{"id":20894,"date":"2026-05-11T14:03:01","date_gmt":"2026-05-11T12:03:01","guid":{"rendered":"https:\/\/countermelodypodcast.com\/?p=20894"},"modified":"2026-05-11T14:03:07","modified_gmt":"2026-05-11T12:03:07","slug":"episode-462-get-to-know-charles-kullman","status":"publish","type":"post","link":"https:\/\/countermelodypodcast.com\/index.php\/2026\/05\/11\/episode-462-get-to-know-charles-kullman\/","title":{"rendered":"Episode 462. Get to Know Charles Kullman"},"content":{"rendered":"<div id=\"mega-menu-wrap-primary\" class=\"mega-menu-wrap\"><div class=\"mega-menu-toggle\"><div class=\"mega-toggle-blocks-left\"><\/div><div class=\"mega-toggle-blocks-center\"><\/div><div class=\"mega-toggle-blocks-right\"><div class='mega-toggle-block mega-menu-toggle-animated-block mega-toggle-block-1' id='mega-toggle-block-1'><button aria-controls=\"mega-menu-primary\" aria-expanded=\"false\" aria-haspopup=\"true\" aria-label=\"Menu\" class=\"mega-toggle-animated mega-toggle-animated-slider\" type=\"button\">\n                  <span class=\"mega-toggle-animated-box\">\n                    <span class=\"mega-toggle-animated-inner\"><\/span>\n                  <\/span>\n                <\/button><\/div><\/div><\/div><ul id=\"mega-menu-primary\" class=\"mega-menu max-mega-menu mega-menu-horizontal mega-no-js\" data-event=\"hover_intent\" data-effect=\"slide\" data-effect-speed=\"200\" data-effect-mobile=\"slide\" data-effect-speed-mobile=\"200\" data-mobile-force-width=\"body\" data-second-click=\"go\" data-document-click=\"collapse\" data-vertical-behaviour=\"standard\" data-breakpoint=\"600\" data-unbind=\"true\" data-mobile-state=\"collapse_all\" data-mobile-direction=\"vertical\"><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-menu-item-home mega-align-bottom-left mega-menu-flyout mega-menu-item-19160\" id=\"mega-menu-item-19160\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/\">Home<\/a><\/li><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-align-bottom-left mega-menu-flyout mega-menu-item-19161\" id=\"mega-menu-item-19161\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/index.php\/about-daniel\/\">About Daniel<\/a><\/li><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-current_page_parent mega-align-bottom-left mega-menu-flyout mega-menu-item-19171\" id=\"mega-menu-item-19171\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/index.php\/all-episodes\/\">All Episodes<\/a><\/li><\/ul><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">Episode 462. Get to Know Charles Kullman<\/h2>\n\n\n\n<iframe loading=\"lazy\" width=\"340\" height=\"50\" src=\"https:\/\/countermelody.blubrry.net\/?powerpress_embed=1972-podcast&amp;powerpress_player=mediaelement-audio\" title=\"Blubrry Podcast Player\" frameborder=\"0\" scrolling=\"no\"><\/iframe>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p><strong>SOCIAL SHARE<\/strong><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"has-text-align-right\"><strong>SUBSCRIPTION PLATFORM<\/strong><\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<div class=\"wp-block-buttons is-horizontal is-content-justification-left is-layout-flex wp-container-core-buttons-is-layout-7e5fce0a wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link no-border-radius wp-element-button\" href=\"https:\/\/countermelody.blubrry.net\/\">SUBSCRIBE VIA YOUR FAVORITE PODCAST PLATFORM<\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"392\" height=\"716\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/05\/CharlesKullman1929.png\" alt=\"\" class=\"wp-image-21098\" style=\"width:504px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/05\/CharlesKullman1929.png 392w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/05\/CharlesKullman1929-164x300.png 164w\" sizes=\"auto, (max-width: 392px) 100vw, 392px\" \/><\/figure>\n<\/div>\n\n\n<div style=\"height:38px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>I\u2019ve had a real urge lately to revisit the voices and careers of some of my favorite tenors. So today I bring you the exceptional American artist Charles Kullman (1903 \u2013 1983). The early years of his career were spent