{"id":20396,"date":"2026-03-16T11:35:21","date_gmt":"2026-03-16T10:35:21","guid":{"rendered":"https:\/\/countermelodypodcast.com\/?p=20396"},"modified":"2026-03-17T13:29:25","modified_gmt":"2026-03-17T12:29:25","slug":"episode-446-christiane-eda-pierre-and-teresa-zylis-gara-hyphenated-rarities","status":"publish","type":"post","link":"https:\/\/countermelodypodcast.com\/index.php\/2026\/03\/16\/episode-446-christiane-eda-pierre-and-teresa-zylis-gara-hyphenated-rarities\/","title":{"rendered":"Episode 446. Christiane Eda-Pierre and Teresa \u017bylis-Gara: Hyphenated Rarities"},"content":{"rendered":"<div id=\"mega-menu-wrap-primary\" class=\"mega-menu-wrap\"><div class=\"mega-menu-toggle\"><div class=\"mega-toggle-blocks-left\"><\/div><div class=\"mega-toggle-blocks-center\"><\/div><div class=\"mega-toggle-blocks-right\"><div class='mega-toggle-block mega-menu-toggle-animated-block mega-toggle-block-1' id='mega-toggle-block-1'><button aria-label=\"Menu\" class=\"mega-toggle-animated mega-toggle-animated-slider\" type=\"button\" aria-haspopup=\"true\" aria-expanded=\"false\" aria-controls=\"mega-menu-primary\">\n                  <span class=\"mega-toggle-animated-box\">\n                    <span class=\"mega-toggle-animated-inner\"><\/span>\n                  <\/span>\n                <\/button><\/div><\/div><\/div><ul id=\"mega-menu-primary\" class=\"mega-menu max-mega-menu mega-menu-horizontal mega-no-js\" data-event=\"hover_intent\" data-effect=\"slide\" data-effect-speed=\"200\" data-effect-mobile=\"slide\" data-effect-speed-mobile=\"200\" data-mobile-force-width=\"body\" data-second-click=\"go\" data-document-click=\"collapse\" data-vertical-behaviour=\"standard\" data-breakpoint=\"600\" data-unbind=\"true\" data-mobile-state=\"collapse_all\" data-mobile-direction=\"vertical\" data-hover-intent-timeout=\"300\" data-hover-intent-interval=\"100\"><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-menu-item-home mega-align-bottom-left mega-menu-flyout mega-menu-item-19160\" id=\"mega-menu-item-19160\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/\">Home<\/a><\/li><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-align-bottom-left mega-menu-flyout mega-menu-item-19161\" id=\"mega-menu-item-19161\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/index.php\/about-daniel\/\">About Daniel<\/a><\/li><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-current_page_parent mega-align-bottom-left mega-menu-flyout mega-menu-item-19171\" id=\"mega-menu-item-19171\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/index.php\/all-episodes\/\">All Episodes<\/a><\/li><\/ul><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">Episode 446. Christiane Eda-Pierre and Teresa \u017bylis-Gara: Hyphenated Rarities<\/h2>\n\n\n\n<iframe loading=\"lazy\" width=\"340\" height=\"50\" src=\"https:\/\/countermelody.blubrry.net\/?powerpress_embed=1893-podcast&amp;powerpress_player=mediaelement-audio\" title=\"Blubrry Podcast Player\" frameborder=\"0\" scrolling=\"no\"><\/iframe>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p><strong>SOCIAL SHARE<\/strong><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"has-text-align-right\"><strong>SUBSCRIPTION PLATFORM<\/strong><\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<div class=\"wp-block-buttons is-horizontal is-content-justification-left is-layout-flex wp-container-core-buttons-is-layout-7e5fce0a wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link no-border-radius wp-element-button\" href=\"https:\/\/countermelody.blubrry.net\/\">SUBSCRIBE VIA YOUR FAVORITE PODCAST PLATFORM<\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-gallery aligncenter has-nested-images columns-default is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"734\" height=\"1000\" data-id=\"20600\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/03\/Iconic-Headshot.jpg\" alt=\"\" class=\"wp-image-20600\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/03\/Iconic-Headshot.jpg 734w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/03\/Iconic-Headshot-220x300.jpg 220w\" sizes=\"auto, (max-width: 734px) 100vw, 734px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"461\" height=\"562\" data-id=\"20599\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/03\/Eda-Pierre-in-Turban-TRIMMED.jpg\" alt=\"\" class=\"wp-image-20599\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/03\/Eda-Pierre-in-Turban-TRIMMED.jpg 