrich-Schorr-194x300.jpg 194w\" sizes=\"auto, (max-width: 654px) 100vw, 654px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"440\" data-id=\"21325\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/06\/Robert-Heger-Baton-1.jpg\" alt=\"\" class=\"wp-image-21325\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/06\/Robert-Heger-Baton-1.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/06\/Robert-Heger-Baton-1-205x300.jpg 205w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/figure>\n<\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Hugo Wolf, Johann Wolfgang von Goethe: Prometheus. Friedrich Schorr, Robert Heger, London Symphony Orchestra [1932]<\/p>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-4 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"574\" data-id=\"21329\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/06\/Wolf-1-1024x574.png\" alt=\"\" class=\"wp-image-21329\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/06\/Wolf-1-1024x574.png 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/06\/Wolf-1-300x168.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/06\/Wolf-1-768x431.png 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/06\/Wolf-1.png 1466w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"377\" data-id=\"21327\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/06\/Goethe.jpg\" alt=\"\" class=\"wp-image-21327\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/06\/Goethe.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/06\/Goethe-239x300.jpg 239w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/figure>\n<\/figure>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-5 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"564\" height=\"812\" data-id=\"21330\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/06\/Ludwig-60s-elegance.jpg\" alt=\"\" class=\"wp-image-21330\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/06\/Ludwig-60s-elegance.jpg 564w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/06\/Ludwig-60s-elegance-208x300.jpg 208w\" sizes=\"auto, (max-width: 564px) 100vw, 564px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"772\" height=\"1024\" data-id=\"21331\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/06\/Carl_Schuricht-772x1024.jpg\" alt=\"\" class=\"wp-image-21331\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/06\/Carl_Schuricht-772x1024.jpg 772w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/06\/Carl_Schuricht-226x300.jpg 226w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/06\/Carl_Schuricht-768x1018.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/06\/Carl_Schuricht.jpg 960w\" sizes=\"auto, (max-width: 772px) 100vw, 772px\" \/><\/figure>\n<\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Max Reger, Friedrich H\u00f6lderlin: An die Hoffnung, Op. 124 [excerpt]. Christa Ludwig, Carl Schuricht, Sinfonieorchester des Norddeutschen Rundfunks [NDR] [live Hamburg 23-24.X.1955]<\/p>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-6 is-layout-flex wp-block-gallery-is-layout-flex\"><div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"800\" height=\"532\" data-id=\"21332\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/06\/Max-Reger-salamander.jpg\" alt=\"\" class=\"wp-image-21332\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/06\/Max-Reger-salamander.jpg 800w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/06\/Max-Reger-salamander-300x200.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/06\/Max-Reger-salamander-768x511.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><\/figure>\n<\/div><\/figure>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"671\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/06\/Begemann-Tausk-1024x671.png\" alt=\"\" class=\"wp-image-21334\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/06\/Begemann-Tausk-1024x671.png 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/06\/Begemann-Tausk-300x197.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/06\/Begemann-Tausk-768x503.png 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/06\/Begemann-Tausk.png 1287w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Hans Pfitzner, Johann Gottfried Herder: Herr Oluf, Op. 12. Hans Christoph Begemann, Otto Tausk, Nordwestdeutsche Philharmonie [2010]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"500\" height=\"639\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/06\/Pfitzner-1910.jpg\" alt=\"\" class=\"wp-image-21336\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/06\/Pfitzner-1910.jpg 500w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/06\/Pfitzner-1910-235x300.jpg 235w\" sizes=\"auto, (max-width: 500px) 100vw, 500px\" \/><\/figure>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-7 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"565\" height=\"728\" data-id=\"21345\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/06\/Mathis-Youthful-Grace.jpeg\" alt=\"\" class=\"wp-image-21345\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/06\/Mathis-Youthful-Grace.jpeg 565w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/06\/Mathis-Youthful-Grace-233x300.jpeg 233w\" sizes=\"auto, (max-width: 565px) 100vw, 565px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"464\" height=\"725\" data-id=\"21346\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/06\/Beaumont.png\" alt=\"\" class=\"wp-image-21346\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/06\/Beaumont.png 