{"id":20370,"date":"2026-03-14T01:59:05","date_gmt":"2026-03-14T00:59:05","guid":{"rendered":"https:\/\/countermelodypodcast.com\/?p=20370"},"modified":"2026-03-14T22:03:35","modified_gmt":"2026-03-14T21:03:35","slug":"episode-445-simply-radiant-edith-mathis-in-memoriam","status":"publish","type":"post","link":"https:\/\/countermelodypodcast.com\/index.php\/2026\/03\/14\/episode-445-simply-radiant-edith-mathis-in-memoriam\/","title":{"rendered":"Episode 445. Simply Radiant: Edith Mathis In Memoriam"},"content":{"rendered":"<div id=\"mega-menu-wrap-primary\" class=\"mega-menu-wrap\"><div class=\"mega-menu-toggle\"><div class=\"mega-toggle-blocks-left\"><\/div><div class=\"mega-toggle-blocks-center\"><\/div><div class=\"mega-toggle-blocks-right\"><div class='mega-toggle-block mega-menu-toggle-animated-block mega-toggle-block-1' id='mega-toggle-block-1'><button aria-label=\"Menu\" class=\"mega-toggle-animated mega-toggle-animated-slider\" type=\"button\" aria-haspopup=\"true\" aria-expanded=\"false\" aria-controls=\"mega-menu-primary\">\n                  <span class=\"mega-toggle-animated-box\">\n                    <span class=\"mega-toggle-animated-inner\"><\/span>\n                  <\/span>\n                <\/button><\/div><\/div><\/div><ul id=\"mega-menu-primary\" class=\"mega-menu max-mega-menu mega-menu-horizontal mega-no-js\" data-event=\"hover_intent\" data-effect=\"slide\" data-effect-speed=\"200\" data-effect-mobile=\"slide\" data-effect-speed-mobile=\"200\" data-mobile-force-width=\"body\" data-second-click=\"go\" data-document-click=\"collapse\" data-vertical-behaviour=\"standard\" data-breakpoint=\"600\" data-unbind=\"true\" data-mobile-state=\"collapse_all\" data-mobile-direction=\"vertical\" data-hover-intent-timeout=\"300\" data-hover-intent-interval=\"100\"><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-menu-item-home mega-align-bottom-left mega-menu-flyout mega-menu-item-19160\" id=\"mega-menu-item-19160\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/\">Home<\/a><\/li><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-align-bottom-left mega-menu-flyout mega-menu-item-19161\" id=\"mega-menu-item-19161\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/index.php\/about-daniel\/\">About Daniel<\/a><\/li><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-current_page_parent mega-align-bottom-left mega-menu-flyout mega-menu-item-19171\" id=\"mega-menu-item-19171\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/index.php\/all-episodes\/\">All Episodes<\/a><\/li><\/ul><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">Episode 445. Simply Radiant: Edith Mathis In Memoriam<\/h2>\n\n\n\n<iframe loading=\"lazy\" width=\"340\" height=\"50\" src=\"https:\/\/countermelody.blubrry.net\/?powerpress_embed=1889-podcast&amp;powerpress_player=mediaelement-audio\" title=\"Blubrry Podcast Player\" frameborder=\"0\" scrolling=\"no\"><\/iframe>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p><strong>SOCIAL SHARE<\/strong><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"has-text-align-right\"><strong>SUBSCRIPTION PLATFORM<\/strong><\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<div class=\"wp-block-buttons is-horizontal is-content-justification-left is-layout-flex wp-container-core-buttons-is-layout-7e5fce0a wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link no-border-radius wp-element-button\" href=\"https:\/\/countermelody.blubrry.net\/\">SUBSCRIBE VIA YOUR FAVORITE PODCAST PLATFORM<\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"737\" height=\"750\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/03\/Mathis-Grey-Beauty.png\" alt=\"\" class=\"wp-image-20551\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/03\/Mathis-Grey-Beauty.png 737w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/03\/Mathis-Grey-Beauty-295x300.png 295w\" sizes=\"auto, (max-width: 737px) 100vw, 737px\" \/><\/figure>\n<\/div>\n\n\n<div style=\"height:38px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Today a belated memorial tribute to the beloved Swiss soprano Edith Mathis, who died in Salzburg thirteen months ago, two days before her 87th birthday. One of the most highly regarded lyric sopranos of the 1960s and 1970s, Mathis began her career in the late fifties, retiring more than 40 years later in 2001. In between she, armed with a radiant, technically secure voice allied with an understated yet powerful musicianship, set the standard for performance of Baroque music, Mozart, and <em>Lieder<\/em>, in particular. She was the quintessential German soubrette, and as such the best of her generation in roles such as \u00c4nnchen in <em>Der Freisch\u00fctz<\/em> and Marzelline in <em>Fidelio<\/em>. Because of her lack of pretention and mannerism, she might sometimes be somewhat undervalued, but her artistic achievement, especially considered as a whole, is equal to any comparable singer of the last century. I have scoured my extensive Mathis collection, as well as the corners of the internet, to bring you as full a musical portrait of Edith Mathis as possible, covering nearly the entirety of her career, and including works by several of her Swiss compatriot composers.