461w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/03\/Eda-Pierre-in-Turban-TRIMMED-246x300.jpg 246w\" sizes=\"auto, (max-width: 461px) 100vw, 461px\" \/><\/figure>\n<\/figure>\n\n\n\n<div style=\"height:38px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Two of the greatest and most versatile sopranos of the late 20th century, Christiane Eda-Pierre and Teresa \u017bylis-Gara, both departed within a year of each other in the early 2020s. They also happened to have hyphenated last names and also both bear certain artistic similarities to last week\u2019s featured artist, Edith Mathis. Unlike Mathis, both Eda-Pierre and \u017bylis-Gara were criminally underrecorded, so any material featuring these singers is even more welcome. In this episode I fill in the blanks with some exceptional live and studio recordings of both artists, including exceptionally rare material (among them a 1967 recording of Christiane Eda-Pierre singing <em>Offrandes <\/em>by Edgard Var\u00e8se and a 1973 air check of Bizet\u2019s <em>La jolie fille de Perth<\/em>; Teresa \u017bylis-Gara in 1966 singing an excerpt in Polish from Emmerich K\u00e1lm\u00e1n\u2019s <em>Gr\u00e4fin Mariza<\/em> and a 1977 studio recording of an early Karol Szymanowski song cycle). At least six of the recordings featured are simply not currently available anywhere else on the internet and all selections reveal both of these exceptional sopranos at the peak of their achievement. I\u2019ll see you at the end of the week with a brand-new episode.<\/p>\n\n\n\n<div style=\"height:47px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-custom-size\" style=\"font-size:30px\"><strong> RECORDINGS HEARD IN THIS EPISODE<\/strong><\/p>\n\n\n\n<div style=\"height:55px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"335\" height=\"474\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/03\/TZG-Butterfly.jpg\" alt=\"\" class=\"wp-image-20607\" style=\"width:473px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/03\/TZG-Butterfly.jpg 335w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/03\/TZG-Butterfly-212x300.jpg 212w\" sizes=\"auto, (max-width: 335px) 100vw, 335px\" \/><\/figure>\n<\/div>\n\n\n<p>Giacomo Puccini: Un bel d\u00ec vedremo (<em>Madama Butterfly<\/em>). Teresa \u017bylis-Gara, Maurizio Arena, Polish Radio and Television Symphony Orchestra [1981]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"861\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/03\/Rosina.jpg\" alt=\"\" class=\"wp-image-20609\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/03\/Rosina.jpg 600w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/03\/Rosina-209x300.jpg 209w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/figure>\n<\/div>\n\n\n<p>Gioacchino Rossini: Una voce poco fa (<em>Il barbiere di Siviglia<\/em>). Christiane Eda-Pierre, Gianfrano Rivoli, Orchestre National de l\u2019Op\u00e9ra de Monte-Carlo [1970]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"576\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/03\/Diva-576x1024.jpg\" alt=\"\" class=\"wp-image-20610\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/03\/Diva-576x1024.jpg 576w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/03\/Diva-169x300.jpg 169w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/03\/Diva.jpg 700w\" sizes=\"auto, (max-width: 576px) 100vw, 576px\" \/><\/figure>\n<\/div>\n\n\n<p>Jacques Offenbach: Les oiseaux dans la charmille (<em>Les contes d\u2019Hoffmann<\/em>). Christiane Eda-Pierre, J\u00e9sus Etcheverry, Orchestre de l\u2019Op\u00e9ra-Comique [live Paris 1962?]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"736\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/03\/Eda-Pierre-As-Lucia-736x1024.jpg\" alt=\"\" class=\"wp-image-20611\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/03\/Eda-Pierre-As-Lucia-736x1024.jpg 736w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/03\/Eda-Pierre-As-Lucia-216x300.jpg 216w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/03\/Eda-Pierre-As-Lucia-768x1069.