464w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/06\/Beaumont-192x300.png 192w\" sizes=\"auto, (max-width: 464px) 100vw, 464px\" \/><\/figure>\n<\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Alexander Zemlinsky, Joseph von Eichendorff: Waldesgespr\u00e4ch [excerpt]. Edith Mathis, Antony Beaumont, Symphonieorchester des Norddeutschen Rundfunks [1997]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-8 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"884\" height=\"887\" data-id=\"21347\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/06\/Soderstrom-outdoors.jpg\" alt=\"\" class=\"wp-image-21347\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/06\/Soderstrom-outdoors.jpg 884w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/06\/Soderstrom-outdoors-300x300.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/06\/Soderstrom-outdoors-150x150.jpg 150w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/06\/Soderstrom-outdoors-768x771.jpg 768w\" sizes=\"auto, (max-width: 884px) 100vw, 884px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"681\" height=\"696\" data-id=\"21350\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/06\/Gielen-1.png\" alt=\"\" class=\"wp-image-21350\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/06\/Gielen-1.png 681w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/06\/Gielen-1-294x300.png 294w\" sizes=\"auto, (max-width: 681px) 100vw, 681px\" \/><\/figure>\n<\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Alexander Zemlinsky, Rabindranath Tagore [translated Hans Effenberger]: Sprich zu mir, Geliebter [excerpt] (<em>Lyrische Symphonie<\/em>, Op. 18\/4). Elisabeth S\u00f6derstr\u00f6m, Michael Gielen, BBC Symphony Orchestra [live London 18.II.1981]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"587\" height=\"817\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/06\/Tagore-1.png\" alt=\"\" class=\"wp-image-21349\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/06\/Tagore-1.png 587w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/06\/Tagore-1-216x300.png 216w\" sizes=\"auto, (max-width: 587px) 100vw, 587px\" \/><\/figure>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-9 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"573\" height=\"790\" data-id=\"21352\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/06\/Lowlein.png\" alt=\"\" class=\"wp-image-21352\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/06\/Lowlein.png 573w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/06\/Lowlein-218x300.png 218w\" sizes=\"auto, (max-width: 573px) 100vw, 573px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"929\" height=\"677\" data-id=\"21351\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/06\/Trotschel.png\" alt=\"\" class=\"wp-image-21351\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/06\/Trotschel.png 929w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/06\/Trotschel-300x219.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/06\/Trotschel-768x560.png 768w\" sizes=\"auto, (max-width: 929px) 100vw, 929px\" \/><\/figure>\n<\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Ernst Toch, Hans Bethge [translated and adapted from Chinese]: Die Ratte (<em>Die chinesische Fl\u00f6te<\/em>, Op. 29\/4). Elfride Tr\u00f6tschel, Hans L\u00f6wlein. Staatskapelle Dresden [1949]<\/p>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-10 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"199\" height=\"276\" data-id=\"21354\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/06\/Ernst-Toch-1957.jpg\" alt=\"\" class=\"wp-image-21354\"\/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"324\" height=\"503\" data-id=\"21353\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/06\/Hans_Bethge_1913.png\" alt=\"\" class=\"wp-image-21353\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/06\/Hans_Bethge_1913.png 324w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/06\/Hans_Bethge_1913-193x300.png 193w\" sizes=\"auto, (max-width: 324px) 100vw, 324px\" \/><\/figure>\n<\/figure>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-11 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"627\" height=\"639\" data-id=\"21398\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/06\/Willard-White1.png\" alt=\"\" class=\"wp-image-21398\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/06\/Willard-White1.png 627w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/06\/Willard-White1-294x300.png 294w\" sizes=\"auto, (max-width: 627px) 100vw, 627px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"713\" height=\"460\" data-id=\"21397\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/06\/Chailly-1.jpg\" alt=\"\" class=\"wp-image-21397\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/06\/Chailly-1.jpg 713w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/06\/Chailly-1-300x194.jpg 300w\" sizes=\"auto, (max-width: 713px) 100vw, 713px\" \/><\/figure>\n<\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Alexander Zemlinsky, Frank Horne [translated Anna Nussbaum]: Arabeske (<em>Symphonische Ges\u00e4nge<\/em>, Op. 20\/7). Willard White, Riccardo Chailly, Concertgebouw Orchestra [1993]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"690\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/06\/Afrika-Singt-690x1024.jpg\" alt=\"\" class=\"wp-image-21399\" style=\"aspect-ratio:0.674168791162099;width:655px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/06\/Afrika-Singt-690x1024.jpg 690w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/06\/Afrika-Singt-202x300.jpg 202w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/06\/Afrika-Singt-768x1139.