primarily in Berlin and Vienna, but for twenty-five years beginning in 1935, he was also a mainstay at the Metropolitan Opera, where he sang a total of 33 different roles. The sheen and spin on his lyric voice, allied to a firm technique, allowed him sing everything from Rinuccio and Fenton to Tannh\u00e4user and Herodes (and nearly everything else in between!) During his European years, he made a number of invaluable recordings, including opera and operetta arias as well as songs from a number of popular films in which he starred. Though he recorded only one complete operatic role in the studio (Eisenstein in <em>Die Fledermaus<\/em> in 1951), there exist a large number of choice live stage performances that allow us to more fully explore the full length (and variety) of Kullman\u2019s performing career. In this episode, we not only hear excerpts from those early German recordings, but also from live performances of <em>Das Lied von der Erde<\/em>, <em>Meistersinger<\/em>, <em>Manon<\/em>, <em>Traviata<\/em>, <em>Fledermaus<\/em>, and Montemezzi\u2019s monumental <em>L\u2019amore dei tre re<\/em>, some of which feature recent <em>Countermelody <\/em>divas Licia Albanese, Regina Resnik, and Bid\u00fa Say\u00e3o. Some aficionado or other has dubbed Kullman \u201cthe compleat tenor\u201d and I couldn\u2019t agree more. Enjoy getting better acquainted with this great singer!<\/p>\n\n\n\n<div style=\"height:47px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-custom-size\" style=\"font-size:30px\"><strong> RECORDINGS HEARD IN THIS EPISODE<\/strong><\/p>\n\n\n\n<div style=\"height:55px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"409\" height=\"682\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/05\/Kullman-preppy.jpg\" alt=\"\" class=\"wp-image-21118\" style=\"width:520px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/05\/Kullman-preppy.jpg 409w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/05\/Kullman-preppy-180x300.jpg 180w\" sizes=\"auto, (max-width: 409px) 100vw, 409px\" \/><\/figure>\n<\/div>\n\n\n<p><strong>All tracks feature <em>Charles Kullman<\/em>, tenor.<\/strong><\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"775\" height=\"842\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/05\/Charles-Kullman-Frilly-Furry.png\" alt=\"\" class=\"wp-image-21103\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/05\/Charles-Kullman-Frilly-Furry.png 775w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/05\/Charles-Kullman-Frilly-Furry-276x300.png 276w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/05\/Charles-Kullman-Frilly-Furry-768x834.png 768w\" sizes=\"auto, (max-width: 775px) 100vw, 775px\" \/><\/figure>\n<\/div>\n\n\n<p>Johann Strauss II, Ignaz Schnitzer [after M\u00f3r J\u00f3kai]: Als flotter Geist (<em>Der Zigeunerbaron<\/em>). Clemens Schmalstich, Orchester der Berliner Staatsoper [1933]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"529\" height=\"756\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/05\/Kullman-LV2.png\" alt=\"\" class=\"wp-image-21104\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/05\/Kullman-LV2.png 529w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/05\/Kullman-LV2-210x300.png 210w\" sizes=\"auto, (max-width: 529px) 100vw, 529px\" \/><\/figure>\n<\/div>\n\n\n<p>Jacques Offenbach, Jules Barbier [after E.T.A. Hoffmann; German translation by Julius Hopp]: Ha, wie in meiner Seel\u2019 [\u00d4 Dieu, de quelle ivresse] (<em>Hoffmanns Erz\u00e4hlungen<\/em> [Les Contes d\u2019Hoffmann]). Otto Dobrindt, Orchester der Berliner Staatsoper [1932]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"292\" height=\"384\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/05\/Kullman-handsome.jpg\" alt=\"\" class=\"wp-image-21105\" style=\"aspect-ratio:0.7604260355029586;width:596px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/05\/Kullman-handsome.jpg 292w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/05\/Kullman-handsome-228x300.jpg 228w\" sizes=\"auto, (max-width: 292px) 100vw, 292px\" \/><\/figure>\n<\/div>\n\n\n<p>Emmerich K\u00e1lm\u00e1n, Julius Brammer, Alfred Gr\u00fcnwald: Zwei M\u00e4rchenaugen (<em>Die Zirkusprinzessin<\/em>) [1932]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"788\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/05\/Kullman-profile-788x1024.jpg\" alt=\"\" class=\"wp-image-21106\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/05\/Kullman-profile-788x1024.jpg 788w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/05\/Kullman-profile-231x300.jpg 231w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/05\/Kullman-profile-768x998.