<\/p>\n\n\n\n<div style=\"height:47px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-custom-size\" style=\"font-size:30px\"><strong> RECORDINGS HEARD IN THIS EPISODE<\/strong><\/p>\n\n\n\n<div style=\"height:55px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"565\" height=\"728\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/03\/Mathis-Youthful-Grace.jpeg\" alt=\"\" class=\"wp-image-20550\" style=\"width:568px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/03\/Mathis-Youthful-Grace.jpeg 565w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/03\/Mathis-Youthful-Grace-233x300.jpeg 233w\" sizes=\"auto, (max-width: 565px) 100vw, 565px\" \/><\/figure>\n<\/div>\n\n\n<p class=\"has-text-align-center\">All tracks feature Edith Mathis, soprano<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"546\" height=\"784\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/03\/Suter.png\" alt=\"\" class=\"wp-image-20566\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/03\/Suter.png 546w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/03\/Suter-209x300.png 209w\" sizes=\"auto, (max-width: 546px) 100vw, 546px\" \/><figcaption class=\"wp-element-caption\">Hermann Suter<\/figcaption><\/figure>\n<\/div>\n\n\n<p>Hermann Suter, Francis of Assisi: Laudato sia, mio Signore, per sora luna e le stelle (<em>Le Laudi di San Francesco d\u2019Assisi<\/em>). Hans M\u00fcnch, Orchester der Basler Orchester-Gesellschaft, Basler Gesangsverein [1968]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"646\" height=\"929\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/03\/Edith-Mathis-2.png\" alt=\"\" class=\"wp-image-20555\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/03\/Edith-Mathis-2.png 646w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/03\/Edith-Mathis-2-209x300.png 209w\" sizes=\"auto, (max-width: 646px) 100vw, 646px\" \/><\/figure>\n<\/div>\n\n\n<p>George Frideric Handel, Barthold Heinrich Brockes: S\u00fc\u00dfe Stille, sanfte Quelle, HWV 205 (<em>Neun deutsche Arien<\/em>). Helmut Hucke, Walter Thoene, Gerhard Naumann, Eugen M\u00fcller-Dombois [1962]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"607\" height=\"716\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/03\/Edith-Mathis-1.png\" alt=\"\" class=\"wp-image-20557\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/03\/Edith-Mathis-1.png 607w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/03\/Edith-Mathis-1-254x300.png 254w\" sizes=\"auto, (max-width: 607px) 100vw, 607px\" \/><\/figure>\n<\/div>\n\n\n<p>Traditional German, arr. Johannes Brahms: Da unten im Tale. Karl Engel [1975]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"496\" height=\"680\" data-id=\"20558\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/03\/Mathis-at-Fountain-TRIMMED.jpg\" alt=\"\" class=\"wp-image-20558\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/03\/Mathis-at-Fountain-TRIMMED.jpg 496w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/03\/Mathis-at-Fountain-TRIMMED-219x300.jpg 219w\" sizes=\"auto, (max-width: 496px) 100vw, 496px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"555\" height=\"784\" data-id=\"20559\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/03\/Donath.jpg\" alt=\"\" class=\"wp-image-20559\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/03\/Donath.jpg 555w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/03\/Donath-212x300.jpg 212w\" sizes=\"auto, (max-width: 555px) 100vw, 555px\" \/><\/figure>\n<\/figure>\n\n\n\n<p>Wolfgang Amadeus Mozart: Domine Deus (<em>Great Mass in c minor<\/em>, K. 427). Helen [Erwin] Donath, Wolfgang G\u00f6nnenwein, S\u00fcdwestdeutsches Kammerorchester [1963]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"781\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/03\/Mathis-Annchen1-1024x781.png\" alt=\"\" class=\"wp-image-20561\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/03\/Mathis-Annchen1-1024x781.png 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/03\/Mathis-Annchen1-300x229.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/03\/Mathis-Annchen1-768x586.png 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/03\/Mathis-Annchen1.png 1376w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n<p>Carl Maria von Weber, Friedrich Kind [after Johann August Apel, Friedrich Laun]: Kommt ein schlanker Bursch gegangen (<em>Der Freisch\u00fctz<\/em>). Leopold Ludwig, Philharmonisches Staatsorchester Hamburg [1968 film soundtrack]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"759\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/03\/Frank-Martin-759x1024.jpg\" alt=\"\" class=\"wp-image-20563\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/03\/Frank-Martin-759x1024.jpg 759w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/03\/Frank-Martin-222x300.jpg 222w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/03\/Frank-Martin-768x1037.