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/06\/Afrika-Singt.jpg 809w\" sizes=\"auto, (max-width: 690px) 100vw, 690px\" \/><\/figure>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-12 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"343\" height=\"481\" data-id=\"21355\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/06\/McDaniel-Owlish-Glasses.jpg\" alt=\"\" class=\"wp-image-21355\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/06\/McDaniel-Owlish-Glasses.jpg 343w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/06\/McDaniel-Owlish-Glasses-214x300.jpg 214w\" sizes=\"auto, (max-width: 343px) 100vw, 343px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"649\" height=\"797\" data-id=\"21383\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/06\/Kubelik-1.png\" alt=\"\" class=\"wp-image-21383\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/06\/Kubelik-1.png 649w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/06\/Kubelik-1-244x300.png 244w\" sizes=\"auto, (max-width: 649px) 100vw, 649px\" \/><\/figure>\n<\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Wolfgang Fortner, James Weldon Johnson: <em>The Creation<\/em> [excerpt]. Barry McDaniel, Rafael Kubelik, Sinfonieorchester des Bayerischen Rundfunks [23-24.XI.1967]<\/p>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-13 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"627\" height=\"854\" data-id=\"21357\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/06\/Fortner.png\" alt=\"\" class=\"wp-image-21357\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/06\/Fortner.png 627w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/06\/Fortner-220x300.png 220w\" sizes=\"auto, (max-width: 627px) 100vw, 627px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"507\" height=\"722\" data-id=\"21382\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/06\/James-Weldon-Johnson-telephone.png\" alt=\"\" class=\"wp-image-21382\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/06\/James-Weldon-Johnson-telephone.png 507w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/06\/James-Weldon-Johnson-telephone-211x300.png 211w\" sizes=\"auto, (max-width: 507px) 100vw, 507px\" \/><\/figure>\n<\/figure>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/06\/Henze-Hands-1024x683.jpg\" alt=\"\" class=\"wp-image-21368\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/06\/Henze-Hands-1024x683.jpg 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/06\/Henze-Hands-300x200.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/06\/Henze-Hands-768x512.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/06\/Henze-Hands-1536x1024.jpg 1536w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/06\/Henze-Hands-1600x1066.jpg 1600w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/06\/Henze-Hands.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n<p class=\"wp-block-paragraph\">Hans Werner Henze, Anonymous 17th Century Italian text: A l&#8217;acqua de li ffuntanelle (<em>F\u00fcnf neapolitanische Lieder<\/em>, No. 2). Roland Hermann, Crist\u00f3bal Halffter, Rundfunk-Sinfonieorchester Saarbr\u00fccken [1988]<\/p>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-14 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"428\" height=\"733\" data-id=\"21373\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/06\/Roland-Hermann-again.png\" alt=\"\" class=\"wp-image-21373\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/06\/Roland-Hermann-again.png 428w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/06\/Roland-Hermann-again-175x300.png 175w\" sizes=\"auto, (max-width: 428px) 100vw, 428px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"208\" height=\"243\" data-id=\"21363\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/06\/Cristobal-Halffter.jpg\" alt=\"\" class=\"wp-image-21363\"\/><\/figure>\n<\/figure>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-15 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"682\" height=\"820\" data-id=\"21385\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/06\/Christine-Brewer-1.png\" alt=\"\" class=\"wp-image-21385\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/06\/Christine-Brewer-1.png 682w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/06\/Christine-Brewer-1-250x300.png 250w\" sizes=\"auto, (max-width: 682px) 100vw, 682px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"191\" height=\"263\" data-id=\"21384\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/06\/Belohlavek.jpg\" alt=\"\" class=\"wp-image-21384\"\/><\/figure>\n<\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Joseph Marx, Thekla Lingen: Und gestern hat er mir Rosen gebracht (<em>Lieder und Ges\u00e4nge<\/em>, Folge I\/24). Christine Brewer, Ji\u0159\u00ed B\u011blohl\u00e1vek, BBC Symphony Orchestra [2008]<\/p>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-16 