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/03\/Eda-Pierre-As-Lucia.jpg 1104w\" sizes=\"auto, (max-width: 736px) 100vw, 736px\" \/><figcaption class=\"wp-element-caption\">As Lucia<\/figcaption><\/figure>\n<\/div>\n\n\n<p>Georges Bizet: \u00c0 peine au printemps de la vie (<em>La jolie fille de Perth<\/em>). Christiane Eda-Pierre, Alexander Young, David Lloyd-Jones, BBC Northern Orchestra [1973 broadcast]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"410\" height=\"631\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/03\/CEP-Konstanze.jpg\" alt=\"\" class=\"wp-image-20622\" style=\"width:551px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/03\/CEP-Konstanze.jpg 410w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/03\/CEP-Konstanze-195x300.jpg 195w\" sizes=\"auto, (max-width: 410px) 100vw, 410px\" \/><figcaption class=\"wp-element-caption\">As Konstanze<\/figcaption><\/figure>\n<\/div>\n\n\n<p>Wolfgang Amadeus Mozart: Doch du bist entschlossen [excerpt from Martern aller Arten] (<em>Die Entf\u00fchrung aus dem Serail<\/em>). Christiane Eda-Pierre, Karl B\u00f6hm, Orchestre de l\u2019Op\u00e9ra national de Paris [Paris 26.03.76]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"349\" height=\"491\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/03\/CEP-radieuse-TRIMMED.jpg\" alt=\"\" class=\"wp-image-20613\" style=\"width:558px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/03\/CEP-radieuse-TRIMMED.jpg 349w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/03\/CEP-radieuse-TRIMMED-213x300.jpg 213w\" sizes=\"auto, (max-width: 349px) 100vw, 349px\" \/><\/figure>\n<\/div>\n\n\n<p>Igor Stravinsky: <em>Trois Po\u00e9sies de la lyrique japonaise<\/em> (I. Akahito; II. Mazatsumi; III. Tsaraiuki). Christiane Eda-Pierre, Gilbert Amy, Ensemble Domaine Musical [1970]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"191\" height=\"264\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/03\/CEP-Smiling.jpg\" alt=\"\" class=\"wp-image-20619\" style=\"width:474px;height:auto\"\/><\/figure>\n<\/div>\n\n\n<p>Andr\u00e9 Gr\u00e9try: Plus d\u2019ennemis dans mon empire (<em>C\u00e9phale et Procris<\/em>). Christiane Eda-Pierre, Neville Marriner, Academy of St Martin in the Fields [1979]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"337\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/03\/Antonia.jpg\" alt=\"\" class=\"wp-image-20621\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/03\/Antonia.jpg 600w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/03\/Antonia-300x169.jpg 300w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><figcaption class=\"wp-element-caption\">As Antonia in <em>Les contes d&#8217;Hoffmann<\/em><\/figcaption><\/figure>\n<\/div>\n\n\n<p>Charles Gounod: Ange adorable (<em>Rom\u00e9o et Juliette<\/em>). Christiane Eda-Pierre, John Sandor, Antonio de Almeida, Orchestra of the Op\u00e9ra de Nice [live 17 Mar 1977]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1017\" height=\"720\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/03\/CEP-Beturbanned.jpg\" alt=\"\" class=\"wp-image-20623\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/03\/CEP-Beturbanned.jpg 1017w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/03\/CEP-Beturbanned-300x212.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/03\/CEP-Beturbanned-768x544.jpg 768w\" sizes=\"auto, (max-width: 1017px) 100vw, 1017px\" \/><\/figure>\n<\/div>\n\n\n<p>Edgard Var\u00e8se: <em>Offrandes<\/em> (I. Chanson de L\u00e0-Haut; La Croix du Sud). Christiane Eda-Pierre, Gilbert Amy, Ensemble Domaine Musical [1967]<\/p>\n\n\n\n<p><\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"608\" height=\"773\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/03\/TZG-over-the-shoulder.png\" alt=\"\" class=\"wp-image-20614\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/03\/TZG-over-the-shoulder.png 608w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/03\/TZG-over-the-shoulder-236x300.png 236w\" sizes=\"auto, (max-width: 608px) 100vw, 608px\" \/><\/figure>\n<\/div>\n\n\n<p>Giuseppe Verdi: Timor di me?