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/03\/Frank-Martin-1138x1536.jpg 1138w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/03\/Frank-Martin.jpg 1181w\" sizes=\"auto, (max-width: 759px) 100vw, 759px\" \/><figcaption class=\"wp-element-caption\">Frank Martin<\/figcaption><\/figure>\n<\/div>\n\n\n<p>Frank Martin: Ave Maria [Gegr\u00fc\u00dfet seist du] (<em>Maria Triptychon<\/em>). Wolfgang Schneiderhan, Jean Fournet, Schweizerisches Festspielorchester [live Luzern 22.VIII.84]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/03\/Schneiderhan-1024x683.jpg\" alt=\"\" class=\"wp-image-20564\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/03\/Schneiderhan-1024x683.jpg 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/03\/Schneiderhan-300x200.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/03\/Schneiderhan-768x512.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/03\/Schneiderhan-1536x1025.jpg 1536w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/03\/Schneiderhan-1600x1068.jpg 1600w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/03\/Schneiderhan.jpg 1920w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Wolfgang Schneiderhan<\/figcaption><\/figure>\n<\/div>\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"533\" height=\"801\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/03\/Edith-Mathis.png\" alt=\"\" class=\"wp-image-20588\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/03\/Edith-Mathis.png 533w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/03\/Edith-Mathis-200x300.png 200w\" sizes=\"auto, (max-width: 533px) 100vw, 533px\" \/><\/figure>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"588\" height=\"385\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/03\/Mathis-Schreier-TRIMMED.jpg\" alt=\"\" class=\"wp-image-20565\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/03\/Mathis-Schreier-TRIMMED.jpg 588w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/03\/Mathis-Schreier-TRIMMED-300x196.jpg 300w\" sizes=\"auto, (max-width: 588px) 100vw, 588px\" \/><figcaption class=\"wp-element-caption\">Edith Mathis and Peter Schreier<\/figcaption><\/figure>\n<\/div>\n\n\n<p>Johann Sebastian Bach: Ruhig und in sich zufrieden (<em>Ich bin in mir vergn\u00fcgt<\/em>, BWV 204). Hans-Werner W\u00e4tzig, Manfred Baier, Peter Schreier, Kammerorchester Berlin [1976]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"883\" height=\"591\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/03\/Klee-Mathis.png\" alt=\"\" class=\"wp-image-20568\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/03\/Klee-Mathis.png 883w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/03\/Klee-Mathis-300x201.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/03\/Klee-Mathis-768x514.png 768w\" sizes=\"auto, (max-width: 883px) 100vw, 883px\" \/><figcaption class=\"wp-element-caption\">Edith Mathis and her first husband, German conductor Bernhard Klee<\/figcaption><\/figure>\n<\/div>\n\n\n<p>Wolfgang Amadeus Mozart, Pietro Metastasio, revised Giambattista Varesco: Aer tranquillo (<em>Il re pastore<\/em>). Leopold Hager, Mozarteum-Orchester Salzburg [1973]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"676\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/03\/Mathis-1014x1536-1-676x1024.jpg\" alt=\"\" class=\"wp-image-20570\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/03\/Mathis-1014x1536-1-676x1024.jpg 676w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/03\/Mathis-1014x1536-1-198x300.jpg 198w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/03\/Mathis-1014x1536-1-768x1163.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/03\/Mathis-1014x1536-1.jpg 1014w\" sizes=\"auto, (max-width: 676px) 100vw, 676px\" \/><\/figure>\n<\/div>\n\n\n<p>Alexander Zemlinsky, Leo Feld [after Gottfried Keller]: Wenn alle bitten&#8230; \u201cLehn\u2019 deine Wang\u2019 an meine Wang\u2019\u201d (<em>Kleider machen Leute<\/em>). Hermann Winkler, Wicus Slabbert, Rudolf A. Hartmann, Hans Franzen, Stefania Kaluza, Peter Keller, Jacob Will, Ralf Weikert, Orchester und Chor der Oper Z\u00fcrich [live Z\u00fcrich 29.VI.1990]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"630\" height=\"947\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/03\/Schumann.jpg\" alt=\"\" class=\"wp-image-20571\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/03\/Schumann.jpg 630w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/03\/Schumann-200x300.jpg 200w\" sizes=\"auto, (max-width: 630px) 100vw, 630px\" \/><figcaption class=\"wp-element-caption\">Robert Schumann<\/figcaption><\/figure>\n<\/div>\n\n\n<p>Robert Schumann, Johann Wolfgang von Goethe: Gretchen vor dem Bild der Mater Dolorosa [Ach, neige, du Schmerzensreiche] (<em>Szenen aus Goethes Faust<\/em>, WoO 3). Pierre Boulez, BBC Symphony Orchestra [live London 07.III.1973]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"797\" height=\"812\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/03\/Boulez.png\" alt=\"\" class=\"wp-image-20572\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/03\/Boulez.png 797w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/03\/Boulez-294x300.png 294w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/03\/Boulez-768x782.png 768w\" sizes=\"auto, (max-width: 797px) 100vw, 797px\" \/><figcaption class=\"wp-element-caption\">Pierre