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/05\/Kullman-profile.jpg 1103w\" sizes=\"auto, (max-width: 788px) 100vw, 788px\" \/><\/figure>\n<\/div>\n\n\n<p>Pyotr Il\u2019yich Tchaikovsky [after Alexander Pushkin; German translation by August Bernhard]: Wohin seid ihr entschwunden (<em>Eugen Onegin<\/em>) [1935]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"637\" height=\"831\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/05\/Kullman-handsome-smirk.png\" alt=\"\" class=\"wp-image-21107\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/05\/Kullman-handsome-smirk.png 637w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/05\/Kullman-handsome-smirk-230x300.png 230w\" sizes=\"auto, (max-width: 637px) 100vw, 637px\" \/><\/figure>\n<\/div>\n\n\n<p>Eduard K\u00fcnneke, Paul Knepler, J.M. Willeminsky: Ich tr\u00e4ume mit offenen Augen (<em>Die lockende Flamme<\/em>). Eduard K\u00fcnneke, Orchester vom Theater des Westens [1933]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"591\" height=\"755\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/05\/Kullman-LVCD.png\" alt=\"\" class=\"wp-image-21108\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/05\/Kullman-LVCD.png 591w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/05\/Kullman-LVCD-235x300.png 235w\" sizes=\"auto, (max-width: 591px) 100vw, 591px\" \/><\/figure>\n<\/div>\n\n\n<p>Richard Wagner: In fernem Land (<em>Lohengrin<\/em>). Orchestra conducted by Walter Goehr [1938]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"845\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/05\/Kullman-costume-845x1024.jpg\" alt=\"\" class=\"wp-image-21109\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/05\/Kullman-costume-845x1024.jpg 845w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/05\/Kullman-costume-248x300.jpg 248w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/05\/Kullman-costume-768x931.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/05\/Kullman-costume-1267x1536.jpg 1267w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/05\/Kullman-costume-1600x1939.jpg 1600w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/05\/Kullman-costume.jpg 1633w\" sizes=\"auto, (max-width: 845px) 100vw, 845px\" \/><\/figure>\n<\/div>\n\n\n<p>Richard Wagner: Morgenlich leuchtend (<em>Die Meistersinger von N\u00fcrnberg<\/em>). Arturo Toscanini, Wiener Philharmoniker, Chor der Wiener Staatsoper [live Salzburg 08.VIII.1936]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"734\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/05\/Arturo-Toscanini-Young-734x1024.jpg\" alt=\"\" class=\"wp-image-21120\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/05\/Arturo-Toscanini-Young-734x1024.jpg 734w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/05\/Arturo-Toscanini-Young-215x300.jpg 215w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/05\/Arturo-Toscanini-Young-768x1072.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/05\/Arturo-Toscanini-Young.jpg 903w\" sizes=\"auto, (max-width: 734px) 100vw, 734px\" \/><figcaption class=\"wp-element-caption\">Arturo Toscanini<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"186\" height=\"243\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/05\/Kullman-as-Avito.jpg\" alt=\"\" class=\"wp-image-21110\" style=\"width:529px;height:auto\"\/><\/figure>\n<\/div>\n\n\n<p>Italo Montemezzi, Sem Benelli: Fiora, Fiora\u2026 \u00e8 silenzio; siamo soli (<em>L&#8217;amore dei tre re<\/em>). Orchestra conducted by Italo Montemezzi [live New York 15.II.1941]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"494\" height=\"625\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/05\/Licia-Violetta.jpg\" alt=\"\" class=\"wp-image-21111\" style=\"width:579px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/05\/Licia-Violetta.jpg 494w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/05\/Licia-Violetta-237x300.jpg 237w\" sizes=\"auto, (max-width: 494px) 100vw, 494px\" \/><figcaption class=\"wp-element-caption\">Licia Albanese as Violetta<\/figcaption><\/figure>\n<\/div>\n\n\n<p>Giuseppe Verdi, Francesco Maria Piave [after Alexandre Dumas fils]: Oh qual pallor!