{"id":20659,"date":"2026-04-24T14:46:36","date_gmt":"2026-04-24T12:46:36","guid":{"rendered":"https:\/\/countermelodypodcast.com\/?p=20659"},"modified":"2026-04-24T14:46:42","modified_gmt":"2026-04-24T12:46:42","slug":"episode-457-ein-opernabend-mit-anna-tomowa-sintow","status":"publish","type":"post","link":"https:\/\/countermelodypodcast.com\/index.php\/2026\/04\/24\/episode-457-ein-opernabend-mit-anna-tomowa-sintow\/","title":{"rendered":"Episode 457. Ein Opernabend mit&#8230; Anna Tomowa-Sintow"},"content":{"rendered":"<div id=\"mega-menu-wrap-primary\" class=\"mega-menu-wrap\"><div class=\"mega-menu-toggle\"><div class=\"mega-toggle-blocks-left\"><\/div><div class=\"mega-toggle-blocks-center\"><\/div><div class=\"mega-toggle-blocks-right\"><div class='mega-toggle-block mega-menu-toggle-animated-block mega-toggle-block-1' id='mega-toggle-block-1'><button aria-label=\"Menu\" class=\"mega-toggle-animated mega-toggle-animated-slider\" type=\"button\" aria-haspopup=\"true\" aria-expanded=\"false\" aria-controls=\"mega-menu-primary\">\n                  <span class=\"mega-toggle-animated-box\">\n                    <span class=\"mega-toggle-animated-inner\"><\/span>\n                  <\/span>\n                <\/button><\/div><\/div><\/div><ul id=\"mega-menu-primary\" class=\"mega-menu max-mega-menu mega-menu-horizontal mega-no-js\" data-event=\"hover_intent\" data-effect=\"slide\" data-effect-speed=\"200\" data-effect-mobile=\"slide\" data-effect-speed-mobile=\"200\" data-mobile-force-width=\"body\" data-second-click=\"go\" data-document-click=\"collapse\" data-vertical-behaviour=\"standard\" data-breakpoint=\"600\" data-unbind=\"true\" data-mobile-state=\"collapse_all\" data-mobile-direction=\"vertical\" data-hover-intent-timeout=\"300\" data-hover-intent-interval=\"100\"><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-menu-item-home mega-align-bottom-left mega-menu-flyout mega-menu-item-19160\" id=\"mega-menu-item-19160\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/\">Home<\/a><\/li><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-align-bottom-left mega-menu-flyout mega-menu-item-19161\" id=\"mega-menu-item-19161\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/index.php\/about-daniel\/\">About Daniel<\/a><\/li><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-current_page_parent mega-align-bottom-left mega-menu-flyout mega-menu-item-19171\" id=\"mega-menu-item-19171\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/index.php\/all-episodes\/\">All Episodes<\/a><\/li><\/ul><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">Episode 457. Ein Opernabend mit&#8230; Anna Tomowa-Sintow<\/h2>\n\n\n\n<iframe loading=\"lazy\" width=\"340\" height=\"50\" src=\"https:\/\/countermelody.blubrry.net\/?powerpress_embed=1941-podcast&amp;powerpress_player=mediaelement-audio\" title=\"Blubrry Podcast Player\" frameborder=\"0\" scrolling=\"no\"><\/iframe>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p><strong>SOCIAL SHARE<\/strong><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"has-text-align-right\"><strong>SUBSCRIPTION PLATFORM<\/strong><\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<div class=\"wp-block-buttons is-horizontal is-content-justification-left is-layout-flex wp-container-core-buttons-is-layout-7e5fce0a wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link no-border-radius wp-element-button\" href=\"https:\/\/countermelody.blubrry.net\/\">SUBSCRIBE VIA YOUR FAVORITE PODCAST PLATFORM<\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"449\" height=\"443\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/04\/AlbumArtSmall.jpg\" alt=\"\" class=\"wp-image-20921\" style=\"width:569px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/04\/AlbumArtSmall.jpg 449w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/04\/AlbumArtSmall-300x296.jpg 300w\" sizes=\"auto, (max-width: 449px) 100vw, 449px\" \/><\/figure>\n<\/div>\n\n\n<div style=\"height:38px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Today\u2019s episode serves two purposes: First, I introduce my listeners to a wonderful series first released on Eterna, the East German state record label, entitled \u201cEin Opernabend mit&#8230;\u201d which featured singers, some but not all of them German, active in East Germany between the late 1960s and the early 1980s. Some of these singers are well-known to lovers of great singers, with others much less-so. The quality of the singing varies from release to