Boulez<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"500\" height=\"484\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/03\/Carl_Loewe.jpg\" alt=\"\" class=\"wp-image-20574\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/03\/Carl_Loewe.jpg 500w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/03\/Carl_Loewe-300x290.jpg 300w\" sizes=\"auto, (max-width: 500px) 100vw, 500px\" \/><figcaption class=\"wp-element-caption\">Carl Loewe<\/figcaption><\/figure>\n<\/div>\n\n\n<p>Carl Loewe, Johann Wolfgang von Goethe: Szene aus &#8220;Faust&#8221; [Ach, neige, du Schmerzensreiche], Op. 9 H. III\/2. Cord Garben [1995]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"459\" height=\"600\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/03\/Cord-Garben-younger.jpg\" alt=\"\" class=\"wp-image-20573\" style=\"width:511px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/03\/Cord-Garben-younger.jpg 459w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/03\/Cord-Garben-younger-230x300.jpg 230w\" sizes=\"auto, (max-width: 459px) 100vw, 459px\" \/><figcaption class=\"wp-element-caption\">Cord Garben<\/figcaption><\/figure>\n<\/div>\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"868\" height=\"620\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/03\/Mathis-on-TV.jpg\" alt=\"\" class=\"wp-image-20591\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/03\/Mathis-on-TV.jpg 868w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/03\/Mathis-on-TV-300x214.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/03\/Mathis-on-TV-768x549.jpg 768w\" sizes=\"auto, (max-width: 868px) 100vw, 868px\" \/><\/figure>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"533\" height=\"801\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/03\/Edith-Mathis.png\" alt=\"\" class=\"wp-image-20588\" style=\"width:583px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/03\/Edith-Mathis.png 533w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/03\/Edith-Mathis-200x300.png 200w\" sizes=\"auto, (max-width: 533px) 100vw, 533px\" \/><\/figure>\n<\/div>\n\n\n<p>Claude Debussy, Paul Verlaine: Chevaux de bois (<em>Ariettes oubli\u00e9es<\/em>, L. 63\/4). Norman Shetler [live Prague 31.V.1980]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"575\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/03\/Norman-Shetler-and-Friend-1024x575.jpg\" alt=\"\" class=\"wp-image-20577\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/03\/Norman-Shetler-and-Friend-1024x575.jpg 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/03\/Norman-Shetler-and-Friend-300x169.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/03\/Norman-Shetler-and-Friend-768x432.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/03\/Norman-Shetler-and-Friend.jpg 1500w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Norman Shetler and friend<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"1011\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/03\/Mathis-in-front-of-Mirror-1024x1011.jpg\" alt=\"\" class=\"wp-image-20578\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/03\/Mathis-in-front-of-Mirror-1024x1011.jpg 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/03\/Mathis-in-front-of-Mirror-300x296.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/03\/Mathis-in-front-of-Mirror-768x758.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/03\/Mathis-in-front-of-Mirror-1536x1516.jpg 1536w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/03\/Mathis-in-front-of-Mirror.jpg 1538w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n<p>Hugo Wolf, traditional Italian text translated and arranged by Paul Heyse: Wer rief dich denn?; Du denkst mit einem F\u00e4dchen mich zu fangen; Wenn du, mein Liebster, steigst zum Himmel auf (<em>Italienisches Liederbuch<\/em>). Karl Engel [1977]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"638\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/03\/Karl-Engel-Postcard-638x1024.jpg\" alt=\"\" class=\"wp-image-20579\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/03\/Karl-Engel-Postcard-638x1024.jpg 638w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/03\/Karl-Engel-Postcard-187x300.jpg 187w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/03\/Karl-Engel-Postcard.jpg 748w\" sizes=\"auto, (max-width: 638px) 100vw, 638px\" \/><\/figure>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"711\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/03\/Mathis-Denon-Cover-711x1024.jpg\" alt=\"\" class=\"wp-image-20580\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/03\/Mathis-Denon-Cover-711x1024.jpg 711w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/03\/Mathis-Denon-Cover-208x300.jpg 208w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/03\/Mathis-Denon-Cover-768x1106.