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"459\" height=\"653\" data-id=\"21369\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/06\/Janis-Martin.jpg\" alt=\"\" class=\"wp-image-21369\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/06\/Janis-Martin.jpg 459w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/06\/Janis-Martin-211x300.jpg 211w\" sizes=\"auto, (max-width: 459px) 100vw, 459px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"676\" height=\"838\" data-id=\"21358\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/06\/Albrecht.png\" alt=\"\" class=\"wp-image-21358\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/06\/Albrecht.png 676w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/06\/Albrecht-242x300.png 242w\" sizes=\"auto, (max-width: 676px) 100vw, 676px\" \/><\/figure>\n<\/figure>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"wp-block-paragraph\">Paul Hindemith, Else Lasker-Sch\u00fcler: Weltende (<em>Drei Ges\u00e4nge<\/em>, Op. 9). Janis Martin, Gerd Albrecht, Radio-Symphonie-Orchester Berlin [1984]<\/p>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-17 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"436\" height=\"527\" data-id=\"21371\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/06\/Paul_Hindemith_1923.jpg\" alt=\"\" class=\"wp-image-21371\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/06\/Paul_Hindemith_1923.jpg 436w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/06\/Paul_Hindemith_1923-248x300.jpg 248w\" sizes=\"auto, (max-width: 436px) 100vw, 436px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"568\" height=\"895\" data-id=\"21365\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/06\/ELaskerSchuler.png\" alt=\"\" class=\"wp-image-21365\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/06\/ELaskerSchuler.png 568w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/06\/ELaskerSchuler-190x300.png 190w\" sizes=\"auto, (max-width: 568px) 100vw, 568px\" \/><\/figure>\n<\/figure>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"771\" height=\"1015\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/06\/Seefried-Celibidache-1.png\" alt=\"\" class=\"wp-image-21386\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/06\/Seefried-Celibidache-1.png 771w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/06\/Seefried-Celibidache-1-228x300.png 228w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/06\/Seefried-Celibidache-1-768x1011.png 768w\" sizes=\"auto, (max-width: 771px) 100vw, 771px\" \/><\/figure>\n<\/div>\n\n\n<p class=\"wp-block-paragraph\">Paul Hindemith, Rainer Maria Rilke: Geburt Mari\u00e4 (<em>Das Marienleben<\/em>, Op. 27\/1 [revised version]). Irmgard Seefried, Sergiu Celibidache, Orchestra di Torino della RAI [live Torino 18.II.1955]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"919\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/06\/Rainer-Maria-Rilke-1-919x1024.jpg\" alt=\"\" class=\"wp-image-21387\" style=\"aspect-ratio:0.8974617315374553;width:757px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/06\/Rainer-Maria-Rilke-1-919x1024.jpg 919w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/06\/Rainer-Maria-Rilke-1-269x300.jpg 269w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/06\/Rainer-Maria-Rilke-1-768x856.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/06\/Rainer-Maria-Rilke-1.jpg 1256w\" sizes=\"auto, (max-width: 919px) 100vw, 919px\" \/><figcaption class=\"wp-element-caption\">Rainer Maria Rilke<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-18 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"527\" height=\"528\" data-id=\"21362\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/06\/Colette-Herzog.png\" alt=\"\" class=\"wp-image-21362\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/06\/Colette-Herzog.png 527w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/06\/Colette-Herzog-300x300.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/06\/Colette-Herzog-150x150.png 150w\" sizes=\"auto, (max-width: 527px) 100vw, 527px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"500\" height=\"667\" data-id=\"21378\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/06\/Sergiu_Celibidache-1950s.jpg\" alt=\"\" class=\"wp-image-21378\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/06\/Sergiu_Celibidache-1950s.jpg 500w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/06\/Sergiu_Celibidache-1950s-225x300.jpg 225w\" sizes=\"auto, (max-width: 500px) 100vw, 500px\" \/><\/figure>\n<\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Arnold Schoenberg, Traditional German [from <em>Des Knaben Wunderhorn<\/em>, collected and adapted Clemens Brentano, Achim von Arnim]: Sehnsucht (<em>Sechs Orchesterlieder<\/em>, Op. 8\/3). Colette Herzog, Sergiu Celibidache, Orchestre National de l&#8217;ORTF [live Paris 19.VII.1974]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"768\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/06\/Schoenberg-1930-768x1024.jpg\" alt=\"\" class=\"wp-image-21375\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/06\/Schoenberg-1930-768x1025.