&#8230; D\u2019amor sull\u2019ali rosee (<em>Il trovatore<\/em>). Teresa \u017bylis-Gara, Maurizio Arena, Polish Radio and Television Symphony Orchestra [1981]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"391\" height=\"565\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/03\/Fave.png\" alt=\"\" class=\"wp-image-20615\" style=\"width:549px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/03\/Fave.png 391w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/03\/Fave-208x300.png 208w\" sizes=\"auto, (max-width: 391px) 100vw, 391px\" \/><\/figure>\n<\/div>\n\n\n<p>Emmerich K\u00e1lm\u00e1n: Wst\u0119p i \u0105ri\u0105 M\u0105ricy [H\u00f6re ich Zigeunergeigen\u2026 Wo wohnt die Liebe (<em>Hrabina Marica<\/em> [<em>Gr\u00e4fin Mariza<\/em>]) (sung in Polish). Teresa \u017bylis-Gara, Stefana Rachonia, Polish Radio Orchestra [1966]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"284\" height=\"492\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/03\/Tatyana2.jpg\" alt=\"\" class=\"wp-image-20616\" style=\"width:528px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/03\/Tatyana2.jpg 284w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/03\/Tatyana2-173x300.jpg 173w\" sizes=\"auto, (max-width: 284px) 100vw, 284px\" \/><\/figure>\n<\/div>\n\n\n<p>Pyotr Il\u2019yich Tchaikovsky: \u041e, \u0441\u043b\u0443\u0448\u0430\u0439, \u043d\u043e\u0447\u044c! [Oh, listen, night!] (<em>Pique-Dame<\/em>). Teresa \u017bylis-Gara, Kazimierz Kord, Polish Philharmonic [1979]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"194\" height=\"259\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/03\/Beautimous-Brunette.jpg\" alt=\"\" class=\"wp-image-20617\" style=\"width:604px;height:auto\"\/><\/figure>\n<\/div>\n\n\n<p>Gioacchino Rossini: Inflammatus et accensus (<em>Stabat Mater<\/em>). Teresa \u017bylis-Gara, Carlo Maria Giulini, Orchestra Sinfonica di Roma della RAI, Coro della RAI Roma [Roma 22.12.67]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"800\" height=\"500\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/03\/Teresa-and-A-Very-Spacial-Candlestick.jpg\" alt=\"\" class=\"wp-image-20624\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/03\/Teresa-and-A-Very-Spacial-Candlestick.jpg 800w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/03\/Teresa-and-A-Very-Spacial-Candlestick-300x188.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/03\/Teresa-and-A-Very-Spacial-Candlestick-768x480.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><\/figure>\n<\/div>\n\n\n<p>Johann Sebastian Bach: Ich will auf den Herren schau\u2019n (<em>Wer nur den lieben Gott l\u00e4\u00dft walten<\/em>, BWV 93). Teresa \u017bylis-Gara, Helmut Hucke, Hans Thamm, Consortium Musicum [1967]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"766\" height=\"502\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/03\/At-Makeup-Table.jpg\" alt=\"\" class=\"wp-image-20626\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/03\/At-Makeup-Table.jpg 766w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/03\/At-Makeup-Table-300x197.jpg 300w\" sizes=\"auto, (max-width: 766px) 100vw, 766px\" \/><\/figure>\n<\/div>\n\n\n<p>Karol Szymanowski, Jan Kasprowicz: Moja pie\u015b\u0144 wieczorna [My evening song] (<em>Three Fragments from Poems by Jan Kasprowicz<\/em>, Op.5\/3). Teresa \u017bylis-Gara, Jerzy Marchwi\u0144ski [1977]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-2 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"502\" height=\"720\" data-id=\"20627\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/03\/TXG-Befurred.jpg\" alt=\"\" class=\"wp-image-20627\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/03\/TXG-Befurred.jpg 502w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/03\/TXG-Befurred-209x300.jpg 209w\" sizes=\"auto, (max-width: 502px) 100vw, 502px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"819\" height=\"1024\" data-id=\"20628\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/03\/Mathis-in-stole-819x1024.jpg\" alt=\"\" class=\"wp-image-20628\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/03\/Mathis-in-stole-819x1024.jpg 819w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/03\/Mathis-in-stole-240x300.jpg 240w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/03\/Mathis-in-stole-768x960.