&#8230; Un d\u00ec, felice&#8230; Amor dunque non pi\u00f9 (<em>La traviata<\/em>). Licia Albanese, Alessio De Paolis, Orchestra conducted by Cesare Sodero [live New York 12.XII.1942]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"477\" height=\"600\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/05\/Bidu-as-Manon.jpg\" alt=\"\" class=\"wp-image-21112\" style=\"width:581px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/05\/Bidu-as-Manon.jpg 477w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/05\/Bidu-as-Manon-239x300.jpg 239w\" sizes=\"auto, (max-width: 477px) 100vw, 477px\" \/><figcaption class=\"wp-element-caption\">Bid\u00fa Say\u00e3o as Manon<\/figcaption><\/figure>\n<\/div>\n\n\n<p>Jules Massenet, Henri Meilhac, Philippe Gille [after Abb\u00e9 Pr\u00e9vost]: Pardonnez-moi, Dieu de toute puissance&#8230; Toi! Vous!&#8230; N&#8217;est-ce plus ma main (<em>Manon<\/em>). Bid\u00fa Say\u00e3o, Orchestra conducted by Thomas Beecham [live New York 16.I.1943]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"638\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/05\/Resnik-Rosalinde-638x1024.jpg\" alt=\"\" class=\"wp-image-21113\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/05\/Resnik-Rosalinde-638x1024.jpg 638w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/05\/Resnik-Rosalinde-187x300.jpg 187w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/05\/Resnik-Rosalinde-768x1232.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/05\/Resnik-Rosalinde-958x1536.jpg 958w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/05\/Resnik-Rosalinde.jpg 1172w\" sizes=\"auto, (max-width: 638px) 100vw, 638px\" \/><figcaption class=\"wp-element-caption\">Regina Resnik as Rosalinde<\/figcaption><\/figure>\n<\/div>\n\n\n<p>Johann Strauss II, Carl Haffner, Richard Gen\u00e9e [after Henri Meilhac, Ludovic Hal\u00e9vy; English version by Ruth and Thomas Martin]: What a beauty! What a charmer! [Dieser Anstand so manierlich] (<em>Die Fledermaus<\/em>). Regina Resnik, Orchestra conducted by Eugene Ormandy [live 22.XII.1951]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"690\" height=\"821\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/05\/Kullman-mic.png\" alt=\"\" class=\"wp-image-21114\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/05\/Kullman-mic.png 690w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/05\/Kullman-mic-252x300.png 252w\" sizes=\"auto, (max-width: 690px) 100vw, 690px\" \/><\/figure>\n<\/div>\n\n\n<p>Giacomo Puccini, Giuseppe Adami, Renato Simoni [after Carlo Gozzi and Friedrich Schiller]: O weine nicht, Liu [Non piangere, Liu] (<em>Turandot<\/em>) [sung in German]. Clemens Schmalstich, Orchester der Berliner Staatsoper [1932]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"515\" height=\"695\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/05\/Kullman-autograph.jpg\" alt=\"\" class=\"wp-image-21115\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/05\/Kullman-autograph.jpg 515w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/05\/Kullman-autograph-222x300.jpg 222w\" sizes=\"auto, (max-width: 515px) 100vw, 515px\" \/><\/figure>\n<\/div>\n\n\n<p>Gustav Mahler, Hans Bethge [after Li-Tai-Po]: Der Trunkene im Fr\u00fchling (<em>Das Lied von der Erde<\/em>). Bruno Walter, Wiener Philharmoniker [live Wien 24.V.1936]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"390\" height=\"549\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/05\/Bruno-Walter.jpg\" alt=\"\" class=\"wp-image-21121\" style=\"width:462px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/05\/Bruno-Walter.jpg 