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/06\/Schoenberg-1930-225x300.jpg 225w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/06\/Schoenberg-1930-1151x1536.jpg 1151w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/06\/Schoenberg-1930-1535x2048.jpg 1535w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/06\/Schoenberg-1930-1600x2135.jpg 1600w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/06\/Schoenberg-1930-scaled.jpg 1919w\" sizes=\"auto, (max-width: 768px) 100vw, 768px\" \/><\/figure>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-19 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"660\" height=\"660\" data-id=\"21389\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/06\/Dear-Jelly-Omelet-1.jpg\" alt=\"\" class=\"wp-image-21389\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/06\/Dear-Jelly-Omelet-1.jpg 660w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/06\/Dear-Jelly-Omelet-1-300x300.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/06\/Dear-Jelly-Omelet-1-150x150.jpg 150w\" sizes=\"auto, (max-width: 660px) 100vw, 660px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"201\" height=\"251\" data-id=\"21388\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/06\/Erich-Leinsdorf-1.jpg\" alt=\"\" class=\"wp-image-21388\"\/><\/figure>\n<\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Alban Berg, Stefan George [after Charles Baudelaire]: Die Seele des Weines; Der Wein der Liebenden (<em>Der Wein<\/em>). Elly Ameling, Erich Leinsdorf, Concertgebouw Orchestra [live Amsterdam 02.XII.1973]<\/p>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-20 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"576\" data-id=\"21360\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/06\/Charles-Baudelaire-1024x576.jpg\" alt=\"\" class=\"wp-image-21360\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/06\/Charles-Baudelaire-1024x576.jpg 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/06\/Charles-Baudelaire-300x169.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/06\/Charles-Baudelaire-768x432.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/06\/Charles-Baudelaire-1536x864.jpg 1536w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/06\/Charles-Baudelaire-1600x900.jpg 1600w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/06\/Charles-Baudelaire.jpg 1920w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"400\" data-id=\"21379\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/06\/Stefan-George.jpg\" alt=\"\" class=\"wp-image-21379\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/06\/Stefan-George.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/06\/Stefan-George-225x300.jpg 225w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/figure>\n<\/figure>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-21 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"449\" height=\"617\" data-id=\"21367\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/06\/Helen-Donath-and-Tree.png\" alt=\"\" class=\"wp-image-21367\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/06\/Helen-Donath-and-Tree.png 449w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/06\/Helen-Donath-and-Tree-218x300.png 218w\" sizes=\"auto, (max-width: 449px) 100vw, 449px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"590\" height=\"792\" data-id=\"21374\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/06\/Scherchen.png\" alt=\"\" class=\"wp-image-21374\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/06\/Scherchen.png 590w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/06\/Scherchen-223x300.png 223w\" sizes=\"auto, (max-width: 590px) 100vw, 590px\" \/><\/figure>\n<\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Franz Schreker, Walt Whitman [translated Hans Reisinger]: Ein Kind sagte: \u201eWas ist das Gras?\u201c [excerpt] (<em>Vom ewigen Leben<\/em>, No. 2). Helen Donath, Hermann Scherchen [Austrian Radio broadcast, 1963]<\/p>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-22 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"312\" height=\"450\" data-id=\"21376\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/06\/Schreker-1920ish.jpg\" alt=\"\" class=\"wp-image-21376\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/06\/Schreker-1920ish.jpg 312w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/06\/Schreker-1920ish-208x300.jpg 208w\" sizes=\"auto, (max-width: 312px) 100vw, 312px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"195\" height=\"258\" data-id=\"21381\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/06\/Walt-Whitman.jpg\" alt=\"\" class=\"wp-image-21381\"\/><\/figure>\n<\/figure>\n","protected":false},"excerpt":{"rendered":"<p>Episode 468. Deutsche Orchesterlieder: Beyond Mahler and Strauss SOCIAL SHARE SUBSCRIPTION PLATFORM Today\u2019s episode is another devoted to orchestral