release, but the very best of these represents singing on the most exalted level. Over the past several years, I have been collecting these (sometimes very rare) recordings and now have nearly all of them in my personal collection. I\u2019ll be doing an ongoing <em>Countermelody<\/em> series featuring these recordings, and present the first such episode today, featuring what is by far the most famous and well-circulated of these recordings, \u201cEin Opernabend mit Anna Tomowa-Sintow,\u201d which features the beloved Bulgarian <em>jugendlich-dramatisch<\/em> soprano in some of her core repertoire (from <em>Yevgeny Onegin<\/em>, <em>Otello<\/em>, <em>Forza del destino<\/em>, <em>Ariadne auf Naxos<\/em>, and <em>Arabella<\/em>) made in December 1974 with Kurt Masur leading the Gewandhausorchester Leipzig. ATS had recently joined the ensemble at the Staatsoper Berlin (then located in East Germany) and is heard in her creamy, exultant prime. I have supplemented this album with additional material recorded between 1970 and 1993, featuring Tomowa-Sintow in refulgently beautiful (and sometimes quite dramatically alive) excerpts from <em>Cos\u00ec fan tutte<\/em>, <em>Forza<\/em>, <em>Die \u00e4gyptische Helena<\/em>, <em>Daphne<\/em>, and the <em>Vier letzte Lieder<\/em>. I had a former boyfriend who once dismissed this singer as \u201cgarden variety.\u201d All I can say is, if this is garden variety singing, then this is a garden I don\u2019t want to leave anytime soon!<\/p>\n\n\n\n<div style=\"height:47px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-custom-size\" style=\"font-size:30px\"><strong> RECORDINGS HEARD IN THIS EPISODE<\/strong><\/p>\n\n\n\n<div style=\"height:55px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>All tracks feature Anna Tomowa-Sintow, soprano, and, unless otherwise noted, Kurt Masur leading the Gewandhausorchester Leipzig. <em>Ein Opernabend mit Anna Tomowa-Sintow<\/em> was recorded in December 1974.<\/p>\n\n\n\n<p>Richard Strauss, Hermann Hesse: Fr\u00fchling (<em>Vier letzte Lieder<\/em>). Anna Tomowa-Sintow, Karl B\u00f6hm, Staatskapelle Dresden [Salzburg 11.VII.76]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"600\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/04\/Sofia-Competition-Record.jpg\" alt=\"\" class=\"wp-image-20924\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/04\/Sofia-Competition-Record.jpg 600w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/04\/Sofia-Competition-Record-300x300.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/04\/Sofia-Competition-Record-150x150.jpg 150w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/figure>\n<\/div>\n\n\n<p>Wolfgang Amadeus Mozart, Lorenzo da Ponte: Come scoglio (<em>Cos\u00ec fan tutte<\/em>). Rouslan Raychev, Sofia National Opera Orchestra [1970]<\/p>\n\n\n\n<p>Pyotr Il\u2019yich Tchaikovsky [after Alexander Pushkin]: \u041f\u0443\u0441\u043a\u0430\u0439 \u043f\u043e\u0433\u0438\u0431\u043d\u0443 \u044f, \u043d\u043e \u043f\u0440\u0435\u0436\u0434\u0435 [Letter Scene] (<em>Yevgeny Onegin<\/em>)<\/p>\n\n\n\n<p>Giuseppe Verdi, Arrigo Boito [after William Shakespeare]: Emilia, te ne prego&#8230; Piangea cantando&#8230; Ave Maria (<em>Otello<\/em>)<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"598\" height=\"600\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/04\/Balkanton-Verdi.jpg\" alt=\"\" class=\"wp-image-20922\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/04\/Balkanton-Verdi.jpg 598w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/04\/Balkanton-Verdi-300x300.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/04\/Balkanton-Verdi-150x150.jpg 150w\" sizes=\"auto, (max-width: 598px) 100vw, 598px\" \/><\/figure>\n<\/div>\n\n\n<p>Giuseppe Verdi, Francesco Maria Piave [after \u00c1ngel de Saavedra]: Me pellegrina ed orfana (<em>La forza del destino<\/em>). Rouslan Raychev, Sofia Philharmonic Orchestra [1977]<\/p>\n\n\n\n<p>Giuseppe Verdi, Francesco Maria Piave [after \u00c1ngel de Saavedra]: Pace, pace, mio Dio (<em>La forza del destino<\/em>)<\/p>\n\n\n\n<p>Richard Strauss, Hugo von Hofmannsthal: Zweite Brautnacht! (<em>Die \u00e4gyptische Helena<\/em>). Marek Janowski, Orchestre Philharmonique de Radio France [live Paris 26.IV.1993]<\/p>\n\n\n\n<p>Richard Strauss, Hugo von Hofmannsthal: Ein Sch\u00f6nes war&#8230; Es gibt ein Reich (<em>Ariadne auf Naxos<\/em>)<\/p>\n\n\n\n<p>Richard Strauss, Hugo von Hofmannsthal: Mein