390w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/05\/Bruno-Walter-213x300.jpg 213w\" sizes=\"auto, (max-width: 390px) 100vw, 390px\" \/><figcaption class=\"wp-element-caption\">Bruno Walter<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"292\" height=\"462\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/05\/Charles-Kullman-Lipz.jpg\" alt=\"\" class=\"wp-image-21116\" style=\"width:523px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/05\/Charles-Kullman-Lipz.jpg 292w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/05\/Charles-Kullman-Lipz-190x300.jpg 190w\" sizes=\"auto, (max-width: 292px) 100vw, 292px\" \/><\/figure>\n<\/div>\n\n\n<p>Will Meisel: Marie-Luise (<em>Die Sonne geht auf<\/em>) [1932]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"658\" height=\"883\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/05\/Kullman-Turiddu.jpg\" alt=\"\" class=\"wp-image-21117\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/05\/Kullman-Turiddu.jpg 658w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/05\/Kullman-Turiddu-224x300.jpg 224w\" sizes=\"auto, (max-width: 658px) 100vw, 658px\" \/><\/figure>\n<\/div>\n\n\n<p>Eugen Hildach, Felix Dahn: Der Lenz, Op. 19\/5 [1932]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Episode 462. Get to Know Charles Kullman SOCIAL SHARE SUBSCRIPTION PLATFORM I\u2019ve had a real urge lately to revisit the&hellip;<\/p>\n","protected":false},"author":1,"featured_media":21099,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"advgb_blocks_editor_width":"","advgb_blocks_columns_visual_guide":"","footnotes":""},"categories":[3273,2476,2398,5137,2314,808,2329,1470,4722,2328,4980,427],"tags":[4009,3518,5548,4860,122,9192,130,1192,7170,6350,9186,1981,8806,5112,1298,127,3380,9190,983,9185,7146,6432,1866,1452,9183,6562,357,6074,4535,3222,94,4610,207,1297,4136,3672,6434,8905,198,9189,98,749,4020,433,2031,8800,223,1066,2228,4621,2086,2345,3673,434,8906,9191,3388,4008,1913,4793,4611,6802,486,5221,9187,4303,1092,9188,9184,876],"class_list":["post-20894","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-french-opera","category-giacomo-puccini","category-giuseppe-verdi","category-great-tenors","category-gustav-mahler","category-needle-drop","category-opera-in-translation","category-operetta","category-orchestral-songs","category-richard-wagner","category-twentieth-century-opera","category-verismo","tag-abbe-prevost","tag-alexander-pushkin","tag-alexandre-dumas-fils","tag-alfred-grunwald","tag-arturo-toscanini","tag-august-bernhard","tag-bidu-sayao","tag-bruno-walter","tag-carl-haffner","tag-carlo-gozzi","tag-cesare-sodero","tag-charles-kullman","tag-charles-kullmann","tag-clemens-schmalstich","tag-das-lied-von-der-erde","tag-der-zigeunerbaron","tag-die-fledermaus","tag-die-lockende-flamme","tag-die-meistersinger-von-nurnberg","tag-die-sonne-geht-auf","tag-die-zirkusprinzessin","tag-e-t-a-hoffmann","tag-eduard-kunneke","tag-emmerich-kalman","tag-eugen-hildach","tag-eugen-onegin","tag-eugene-ormandy","tag-felix-dahn","tag-francesco-maria-piave","tag-friedrich-schiller","tag-giacomo-puccini","tag-giuseppe-adami","tag-giuseppe-verdi","tag-gustav-mahler","tag-hans-bethge","tag-henri-meilhac","tag-hoffmanns-erzahlungen","tag-ignaz-schnitzer","tag-italo-montemezzi","tag-j-m-willeminsky","tag-jacques-offenbach","tag-johann-strauss-ii","tag-jules-barbier","tag-jules-massenet","tag-julius-brammer","tag-julius-hopp","tag-lamore-di-tre-re","tag-la-traviata","tag-les-contes-dhoffmann","tag-li-tai-po","tag-licia-albanese","tag-lohengrin","tag-ludovic-halevy","tag-manon","tag-mor-jokai","tag-otto-dobrindt","tag-paul-knepler","tag-philippe-gille","tag-pyotr-ilyich-tchaikovsky-2","tag-regina-resnik","tag-renato-simoni","tag-richard-genee","tag-richard-wagner","tag-ruth-and-thomas-martin","tag-sem-benelli","tag-thomas-beecham","tag-turandot","tag-walter-goehr","tag-will-meisel","tag-yevgeny-onegin"],"author_meta":{"display_name":"admin","author_link":"https:\/\/countermelodypodcast.com\/index.php\/author\/admin\/"},"featured_img":"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/05\/CK-Preppy-TRIMMED-300x200.png","coauthors":[],"tax_additional":{"categories":{"linked":["<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/french-opera\/\" class=\"advgb-post-tax-term\">French