song,&hellip;<\/p>\n","protected":false},"author":1,"featured_media":21318,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"advgb_blocks_editor_width":"","advgb_blocks_columns_visual_guide":"","footnotes":""},"categories":[420,1626,1075,7296,9102,5823,1625,2399,6551,1072,5806,1263,2260,808,4722,3272,2806],"tags":[2315,1635,8464,2307,9249,9245,9260,786,1186,2676,3498,344,9255,2316,4716,3030,2467,9259,1646,4141,2230,9246,294,769,9257,1017,9247,9248,4493,8185,9241,9253,2501,4136,9243,4714,8904,4063,4711,2720,2933,2670,648,1160,9252,9256,8490,9242,1137,3484,3335,8465,651,6182,1300,9244,2394,3511,4713,1299,2469,6725,8550,2166,6201,1007,7242,9254,9258,2466,9250,9251],"class_list":["post-21204","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-african-american-opera-singers","category-african-american-singers","category-art-song","category-black-history-month","category-black-history-month-2026","category-forgotten-divas","category-gay-pride","category-great-baritones","category-great-contraltos","category-in-memoriam","category-listeners-favorites","category-mezzo-madness","category-music-for-a-world-in-crisis","category-needle-drop","category-orchestral-songs","category-singers-of-color","category-twentieth-century-music","tag-achim-von-arnim","tag-alban-berg","tag-alexander-zemlinsky","tag-altenberg-lieder","tag-anna-siemsen","tag-antony-beaumont","tag-arno-birr","tag-arnold-schoenberg","tag-barry-mcdaniel","tag-carl-schuricht","tag-charles-baudelaire","tag-christa-ludwig","tag-christine-brewer","tag-clemens-brentano","tag-colette-herzog","tag-cristobal-halffter","tag-das-marienleben","tag-der-wein","tag-des-knaben-wunderhorn","tag-die-chinesische-flote","tag-edith-mathis","tag-elfride-trotschel","tag-elisabeth-soderstrom","tag-elly-ameling","tag-else-lasker-schuler","tag-erich-leinsdorf","tag-ernst-toch","tag-frank-horne","tag-franz-schreker","tag-friedrich-holderlin","tag-friedrich-schorr","tag-funf-neapolitanische-lieder","tag-gerd-albrecht","tag-hans-bethge","tag-hans-christoph-begemann","tag-hans-effenberger","tag-hans-lowlein","tag-hans-pfitzner","tag-hans-reisinger","tag-hans-werner-henze","tag-helen-donath","tag-hermann-scherchen","tag-hugo-wolf","tag-irmgard-seefried","tag-james-weldon-johnson","tag-janis-martin","tag-jiri-belohlavek","tag-johann-gottfried-herder","tag-johann-wolfgang-von-goethe","tag-joseph-marx","tag-joseph-von-eichendorff","tag-lyrische-symphonie","tag-max-reger","tag-michael-gielen","tag-michael-tilson-thomas","tag-otto-tausk","tag-paul-hindemith","tag-peter-altenberg","tag-rabindranath-tagore","tag-rafael-kubelik","tag-rainer-maria-rilke","tag-riccardo-chailly","tag-robert-heger","tag-roberta-alexander","tag-roland-hermann","tag-sergiu-celibidache","tag-stefan-george","tag-thekla-lingen","tag-vom-ewigen-leben","tag-walt-whitman","tag-willard-white","tag-wolfgang-fortner"],"author_meta":{"display_name":"admin","author_link":"https:\/\/countermelodypodcast.com\/index.php\/author\/admin\/"},"featured_img":"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/06\/Zemlinsky-2-300x169.jpg","coauthors":[],"tax_additional":{"categories":{"linked":["<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/african-american-opera-singers\/\" class=\"advgb-post-tax-term\">African American Opera Singers<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/african-american-singers\/\" class=\"advgb-post-tax-term\">African American Singers<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/art-song\/\" class=\"advgb-post-tax-term\">Art Song<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/black-history-month\/\" class=\"advgb-post-tax-term\">Black History Month<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/black-history-month-2026\/\" class=\"advgb-post-tax-term\">Black History Month 2026<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/forgotten-divas\/\" class=\"advgb-post-tax-term\">Forgotten Divas<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/gay-pride\/\" class=\"advgb-post-tax-term\">Gay Pride<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/great-baritones\/\" class=\"advgb-post-tax-term\">Great Baritones<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/great-contraltos\/\" class=\"advgb-post-tax-term\">Great Contraltos<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/in-memoriam\/\" class=\"advgb-post-tax-term\">In Memoriam<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/listeners-favorites\/\" class=\"advgb-post-tax-term\">Listeners&#039; Favorites<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/mezzo-madness\/\" class=\"advgb-post-tax-term\">Mezzo Madness<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/music-for-a-world-in-crisis\/\" class=\"advgb-post-tax-term\">Music for a World in Crisis<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Needle Drop<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/orchestral-songs\/\" class=\"advgb-post-tax-term\">Orchestral Songs<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/singers-of-color\/\" class=\"advgb-post-tax-term\">Singers of Color<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Twentieth Century Music<\/a>"],"unlinked":["<span class=\"advgb-post-tax-term\">African American Opera Singers<\/span>","<span class=\"advgb-post-tax-term\">African American Singers<\/span>","<span class=\"advgb-post-tax-term\">Art Song<\/span>","<span class=\"advgb-post-tax-term\">Black History Month<\/span>","<span class=\"advgb-post-tax-term\">Black History Month 2026<\/span>","<span class=\"advgb-post-tax-term\">Forgotten Divas<\/span>","<span class=\"advgb-post-tax-term\">Gay Pride<\/span>","<span class=\"advgb-post-tax-term\">Great Baritones<\/span>","<span class=\"advgb-post-tax-term\">Great Contraltos<\/span>","<span class=\"advgb-post-tax-term\">In Memoriam<\/span>","<span class=\"advgb-post-tax-term\">Listeners&#039; Favorites<\/span>","<span class=\"advgb-post-tax-term\">Mezzo Madness<\/span>","<span class=\"advgb-post-tax-term\">Music for a World in Crisis<\/span>","<span class=\"advgb-post-tax-term\">Needle Drop<\/span>","<span class=\"advgb-post-tax-term\">Orchestral Songs<\/span>","<span class=\"advgb-post-tax-term\">Singers of