Elemer! (<em>Arabella<\/em>)<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"587\" height=\"600\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/04\/Orfeo-ATS.jpg\" alt=\"\" class=\"wp-image-20923\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/04\/Orfeo-ATS.jpg 587w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/04\/Orfeo-ATS-294x300.jpg 294w\" sizes=\"auto, (max-width: 587px) 100vw, 587px\" \/><\/figure>\n<\/div>\n\n\n<p>Richard Strauss, Joseph Gregor [after Ovid and Euripedes]: Ich komme, gr\u00fcnende Br\u00fcder (<em>Daphne<\/em>). Peter Sommer, M\u00fcnchener Rundfunk Orchester [1984]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Episode 457. Ein Opernabend mit&#8230; Anna Tomowa-Sintow SOCIAL SHARE SUBSCRIPTION PLATFORM Today\u2019s episode serves two purposes: First, I introduce my&hellip;<\/p>\n","protected":false},"author":1,"featured_media":5674,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"advgb_blocks_editor_width":"","advgb_blocks_columns_visual_guide":"","footnotes":""},"categories":[3207,5823,2398,1072,2260,808,2257,4980,5138],"tags":[3518,6532,1619,4260,462,77,44,2255,2256,6509,4535,207,4019,3760,9078,3668,1110,870,2250,1063,9079,9080,1913,329,9081,700,2600,34,876],"class_list":["post-20659","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-behind-the-iron-curtain","category-forgotten-divas","category-giuseppe-verdi","category-in-memoriam","category-music-for-a-world-in-crisis","category-needle-drop","category-richard-strauss","category-twentieth-century-opera","category-wolfgang-amadeus-mozart","tag-alexander-pushkin","tag-angel-de-saavedra","tag-anna-tomowa-sintow","tag-arabella","tag-ariadne-auf-naxos","tag-arrigo-boito","tag-cosi-fan-tutte","tag-daphne","tag-die-agyptische-helena","tag-euripedes","tag-francesco-maria-piave","tag-giuseppe-verdi","tag-hermann-hesse","tag-hugo-von-hofmannsthal","tag-josepf-gregor","tag-kurt-masur","tag-la-forza-del-destino","tag-lorenzo-da-ponte","tag-marek-janowski","tag-otello","tag-ovid","tag-peter-sommer","tag-pyotr-ilyich-tchaikovsky-2","tag-richard-strauss","tag-rouslan-raychev","tag-vier-letzte-lieder","tag-william-shakespeare","tag-wolfgang-amadeus-mozart","tag-yevgeny-onegin"],"author_meta":{"display_name":"admin","author_link":"https:\/\/countermelodypodcast.com\/index.php\/author\/admin\/"},"featured_img":"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2020\/09\/Moffo-Negligee-TRIMMED-300x140.jpg","coauthors":[],"tax_additional":{"categories":{"linked":["<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/behind-the-iron-curtain\/\" class=\"advgb-post-tax-term\">Behind the Iron Curtain<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/forgotten-divas\/\" class=\"advgb-post-tax-term\">Forgotten Divas<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/giuseppe-verdi\/\" class=\"advgb-post-tax-term\">Giuseppe Verdi<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/in-memoriam\/\" class=\"advgb-post-tax-term\">In Memoriam<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/music-for-a-world-in-crisis\/\" class=\"advgb-post-tax-term\">Music for a World in Crisis<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Needle Drop<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/richard-strauss\/\" class=\"advgb-post-tax-term\">Richard Strauss<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-opera\/\" class=\"advgb-post-tax-term\">Twentieth Century Opera<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Wolfgang Amadeus Mozart<\/a>"],"unlinked":["<span class=\"advgb-post-tax-term\">Behind the Iron Curtain<\/span>","<span class=\"advgb-post-tax-term\">Forgotten Divas<\/span>","<span class=\"advgb-post-tax-term\">Giuseppe Verdi<\/span>","<span class=\"advgb-post-tax-term\">In Memoriam<\/span>","<span class=\"advgb-post-tax-term\">Music for a World in Crisis<\/span>","<span class=\"advgb-post-tax-term\">Needle Drop<\/span>","<span class=\"advgb-post-tax-term\">Richard Strauss<\/span>","<span class=\"advgb-post-tax-term\">Twentieth Century Opera<\/span>","<span class=\"advgb-post-tax-term\">Wolfgang Amadeus Mozart<\/span>"]},"tags":{"linked":["<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Alexander Pushkin<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">\u00c1ngel de Saavedra<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Anna Tomowa-Sintow<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Arabella<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Ariadne auf Naxos<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Arrigo