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/03\/Mathis-Denon-Cover.jpg 819w\" sizes=\"auto, (max-width: 711px) 100vw, 711px\" \/><\/figure>\n<\/div>\n\n\n<p>Johannes Brahms, Anonymous Spanish text, translated and arranged Paul Heyse: Spanisches Lied [In dem Schatten meiner Locken], Op. 6\/1. G\u00e9rard Wyss [1994]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-2 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1399\" height=\"1020\" data-id=\"20582\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/03\/Mathis-Agathe-4.png\" alt=\"\" class=\"wp-image-20582\"\/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1418\" height=\"1028\" data-id=\"20581\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/03\/Mathis-Agathe-2.png\" alt=\"\" class=\"wp-image-20581\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/03\/Mathis-Agathe-2.png 1418w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/03\/Mathis-Agathe-2-300x217.png 300w\" sizes=\"auto, (max-width: 1418px) 100vw, 1418px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1399\" height=\"1020\" data-id=\"20583\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/03\/Mathis-Agathe-1.png\" alt=\"\" class=\"wp-image-20583\"\/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"750\" data-id=\"20584\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/03\/Mathis-Agathe-3-1024x750.png\" alt=\"\" class=\"wp-image-20584\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/03\/Mathis-Agathe-3-1024x750.png 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/03\/Mathis-Agathe-3-300x220.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/03\/Mathis-Agathe-3-768x562.png 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/03\/Mathis-Agathe-3.png 1414w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Mathis as Agathe at the Liceu, February 1988<\/figcaption><\/figure>\n<\/figure>\n\n\n\n<p>Carl Maria von Weber, Friedrich Kind [after Johann August Apel, Friedrich Laun]: Doch wie? T\u00e4uscht mich nicht mein Ohr?&#8230; All meine Pulse schlagen und das Herz wallt ungest\u00fcm (<em>Der Freisch\u00fctz<\/em>). Peter Schneider, Orquestra del Gran Teatro del Liceo [live Barcelona 16.II.1988]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"400\" height=\"562\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/03\/Mathis-Eyes.jpg\" alt=\"\" class=\"wp-image-20587\" style=\"width:570px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/03\/Mathis-Eyes.jpg 400w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/03\/Mathis-Eyes-214x300.jpg 214w\" sizes=\"auto, (max-width: 400px) 100vw, 400px\" \/><\/figure>\n<\/div>\n\n\n<p>Othmar Schoeck, Armin R\u00fceger [after Honor\u00e9 de Balzac]: Wie widerw\u00e4rtig dies der Zufall f\u00fcgt (<em>Massimilla Doni<\/em>). Gerd Albrecht, K\u00f6lner Rundfunk-Sinfonie-Orchester [1986]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"630\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/03\/Schoeck-and-Cigar-1536x945-1-1024x630.jpg\" alt=\"\" class=\"wp-image-20586\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/03\/Schoeck-and-Cigar-1536x945-1-1024x630.jpg 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/03\/Schoeck-and-Cigar-1536x945-1-300x185.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/03\/Schoeck-and-Cigar-1536x945-1-768x473.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/03\/Schoeck-and-Cigar-1536x945-1.jpg 1536w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Othmar Schoeck<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"602\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/03\/Mathis-Live-Lucerne-Cover-602x1024.jpg\" alt=\"\" class=\"wp-image-20585\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/03\/Mathis-Live-Lucerne-Cover-602x1024.jpg 602w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/03\/Mathis-Live-Lucerne-Cover-176x300.jpg 176w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/03\/Mathis-Live-Lucerne-Cover.jpg 671w\" sizes=\"auto, (max-width: 602px) 100vw, 602px\" \/><\/figure>\n<\/div>\n\n\n<p>Robert Schumann, Heinrich Heine: Was will die einsame Tr\u00e4ne? (<em>Myrthen<\/em>, Op. 25\/21). Karl Engel [live Luzern 03.IX.1975]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"751\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/03\/Mathis-the-Teacher-Listening-751x1024.jpg\" alt=\"\" class=\"wp-image-20589\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/03\/Mathis-the-Teacher-Listening-751x1024.jpg 751w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/03\/Mathis-the-Teacher-Listening-220x300.jpg 220w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/03\/Mathis-the-Teacher-Listening-768x1047.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/03\/Mathis-the-Teacher-Listening-1127x1536.jpg 1127w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/03\/Mathis-the-Teacher-Listening.jpg 1502w\" sizes=\"auto, (max-width: 751px) 100vw, 751px\" \/><figcaption class=\"wp-element-caption\">Mathis the teacher, listening<\/figcaption><\/figure>\n<\/div>\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"702\" height=\"546\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/03\/Mathis-Haydn-Cover.png\" alt=\"\" class=\"wp-image-20552\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/03\/Mathis-Haydn-Cover.png 702w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/03\/Mathis-Haydn-Cover-300x233.png 300w\" sizes=\"auto, (max-width: 702px) 100vw, 702px\" \/><\/figure>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>Episode 445. Simply Radiant: Edith Mathis In Memoriam SOCIAL SHARE SUBSCRIPTION PLATFORM Today a belated memorial tribute to