Color<\/span>","<span class=\"advgb-post-tax-term\">Twentieth Century Music<\/span>"]},"tags":{"linked":["<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Achim von Arnim<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Alban Berg<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Alexander Zemlinsky<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Altenberg-Lieder<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Anna Siemsen<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Antony Beaumont<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Arno Birr<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Arnold Schoenberg<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Barry McDaniel<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Carl Schuricht<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Charles Baudelaire<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Christa Ludwig<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Christine Brewer<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Clemens Brentano<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Colette Herzog<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Crist\u00f3bal Halffter<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Das Marienleben<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Der Wein<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Des Knaben Wunderhorn<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Die chinesische Fl\u00f6te<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Edith Mathis<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Elfride Tr\u00f6tschel<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Elisabeth Soderstrom<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Elly Ameling<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Else Lasker-Sch\u00fcler<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Erich Leinsdorf<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Ernst Toch<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Frank Horne<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Franz Schreker<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Friedrich H\u00f6lderlin<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Friedrich Schorr<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">F\u00fcnf neapolitanische Lieder<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Gerd Albrecht<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Hans Bethge<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Hans Christoph Begemann<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Hans Effenberger<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Hans L\u00f6wlein<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Hans Pfitzner<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Hans Reisinger<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Hans Werner Henze<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Helen Donath<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Hermann Scherchen<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Hugo Wolf<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Irmgard Seefried<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">James Weldon Johnson<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Janis Martin<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Ji\u0159\u00ed B\u011blohl\u00e1vek<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Johann Gottfried Herder<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Johann Wolfgang von Goethe<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Joseph Marx<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Joseph von Eichendorff<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Lyrische Symphonie<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Max Reger<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Michael Gielen<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Michael Tilson Thomas<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Otto Tausk<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Paul Hindemith<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Peter Altenberg<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Rabindranath Tagore<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Rafael Kubelik<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Rainer Maria Rilke<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Riccardo Chailly<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Robert Heger<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Roberta Alexander<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Roland Hermann<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Sergiu Celibidache<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Stefan George<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Thekla Lingen<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Vom ewigen Leben<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Walt Whitman<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Willard White<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Wolfgang Fortner<\/a>"],"unlinked":["<span class=\"advgb-post-tax-term\">Achim von Arnim<\/span>","<span class=\"advgb-post-tax-term\">Alban Berg<\/span>","<span class=\"advgb-post-tax-term\">Alexander Zemlinsky<\/span>","<span class=\"advgb-post-tax-term\">Altenberg-Lieder<\/span>","<span