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/03\/Mathis-in-stole-1229x1536.jpg 1229w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/03\/Mathis-in-stole.jpg 1393w\" sizes=\"auto, (max-width: 819px) 100vw, 819px\" \/><\/figure>\n<\/figure>\n\n\n\n<p>Richard Strauss, Hugo von Hofmannstahl: Ich kenn\u2019 Ihn schon recht wohl, mon Cousin (<em>Der Rosenkavalier<\/em>). Edith Mathis, Teresa \u017bylis-Gara, John Pritchard, London Philharmonic Orchestra [live Glyndebourne 19.V.1965]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"700\" height=\"884\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/03\/Eda-Pierre-With-Necklace.jpg\" alt=\"\" class=\"wp-image-20625\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/03\/Eda-Pierre-With-Necklace.jpg 700w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/03\/Eda-Pierre-With-Necklace-238x300.jpg 238w\" sizes=\"auto, (max-width: 700px) 100vw, 700px\" \/><\/figure>\n\n\n\n<p>Wolfgang Amadeus Mozart, Vittorio Amedeo Cigna-Santi: Ah, lo previdi, K. 272. Christiane Eda-Pierre, Odette Chaynes-Decaux [live Radio France 17.V.1975]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Episode 446. Christiane Eda-Pierre and Teresa \u017bylis-Gara: Hyphenated Rarities SOCIAL SHARE SUBSCRIPTION PLATFORM Two of the greatest and most versatile&hellip;<\/p>\n","protected":false},"author":1,"featured_media":20601,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"advgb_blocks_editor_width":"","advgb_blocks_columns_visual_guide":"","footnotes":""},"categories":[420,1626,1075,3207,7296,5823,3273,2261,2476,2398,1072,8033,5806,6486,2260,808,1470,4722,6189,2257,3272,2806,5138],"tags":[2776,9012,3263,1622,2143,9013,512,9011,2230,1452,350,94,3268,2714,114,207,2545,9017,2730,9014,3035,298,1621,3261,1021,3209,3210,6721,364,2528,9016,1913,329,316,1309,9015],"class_list":["post-20396","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-african-american-opera-singers","category-african-american-singers","category-art-song","category-behind-the-iron-curtain","category-black-history-month","category-forgotten-divas","category-french-opera","category-full-figured-baroque","category-giacomo-puccini","category-giuseppe-verdi","category-in-memoriam","category-johann-sebastian-bach","category-listeners-favorites","category-melodie","category-music-for-a-world-in-crisis","category-needle-drop","category-operetta","category-orchestral-songs","category-rescue-mission","category-richard-strauss","category-singers-of-color","category-twentieth-century-music","category-wolfgang-amadeus-mozart","tag-alexander-young","tag-andre-gretry","tag-antonio-de-almeida","tag-carlo-maria-giulini","tag-christiane-eda-pierre","tag-david-lloyd-jones","tag-der-rosenkavalier","tag-edgard-varese","tag-edith-mathis","tag-emmerich-kalman","tag-georges-bizet","tag-giacomo-puccini","tag-gianfranco-rivoli","tag-gilbert-amy","tag-gioacchino-rossini","tag-giuseppe-verdi","tag-hans-thamm","tag-hugo-von-hofmannstahl","tag-igor-stravinsky","tag-jan-kasprowicz","tag-jerzy-marchwinski","tag-johann-sebastian-bach","tag-john-pritchard","tag-john-sandor","tag-karl-bohm","tag-karol-szymanowski","tag-kazimierz-kord","tag-la-jolie-fille-de-perth","tag-maurizio-arena","tag-neville-marriner","tag-odette-chaynes-decaux","tag-pyotr-ilyich-tchaikovsky-2","tag-richard-strauss","tag-romeo-et-juliette","tag-teresa-zylis-gara","tag-vittorio-cigna-santi"],"author_meta":{"display_name":"admin","author_link":"https:\/\/countermelodypodcast.com\/index.php\/author\/admin\/"},"featured_img":"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/03\/The-Gals-TRIMMED-300x114.png","coauthors":[],"tax_additional":{"categories":{"linked":["<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/african-american-opera-singers\/\" class=\"advgb-post-tax-term\">African American Opera Singers<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/african-american-singers\/\" class=\"advgb-post-tax-term\">African American Singers<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/art-song\/\" class=\"advgb-post-tax-term\">Art Song<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/behind-the-iron-curtain\/\" class=\"advgb-post-tax-term\">Behind the Iron Curtain<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/black-history-month\/\" class=\"advgb-post-tax-term\">Black History Month<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/forgotten-divas\/\" class=\"advgb-post-tax-term\">Forgotten Divas<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/french-opera\/\" class=\"advgb-post-tax-term\">French Opera<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/full-figured-baroque\/\" class=\"advgb-post-tax-term\">Full-Figured Baroque<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/giacomo-puccini\/\" class=\"advgb-post-tax-term\">Giacomo Puccini<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/giuseppe-verdi\/\" class=\"advgb-post-tax-term\">Giuseppe Verdi<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/in-memoriam\/\" class=\"advgb-post-tax-term\">In