Opera<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/giacomo-puccini\/\" class=\"advgb-post-tax-term\">Giacomo Puccini<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/giuseppe-verdi\/\" class=\"advgb-post-tax-term\">Giuseppe Verdi<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/great-tenors\/\" class=\"advgb-post-tax-term\">Great Tenors<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/gustav-mahler\/\" class=\"advgb-post-tax-term\">Gustav Mahler<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Needle Drop<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/opera-in-translation\/\" class=\"advgb-post-tax-term\">Opera in Translation<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Operetta<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/orchestral-songs\/\" class=\"advgb-post-tax-term\">Orchestral Songs<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/richard-wagner\/\" class=\"advgb-post-tax-term\">Richard Wagner<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-opera\/\" class=\"advgb-post-tax-term\">Twentieth Century Opera<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Verismo<\/a>"],"unlinked":["<span class=\"advgb-post-tax-term\">French Opera<\/span>","<span class=\"advgb-post-tax-term\">Giacomo Puccini<\/span>","<span class=\"advgb-post-tax-term\">Giuseppe Verdi<\/span>","<span class=\"advgb-post-tax-term\">Great Tenors<\/span>","<span class=\"advgb-post-tax-term\">Gustav Mahler<\/span>","<span class=\"advgb-post-tax-term\">Needle Drop<\/span>","<span class=\"advgb-post-tax-term\">Opera in Translation<\/span>","<span class=\"advgb-post-tax-term\">Operetta<\/span>","<span class=\"advgb-post-tax-term\">Orchestral Songs<\/span>","<span class=\"advgb-post-tax-term\">Richard Wagner<\/span>","<span class=\"advgb-post-tax-term\">Twentieth Century Opera<\/span>","<span class=\"advgb-post-tax-term\">Verismo<\/span>"]},"tags":{"linked":["<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Abb\u00e9 Prevost<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Alexander Pushkin<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Alexandre Dumas fils<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Alfred Gr\u00fcnwald<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Arturo Toscanini<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">August Bernhard<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Bidu Sayao<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Bruno Walter<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Carl Haffner<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Carlo Gozzi<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Cesare Sodero<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Charles Kullman<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Charles Kullmann<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Clemens Schmalstich<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Das Lied von der Erde<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Der Zigeunerbaron<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Die Fledermaus<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Die lockende Flamme<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Die Meistersinger von N\u00fcrnberg<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Die Sonne geht auf<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Die Zirkusprinzessin<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">E.T.A. Hoffmann<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Eduard K\u00fcnneke<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Emmerich K\u00e1lm\u00e1n<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Eugen Hildach<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Eugen Onegin<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Eugene Ormandy<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Felix Dahn<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Francesco Maria