class=\"advgb-post-tax-term\">Anna Siemsen<\/span>","<span class=\"advgb-post-tax-term\">Antony Beaumont<\/span>","<span class=\"advgb-post-tax-term\">Arno Birr<\/span>","<span class=\"advgb-post-tax-term\">Arnold Schoenberg<\/span>","<span class=\"advgb-post-tax-term\">Barry McDaniel<\/span>","<span class=\"advgb-post-tax-term\">Carl Schuricht<\/span>","<span class=\"advgb-post-tax-term\">Charles Baudelaire<\/span>","<span class=\"advgb-post-tax-term\">Christa Ludwig<\/span>","<span class=\"advgb-post-tax-term\">Christine Brewer<\/span>","<span class=\"advgb-post-tax-term\">Clemens Brentano<\/span>","<span class=\"advgb-post-tax-term\">Colette Herzog<\/span>","<span class=\"advgb-post-tax-term\">Crist\u00f3bal Halffter<\/span>","<span class=\"advgb-post-tax-term\">Das Marienleben<\/span>","<span class=\"advgb-post-tax-term\">Der Wein<\/span>","<span class=\"advgb-post-tax-term\">Des Knaben Wunderhorn<\/span>","<span class=\"advgb-post-tax-term\">Die chinesische Fl\u00f6te<\/span>","<span class=\"advgb-post-tax-term\">Edith Mathis<\/span>","<span class=\"advgb-post-tax-term\">Elfride Tr\u00f6tschel<\/span>","<span class=\"advgb-post-tax-term\">Elisabeth Soderstrom<\/span>","<span class=\"advgb-post-tax-term\">Elly Ameling<\/span>","<span class=\"advgb-post-tax-term\">Else Lasker-Sch\u00fcler<\/span>","<span class=\"advgb-post-tax-term\">Erich Leinsdorf<\/span>","<span class=\"advgb-post-tax-term\">Ernst Toch<\/span>","<span class=\"advgb-post-tax-term\">Frank Horne<\/span>","<span class=\"advgb-post-tax-term\">Franz Schreker<\/span>","<span class=\"advgb-post-tax-term\">Friedrich H\u00f6lderlin<\/span>","<span class=\"advgb-post-tax-term\">Friedrich Schorr<\/span>","<span class=\"advgb-post-tax-term\">F\u00fcnf neapolitanische Lieder<\/span>","<span class=\"advgb-post-tax-term\">Gerd Albrecht<\/span>","<span class=\"advgb-post-tax-term\">Hans Bethge<\/span>","<span class=\"advgb-post-tax-term\">Hans Christoph Begemann<\/span>","<span class=\"advgb-post-tax-term\">Hans Effenberger<\/span>","<span class=\"advgb-post-tax-term\">Hans L\u00f6wlein<\/span>","<span class=\"advgb-post-tax-term\">Hans Pfitzner<\/span>","<span class=\"advgb-post-tax-term\">Hans Reisinger<\/span>","<span class=\"advgb-post-tax-term\">Hans Werner Henze<\/span>","<span class=\"advgb-post-tax-term\">Helen Donath<\/span>","<span class=\"advgb-post-tax-term\">Hermann Scherchen<\/span>","<span class=\"advgb-post-tax-term\">Hugo Wolf<\/span>","<span class=\"advgb-post-tax-term\">Irmgard Seefried<\/span>","<span class=\"advgb-post-tax-term\">James Weldon Johnson<\/span>","<span class=\"advgb-post-tax-term\">Janis Martin<\/span>","<span class=\"advgb-post-tax-term\">Ji\u0159\u00ed B\u011blohl\u00e1vek<\/span>","<span class=\"advgb-post-tax-term\">Johann Gottfried Herder<\/span>","<span class=\"advgb-post-tax-term\">Johann Wolfgang von Goethe<\/span>","<span class=\"advgb-post-tax-term\">Joseph Marx<\/span>","<span class=\"advgb-post-tax-term\">Joseph von Eichendorff<\/span>","<span class=\"advgb-post-tax-term\">Lyrische Symphonie<\/span>","<span class=\"advgb-post-tax-term\">Max Reger<\/span>","<span class=\"advgb-post-tax-term\">Michael Gielen<\/span>","<span class=\"advgb-post-tax-term\">Michael Tilson Thomas<\/span>","<span class=\"advgb-post-tax-term\">Otto Tausk<\/span>","<span class=\"advgb-post-tax-term\">Paul Hindemith<\/span>","<span class=\"advgb-post-tax-term\">Peter Altenberg<\/span>","<span class=\"advgb-post-tax-term\">Rabindranath Tagore<\/span>","<span class=\"advgb-post-tax-term\">Rafael Kubelik<\/span>","<span class=\"advgb-post-tax-term\">Rainer Maria Rilke<\/span>","<span class=\"advgb-post-tax-term\">Riccardo Chailly<\/span>","<span class=\"advgb-post-tax-term\">Robert Heger<\/span>","<span class=\"advgb-post-tax-term\">Roberta Alexander<\/span>","<span class=\"advgb-post-tax-term\">Roland Hermann<\/span>","<span class=\"advgb-post-tax-term\">Sergiu Celibidache<\/span>","<span class=\"advgb-post-tax-term\">Stefan George<\/span>","<span class=\"advgb-post-tax-term\">Thekla Lingen<\/span>","<span class=\"advgb-post-tax-term\">Vom ewigen Leben<\/span>","<span class=\"advgb-post-tax-term\">Walt Whitman<\/span>","<span class=\"advgb-post-tax-term\">Willard White<\/span>","<span class=\"advgb-post-tax-term\">Wolfgang Fortner<\/span>"]}},"comment_count":"0","relative_dates":{"created":"Posted 17 hours ago","modified":"Updated 7 hours ago"},"absolute_dates":{"created":"Posted on 02\/06\/2026","modified":"Updated on 02\/06\/2026"},"absolute_dates_time":{"created":"Posted on 02\/06\/2026 01:30","modified":"Updated on 02\/06\/2026 10:56"},"featured_img_caption":"","series_order":"","_links":{"self":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/21204","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/comments?post=21204"}],"version-history":[{"count":10,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/21204\/revisions"}],"predecessor-version":[{"id":21400,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/21204\/revisions\/21400"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/media\/21318"}],"wp:attachment":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/media?parent=21204"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/categories?post=21204"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/tags?post=21204"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}