Memoriam<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/johann-sebastian-bach\/\" class=\"advgb-post-tax-term\">Johann Sebastian Bach<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/listeners-favorites\/\" class=\"advgb-post-tax-term\">Listeners&#039; Favorites<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/melodie\/\" class=\"advgb-post-tax-term\">M\u00e9lodie<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/music-for-a-world-in-crisis\/\" class=\"advgb-post-tax-term\">Music for a World in Crisis<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Needle Drop<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Operetta<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/orchestral-songs\/\" class=\"advgb-post-tax-term\">Orchestral Songs<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/rescue-mission\/\" class=\"advgb-post-tax-term\">Rescue Mission<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/richard-strauss\/\" class=\"advgb-post-tax-term\">Richard Strauss<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/singers-of-color\/\" class=\"advgb-post-tax-term\">Singers of Color<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Twentieth Century Music<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Wolfgang Amadeus Mozart<\/a>"],"unlinked":["<span class=\"advgb-post-tax-term\">African American Opera Singers<\/span>","<span class=\"advgb-post-tax-term\">African American Singers<\/span>","<span class=\"advgb-post-tax-term\">Art Song<\/span>","<span class=\"advgb-post-tax-term\">Behind the Iron Curtain<\/span>","<span class=\"advgb-post-tax-term\">Black History Month<\/span>","<span class=\"advgb-post-tax-term\">Forgotten Divas<\/span>","<span class=\"advgb-post-tax-term\">French Opera<\/span>","<span class=\"advgb-post-tax-term\">Full-Figured Baroque<\/span>","<span class=\"advgb-post-tax-term\">Giacomo Puccini<\/span>","<span class=\"advgb-post-tax-term\">Giuseppe Verdi<\/span>","<span class=\"advgb-post-tax-term\">In Memoriam<\/span>","<span class=\"advgb-post-tax-term\">Johann Sebastian Bach<\/span>","<span class=\"advgb-post-tax-term\">Listeners&#039; Favorites<\/span>","<span class=\"advgb-post-tax-term\">M\u00e9lodie<\/span>","<span class=\"advgb-post-tax-term\">Music for a World in Crisis<\/span>","<span class=\"advgb-post-tax-term\">Needle Drop<\/span>","<span class=\"advgb-post-tax-term\">Operetta<\/span>","<span class=\"advgb-post-tax-term\">Orchestral Songs<\/span>","<span class=\"advgb-post-tax-term\">Rescue Mission<\/span>","<span class=\"advgb-post-tax-term\">Richard Strauss<\/span>","<span class=\"advgb-post-tax-term\">Singers of Color<\/span>","<span class=\"advgb-post-tax-term\">Twentieth Century Music<\/span>","<span class=\"advgb-post-tax-term\">Wolfgang Amadeus Mozart<\/span>"]},"tags":{"linked":["<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Alexander Young<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Andr\u00e9 Gr\u00e9try<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Antonio de Almeida<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Carlo Maria Giulini<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Christiane Eda-Pierre<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">David Lloyd-Jones<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Der Rosenkavalier<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Edgard Var\u00e8se<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Edith Mathis<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Emmerich K\u00e1lm\u00e1n<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Georges Bizet<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Giacomo Puccini<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Gianfranco Rivoli<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Gilbert Amy<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Gioacchino Rossini<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Giuseppe Verdi<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Hans Thamm<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Hugo von Hofmannstahl<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Igor Stravinsky<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Jan Kasprowicz<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Jerzy Marchwi\u0144ski<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Johann Sebastian Bach<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">John