Piave<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Friedrich Schiller<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Giacomo Puccini<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Giuseppe Adami<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Giuseppe Verdi<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Gustav Mahler<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Hans Bethge<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Henri Meilhac<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Hoffmanns Erz\u00e4hlungen<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Ignaz Schnitzer<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Italo Montemezzi<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">J.M. Willeminsky<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Jacques Offenbach<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Johann Strauss II<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Jules Barbier<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Jules Massenet<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Julius Brammer<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Julius Hopp<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">L&#039;Amore di tre re<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">La Traviata<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Les Contes d\u2019Hoffmann<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Li-Tai-Po<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Licia Albanese<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Lohengrin<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Ludovic Hal\u00e9vy<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Manon<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">M\u00f3r J\u00f3kai<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Otto Dobrindt<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Paul Knepler<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Philippe Gille<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Pyotr Il\u2019yich Tchaikovsky<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Regina Resnik<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Renato Simoni<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Richard Gen\u00e9e<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Richard Wagner<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Ruth and Thomas Martin<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Sem Benelli<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Thomas Beecham<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Turandot<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Walter Goehr<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Will Meisel<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Yevgeny Onegin<\/a>"],"unlinked":["<span class=\"advgb-post-tax-term\">Abb\u00e9 Prevost<\/span>","<span class=\"advgb-post-tax-term\">Alexander Pushkin<\/span>","<span class=\"advgb-post-tax-term\">Alexandre Dumas fils<\/span>","<span class=\"advgb-post-tax-term\">Alfred Gr\u00fcnwald<\/span>","<span class=\"advgb-post-tax-term\">Arturo Toscanini<\/span>","<span class=\"advgb-post-tax-term\">August Bernhard<\/span>","<span class=\"advgb-post-tax-term\">Bidu Sayao<\/span>","<span class=\"advgb-post-tax-term\">Bruno Walter<\/span>","<span class=\"advgb-post-tax-term\">Carl Haffner<\/span>","<span class=\"advgb-post-tax-term\">Carlo Gozzi<\/span>","<span class=\"advgb-post-tax-term\">Cesare Sodero<\/span>","<span class=\"advgb-post-tax-term\">Charles Kullman<\/span>","<span class=\"advgb-post-tax-term\">Charles Kullmann<\/span>","<span class=\"advgb-post-tax-term\">Clemens Schmalstich<\/span>","<span class=\"advgb-post-tax-term\">Das Lied von der Erde<\/span>","<span class=\"advgb-post-tax-term\">Der Zigeunerbaron<\/span>","<span class=\"advgb-post-tax-term\">Die Fledermaus<\/span>","<span class=\"advgb-post-tax-term\">Die lockende Flamme<\/span>","<span class=\"advgb-post-tax-term\">Die Meistersinger von N\u00fcrnberg<\/span>","<span class=\"advgb-post-tax-term\">Die Sonne geht auf<\/span>","<span class=\"advgb-post-tax-term\">Die