the beloved&hellip;<\/p>\n","protected":false},"author":1,"featured_media":20549,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"advgb_blocks_editor_width":"","advgb_blocks_columns_visual_guide":"","footnotes":""},"categories":[1075,2891,5823,2261,1074,1072,8033,6486,2260,808,4722,2806,4980,5138],"tags":[8464,2782,9009,4039,2410,2308,501,1648,2309,2230,9008,797,7480,6653,280,3234,2501,5716,8397,8281,8998,4018,1197,2933,6597,4017,8995,9010,648,9004,3764,3116,9001,1794,7481,298,1137,863,4660,9002,8407,9003,3353,2910,9005,9006,8992,8991,9007,652,2999,3491,8993,9000,6525,49,2880,3575,2226,548,8997,8999,8994,5715,8996,34,3214,3995],"class_list":["post-20370","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-art-song","category-comic-relief","category-forgotten-divas","category-full-figured-baroque","category-happy-birthday","category-in-memoriam","category-johann-sebastian-bach","category-melodie","category-music-for-a-world-in-crisis","category-needle-drop","category-orchestral-songs","category-twentieth-century-music","category-twentieth-century-opera","category-wolfgang-amadeus-mozart","tag-alexander-zemlinsky","tag-ariettes-oubliees","tag-armin-rueger","tag-barthold-heinrich-brockes","tag-carl-loewe","tag-carl-maria-von-weber","tag-claude-debussy","tag-cord-garben","tag-der-freischutz","tag-edith-mathis","tag-eugen-muller-dombois","tag-frank-martin","tag-friedrich-kind","tag-friedrich-laun","tag-george-frideric-handel","tag-gerard-wyss","tag-gerd-albrecht","tag-gerhard-naumann","tag-giambattista-varesco","tag-gottfried-keller","tag-hans-franzen","tag-hans-munch","tag-heinrich-heine","tag-helen-donath","tag-helmut-hucke","tag-hermann-suter","tag-hermann-winkler","tag-honore-de-balzac","tag-hugo-wolf","tag-ich-bin-in-mir-vergnugt","tag-il-re-pastore","tag-italienisches-liederbuch","tag-jacob-will","tag-jean-fournet","tag-johann-august-apel","tag-johann-sebastian-bach","tag-johann-wolfgang-von-goethe","tag-johannes-brahms","tag-karl-engel","tag-kleider-machen-leute","tag-le-laudi-di-san-francesco-dassisi","tag-leo-feld","tag-leopold-hager","tag-leopold-ludwig","tag-maria-tryptichon","tag-mass-in-c-minor","tag-massimilla-doni","tag-myrthen-schumann","tag-neun-deutsche-arien","tag-norman-shetler","tag-othmar-schoeck","tag-paul-heyse","tag-paul-verline","tag-peter-keller","tag-peter-schneider","tag-peter-schreier","tag-pierre-boulez","tag-pietro-metastasio","tag-ralf-weikert","tag-robert-schumann","tag-rudolf-a-hartmann","tag-stefania-kaluza","tag-szenen-aus-goethes-faust","tag-walter-thoene","tag-wicus-slabbert","tag-wolfgang-amadeus-mozart","tag-wolfgang-gonnenwein","tag-wolfgang-schneiderhan"],"author_meta":{"display_name":"admin","author_link":"https:\/\/countermelodypodcast.com\/index.php\/author\/admin\/"},"featured_img":"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/03\/Close-Up-for-Banner-TRIMMED-300x161.png","coauthors":[],"tax_additional":{"categories":{"linked":["<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/art-song\/\" class=\"advgb-post-tax-term\">Art Song<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/comic-relief\/\" class=\"advgb-post-tax-term\">Comic Relief<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/forgotten-divas\/\" class=\"advgb-post-tax-term\">Forgotten Divas<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/full-figured-baroque\/\" class=\"advgb-post-tax-term\">Full-Figured Baroque<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/happy-birthday\/\" class=\"advgb-post-tax-term\">Happy Birthday<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/in-memoriam\/\" class=\"advgb-post-tax-term\">In Memoriam<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/johann-sebastian-bach\/\" class=\"advgb-post-tax-term\">Johann Sebastian Bach<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/melodie\/\" class=\"advgb-post-tax-term\">M\u00e9lodie<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/music-for-a-world-in-crisis\/\" class=\"advgb-post-tax-term\">Music for a World in Crisis<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Needle Drop<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/orchestral-songs\/\" class=\"advgb-post-tax-term\">Orchestral Songs<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Twentieth Century Music<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-opera\/\" class=\"advgb-post-tax-term\">Twentieth Century Opera<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Wolfgang Amadeus Mozart<\/a>"],"unlinked":["<span class=\"advgb-post-tax-term\">Art Song<\/span>","<span class=\"advgb-post-tax-term\">Comic Relief<\/span>","<span class=\"advgb-post-tax-term\">Forgotten Divas<\/span>","<span class=\"advgb-post-tax-term\">Full-Figured Baroque<\/span>","<span class=\"advgb-post-tax-term\">Happy Birthday<\/span>","<span class=\"advgb-post-tax-term\">In Memoriam<\/span>","<span class=\"advgb-post-tax-term\">Johann Sebastian Bach<\/span>","<span class=\"advgb-post-tax-term\">M\u00e9lodie<\/span>","<span class=\"advgb-post-tax-term\">Music for a World in Crisis<\/span>","<span class=\"advgb-post-tax-term\">Needle Drop<\/span>","<span class=\"advgb-post-tax-term\">Orchestral Songs<\/span>","<span