Boito<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Cosi fan tutte<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Daphne<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Die \u00c4gyptische Helena<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Euripedes<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Francesco Maria Piave<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Giuseppe Verdi<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Hermann Hesse<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Hugo von Hofmannsthal<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Josepf Gregor<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Kurt Masur<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">La forza del destino<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Lorenzo da Ponte<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Marek Janowski<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Otello<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Ovid<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Peter Sommer<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Pyotr Il\u2019yich Tchaikovsky<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Richard Strauss<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Rouslan Raychev<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Vier letzte Lieder<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">William Shakespeare<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Wolfgang Amadeus Mozart<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Yevgeny Onegin<\/a>"],"unlinked":["<span class=\"advgb-post-tax-term\">Alexander Pushkin<\/span>","<span class=\"advgb-post-tax-term\">\u00c1ngel de Saavedra<\/span>","<span class=\"advgb-post-tax-term\">Anna Tomowa-Sintow<\/span>","<span class=\"advgb-post-tax-term\">Arabella<\/span>","<span class=\"advgb-post-tax-term\">Ariadne auf Naxos<\/span>","<span class=\"advgb-post-tax-term\">Arrigo Boito<\/span>","<span class=\"advgb-post-tax-term\">Cosi fan tutte<\/span>","<span class=\"advgb-post-tax-term\">Daphne<\/span>","<span class=\"advgb-post-tax-term\">Die \u00c4gyptische Helena<\/span>","<span class=\"advgb-post-tax-term\">Euripedes<\/span>","<span class=\"advgb-post-tax-term\">Francesco Maria Piave<\/span>","<span class=\"advgb-post-tax-term\">Giuseppe Verdi<\/span>","<span class=\"advgb-post-tax-term\">Hermann Hesse<\/span>","<span class=\"advgb-post-tax-term\">Hugo von Hofmannsthal<\/span>","<span class=\"advgb-post-tax-term\">Josepf Gregor<\/span>","<span class=\"advgb-post-tax-term\">Kurt Masur<\/span>","<span class=\"advgb-post-tax-term\">La forza del destino<\/span>","<span class=\"advgb-post-tax-term\">Lorenzo da Ponte<\/span>","<span class=\"advgb-post-tax-term\">Marek Janowski<\/span>","<span class=\"advgb-post-tax-term\">Otello<\/span>","<span class=\"advgb-post-tax-term\">Ovid<\/span>","<span class=\"advgb-post-tax-term\">Peter Sommer<\/span>","<span class=\"advgb-post-tax-term\">Pyotr Il\u2019yich Tchaikovsky<\/span>","<span class=\"advgb-post-tax-term\">Richard Strauss<\/span>","<span class=\"advgb-post-tax-term\">Rouslan Raychev<\/span>","<span class=\"advgb-post-tax-term\">Vier letzte Lieder<\/span>","<span class=\"advgb-post-tax-term\">William Shakespeare<\/span>","<span class=\"advgb-post-tax-term\">Wolfgang Amadeus Mozart<\/span>","<span class=\"advgb-post-tax-term\">Yevgeny Onegin<\/span>"]}},"comment_count":"0","relative_dates":{"created":"Posted 4 hours ago","modified":"Updated 4 hours ago"},"absolute_dates":{"created":"Posted on 24\/04\/2026","modified":"Updated on 24\/04\/2026"},"absolute_dates_time":{"created":"Posted on 24\/04\/2026 14:46","modified":"Updated on 24\/04\/2026 14:46"},"featured_img_caption":"","series_order":"","_links":{"self":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/20659","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/comments?post=20659"}],"version-history":[{"count":3,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/20659\/revisions"}],"predecessor-version":[{"id":20925,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/20659\/revisions\/20925"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/media\/5674"}],"wp:attachment":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/media?parent=20659"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/categories?post=20659"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/tags?post=20659"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}