Pritchard<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">John Sandor<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Karl B\u00f6hm<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Karol Szymanowski<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Kazimierz Kord<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">La jolie fille de Perth<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Maurizio Arena<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Neville Marriner<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Odette Chaynes-Decaux<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Pyotr Il\u2019yich Tchaikovsky<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Richard Strauss<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Rom\u00e9o et Juliette<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Teresa \u017bylis-Gara<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Vittorio Cigna-Santi<\/a>"],"unlinked":["<span class=\"advgb-post-tax-term\">Alexander Young<\/span>","<span class=\"advgb-post-tax-term\">Andr\u00e9 Gr\u00e9try<\/span>","<span class=\"advgb-post-tax-term\">Antonio de Almeida<\/span>","<span class=\"advgb-post-tax-term\">Carlo Maria Giulini<\/span>","<span class=\"advgb-post-tax-term\">Christiane Eda-Pierre<\/span>","<span class=\"advgb-post-tax-term\">David Lloyd-Jones<\/span>","<span class=\"advgb-post-tax-term\">Der Rosenkavalier<\/span>","<span class=\"advgb-post-tax-term\">Edgard Var\u00e8se<\/span>","<span class=\"advgb-post-tax-term\">Edith Mathis<\/span>","<span class=\"advgb-post-tax-term\">Emmerich K\u00e1lm\u00e1n<\/span>","<span class=\"advgb-post-tax-term\">Georges Bizet<\/span>","<span class=\"advgb-post-tax-term\">Giacomo Puccini<\/span>","<span class=\"advgb-post-tax-term\">Gianfranco Rivoli<\/span>","<span class=\"advgb-post-tax-term\">Gilbert Amy<\/span>","<span class=\"advgb-post-tax-term\">Gioacchino Rossini<\/span>","<span class=\"advgb-post-tax-term\">Giuseppe Verdi<\/span>","<span class=\"advgb-post-tax-term\">Hans Thamm<\/span>","<span class=\"advgb-post-tax-term\">Hugo von Hofmannstahl<\/span>","<span class=\"advgb-post-tax-term\">Igor Stravinsky<\/span>","<span class=\"advgb-post-tax-term\">Jan Kasprowicz<\/span>","<span class=\"advgb-post-tax-term\">Jerzy Marchwi\u0144ski<\/span>","<span class=\"advgb-post-tax-term\">Johann Sebastian Bach<\/span>","<span class=\"advgb-post-tax-term\">John Pritchard<\/span>","<span class=\"advgb-post-tax-term\">John Sandor<\/span>","<span class=\"advgb-post-tax-term\">Karl B\u00f6hm<\/span>","<span class=\"advgb-post-tax-term\">Karol Szymanowski<\/span>","<span class=\"advgb-post-tax-term\">Kazimierz Kord<\/span>","<span class=\"advgb-post-tax-term\">La jolie fille de Perth<\/span>","<span class=\"advgb-post-tax-term\">Maurizio Arena<\/span>","<span class=\"advgb-post-tax-term\">Neville Marriner<\/span>","<span class=\"advgb-post-tax-term\">Odette Chaynes-Decaux<\/span>","<span class=\"advgb-post-tax-term\">Pyotr Il\u2019yich Tchaikovsky<\/span>","<span class=\"advgb-post-tax-term\">Richard Strauss<\/span>","<span class=\"advgb-post-tax-term\">Rom\u00e9o et Juliette<\/span>","<span class=\"advgb-post-tax-term\">Teresa \u017bylis-Gara<\/span>","<span class=\"advgb-post-tax-term\">Vittorio Cigna-Santi<\/span>"]}},"comment_count":"0","relative_dates":{"created":"Posted 3 weeks ago","modified":"Updated 3 weeks ago"},"absolute_dates":{"created":"Posted on 16\/03\/2026","modified":"Updated on 17\/03\/2026"},"absolute_dates_time":{"created":"Posted on 16\/03\/2026 11:35","modified":"Updated on 17\/03\/2026 13:29"},"featured_img_caption":"","series_order":"","_links":{"self":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/20396","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/comments?post=20396"}],"version-history":[{"count":9,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/20396\/revisions"}],"predecessor-version":[{"id":20629,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/20396\/revisions\/20629"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/media\/20601"}],"wp:attachment":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/media?parent=20396"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/categories?post=20396"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/tags?post=20396"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}