class=\"advgb-post-tax-term\">Twentieth Century Music<\/span>","<span class=\"advgb-post-tax-term\">Twentieth Century Opera<\/span>","<span class=\"advgb-post-tax-term\">Wolfgang Amadeus Mozart<\/span>"]},"tags":{"linked":["<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Alexander Zemlinsky<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Ariettes oubli\u00e9es<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Armin R\u00fceger<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Barthold Heinrich Brockes<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Carl Loewe<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Carl Maria von Weber<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Claude Debussy<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Cord Garben<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Der Freisch\u00fctz<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Edith Mathis<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Eugen M\u00fcller-Dombois<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Frank Martin<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Friedrich Kind<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Friedrich Laun<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">George Frideric Handel<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">G\u00e9rard Wyss<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Gerd Albrecht<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Gerhard Naumann<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Giambattista Varesco<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Gottfried Keller<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Hans Franzen<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Hans M\u00fcnch<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Heinrich Heine<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Helen Donath<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Helmut Hucke<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Hermann Suter<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Hermann Winkler<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Honor\u00e9 de Balzac<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Hugo Wolf<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Ich bin in mir vergn\u00fcgt<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Il re pastore<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Italienisches Liederbuch<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Jacob Will<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Jean Fournet<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Johann August Apel<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Johann Sebastian Bach<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Johann Wolfgang von Goethe<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Johannes Brahms<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Karl Engel<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Kleider machen Leute<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Le Laudi di San Francesco d\u2019Assisi<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Leo Feld<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Leopold Hager<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Leopold Ludwig<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Maria Tryptichon<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Mass in c minor<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Massimilla Doni<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Myrthen (Schumann)<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Neun deutsche Arien<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Norman Shetler<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Othmar Schoeck<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Paul Heyse<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Paul Verline<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Peter Keller<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Peter Schneider<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Peter Schreier<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Pierre Boulez<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Pietro Metastasio<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Ralf Weikert<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Robert Schumann<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Rudolf A. Hartmann<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Stefania Kaluza<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Szenen aus Goethes Faust<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Walter Thoene<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Wicus Slabbert<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Wolfgang Amadeus Mozart<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Wolfgang G\u00f6nnenwein<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Wolfgang Schneiderhan<\/a>"],"unlinked":["<span class=\"advgb-post-tax-term\">Alexander Zemlinsky<\/span>","<span class=\"advgb-post-tax-term\">Ariettes oubli\u00e9es<\/span>","<span class=\"advgb-post-tax-term\">Armin