Zirkusprinzessin<\/span>","<span class=\"advgb-post-tax-term\">E.T.A. Hoffmann<\/span>","<span class=\"advgb-post-tax-term\">Eduard K\u00fcnneke<\/span>","<span class=\"advgb-post-tax-term\">Emmerich K\u00e1lm\u00e1n<\/span>","<span class=\"advgb-post-tax-term\">Eugen Hildach<\/span>","<span class=\"advgb-post-tax-term\">Eugen Onegin<\/span>","<span class=\"advgb-post-tax-term\">Eugene Ormandy<\/span>","<span class=\"advgb-post-tax-term\">Felix Dahn<\/span>","<span class=\"advgb-post-tax-term\">Francesco Maria Piave<\/span>","<span class=\"advgb-post-tax-term\">Friedrich Schiller<\/span>","<span class=\"advgb-post-tax-term\">Giacomo Puccini<\/span>","<span class=\"advgb-post-tax-term\">Giuseppe Adami<\/span>","<span class=\"advgb-post-tax-term\">Giuseppe Verdi<\/span>","<span class=\"advgb-post-tax-term\">Gustav Mahler<\/span>","<span class=\"advgb-post-tax-term\">Hans Bethge<\/span>","<span class=\"advgb-post-tax-term\">Henri Meilhac<\/span>","<span class=\"advgb-post-tax-term\">Hoffmanns Erz\u00e4hlungen<\/span>","<span class=\"advgb-post-tax-term\">Ignaz Schnitzer<\/span>","<span class=\"advgb-post-tax-term\">Italo Montemezzi<\/span>","<span class=\"advgb-post-tax-term\">J.M. Willeminsky<\/span>","<span class=\"advgb-post-tax-term\">Jacques Offenbach<\/span>","<span class=\"advgb-post-tax-term\">Johann Strauss II<\/span>","<span class=\"advgb-post-tax-term\">Jules Barbier<\/span>","<span class=\"advgb-post-tax-term\">Jules Massenet<\/span>","<span class=\"advgb-post-tax-term\">Julius Brammer<\/span>","<span class=\"advgb-post-tax-term\">Julius Hopp<\/span>","<span class=\"advgb-post-tax-term\">L&#039;Amore di tre re<\/span>","<span class=\"advgb-post-tax-term\">La Traviata<\/span>","<span class=\"advgb-post-tax-term\">Les Contes d\u2019Hoffmann<\/span>","<span class=\"advgb-post-tax-term\">Li-Tai-Po<\/span>","<span class=\"advgb-post-tax-term\">Licia Albanese<\/span>","<span class=\"advgb-post-tax-term\">Lohengrin<\/span>","<span class=\"advgb-post-tax-term\">Ludovic Hal\u00e9vy<\/span>","<span class=\"advgb-post-tax-term\">Manon<\/span>","<span class=\"advgb-post-tax-term\">M\u00f3r J\u00f3kai<\/span>","<span class=\"advgb-post-tax-term\">Otto Dobrindt<\/span>","<span class=\"advgb-post-tax-term\">Paul Knepler<\/span>","<span class=\"advgb-post-tax-term\">Philippe Gille<\/span>","<span class=\"advgb-post-tax-term\">Pyotr Il\u2019yich Tchaikovsky<\/span>","<span class=\"advgb-post-tax-term\">Regina Resnik<\/span>","<span class=\"advgb-post-tax-term\">Renato Simoni<\/span>","<span class=\"advgb-post-tax-term\">Richard Gen\u00e9e<\/span>","<span class=\"advgb-post-tax-term\">Richard Wagner<\/span>","<span class=\"advgb-post-tax-term\">Ruth and Thomas Martin<\/span>","<span class=\"advgb-post-tax-term\">Sem Benelli<\/span>","<span class=\"advgb-post-tax-term\">Thomas Beecham<\/span>","<span class=\"advgb-post-tax-term\">Turandot<\/span>","<span class=\"advgb-post-tax-term\">Walter Goehr<\/span>","<span class=\"advgb-post-tax-term\">Will Meisel<\/span>","<span class=\"advgb-post-tax-term\">Yevgeny Onegin<\/span>"]}},"comment_count":"0","relative_dates":{"created":"Posted 22 hours ago","modified":"Updated 22 hours ago"},"absolute_dates":{"created":"Posted on 11\/05\/2026","modified":"Updated on 11\/05\/2026"},"absolute_dates_time":{"created":"Posted on 11\/05\/2026 14:03","modified":"Updated on 11\/05\/2026 14:03"},"featured_img_caption":"","series_order":"","_links":{"self":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/20894","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/comments?post=20894"}],"version-history":[{"count":6,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/20894\/revisions"}],"predecessor-version":[{"id":21123,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/20894\/revisions\/21123"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/media\/21099"}],"wp:attachment":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/media?parent=20894"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/categories?post=20894"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/tags?post=20894"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}