R\u00fceger<\/span>","<span class=\"advgb-post-tax-term\">Barthold Heinrich Brockes<\/span>","<span class=\"advgb-post-tax-term\">Carl Loewe<\/span>","<span class=\"advgb-post-tax-term\">Carl Maria von Weber<\/span>","<span class=\"advgb-post-tax-term\">Claude Debussy<\/span>","<span class=\"advgb-post-tax-term\">Cord Garben<\/span>","<span class=\"advgb-post-tax-term\">Der Freisch\u00fctz<\/span>","<span class=\"advgb-post-tax-term\">Edith Mathis<\/span>","<span class=\"advgb-post-tax-term\">Eugen M\u00fcller-Dombois<\/span>","<span class=\"advgb-post-tax-term\">Frank Martin<\/span>","<span class=\"advgb-post-tax-term\">Friedrich Kind<\/span>","<span class=\"advgb-post-tax-term\">Friedrich Laun<\/span>","<span class=\"advgb-post-tax-term\">George Frideric Handel<\/span>","<span class=\"advgb-post-tax-term\">G\u00e9rard Wyss<\/span>","<span class=\"advgb-post-tax-term\">Gerd Albrecht<\/span>","<span class=\"advgb-post-tax-term\">Gerhard Naumann<\/span>","<span class=\"advgb-post-tax-term\">Giambattista Varesco<\/span>","<span class=\"advgb-post-tax-term\">Gottfried Keller<\/span>","<span class=\"advgb-post-tax-term\">Hans Franzen<\/span>","<span class=\"advgb-post-tax-term\">Hans M\u00fcnch<\/span>","<span class=\"advgb-post-tax-term\">Heinrich Heine<\/span>","<span class=\"advgb-post-tax-term\">Helen Donath<\/span>","<span class=\"advgb-post-tax-term\">Helmut Hucke<\/span>","<span class=\"advgb-post-tax-term\">Hermann Suter<\/span>","<span class=\"advgb-post-tax-term\">Hermann Winkler<\/span>","<span class=\"advgb-post-tax-term\">Honor\u00e9 de Balzac<\/span>","<span class=\"advgb-post-tax-term\">Hugo Wolf<\/span>","<span class=\"advgb-post-tax-term\">Ich bin in mir vergn\u00fcgt<\/span>","<span class=\"advgb-post-tax-term\">Il re pastore<\/span>","<span class=\"advgb-post-tax-term\">Italienisches Liederbuch<\/span>","<span class=\"advgb-post-tax-term\">Jacob Will<\/span>","<span class=\"advgb-post-tax-term\">Jean Fournet<\/span>","<span class=\"advgb-post-tax-term\">Johann August Apel<\/span>","<span class=\"advgb-post-tax-term\">Johann Sebastian Bach<\/span>","<span class=\"advgb-post-tax-term\">Johann Wolfgang von Goethe<\/span>","<span class=\"advgb-post-tax-term\">Johannes Brahms<\/span>","<span class=\"advgb-post-tax-term\">Karl Engel<\/span>","<span class=\"advgb-post-tax-term\">Kleider machen Leute<\/span>","<span class=\"advgb-post-tax-term\">Le Laudi di San Francesco d\u2019Assisi<\/span>","<span class=\"advgb-post-tax-term\">Leo Feld<\/span>","<span class=\"advgb-post-tax-term\">Leopold Hager<\/span>","<span class=\"advgb-post-tax-term\">Leopold Ludwig<\/span>","<span class=\"advgb-post-tax-term\">Maria Tryptichon<\/span>","<span class=\"advgb-post-tax-term\">Mass in c minor<\/span>","<span class=\"advgb-post-tax-term\">Massimilla Doni<\/span>","<span class=\"advgb-post-tax-term\">Myrthen (Schumann)<\/span>","<span class=\"advgb-post-tax-term\">Neun deutsche Arien<\/span>","<span class=\"advgb-post-tax-term\">Norman Shetler<\/span>","<span class=\"advgb-post-tax-term\">Othmar Schoeck<\/span>","<span class=\"advgb-post-tax-term\">Paul Heyse<\/span>","<span class=\"advgb-post-tax-term\">Paul Verline<\/span>","<span class=\"advgb-post-tax-term\">Peter Keller<\/span>","<span class=\"advgb-post-tax-term\">Peter Schneider<\/span>","<span class=\"advgb-post-tax-term\">Peter Schreier<\/span>","<span class=\"advgb-post-tax-term\">Pierre Boulez<\/span>","<span class=\"advgb-post-tax-term\">Pietro Metastasio<\/span>","<span class=\"advgb-post-tax-term\">Ralf Weikert<\/span>","<span class=\"advgb-post-tax-term\">Robert Schumann<\/span>","<span class=\"advgb-post-tax-term\">Rudolf A. Hartmann<\/span>","<span class=\"advgb-post-tax-term\">Stefania Kaluza<\/span>","<span class=\"advgb-post-tax-term\">Szenen aus Goethes Faust<\/span>","<span class=\"advgb-post-tax-term\">Walter Thoene<\/span>","<span class=\"advgb-post-tax-term\">Wicus Slabbert<\/span>","<span class=\"advgb-post-tax-term\">Wolfgang Amadeus Mozart<\/span>","<span class=\"advgb-post-tax-term\">Wolfgang G\u00f6nnenwein<\/span>","<span class=\"advgb-post-tax-term\">Wolfgang Schneiderhan<\/span>"]}},"comment_count":"0","relative_dates":{"created":"Posted 1 month ago","modified":"Updated 1 month ago"},"absolute_dates":{"created":"Posted on 14\/03\/2026","modified":"Updated on 14\/03\/2026"},"absolute_dates_time":{"created":"Posted on 14\/03\/2026 01:59","modified":"Updated on 14\/03\/2026 22:03"},"featured_img_caption":"","series_order":"","_links":{"self":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/20370","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/comments?post=20370"}],"version-history":[{"count":7,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/20370\/revisions"}],"predecessor-version":[{"id":20594,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/20370\/revisions\/20594"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/media\/20549"}],"wp:attachment":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/media?parent=20370"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/categories?post=20370"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/tags?post=20370"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}